hawke

STRANGER Things star Maya Hawke has married her long-term boyfriend in a surprise wedding on Valentine’s Day.

The actress, 27, tied the knot with musician Christian Lee Hutson in New York City on Saturday.

Maya’s famous Hollywood star parents, Ethan Hawke and Uma Thurman were among the famous faces in attendance.

Her Stranger Things co-stars Finn Wolfhard, Natalia Dyer, Joe Keery, Sadie Sink, Caleb McLaughlin, Gaten Matarazzo, Gaten Matarazzo and Charlie Heaton attended the big day.

Photos showed Maya looking stunning in a classic sleeveless white gown paired with a veil over her head and a long trail.

Maya wore her hair in a chic updo and completed her look with subtle makeup.

Her father appeared full of pride as he walked alongside his daughter on the streets of New York while holding her bouquet of flowers.

Other snaps showed the happy couple taking photos outside the venue, while Maya’s bridal team helped rearrange her dress.

Maya and singer Christian were first romantically linked in 2023.

The pair frequently worked together on music projects. and even collaborated on Maya’s second studio album Chaos Angel in 2024.

Maya also appeared on Christian’s album Paradise Pop. 10 and joined him for a few stops on tour early 2025.

“Christian has been so encouraging to me as a musician, helping me to make the transition from a being a poet in a band to sort of being a musician,” Maya told Variety in June 2024.

In 2023, Maya and Christian were first spotted sharing a kiss in New York City.

They were seen strolling through the city and stopped at a jewellery store.

The couple went on to make their relationship red carpet official on April 2025, at the opening night of Broadway’s John Proctor Is the Villain.

Maya attended the event in support of her co-star Sadie Sink, who was starring in the play.

The pair were good friends for four years before they took things to the next level.

Maya previously said she ‘cannot recommend dating a friend enough’.

“It’s the best,” she said.

“They know you, they understand that you are a person and a human being who has dated other people … not just a piece of paper for them to project their image of a perfect girlfriend onto.”

With yesterday’s Oscar nominees luncheon in the books, the marathon that is awards season is now entering the home stretch. But that doesn’t mean there’s no grist left for the mill, especially when it comes to those — like this week’s cover subject, 73-year-old first-time nominee Delroy Lindo — whose names weren’t necessarily on pundits’ nominations predictions lists.

Through Feb. 26 we’ll be more sharing stories like his, and many others, before Oscar voters cast their final ballots for the March 15 awards. I’ll let my friend Glenn Whipp regale you with tales from his interview with “Sinners” star Lindo when he sends his next newsletter on Friday. In the meantime, read on for more highlights from this week’s issue.

Digital cover story: Wagner Moura

(Jason Armond / Los Angeles Times)

Basking in the sun outside The Times newsroom ahead of his digital cover shoot last month, Wagner Moura seemed exceptionally relaxed about spending his Tuesday afternoon in El Segundo with a bunch of journalists. But don’t let “The Secret Agent” star’s easygoing personality fool you into thinking he’s aloof in any way.

As contributor Lisa Rosen writes in her profile of the actor, he’s unafraid to draw pointed comparison’s between Kleber Mendonça Filho’s acclaimed political thriller — nominated for four Oscars, including lead actor — and contemporary politics, from disgraced Brazilian President Jair Bolsonaro to federal agents in American streets.

“This is also a film about infamy, because he’s being persecuted so unfairly,” he tells Rosen, comparing his character’s fate to that of Minneapolis residents Renee Good and Alex Pretti. After their deaths, he continues, “lies were spread about them online. It’s so cruel, and so it’s killing the person twice.”

The many charms of Ethan Hawke

(David Urbanke / For The Times)

I had the pleasure of speaking with Hawke and his wife and producing partner Ryan Hawke at Sundance the day after the actor earned an Oscar nomination for “Blue Moon,” so by the time I read contributor Margy Rochlin’s delightful interview with him and the film’s nominated screenwriter, Robert Kaplow, I could practically hear it in Hawke’s voice: boyishly enthusiastic, slyly funny, politically and creatively engaged.

But I don’t think you need to be intimately acquainted with Hawke, who also appeared on an Envelope digital cover last fall, to find him and Kaplow high-caliber raconteurs of the joys, and occasional indignities, of making independent films. “Sometimes you get to set and it’s easy to shape the text to make it more your own. The process here was for me to get rid of Ethan,” says Hawke. “It was to try and match the screenplay. I don’t ever remember working as hard — or [director] Rick [Linklater] being as mean to me.”

As far as hooking the listener to a story goes, Lorenz Hart, the loquacious lyricist that Hawke and Kaplow pay homage to in “Blue Moon,” would be proud.

Inside the race for best editing

(Illustration by Vartika Sharma / For The Times)

Oscar voters have occasionally been accused of making this award about the most editing instead of the best editing, but from the descriptions of this year’s five nominees, I think we can safely say that whomever the winner ends up being, their achievement will have been genuinely outstanding.

As contributor Bill Desowitz discovered from his outreach to the editors of “F1,” “One Battle After Another,” “Marty Supreme,” “Sentimental Value” and “Sinners,” coping with trauma is the surprising through line among the disparate scenes the nominees themselves chose as most pivotal to their films. (Given the volume of the footage some of them waded through, they might be suffering it too.)

Read more from our Feb. 12 issue