Harlem

Aug. 29 (UPI) — The New York City Health Department announced Friday that a deadly bout of Legionnaires’ disease in Upper Manhattan has ended.

According to the agency, as of Thursday, a cluster of the illness in the Central Harlem community caused 114 cases of Legionnaires’ disease. Of those who were infected, seven died and 90 were hospitalized.

Six of the victims remain hospitalized. The Health Department also noted that about 90% of those stricken “had a known risk factor for severe disease,” which includes smoking, having a compromised immune system, chronic lung disease or other chronic conditions, or being age 50 and older.

An investigation into the source of the sickness that began in July had led the Health Department to the cooling towers at Harlem Hospital, and the facility has since had its towers disinfected. However, a culture test taken from a hospital tower did come back positive earlier this month, and the hospital then drained, disinfected, and refilled the cooling tower.

A cooling tower at a construction site in Harlem was sampled in July, and it, too, received a positive result for Legionnaires, and the site contractor completed a total remediation in the beginning of August.

“After an extensive investigation, we were able to identify two cooling towers that had a genetic match with patient specimens,” announced Acting Health Commissioner Dr. Michelle Morse on Friday.

“We are working with building owners on next steps to protect the health and safety of Harlem residents and to prevent future clusters,” she concluded.

“Today marks three weeks since someone with symptoms was identified, which means New Yorkers should be able to breathe a sigh of relief that residents and visitors to Central Harlem are no longer at an increased risk of contracting Legionnaires’ disease,” said New York City Mayor Eric Adams in a press release.

“But our job here is not done,” he added. “We must ensure that we learn from this and implement new steps to improve our detection and response to future clusters, because public safety is at the heart of everything we do, and we will never stop working to protect New Yorkers.”

The New York City Health Department described Legionnaires’ disease as a type of pneumonia caused by the bacteria Legionella, which grows in warm, standing water.

Its symptoms can include muscle aches, fever, chills and cough. Cooling towers used in air conditioning systems emit water vapor that can spread the disease if the tower’s water system is contaminated.

The department further notes it can’t be spread from person to person or by drinking water. The city’s largest outbreak occurred in 2015, during which 16 people died and 136 were sickened.

Tuesday night, Gustavo Dudamel was back at the Hollywood Bowl. This summer is the 20th anniversary of his U.S. debut — at 24 years old — conducting the Los Angeles Philharmonic, and becoming irrepressibly besotted with the amphitheater.

He walked on stage, now the proud paterfamilias with greying hair and a broad welcoming smile on his face as he surveyed the nearly full house. The weather was fine. The orchestra, as so very few orchestras ever do, looked happy.

For Dudamel, his single homecoming week this Bowl season began Monday evening conducting his beloved Youth Orchestra Los Angeles as part of the annual YOLA National Festival, which brings kids from around the country to the Beckmen YOLA Center in Inglewood. But it is also a bittersweet week. Travel issues (no one will say exactly what, but we can easily guess) have meant the cancellation of his Simón Bolívar Symphony Orchestra of Venezuela‘s trip to the Bowl next week. Dudamel will also be forced to remain behind with them in Caracas.

After 20 years, Dudamel clearly knows what works at the Bowl, but he also likes to push the envelope as with Tuesday’s savvy blend of Duke Ellington and jazzy Ravel. The soloist was Korean pianist Seong-Jin Cho, whose recent recording of Ravel’s complete solo piano works along with his two concertos, has been one of the most popular releases celebrating the Ravel year (March 7 was the 150^th anniversary of the French composer’s birth).

Ellington and Ravel were certainly aware of each other. When Ravel visited New York in 1928, he heard the 29-year-old Ellington’s band at the Cotton Club, although his attention on the trip was more drawn to Gershwin. Ellington knew and admired Ravel, and Billy Strayhorn, who was responsible for much of Ellington’s music, was strongly drawn to Ravel’s harmony and use of instrumental color.

On his return to Paris, Ravel wrote his two piano concertos, the first for the left hand alone, and jazz influences were strong. Cho played both concertos, which were framed by the symphonic tone poems “Harlem” and “Black, Brown and Beige, which Ellington called tone parallels.

There has been no shortage of Ravel concerto performance of late — or ever — but Ellington is another matter. Although the pianist, composer and band leader was very much on the radar of the classical world — “Harlem” was originally intended for Arturo Toscanini and the NBC Symphony; Leopold Stokowski attended the Carnegie Hall premiere of “Black, Brown and Beige,” as did Eleanor Roosevelt, Marian Anderson and Frank Sinatra — Ellington never played the crossover game. The NBC “Harlem” never panned out and became a big-band score. Ever practical, Ellington, who composed mostly in wee hours after gigs, always wrote for the occasion and the players. He tended to leave orchestration to others, more concerned with highlighting the fabulous improvising soloists in his band.

The scores, moreover, were gatherings, developments and riffs on various existing songs. “Harlem” is an acoustical enrapturement of the legendary Harlem Renaissance and one of the great symphonic portraits of a place in the repertory. “Black, Brown and Beige” is an ambitious acoustical unfolding of the American Black narrative, from African work songs to spiritual exaltation with “Come Sunday” (sung by Mahalia Jackson at the premiere) to aspects of Black life, in war and peace, up to the Harlem Renaissance.

Both works are best known today, if nonetheless seldom heard, in the conventional but effective orchestrations by Maurice Peress and are what Dudamel relies on. The version of “Black, Brown and Beige” reduces it from 45 to 18 too-short minutes.

The primary reason for these scores’ neglect is that orchestras can’t swing. The exception is the L.A. Phil. With Dudamel’s surprising success of taking the L.A. Phil to Coachella, there now seems nothing it can’t do.

The time has come to commission more experimental and more timely arrangements. But even these Peress arrangements, blasted through the Bowl‘s sound system and with the orchestra bolstered by a jazz saxophone section, jazz drummer and other jazz-inclined players, caught the essence of one of America’s greatest composers.

Ravel fared less well. The left-hand concerto has dark mysteries hard to transmit over so many acres and video close-ups of two-armed pianists trying to keep the right hand out of the way can be disconcerting. This summer, in fact, unmusical jumpy video is at all times disconcerting.

Ravel’s jazzier, sunnier G-Major concerto is a winner everywhere. But for all Cho’s acclaim in Ravel, he played with sturdy authority. Four years ago, joining Dudamel at an L.A. Phil gala in Walt Disney Concert Hall, Cho brought refined freshness to Tchaikovsky First Piano Concerto. In Ravel at the Bowl, amplification strongly accentuated his polished technique, gleaming tone and meticulous rhythms, leaving it up to Dudamel and a joyous, eager orchestra to exult in the Ravel that Ellington helped make swing.

The mind games began before the opening bell, when Catterall sent Conor Benn – who was defeated by Harlem’s cousin, Chris Eubank Jr, in their April grudge match – to inspect Eubank’s hand-wrapping.

“Didn’t want to miss this,” Benn quipped during the awkward encounter, before returning to Catterall’s dressing room to report, “[Eubank’s] head has gone”, as the pair embraced.

Inside the ring, Eubank smiled nervously through a tentative opening as Catterall, as expected, edged the early rounds with his superior skill and ring IQ, though without fully imposing himself.

Eubank, who has gained popularity through his appearances on free-to-air television, began to land single shots, but it was apparent he was second best against the more accomplished fighter.

With career wins over Josh Taylor, Jorge Linares, and Regis Prograis, Catterall’s class was clear.

But the pair tumbled to the canvas in the third, and again in a messy sixth. Then came the accidental clash, followed by Eubank striking the back of Catterall’s head.

The home favourite returned to his corner to have the blood wiped away – an action not allowed mid-round.

Given the severity of Catterall’s cut, the bout was waved off at one second into the seventh, prompting boos from a 5,000 strong crowd.

Afterwards, promoter Eddie Hearn dismissed talk of a rematch and said Catterall would be manoeuvred back into world title contention.

NEW YORK — Former President Bill Clinton, Gov. Kathy Hochul and House Democratic Leader Hakeem Jeffries remembered former U.S. Rep. Charles Rangel’s sharp wit, relentless advocacy for Harlem and extraordinary life of public service during a funeral mass for the late congressman in Manhattan on Friday.

Rangel, a pioneering congressman and veteran of the Korean War, died on May 26 the age of 94.

The mass, held at the historic St. Patrick’s Cathedral, came a day after Rangel’s body lay in state at New York City Hall, an honor bestowed to only a handful of political figures, including U.S. presidents Abraham Lincoln and Ulysses S. Grant.

Clinton, who called Rangel one of the most effective members to ever serve in Congress, recalled the congressman’s insistence on steering a critical economic program to his Harlem district when Clinton was president, helping to lower unemployment there.

“I don’t think I ever knew a happier warrior than Charlie Rangel,” Clinton said.

Rangel served in Congress for nearly five decades, becoming a dean of the New York congressional delegation and a founding member of the Congressional Black Caucus, as well as being the first African American to chair the powerful Ways and Means Committee. Before his time on Capitol Hill, he earned a Purple Heart and a Bronze Star for his military service in the Korean War.

Jeffries told the crowd at the mass that “America is better off today because of his service” and said, as a young congressman, that the legendary Rangel would simply call him Jeff.

“Now, Charlie Rangel would often call me Jeff. I believe it was short for Jeffries. But I never confirmed that. ’Cause this was Charlie Rangel, and so you go with the flow,” Jeffries said, smiling.

Hochul called Rangel “a giant in American life” and said she would move to rename a street in Harlem after the late congressman, who was sometimes called “Lion of Lenox Avenue.” She thanked the attendees who came to the mass “not to mourn Charlie, but to celebrate an extraordinary life.”