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The best weapon in the “Jackass’” arsenal isn’t the taser, the beehive or the booby-trapped latrine. It’s the explosion of relief when a prank ends, often in humiliation, always with hoots and claps. The first film, 2002’s “Jackass: The Movie” was slow to discover that carnage without camaraderie is painful; several injuries limped off-screen in horrified silence. Laughter heals, except for the brain hemorrhage that Johnny Knoxville suffered in 2022’s “Jackass Forever” when, dissatisfied by the clobbering he took from a bull, requested a second ramming that knocked him out cold.

Hence “Jackass: Best and Last,” the goon squad’s alleged final film, is underwhelmingly tame. Shot quickly by stalwart director Jeff Tremaine this spring, half of it is a clip reel of past hits, like the time fan favorite Steve-O slingshotted into the sky in a port-a-potty. The rest is scraps of hastily assembled chaos, the most elaborate of which is a puppet show in which veterans Ehren McGhehey, Dave England and Jason “Wee Man” Acuña dangle helplessly from strings, trying to recite cue cards while being pummeled by tropical fruit. “A pineapple!” Wee Man moans.

I’m no sadist. They’ve suffered plenty for our amusement. Still, it’s a shame that for the first time in two and a half decades of cringe comedy, the guffaws feel forced.

Acknowledging the Jackasses’ age, if not maturity, are a couple skits about prostate and rectal checkups. (The gnarliest involves clear pants, colonoscopy prep liquid and a game of Twister.) Modern technology enters the arena with a nimble-fingered robot. If the team had invested any actual energy into brainstorming this entry, they’d have played paintball with a sniper drone. At least for the sake of torch-passing, someone should have thought of something for the newish members introduced in “Jackass Forever” to do besides stand around and applaud.

These fresher faces — Jasper Dolphin, Rachel Wolfson, Zach Holmes — prove brave and resilient when allowed to participate. Only one of them, Sean “Poopies” McInerney, a surf bro so gullible that I’m not sure he’s capable of informed legal consent, fits into “Best and Last” like a well-worn punching bag. (When Poopies yelps that “my mind is getting to me” while wearing a shock collar around a sensitive area, people snort because, as sweet as he seems, the only thing rattling inside his cranium is a moth.) Early on, Poopies gets swollen lip injections that, someone claims, will last the whole movie. You expect his trophy wife pout to be a running sight gag. But his disfigurement never even gets another closeup.

“Jackass” started with a bang. In January of 1998, Knoxville, then a 26-year-old aspiring actor, strapped on a cheap bulletproof vest padded with a stack of “Hustler” magazines and fired a gun point-blank into his chest. His dumb derring-do went viral on VHS tapes, earning him an MTV show and five feature films. Watching that Rosetta Stone-cold stupid footage here, you’re struck not only by his audacity, but by the scene’s excruciating comic pacing. As there’s only one bullet in the pistol, empty chambers click multiple times before the bullet finally fires. Logically, you know Knoxville will live long enough for his hair to turn fright-wig white. Yet the lizard brain making you gawk is shrieking.

Do not attempt any of the stunts you’re about to see, the prefatory caution blares. Absolutely. The thing is, no one else could. “Best and Last’s” flashbacks are a walloping reminder that Knoxville is inimitable: a telegenic and extroverted entertainer with a charisma he wields like a skunk aims its stink. Upset him at your own risk. Like Buster Keaton before him, Knoxville has an uncanny awareness of how his death-defying escapades appear on camera. Even in that near-suicidal early segment, note how Knoxville stays on his feet, enduring agony with a magician’s “Ta-da!” He might have given himself a bruise the size of a baseball but he’s focused on the audience’s delight.

Over the years, the visuals dramatically improve, from snuff film aesthetics to confidently silly splendor. “Jackass Number Two,” released in 2006, expended major energy on a musical homage to Old Hollywood that nodded to Keaton and bathing beauty Esther Williams who, in MGM’s “Million Dollar Mermaid,” plunged 50 feet into a pool and broke her neck. By 2010’s “Jackass 3D,” which riffed on classic cartoons with Knoxville strapping himself onto an Acme-style red rocket, one could admit they went to see a Jackass movie for the cinematography with even more sincerity than if Knoxville claimed he bought “Hustler” for its life-saving properties.

The new movie doesn’t have any artistic ambition. The charitable excuse for its reliance on old material is that the gang wanted one more film that summed up their entire legacy — from the impact of seeing them age to the opportunity to include departed colleagues Ryan Dunn, who died in 2011, and Bam Margera, fired in 2020. The other explanation is it’s a cash grab made for pennies. Still, Steve-O strives for memorable moments, gathering the gang in a generic office building corridor to watch him take off his pants and pop out a ping-pong ball. There’s a lot of nudity but the setting feels half-assed.

“Best and Last’s” intro splat-tacular, typically a highlight of each film, hinges on the posse standing still on a moving floor. But the monochrome staging — white walls, white ground — looks almost like CGI, the antithesis of their appeal, and it takes us a minute to understand what’s actually going on. Worst, it lacks both suspense and surprise, that no-they-aren’t–oh-god-they-are drama that once elevated the franchise to the peak of pure cinema.

There is — and I mean this — existentialism in witnessing a person embrace shame and terror. Actors have won Oscars without achieving the transcendence of, say, misery glutton McGhehey in “Jackass Forever,” bound to a chair and coated in salmon and honey, realizing that his friends have released a bear into the room. Meryl Streep could never do that (and wouldn’t have to). McGhehey’s sole path to stardom is that he did.

Not everything in a “Jackass” movie needs to be that sublime. One of my few genuine howls in “Best and Last” came in a three-second rehash of someone stepping on a rake; another was the percussion Chris Pontius makes with his swinging nethers before attempting a naked Fosbury flop. There’s a great accidental gag in a cut bit from the original MTV pilot when a deputy pulls up to arrest Knoxville and forgets to put her car in park. Yet the snippet I keep thinking about is a throwaway beat in a new skit when McGhehey willingly gets into the wrong chair again and, once freed, attacks Knoxville who coolly knees him in the nuts. Everyone chuckles.

Once, in anthropology class, my professor lectured on an insular island tribe that cackled whenever someone got hurt. Schadenfreude was the community’s way to vent tension. I thought of that village throughout “Best and Last,” especially during Knoxville’s nonchalant disarmament of his pal. Team Jackass has stayed united even while at each other’s throats. In bad times, they’ve borne each other’s struggles with sobriety and mental health. In good, they’ve seen the inequality of success that’s left Knoxville in a better financial position to retire than the rest.

While “Best and Last” is a whiff, I can forgive this band of bozos’ urge to make it. No one seems happy to still be zapping themselves with electrodes. They just want to rally together for the final time to choke out one last laugh.

WASHINGTON — As the U.S. prepares for an extravagant celebration of its founding principles, fewer Americans see their country as exceptional, a new poll finds.

The survey from The Associated Press-NORC Center for Public Affairs Research highlights many Americans’ feeling of unease over the future of its representative government — particularly among young people. It presents a jarring contrast as communities around the country commemorate the nation’s 250th anniversary.

Only about one-quarter of Americans say the U.S. stands above all other countries in the world, the new poll found, while 44% say it’s one of the greatest countries in the world, along with some others. About 3 in 10 say there are better countries than the U.S., an increase from 19% in an AP-NORC poll conducted in June 2016.

Americans remain divided about whether diversity is an essential feature of the U.S.’s identity, and agreement about other aspects of the country’s underlying character appears to be eroding, the survey found. Americans are less likely to see a democratically elected government as “extremely” or “very” important to the United States’ identity as a nation than they were just a few years ago. About two-thirds of U.S. adults now say a democratically elected government is highly important to the U.S.’s identity as a nation, down from 80% in 2021.

“It’s not that the democracy part is not working,” said Derricka Wall, 24, of Chickasaw, Alabama. “It’s the people that are actually being put in office that is the problem.”

Wall believes politicians have damaged America’s governing system, which was designed to ensure representation and guard against government misuse.

America, she said, “is not what it used to be. I feel like our founding fathers would be kind of disappointed with how it is now.”

Rising belief that democracy is not essential to American identity

Young adults are much less likely than older Americans to believe the U.S. is special, compared with other nations, the poll found.

About 4 in 10, 44%, of U.S. adults under 30 say there are other countries better than the U.S., compared with 22% of U.S. adults ages 60 and older.

Fewer, too, see democracy as a key element of the U.S.’s identity. Only about half of Americans under 30 believe this, compared with 81% of those 60 and older.

Wall said the people who established the government with co-equal branches thought they were erecting safeguards to keep any one person or group from attaining too much power. But she believes they didn’t foresee how easily those guardrails would crumble if the people in the system stopped enforcing them.

“I feel like they would actually roll out of their graves,” she said. “I feel they would be very disappointed in us.”

The belief that politics isn’t working for everyday people extends beyond the youngest generations. Kent Stage, 62 and a retired senior enlisted man in the Army, is a registered Republican in Indiana. He does not think the current political system addresses the country’s problems. He’d like to see term limits on politicians and more working-class people serving.

“I’ll trust the ambulance-chasing lawyer and a shady used car salesman before I trust the politician,” he said.

Stage, who is also a former Marine, believes public servants make self-serving choices for their families “while mine and yours still got to hit the old grindstone.”

Many feel it’s harder to get ahead in the U.S.

The survey also finds widespread cynicism about America as the land of opportunity. About half of U.S. adults, 51%, say the American Dream — the idea that if you work hard, you’ll get ahead — once held true but does not anymore. About one-third say it “still holds true” while 15% say it never held true.

Jack Hermanson, a 27-year-old software developer in Denver, said his belief in the American Dream changed when he saw his engineer husband struggle to find a job. “That really shattered my impression that if you work hard, you get what you deserve,” Hermanson said.

Only 22% of Americans under 30 say the American Dream still holds true, compared with 46% of Americans ages 60 and older.

Angela Toombs, 31, works at a senior living facility in Atlanta where her clients talk about how easy it was to buy a house while working their first regular jobs in their 20s and are incredulous about the obstacles facing Toombs’ generation. Toombs recently gave up her own apartment to rent a room in order to save money.

Skepticism about the American Dream is more widespread among Democrats and independents, compared with Republicans. Most Republicans, 57%, say the American Dream still holds true, compared with about one-quarter of independents and 17% of Democrats.

Republicans are also much likelier than Democrats to see the U.S. as exceptional. About half of Republicans say the U.S. stands above all other countries in the world, compared with only 7% of Democrats.

Quintin Sharpe, 28, lives in a resort town on Lake Geneva in Wisconsin. A financial planner who is Republican, he said the American Dream remains accessible and he is proud of the country. “It’s been a great experiment.”

“The opportunity is there for those who want to work for it,” he said. Sharpe believes the country is “a meritocracy, and the best ideas, the best work ethic, those with the best succeed regardless of race, skin color, any of those factors.”

He and his wife will celebrate the country’s 250th anniversary watching the fireworks over the lake.

Divides on whether diversity is essential to U.S.

Just over half of U.S. adults — 56% — say a shared American culture and set of values are “extremely” or “very” important to the country’s identity, down from 65% in 2017. Younger Americans are less likely than older ones to say a singular set of values is important to U.S. identity.

But Americans remain sharply divided on the centrality of welcoming diverse perspectives: About half of adults, 51%, say the ability of people to come from other places in the world to escape violence or find economic opportunities is “extremely” or “very” important to American identity, while 55% say this about the mixing of cultures and values from around the world.

Only about 4 in 10 Republicans see the mixing of cultures and values from around the world as central to the country’s identity, compared with 76% of Democrats.

Rose Nunez, 70, of San Antonio, was a small business owner but now is a caregiver for family members. Nunez, who tends to vote for Democrats, said there is an unease and tension that are just beneath the surface, especially focused on Hispanics. She said some people have started carrying their papers showing their immigration status in case they are challenged.

“It is hard to celebrate when the feelings towards immigrants and communities of color are so strong,” she said of the upcoming America 250 celebrations.

She said even citizens are questioned now. If it gets to a point where being naturalized is challenged, “guess what, my mom would be leaving. She’s been living in this country since she was maybe four years old. She’s 93.”

Fields, Sanders and Riccardi write for the Associated Press. The AP-NORC poll of 2,596 adults was conducted April 16-20 using a sample drawn from NORC’s probability-based AmeriSpeak Panel, which is designed to be representative of the U.S. population. The margin of sampling error for adults overall is plus or minus 2.6 percentage points.

Lupa Systems, the media and tech holding company owned by James Murdoch, is set to acquire nearly half of Vox Media.

As part of the deal, Murdoch’s company will own Vox Media’s podcast network, Vox.com and New York Magazine, once an asset of his father, industry giant Rupert Murdoch. Terms of the deal were not disclosed, but the price tag was reportedly over $300 million, the New York Times reported citing people familiar with the deal. The goal of the investment is to bring “influential journalists, top-rated podcasts, and digital brands with large social footprints” to Lupa and help grow its media portfolio, the company announced Wednesday.

“This acquisition aligns well with our existing holdings and investments and reflects both our interest in the forward edge of culture and our deep commitment to ambitious journalism and agenda-setting conversations,” Murdoch said in a statement.

The three new assets will function as a subsidiary of Lupa Systems and will keep the name Vox Media. The deal includes New York Magazine’s popular verticals like The Cut, Vulture and Intelligencer, as well as Vox’s most successful podcasts like “Today, Explained” and “Pivot with Kara Swisher and Scott Galloway.” Jim Bankoff, Vox Media’s current CEO, will continue to lead the company.

The other Vox Media properties, which Murdoch did not purchase, include websites like Eater, The Dodo and The Verge. These platforms will be run under an unnamed new company by the current president of Vox Media, Ryan Pauley.

This investment strengthens Lupa Systems’ position in the evolving media landscape. The business has other holdings including the parent company of Tribeca Film Festival, the owner of Art Basel, Robert DeNiro and Jane Rosenthal’s entertainment company Tribeca Enterprises, and Bodhi Tree Systems, an investment platform behind a popular Indian streaming service.

This is one of the largest deals Murdoch has closed since he and his family resolved a $3.3-billion dispute last year. The conflict centered on the future of the family’s media empire, which includes Fox News, The New York Post and The Wall Street Journal. In the settlement, James Murdoch received roughly $1 billion and his elder brother, Lachlan, assumed power over the family’s assets.

Before the legal blowout, Murdoch previously served as the chief executive of major global media companies like 21st Century Fox and Europe’s Sky Group.

The billionaire told the New York Times that, with this new acquisition, he didn’t want a “daily news business.” He wanted “longer-form, thoughtful journalism that can really speak to the culture.”