Hall

It’s the start of a new year and that means the kickoff of a whole new slate of television series. And while 2026 will bring plenty of those, it will also yield revivals, new seasons of beloved shows, spinoffs and long-awaited finales. Though this list isn’t exhaustive by any means, and not all dates have been announced, there’s plenty to start penciling into your calendar.

‘Star Trek: Starfleet Academy’ (Jan. 15, Paramount+)

Holly Hunter as Capt. Nahla Ake in “Star Trek: Starfleet Academy.”

(Brooke Palmer/Paramount+)

In these awful, uncertain times, it is heartening that “Star Trek,” that most good-hearted, proudly progressive of space operas, continues to create new missions for fresh multiplanetary crews of explorers. The latest series, set like “Star Trek: Discovery” in the far-flung 32nd century, when anything the writers need created can be, takes place both in San Francisco — where the rebuilt Starfleet Academy is welcoming its first new class in more than 100 years — and aboard a training starship, the USS Athena, which will presumably carry cadets into situations more dangerous than rush week or beer pong. Tig Notaro’s engineer Jett Reno, surviving from “Star Trek: Discovery,” and Robert Picardo’s holographic doctor way back from “Star Trek: Voyager,” are seen here, as are several new young actors for youth appeal and Holly Hunter, as the academy chancellor and starship captain, for the “Broadcast News” fans. The voice of Stephen Colbert, making announcements as the Digital Dean of Students, is heard, and Paul Giamatti puts on prosthetics to play the villain. — Robert Lloyd

‘Memory of a Killer’ (Jan. 25, Fox)

Michael Imperioli, left, and Patrick Dempsey in “Memory of a Killer.”

(Christos Kalohoridis/Fox)

Former “Grey’s Anatomy” heartthrob Patrick Dempsey trades in his “McDreamy” scrubs for a high-powered rifle in Fox’s thriller drama. Inspired by the 2003 Belgian film “De Zaak Alzheimer,” the drama features Dempsey as Angelo Ledda, a New York City hit man facing a devastating dilemma: he has early Alzheimer’s. The disease complicates his deadly profession and his life as a low-key family man. With a cast that includes Michael Imperioli (“The Sopranos”) and Gina Torres (“Suits”), the trailer looks particularly intriguing, with Dempsey looking intense while backed by the Who’s “Behind Blue Eyes.” Fox is spotlighting the series with a two-night premiere; the first episode airs following the NFC Championship game. The second episode airs Jan. 26 as the drama settles into its regular slot on Mondays at 9 p.m. — Greg Braxton

‘Scrubs’ revival (Feb. 25, ABC)

Zach Braff, top, and Donald Faison in the “Scrubs” revival.

(Jeff Weddell/Disney)

Ready for another walk through the halls of Sacred Heart Hospital with J.D., Elliot, Turk, Dr. Cox and Carla? The 30-minute sitcom was a comfort watch throughout much of the early aughts, with an endless loop of reruns keeping the show alive in the minds of fans long after it was canceled in 2010. But now ABC is bringing back the medical sitcom nearly 16 years later, and a lot of familiar faces are returning too: Zach Braff, Sarah Chalke and Donald Faison will reprise their lead roles, and John C. McGinley and Judy Reyes will make guest appearances. But not all is the same — several new cast members will join “Scrubs,” including Vanessa Bayer (“Saturday Night Live,” “I Love That for You”) and Joel Kim Booster (“Fire Island,” “Loot”). As long as J.D.’s daydreams and goofy bromance with Turk remain, I’m all in. — Maira Garcia

‘Monarch: Legacy of Monsters’ Season 2 (Feb. 27, Apple TV)

Wyatt Russell and Mari Yamamoto in Season 2 of “Monarch: Legacy of Monsters.”

(Vince Valitutti/Apple)

It’s been two years since the first season of “Monarch: Legacy of Monsters” ended with a surprise two-year time jump and I’ve been waiting to see what’s next for the extended Randa clan ever since. The Monsterverse series follows Cate Randa (Anna Sawai) — a survivor of a Godzilla encounter — trying to learn the truth about her father Hiroshi’s (Takehiro Hira) disappearance with the help of her newly discovered half-brother Kentaro (Ren Watabe) and ex-pat hacker May (Kiersey Clemons). It turns out the Randa family legacy is intertwined with Godzilla as well as Monarch, a secret organization dedicated to studying the giant monsters known as Titans. The possibility of kaiju battles was definitely what initially drew me to the show, but the humans have kept me hooked. Season 1 ended with Cate reuniting with her brother and father after escaping a mysterious pocket world beneath Earth’s surface with her long-lost grandmother Keiko (Mari Yamamoto) in tow. If that is not the setup for some gloriously messy family drama, I don’t know what is — and that’s not even taking into account a potential love triangle. But don’t fret monster lovers, the presence of Kong has also been teased for Season 2. — Tracy Brown

’American Love Story’ (February, FX)

The latest iteration of Ryan Murphy’s “American Story” anthology will focus on John F. Kennedy Jr. and Carolyn Bessette Kennedy, whose relationship and untimely deaths in 1999 created a media frenzy. (The couple died in a plane crash that Kennedy was piloting — the cause of death was deemed pilot error, but with no survivors, we’ll never know with 100% certainty.) Though their deaths occurred more than two decades ago, the event remains a significant moment in the memories of Americans and the Kennedy family, which has endured numerous tragedies over the decades. While Kennedy family members have openly criticized the series, it hasn’t stopped Murphy from proceeding. The television creator knows how to pique viewers’ interest, often dramatizing notable people and events. The series stars Sarah Pidgeon as Bessette, newcomer Paul Kelly as Kennedy and Naomi Watts as matriarch Jackie Kennedy. — M.G.

‘Y: Marshals’ (March 1, CBS), ‘Dutton Ranch’ (2026, Paramount+)

Logan Marshall-Green, Arielle Kebbel and Luke Grimes in CBS’ “Y: Marshals.”

(Sonja Flemming/CBS)

More than a year has passed since “Yellowstone” rode off into the sunset. The modern western was television’s hottest series during its five-season run, solidifying the star power of its lead Kevin Costner as patriarch John Dutton while establishing co-creator Taylor Sheridan as one of TV’s top writer-producers. Sheridan hopes to continue his “Yellowstone” triumph with several spinoffs. Kelly Reilly and Cole Hauser will reprise their respective roles as Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler, in Paramount+’s “Dutton Ranch.” Luke Grimes, who played Dutton’s son Kayce Dutton, will headline “Y: Marshals” in which Kayce joins a top U.S. Marshals unit. Joining Grimes in the CBS drama are “Yellowstone” cast members Gil Birmingham (Thomas Rainwater) and Mo Brings Plenty (Mo). Also in development is “The Madison,” a drama starring Michelle Pfeiffer and Kurt Russell about a New York City family living in Montana’s Madison River territory. — G.B.

‘Imperfect Women’ (March 18, Apple TV)

Elisabeth Moss, left, Kerry Washington and Kate Mara in “Imperfect Women.”

(Nicole Weingart/Apple)

If you’re longing for the elusive Season 3 of “Big Little Lies” or a similar crime-laced psychological thriller led by powerhouse women, Apple TV might be able to scratch that itch with this upcoming drama. Based on Araminta Hall’s novel of the same name, “Imperfect Women” will follow three lifelong friends, played by Kerry Washington, Elisabeth Moss and Kate Mara, as a murder sends their lives into chaos. Moss and Washington also serve as executive producers with Hall. Details about the plot of the series are scant (it is a mystery, after all), but the novel teases a story with deep betrayal and guilt, a secret affair and muddled perspectives, all underpinned by a murder investigation. That all sounds pretty dark, but Moss said the series will somehow be a “fantastic palate-cleanser” after the close of her dystopian drama “The Handmaid’s Tale.” “Imperfect Women” is “super different,” she added. “It’s fun, it’s sexy.” — Kaitlyn Huamani

‘The Forsytes’ (March 22, PBS)

Danny Griffin and Tuppence Middleton in “The Forsytes.”

(Sean Gleason/Masterpiece / PBS)

Written by Debbie Horsfield (“Poldark”), this is, as far as I can tell, a freely adapted, female-forward prequel to John Galsworthy’s “Forsyte Saga” novels, which provided the basis for a highly popular, 26-part adaptation in 1967 and subsequent filmings in 2002 and 2003. Set among a late Victorian-era family of stockbrokers, a phrase that will undoubtedly bring the word “succession” to mind, it promises to be a meaty, cheesy and handsomely dressed — sometimes undressed — romp. The large ensemble cast includes Francesca Annis, Stephen Moyer, Tuppence Middleton, Eleanor Tomlinson, Jack Davenport, “Doctor Who” companion Millie Gibson and Susan Hampshire, who starred in and won an Emmy for the 1967 series. — R.L.

‘Margo’s Got Money Troubles’ (April 15, Apple TV)

Michelle Pfeiffer and Elle Fanning in “Margo’s Got Money Troubles.”

(Allyson Riggs/Apple)

Ever look at a television title and think: “It’s great to see myself represented on TV?” The actual premise of this series may feel less relatable on the surface to most, but the struggle to stretch a dollar like it’s made of industrial-use elastic is a conundrum many of us know all too well these days. And this new series from prolific TV producer David E. Kelley promises humor and heart in its adaptation of Rufi Thorpe’s novel of the same name, which explores sex work and financial precarity without moralization. The series stars Elle Fanning as the titular character, a recent college dropout from a working-class background who, as a new mom raising a baby solo, is forced to figure out how to make ends meet and finds a financial lifeline as a creator for OnlyFans, the subscription-based platform made famous by adult content. The series also features Michelle Pfeiffer as Margo’s mother (an ex-Hooters waitress) and Nick Offerman as her father (an ex-pro wrestler). And to ensure she’s not letting 2026 go by without adding a stamp to her TV punch card, Nicole Kidman is also part of the stacked cast. Because we need that, all of us. — Yvonne Villarreal

‘The Testaments’ (April 2026, Hulu)

Lucy Halliday, left, and Chase Infiniti in “The Testaments.”

(Disney)

The success of Bruce Miller’s award-winning adaptation of Margaret Atwood’s “The Handmaid’s Tale” prompted the author to write the Booker Prize-winning sequel “The Testaments,” which Miller is also adapting. Set to premiere in April, it returns viewers to the Old Testament world of Gilead, years after the events in “The Handmaid’s Tale,” and focuses on June’s (Elisabeth Moss) daughters Hannah, renamed Agnes (Chase Infiniti), and Daisy, previously known as Nicole (Lucy Halliday), as they face the brutal forces of a misogynistic theocracy. Ann Dowd reprises her role as Aunt Lydia, the only character (with the possible exception of June) who will cross over from the previous series. Miller has characterized the series as a “coming of age” story, but readers of the book will know that all is not what it once was in Gilead; forces both without and within plot its downfall and June’s daughters will not be far from the fight. — Mary McNamara

‘Beef’ Season 2 (2026, Netflix)

Three years after gifting us a darkly comic road rage thriller fronted by Steven Yeun and Ali Wong that was set against a soundtrack of ‘NSync, Tori Amos and Hoobastank songs, Lee Sung Jin’s anthology series returns for its second season with another layered, twist-filled exploration of class struggles, resentment and the absurdity of life’s curveballs. Consisting of eight 30-minute episodes, this season unpacks the pursuit of the American Dream by way of an exclusive Southern California country club and two couples from different socioeconomic backgrounds. The chaos kicks off when a young couple who work at the club (Cailee Spaeny and Charles Melton) witness a heated fight between their boss (Oscar Isaac), the general manager, and his wife (Carey Mulligan), an interior designer, just as the club’s new Korean billionaire owner (Youn Yuh-jung) takes over. The encounter spins out into a web of favors and coercion in this tale of broken systems and characters going to great lengths to get what they want. “Parasite’s” Song Kang-ho and K-Pop star BM (of KARD) round out the cast. And yes, there will be needle drops. — Y.V.

‘Little House on the Prairie’ (2026, Netflix)

It’s beyond time that someone revisited the semi-autobiographical series by Laura Ingalls Wilder in a way more suited to modern television. The 1974 NBC adaptation is a classic, but as a family drama of its time, it did not attempt to capture the historical breadth the book series documented. The many tribulations, and triumphs, the Ingalls family experienced as they moved from state to state, (including the locust plague of 1874, described in “On the Banks of Plum Creek,” which devastated the Midwest) provide a unique look into life on the American “frontier.” With any luck, showrunner Rebecca Sonnenshine and her team of writers will do the same. — M.M.

‘Something Very Bad Is Going to Happen’ (2026, Netflix)

Fans of the nearly 10-year long “Stranger Things” chapter on Netflix are sure to be feeling a bit of Duffer Brothers withdrawal in the new year. But their overall deal with Netflix will bear another intriguing project before the creators move over to Paramount exclusively. “Something Very Bad Is Going to Happen” is a horror drama centering on a soon-to-be bride and groom, although the title seems to imply they never make it to the altar. The Duffer Brothers, Matt and Ross, and Hilary Leavitt from Upside Down Pictures are executive producing along with Haley Z. Boston, who will serve as showrunner. Boston has written on “Guillermo del Toro’s “Cabinet of Curiosities” and “Brand New Cherry Flavor,” both of which attracted avid horror fans. Camila Morrone (“Daisy Jones & the Six,” “The Night Manager”) stars alongside Adam DiMarco (“The White Lotus,” “Overcompensating”). Very few other details have been shared, but the talent involved — both behind the scenes and in front of the camera — is enough to pique my curiosity, even if I’ll have to close my eyes when things get a little too scary for my comfort. — K.H.

‘Yellowjackets’ Season 4 (2026, Showtime)

Tawny Cypress in the Season 3 finale of “Yellowjackets.”

(Darko Sikman/Paramount+ with Showtime)

I thought high school was traumatizing enough, but I didn’t have to deal with anything close to what the teens in “Yellowjackets” have endured for three seasons. The coming-of-age survival thriller is about a championship high school soccer team whose plane crashes into the remote Canadian wilderness where they are stranded for 19 months. The story unfolds over two timelines, with one following the girls as they do whatever it takes to survive in the wilds — including cannibalism and ritual sacrifice — and the other following the survivors in the present day as they are trying to live their lives. Unfortunately for them, whatever they started in the wilderness is unwilling to be left buried in the past and is back on the h(a)unt. There is plenty of rage, trauma, secrets and murder in both timelines, as well as some unsolved mysteries that may or may not involve supernatural elements. With the upcoming fourth season confirmed to be the last, here’s to hoping some of the remaining questions — including how the girls were saved, how many girls actually survived, and why the “wilderness” came back to them in the present day — will be answered. — T.B.

‘VisionQuest’ (2026, Disney+)

It feels like forever ago that “WandaVision” kicked off Marvel Studios’ foray into television with a bang. A clever homage to sitcoms, the show followed Wanda Maximoff (Elizabeth Olsen) as she tried to magically piece together a life and family with Vision (Paul Bettany) after the events of “Avengers: Endgame” (2019). The upcoming Disney+ series “VisionQuest” will cap off the “WandaVision” trilogy, which also includes one of my favorite MCU installments, “Agatha All Along.” When audiences last saw Vision, the reconstructed android had just regained his memories and, presumably, his sentience, before flying off into the unknown. The new series will see Vision trying to navigate that aftermath to figure out who he is — reportedly with some help from other known Marvel AI programs and robots. Both “WandaVision” and “Agatha” explored grief and trauma and motherhood in their own ways, so I’m curious how these themes might carry over into “VisionQuest.” I’m admittedly a bit more into witches than robots, but I’m looking forward to the proper introduction of Tommy Shepherd (Ruaridh Mollica), who in the comics is the grown-up version of one of Wanda and Vision’s magically-created twins, and any potential family reunions. — T.B.

SANTA MONICA — Derek Shearer is in the big leagues now, but he cut his political teeth in Santa Monica.

Shearer, a top economic adviser to Democratic presidential nominee Bill Clinton, was a planning commissioner in Santa Monica for five years. He credits the city with teaching him about politics and about what an activist government can do.

Now busy with the Clinton campaign, Shearer can be found churning out memos, fielding press calls, lunching with Clinton supporters and doing a hundred other tasks necessary to run the campaign in California. He has been on leave since June from his position as a public policy professor at Occidental College.

The Santa Monica resident spends half his time on the road trying to get across to the electorate Clinton’s economic manifesto, which he helped craft along with Rhode Island businessman Ira Magaziner and Harvard economist Robert Reich. The booklet-length document outlines Clinton’s economic plan and is credited with helping revive the lagging Clinton campaign in June.

An old friend of Clinton, Shearer said the plan incorporates few of his own original ideas. “I don’t try to push my solutions” on the candidate, he said. Instead, he advises Clinton on a range of subjects, helping the candidate find information and expertise.

“Derek is the kind of person that thinks you should bring a lot of people together to discuss an issue,” said Manuel Pastor, an economics professor at Occidental and a fellow at the college’s International and Public Affairs Center, which Shearer directs.

But Shearer is a believer in the Clinton message.

“The core message is not that we need better tinkering with the Federal Reserve or we need to tinker a bit with this or that tax rate,” Shearer said. “It’s that there are structural problems in the economy. We need to deal with the institutions in the society, a lot of which are run down or decayed or not running very well.”

He points to SMASH, the alternative public school his children attended in Santa Monica, as an example of the country’s decaying infrastructure. Built in the 1930s, the school is “crumbling,” Shearer said.

Shearer and Clinton met in the late ‘60s when Shearer was working as a free-lance journalist in London and Clinton was on a Rhodes scholarship at Oxford. Both shared an opposition to the Vietnam War and a passionate interest in government. The two men, both 45, have remained friends since.

Shearer said that when they met Clinton was much the same as he is today–”a natural politician” and unrelentingly gregarious.

When Clinton visited Shearer’s home during the California primary, he stood out in the middle of the street and talked to neighbors, Shearer recalled.

And during an impromptu visit to the Venice beach boardwalk, Clinton took the opportunity to talk policy with roller-skaters. He attracted such a large crowd in a bookstore that he eventually had to make a quick getaway out the back door, Shearer said.

“He’s very at ease with people and always has been,” he said.

Even during the lowest points of the Clinton campaign–when charges of marital infidelity were flying–Shearer never lost faith in his chosen candidate.

And he had been there before. “I had been involved in the (Gary) Hart campaign four years before. I had always felt that Hart should not have withdrawn, that the American people want to hear about issues,” Shearer said. He felt the same way about Clinton.

Shearer has taught at UCLA, Tufts University in Massachusetts and the UC Santa Barbara. He moved to Occidental in 1981 and now directs its public policy program.

He tries to bring his zest for real world politics to the classroom, teaching about “how policy really gets made.” His students learn to deal with bureaucracies, write up policy decisions and even craft public relations brochures.

Shearer said he often invites journalists, campaign consultants and local politicians to talk to students, along with nationally known figures such as consumer advocate Ralph Nader and economist John Kenneth Galbraith.

By most accounts, Shearer is more liberal than Clinton. In fact, the Orange County Register in an Aug. 4 editorial singled out Shearer as evidence of the Clinton campaign’s leanings to the left.

But Shearer rejects the “liberal” label in favor of “progressive.”

“What being a progressive means is that you believe that government can make a difference in people’s lives,” he said.

To Shearer, the city in which he lives offers an example.

Smart planning and wise public investment have given Santa Monica its place in the sun, he said. He pointed to the Third Street Promenade–and the decision to zone it to encourage movie theaters to move to the area–as an example of good planning. The theaters attract lots of customers who patronize other businesses on the walkway, he said.

Although Santa Monica is touted by travel writers and urban planners alike as a pleasant and livable community, elections have always been contentious. Because of his experiences here, he is unfazed by the bruising presidential race.

Shearer recalled personal attacks when he ran on a reform slate in Santa Monica in 1981. When his wife, Ruth Goldway, served as mayor in the early ‘80s, she received death threats and had to have police protection, he said.

Shearer made the leap from local politics to the national scene quite some time ago. In fact, it seems as if the Yale graduate was destined for a role in government. His office at Occidental is full of photographs of himself with well-known political figures, among them Sen. Alan Cranston and, of course, Clinton. One black-and-white photo shows Shearer’s journalist father interviewing Lyndon Johnson.

Shearer served on the board of directors for the National Consumer Cooperative Bank during the Carter Administration, and in the 1970s, he was an economic adviser to Jerry Brown.

But Shearer refused to speculate about the role he would play in a Clinton administration.

“I’ve learned . . . that you don’t plan your life around the outcomes of campaigns,” he said.

NEW YORK — Mayor David N. Dinkins, battered by the budget crisis and seeking to project a message of personal accountability, invited ordinary citizens to his office Monday with suggestions on how to better life in the city.

Hundreds of people started lining up before dawn with complaints and ideas–including sending a squad of cowboys and cowgirls through poverty-stricken areas to preach AIDS-awareness and anti-drug messages, offering centralized computer access to municipal information, encouraging volunteerism and sacrificing a day’s pay a year to help the city.

After being pre-screened in front of City Hall, people in line were funneled through a metal detector to chat with the heads of appropriate agencies. A far smaller group met the mayor himself.

Was it a sincere search for innovation or a folksy public relations exercise? “I’d say it was 50-50,” said Michael Attisano, who emerged from the mayor’s office after suggesting a consolidation of the city’s separate housing and transit police forces. “I think he is going to get a lot of good ideas today.”

“Even now, there are those who see this as some sort of a gimmick,” Dinkins said. “It really is a desire to convey to the people of our city that this government really cares about them.”

The mayor’s invitation for ordinary citizens to meet with him came during a major televised address on July 30 that was designed to reassure both the city and the New York State Emergency Financial Control Board, created during the great fiscal crisis of the 1970s. The review board has the power under certain circumstances to seize financial control of the city.

In his speech, the mayor laid out a mixture of money-saving ideas, including ordering the heads of all city agencies, except for the police and fire departments, to give up their chauffeurs.

The mayor announced that he would not accept a pay raise for at least a year and set aside Monday as the day when New Yorkers with concerns and innovative ideas could come to see him.

And come they did. Coreen Brown of Brooklyn, arrived before dawn with a complaint about a sewer problem. When she emerged from the mayor’s office after waiting in line for hours, she admitted that she had broken into tears and Dinkins had given her a tissue.

“I forgot everything I wanted to say. I was going to invite him to my house,” Brown said.

Others remembered to deliver their messages.

Irving Scharf, a store owner from Brooklyn, suggested among other things that the mayor set up a lending-library system of math videotapes so children who miss classes because of illness or those who need extra credit can increase their learning skills.

“I am not here to berate the mayor. I am here to encourage him,” said Thelma Williams of the Bronx, who pushed for increased volunteerism and the sacrifice of a day’s pay by New Yorkers to help the city.

Carlos Foster, a rodeo producer who also lives in the Bronx, arrived wearing cowboy garb and proposed riding into poorer areas of the city with 10 cowboys and four cowgirls to preach against substance abuse and for safe sex.

Hulan Jack Jr., the son of a former Manhattan borough president in the 1960s, suggested putting all city data in central computer depositories for quick access.

Jack said that Dinkins listened and then had a municipal computer expert deliver a 30-second capsule of what already was being done. “Then we talked another minute and a half, and that was it,” he explained after leaving the mayor’s inner office.

The Dinkins invitation to New Yorkers brought out a summer Santa Claus, complete with red suit, and a woman dressed as the Easter Bunny. Police looked on bemusedly, except when Tasia Figueroa arrived with her 11-foot python, Shorty, draped around her neck.

The mayor’s staff, after quick consultation with police, asked that the snake be parked with Figueroa’s fiance while she went into City Hall to voice her municipal license complaint.

Blake Griffin, Candace Parker, Jamal Crawford, the 1996 U.S. Olympic women’s basketball team, Bruce Pearl and Kelvin Sampson were among the first-time nominees announced Friday that will be considered for enshrinement into the Naismith Memorial Basketball Hall of Fame next year.

Also among the notable first-time nominees: Elena Delle Donne and Joe Johnson as players, and Mike D’Antoni as a contributor.

Nearly 200 players and teams were on the list unveiled by the Hall, including some finalists that fell short of enshrinement in the 2025 class — Jennifer Azzi, who was a member of that 1996 U.S. women’s team that won gold at the Atlanta Games. Azzi is a nominee again as an individual this year.

“The candidates for the Class of 2026 have each left an indelible impact on the game of basketball,” said John L. Doleva, president and CEO of the Naismith Memorial Basketball Hall of Fame. “Through defining performances, influential leadership, and achievements that helped elevate the sport on the national and international stage, this year’s ballot recognizes those whose legacy continues to shape how the game is played, coached, and celebrated.”

Finalists are typically announced at NBA All-Star weekend in February. The 2026 class will be unveiled April 4 at the NCAA Final Four, with enshrinement weekend Aug. 14 and 15 at the Mohegan Sun in Uncasville, Conn., and at Symphony Hall in Springfield, Mass.

Other finalists a year ago who are back on the ballot include Gonzaga coach Mark Few; NBA legends Marques Johnson and Buck Williams; and Jerry Welsh — who coached Potsdam in upstate New York to NCAA Division III titles in 1981 and 1986.

Molly Bolin, the first player signed by the Women’s Professional Basketball League, is back as well, as is former Serbian professional player and longtime coach Dusan Ivkovic — already a FIBA Hall of Famer.

Doc Rivers, the only NBA coach with more than 1,000 wins who isn’t yet in the Hall of Fame, is a nominee again, as are Amar’e Stoudemire and legendary broadcaster Marv Albert.

Some teams that will also be considered include the 1936, 1972 and 1976 U.S. Olympic men’s teams; the 1982 Cheyney State team coached by C. Vivian Stringer that lost to Louisiana Tech in the inaugural NCAA Division I women’s national championship game; the Kentucky Wesleyan men’s teams that won three Division II national titles in a four-year span during the late 1960s; and the 1963 Loyola Chicago men’s team that won the NCAA title and broke racial barriers in the sport by using as many as four Black starters.

CBS News is moving forward with a series of town hall and debate telecasts with a major advertiser backing them, the first major initiative under editor-in-chief Bari Weiss.

The news division announced Thursday it will have a series of one hour single issue programs under the title “Things That Matter” done in collaboration with the digital platform the Free Press.

CBS News parent Paramount acquired the Free Press which was co-founded by Weiss, in September.

Bank of America will be a major sponsor of the series.

The town hall participants include Vice President JD Vance, who will discuss the state of the country and the future of the Republican Party, OpenAI Chief Executive Sam Altman on artificial intelligence and Maryland Gov. Wes Moore on the future of the Democratic Party.

The debate subjects include “Should Gen Z Believe in the American Dream?,” “Does America Need God? and “Has Feminism Failed Women?” The debaters include journalist Liz Plank, New York Times opinion writer Ross Douthat, and Isabel Brown, a representative for the right-wing organization Turning Point USA.

No dates have been set, but the programs will air in the current 2025-26 TV season which ends in May.

CBS tested the town hall format Saturday with a telecast that featured Weiss sitting down with Erika Kirk, the widow of slain right-wing activist Charlie Kirk. The program taped in front of an invited audience and averaged 1.9 million viewers according to Nielsen data, on par with what CBS entertainment programming has delivered in the 8 p.m. hour in the current TV season.

The town hall format where a news subject takes questions from audience members has long been a staple of cable news channels. Broadcast networks have typically only used it with presidential candidates.

“Things That Matter” is less of a play for ratings than a symbol of the new vision for CBS News under Weiss.

“We believe that the vast majority of Americans crave honest conversation and civil, passionate debate,” Weiss said in a statement. “This series is for them. In a moment in which people believe that truth is whatever they are served on their social media feed, we can think of nothing more important than insisting that the only way to get to the truth is by speaking to one another.”

Weiss hosted the town hall with Kirk. CBS News has not announced the on-air talent for the “Things That Matter” series.

Weiss was recruited by Paramount Chief Executive David Ellison to pull the news division towards the political center where he believes most of the country stands.

The Free Press gained popularity for its criticism of DEI, so-called woke policies, and strong support of Israel. The site is often described as “heterodox” and has been critical of numerous actions of the Trump administration. But its biggest fans tend to be in the business community who disdain high taxes and big government.