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WASHINGTON — President Trump on Tuesday ruled out calling Minnesota Gov. Tim Walz after the targeted shootings of two state lawmakers, saying that to do so would “waste time.”

One lawmaker and her husband were killed, and the second legislator and his wife sustained serious injuries in the shootings early Saturday. A suspect surrendered to police on Sunday.

The Republican president spoke to reporters early Tuesday aboard Air Force One as he flew back to Washington after abruptly leaving an international summit in Canada because of rising tensions in the Middle East between Israel and Iran. Asked if he had called Walz yet, Trump said the Democratic governor is “slick” and “whacked out” and, “I’m not calling him.”

Presidents often reach out to other elected officials, including governors and mayors, at times of tragedy, such as after mass killings or natural disasters, to offer condolences and, if needed, federal assistance.

On the plane, Trump sounded uninterested in reaching out to Walz, who was the vice presidential running mate for 2024 Democratic presidential nominee Kamala Harris, who lost to Trump. During the campaign, Walz often branded Trump and other Republican politicians as “just weird.”

“I don’t really call him. He’s slick — he appointed this guy to a position,” Trump said. “I think the governor of Minnesota is so whacked out. I’m not calling him. Why would I call him?

“I could call him and say, ‘Hi, how you doing?’” Trump continued. “The guy doesn’t have a clue. He’s a, he’s a mess. So, you know, I could be nice and call him but why waste time?”

Trump’s mention of “this guy” being appointed to a position appeared to be a reference to Vance Boelter, the suspect who surrendered to police after a nearly two-day manhunt in Minnesota.

Boelter is a former political appointee who served on the same state workforce development board as Democratic state Sen. John Hoffman, records show, though it was unclear if or how well they knew each other.

Authorities say Hoffman and his wife, Yvette, were seriously wounded in a shooting a few miles away from the home of former Democratic House Speaker Melissa Hortman, who was fatally shot along with her husband, Mark, in their home early Saturday in the northern Minneapolis suburbs.

Friends and former colleagues interviewed by the Associated Press described Boelter as a devout Christian who attended an evangelical church and went to campaign rallies for Trump.

Federal prosecutors charged Boelter with murder and stalking, which could result in a death sentence if convicted. His lead attorney has declined to comment.

On Monday, Walz posted a message of thanks on social media to Ontario Premier Doug Ford for his call expressing condolences to Hortman’s family and the people of Minnesota.

“In times of tragedy, I’m heartened when people of different views and even different nations can rally together around our shared humanity,” Walz wrote.

In an interview Monday with Minnesota Public Radio, Walz said he wasn’t surprised by the lack of outreach from Trump, saying, “I think I understand where that’s at.”

Walz said he has spoken with Vice President JD Vance and was “grateful” for the call and had talked with former President Biden, Harris and Ford.

“I’m always open to, you know, people expressing gratitude. Vice President Vance assured us, and he delivered, that the FBI would be there as partners with us to get it done,” Walz said. “That was what needed to be done.”

Superville writes for the Associated Press. AP writer Sarah Brumfield in Cockeysville, Md., contributed to this report.

KYLE WALKER angered Manchester City fans after admitting he would sacrifice one of his Premier League medals to have been part of Tottenham’s Europa League triumph.

The Etihad club captain left Pep Guardiola stunned when he asked for a move away in January — when City were right in the middle of a crisis.

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He joined AC Milan on loan but the Italians turned down the option to sign him permanently.

And boss Pep left the 35-year-old right-back out of his Club World Cup squad, meaning he is free to find a new club.

But City fans were angry when Walker revealed on his BBC podcast he would have loved to have been with former club Spurs as they ended their 17-year trophy drought.

Walker has won six Premier League titles at City and was part of their Treble-winning side in 2022-23.

He said: “I’d probably give up one Premier League title, not the first, to have won that Europa League with Tottenham because I know what it means.

“Probably my second — although that was the ‘Four-midables’ [when they won all four domestic trophies].

“It’s hard to give one away but for what that moment meant, to say I was in that Spurs squad that won a trophy.”

City fans slammed Walker, with one saying: “Just ban this guy from the Etihad and get it over and done with. He’s already freely hating us, why protect whatever is left of his relationship with the club.”

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Another added: “Mental. I could never ever imagine John Stones, Nathan Ake, Samir Nasri, Carlos Tevez ever coming out and saying they would give up even a Community Shield to win a trophy at a former club.”

Tottenham supporters were delighted to see that he still loves the club, as one commented: “Great to hear you say ‘we’ when referring to Spurs.”

A second said: “As a Spurs fan, it was really heartwarming to hear Kyle’s words and his feelings connected to the Europa League final. I was gutted when he left for Man City, but I’ve always been happy seeing him win trophy after trophy.”

Walker — who spent eight years on Tottenham’s books — admitted he was a bag of nerves watching his old club beat Manchester United 1-0 last month.

He added: “It was the first time in a long time I’ve been nervous — and I wasn’t even playing.

“I was there with my iPad and I couldn’t sit and watch it. I was walking up and down my room.

“We reached a lot of finals but against better teams who knew how to win.

“They’ve always been a club that nearly got over the line but not quite. I’m buzzing for them.”

Walker joined City from Spurs in July 2017 and has a year left on his deal.

Turkish giants Fenerbahce are the latest to show an interest in him.

Ron Washington took a page out of the characterized version of himself from the 2011 film “Moneyball” when asked about how difficult it would be to revive the Angels’ sputtering offense.

“It’s hard,” the Angels manager said Friday. “It’s very hard.”

His response probably sounds familiar to “Moneyball” fans. In the film, the version of Washington, played by actor Brett Jennings, visits Scott Hatteberg — portrayed by Chris Pratt — at his home. Billy Beane — played by Brad Pitt — and Washington try to sell Hatteberg, a free-agent catcher with the yips, on playing first base.

“You don’t know how to play first base,” Beane says.

“That’s right,” Hatteberg replies.

“It’s not that hard, Scott. Tell em, Wash,” Beane quips.

“It’s incredibly hard,” Washington responds.

Finding ways to improve the Angels’ productivity at the plate could prove even more daunting. They have the second-most strikeouts (622) and second-fewest walks (163) in MLB. Washington understands it’s a problem, but acknowledges the solution isn’t easily attainable.

“Adjustments is something in the game of baseball that’s never ending, so we just got to keep making adjustments,” Washington said. “That’s it. If I knew, if anybody knew the adjustment to make to get an offense going, you would never see offense putter. That’s baseball. You just got to keep adjusting, readjusting, adjusting, readjusting, adjusting, readjusting, adjusting, readjusting.”

The Angels held the third-worst batting average (.229) and fourth-worst on-base percentage (.301) in MLB a year ago. Three months into the 2025 season, they’ve regressed. The team’s batting average stands at .225 heading into Monday and the team’s on-base percentage is considerably lower over last year at .287.

During the Angels’ eight-game winning streak in May, it seemed as if hitting coach Johnny Washington — in his second year with the team — discovered something to help the offense click. They tallied a .291 batting average and averaged almost eight runs a game.

The Angels then lost five consecutive games and entered Monday having lost nine of their last 14.

“I think it’s come down to guys just continuing the process with trying to simplify guys’ approaches, keeping it with their strengths, giving these guys the best chance to succeed versus a given pitcher, and continue the game plan,” Johnny Washington said. “Been doing it all year. There are some youth, but there’s a ton of growth taking place. I know it hasn’t been pretty at certain times, but it’s a great group.”

Angels manager Ron Washington talks to Chris Taylor during a win over the Mariners on Friday.

(Eric Thayer / Associated Press)

In their last two series against Boston and Seattle, there were encouraging signs on offense. The Angels scored five or more runs in four of the six games, and cut down on their strikeout totals, with seven or fewer strikeouts coming in four games.

Chris Taylor, who struggled at the plate since signing with the team on May 26, began making hard contact — going two for three in two of three games against the Mariners, homering for the first time this season on Saturday.

Sunday, however, proved to be much different. In the Angels’ 3-2 loss to the Mariners, the lineup struck out a season-high 18 times.

“I think it’s kind of just like snapping out of it,” said first baseman Nolan Schanuel on Friday, a day after the Angels returned from a six-game trip in which they averaged more than five runs a game. “We had a good stretch, got cold for a little bit, and snapped out of it and started to hit again.”

Infielder Kevin Newman, who has a team-low .200 on-base percentage and a .186 batting average (minimum 50 at-bats) added: “We’re pretty streaky, probably more streaky than we’d like to be. We’d like to definitely find some consistency, especially here at home.”

It’s no coincidence that the Angels are finding a little more success at the plate with Mike Trout back in the lineup.

Activated off the injured list on May 30, Trout has played as if he wasn’t out for a month with a bone bruise in his knee. He hit .476 across six games against Cleveland and Boston and has gotten on base in nearly half of his at-bats this month (.429 on-base percentage). On June 2 against Boston, the 33-year-old carried the Angels to victory with a three-hit, three-RBI game — hitting his second home run since returning from injury.

“It’s good to be able to at least hit and contribute,” Trout said, adding that his time on the injured list over the last two seasons had been frustrating.

Trout’s impact isn’t lost on teammate Taylor Ward.

“Having Mike back is — I mean, unbelievable, right,” Ward said. “A guy that can carry the offense.”

Taylor Ward, right, is congratulated by Mike Trout, left, after hitting a two-run home run against the Mariners on Sunday.

(Mark J. Terrill / Associated Press)

Schanuel said he has watched Trout’s daily regimen closely since joining Angels two seasons ago. Ron Washington, who became the Angels’ manager last year, said he has marveled at how the three-time MVP prepares and trains. But even he was surprised at how quickly Trout began to contribute coming off injury.

“He still does things that other people on the baseball field can’t do,” Ron Washington said. “No doubt about it. You can get a 70% Mike Trout and it’d be 100% of a lot of players in this league. So hey, I was surprised, but then again, I’m not — because we are talking about Mike Trout.”

Even with Trout back, the Angels still have room for improvement. Although he’s hitting .241 with 14 home runs and 31 RBIs entering Monday, Logan O’Hoppe has walked just eight times, leading to a .273 on-base percentage. Luis Rengifo holds the second-lowest on-base percentage in the league at .242.

Will Trout’s return continue to rejuvenate the Angels’ offense and help them close the 5½-game gap to the first-place Houston Astros in the AL West? Time will tell.

“One of the greatest players of our generation,” Johnny Washington said about Trout. “He’s been a huge help to our offensive group, to us as coaches and as well to the players”

There’s a line in Eric Coomer’s defamation lawsuit against Mike Lindell, the MyPillow guy, that strikes me as the perfect description of what happens when influential partisans belch lies about innocent people in these insanely charged political times:

“The real world consequences for the subjects of those lies,” says the lawsuit, “have been devastating.”

Indeed.

Think of Georgia poll workers Ruby Freeman and her daughter Shaye Moss, whose lives were destroyed when Rudy Giuliani, once President Trump’s top campaign lawyer, claimed the pair had rigged the 2020 election outcome in their state. Giuliani even invented a blatantly racist story about the women passing drugs to each other at their Fulton County polling place. Trump amplified the claims. The two women received death threats, were loath to leave home even for groceries and had to go into hiding. I will never forget how sad and broken they seemed during their testimony before the House committee investigating the Jan. 6 insurrection.

Happily, Freeman and Moss won a $148-million settlement from Giuliani, leading the former New York mayor to unsuccessfully sue for bankruptcy in an effort to dodge his obligation. Now stripped of his license to practice law in New York, Giuliani has fallen so far he’s not even a punchline on late night TV anymore.

Just like Freeman and Moss, Coomer, the former director of product strategy and security for Dominion Voting Systems, was subjected to a torrent of false claims about election rigging by Lindell and other right-wing conspiracy theorists and media outlets. Like Freeman and Moss, he was terrorized and driven into hiding.

He left his job, moved to a new location, placed guns around the house he borrowed from a friend, experienced depression and panic attacks, and believes he will not be able to return to his profession.

“People were essentially taking bets on how my brother’s corpse would be found and which nefarious shadow group would be behind his death,” Coomer’s brother told the New York Times in 2021. “He would be executed by the state or he would be found with a falsified suicide note and two gunshots in the back of his head.”

Coomer, like others, became collateral damage in the misbegotten MAGA campaign to overturn the results of the 2020 election.

Fox News hosts, including Sean Hannity, Jeanine Pirro and Lou Dobbs, completely lost their minds, and the company allowed its highest-profile stars to spew lie after lie about the election in general and Dominion Voting Systems in particular, knowing full well (as News Corp. chairman Rupert Murdoch admitted under oath) that Dominion was blameless and that Joe Biden had won fair and square.

That unsavory chapter ended up costing Fox $787.5 million in a settlement to Dominion, which allowed the right-wing network to avert a trial.

Coomer, who has filed lawsuits against Giuliani and several others who spread lies about him, now gets his day in court against Lindell. The defamation trial, which began Monday, is expected to last through the end of this week. (Coomer settled suits against conspiracy theorist Sidney Powell; Newsmax; One America News Network, or OAN; and an OAN correspondent. His suit against Guiliani is pending.)

The false claims against Coomer were dreamed up by a conservative Colorado podcaster, Joseph Oltmann, who told listeners that he had infiltrated an “Antifa conference call” in which “Eric, the Dominion guy” claimed to have rigged the election against Trump. (Coomer’s defamation suit against Oltmann is also pending.)

“Oltmann,” says Coomer’s lawsuit, “claimed this supposed call happened on some unspecified date months before the election, but that he did not think to take action until after the election was called for President Biden …. Oltmann’s story is inherently implausible.”

Not to mention, outlandish and preposterous.

In his campaign against Coomer, Oltmann posted a photo of the Dominion executive’s home on his social media and urged his followers to “blow this sh— up. Share, put his name everywhere. No rest for this sh—bag … Eric we are watching you.”

Lindell, who seems never to have come across a right-wing conspiracy theory he couldn’t embrace, picked up on Oltmann’s fantasies about Coomer and began spreading them far and wide — in interviews, on his website, in social media, etc.

On his FrankSpeech media platform, Lindell addressed Coomer directly: “You are disgusting and you are treasonous. You are a traitor to the United States of America.” (Classic case of projection, imho.)

Lindell could have settled as so many others have done. Instead, he has chosen to fight on, hawking pillows, sheets and slippers to pay his legal bills as he goes. His attorney said that because he believed what he was saying was true, it’s not defamation. “It’s just words. All Mike Lindell did was talk,” Lindell’s attorney told the jury. “Mike believed that he was telling the truth.”

Before the trial, Lindell stood on the federal courthouse steps in Denver and proclaimed that his only goal in all this was to ban electronic voting machines and replace them with paper ballots.

“If we can get there,” he said, “I would sacrifice everything.”

If Coomer wins his defamation case against Lindell — and I really hope he does — Lindell will have lost a lot and gained very little. First, the case has nothing to do with the validity of voting machines. Second, an estimated 98% of American voters already cast ballots that leave a paper trail because that’s one way voting machines record votes.

But Lindell, like so many of his MAGA compatriots, still won’t let reality stand in the way of Trump’s Big Lie.

@rabcarian.bsky.social Threads: @rabcarian

Esai Morales is on a death-defying mission to make Tom Cruise’s life impossible, yet again, in the latest installment of the “Mission: Impossible” action film franchise. Titled “The Final Reckoning,” the movie was released Friday.

Morales reprises his role as Gabriel, an assassin liaison set on carrying out a dangerous mission for Entity, an artificial intelligence system gone rogue, whose capabilities render it a danger to human society. This role dates back to the first “Mission: Impossible” film in 1996, as a murder Gabriel committed was the impetus for Ethan Hunt (Tom Cruise) to join the Impossible Missions Force.

“I have to look at Gabriel as the star of his own movie,” said Morales in a video call. “I play these characters with as much humanity as I can.”

Although for most of the franchise Gabriel is presumably dead, audiences are introduced to Morales’ character in the 2023 summer flick, “Mission: Impossible — Dead Reckoning Part One.” Besides shouldering responsibility as the main antagonist, which involves risky stunts opposite veteran adventurer Cruise, Morales also made franchise history as the first Latino lead in the action series.

The Brooklyn-born Puerto Rican actor is best known for his role as Bob Morales in the 1987 Chicano film “La Bamba” and as Jesus “Chucho” Sánchez in 1995’s “Mi Familia” — both of which been added to the National Film Registry at the Library of Congress. Morales is also known for his roles as Joseph Adama in the “Battlestar Galactica” prequel spin-off of “Caprica,” as well as Camino del Rio in Netflix’s “Ozark” and villain Deathstroke in the DC “Titans” series.

“The thing I love about ‘Mission: Impossible,’ with Gabriel, is that you don’t know he’s Latino,” Morales said. “It doesn’t focus on race. It focuses on the race to get the key!”  

Likewise, the release of the last two “Mission: Impossible” films was a dash to the finish. Directed by Christopher McQuarriel, filming spanned five years with some stops along the way due to the COVID-19 pandemic, plus the 2023 strikes by members of the Screen Actors Guild (SAG-AFTRA) and the Writers Guild of America. Additional costs due to inflation brought the total budget of the Paramount Pictures movie up to $400 million, making it one of the most expensive films of all time.

Morales considers its release a momentous occasion — and a “graduation” of sorts.

“All those obstacles are like the pressure that creates a diamond out of coal,” he said. “I hope that the audiences feel what I felt and continue to feel when I watch the film.”

This interview has been edited for clarity and shortened.

 How did you prepare physically and mentally for the role in ”Mission: Impossible”?
I was asked if I was physical and I said, “Actually, yeah.” I love playing tennis so my conditioning is really good. During the pandemic, I [would sneak] into the ocean at dusk and I would swim at night for hours at a time. It was kind of scary. Then [I got] to London and met some of the finest stunt people who do fighting, acrobatics, knife fighting, boxing. The thing is to get your reflexes in shape, because sometimes you have to do take after take and you don’t want to gas out.

Mentally it’s a lifetime of preparation. It’s not like I can study the life of Gabriel, so you apply what you can about your own character and characteristics under imaginary circumstances. Some of it comes from the ether… from the ether going after Ethan [laughs]. It’s an instinct and a lifetime of seeing movies, including the “Mission: Impossible” movies. They work hard. One of the most comforting things they instill is [that] “we’re not gonna leave until we get it right.”

Cruise is known for his gutsy live-action scenes. What was it like to join him on these scenes?
It’s thrilling. I couldn’t think of anyone else whose hands I’d want to put my well-being in, because look at his track record: He’s still alive and extremely healthy, and he doesn’t take these things lightly. He’s extremely strict about safety. Life is inherently risky. If you’re gonna take other risks, it’s best to take them with people that have survived and thrived for decades doing the same.

There’s a death-defying scene up in the air that was being teased a lot in this press run. What was going through your mind as you were up there?
After the initial prayers and thanking God, the universe and the angels, who and whatever has kept me alive and blessed me with an amazing life so far… You’ve gotta let go and let God, as they say.

What impact has this franchise had on your long-term career?
 It’s a blessing. I got the job during one of the most trying times of my life — and everyone else’s. I hope it’s not all downhill from here. I’m just grateful because I got to work on something at this scale, with these kinds of collaborators.

I am hoping that the work I continue to do leads to meaningful roles and characters that enhance the human condition for having watched it. I wanna do things that make people feel good about being human. Even if I’m the bad guy, somebody’s gotta play the bad guy. Right?

But is Gabriel really the bad guy?
Not in this actor’s eyes. For me, I have to look at Gabriel as the star of his own movie.  Wars are not fought by people who feel they’re gonna lose them.  So I play these characters with as much humanity as I can.

How did the COVID-19 pandemic and Hollywood strikes impact production of this film?
I am on the board of SAG-AFTRA. I did feel the impact of both COVID-19 and the strikes. I mean, it was not easy, it was not fun. It’s still not easy. We still have to deal with new media or new technology, speaking of AI. The production stuck together. When you struggle with adversity, it makes you stronger.

You consider yourself an honorary Chicano, particularly because of your role as Bob Morales in “La Bamba.” What memories come to mind when you think back to that role?
 So many, but the incredible irony or synchronicity or synergy that a role with my [last] name on it would be one of the most remembered. They’d say, ‘That has your name all over it.’ Well, this [role] literally did. When people wanted me to focus more on Ritchie, I wanted to bear witness and lend my pain to the role of Bob [Ritchie Valens’ brother].

I don’t know where my career would be without that film and a few others. When you have the ability to be with the person you are portraying, first of all, it’s an extreme amount of pressure because they’re there and you’re not them. And it’s like you’re gonna pretend to inhabit their being and their life. You don’t wanna mess up. But [Bob and I] were able to bond and have a few beers and really kick back, and I was able to absorb Bob’s biorhythm. I absorbed his Mexicanismo, [the same way] Anthony Quinn portrayed “Zorba the Greek.” [Whenever] he went [into] a Greek restaurant, plates would crash in honor of him and his portrayal … and he is a Mexican Irish actor.

 I think a lot of people forget that you’re Puerto Rican because you play the Mexican role so well.
I’m proud to be Puerto Rican, but I’m so secure in it that I don’t feel like I have to wear my banner on my head. I just want my work to speak for itself. We have to embrace that which has toughened us and has given us character and has given us something a little extra yearn for and live for.

There are many Latinos in sci-fi films. I’m thinking of you in “Caprica.” There’s also Diego Luna and Adria Arjona in “Andor,” Zoe Saldaña in “Guardians of the Galaxy,” Pedro Pascal in “The Mandalorian,” Ricardo Montalbán in “Star Trek …” What do you think of space roles introducing Latino actors to new audiences?
 How about to their own audience? We make up 25% of the movie-going audience, at least. It’s a wise decision to include people that in the past were overlooked. We were overlooked. So to put in all the great people is serving your market and representing them. It’s long overdue but extremely welcomed.

Is outer space the gateway to more Latinos in mainstream roles in rom-coms or action?
I would like to see that. I would like to see us play more central characters, people that we can grow to learn, grow to love and feel for, because I think that’s what movies do. They let you inside the heart of your lead characters. And you just can’t help but to love them, you know?

Mike Gillespie had a premonition about Ben Orloff.

The USC and UC Irvine coaching legend guided Orloff for two years as an Anteater, watching Orloff become the baseball program’s all-time hits leader with his peak bat-to-ball abilities. But it wasn’t Orloff’s eye-popping swing or swift speed on the basepaths that captivated Gillespie the most. It was the future he imagined for his star infielder, the then-Big West Conference player of the year.

“I don’t know how else to say it: His instincts, his clue, his feel for the game, his baseball IQ, is like nothing else,” Gillespie said as Orloff’s collegiate career wrapped up in 2009. “He should be a major league manager. He might be wasted as a major league manager, because they can do so little, in terms of all these little things.”

The American Baseball Coaches Assn. Hall of Famer, who died in 2020, continued: “He probably should be a college coach, a college head coach.”

It’s mid-May and Orloff sits in the office Gillespie once occupied. Orloff is bald with a bright smile. He’s just 38, and yet this is his 12th season on the UC Irvine coaching staff — and his seventh as the Anteaters’ head coach.

Orloff settles down at a table, crosses his legs and is ready to reminisce, talk shop — and praise the mish-mosh ballclub that’s set the Big West aflame for the second consecutive season in which it won its second regular-season conference championship under the coach.

“Not many people get their first job ever in college with no coaching experience [and become a] paid assistant coach at a place like UC Irvine,” Orloff said. “I’m aware that I was given opportunities that a lot of guys work a long time to get. I’m trying not to ruin it.”

UC Irvine baseball coach Ben Orloff walks on the field during a game against USC on Feb. 18.

(Matt Brown / UC Irvine Athletics)

Gillespie eventually gave Orloff the call back in 2013. The former All-American, who had been playing in the minors since 2009, was hitting just below .300 and had a .379 on-base percentage with double-A Corpus Christi when he decided it was time to return to UC Irvine.

Orloff said he always knew he was going to be a college coach. Whether it was after playing Major League Baseball for 15 years or directly after earning his bachelor’s degree, it was a goal he strived to achieve. But there was only one way he would “quit,” as he put it, and hang up his cleats for a new career: coaching at his alma mater for Gillespie.

Hired in 2013, the then-assistant was fully aware that he knew nothing about the ins and outs of coaching. Sure, he could practice the fundamentals — the basics of fielding and throwing strikes that Orloff still preaches — but much of the job was foreign. All he wanted to do, Orloff said, was to live up to his coach’s expectations.

“I was just extremely motivated to not let coach Gillespie down,” Orloff said. “Now being in this seat, to hire a guy for professional baseball that’s never coached at any level before, you don’t do that.”

He had to learn to recruit — he nabbed outfielder Jacob McCombs (.363 batting average/.448 on-base percentage/.627 slugging percentage) out of the transfer portal from San Diego State, signed junior college infielder Colin Yeaman (hitting .352 with 13 home runs) from College of the Canyons, and has developed Southern California talent such as sophomore starting pitcher Trevor Hansen (8-2 with a 3.14 earned-run average) from Royal High. Orloff said he is willing to sign any player from any level, knowing UC Irvine’s reach is different from blue blood programs, such as UCLA or Vanderbilt.

UC Irvine baseball coach Ben Orloff greets outfielder Jacob McCombs during a game.

(Robert Huskey / UC Irvine Athletics)

Orloff remarked that most articles written about the program highlight him. But he is also first to praise his coaching staff, such as pitching coach Daniel Bibona in his 13th year with the Anteaters or hitting coach J.T. Bloodworth, who helped the Anteaters notch their fourth-best batting average in program history a year ago.

“We played together for three years,” he said of Bibona. “Coach Gillespie hired him directly at a pro ball to be the pitching coach. … He does a really good job with these guys.”

“I think we broke every school offensive record last year,” Orloff remarked about Bloodworth’s impact. “This year, the numbers are like the same with a completely brand new group.”

Orloff and his staff brought in 20 new players before the season, restocking a roster that produced a 45-14 record and an NCAA regional appearance in 2024. And the Anteaters haven’t missed a beat. Irvine is ranked 20th in the nation, according to D1Baseball, and is pegged as the top West Coast program in the country — above UCLA — by the National College Baseball Writers Assn., with a No. 11 ranking.

“Winning matters to these guys,” Orloff said of his 39-13 squad. “I think our team has placed what’s best for the team above what’s best for them and I think that’s uncommon, probably in 2025, and so I think it’s why we’ve won.”

Heading into the inaugural Big West Conference tournament, Orloff said UC Irvine can compete with any team in the nation. He points to early-season battles against Nebraska, New Mexico and Vanderbilt — coming up just short of a three-game sweep at the MLB Desert Invitational in February.

When it comes to showing resolve against opponents, Orloff embraces football coach Bill Belichick’s inverse theory of winning — often credited to businessman Charlie Munger’s inversion technique. As Orloff puts it, the technique focuses on how “before you can win, you can’t do the things that make you lose.”

UC Irvine baseball coach Ben Orloff speaks to his players before a game against San Diego on April 1.

(Matt Brown / UC Irvine Athletics)

“You can look and just see how competitive they’ve been and how complete they’ve been,” said UCLA baseball coach John Savage, a disciple of coach Gillespie as a USC assistant and former Irvine head coach from 2002 to 2004.

“He’s clearly, I think, the best up-and-coming young coach in America. I truly believe that.”

With Irvine on the hunt for its first trip to Omaha since 2014 — and Orloff leading the way — the Anteaters might have the right recipe brewing at Cicerone Field.

Gillespie, long before Orloff took the reins, certainly thought so.

“I’m not kidding, he’s a better coach than I am,” Gillespie said in 2009.

George Wendt, who will be famous as long as television is remembered as Norm from “Cheers,” died Tuesday. He passed in Los Angeles, where he lived, though the cities to which he is spiritually tied are Boston, where the show was set, and Chicago, where he was born and entered show business by way of Second City, and which he unofficially represented throughout his life, and which claimed him as one of its own. One of his last Facebook posts, earlier this month, as a Chicagoan educated by Jesuits, was, “pope leo XIV is a sout’ sider my friendts. his cassock size is 4XIV.”

Entering stage right, as the assembled cast shouted his name, Norm would launch his heavyset frame across the set to a corner stool where a glass of beer — draft, never bottled — would appear as he arrived. He was the quintessence of Regular Guy, a big friendly dog of a person, with some of the sadness that big, friendly dogs can carry.

“Cheers,” which ran for 11 seasons from 1982 to 1993 — Wendt appeared in every one of its 275 episodes — was a show about going where everybody knows your name but also, as in life and fiction, a place for people who had nowhere better to be, or nowhere else to go. Though Norm was nominally an accountant, and then a house painter, his real job was to sit and fence with John Ratzenberger‘s font-of-bad-information postman Cliff Clavin — they were one of the medium’s great double acts — and drink beer, and then another. His unpaid tab filled a binder. (“I never met a beer I didn’t drink,” quoth Norm, though there was never any suggestion of alcoholism, or even of drunkenness.)

But as a person with work troubles and a marriage that could get the better of him — Wendt’s own wife, Bernadette Birkett, supplied the voice for the off-screen Vera — he was also the vehicle for some of the show’s more dramatic, thoughtful passages. (That his service to the series was essential was borne out by six Emmy nominations.) Unlike some other “Cheers” regulars, there was no caricature in his character. His woes, and his pleasures, were everyday, and he played Norm straight, seriously, without affectation, so that one felt that the Wendt one might meet on the street would not be substantially different from the person onscreen.

Like many actors so completely identified with a part, Wendt, who spent six years with Second City, worked more than one might have imagined; there were dozens of appearances on the small and big screen across the years, including his own short-lived “The George Wendt Show,” which took off on public radio’s “Car Talk.”

After “Cheers,” he’s perhaps most associated with the recurring, Chicago-set “Saturday Night Live” sketch “Bill Swerski’s Superfans.” But he also did theater, including turns on Broadway as Edna Turnblad in “Hairspray,” as Yvan in Yasmina Reza’s “Art” and as Santa in the musical adaptation of “Elf.” There was “Twelve Angry Men,” with Richard Thomas in Washington, D.C., and he was Willy Loman in “Death of a Salesman” in Waterloo, Canada. In Bruce Graham’s “Funnyman,” at Chicago’s Northlight Theatre in 2015, he played a comic cast in a serious play, breaking out of typecasting.

We were connected on Facebook, where he regularly liked posts having to do with music and musicians; he was a fan, and sometimes a friend, of alternative and underground groups, and tributes to him from that quarter are quickly appearing. (When asked, he would often cite L.A.’s X, the Blasters and Los Lobos as among his favorites.) One of his own last posts was in memoriam of David Thomas, leader of the avant-garde Pere Ubu, twinned with “kindred spirit” Chicago Bears defensive tackle Steve McMichael, who died the same day.

Once, after he messaged me to compliment an appreciation — like this — I’d written about Tommy Smothers, I took the opportunity to ask, “Do I correctly remember seeing you at Raji’s a million years ago, probably for the Continental Drifters?” Raji’s, legendary within a small circle, was a dive club in a building long since gone on Hollywood Boulevard east of Vine Street; it wasn’t the Roxy, say, or other celebrity-friendly spots around town — or for that matter, anything like “Cheers,” except in that it served as a clubhouse for the regulars.

“Yep,” he replied. “Tough to get out like I used to, but please say hi if you see me around.” Sadly, I never did, and never will.