half

Makai Lemon came screaming across the center of the field, gliding past one Michigan State defender, then another, moving as if the world around him were in slow motion.

USC’s top receiver had presumably been a top-line focus of the Spartans’ game plan — and even more so after fellow wideout Ja’Kobi Lane was ruled out Saturday with an injury. But here was Lemon slicing his way through Michigan State’s secondary as if no one had bothered to tell him as much, sprinting free as a deep pass soared in his direction and hit him in perfect stride.

Most of Saturday night’s 45-31 win over Michigan State felt that seamless for USC, which moved the ball with ease on offense, racking up 517 yards in the process. But in a swirl of penalties and poor discipline from its defense, USC inexplicably found itself clinging to a one-score lead in the fourth quarter.

It was the sort of stumble that might’ve prompted flashbacks from the Trojans’ previous conference, when #Pac12AfterDark derailed more than a few seasons while the rest of America slept. Though, as late as Saturday’s game ran — with its conclusion coming just before 3 a.m. Eastern time — there would be no such comeback from Michigan State.

“We were dominating the football game,” USC coach Lincoln Riley said. “But our ability to separate back out, I thought, was just as impressive.”

USC mounted a 13-play drive with its back against the wall in the fourth quarter, at one point even converting a critical fourth down near midfield, before Lemon pushed the pedal to the floor. He went sprinting on a jet motion, took the handoff and flew into the end zone for a score the Spartans couldn’t counter.

“Any time the ball is in his hands, something big is about to happen,” USC quarterback Jayden Maiava said.

With Lane out, Lemon accounted for more than half of the Trojans’ passing output, as he finished with eight receptions for 127 yards and a touchdown, the vast majority of which came in the first half.

Maiava didn’t need to do much more through the air after halftime. He finished with a season-low 234 yards, but completed 20 of 26 passes and added three passing touchdowns, to go with another on the ground.

USC’s rushing attack ultimately made the difference, despite facing a defense that hadn’t allowed any of its opponents to rush for 100 yards.

USC running back Eli Sanders runs with the ball during a win over Michigan State on Saturday night.

(Carlin Stiehl / Los Angeles Times)

Jordan bested that total himself, running for 157 yards on 18 carries, while Eli Sanders added 84 rushing yards of his own.

But once again, the Trojans paid a serious price for their propensity for penalties.

On one third-quarter drive, USC ran into Michigan State’s kicker on a punt, was flagged for an illegal substitution and then was called for pass interference, all within a four-play stretch. For a while, it seemed the sequence might turn the tide towards the Spartans.

“Obviously we haven’t done enough,” Riley said of coaches’ efforts to reduce USC’s penalties.

That message was reiterated after the game by linebacker Eric Gentry, who stood up in front of the team to belabor the severity of their penalty problems. The Trojans were called for 10 total penalties on Saturday for a loss of 88 yards, making it three consecutive games of at least eight penalties.

Fortunately for USC, its defensive front was also able to impact the game in other ways, namely by keeping Spartan quarterback Aidan Chiles uncomfortable in the pocket.

But where the pass rush continued to look improved, USC’s secondary didn’t exactly soothe concerns Saturday. Chiles only threw for 212 yards, but 169 of those yards — almost 80% — came on just four pass plays.

Through four games, USC now ranks worst in the Big Ten in plays allowed of 10 yards or further (17).

“We’ve had about one of them a game,” Riley said, “and we’ve got to put a lid on it.”

The road only gets harder from here for USC (4-0). The Trojans’ next three games (Illinois, Michigan and Notre Dame) come against ranked opponents, and two of those games (Illinois and Notre Dame) are on the road. And while the Irish are 1-2, and the Illini were just steamrolled by Indiana on Saturday, both should provide much tougher tests than the Trojans have faced thus far.

Whether USC will have one of its top receivers back for that stretch remains to be seen. Lane, who was listed as questionable on Saturday, came out with the team for early stretches. But when the team reemerged in full pads for warm-ups, the Trojans stud wideout was wearing sweatpants.

Riley said after the game that the severity of Lane’s injury is still “inconclusive,” but his absence could extend multiple games.

“I don’t think it’ll be super long,” Riley said. “But at the same time, I certainly can’t sit here today and say for sure he’s going to play next week or in the coming weeks.”

Without one of their top targets, USC tried to lean on its backs early. Twelve of the Trojans’ first 16 plays went to either Waymond Jordan or Eli Sanders. But it was Maiava who punched in USC’s first score after he faked a handoff and sprinted 15 yards to paydirt.

Michigan State (3-1), meanwhile, took to the air to challenge the Trojans’ struggling secondary. On the Spartans’ first possession, Chiles found Chrishon McCray wide open for a 42-yard touchdown, and Michigan State took an early lead.

Chiles completed each of his first seven passes. But with their run game completely grounded, the Spartans offense came to a halt. Their next three drives accumulated a combined 66 yards.

USC started humming in the meantime, gaining at least that many yards on four of its five first-half drives. The rushing attack found a rhythm, with seven rushes of 15-plus yards in the first half alone, while Maiava moved the ball with ease through the air.

USC quarterback Jayden Maiava scores a touchdown in the first quarter against Michigan State.

(Carlin Stiehl / Los Angeles Times)

Still, despite being outgained by almost 200 yards before halftime, Michigan State was within a single score — and set to receive the second-half kick — as USC drove 88 yards down the field before half. With 37 seconds left, Maiava lofted a pass to the corner of the end zone for freshman Tanook Hines, who reeled in the well-timed, seven-yard score.

USC looked ready to speed past Michigan State in the second half as it took just four plays and less than two minutes to drive the field. Maiava hit tight end Walker Lyons for a touchdown, his second in two weeks, to make it 31-10.

But Michigan State mounted an 11-play drive, and USC’s defense chipped in with four back-breaking penalties to keep it moving. Eventually, Chiles punched in a touchdown himself, cutting the lead to two scores.

The momentum swung suddenly after that. On the first play of USC’s ensuing possession, wideout DJ Jordan lost a fumble deep in the Trojans’ territory. The turnover opened the door for Michigan State, which needed eight plays to reach paydirt and cut the lead to a single score.

But USC slammed that door shut on its next drive. And while Saturday night’s win wouldn’t go down as the most seamless of the Trojans’ season, it was still just as satisfying to Riley.

“If you’re learning lessons as you win, it’s hard not to be excited about what you see out of this football team,” Riley said. “And everything I see makes me believe that we’re going to continue to grow, learn from some of the mistakes, because there are so many positive things happening out there.”

“Honey Don’t!” is a smutty desert mystery in which the detective, Honey O’Donohue (Margaret Qualley), never gets around to solving the central crime. She’s too busy seducing women and swatting down randy men. I’d call the opening murder a red herring except it’s really more like a fish left to cook in the blinding Bakersfield sun.

The second film co-written by Ethan Coen and his collaborator and wife Tricia Cooke (the first was 2024’s “Drive-Away Dolls”), it’s less preoccupied by the challenge of who’s responsible for that corpse than by its own overarching question: Why not? Why not let Margaret Qualley prove she has the electricity to power an audience through any plot? Why not pivot from “The Big Lebowski” and “O Brother, Where Art Thou?” to an announced trilogy of tatty lesbian exploitation pictures? Why not, when a couple has earned the industry clout to shoot the script they want with the cast they want, make exactly the movie they want, even if this pulpy B-picture isn’t very good? Who’s going to tell them, honey don’t?

To be clear, there’s enough to like in “Honey Don’t!” to get you through its 89-minute running time. I’d watch Qualley stride around barking at people for twice as long and her supporting cast, which includes Aubrey Plaza as Honey’s latest lover and Chris Evans as an oily pastor, is delivering at top level, i.e., Coen-worthy. (Newer talent Josh Pafchek pockets his scenes as a moronic Australian brute.) The script has several zingers that are so good you want to applaud right in your seat, particularly an insult Honey slings at her estranged daddy (Kale Browne). Even the extended intro credits have a witty energy that makes you forgive that they’re tap dancing to pad the length.

Still, as with the sillier “Dolls,” which also starred Qualley as a hot-to-trot queer queen, the film is so shaggy that it feels longer than it is. I finished both movies double-checking my watch in astonishment that they really were under an hour and a half.

Qualley’s Honey is a headstrong investigator who is so independent, she refuses to let her secretary (Gabby Beans) make her a cup of coffee. Frankly, she’s not that impressive as a private dick. Honey is only passingly curious why a client died before their first meeting and so predominately distracted by tangental side quests — her troubled teen niece (Talia Ryder), her dalliances with Plaza’s husky lady cop — that the resolution doesn’t involve much brilliant deduction. We know from the first scene that Honey needs to keep a close eye on a mysterious stranger named Cher (Lera Abova). Ultimately, the French femme fatale catches her attention for other reasons.

Across town, the corrupt Reverend Drew (Evans) is swaying his parishioners to sleep with him in the name of godly submission. “I want to see your bosoms jouncing during fellowship,” he commands a member of his flock. The preacher is one of the biggest sinners in Bakersfield, not merely because both he and Honey may as well be using the phone book as a checklist of conquests. A normal thriller would frame their dynamic as cat versus mouse. Here, it’s more like plague and vaccine. Honey is immune to his sales pitches for heterosexuality and holy salvation.

Honey is a brazenly preposterous creation: a 21st century woman who insists on using a Rolodex, something that was headed toward extinction before Qualley was even born. Striding through brush in seamed stockings and high heels — and changing wardrobe multiple times a day just because she can — she’s the only character who never breaks a sweat (except in the bedroom).

Qualley keeps her cool from head to toe: eyebrows stern, line deliveries cucumber-crisp. Like a brassy classic dame, she says exactly what she means. When the local homicide officer, Marty (Charlie Day), makes a pass at her, she bluntly replies, “I like girls.” The guy doesn’t listen — he just keeps pestering her — which makes their dynamic play like some sort of clunky runner about how men are dense.

Marty’s pursuit is that. But Honey’s retort is also how the real-life Cooke shot Coen down the first time her future husband asked her out on a date. More than anything, it’s evidence that “Honey Don’t!” primarily exists as the couple’s own affectionate in-joke. “Tricia’s queer and sweet and I’m straight and stupid,” Coen said last year in an interview with the Associated Press. Both describe their three-decades-plus marriage as “nontraditional.” Both also insist that they’re making these pulp flicks as a unit and don’t care who gets credit for what, claiming that Coen is cited as the director of “Honey Don’t!” simply because he’s the one in the DGA.

Coen is, of course, half of another twosome with his brother Joel that also enjoys defying labels. Their filmography zigzags between thrillers and comedies, lean exercises and awards heavyweights, never making the same movie twice. It’s as though their guiding compass is to stay ahead of audience expectations. The pair has been on a creative break since 2018’s “The Ballad of Buster Scruggs” and it’s been tempting to use their separate projects as an opportunity to examine who each sibling is as an individual. If you watched Joel Coen’s black-and-white “The Tragedy of Macbeth” in a double feature with “Honey Don’t!” you’d leave convinced that the elder Joel was the stylist and the younger Ethan the wit — that Joel wears a monocle and Ethan a grease-painted John Waters mustache.

But they might just be tricking us again. It’s just as valid to say the brains behind those two movies are William Shakespeare and Tricia Cooke, especially the latter as she seems to have had the stronger hand in shaping the two sexy Qualley capers we’ve seen thus far. (The third already has a title: “Go Beavers.”)

As sloppy as it is, there’s no denying that “Honey Don’t!” works as a noir with a pleasant, peppery flavor. Yet, there’s a snap missing in its rhythm, a sense that it doesn’t know when and how its gags should hit. When a playboy (Christian Antidormi) swaggers up to a bar and orders a shot of cinnamon schnapps, the line clangs like it landed better on the page. A few scenes later, a low-level drug dealer goes home to his Bolivian grandmother (Gloria Sandoval) who is such a caricature — bowler hat, lap full of dried chili peppers — that you suspect the character was designed to get more of a laugh. I did giggle when Honey visited her sister, a worn-out hausfrau named Heidi (Kristen Connolly), and kids kept popping out of the corners of her home one after another like rabbits from a hat.

The majority of the townsfolk that Honey encounters are such incurious mouth-breathers that the humor can feel hostile. The film’s worldview is that most people are, as Coen describes himself, straight and stupid. That’s worked out well enough for him. He’s won four Oscars and, more importantly, the ability to do whatever he darned well pleases.

Danny Musovski scored a goal in each half and 18-year-old Snyder Brunell scored in his league debut as the Seattle Sounders cruised to a 4-0 victory over the Galaxy on Sunday night.

Seattle grabbed the lead in the 25th minute on an own goal by defender Julián Aude.

The Sounders took a 2-0 lead in the 37th minute on Musovski’s unassisted goal. He made it 3-0 in the 54th minute with another unassisted goal. Musovski has already scored a career-high eight times this season. He had five goals with LAFC as a rookie in 2020 and five for Real Salt Lake in 2023.

Brunell subbed in for Jesús Ferreira in the 73rd minute and scored in the 85th. Defender Álex Roldán notched his third assist of the season and the fourth of his career. Rookie Kalani Kossa-Rienzi collected his third assist.

Andrew Thomas finished with three saves for his first clean sheet in his seventh start of the season for Seattle. He had two shutouts in five starts last season.

Novak Micovic saved five shots for the Galaxy. He had three saves and Thomas wasn’t tested in the first half.

Seattle is unbeaten in its last seven league matches at 4-0-3 and is on a 10-match unbeaten streak across all competitions after winning all three matches in Leagues Cup play.

Seattle leads the all-time series 15-11-14 in league play and 21-18-14 across all competitions.

The Sounders travel to play Minnesota United on Saturday. The Galaxy head to Florida to play Inter Miami on Saturday.

The Galaxy needed a regulation victory and win by at least two goals to qualify for the knockout-round quarterfinals of the Leagues Cup.

Mission accomplished.

Joseph Paintsil scored in the first minute and Matheus Nascimento tallied in the 39th minute to spark a 4-0 victory against overmatched Santos Laguna of Liga MX on Thursday night at Dignity Healthy Sports Park.

The Galaxy, which have endured a nightmarish season in MLS, played like a different team, setting the tempo early with Paintsil tucking in the ball at the right post thanks to an assist by Mauricio Cuevas.

The Galaxy struck again when a sliding Nascimento tapped in the ball past goalkeeper Carlos Acevedo off a long cross from Cuevas to make it 2-0.

In the 45th minute, Choco Lozano was shown his second yellow card to leave Santos Laguna short-handed.

Defender Maya Yoshida then added a goal during injury time to give the Galaxy a 3-0 advantage at the half. Yoshida collected a rebound after a long shot by Paintsil and buried it.

At the end of the first half, midfielder Ramiro Sordo was also shown a red card and Santos Laguna was left with nine players to open the second half.

Substitute Lucas Sanabria scored in the second half off a nice feed from Yoshida in the 74th minute for the Galaxy’s final goal.

The victory moved the Galaxy from the fifth seed among the MLS standings to the third seed, passing the Portland Timbers and No. 4 seed Orlando City.

The Leagues Cup quarterfinals — comprised of four MLS teams and four Liga MX teams — will be held Aug. 19-20. The Galaxy will take on Pachuca in the quarterfinal.

Even if you’re not sure you’ve seen Alan Tudyk in the numerous films or TV shows he’s appeared in, you’ve definitely heard him. Tudyk has been endearing audiences with his vocal stylings ever since 2002’s “Ice Age” — he voiced characters like the Duke of Weselton in “Frozen,” Heihei the rooster in “Moana” and King Candy in “Wreck-It Ralph.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Still, many fans know Tudyk best for his sci-fi and genre roles, including his four-season run as Dr. Harry Vanderspeigle of Syfy’s “Resident Alien,” which comes to an end with its final episode on Friday. “It’s a tough goodbye,” says Tudyk. “Fingers crossed for the reboot ‘Resident Alien versus Predator.’” In the meantime, you can catch him as Gary in 2025’s “Superman” and as K-2SO in “Andor,” for which he recently netted an Emmy nomination, as you await the handful of upcoming live-action and voice-over projects Tudyk has in the works.

We caught up with the busy actor to discuss his perfect L.A. day, which would involve, first things first, coffee. “I have to say that the last thing that Charissa [Barton, his wife] and I are thinking of when we go to sleep is, ‘I can’t wait to have more coffee tomorrow,’” he admits. “It’s such a beautiful promise for a new day.”

Also vital on any great Sunday is time with Charissa and their dogs, Raisin and Clara, a lot of delicious gluten-free food, shopping, writing time and a car nap. And then there’s their crucial tradition: a music listening session leading up to a very important decision. “I choose a summer song every year,” he said. “It’s down to the final. There’ve been songs that come and go all summer long that are potential songs. We choose the summer song, and to celebrate, we go eat some more.”

This interview has been lightly edited for length and clarity.

7 a.m.: Coffee and a dog run in the Hollywood Hills
I bounce right out of bed, and I have some coffee that I make at home, Intelligentsia Coffee with oat milk. I use a frother, and a little bit of granulated monk fruit sugar on top. I love that stuff. I feed my dogs, Raisin and Clara. And then we go for a run in the Hollywood Hills, near the Hollywood sign up in the Beachwood Canyon area, around where people rent horses to go horseback riding. Raisin, a terrier mix, is 15 and a half. She has run those hills her whole life; she’s chased coyotes over the edge. Just disappears into the brush of the canyon and comes back smiling. She’s 10 pounds. And Aunt Clara, a 20-pound goofball cockapoo, stays by my side because half of her is an obedient dog and the other half is afraid. But Raisin is in charge of the world, and she can do what she wants.

9:30 a.m.: Two (gluten-free) breakfasts at Honey Hi
We come back home, I quickly shower, and my wife then wakes up, because she sleeps longer than me. And we all go to Honey Hi, a gluten-free breakfast place, mainly. We can bring the dogs, as long as they’re on leashes. Although, yeah, Raisin prefers to be carried, especially after an hour-long hike chasing coyotes.

I order two breakfasts, because I’ve been jogging and I’m hungry and all I’ve had is coffee, which seems really like a bad idea. It sounds like a recipe for a stomachache. I get the community bowl, which is just so very healthy and tasty. And also the pancakes, because one breakfast isn’t enough. I eat half the pancakes and my wife eats the other half. So it’s really just one and a half breakfasts.

11 a.m.: A stop at Wacko
We go up to Wacko on our way back home. It’s over on Sunset Boulevard, where Sunset and Hollywood kind of become one, right around Vermont. Wacko is a store that sells collectible stuff, but also a lot of books. If you ever want to get a cool book for somebody that’s more like a picture book or an artist book or a coffee table-type book, they have those. And in the back is La Luz de Jesus Gallery. We always go in there and check out what local artists are being hung.

11:45 a.m.: 15-minute car nap
We come back out to our car and turn on the air conditioner, and we have a good little 15-minute nap, to get the energy to drive. And nobody even bothers us, and we’ve found great parking. It’s a perfect day.

12:15 p.m.: Coffee No. 2 and some bagels
On our way home, we stop at Blue Bottle Coffee on Hillhurst. There’s a Pop’s Bagels truck that parks outside of that coffee shop up until about 3 p.m. every day. And they have gluten-free bagels. So we’ll just grab some of those for later, and we get a second coffee — a nice oat milk latte. I get like three to four coffees a day.

1:30 p.m.: Writing time at home
We love our house, so we’re probably going to spend a little time at home. The dogs nap. I write, and my wife reads. Writing always makes a day better, so let’s do one hour solid. When you get done, you’re like, OK, you’ve got to come back to the world.

3 p.m.: A perfect burger for a perfect day
Then it’s time to eat more. Oh my God. We have to eat. We drive to Crossroads on Melrose and have that burger of theirs. It’s on their weekday menu, but on this magical Sunday, let’s say they happen to offer their weekday menu. It’s like an Impossible vegan burger, but it tastes just like a double cheeseburger from McDonald’s, with a gluten-free bun. And the fries are delicious. You also want to get the kale Caesar salad on the side. It’s just fantastic. We decide to splurge and get their vegan chocolate sundae.

4 p.m.: Coffee No. 3 and shopping at Dover Street Market
We should probably get some more coffee, and good thing there’s a Blue Bottle just off Melrose. Then we go to the Arts District downtown, to this cool clothing store called Dover Street Market. Some people will say, “Alan, but aren’t you old? Why would you be shopping at Dover Street Market? Those are really hip clothes.” Look, first of all, Charissa pulls off a lot of really hip stuff, and I can almost keep up with her. So there’s stuff for people in their fifties, and we find those items and we buy them. They’ve got stuff from really hip Japanese brands and local fashion people, and they’ve also got stuff that’s like skatewear. I don’t skate anymore, but it doesn’t mean I can’t wear some skate brands now, because I left a lot of the skin from my knees and elbows in ditches and on streets and launch ramps back in the ‘80s. Skate or die. Which at this point, if I did skate, I would die.

So we go there and we shop and spend a little too much money. And there’s Rose Bakery in the back, and they have a strawberry cake that is gluten-free and delicious.

6 p.m.: Crown the 2025 Song of the Summer
We take the cake that we bought at Dover Street, and we go sit in the car and listen to music while we eat cake and trade songs back and forth between us, deciding on the song of the summer. This summer’s vibe for me — because it’s been such a crazy time in the world, I need an escape from it — I really have been trying to find songs that take me away from everything. It’s between “Punkrocker” [by Teddybears featuring Iggy Pop], the song on the credits of “Superman”; “Chaperone,” from Mermaid Chunky, and “Pick Up the Phone,” by Sofi Tukker. And although “Pick Up the Phone” almost edges it out, “Chaperone” wins the day because of the madness of the summer of 2025. You need something that matches the madness but chooses absurdity, and it really does a great job.

7 p.m.: Pork chop and peaches at Manuela
Since we’re downtown, we go to Manuela. It is so very good. I get the pork chop. So if anybody was reading this thinking, Oh, he’s all about the vegan, hell no. This is the moment. The pork chop at Manuela is on the menu at all times, and it is fantastic, and especially great right now because they serve it with fresh peaches. It’s like a whole peach. And Charissa gets something with fish. Charissa has a nice glass of white wine, and I have some silly mocktail that isn’t too sweet, because I’m driving. On the way home, on Hillhurst near Franklin, we’ll stop at Alcove Cafe and Bakery, which has the best gluten-free carrot cake you could ever put near your face.

9:30 p.m.: Cake and Colbert in bed
We take the cake home with us, and in bed we watch Colbert and eat cake and then brush our teeth because there’s been so much cake. And then we will be up for another hour, but I don’t want to get into it what goes on. But that’s still part of the day after Colbert leaves.

WASHINGTON — President Donald Trump is looking to cancel $9.4 billion in spending already approved by Congress. That’s just a sliver of the $1.7 trillion that lawmakers OK’d for the budget year ending Sept. 30.

The package of 21 budget rescissions will have to be approved by both chambers of Congress for the cuts to take place, beginning with a House vote expected Thursday. Otherwise, the spending remains in place.

The White House is betting that cutting federal investments in public media and some foreign aid programs will prove politically popular. Republicans say if this first effort is successful, they hope more rescission packages will follow as they look to continue work by the so-called Department of Government Efficiency once run by billionaire Elon Musk.

Democrats describe the cuts as inhumane and say they would rip life-saving support from hungry and sick people across the globe. Republicans are describing the cuts as “modest” and say the U.S. will continue to play a critical role in helping the world’s most vulnerable people.

Here’s a look at some of the spending the White House is trying to claw back:

The Republican president has asked lawmakers to rescind nearly $1.1 billion from the Corporation for Public Broadcasting, which represents the full amount it’s slated to receive during the next two budget years. Congress has traditionally provided public media with advanced funds to reduce political pressures.

The corporation distributes the money mostly to public television and radio stations around the country, with some assigned to National Public Radio and the Public Broadcasting System to support national programming.

The White House says the public media system is politically biased and an unnecessary expense.

Much of the conservatives’ ire is focused on NPR and PBS. “We believe that you all can hate us on your own dime,” said Georgia Rep. Marjorie Taylor Greene, during a hearing in March.

But about two-thirds of the money goes to more than 1,500 locally owned public radio and television stations. Nearly half of those stations serve rural areas of the country.

“They want to punish the national guys, that’s fine,” said Rep. Mark Amodei, a Republican who said he was undecided going into this week’s vote. “But I’m trying to get a handle on what it means for my stations in Nevada, because the ability to fundraise at the national level ain’t the same as the ability to fundraise in Reno.”

The association representing local public television stations warns that many of them would be forced to close if the GOP bill passes. Those stations provide emergency alerts, free educational programming and high school sports coverage and highlight hometown heroes.

Meanwhile, local radio stations say their share of the allocation provides funding for 386 stations employing nearly 10,000 people. Dozens of stations rely on the public grants for more than half of their budget. Many others for nearly half.

Some Republicans say they worry about what the cuts would mean for local public stations but tough decisions are necessary.

Rep. Dusty Johnson, R-S.D., said South Dakota Public Broadcasting does a “really good job of covering the state Legislature” and other public affairs.

“So these rescissions are not going to be comfortable for South Dakota to deal with,” Johnson said. “That being said, we’re $37 trillion in debt.”

Funding to combat diseases

Trump’s administration is looking to claw back about $900 million from $10 billion that Congress has approved for global health programs.

That includes canceling $500 million for activities related to infectious diseases and child and maternal health and another $400 million to address the global HIV epidemic.

The administration says the $500 million rescission for infectious diseases would not reduce treatment but would “eliminate programs that are antithetical to American interests and worsen the lives of women and children, like ‘family planning’ and ‘reproductive health,’ LGBTQI+ activities, and equity programs.” It makes a similar assurance on the HIV funding, saying it would eliminate “only those programs that neither provide life-saving treatment nor support American interests.”

Scores of humanitarian aid groups have asked lawmakers to oppose the proposed cuts. Catholic Relief Services called on donors to contact their members of Congress to urge them to vote against the bill. Without the U.S. assistance, “countless lives are at risk, and the needs will continue to rise,” said the plea to supporters.

The importance of the United States’ contribution to the global HIV response cannot be overstated, according to the Joint United Nations Program on HIV/AIDS. It says the President’s Emergency Plan for AIDS Relief, or PEPFAR, has saved more than 26 million lives and averted almost 5 million new HIV infections since it was launched in 2003 under President George W. Bush, a Republican.

“Instead of facing a death sentence, people supported by PEPFAR are raising families, building their communities, and helping their communities grow and develop,” said Rep. Rosa DeLauro, D-Conn.

Refugee assistance

The Trump administration is looking to cancel $800 million, or a quarter of the amount Congress approved, for a program that provides emergency shelter, water and sanitation, and family reunification for those forced to flee their own country. The program also helps vetted refugees who come to the U.S. get started in their new country.

The White House says “these funds support activities that could be more fairly shared with non-U.S. Government donors, providing savings to the U.S. taxpayer.”

Refugees International urged Congress to reject what it described as a reckless proposal.

About 45% of the savings sought by the White House would come from two programs designed to boost the economies, democratic institutions and civil societies in developing countries.

The administration wants to claw back $2.5 billion of the $3.9 billion approved for the Development Assistance program at the U.S. Agency for International Development and about $1.7 billion, or nearly half of the funds, dedicated to the State Department’s Economic Support Fund.

The administration says in its request to Congress that the Development Assistance account is supposed to fund programs that work to end extreme poverty and promote resilient democratic societies, but in practice many of the programs “conflict with American values” and bankroll corrupt leaders’ evasion of responsibilities to their citizens while providing “no clear benefit to Americans.”

U.S. leaders have often argued over the years that helping to eradicate conditions that lead to political upheaval abroad is not just the right thing to do but also the smart thing.

“By helping stem pandemics and war and helping countries become healthy, free-market democracies, we are actually helping our own country,” said Sen. Dick Durbin, D-Ill.

Republicans are rejecting the dire warnings. Rep. Robert Aderholt, R-Ala., said “ waste, fraud and abuse is what this is all about.”

Freking writes for the Associated Press.

The Dodgers’ biggest question this season is an eerily familiar one.

Will their pitching ever get back to full (or at least, significantly improved) health? And will it be as productive as expected if or when that happens?

To this point, the team remains confident on both fronts.

Injured starters Tyler Glasnow, Blake Snell and Roki Sasaki are all in throwing progressions. Two-way star Shohei Ohtani is continuing to build up his arm through weekly live batting practices, and Emmet Sheehan is on a rehab assignment with triple-A Oklahoma City. And a whole litany of relievers are also expected back at some point, with Kirby Yates and Michael Kopech likely to return this weekend, and Blake Treinen and Brusdar Graterol possibilities over the coming couple of months.

Still, as this last week has epitomized, there is an ever-present lack of certainty hanging over the state of the staff as well, with the recovery of any injured pitcher seemingly liable to shift at any moment.

“I’m very confident we’re going to get them all back,” manager Dave Roberts said Wednesday. “I just don’t know when.”

This week, Glasnow became the latest example of that unpredictable dynamic.

On Monday, Roberts offered a seemingly troublesome update on the oft-injured right-hander. After Glasnow had thrown one bullpen session a week and a half earlier, a bout of back tightness had kept him from throwing off a mound again since.

“There was one ‘pen and, then [his] body didn’t respond,” Roberts said. “So we’re trying to figure out when we can ramp him back up.”

On Tuesday, however, Glasnow presented a more optimistic version of events. Yes, his back became “a little tight” after his initial bullpen session, he said. But he described the resulting pause in his throwing progression as nothing more than a “precaution,” adding that he plans to resume throwing bullpens in the coming week.

“I feel totally fine, totally normal,” said Glasnow, who initially went on the injured list in April because of shoulder inflammation. “My shoulder’s totally fine. That issue, I haven’t felt since I started throwing. It was fine. [The back tightness] really was just, I think, a precaution. I felt totally fine. I’m good to go.”

During his time on the IL, Glasnow believes he found a middle ground between the pitching mechanics he had last year (when his season ended early with elbow tendinitis) and the changes he made over the winter (which he felt contributed to his more recent shoulder issue).

Dodgers pitcher Roki Sasaki watches a game against the Arizona Diamondbacks from the dugout at Dodger Stadium on May 21.

(Gina Ferazzi / Los Angeles Times)

“Trying to meld a best-of-both worlds situation,” he said. “But right now, I feel really, really good mechanics-wise, to just be athletic and throw. It’s enabled me to just be myself more now.”

And though he is still weeks, if not a month or more, away from being activated, Glasnow said he’s confident about having enough time over the second half of the season to rediscover a rhythm ahead of the playoffs.

“I’m trying to get back as soon as I can,” Glasnow said. “But we’re on the same wavelength of, ‘Let’s get you back out as healthy as possible as soon as possible, in a healthy way.’”

Snell, who has also been out since early April because of shoulder trouble, has endured his own stop-and-start recovery process.

After first going on the injured list two starts into the season — because of shoulder pain that he later said had been bothering him since spring training — Snell started to ramp up a few weeks later, progressing to a bullpen session on April 19.

His shoulder, however, didn’t respond well in the days following that step. Thus, he was shut down from throwing again, and received an injection to help alleviate his lingering discomfort.

Since then, Snell has been on a more methodical throwing plan. Recently, his shoulder has finally started to feel normal. And, like Glasnow, he is hoping to begin throwing bullpens once more over the next week.

“I can’t wait [to get back],” Snell told AM 570 last weekend. “Having to wait, it sucks. It’s a long process. But I’m gonna go slow. I’m gonna make sure I’m ready. So when I start pitching, I can get going and do my thing.”

This remains the Dodgers’ company line with most of their injured arms — the team wanting to purposely take their progressions slowly in the short term, to ensure they are available in the long run later this year.

“As far as return to play, there’s certainly a cautiousness to it,” Roberts said. “Because as you start getting into the middle of the year, then any setback could be detrimental for the rest of the season.”

In the meantime, uncertainty on the mound — where the Dodgers currently rank 22nd in the majors with a 4.10 team ERA — will continue to loom.

There is always the threat of setbacks; like what happened with Evan Phillips, who underwent season-ending Tommy John surgery Wednesday for an injury that was initially expected to sideline him for only two weeks.

And even once pitchers do come back, their levels of performance are subject to variance. That’s been the case recently with Kopech, who struggled so much during a rehab stint in Oklahoma City (where he gave up 11 runs and 11 walks in 6 ⅓ innings) that the Dodgers had him throw a live batting practice session in front of their big league coaching staff Wednesday to help him work through some mechanical adjustments.

“The stuff was good,” Roberts said of Kopech, out since the start of the year because of a shoulder impingement. “Just curious to see what the pitching guys and the training staff feel, and what he thinks of how he felt today. And we’ll kind of move forward after that.”

Yates, who has not required a rehab stint recovering from a hamstring strain, also threw live BP on Wednesday.

“We’ll see how they feel tomorrow,” Roberts said. “And then I think we’ll have a much better decision on this weekend for both guys.”

The good news for the Dodgers is that they do have depth. They don’t need every one of their injured pitchers to return to health and previous form. Even if only half of the arms currently on the IL get back to where they were before, they could still have a pitching staff capable of contending for another World Series title.

Because of that, it seems unlikely they’ll make overly aggressive moves on the trade market leading up to the July 31 deadline. They could use another right-handed reliever to replace Phillips but might be wary of a high-cost splash for a front-line starter (especially after doling out more than half a billion dollars the last two winters to Glasnow, Snell and Yoshinobu Yamamoto).

For now, they continue to trust that pitchers such as Snell, Glasnow and Ohtani will be impact contributors for the stretch run of the season. They are confident that Sasaki (who has continued regular catch play while battling his own shoulder issue), Sheehan and Graterol will give them more pitching coverage as well.

But until then, they will nonetheless face a precariously familiar situation: hoping enough injured pitchers are able to regain health over the course of the season, and that more unforeseen setbacks won’t continue to leave them shorthanded on the mound.

“I think we’re very confident that we’re going to get the guys we’re talking about back,” Roberts said. “Then once we get them back, we got to make sure we keep them back too.”