Harrowing

SHANIA Twain has recalled being “kicked around” by her parents as she shared harrowing details of her abusive childhood.

Thanks to her catchy songs, the legendary singer has paved the way to huge female stars, including Taylor Swift – but behind the glittery cowboy boots lies a tragic past with childhood poverty and abuse.

The star, 60, explained her parents loved each other but they fought a lot, and they got violent often.

She said she witnessed brutal fights between her mother, Sharon, and stepfather, Jerry Twain, and that their violence often included her and her sisters, Jill and Carrie Ann, who were “smacked” and “kicked around a lot.”

Shania said on NPR’s Wild Card with Rachel Martin podcast: “If I was standing in the wrong place at the wrong time, definitely. I mean, both my parents were pretty harsh physically.”

She added: “‘It was very violent. So my mom, you know, she would lose clumps of hair.

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“She was bruised often in the face and… it was pretty bad sometimes.

“I mean, our house would shake. Those walls would shake.

“It’s very traumatic. It gets loud and scary, like a really bad thunderstorm.”

It’s not the first time Shania has spoken about the violence within her childhood.

Shania was born in Ontario, Canada, in 1965, one of three girls to parents Sharon and Clarence Edwards.

However her parents divorced when Shania was two and her mother’s second husband, Jerry Twain, adopted the sisters.

Their home life was wrecked by poverty, with Shania and her sisters often going to school hungry.

So when Sharon spotted her daughter had a talent for music, she knew she had found a way to make money to help the family.

“Really, my mother was the one that made me get on stage,” Shania recently told The Independent. “I did not want to be in the spotlight. I was petrified of it.” 

From just eight, Shania would be woken up to perform in bars after midnight.

“I would go to do the after-hours set and everyone was already intoxicated,” the five-time Grammy winner revealed.

“It was not fun,” Shania continued of those early shows. “I had school the next day, and my parents would often fight.”

Shania quickly learned that if she came back home with no money from her gigs it meant trouble.

“If I didn’t earn anything from it, it was going to be a domestic problem,” Shania explained.

“We were living hand to mouth.”

Tragically, Jerry wasn’t just violent towards wife Sharon, once beating her unconscious.

Shania recalled how her cruel stepfather would also make her walk around the house topless and touch her inappropriately.

“He just had issues… It was like he was two people,” she told 60 Minutes. 

“I would get physically involved sometimes with my parents’ fights… I just thought that he would kill her. One of these times – he was gonna kill her.”

“I hid myself and I would flatten my boobs,” she told The Sunday Times in an emotional interview.

“I would wear bras that were too small for me, and I’d wear two, play it down until there was nothing girl about me. Make it easier to go unnoticed.”

“It was terrible – you didn’t want to be a girl in my house.”

Aged 22, Shania was about to get her big break when her parents were both tragically killed in a car crash.

She had to return home to care for her younger siblings and Shania became ”a single mum overnight,” she recalled.

She added: “It was a very touch and go period in my life.

“It was a lot of pressure. I barely slept.”

But despite the setbacks, Shania didn’t give up on her dream.

Once her sisters were old enough, she compiled a demo tape to present to Nashville music execs and within a few months they had snatched her up.

It was the first step to Shania finally becoming the international country pop superstar the world knows today. 

This adaptation fans are calling ‘absurd’ is incomparable to any other period drama, as a peculiar version of real life events in the medieval times – packed with dark humour and explicit content

Fans of period dramas are not quite prepared for this mini series take on the genre, turning it on its head completely.

What many viewers are unaware of, however, is that its entertaining storyline is drawn from a collection of 100 tales penned by an Italian author, dating back to that very same period.

Instead, Netflix subscribers can see back and watch pieces of the story play out on screen in this dark comedy series set in 14th-century Italy.

The Decameron is a show inspired by the classic work of the same name, unfolding against the backdrop of the devastating Black Death pandemic. It follows a wealthy family as they desperately attempt to survive the outbreak, all played out with an abundance of humour.

The Decameron pulls no punches when it comes to sexual content, strong language, violence, and grisly details within its darkly comedic narrative. It is precisely these elements that set it apart from the rest and see it racking up a string of five-star reviews.

One viewer wrote on Rotten Tomatoes: “I was entertained throughout the entire series. Definitely worth watching! I was cheering for all the characters as they were developing throughout the season.”

Another shared their feelings towards the show, writing: “It’s completely silly yet the characters inexplicably grow on you and become like a bunch of very stupid but very dear friends. Never seen something like this.”

Audiences are transported on an adventure, commencing in 1348 in a fictionalised retelling of events, as the Black Death grips Florence. In reaction, a collection of aristocrats and their servants take refuge in a rural villa in Tuscany, weathering further outbreaks surrounded by their riches and extravagant way of life.

Before long, the pestilence reaches the peaceful hillsides and they find themselves with little alternative but to battle for their very existence. While the setting is of course based on a real life health crisis, its events are entirely fictionalised.

Playing these characters are Tanya Reynolds from Sex Education, together with Zosia Mamet, recognised for her part in Girls. Also appearing alongside them on screen are Lou Gala, Leila Farzard, Jessica Plummer and Amar Chadha-Patel.

The cast have garnered considerable praise with one reviewing saying that they delivered “enjoyable performances”.

Others said it was “well acted”, while one viewer said the script and actors had them “laughing out loud” throughout.

One review reads: “While not really an adaptation of The Decameron (more like “inspired by”), this tv show manages to be horny, dumb, deep, nihilist and sweet at the same time.

“It has great moments, great lines, really dumb jokes, some smart ones, some good and profound takes and overall an awesome cast and soundtrack.”

The period drama packs a great deal into its compact eight episodes and was sadly never commissioned for a second series following its 2024 release, making it perfect for a binge-watch.

To experience a period drama like never before, The Decameron is available now to stream on Netflix.

Not many people would even think of getting a chance to come face to face with Madonna, but for singer and activist Emmanuel Kelly, he will be one of the very few sharing the stage with her at the first of its kind World Cup Half Time Show.

Alongside the Confessions singer, Justin Bieber, Shakira, BTS, Burna Boy and more, in a special show curated by Coldplay’s Chris Martin, Emmanuel will join some of his musical heroes for the performance of a lifetime.

As he prepares to meet Madonna – whom he describes as an artist who has created a whole “generation of music” – he just has one question on his mind. “I’m just going to embrace the moment. I’m going to ask every one of them, ‘Hey, listen, can you please just put me on your songs?'” he tells us in an exclusive chat ahead of the Half Time show.

Just four weeks ago, Emmanuel heard from Chris with an offer he couldn’t refuse. The pair have been friends for some time now, with Emmanuel having joined the band of their iconic Music of the Spheres World Tour. He was also part of the Club World Cup Half Time show last year, curated by Chris too – but having starred in the other, he didn’t think there would be any chance of doing this one too.

“About four weeks ago, it wasn’t even gonna happen. I sent Chris a text and said, ‘Hey, congratulations.’ And he wrote back saying, ‘Do you wanna join?’ I didn’t tell anyone but my partner and then suddenly we got this email from FIFA and Global Citizen confirming it all, as if it was planned all along,” he recalls.

Emmanuel’s current predicament is a far cry from the start of his life. He had a devastating and tough childhood, being found as an infant, abandoned on a battlefield in Iraq, before being taken in by those at Mother Teresa Orphanage in Baghdad where he met his now-brother Ahmed. Because of his birth mother’s exposure to chemical warfare, he was born with underdeveloped limbs.

When found by his future adoptive mother, Australian humanitarian Moira Kelly, in 1998, him and Ahmed moved to Australia two years later and following surgery, which allowed him to be fitted with prosthetic limbs, he became a citizen of Australia in 2009.

A viral appearance on Australia’s X Factor in 2011, where he was voted off before getting into the top 24, and it wasn’t long after that he came to meet the Coldplay star. They were introduced several years ago through a mutual friend, with Chris quickly giving Emmanuel the nickname “natural antidepressant”. The pair’s bond has only grown over the years, with Emmanuel describing his friend as more like a “brother”.

“I grew up in Iraq and I was a brother to a lot of people in that orphanage where I had to take care of these kids. I always say the only thing thicker than blood is love,” he tells us,

“In an entertainment industry that sometimes focuses too much on the superficial, Chris was there for me. For the first time in a long time, I was in a very dark place. It was then I met Chris.

“He became a brother to me. He became a mentor. He became a guide. He became the shining light. He feels his purpose is spreading love and happiness and joy and he has been doing that for so many years. He gave love and joy to me in a time of darkness and in a time I really needed it.”

As Emmanuel’s fiancé Joanne so wonderfully puts it: “In Chris’s mind, Emmanuel just has the secret to joy. He values him as someone that, despite everything he’s gone through, he approaches everything from a perspective of joy.”

Summing up the half time show for us in just a few sentences, Emmanuel didn’t want to give anything away but he did tell us the focus was on unity and love.

“There’s more good in this world than there is bad. We see the bad more so we just need to start focusing on the good more. Focus on the good, love yourself and global unity. That’s the message of the show.”

As well as his musical endeavours, Emmanuel co-founded 0utlyer, which has a mission to employ 1,200 differently abled people in the entertainment industry across film and television production and music and live events curation company.

“Our goal as a company is to help the world and reshape the question. It’s not about what this community needs or necessarily what can we do for this community; but it’s how do we repay the favour of what the community’s already done. There’s two billion people that have already done, but done it in the shadows and we need to shine a light of what this community is actually doing,” he says.

Emmanuel has also just released a new song called Hello. “Hello just sends a message about loving yourself. When things are down and out, just smile to yourself. Smile in the mirror. Tell yourself you love yourself.

“Go up to some random individual on the street and just say hello to them. It brings joy. Sometimes the simple thing of just saying hello to somebody, you don’t know what that does to that person.”

*In further news Kelly has now signed with UK-based Champions Speakers the UK and Europe’s leading keynote speaker agency , and will share his story via a series of inspirational public speaking events, bringing his message of resilience and inclusion to audiences across business, education and beyond.

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The Crown Prosecution Service sees first-hand the impact that domestic abuse has on victims.

It says that of every five cases the police refers to it, four result in charges being brought.

Olivia Rose, the CPS’s National Stalking Lead, says it does not just see physical abuse. There is coercive and controlling abuse too.

“It’s crucial for victims to spot the signs early,” Rose said. “What our prosecutors see can include monitoring of victims’ phones and social media, often inundating them with dozens of messages.

“There’s also emotional blackmail, such as threatening to kill themselves if their partner leaves.

“It’s incredibly important that we get the message out to say that behaviour like this is not just unacceptable: it’s illegal.”

The CPS, the government department responsible for prosecuting criminal cases, say it works closely with the police and women’s charities to ensure that action is taken to stop such behaviour and to help victims to get away.

It says it needs help from communities too. And it is urging people to look out for friends, family and neighbours who could be vulnerable during the World Cup.

“If you can step in to help, you could be making a life-changing difference,” Rose said.

She also wants to get the message to victims that they will be supported if they speak out.

“We understand how difficult it can be to report domestic abuse,” she added. “But if you come forward, you will be taken seriously, and we will bring offenders to justice.

“The World Cup should bring communities together, and it should never be an excuse to fuel abusive behaviour.”

Anyone experiencing domestic abuse who is in immediate danger should always call 999. Victims can also report abuse to the police on 101.

Confidential support services are available. Anyone affected can contact the National Domestic Abuse Helpline on 0808 2000 247 in England, or the Live Fear Free helpline on 0808 80 10 800 in Wales.

Solace’s Advice line is: 0808 802 5565.

Netflix fans say the gripping drama is the best true crime show they’ve ever watched

Fans are begging for even more episodes of a true crime drama sitting quietly in Netflix‘s library.

Viewers might have missed a harrowing docuseries that is hiding in plain sight on the streaming platform.

Homicide first hit screens in 2024 with five episodes diving into chilling murders that have taken place in Los Angeles. Seasons 2 and 3 closely followed with a fresh focus on New York crimes.

The series comes from Law & Order creator Dick Wolf and examines gruesome killings from the perspectives of those directly impacted. Viewers hear from detectives and prosecutors, as well as the families of the victims.

It offers a complete overview of how law enforcement approached the cases, and how citizens were forced to mourn their loved ones.

Season 3, which is titled Homicide: New York, focuses on a serial offender who targeted victims in Central Park, a suspicious drowning at Soho House, and an unfiltered recounting of 9/11 from the officers who were at Ground Zero.

While many Netflix subscribers may have missed the show, those who caught it upon its release were thoroughly impressed.

An IMDb user raved “we need more,” before writing: “Amazing!! The editing was simply perfect, but the true stories oh my they were so sad but very interesting to hear.

“The people behind all the hard work to find out the results were brilliant and very well spoken about the cases and families involved! Need another 5 episodes!!!”

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Someone else agreed with the praise, adding: “In True Crime Drama…This one STANDS ABOVE. There are a lot of documentaries out there regarding true crime. Dick Wolf has done an extraordinary job on bringing this one to the screen. I would say it’s one of the best written, true crime dramas ever made.”

While an X, formerly Twitter, user urged others to tune in. “If anyone’s looking for a good murder mystery, definitely recommend Homicide New York on Netflix,” they said.

Yet another fan agreed, stating: “Homicide: New York is insaneeeeeee. if you’re into true crime, you definitely want to watch it.”

All fifteen episodes of Homicide are available to stream now on Netflix

The BBC has produced a number of critically acclaimed and beloved films and TV shows over the years – but one gritty crime drama may have slipped under the radar for many fans

A “gritty” BBC crime drama has left viewers “heartbroken” but it may well have gone completely unnoticed by some film fans.

The BBC has built a stellar reputation among TV and film enthusiasts thanks to its numerous top-tier productions which continue to be praised long after they first aired. There’s something to suit all tastes, from entertaining and fun sitcoms, steamy storylines and beloved period dramas, to powerful, unflinching crime thrillers, and much more.

Lots of BBC-backed films remain critically celebrated and adored to this day, from 2019’s musical crime drama hit Blue Story, and the thought-provoking Looted, to the 1989 Gary Oldman-led cult crime classic The Firm, and countless others.

The BBC’s television catalogue is equally respected, with the likes of hugely popular police drama Line of Duty, bleak favourite Happy Valley and the tense anthology drama The Missing frequently listed as among the best the broadcaster has produced.

But a 90-minute crime film may have escaped many viewers’ attention – and if you’re partial to hard-edged legal dramas, it’s worth checking out.

It’s the 2014 made-for-television film, Common. It was written by Jimmy McGovern and directed by David Blair. The film stars Nico Mirallegro, Michelle Fairley and Harry Potter alum Michael Gambon.

The storyline follows 17 year old Johnjo O’Shea, portrayed by Mirallegro, who is asked to give his older brother’s friends a lift in his brother’s car to take them to a pizza takeaway.

Unbeknownst to Johnjo, one of his passengers has an ulterior motive for heading to the takeaway – he intends to confront a rival who’ll be there.

A row erupts between one of Johnjo’s passengers and an onlooker, Tommy Ward. Tommy is eventually stabbed and fatally wounded by the passenger.

Johnjo ends up in court charged as an accessory to murder, under the doctrine of common purpose; a component of the UK’s contentious Joint Enterprise legal doctrine which permits multiple people to be prosecuted and found guilty of the same offence – regardless of the different roles they may have played in a crime.

Writer Jimmy McGovern drew inspiration from the actual case of 16 year old Jordan Cunliffe, who received a sentence under this law for a minimum period of 12 years for the murder of Garry Newlove, who was beaten to death in August 2007 after challenging a group of youths outside his home.

Cunliffe was understood to have played no active role in the assault on Newlove.

The film traces the legal proceedings that follow, alongside the consequences and tensions that arise between the various families affected.

On Rotten Tomatoes, viewers have shared their opinions on the somewhat overlooked drama. One fan said: “Actor and storyline driven, this gritty British drama brings a new area of crime and punishment to light.

“Jodhi May stands out, but with many regular British drama faces, this is a tale that leaves no mother without an emotional pull.”

Another viewer wrote: “I thought this was a simple movie, but powerful all the same.”

A third added: “Very well made and acted, but so heartbreaking I never want to see it again.”

Critics were equally impressed, with The Guardian describing it as “a brutal and devastating drama” that’s “bleak, powerful” and “thick with political intent”, though it noted this “occasionally robs it of its quality”.

Common is streaming now on BBC iPlayer.

Viewers have been left horrified by the chilling new documentary that is free to watch.

Channel 5 viewers have been left horrified by a new true crime documentary.

Murder In Shetland: Trial by Jury follows the killing of Claire Leveque, a woman who was found dead at a remote Shetland home.

Claire, from Canada, was 24 years old when she was killed on 11 February 2024.

She was found with a number of serious injuries in a hot tub at a property in the Sandness area, and though emergency services arrived at the scene, she was pronounced dead a short while later.

A new documentary is now revealing the murder trial that followed, as well as sharing the perspective of her grieving family.

The Channel 5 synopsis teases: “Inside the courtroom as a grieving family and an accused partner collide in a murder trial.”

Sharing a clip on social media, Channel 5 warned viewers: “Warning: Some viewers may find the following video distressing.”

They added: “Claire Leveque’s final months reveal a harrowing story of control and abuse. Now, her family cross continents in search of answers, and justice.”

The trailer heard clippings from the trial, with Claire’s family and friends in tears in court.

It also sees testimonies from experts brought in to prove the case, as a person warns: “This is a horror story from the beginning.”

“This was horrific,” one viewer commented to the clip.

Another said: “Horrendous case – can’t imagine how her family & friends coped with that trial.”

Someone else called it “very chilling”, and said “it wasn’t an easy watch”.

“A hard watch,” another agreed, while someone else said: “#MurderinShetland is remarkable television. Do watch it if you can, although it is quite harrowing.”

Ahead of the documentary airing, Gary Davies, consultant editor for commissioning at 5, said: “This thoughtful series gives a deeply human account of an unimaginable tragedy. It shines a light on the justice process and honours the courage of Claire’s family as they seek truth and remembrance.”

Mark Procter, executive producer for Big Little Fish, echoed the sentiment, saying: “We are profoundly grateful to the Judicial Office for Scotland and to everyone who enabled our access to the trial.

“Above all, we are honoured that the Leveque family have entrusted us to document what happened to Claire. We hope this series serves as a respectful tribute – giving her the voice that was so cruelly taken from her.”

Murder in Shetland: Trial by Jury is available to watch on Channel 5.