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A cross section of a 250-year-old Pasadena oak tree that was uprooted in a 1993 windstorm is among the first things visitors will see upon entering the Huntington’s new exhibit, “This Land Is…” Jagged cracks in the trunk, which was once rooted in the Huntington’s lawn, are feebly held together by wooden joints.

It’s a fitting emblem of what’s to come in a long-planned show curated to coincide with the country’s upcoming semiquincentennial, and crafted to pose land itself as central to the country’s complex past. After taking in the exhibit, attendees can draw their own conclusions about the land’s role as a “geographical and metaphorical space of promise, struggle, and belonging.”

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On a recent late afternoon, the Pasadena sun drilled down on the facade of the Huntington’s MaryLou and George Boone Gallery, where the show’s organizers waited beside four chiseled columns with their hands tucked behind their backs, swaying in anticipation.

“It’s the first time anyone is seeing it,” said Linde B. Lehtinen, the museum’s senior curator of photography.

Joining her are Josh Garrett-Davis, curator of Western American history, and Armando Pulido, assistant curator for special projects. All three smile with excitement.

For the better part of the last two and a half years, Lehtinen and Garrett-Davis have spearheaded the curation of “This Land Is…,” which opens Sunday and runs through early next year.

For them the fallen oak tree represents hope amid disturbance: Another once-towering elder on the museum’s North Vista was uprooted during a windstorm in 2025 — one of its acorns has since sprouted and now stands more than 6-feet tall.

Still, it only brushes the surface of an exhibition that seamlessly draws upon a plethora of works crafted across U.S. history. Want to plan a visit? Here are five things you shouldn’t miss seeing.

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“This machine kills fascists,” etched on the back of Woody Guthrie’s guitar on display at The Huntington.  (Robert Gauthier/Los Angeles Times)

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A closer view of the “This Machine Kills Facists” etching.  (Robert Gauthier/Los Angeles Times)

Woody Guthrie’s guitar, inscribed with ‘This Machine Kills Fascists’

In 1940, Woody Guthrie sat in a Midtown Manhattan hotel, toiling over lyrics for what would become “This Land Is Your Land.” Today, it’s been adopted as a quasi-anthem for the U.S. and the epitome of American progressivism.

For this exhibition, the museum acquired Guthrie’s C.F. Martin and Co. guitar, a seamless blend of spruce, mahogany, celluloid, ebony and mother-of-pearl. On its back, a carved inscription reads, “This Machine Kills Fascists.”

“The idea for ‘This Land Is…’ emerged … because the scope and breadth of his voice in terms of his activism and how prolific he was … and thinking about how he reflected on and experienced American land,” Lehtinen said.

Alongside the guitar is a copy of the Declaration of Independence, annotated by John McKesson, secretary of New York’s Fourth Provincial Congress, in the days following July 4, 1776. According to Lehtinen, the two objects were paired as instruments of protest and change.

“We talked to [Guthrie’s] granddaughter Anna Canoni, and she said to us at one point that he used guitars like pens or tools, and that was so appropriate to how we were thinking about its relationship to this document,” she added.

A map of the Butte Community, Gila River Relocation Center drawn by an internee.

(Robert Gauthier/Los Angeles Times)

Japanese flower farmers photographed before, during and after internment

Not far from the Guthrie guitar is a panoramic portrait of the Kuromi family, posing amid a flower farm that stood where Los Feliz Boulevard is now. To its right is a watercolor painting of the Gila River War Relocation Center in Arizona, where many members of the family were forcibly transported to and imprisoned during World War II.

“I was looking at a historic preservation report, and the name was the same as my mechanic in Los Feliz,” Garrett-Davis said. “The next time I went to get my oil changed, I took a printout of that panorama and was going to show it to them and ask, ‘Do you know anything about this? Is this related?’

“I walked into their office, and a copy of that photo had been on their wall for years. In 10 years, I had never noticed it,” he said with a laugh.

After their internment, the Kuromi family returned to their farm in 1945 to find their equipment stolen. The process of regaining access to their land was slow, but they eventually settled back in, and operated the farm until losing their lease in 1961.

‘A Harvest of Death’ and mail from home on the Civil War front

One of the most grotesque displays on view is an albumen print of an 1863 photo titled “A Harvest of Death,” taken by Timothy H. O’Sullivan after the Battle of Gettysburg. Within its frame lies the bodies of fallen soldiers, sprawled out and lifeless on the grass.

“That evocative title signals some of the other things that we have been thinking about, whether it’s looking at gardens or loss … in this case, these are bodies that have been left, and they’re decomposing,” Lehtinen said.

Paired with the print is a letter from a young woman named Harriet Bailey to her uncle on the front lines of the Civil War, containing seeds delicately etched with drawings of a ship, facesand a dog. The two pieces represent a stark contrast in experiences during the same conflict, once again touching upon the theme of hope amid disturbance.

“This is a remnant of home that he’s actually being sent while on the battlefield,” she continued. “So, the joy and lightness to what is an incredibly somber moment in American history.”

“Archiving the Watershed” is a collection of artifacts from the Colorado River assembled by Otis R. “Dock” Marston on display.

(Robert Gauthier/Los Angeles Times)

The Colorado River, mapped out through an adventurer’s eyes

This display is described as a “tiny slice” of the Huntington’s archive on Otis Reed “Dock” Marston, a historian and river runner who made it his life’s goal to collect information on the Colorado River. According to Garrett-Davis, Marston had around 185 binders full of photographs, often placed on a cut-out map of where they were taken and organized mile-by-mile, from below the U.S.-Mexico border all the way into Utah.

This taps into a focal point of the exhibition: adapting it to a West Coast perspective. In this way, the idea of independence is viewed expansively as it unfolds across time and place.

“The Huntington has a wonderful collection of presidential papers and documents relating to the Colonial era, but we also have materials on California … from the lens of the West,” said Huntington President Karen R. Lawrence.

“We can show the West’s visual culture at the same time that we can show the original copies of the Declaration of Independence … we have a breadth that’s quite rare.”

Artist Noni Olabiisi’s, “Troubled Island” mural on canvas, depicting the struggling of the Haitian revolution.

(Robert Gauthier/Los Angeles Times)

‘Troubled Island’ and a mirrored struggle

The Haitian Revolution may seem out of place in an exhibition celebrating the U.S., but Haiti was the second independent nation in the Western Hemisphere. Its independence from the French was proclaimed in 1804, just two decades after the American colonies signed the Treaty of Paris.

In the mural “Troubled Island,” Noni Olabisi chronicles the Haitian struggle for independence, including how suffering under French colonists led to the 1791 slave rebellion. The piece was first painted for the William Grant Still Arts Center in West Adams in 2003, referencing an opera of the same name.

The opera was composed by Still with a libretto from the Missouri-born poet, playwright, novelist and social activist Langston Hughes, who connected Haiti’s struggle for freedom to his home country’s.

“We wanted to focus on parts that might seem peripheral but are actually quite central to American history,” Garrett-Davis said.

Three years later, Olabasi would render the same powerful mural on canvas.

SAVANNAH Guthrie has quietly dropped hundreds of thousands on private investigators in a desperate attempt to find her mother months after she was abducted from her home.

The U.S. Sun can report that the Today anchor, 54, has shelled out around $500,000 to keep the search going for Nancy, 84, after losing faith in the official investigation. 

Though many have lost hope that Nancy will ever be found, Savannah “has told everyone involved that the search will continue for as long as necessary,” an insider told The U.S. Sun.

“She is not prepared to stop looking for her mother. She feels that depending only on the official investigation is not enough anymore – that’s why she’s investing so heavily in private investigators and outside specialists.”

The source said that the heartbroken daughter has hired an “entire independent team” who are “working leads every day” to help bring her beloved mother home.

This top-notch team includes former agents, security experts, and investigators, the insider claimed.

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According to the insider, the veteran journalist became disillusioned with the official investigation.

“She became increasingly disappointed with how communication from authorities changed over time,” they added.

“What once felt urgent started to feel far more routine.”

“When Savannah learned there would no longer be direct contact with the sheriff, she took that very personally,” the insider continued.

“She felt the family was being pushed further away from the center of the investigation.”

Meanwhile, a second insider explained: “The financial cost has become enormous, but Savannah doesn’t care about the money.”

“Right now, every dollar is worth spending if it helps bring her mother home.

“By now, the costs have climbed well into the mid-six figures. 

“And remember,  Savannah was once willing to pay a ransom, so spending big on the search is nothing new for her.”

“She keeps telling friends the same thing: The family can’t stop searching.

“Hope is the only thing driving her right now.”

The second insider claimed Savannah is still “emotionally devastated,” despite her smiley demeanor on the morning show each day.

“But she still believes there’s a chance her mother can be found, and that belief is what keeps the private search going every single day.”

Rob Shuter’s Naughty But Nice Substack was the first to report on Savannah’s ongoing investigator efforts into Nancy‘s disappearance. 

More than 100 days have passed since Nancy Guthrie disappeared from her bed in the early morning hours of February 1.

As the Pima County Sheriff’s Office remains tight-lipped, a feud has erupted behind the scenes between local cops and the highest levels of federal law enforcement.

FBI Director Kash Patel went on national television to blast local authorities, claiming they completely botched the opening hours of the investigation. 

Speaking with Fox News host Sean Hannity, Patel emphasized that while missing persons cases technically fall under local jurisdiction, the first 48 hours are the absolute most critical window to find someone alive. 

According to the FBI chief, federal agents were left twiddling their thumbs for four straight days before locals finally let them in.

Once the Bureau secured access, they immediately bypassed local roadblocks to recover chilling Nest security camera footage from Guthrie’s front porch. 

The terrifying video shows a masked predator messing with potted plants to block the camera view before tearing the device off the wall. 

Patel took direct credit for the breakthrough, noting the Bureau had to coordinate directly with Google just to get those haunting images out to the public.

The finger-pointing did not stop there. Patel openly slammed Pima County Sheriff Chris Nanos for bypassing the FBI’s world-class crime lab in Quantico, Virginia. 

Instead, local police shipped crucial DNA evidence found inside Nancy’s home to a private laboratory down in Florida.

Timeline of Nancy Guthrie’s disappearance

Nancy Guthrie, the 84-year-old mother of Today show co-anchor Savannah Guthrie, disappeared from her home on February 1, 2026.

Timeline:

• January 31: Nancy is last seen by her family
  • 5:32pm: Nancy travels to her daughter’s home for dinner, about 11 minutes from her own house.
  • 9:48pm: Family members drop off Nancy Guthrie at her home in Tucson. Her garage door closes two minutes later.
• February 1: Nancy is reported missing and a search begins
  • 1:47am: Nancy’s doorbell camera disconnects
  • 2:12am: Camera software detects a person moving in range of the camera. There is no video, and Nancy does not have a storage description.
  • 2:28am: Nancy’s pacemaker app disconnects from her phone, which is later found still at her house.
  • Around 11am: A parishioner at Nancy’s church calls the mom’s children and says she failed to show up for service.
  • 11:56am: Family members arrive at Nancy’s house to check on her.
  • 12:03pm: The family calls 911 to report Nancy missing.
  • 8:55pm: The Pima County Sheriff’s Office gives its first press conference and reveals some clues found at Nancy’s home caused “grave concern.” Sheriff Chris Nanos says helicopters, drones, and infrared cameras are all being utilized in the search.
• February 2: Search crews pull back. Nancy’s home is considered a crime scene. Savannah releases a statement thanking supporters for their prayers, which her co-hosts read on Today.
• February 3: A trail of blood is pictured outside Nancy’s home, where there were reportedly signs of forced entry. Nanos admits they have no suspects, no leads, and no videos that could lead to Nancy’s recovery. He and the FBI beg for more tips and accounts.
• February 4, 8pm: Savannah and her siblings release a heartbreaking video directed at their mother’s abductors asking for proof she is alive and saying they’re willing to work with them to get her back.
• February 5: FBI offers $50,000 reward for information on the case.
  • 5pm: First ransom demand deadline for millions in Bitcoin passes. Guthrie family releases demand to speak “directly” to the kidnappers, saying, “We want to talk to you and we are waiting for contact.”
  • Blood is confirmed to be Nancy’s.
• February 7: Savannah and her siblings share a video stating they received a message from kidnappers and are willing to pay.
• February 9, 5pm: Second ransom demand deadline, reportedly with “much more serious” conditions.
  • Savannah posts a video asking the public to report anything strange to law enforcement.
• February 10: The FBI release surveillance footage of the armed masked suspect outside Guthrie’s house on the night she disappeared.
• February 11: A man is detained in Rio Rico, about 19 miles south of Tucson. The individual was released after being questioned by authorities.
• February 12: Suspect described as 5’9″-5’10” carrying a black Ozark Trail backpack (Walmart exclusive).
• February 13: A second man is detained by police after being pulled over by Pima County officers near a Culver’s in Tucson. The man, identified as Luke Daley, was questioned and has since been released.
• February 15: DNA is collected from a discarded glove found 2 miles away that matches surveillance.
• February 16: Sheriff Nanos clears the Guthrie family and their spouses of any involvement.
• February 24: The Guthrie family increased the family’s reward for information to $1million.
• March 4: DNA on the glove is traced to a restaurant worker, and the person is cleared of any involvement.
• March 16: ABC News reports that more images have been obtained from motion-activated cameras.
• March 26: Savannah’s first on-camera interview since her mother’s disappearance airs.

Patel claimed he had hundreds of federal agents and intelligence analysts deployed to Phoenix and Tucson on standby, ready to flood the neighborhood and process the DNA evidence within days. 

He expressed frustration that the Bureau was sidelined, arguing their premier lab could have cracked open better leads by now.

Sheriff Nanos is fiercely hitting back against the narrative. 

In an official statement, Nanos denied keeping the feds in the dark, insisting that members of the FBI Task Force were actually boots-on-the-ground at the scene alongside local detectives from the very beginning. 

Nanos fired back that both his department and Nancy’s own family notified federal authorities immediately.

NBCUniversal has ordered a TV adaptation of the popular New York Times puzzle Wordle that will be hosted by Savannah Guthrie.

Jimmy Fallon, whose company is co-producing the show, and Guthrie announced the series pick-up Monday on NBC’s “Today.” “Wordle” will begin production later this year and debut on NBC in 2027.

Guthrie filmed the pilot episode for Wordle last fall in Manchester, England, where the series will be made as well. The project from Universal Television Alternative Studio, Fallon’s Electric Hot Dog and The New York Times, has been in development for two and a half years.

Guthrie said she learned the show was picked up in February and was set to shoot episodes in March. But producers delayed the start as Guthrie went on a hiatus for two months after the disappearance of her mother Nancy.

“They just stopped everything and said, ‘we will wait for you, of course,’” Guthrie said. “And Hollywood is a really tough business as you know, and I didn’t expect that.”

Guthrie returned to “Today” on April 6. Law enforcement officials believe Nancy Guthrie was taken against her will from her Catalina Foothills home on Jan. 31. The investigation into her abduction is ongoing.

Guthrie did not mention the situation with her mother’s abduction, but indicated her game show duties will be another step toward normalcy. “I’m just determined to put one foot in front of the other,” she told colleagues.

Wordle asks players to guess a five-letter word in six chances through a process of eliminating letters. An individual player’s performance in the game can be posted online without revealing the answer, as the colored tiles are shown without the letters.

Offered as part of a subscription to a bundle of puzzles on the New York Times web site and app, Wordle has been a major driver of digital revenue for the company. The New York Times said earlier this year that users solved the Wordle puzzle 4.4 billion times in 2025.

Wordle was created by Brooklyn, N.Y.-based software engineer Josh Wardle in 2021. After it became an immediate hit online, the New York Times purchased it for a price reported to be in the low-seven-figure range.