group

The American Academy of Pediatrics sued the U.S. Department of Health and Human Services on Wednesday, seeking to block nearly $12 million in cuts to the group.

Earlier this month, the federal government “abruptly terminated” grants to the group, the lawsuit says.

The funding supported numerous public health programs, including efforts to prevent sudden unexpected infant death, strengthen pediatric care in rural communities and support teens facing substance use and mental health challenges.

“AAP does not have other sources of grant funding to replace the federal awards, and without the necessary funds it must immediately terminate its work on its dozens of programs that save children’s lives every day,” says the lawsuit, filed in the U.S. District Court for the District of Columbia. “Within a few weeks, AAP will have to begin laying off employees dedicated to this critically important work.”

The suit alleges Health and Human Services made the cuts in retaliation for the doctors’ group speaking out against the Trump administration’s positions and actions.

The doctors’ group has been vocal about its support for pediatric vaccines and has publicly opposed the agency’s positions. Health Secretary Robert F. Kennedy Jr. — who helped lead the anti-vaccine movement for years — is seeking to broadly remake federal policies on vaccines. Earlier this year, the pediatrics group released its own recommendations on COVID-19 vaccines, which substantially diverged from the government’s recommendations.

The group also supports access to gender-affirming care and has publicly criticized Health and Human Services positions on the topic, saying it opposes what it calls the government’s infringements on the doctor-patient relationship.

“The Department of Health and Human Services is using federal funding as a political weapon to punish protected speech, trying to silence one of the nation’s most trusted voices for children’s well-being by cutting off critical public health funding in retaliation for speaking the truth,” Skye Perryman, president and chief executive officer of Democracy Forward, said in a statement. Perryman’s organization is representing the doctors’ group in the case.

A spokesman for Health and Human Services could not immediately be reached for comment.

Mark Del Monte, CEO and executive vice president of the 67,000-member doctors’ group, said the organization depends on its relationship with the federal government.

“We need this partnership to advance policies that prioritize children’s health. These vital child health programs fund services like hearing screenings for newborns and safe sleep campaigns to prevent sudden unexpected infant death,” he said in a statement. “We are forced to take legal action today so that these programs can continue to make communities safer and healthier.” 

Ungar writes for the Associated Press.

THE Pussycat Dolls have seemingly “confirmed” their reunion by signing with a new talent agent.

The news comes despite feuds and legal battles in the band, formed of Nicole Scherzinger,  Kimberly Wyatt, Ashley Roberts, Jessica Sutta, Carmit Bachar and Melody Thornton.

CAA music division head Rob Light  and Paul Franklin – a specialist in reunion tours – are now set to manage the band in a telling move.

While Nicole teased the reunion this week by talking about “what’s to come” for the band.

Sharing a clip from their hit song Buttons, Nicole wrote: “From then to now… seeing this video hit 1 billion views on YouTube fills my heart with so much gratitude.

“For the PCD fans. For the memories. For what’s to come.”

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Last month, The Sun revealed that the band were “in talks” for a reunion, with the idea spearheaded by Kimberly.

At the time, a source said: “Kimberly has been open about the fact the girls have sorted out their issues.

“She also told pals they’ve been discussing a tour.

“The Pussycat Dolls certainly had their differences over the years, but a comeback would send fans wild.”

The Dolls started off as a burlesque troupe but in 2003 Nicole , Melody and Kaya joined Carmit, Ashley , Jessica and Kimberly to form the group.

They split in 2010.

This is not the first time a reunion has been on the cards, with multiple members of the band reuniting in 2019 before planning a 2020 tour, which was halted due to Covid-19.

It was later cancelled due to the pandemic and legal issues.

Nicole had a bitter row with the band’s founder, Robin Antin, 60, who sued singer for “extortion”.

Robin claimed that Nicole was refusing to take part in the tour unless she received a larger share of the group’s joint firm.

She allegedly demanded her 49 per cent holding in the firm is increased to 75 per cent, giving her creative control of the group and “final decision-making authority”.

According to the lawsuit filed by Robin, Nicole said the “growth of her personal brand” and the “opportunities she would have to forego to engage in the partnership” was why she deserved an increased share.

However, in a fiery retaliation, former X Factor judge Nicole issued a statement through her lawyer, Howard King, in which she branded Robin’s claims as “ludicrous and false”.

Melody wasn’t involved in the last planned reunion after clashing with Nicole over singing the band’s lead vocals.

Under the glow of fluorescent lights at Seafood City market in North Hills, packages of pre-made adobo, salted shrimp fry and and dried anchovies glisten in meat coolers.

A DJ, dressed in a traditional barong, blasts a dance remix of Whitney Houston’s “I Wanna Dance with Somebody” as a crowd gathers to take a shot of fish sauce together.

“That was disgusting!” a man shouts into the mic, flashing a grimacing expression.

At Seafood City, DJs 1OAK, left, EVER ED-E and AYMO spin in barongs, the Philippines’ national formal shirt.

The smells of lechon and lumpia float through the air. Smiling children munch on halo-halo (a Philippine dessert made with ube ice cream, leche flan and shaved ice). Flags of the Philippines wave in the air as a man in UCLA Health scrubs hops into the center of an energetic dance circle. Employees shoot store coupons out of a money gun and toss bags of Leslie’s Clover Chips into the crowd. Fathers hold their children on their shoulders as a group of college students perform a Tinikling routine, a traditional Philippine dance in which performers step and hop over and between bamboo poles.

“This is so Filipino,” a woman says, in awe of the scene.

Sabria Joaquin, 26, of Los Angeles, left, and Kayla Covington, 19, of Rancho Cucamonga hit the dance floor at “Late Night Madness” in North Hills.

“I came here for groceries,” explains an elderly man, adding that he decided to stay for the party.

Seafood City, the largest Philippine grocery store chain in North America, typically closes at 9 p.m. But on certain Friday and Saturday nights, its produce or seafood aisle turns into a lively dance floor for “Late Night Madness.” On social media, where the gathering has exploded, it looks like a multigenerational nightclub that could use dimmer lighting. But for attendees who frequent the store, it’s more than that. It’s a space for them to celebrate their Filipino heritage through food, music and dance in a familiar setting.

“This is something that you would never expect to happen — it’s a grocery store,” says Renson Blanco, one of five DJs spinning that night. He grew up going to the store with his family. “My mom would [put] us all in the minivan and come here, and she’d let us run free,” he adds. “It’s comfortable here. It’s safe here.”

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1. Rhianne Alimboyoguen, 23, of Los Angeles follows an employee through the produce section. 2. Allison Dove, 29, left, and Andrea Edoria, 33, both of Pasadena, enjoy Philippine street food. 3. Katie Nacino, 20, left, Daniel Adrayan, 21, and Sean Espiritu, 21, of the Filipino American Student Assn. at Cal State Northridge, practice tinikling, a traditional Philippine folk dance, in an aisle.

The first Seafood City location opened in 1989 in National City, a suburb of San Diego, which has a nearly 20% Asian population including a rich Filipino community. For its founders, the Go family, the mission was simple: to provide a market where Filipinos and people within the diaspora could comfortably speak their native language and buy familiar products. It’s since become a community anchor. Of the nearly 40 locations in Northern America, at least half of them are based in California, which has the highest population of Asian Americans in the United States.

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The first “Late Night Madness” event happened in September in Daly City, Seafood City’s newest location. The company wanted to launch a street food program at the store’s food hall in a fun and creative way.

The DJ played a selection of hip-hop, pop, soul and classic Pinoy records like VST & Company’s “Awitin Mo, Isasayaw Ko.” Hundreds of people showed up, and videos of people of all ages turning up in the popular supermarket spread like wildfire. So the company decided to continue hosting the event in October during Filipino American History Month and for the rest of the year. It’s since expanded to more locations around the country and in L.A., including Eagle Rock.

By 10 p.m. at the Seafood City in North Hills, at least 500 people are dancing in the produce section, next to rows of saba bananas, fresh taro leaves and bok choy. The lively crowd forms dance circles throughout the night, taking turns jumping in the center to show off their moves to songs like Earth, Wind & Fire’s “Let’s Groove,” “Nokia” by Drake and Justin Bieber’s “I Just Need Somebody to Love.” At one point, TikToker and artist Adamn Killa hops on the mic and says “If you a Filipino baddie, this is for you,” before doing his viral dance.

Among the Philippine street food offerings were pandesal sliders, lumpia-style nachos, lobster balls and various skewers.

A group of employees dance behind the counter as they serve hungry patrons who fill their trays with various Filipino street food including pandesal sliders (soft Philippine bread filled with adobo, lechon or longganisa) and Lumpia Overload (think nachos, but a bed of lumpia instead of tortilla chips), lobster balls and barbecue chicken skewers. (No alcohol is served.) Meanwhile, a few lone shoppers sprinkle into the store to get their weekly groceries as music blasts through the speakers.

First-generation Filipino American Andrea Edoria of Pasadena says “Late Night Madness” reminded her of the family parties she attended as a child in L.A. and in Manila, where her parents are from.

“Growing up as a child of immigrants, I was kind of self conscious about displaying too much of my culture,” she says between bites of spiral fried potato. She went to the Eagle Rock event with her mother last month as well. “So it kind of fed my inner child to see so many people celebrating this shared culture and experience that we each grew up [with].”

A multi-generational crowd is drawn to the dance floor. At center is Jade Cavan, 44, of Chatsworth.

Members of the Filipino American Student Assn. at Cal State Northridge perform a tinikling performance.

She adds, “I think it’s so important especially now at a time where our country is so divisive and culture is kind of being weaponized, I think it’s a beautiful reminder that we can come together and find something that unites us.”

About 10 minutes before midnight, the grocery store is still bustling with activity. A dance battle breaks out and people begin hyping up the young women. The DJ transitions into slower tracks like Beyoncé’s “Love on Top” and Mariah Carey’s “All I Want for Christmas is You.” The remaining folks sing along loudly as they walk toward the exit, smiles imprinted on their faces. Staff rush to clean up, then huddle together for group photos to memorialize the evening.

After the final song is played, employees rush to clean up the supermarket.

Patrick Bernardo, 34, of Van Nuys looks at the counter, where a man had been chopping lechon, before stepping outside.

“There’s barely anything left on that pig,” he says, pointing to it as proof that the night was a success.

EUGENE, Ore. — Perhaps it was James Madison going for it twice on fourth down on its first drive of the game.

Or, maybe it was coach Bob Chesney calling for a wide receiver pass on the Dukes’ second series of the evening. Even 12th-ranked James Madison successfully pulling off a fake punt could have adequately explained what the scoreboard failed to convey.

It was clear that the fifth-ranked Oregon Ducks were in a different class than their visitors in a 51-34 win in a College Football Playoff first round matchup Saturday at Autzen Stadium. Oregon led 48-13 midway through the third quarter before the Dukes added three late touchdowns to make the final score appear closer than the game really was.

“I think the scoreboard itself, every time we got down there we kind of shot ourselves in the foot,” said Chesney, who takes over as UCLA’s head coach after the JMU loss. “If we did not do that, if we did not end with 13 penalties, is this a little bit of a different game? Maybe. But at the same point in time, that’s a tough offense to stop, and I think it’s tough for a lot of teams in the entire country to stop.”

With James Madison’s loss, Group of Five teams fell to 0-4 all-time in CFP games. No. 17 Tulane fell 41-10 to No. 6 Mississippi on Saturday, too, while Penn State beat Boise State 31-14 in last year’s Fiesta Bowl. Alabama topped Cincinnati 27-6 in a 2022 CFP semifinal at the Cotton Bowl.

Following their loss to Ole Miss, Green Wave head coach Jon Sumrall brushed aside any notion of his team not belonging among the last 12 standing.

“We’re our conference champion and the rules are what they were, and I think there should be access for at least one G5 team moving forward,” Sumrall said. “I do. I think you should have given the American champion an opportunity before the ACC champion this year because we beat the ACC champion. So Duke won the ACC Championship; we beat them.”

To Sumrall’s point, Tulane beat a pair of Power Four teams in Northwestern and Duke, but those schools combined to go 14-11 in 2025.

James Madison, meanwhile, lost to its only Power Four opponent this season, with Louisville beating it 28-14 in a game in which the Dukes mustered just 263 yards of total offense. Most of the season, James Madison ran with the ball with ease against its opponents, rushing for over 300 yards in a game five times and over 200 yards in a game nine times.

But on Saturday, the Dukes mostly abandoned the run after quickly falling behind, and instead often turned to Sun Belt player of the year and quarterback Alonza Barnett III, who attempted a career-high 48 passes in the contest. Even so, Barnett was confident his team belonged in the CFP over other Power Four schools.

“I believe people saw that we were meant to be on this level. When you look at the Power Four teams and whatever, the destiny is really — the ball is in your court. You control your own destiny,” Barnett said. “Most of those teams that didn’t make it, they controlled their own destiny, and we handled what we could handle and we didn’t give into outside noise.”

Among Group of Five schools, James Madison did fare the best of any of them on offense in the CFP. The other three programs scored a combined 30 points in their respective playoff games, a total James Madison eclipsed against the nation’s eighth-ranked scoring defense.

But where the Dukes fell flat was slowing down the Ducks’ ninth-ranked scoring offense. Oregon ran the ball with ease, averaging more than 7.7 yards per attempt against James Madison’s run defense that entered the contest allowing the second-fewest yards per game in the country.

As has often been the case in matchups between Power Four and Group of Five teams, the greatest discrepancies existed in the trenches. To a man, James Madison could not adequately match up with Oregon, just as Tulane couldn’t with Ole Miss and many other Group of Five programs before them both failed to do.

“I think there were moments today where I feel like we could play with them,” Chesney said. “ And I think that today, the complimentary football, and us playing in the way we needed to just did not exist.”

Destin writes for the Associated Press.

Dec. 19 (UPI) — An international hunger watchdog group said that while Gaza is no longer in famine conditions since the cease-fire between Israel and Hamas, it’s still food-insecure and many people still go hungry.

The Integrated Food Security Phase Classification, a United Nations-backed group, released a report Friday that said on X that at least 1.6 million people are still facing high levels of acute food insecurity.

It said that acute malnutrition is still critical in Gaza City and is serious in Deir al-Balah and Khan Younis with nearly 101,000 children under 5 likely to suffer acute malnutrition through mid-October 2026 throughout Gaza.

Israel’s foreign ministry called the IPC report “deliberately distorted” and “doesn’t reflect the reality in the Gaza Strip,” the BBC reported.

Between “600 and 800 aid trucks enter the Gaza Strip every day, 70 percent of them carrying food — nearly five times more than what the IPC itself said was required for the Strip,” the Israeli Foreign Ministry said in a statement.

Since the cease-fire, humanitarian agencies have been better able to get aid into Gaza, easing the famine that caused widespread hunger and malnutrition in the area during fighting, when Israel blocked aid from the Palestinians.

“Over the next 12 months, across the entire Gaza Strip, nearly 101,000 children aged 6-59 months are expected to suffer from acute malnutrition and require treatment, with more than 31,000 severe cases,” the report said. “During the same period, 37,000 pregnant and breastfeeding women will also face acute malnutrition and require treatment.”

UNWRA, the U.N. agency for Palestine, supported the report from the IPC.

“The latest report from the IPC info underscores how fragile the gains have been since the cease-fire began in October,” UNWRA said in a statement. “While Gaza Governorate is no longer classified as being in famine, 1.6 million people still face high levels of acute food insecurity. To end this catastrophe, supplies must be let in at scale and humanitarians allowed to do their job.”

Dec. 19 (UPI) — Mexican low-cost airlines Volaris and Viva Aerobus announced an agreement to create a new holding company through a merger of equals — a deal aimed at expanding low-fare air travel and strengthening Mexico’s air connectivity with the United States and Latin America.

The transaction will combine the parent companies of Volaris and Viva into a single entity, while each airline will continue to operate independently under its own brand, air operator certificate, leadership structure and route network.

Once the deal closes, shareholders of each company will hold 50% of the new group on a fully diluted basis. Viva shareholders will receive newly issued shares of Volaris’ holding company, while Volaris shareholders will retain their existing shares, according to DF SUD.

The boards of both airlines unanimously approved the transaction. The deal is subject to regulatory and shareholder approvals and is expected to close in 2026. Shares of the holding company will continue to trade on the Mexican Stock Exchange and the New York Stock Exchange.

The new group would become Mexico’s largest low-cost airline platform and a regional player with growing relevance for travelers seeking cheaper options across North America and Latin America.

Volaris shares jumped more than 20% after the announcement, driven by expectations of operational efficiencies and cost reductions.

Volaris is a publicly traded company backed by U.S.-based Indigo Partners, which also controls Frontier Airlines in the United States and JetSmart in Chile.

Viva Aerobus is privately held and controlled by Mexican transportation group IAMSA, led by businessman Roberto Alcantara Rojas, who will serve as chairman of the new holding company

Both airlines operate all-Airbus fleets and focus on a low-cost, point-to-point business model. Their main competitor in Mexico’s domestic market is Aeromexico, the country’s flag carrier.

The agreement comes amid a complex period for Mexican aviation and air relations with the United States. In October, the U.S. Department of Transportation rejected more than a dozen routes proposed by Mexican airlines, citing disputes over slot management at Mexico City’s main airport and the relocation of cargo operations to a more distant terminal.

In November, President Claudia Sheinbaum said Mexican airlines would give up some airport slots to U.S. competitors. U.S. airlines currently account for more than half of international passenger traffic between the two countries, while Mexican carriers represent less than 30%.

Industry analysts say the creation of the new holding could strengthen Mexico’s position in the regional market without, for now, triggering a full operational merger that could face stronger regulatory opposition.

Rams wide receiver Puka Nacua apologized for performing a gesture “antisemitic in nature” during a livestream, stating he originally had no idea it “perpetuated harmful stereotypes against Jewish people.”

“I deeply apologize to anyone who was offended by my actions as I do not stand for any form of racism, bigotry or hate of another group of people,” Nacua wrote in a post on Instagram.

Nacua made the gesture while appearing on a livestream with Adin Ross and N3on. The livestreamers suggested he perform the gesture the next time he celebrated after scoring a touchdown.

“There is no place in this world for Antisemitism as well as other forms of prejudice or hostility towards the Jewish people and people of any religion, ethnicity, or race,” the Rams said in a statement.

The NFL also released a statement: “The NFL strongly condemns all forms of discrimination and derogatory behavior directed towards any group or individual. The continuing rise of antisemitism must be addressed across the world, and the NFL will continue to stand with our partners in this fight. Hatred has no place in our sport or society.”

Nacua’s gesture came on the same livestream in which he also criticized NFL referees, calling them “the worst” and claiming many probably get a thrill making bad calls on national television during games.

A group of entertainment industry workers launched a new coalition that aims to advocate for the rights of creators amid the growing AI industry.

The group, called Creators Coalition on AI, was founded by 18 people, including writer-director Daniel Kwan, actors Joseph Gordon-Levitt and Natasha Lyonne and producer Janet Yang, former president of the Academy of Motion Picture Arts and Sciences.

Gordon-Levitt said the group is not limited to Hollywood luminaries and is open to all creators and the skilled workers around them, including podcasters, digital content creators and newsletter writers.

“We’re all frankly facing the same threat, not from generative AI as a technology, but from the unethical business practices a lot of the big AI companies are guilty of,” he said in a video posted on X on Tuesday. “The idea is that through public pressure, through collective action, through potentially litigation and eventually legislation, creators actually have a lot of power if we come together.

The coalition’s formation comes at a time when Hollywood has been grappling with the fast growth of artificial intelligence tools. Many artists have raised concerns about tools that have used their likenesses or work without their permission or compensation.

The tech industry has said that it should be able to train its AI models with content available online under the “fair use” doctrine, which allows for the limited reproduction of material without permission from the copyright holder.

Some studios have partnered with AI companies to use the tools in areas including marketing and visual effects. Last week, Walt Disney Co. signed a licensing deal with San Francisco-based ChatGPT maker OpenAI for its popular Disney characters such as Mickey Mouse and Yoda to be used in the startup’s text to video tool Sora.

Kwan told The Hollywood Reporter that when Disney and OpenAI’s deal was announced many people felt “completely blindsided.”

“On one hand, you can say that this is just a licensing deal for the characters and that’s not a big deal, and it won’t completely change the way our industry works,” Kwan told THR. “But for a lot of people, it symbolically shows a willingness to work with companies that have not been able to resolve or reconcile the problems.”

There has also been lawsuits filed against some AI companies. Earlier this year, Disney, Universal and Warner Bros. Discovery sued AI business Midjourney accusing it of copyright infringement.

The Creators Coalition on AI said it plans to convene an AI advisory committee “to establish shared standards, definitions, and best practices as well as ethical and artistic protections for if and when AI is used.” Some of the principles the group lists on its website include the importance of transparency, consent, control and compensation in the use of AI tools, sensitivity to potential job losses, guardrails against misuse and deepfakes and safeguarding humanity in the creative process.

“This is not a full rejection of AI,” the group said on its website. “The technology is here. This is a commitment to responsible, human-centered innovation.”

“This is not a dividing line between the tech industry and the entertainment industry, nor a line between labor and corporations,” the group said . “Instead, we are drawing a line between those who want to do this fast, and those who want to do this right.”

The idea for the coalition was sparked by Kwan, who produced a documentary about AI, which comes out next year, Gordon-Levitt said in his video. He said work on the group began in the middle of this year. Already the collective has many signatories, including actors Natalie Portman, Greta Lee, Kirsten Dunst and Orlando Bloom.

Exiled punk band says its members are proud to be branded ‘extremists’ and hits back at Putin as an ‘aging sociopath’.

A Moscow district court has designated Russian punk protest band Pussy Riot as an extremist organisation, according to the state TASS news agency.

The exiled group’s lawyer, Leonid Solovyov, told TASS that Monday’s court ruling was made in response to claims brought by the Russian Prosecutor General’s Office and that the band plans to appeal. According to TASS, the case was heard in a closed session at the request of the Prosecutor General’s Office.

The court said that it had upheld prosecution submissions “to recognise the punk band Pussy Riot as an extremist organisation and ban its activities on the territory of the Russian Federation”, the AFP news agency reports.

An official Pussy Riot social media account shared a statement, responding defiantly to the ruling, saying the band’s members, who have lived in exile for years, were “freer than those who try to silence us”.

“We can say what I think about putin — that he is an aging sociopath spreading his venom around the world like cancer,” the statement said.

“In today’s Russia, telling the truth is extremism. So be it – we’re proud extremists, then.”

The group’s designation will make it easier for the authorities to go after the band’s supporters in Russia or people who have worked with them in the past.

“This court order is designed to erase the very existence of Pussy Riot from the minds of Russians,” the band said. “Owning a balaclava, having our song on your computer, or liking one of our posts could lead to prison time.”

According to TASS, earlier reports said that the Prosecutor General’s Office had brought the case over Pussy Riot’s previous actions, including at Christ the Saviour Cathedral in February 2012, and the World Cup Final in Moscow in 2018.

Today Russian court designated Pussy Riot as an extremist organization.

And yet, we’re freer than those who try to silence us. We can say what I think about putin — that he is an aging sociopath spreading his venom around the world like cancer. In today’s Russia, telling the… pic.twitter.com/ymz3BbApTo

— 𝖕𝖚𝖘𝖘𝖞 𝖗𝖎𝖔𝖙💦 (@pussyrrriot) December 15, 2025

The band’s members have already served sentences for the 2012 protest at the cathedral in Moscow, where they played what they called a punk prayer, “Mother of God, Cast Putin Out!”

Nadezhda Tolokonnikova and Maria Alyokhina, who were jailed for two years on hooliganism charges over the cathedral protest, were released as part of a 2013 amnesty, which extended to some 26,000 people facing prosecution from Russian authorities, including 30 Greenpeace crew members.

In September, a Russian court handed jail terms to five people linked with Pussy Riot – Maria Alyokhina, Taso Pletner, Olga Borisova, Diana Burkot and Alina Petrova – after finding them guilty of spreading “false information” about the Russian military, news outlet Mediazona reported. All have said the charges against them are politically motivated.

Mediazona was founded by Alyokhina alongside fellow band member Tolokonnikova.

The news outlet says that it is continuing to maintain a verified list of Russian military deaths in Moscow’s war on Ukraine.

“We have confirmed 153,000 names, each supported by evidence, context, and documentation,” Mediazona said on Monday.

“Stereophonic,” David Adjmi’s heralded drama that won five Tony Awards including best play, is ready for its Los Angeles close-up.

The first national tour production, which opened Wednesday at the Hollywood Pantages Theatre, seems right at home in the music capital of the world. The play about a 1970s rock band on the brink of superstardom takes place in recording studios in Sausalito and L.A., where the Laurel Canyon vibe is never out of sight.

The visual crispness of this L.A. premiere goes a long way toward dispelling doubts that the Pantages is the wrong venue for this ensemble drama. If there’s a problem, it isn’t the cavernousness of the theater. The production, gleaming with period details on a set by David Zinn that gives us clear views into both the sound and control rooms, comfortably inhabits the performance space, at least from the perspective of a decent orchestra seat.

The play, which includes original music from Will Butler, the Grammy-winning artist formerly of Arcade Fire, has a sound every bit as robust as one of the blockbuster musicals that regularly passes through the Pantages. The songs, crushed by the actors at top volume, are Butler’s indie rock re-creation of cuts for a part-British, part-American band that bears such a striking resemblance to Fleetwood Mac that a lawsuit brought by a former sound engineer and producer of the group was eventually settled.

Adjmi, like Shakespeare, takes his inspiration where he finds it. And like the Bard, he makes his sources his own, alchemizing the material for novel ends.

The touring production of “Stereophonic” makes clear just how integral the original cast was to the success of the play.

(Julieta Cervantes)

Unfolding in 1976 and 1977, “Stereophonic” offers a fly-on-the-wall perspective of a band at a crossroads. While recording a new album top-heavy with expectations, the group falls prey to romantic conflicts and self-destructive spirals, to toxic jealousies and seething insecurities. The prospect of fame magnifies pathologies that have been intensifying over time.

Diana (Claire DeJean) is the Stevie Nicks of the band. Beautiful, achingly vulnerable and awash in lyrical talent, she is entangled in a relationship with Peter (Denver Milord), the Lindsey Buckingham of the group, who strives for musical perfection no matter the cost.

Their connection is as professionally enriching as it is personally destructive. Diana’s ambition is matched by her self-doubt. She’s susceptible to a Svengali yet doesn’t want anyone to tell her how to write her songs.

Peter, angrily competitive, can’t help resenting the natural ease of Diana’s talent, even as it’s her song from their first album that has put the band back in the spotlight. His genius is ferociously exacting while hers seems to spring naturally from her soul.

Artistically they depend on each other, but the tension between them is unsustainable. And as the play makes clear, there’s no way to keep their personal lives out of the studio.

DeJean and Milord are the most captivating performers in the ensemble. The other actors are solid but this touring production makes clear just how integral the original cast was to the success of the play.

Daniel Aukin’s production, which had its New York premiere at Playwrights Horizons in 2023 before moving to Broadway the following year, hasn’t lost its confident flow. The storytelling is lucidly laid out. But the tantalizing peculiarities of the characters have been whittled down.

The British band members suffer the worst of it. Emilie Kouatchou’s Holly moves the character away from the obvious Christine McVie reference, but her role has become vaguer and less central. Cornelius McMoyler’s Simon, the drummer and weary manager, fills the bill in every respect but gravitas, which must be in place if the character’s ultimate confrontation with Peter is to have the necessary payoff.

No one could compete with Will Brill, who won a Tony for his strung-out portrayal of Reg, a deranged innocent whose addictions and dysfunctions create farcical havoc for the band. Christopher Mowod can’t quite endow this “sad man in a blanket,” as Simon dubs his bundled-up bandmate, with the same level of fey madness that Brill was able to entertainingly supply.

These casting differences wouldn’t be worth noting if it weren’t for their impact on a play that distinguishes itself by its observational detail. Everything is just a little more obvious, including the two American sound guys bearing the brunt of the artistic temperaments running riot in the studio.

Jack Barrett’s Grover, the sound engineer who lied about his background to get the job, sands off some of the character’s rough edges in a more straightforwardly appealing version of the character than Eli Gelb’s bracing portrayal in New York. Steven Lee Johnson’s Charlie, the dorky assistant sound engineer, is an amiable weirdo, though I missed the way Andrew R. Butler played him almost like a space alien in New York.

The play has been edited, but it’s still a bit of an endurance test. Art isn’t easy for the characters or for us. But the effort isn’t in vain.

Adjmi’s overlapping dialogue and gaping silences, orchestrated in a neo-Chekhovian style, renders the invisible artistic process visible. By the end of the play, the tumultuous human drama behind creative brilliance emerges in poignant, transcendent glory.

Los Angeles City Councilman John Lee repeatedly violated the city’s gift laws in 2016 and 2017, accepting freebies during a lavish trip to Las Vegas and at multiple restaurants in L.A., a judge said in a filing released Friday.

In a 59-page proposed decision, Administrative Law Judge Ji-Lan Zang concluded that Lee committed two counts of violating a law governing the size of gifts a city official can receive and three counts of violating a law requiring that such gifts be publicly disclosed.

Zang recommended a $43,730 penalty for Lee, who represents the northwest San Fernando Valley and was chief of staff to then-City Councilmember Mitchell Englander at the time of the alleged violations. However, the judge did not agree with allegations by city ethics investigators that Lee misused his position or helped Englander misuse his position.

In 2020, federal prosecutors accused Englander of accepting $15,000 in cash from businessman Andy Wang, lying to FBI agents and obstructing their investigation into the 2017 Vegas trip. Englander ultimately pleaded guilty to a single count of providing false information to the FBI and was sentenced to 14 months in prison.

The five-member Los Angeles City Ethics Commission is scheduled to make a determination on Wednesday, deciding both the number of violations Lee committed and any financial penalties to impose on him.

The commission has the power to accept or reject Zang’s recommendations. Ethics investigators have recommended that the commission take a more punitive approach by fining Lee about $138,000 and holding him responsible for all 10 counts.

The Lee case revolves around gifts — mostly food and alcohol but also hotel stays, transportation and $1,000 in gambling chips — provided by three men who have sought to do business with City Hall: Wang, who peddled Italian cabinets, “smart home” technology and facial recognition software; architect and developer Chris Pak; and lobbyist Michael Bai.

The judge issued her report six months after a multi-day hearing on the allegations against Lee, who replaced Englander on the council in 2019.

During those proceedings, Lee denied that he improperly accepted gifts, saying he made a good faith effort to pay his own way and, in some cases, declined to eat during meals. For example, he testified that he did not remember eating during his meetings at Yxta and Water Grill, both of which are in downtown L.A.

Zang, in her report, called those denials “not credible,” describing his testimony as “evasive and self contradictory.” She said Lee’s testimony also was in conflict with information he gave the FBI during its investigation into Englander, as well as testimony from other witnesses.

“It strains credulity to believe that [Lee] would join Englander, Bai, and Wang for lunch at Yxta and dinner at Water Grill without eating any food during the meals,” she wrote.

Ethics investigators have accused Lee of receiving an assortment of gifts during the 2017 Vegas trip with Englander and several others. Lee and a group of friends stayed at the Aria hotel and spent an evening at the Hakkasan Nightclub, according to the city’s allegations.

At the hotel restaurant, Blossom, Wang ordered a dinner worth nearly $2,500 for the group, which included Englander, Lee and several others, sending out servings of shark fin soup, Peking duck and Kobe beef, according to the judge’s summary of events.

Lee testified that he arrived at the restaurant in time for a dessert of bird’s nest soup, tasting it and deciding he did not like it, the judge said in her filing.

At Hakkasan later that night, Wang purchased three rounds of bottle service for the group for around $8,000 apiece, while Pak paid for a fourth round at a cost of $8,418.75.

“Each round of bottle service was served with fanfare, as female VIP hostesses brought bottles of alcohol to the table with flashing lights,” the judge wrote.

That night, at least 20 other club patrons went to Wang’s booth and drank alcohol at the table, according to the judge’s filing.

Lee was never charged by federal prosecutors and has said he was unaware of wrongdoing by Englander. In a filing submitted last week, his attorneys said that investigators incorrectly calculated the value of the gifts, including the bottles of alcohol, whose contents were distributed among many people.

Lee gave Wang $300 in cash as reimbursement for his drinks, withdrawing money from an ATM in Las Vegas to cover those expenses, his lawyers said.

In their reply to the city, Lee’s attorneys contend that the statute of limitations has expired on the city ethics counts. They have also pushed back on the recommendation from city ethics investigators that Lee pay a $138,000 penalty.

“Such inflated numbers are not grounded in reason, have no basis in the record, no support in the governing law, and no place in a fair and impartial enforcement system,” they wrote in their filing.

Englander previously agreed to pay $79,830 to settle a similar Ethics Commission case over the gifts he received.

Ethics investigators have accused Lee of committing 10 counts of violating city laws — two counts of accepting gifts in excess of the legal limit, three counts of failing to report those gifts on his public disclosure forms, four counts of misusing his position and one count of aiding and abetting Englander’s misuse of his position.

In 2016, the legal limit on gifts to city officials was $460 per donor. The following year, it was $470.

In Englander’s 2020 federal indictment, Lee was mentioned not by name, but instead referred to as “City Staffer B.” Despite his legal troubles, he won reelection in 2024.

WASHINGTON — Justice Department leadership has directed the FBI to “compile a list of groups or entities engaged in acts that may constitute domestic terrorism” by the start of next year, and to establish a “cash reward system” that incentivizes individuals to report on their fellow Americans, according to a memo reviewed by The Times.

Law enforcement agencies are directed in the memo, dated Dec. 4, to identify “domestic terrorists” who use violence, or the threat of violence, to advance political and social agendas, including “adherence to radical gender ideology, anti-Americanism, anti-capitalism, or anti-Christianity.”

Although the memo does not mention protests against President Trump’s immigration crackdown directly, it says that problematic “political and social agendas” could include “opposition to law and immigration enforcement, extreme views in favor of mass migration and open borders.”

The memo, sent by Atty, Gen. Pam Bondi to federal prosecutors and law enforcement agencies, follows on a presidential memorandum signed by Trump in the immediate aftermath of the killing of Charlie Kirk, a prominent conservative figure, that gave civil rights groups pause over the potential targeting of political activists, donors and nonprofits opposed to the president.

The memo also outlines what it says are causes of domestic terrorist activity, including “hostility towards traditional views on family, religion, and morality.”

“Federal law enforcement will prioritize this threat. Where federal crime is encountered, federal agents will act,” the memo states.

Some national security experts said the memo represents a dramatic operational shift, by directing federal prosecutors and agents to approach domestic terrorism in a way that is “ideologically one-sided.” At worst, critics said, the memo provides legal justification for criminalizing free speech.

“I think this causes a chilling impact, because it definitely seems to be directing enforcement toward particular points of view,” Mary McCord, a former acting assistant attorney general for national security, said in an interview.

The memo, for example, primarily focuses on antifa-aligned extremism, but omits other trends that in recent years have been identified as rising domestic threats, such as violent white supremacy. Since Trump resumed office, the FBI has cut its office designated to focus on domestic extremism, withdrawing resources from investigations into white supremacists and right-wing antigovernment groups.

The memo’s push to collect intelligence on antifa through internal lists and public tip lines also raised questions over the scope of the investigative mission, and how wide a net investigators might cast.

“Whether you’re going to a protest, whether you’re considering a piece of legislation, whether you’re considering undertaking a particular business activity, the ambiguity will affect your risk profile,” Thomas Brzozowski, a former counsel for domestic terrorism at the Justice Department, said in an interview.

“It is the unknown that people will fear,” he added.

Protesters in 1980s style aerobic outfits work out during a demonstration dubbed “Sweatin’ Out the Fascists” on Sunday in Portland, Ore.

(Natalie Behring / Getty Images)

Groups such as the American Civil Liberties Union have expressed alarm over the new policy, which could be used by the Justice Department to target civil society groups and Democratic individuals and entities with burdensome investigations.

But the White House argues that Democratic appointees under the Biden administration targeted conservative extremists in similar ways.

Members of Trump’s team have embraced political retribution as a policy course. Ed Martin, the president’s pardon attorney, has openly advocated for Justice Department investigations that would burden who Trump perceives as his enemies, alongside leniency for his friends and allies.

“No MAGA left behind,” Martin wrote on social media in May.

Law enforcement agencies are directed in the memo to “zealously” investigate those involved in what it calls potential domestic terrorist actions, including “doxing” law enforcement. Authorities are also directed to “map the full network of culpable actors” potentially tied to crime.

Domestic terrorism is not an official designation in U.S. law. But the directive cites over two dozen existing laws that could substantiate charges against domestic extremists and their supporters, such as conspiracy to injure an officer, seditious conspiracy and mail and wire fraud.

Only in a footnote of the memo does the Justice Department acknowledge that the U.S. government cannot “investigate, collect, or maintain information on U.S. persons solely for the purpose of monitoring activities protected by the First Amendment.”

“No investigation may be opened based solely on activities protected by the First Amendment or the lawful exercise of rights secured by the Constitution or laws of the United States,” the footnote says.

Some tension could arise when citizens report what they believe to be suspected domestic terrorism to the FBI.

The memo directs the FBI online tip line to allow “witnesses and citizen journalists” to report videos, recordings and photos of what they believe to be suspected acts of domestic violence, and establish a “cash reward system” for information that leads to an arrest.

“People will inform because they want to get paid,” Brzozowski said. He added that some information could end up being unreliable and likely be related to other Americans exercising their constitutional rights.

State and local law enforcement agencies that adhere to the Justice Department directive will be prioritized for federal grant funding.

A man dressed as a bee participates in the No Kings Day of Peaceful Action in downtown Los Angeles on Oct. 18.

(Genaro Molina / Los Angeles Times)

One of the directives in the memo would require the FBI to disseminate an “intelligence bulletin on Antifa and Antifa-aligned anarchist violent extremist groups” early next year.

“The bulletin should describe the relevant organizations structures, funding sources, and tactics so that law enforcement partners can effectively investigate and policy makers can effectively understand the nature and gravity of the threat posed by these extremist groups,” the memo states.

The mission will cross several agencies, with the FBI working alongside joint terrorism task forces nationwide, as well as the Counterterrorism Division and the National Threat Operations Center, among others, to provide updates to Justice Department leadership every 30 days.