hall

Hall of Fame high school football coach Bob Johnson, who turned El Toro and Mission Viejo into powerhouse high school football programs and became one of the winningest coaches in state history, has died. He was 80. He had been battling Alzheimer’s.

“I feel for the family,” Mission Viejo football coach Chad Johnson (no relation) said Wednesday.

Johnson passed early Wednesday morning,

Johnson won six Southern Section titles coaching at Mission Viejo and three at El Toro while winning 338 games, the second winningest in Orange County history and in the top five in state history, according to the Orange County Register.

He retired after the 2017 season and was inducted into the California High School Football Hall of Fame in 2023.

His two sons, Rob and Bret, were standout high school quarterbacks before enrolling at USC and UCLA, respectively. Rob made it to the NFL. Both became coaches after their playing days were completed. Rob still coaches as an assistant at Mission Viejo.

On a dreary February afternoon in Chinatown, Ben Lovett, pianist and keyboardist of the British folk-rock group Mumford & Sons, was hours away from releasing his band’s sixth album, “Prizefighter.” The LP — co-produced by Aaron Dessner with guests Hozier, Gracie Abrams and Chris Stapleton — rejuvenates a catalog that includes a Grammy for album of the year in 2013. He could have been celebrating, or at least resting up for his upcoming “Saturday Night Live” gig and fall arena tour.

Instead, Lovett was calf-deep in sludgy rain water flooding the streets from a sudden downpour, standing at the roll-gate of a ripped-apart warehouse. “You’ll need this,” Lovett told a Times reporter as he handed out hardhats, walking his construction team through the still-raw hallways, shouting over a cacophony of circular saws.

In a few weeks, this site will be Pacific Electric, a new 750-capacity music venue that Lovett and his venue-developer firm TVG Hospitality have been converting for six years. It’s a small but ambitious entry into a Los Angeles venue landscape that’s recovering from fire and economic woes, yet has also seen several jolts of life recently.

Pacific Electric is a new flagship for the team at TVG, which has become an independent-scene force in the U.S. and U.K. over the last decade. Beyond his band, this project plants Lovett’s flag as an L.A. live music entrepreneur too.

“I’ve never had such a significant moment around a venue launch,” Lovett said in the soon-to-be dressing room at Pacific Electric. “It’s the seventh venue we’ve done, but it has never coincided with such an important creative moment with the band. I have to be very disciplined right now.”

Mumford & Sons led the 2010s folk revival that minted a generation of plaintive, earnest singer-songwriter acts atop the charts. While their genre peers’ fates have varied, Mumford & Sons remained perennial arena and festival headliners, with an ambitious midcareer streak in the studio. As pop culture’s tastes shifted, and his band moved around New York, L.A. and the U.K., Lovett returned to his show-producing roots in 2016 to build the 320-capacity nightclub Omeara in London.

Los Angeles, CA – February 19: Exterior view of the new music venue Pacific Electric, which is under construction in Chinatown and owned by Ben Lovett of the Grammy-winning folk band Mumford & Sons. (Allen J. Schaben / Los Angeles Times)

(Allen J. Schaben / Los Angeles Times)

“A lot of rooms in America are owned by the promoter, so unless you are working with that promoter, you can’t play that room. I don’t like that. I think there’s something fundamentally broken with that practice,” he said. “I wanted to prove out that idea, but I had to learn everything, like how you get a liquor license. It wasn’t perfect, but the intent was so pure.”

Two years and a couple U.K. venues later, TVG got an unexpected call from the city of Huntsville, Ala., to build the Orion Amphitheater, an 8,000-capacity anchor venue for the massive civic project Apollo Park. The futuristic Grecian agora, which opened in 2022, was beyond anything they’d built before — similar to Red Rocks in Colorado or Forest Hills Stadium in New York. Suddenly, Lovett and TVG were players in the U.S. too.

“When I’m off the road, I drop my kid at school and I go to work. I sit in an office from 9 a.m. to 6 p.m.,” Lovett said. “That’s not common, but there are people I really admire like Pharrell Williams who have a foot in entrepreneurship while also being a creator of songs. By doing a day’s work with TVG, sitting down at the piano can still feel like a hobby.”

Lovett, who lives in L.A., had long wanted something closer to home. The industrial northern pocket of Chinatown housing Pacific Electric is well-known to ravers and foodies — Insomniac’s Naud Street warehouse is close by, and the upscale cocktail bar Apotheke and pan-Asian restaurant Majordomo are around the corner. But besides festivals at Los Angeles State Historic Park, there hadn’t been much of a live music presence in the area (a plan to open an outpost of the NYC venue Baby’s All Right was thwarted by the pandemic).

Pacific Electric will be on the small side for a theater, a more intimate peer of downtown’s Regent or Bellwether. But Lovett’s plowed 20 years of notes from touring into the space — from the serene sandstone-hued dressing rooms with a piano and built-in laundry facilities, to a fully-separated horseshoe bar area to keep fan drink lines moving. There’s no bad sightline in the space, from either the ground floor or upper level balcony, which looks out over a stage wreathed in pink neon and wood cutouts evoking the industrial cityscape outside.

“Keeping the dirt under my fingernails with projects like this, and watching shows as often as I do, you realize how hard and how much creativity and magic there are around shows,” Lovett said. “It’s never a given to have an audience.”

To manage the venue, TVG brought on Stacey Levine, a veteran of the Palladium, Wiltern and Theatre at the Ace Hotel (now the United Theater on Broadway). While her management experience is in larger, historic venues, the chance to build something from scratch with an artist’s insight was enticing.

“People really want to get off their phones and back into independent venues, and this little pocket of downtown is about to pop off,” Levine said. “It’s very cool and close to different areas of L.A. But the venue is also really artist-focused. At 750 capacity, do you often have really nice dressing rooms? Probably not. But this is like welcoming artists into a nice hotel.”

Pacific Electric is independent in the sense that it’s not wholly exclusive for either promoter conglomerate (they plan to work with both Live Nation, AEG and others). Lovett, who cited the San Francisco concert impresario Bill Graham as a model for his company, said, “I love the opportunity to back an artist and be their advocate, and they should be able to work in any room they want to. I’ll die on that hill.”

The music won’t lean especially Mumford-ish. Its first show, with the synthwave group TimeCop1983, is slated for March 20, with a Robyn-themed club night, heavy rockers Militarie Gun and a big comedy slate from the Netflix Is a Joke festival up next.

L.A.’s nightlife — particularly in downtown — is still recovering from the pandemic-era culling of live venues and hospitality. After the malaise that’s ripped through L.A.’s entertainment economy of late, and a year of fires, ICE raids and other withering events in Los Angeles, Pacific Electric will have its work cut out to build its regular audience.

But new venues like South Pasadena’s Sid the Cat Auditorium and Re:Frame in Atwater Village have taken similar big swings in recent months. Lovett sounded hopeful that L.A. has plenty of room for more.

“I operated five venues in the pandemic, and conversations abounded like ‘Is this the death of live experiences?’” Lovett said. “My take was different, which was the one thing that we couldn’t figure out how to fix, was how to spend time together. Our greatest void was human interaction. We’re always going to trend towards congregation. If I didn’t believe that, I wouldn’t do this.”

From Hollywood actors to Olympic athletes and politicians, California’s newest Hall of Fame class runs the gamut in talent and achievements.

Academy Award-winning actress Jamie Lee Curtis and former governor/action star Arnold Schwarzenegger, Olympic champions Janet Evans and Carl Lewis, authors Riane Eisler and Terry McMillan, chef Nobuyuki Matsuhisa, groundbreaking ensemble Mariachi Reyne de Los Ángeles and former state Democratic leader John L. Burton all earned a spot into the assembly of distinct Californians, Gov. Gavin Newsom announced Tuesday.

This class, the 19th in state history, will be formally enshrined during a ceremony at the California Museum in Sacramento on March 19 as a “celebration of their contributions to civic life, creativity, and social progress,” according to Newsom’s office.

The inductees “have reshaped our culture and our communities. Resilient and innovative, these leaders and luminaries represent the best of the California spirit,” Newsom said in a statement.

To be inducted, candidates must have lived in California for at least five years and “have made achievements benefiting the state, nation and world,” according to the California Hall of Fame website. To date, 166 Californians have been selected by three governors since 2006.

Schwarzenegger, 78, served as the state’s 38th governor and last Republican head of state from 2003 to 2011. His renaissance man biography includes a career as a body builder, highlighted by his Mr. Universe titles, action film success, political stardom and even tabloid-fodder infidelity.

Curtis, 67, a Santa Monica native, is among Hollywood’s elite and teamed with Schwarzenegger in the action blockbuster “True Lies” in 1994. Her acting career dates to 1977, and she earned a Best Supporting Actress Academy Award in 2023 for “Everything Everywhere All at Once.”

Evans, 54, is a four-time Olympic gold medal swimmer and Fullerton native who attended Placentia El Dorado High School, Stanford University and USC. She serves as chief athletic officer for the 2028 Los Angeles Olympic Games.

Lewis, 64, is considered by many one of the greatest athletes of the 20th century. The track star won 10 medals, nine of them gold, in four Olympics.

Eisler, 88, and McMillan, 74, added multiple bestsellers to this Hall of Fame class.

Eisler’s critically acclaimed “The Chalice and the Blade: Our History, Our Future” examines roughly 20,000 years of partnership between men and women and male domination over the last 5,000 years. The futurist, cultural historian and Holocaust survivor who has degrees in sociology and law from UCLA said she was informed of the honor last year by Jennifer Siebel Newsom and recently was honored by the Austrian government with its Cross of Honour for Science and Art, First Class.

“I am very honored at this time in my life to be inducted into the California Hall of Fame,” Eisler wrote in an email. “I have worked tirelessly to help create a better world, and firmly believe that a new paradigm, a new way of looking at our world and our place in it, is crucial.”

McMillan has written a series of smash hits, including a couple that became major studio films in the ‘90s, “Waiting to Exhale” and “How Stella Got her Groove Back,” centered on Black women’s voices.

Matsuhisa, 76, know for his iconic Japanese restaurant Nobu, which has six locations in California, owns businesses across five continents.

Mariachi Reyna de Los Ángeles, founded in South El Monte, rewrote the rules of music, becoming the first all-woman mariachi ensemble that has entertained for more than three decades.

Burton, the former chair of the California Democratic Party who died last year at 92, boasted a political career that included time in the California State Assembly and Senate and the U.S. House.

“This year’s class embodies the very best of California — creativity, resilience and a spirit of community,” Siebel Newsom said in a statement. “These honorees remind us that innovation and courage flourish when people are lifted up by those around them.”

PHOENIX — The Dodgers have played mostly great baseball in Los Angeles for 68 years. How many position players wear the iconic L.A. cap on a Hall of Fame plaque?

Go on, take a guess.

Freddie Freeman, the Dodgers’ star first baseman: “Three?”

Andrew Friedman, the Dodgers’ president of baseball operations: “Two?”

The correct answer is zero.

The players that wear the L.A. logo in Cooperstown: Sandy Koufax, Don Drysdale and Don Sutton. The Fox ownership deprived us of Mike Piazza, and the voters deprived us of Maury Wills, but the answer remains zero.

“That is fascinating,” Freeman said. “That is amazing.”

That means the first position player to wear an L.A. cap in the Hall of Fame might well be the one that shed tears over leaving the Atlanta Braves. Freeman preferred to stay, but the Dodgers offered him a six-year contract and the Braves did not.

“Going into that offseason, it was hard to imagine him in a different uniform,” Friedman said. “And now it’s really hard to see him in a different uniform than ours.”

Yet the love affair between Freeman and Braves fans was so evident in his 2022 return to Atlanta that, in the moment, Clayton Kershaw said, “I hope we’re not second fiddle.”

Said Freeman: “I don’t shy away. I had 12 great years in Atlanta, but I’m having a blast here. It’s been four wonderful years, a couple of World Series titles. I’m here. I love every minute of this.”

We remember best what we remember last. Freeman is well aware of his legacy.

“Walk-off grand slam,” he said.

Freddie Freeman tosses his bat after hitting a walk-off grand slam in Game 1 of the 2024 World Series against the New York Yankees at Dodger Stadium.

(Wally Skalij / Los Angeles Times)

No one else in major league history has hit one in the World Series. That was the “Gibby, meet Freddie!” moment.

What is Kirk Gibson remembered for? Do we have to ask?

Gibson played 12 years in Detroit and won a World Series. He played three years in Los Angeles, won a World Series, and one of the greatest moments in baseball history was immortalized by one of the greatest calls in baseball history: “In a year that has been so improbable, the impossible has happened!”

Gibson is a Dodger.

Freeman played 12 years in Atlanta and won a World Series. He has played four years in Los Angeles and won two, with the walk-off grand slam to end one World Series game and a walk-off home run to end an 18-inning World Series game.

Freeman is a Dodger.

If you could follow him around town, you would see.

“I haven’t been able to leave my house once in the last few years without someone coming up to me,” he said. “Sometimes you just want to incognito and get to somewhere, but you can’t. It’s OK. That just means we’re doing something special here.

“Even in Orange County, it’s kind of taken over. There’s a lot more L.A. hats walking around than Angel hats in Orange County.

“It’s just fun to be a Dodger right now. It’s hard not to watch us wherever we go, and that’s special. It’s a great place to play. People want to come here and play. The fans obviously love us, and we appreciate all of it.”

Freddie Freeman waves to fans during Dodgerfest at Dodger Stadium on Jan. 31.

(Ronaldo Bolanos/Los Angeles Times)

Even the traffic. Freeman grew up in Orange County, so he takes the L.A. traffic in stride.

“The 55 isn’t that good either,” he said with a grin. “Or the 91.”

It sounds crazy to say that Freeman could play two or three times as long with the Braves and enter the Hall of Fame as a Dodger.

The totals through 12 years in Atlanta: one championship, five All-Star appearances, one most valuable player award, three top-5 MVP finishes, .295 batting average, .893 OPS.

The totals through four years in Los Angeles: two championships, four All-Star appearances, two top-5 MVP finishes, two legendary moments, .310 batting average, .907 OPS.

Freeman is 36. His contract covers two more seasons, although he said he would like to play four more with the Dodgers and then call it a career. That would make 12 years with the Braves, eight with the Dodgers.

Then, assuming his career does not fall off a cliff: Cooperstown.

“I’ve only been here for four years, and you’re already talking about this?” Freeman said. “That makes me happy because that means I’ve done my job well.”

Reggie Jackson played 10 years with the Oakland Athletics, five with the New York Yankees. His Hall of Fame cap features the Yankees.

Nolan Ryan played nine years with the Houston Astros and eight with the Angels. His Hall of Fame cap features the Texas Rangers, his team for five years.

If Freeman is elected, he and the Hall will confer about which team should be represented on his cap. That conversation might be a decade away, but I’ll say it now: In L.A. and in Cooperstown, Freeman is a Dodger.

A POPULAR lido that opened in the 1930s with its own sunbathing solarium could be demolished to make way for new homes.

The building was used as a bingo hall in recent years but has been vacant since 2023.

Opened to the public on July 10, 1935, Sale Lido also boasted shops and restaurants.

Its main feature was a 130-ft long swimming pool, which could be covered over to form a dancefloor during the winter months.

Now, plans have been submitted jointly by McCarthy Stone and Built Development Ltd which, if approved, would see most of the building in Trafford, Greater Manchester, torn down. 

The developers claimed Mecca, which recently operated a bingo hall on the site, had pulled out due to its “state of disrepair”.

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Developers said this has led to water leaking into the building and has affected its structure, reported the Manchester Evening News.

Just the lido’s facade would remain under the scheme proposed by the two companies, with two new blocks of flats constructed on adjacent land.

In a Facebook post, residents urged Trafford Council to refuse planning permission.

One wrote: “The Lido’s a Sale landmark, knocking it down would be a stupid decision – even if the facade is kept!

“Is there any kind of form to sign that’s against this happening?” 

Another person posted: “More lovely architecture replaced by grey boxes. Why can’t they keep the building?”

A third person said: “Please keep this iconic building. It’s part of Sale.”

A spokesperson for Trafford Council said: “An application has been submitted at the site of the former Sale Lido for a housing development of 40 retirement apartments and 39 affordable homes.

“The application is under consideration by the Council and will be determined in due course.”

The hall in Halifax has been a stunning events venue since 1779 and remains the only 18th-century northern cloth hall of its kind, now hosting music concerts, independent shops and restaurants

Nestled in the centre of Halifax in West Yorkshire sits an architectural gem that now serves as a premier events destination for the region.

Since 1779, The Piece Hall has been an integral part of the town, functioning as an expansive open-air courtyard that’s currently encircled by a vibrant town centre brimming with shops, bars and restaurants.

Originally designed to accommodate large exhibitions, this magnificent space has evolved into a breathtaking venue hosting an extensive array of events.

One recent visitor shared on TripAdvisor: “Great trip, lovely environment and good shops! The Piece hall is an absolutely brilliant tourist attraction and has done wonders for Halifax!”.

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History

The Piece Hall ceremoniously welcomed its first visitors on New Year’s Day in 1779, operating as a public marketplace for trading woven cloth and fabric.

The construction costs totalled just over £9,000 at the time, equivalent to approximately half a million pounds in today’s money.

It represented a masterpiece of architectural undertaking for its era and stands as the sole surviving example of 18th-century northern cloth halls.

This landmark building held a pivotal position in the textiles industry, contributing significantly not only to Yorkshire’s economy but to the nation’s prosperity for generations.

The opening is believed to have featured an elaborate grand ceremony, complete with a musical procession and spectacular fireworks display. Trading commenced the very next day, with business conducted every Saturday for merely two hours weekly.

Events

The Piece Hall has established itself as a vibrant entertainment destination, serving as Yorkshire’s premier venue for live music, theatrical productions and cultural exhibitions.

Its stunning and spacious courtyard provides an ideal setting for broadcast productions, including hosting the BBC’s beloved Antiques Roadshow.

The venue has welcomed circus acts, dramatic performances and musical concerts, whilst also functioning as an open-air cinema location. Most music events operate on a standing basis to maximise the area’s capacity, with minimal seating available.

The Piece Hall’s forthcoming calendar features Madness performing across two consecutive evenings from June 11, alongside a Paul Weller performance during that same week.

Renowned British acts including the Kooks and McFly are scheduled to perform at the historic location later this year.

One guest urged visitors to “not miss this Yorkshire jewel”, describing it as a “total delight” that’s “soaked in historic interest”, whilst praising the on-site retail offerings as making it “so worth a visit”.

Refurbishment

After a comprehensive refurbishment programme costing approximately £19 million, the Piece Hall celebrated its spectacular reopening during summer 2017.

To facilitate such substantial renovations, the location remained shuttered for three and a half years, commencing in January 2014.

The restoration works included re-levelling the central courtyard, transforming it into a vast 66,000-square-foot piazza capable of hosting events for up to 7,500 people.

Additionally, the project saw the careful restoration of the original stonework, preserving its historical integrity.

However, the most significant aspect of the restoration was the creation of spaces within the arcades to accommodate independent shops, cafés and bars.

The site also gained a new extension on its eastern side, which now contains a learning centre where visitors can discover the heritage of the location and its role in Yorkshire’s industrial development.

Shops

Behind the stone walls of the Piece Hall sits an array of independent retailers offering everything from handicrafts to books, clothing, homeware and beyond. Among its most popular shops are Loafers, a local record shop, The Book Corner, Antiques by Rachel and Waterfall Games store.

Following a day of browsing, one visitor claimed: “Amazing architecture, historically fascinating lots of small shops, bars and restaurants. The town is small but has enough charm to keep you entertained. The local indoor market has great food and atmospheric designs. Definitely worth a visit!”.