We’re in the early weeks of Lent, the 40 days when Christians are called to rededicate themselves to good — and the Trump administration seems to be having a good time making its war with Iran seem like a bunch of tweens playing a game of “Call of Duty.”
Where Jesus called on believers to go through life as meekly as possible, the White House keeps pumping out social media posts mixing footage of American forces blowing up the Iranian regime with everything from SpongeBob SquarePants to Iron Man to “Grand Theft Auto.” While Proverbs warned “every one that is proud in heart is an abomination to the Lord,” Secretary of Defense Pete Hegseth — who loves to flash his bad tattoos that reference the Crusades — gives superlative-drenched speeches on the supposed glories of this war that make him sound more bloodthirsty than Count Dracula.
Even though Christ mandated that people not loudly pray in public “like the hypocrites,” President Trump gladly let a gaggle of pastors lay hands over him in the Oval Office this week as one intoned God “continue to give our President the strength that he needs to lead our nation as we come back to one nation under God.”
Which God: Yahweh or Trump?
During last month’s National Prayer Breakfast, the president bragged that because of him, “religion’s back now hotter than ever before.” Perhaps the most un-Christian man to ever serve as commander in chief has continually wrapped himself in the mantle of Jesus — and too many Christians have ignored the Good Book’s repeated warnings against false prophets and cheered him on.
Flannery O’Connor could have written an entire novel on Christian hucksters just from Year One of the second coming of the Trump administration.
As the Iran war ratchets up with no end in sight, this devotion to Trump is veering into idolatry.
Pastor Greg Laurie — most famous for holding Harvest Crusade revivals in Southern California for the past generation — wrote online that Trump’s Iran campaign “is cause for us to sit up and pay attention” because he feels it lines up with End Times prophecy about the Middle East descending into war just before the Second Coming. The nonprofit Military Religious Freedom Foundation revealed it has received hundreds of complaints from troops about their superiors claiming that what’s going on is biblically ordained.
Meanwhile, South Carolina U.S. Sen. Lindsey Graham told reporters that what’s happening “is a religious war” that “will set the course of the Middle East for a thousand years” — the exact time period that the Book of Revelation stated Christ will reign until Satan returns. Some Trump supporters have even compared their savior to Cyrus the Great, the Persian king who freed the Israelites from the yolk of the Babylonians and of whom the Book of Isaiah called God’s “anointed” and would “subdue nations before him and to strip kings of their armor.”
The Bible is not all kumbaya. But from the Old Testament to the New, it consistently preaches for the faithful to humble themselves, to help the poor and downtrodden. Trump’s version of Christianity instead preaches no mercy for those against him, demands followers exalt him above everything, celebrates the gaudy instead of the godly.
This Lent is magnifying his apostasy like never before.
Defense Secretary Pete Hegseth and Chairman of the Joint Chiefs of Staff Gen. Dan Caine speak during a press briefing at the Pentagon on Wednesday in Washington.
(Konstantin Toropin / Associated Press)
It’s a time to fast from our excesses; Trump continues to push forth a White House redesign that will make the Palace of Versailles look as flashy as a mud hut. Those of us who partake in Lent are asked to repent of our sins; Trump is doubling down on them like they’re McDonald’s fries. We are supposed to reflect on our wrongdoings and ask for forgiveness from the Almighty and those we wronged — has Trump ever done that?
We’re also supposed to practice almsgiving and assist those less fortunate than ourselves as a way of honoring Christ, who pointed out that giving so it costs you is the only way to give. Trump has always brayed that he’s ultimately looking out for the common man — but instead of helping the millions of people whom his economy was already leaving behind before the Iran campaign, he’s shrugging off their woes and asking Americans to buckle up and weather price spikes and simply believe in him.
Or is that Him?
Conservative Christian leaders have continually landed on the wrong side of American history, from slavery to imperialism, Jim Crow to women’s rights. That’s why it’s not surprising — but still disappointing — that a Pew Research Center poll released earlier this year found 69% of white evangelicals think Trump has done a good job. Fifty-two percent of white Catholics feel the same, compared with just 23% of Latino Catholics, even though Pope Leo XIV has consistently decried American foreign and domestic policy.
Lent also is the time that Christians remember that the pain of Christ’s death leads to the hope that is Easter. That’s why for this Lent, may Christians repent of Trump like never before.
War has always been a time for propaganda, of demonizing the enemy and pumping up your side. It is a sad, tragic affair, with death and carnage and endless mourning. Children die. War is not a thing to be celebrated, even if it were necessary. And there’s a big if around this latest one, even if Ayatollah Ali Khamenei deserved his downfall and Iranians in their country and abroad rightfully celebrate.
But history’s greatest warriors know — to quote the conclusion of the Oscar-winning biopic “Patton” — that glory is fleeting. Trump, Hegseth and their ilk are not them. They are the men that Psalms asked God to deliver us from, the warmongers who “imagine mischiefs in their heart” and “continually” seek violence. To see how this administration and its supporters are preening right now reminds me of what Johnny Cash once sung: sooner or later, God‘s gonna cut you down.
Let’s just hope the rest of us are spared when that happens. If you pray, please do. (And not to Trump).
Scotland last appeared at a major tournament in 2019 when they played at the Women’s World Cup in France and are aiming to take another step towards a return to the finals by defeating Luxembourg at Hampden on Saturday night (17:00 GMT), a game live on BBC Alba.
As a veteran of the 2019 campaign, Cuthbert hopes that the past experiences of the team can help them prepare for their current challenge.
“Everybody knows what it means to get to a World Cup being a Scotland player,” she said.
“But I think it’s important not to dwell too much because we’ve had good campaigns, bad campaigns. We want to now focus forward.
“We’ve got a new group here, a new manager, but of course. I think it’s important to instil the highs and lows of a campaign.”
Cuthbert knows that the qualities the squad have developed over their previous campaigns will be key if the side want to reach the finals in Brazil next year.
She said: “I think that’s the important part, is the resilience that it’s going to take over the course of a campaign to qualify.”
With the conflict in the Middle East continuing to intensify and showing no signs of abating, causing holiday chaos, one travel expert has given Britons four holiday alternatives to Dubai
A travel expert has given four holiday alternatives to Dubai(Image: Getty)
Last year, Dubai was named one of the safest cities in the world, attracting thousands of people from the UK who moved there not just for a holiday, but to live there permanently.
Fast forward to today though, and it finds itself in the middle of the Middle East War. Drones and missiles have rained down on the United Arab Emirates city, striking luxury hotels and hitting airports.
For Brits hoping to enjoy the sunshine of Dubai without the very obvious dangers, travel expert Laura Carden-Lovell of Transfer Travel, said there were five alternatives.
Speaking to us, Laura recommended four spots from across the world – with some not even that far from the UK.
Agadir, Morocco
Laura said of Agadir: “It’s perfect for travellers who want to get the winter sun without the long haul flight. I think it’s just under four hours form the UK.
“You still get the golden beaches, warm temperatures and relaxed seaside atmosphere. The culture over there is amazing, very colourful, very exotic, but incredibly accessible and affordable.”
La Palma, Canary Islands
Describing La Palma as a “hidden gem”, Laura added that it was “a bit quieter and greener but still has volcanic landscapes”. She added: “You can stargaze, perfect for travellers who still want warmth and taking in nature.
“You can hike through the national parks, explore the charming towns and the you’ve got some natural pools as well you can swim in. Sunshine without the crowds.”
Madeira, Portugal
Madeira in Portugal is also an option. Laura said it was worth the effort (there are no direct flights from the UK) to make it to the region. She said: “It’s a little bit harder to get to without the direct flights. It’s not mainland Portugal but it’s still good for those who want year round weather so it’s a good one.
“They’ve got eternal springs over there and dramatic cliffs. Hikes in the morning and then if you want to enjoy sea view dining.”
Antigua
Meanwhile, for those willing to go a bit further afield, Laura said Antigua was still one travellers should put on their list for it’s “beaches” and “gorgeous turquoise water”.
She expanded: “You can go sailing, snorkelling. I think they’ve also have some carnivals as well. That’s a perfect for travellers who really want the warm waters and calm weather. It’s got a lot of character and culture.”
After months of fretting, California Democratic leaders are now truly freaking out about too many of their own running for governor, potentially allowing two MAGA Republicans to advance to the general election.
Someone find me the world’s smallest violin.
It’s the latest mess created by a party that has held supermajorities in the state Legislature and the governor’s mansion for most of the last 15 years, yet has done little to make life better for its constituents while blaming President Trump for everything.
What does it say about them that no Democratic candidate of color is considered a favorite to succeed Gov. Gavin Newsom, when whites are only a third of California’s population? That a party casting itself as the champion of the working poor against Trump’s oligarchic reign isn’t telling a billionaire like Tom Steyer — who spent $341 million of his own money on a failed 2020 presidential run — to bow out and throw his support and moolah behind someone else, just because he’s polling in the top five?
California voters have made the state Republican Party as relevant as the Angels in baseball — yet under Democratic rule, life keeps getting harder for too many. Especially galling is how the state Democratic Party has done next to nothing to help Latinos become household names who can win.
Three Latinos with distinguished resumes — former Los Angeles Mayor Antonio Villaraigosa, former Health and Human Services Secretary Xavier Becerra and State Supt. of Public Instruction Tony Thurmond — are running for governor, yet they stand as much a chance of moving on to the general election as Alfred E. Neuman.
Latinos are a plurality of California’s population and the bedrock of the Democratic Party. Yet there’s a good chance that after November, no Latino will hold a statewide elected position for the first time since 2014.
So excuse my schadenfreude upon hearing earlier this week that California Democratic Party Chair Rusty Hicks wants low-polling candidates to drop out of the governor’s race, claiming in an open letter that their continued presence will “imperil” democracy.
Candidates are definitely choosing — to spite Hicks. We all should. He could have made his move long ago, as the top Democrat in the state. Instead, waiting until just before the candidate filing deadline is more amateur than a Little League game.
Worse, his move reeks of el dedazo, the kingmaking process under Mexico’s long-ruling Partido Revolucionario Institucional that translates as “the finger point,” because that’s how undemocratic it was.
“El dedazo is not appropriate in California,” Becerra told me, referring not to Hicks but to other Democrats who have suggested that he and others withdraw. “And I suspect that very few voters in California think that a variety of choices [for governor] is not a good thing.”
Candidate Xavier Becerra chats in a hallway during the California Democratic Party convention in San Francisco last month.
(Christina House / Los Angeles Times)
As of this columna’s publication, not only has no Democratic candidate dropped out, but most are officially filing papers to jump in. Thurmond even posted a video on social media implying that Hicks’ request is racist because almost all the potential spoilers are people of color, while the top three Democratic hopefuls — Rep. Eric Swalwell, Steyer and former Rep. Katie Porter — are white.
“To me, this act doesn’t reflect the Democratic Party of 2026,” Thurmond thundered. “Aren’t we supposed to be the party who embraces democracy?”
Hicks’ move and the embarrassing aftermath reminds me of Will Rogers’ famous quip that Democrats are members of no organized political party — even if I do understand why Hicks and other Dems are so nervous.
No Democrat is towering over the field, which is why party leaders and activists futilely tried to recruit big names like Padilla and former Vice President Kamala Harris. Those who are running are nice enough. But politically, they’re carbon copies of each other. As a group, they’re as inspiring as printer paper.
The subsequent free-for-all has allowed Republicans Steve Hilton and Chad Bianco to occupy two of the top three slots in the latest Public Policy Institute of California poll alongside Porter, with Swalwell and Steyer close behind.
No other candidate polled higher than 5%, but together, the rest of them added up to 30%. Factor in the 10% of voters who are undecided, and that’s a significant slab of the potential electorate. If just two Democrats drop out, that would almost certainly stop both Hilton and Bianco from advancing.
A Republican governor for California in the Trump era would be embarrassing, terrible and a political self-own without precedent. It would make previous California political earthquakes where conservatives pounced on liberal cluelessness, like Prop. 13, Prop. 187 and the Gray Davis recall, seem as innocuous as a bounce house.
But telling candidates to kill their campaigns to make it easier for people who supposedly have a better chance is the type of least-worst choice that Democratic leaders have forced upon party faithful for too long.
They need a rude awakening. Making them sweat about a gubernatorial primary is a start. That’s why I’m glad Hicks’ plea is going nowhere. If people want to scatter their votes, it’s not only their choice — it’s democracy.
When I asked Becerra if he or his fellow underdog Dems should accept responsibility if a Republican becomes California’s next governor, he brushed off the question.
“That’s more than speculative — it’s not going to happen,” he said, predicting that undecided voters will “crystallize” soon to make the issue moot. He once again joked that there are “too many dedazos in the air.”
Villaraigosa’s answer was more damning: “It would be a collective responsibility that as a party, we failed to convince the electorate.”
Hi, and welcome to another edition of Prep Rally. I’m Eric Sondheimer. The state basketball playoff pairings are out, but let’s look back on quite a weekend of championship basketball.
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Sierra Canyon’s Jerzy Robinson drives against Ontario Christian’s Kaleena Smith in the first half of the Southern Section Open Division championship game.
(Steve Galluzzo / For The Times)
For the first time in the history of the Southern Section Open Division, one school swept the boys and girls titles: Sierra Canyon.
The girls final drew the largest individual game crowd at Toyota Arena, with Sierra Canyon and All-American Jerzy Robinson upsetting Ontario Christian and All-American Kaleena Smith 69-62. Robinson scored 32 points. Smith scored 30 points.
“What a battle,” Sierra Canyon coach Alicia Komaki said. “There were a lot of top players on that court.”
The duel between Robinson and Smith, however, was one to remember. The 5-foot-4 Smith was purposely being guarded by the 6-1 Robinson.
“Jerzy is an elite defender and can guard anybody,” Komaki said. “She was going to do whatever she could to win.”
Maxi Adams of Sierra Canyon rises to deliver a dunk against Harvard-Westlake in Open Division championship game.
(Steve Galluzzo)
In the boys final, heavily favored Sierra Canyon saw its lead drop to three points with 19.3 seconds left before prevailing over a stubborn Harvard-Westlake team 59-53. Here’s the report.
In Southern Section Division 1, Crean Lutheran held off JSerra. In Division 2, Bishop Amat routed Hesperia. Here’s the report.
Palisades’ OJ Popoola, right, grabs an offensive rebound during Palisades’ 75-56 win over Cleveland in the City Section Open Division championship game on Feb. 27, 2026.
(Steve Galluzzo / For The Times)
Palisades won the City Section Open Division boys title, the first upper division title for the Dolphins since 1969. Here’s the report.
State playoffs
The state basketball playoffs begin this week with regional action. The finals are March 13-14 at Golden 1 Center in Sacramento. Here’s the link to pairings.
Sierra Canyon received the No. 1 seed for boys and girls in the Open Division. The teams will host a doubleheader Saturday night, with the boys hosting the winner of Santa Margarita-Redondo Union and girls playing Sage Hills. Redondo Union was once considered to be the strongest challenger to Sierra Canyon but was upset in the Open Division playoffs. That matchup of two pressing teams would be quite interesting if Redondo Union can get past Santa Margarita.
Harvard-Westiake boys will host the winner of Sherman Oaks Notre Dame at Santa Maria St. Joseph on Saturday. The top girls game will take place Saturday matching Etiwanda at Ontario Christian.
Division 1 boys looks like a strong 16-team field with La Mirada seeded No. 1 and hosting Mater Dei on Tuesday.
Baseball
Star center fielder Anthony Murphy of Corona has added closing duties this season. The Panthers are 4-0.
(Nick Koza)
Last season, Corona had as its closer shortstop Billy Carlson, who became a first-round draft pick. This season, center fielder Anthony Murphy has taken over as a closer, throwing 92 mph fastball for the 4-0 Panthers.
Oaks Christian won the Easton tournament championship and is 5-0. The Sheffer brothers, Carson and Ryan, have been performing well.
Sherman Oaks Notre Dame is 4-0 and getting strong hitting from catcher Jacob Madrid, who had two home runs in a win over El Dorado. James Tronstein of Harvard-Westlake has seven hits in 10 at-bats.
El Segundo has several players off the 2023 El Segundo Little League championshp team making major contributions during its 4-0 start. Logan Brooks, the older brother of Loyola freshman Brody Brooks, has 10 RBIs.
No. 1-ranked Norco is 4-0 behind its two college-bound pitchers, Coral Williams and Parker May.
Oaks Christian has started 6-0 and picked up wins over Huntington Beach and Mater Dei last week.
1 am proud to announce that in my junior year l was able to beat my freshman year record by getting 19 strikeouts! This means so much to me because this game was mentally and physically tough, despite the situation I knew my team mates me needed so I continued to work hard! pic.twitter.com/eo7ykL27e7
Granada Hills, one of the top teams in the City Section, will be tested this week with games against Sierra Canyon and Oaks Christian.
Track and field
Servite’s 4 x 100 relay team ran the second-fast time in state history at 40.05 in a stunning display of speed for this early in the track season at the Mustang Roundup at Trabuco Hills. The team was made up of Jorden Wells, Benjamin Harris, Kamil Pelovello and Jace Wells.
Maximo Zavaleta of King ran the 3,200 in 9:07.81 and the 1,600 in 4:09.86. Harris won the 100 in 10.46. Pelovello ran the 200 in 21.19.
Rosary’s girls 4 x 100 relay team won in 45.96 seconds. Maliyah Collins, a sophomore at Rosary, won the 100 in 11.77 and the 200 in 24.13
Best individual mark of the day in California so far is Oak Hills junior Quran Clayton Jr. rocketing to a wind-legal 10.29 for 100 meters at the Saddle Up Invitational! That’s equal #9 in state history and the fastest ever in February!! OHHHH MYYYY!!!
El Camino Real’s boys soccer team celebrates winning the City Section Open Division title for a second consecutive season.
(Eliza Lotterstein)
Rivals El Camino Real and Birmingham had another dramatic City Section Open Division boys final, with El Camino Real winning on penalty kicks. Here’s the report. Cleveland won the girls Open Division championship over Granada Hills.
Mater Dei boys and Santa Margarita girls won Southern Section championships in the Open Division.
The regional playoffs begin Tuesday with the first state championships taking place March 13-14 in Sacramento.
To say the City Section soccer playoffs were a mess would be an understatement.
Six teams were removed from the playoffs via forfeits for having ineligible players who broke CIF rule 600 by playing in an outside competition during their season. The Southern Section had one school forfeit in its playoffs, Calabasas, in Division 3, allowing Los Alamitos to be named champion.
From 2011, longtime Crenshaw football coach Robert Garrett talks to De’Anthony Thomas, one of his best former players.
(Robert S. Helfman)
The mysterious absence of Crenshaw football coach Robert Garrett continues. The winningest coach in City Section history with 300 victories was put on administrative leave last August on the eve of the team’s season opener. March marks the eighth month of no action on his case. He sits at home, checks in on his computer, receives full pay and waits.
At the state wrestling championships, among the winners was Birmingham’s Slava Shahbazyan at 165 and two St. John Bosco wrestlers, Jesse Grajeda at144 pounds and Michael Romero at 150 pounds. Here’s the link to complete results. . . .
Chris Williams is the new football coach at Covina. He was head coach at Diamond Ranch. . . .
Ed Hematsiraki, 21, is the new boys basketball coach at Glendale High. . . .
Jeff Bailey is the new Head Football Coach & District’s Asst Director of Strength and Conditioning Coach at Beverly Hills High School. He was board approved and introduced tonight at their board meeting. This video was shown. pic.twitter.com/6nVex23JDe
Jeff Bailey has left Yorba Linda after 16 years as football coach and two Southern Section titles to become head coach at Beverly Hills, which was 0-9 last season. He’ll be making $205,000 a year. Here’s the report. . . . .
Scott Dodge is the new boys basketball coach at Godinez. . . .
Troy has opening for boys basketball coach. . . .
Will Burr is out at Harvard-Westlake after just one season as girls basketball coach. . . .
Anthony Jackson, who had a successful nine-year run as head football coach at Los Angeles High, is the new head coach at South East. . . .
Greg Fontenette has resigned as boys basketball coach at Valencia. . . .
VIDEO: Tara Davis-Woodhall, the amazing young woman and Olympic gold medalist with the multi-million-dollar smile put her money where that smile is, making a tremendous $100K donation to the @AHS_Chargers Agoura HS track and field program at today’s Tara Davis Invitational!… pic.twitter.com/fSMFesh9jb
Tara Davis-Woodhall, an Olympic track and field champion from Agoura who sponsored the school’s invitational Saturday, announced she was making a $100,000 donation to the track and field program. . . .
Freshman golfer William Hudson of St. John Bosco won the Servite Invitational. Here’s the report.
From the archives: Marques Johnson
One of the greatest former City Section high school basketball players, Marques Johnson, celebrated his 70th birthday with his annual dunk. The former Crenshaw High and UCLA player is a beloved basketball legend from Los Angeles. He has a daughter playing basketball for Windward.
His call on radio when UCLA’s Tyus Edney scored on a layup in 1995 during the Bruins’ title run and he yelled, “Yeah baby!” remains something UCLA fans never forget.
Recommendations
From ESPN, a story about the growing concern about street agents in the high school NIL business.
From SI.com, a story on a high school basketball team in Arizona being removed from the playoffs for racial taunts by its fans.
From the Daily Pilot, a story on Sage Hill girls basketball.
Tweets you might have missed
Former Loyola and Stanford kicker Conrad Ukropina is supposed to be on the next Bachelorette. Let’s see if he brings a tee somewhere.
Amalia Holgun, the last high school player from Kobe and Gigi’s Mambas basketball team, was honored with a concrete Kobe mural from the opposing Ontario Christian girls team.
Amalia has committed to the University of Texas where she will wear number 2. 🖤🤍 pic.twitter.com/BRQl7DxVWq
— Kobe Bryant Stories & Motivation (@kobehighlight) February 26, 2026
It’s true the ability to attend high schools with online classes no matter where you live is changing high school sports in California. Palisades basketball is on the verge of winning City title with several key players online outside of their main attendance area.
People in high school baseball still don’t get it. They celebrate a pitcher throwing 90 mph and giving up runs vs. a pitcher throwing 84 mph and giving up no runs. I’ll take the no runs guy every time.
Villeda was the Gatorade & CIF Player of the Year his senior season at Servite after leading the Friars to a Trinity League, CIF and Regional State Championship. He went on play 4 years at UCSB before turning pro. #credo#ForeverAFriarpic.twitter.com/bJaijEpSzL
Have a question, comment or something you’d like to see in a future Prep Rally newsletter? Email me at eric.sondheimer@latimes.com, and follow me on Twitter at @latsondheimer.
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At more than 2,700 feet, “The Great Wall of Los Angeles” is one of the longest murals in the world and among the most important public artworks in the city. Created by artist Judy Baca between 1974 and 1984, the mural is a groundbreaking depiction of Southern California history from the viewpoint of women and minorities and a potent national symbol at the intersection of art and activism.
Baca’s leadership of the collaborative project made her a legend in the art world. She is the co-founder and artistic director of Social and Public Art Resource Center, or SPARC, a community mural nonprofit and has been hailed as one of the most influential figures of L.A.’s Chicano muralism. “The Great Wall” is on the National Register of Historic Places, and Baca is a National Medal of Arts recipient.
But now Baca, 79, has come under criticism from some of those who have worked most closely with her in recent years.
In interviews, 10 former SPARC employees — including two managers — accuse Baca of using her nonprofit to benefit her private, for-profit art practice, Judy Baca Inc. They allege Baca personally benefited from a $5-million Andrew W. Mellon Foundation grant to expand “The Great Wall,” sold the project’s archives to the Lucas Museum of Narrative Art at a large profit to herself, and has blurred the line between her nonprofit and for-profit endeavors.
Baca and SPARC’s board chair, Zojeila Flores, vigorously deny any impropriety or misuse of funds. In an interview, they said grant funds were used appropriately and that Baca maintains a mutually beneficial profit-sharing agreement with SPARC.
Baca ascribes the criticism to disgruntled former employees and hopes SPARC can finish its work on the mural “without more of this sort of rage and hostility and anger and hate.” It’s on schedule to be completed by 2028, she said, showing The Times sections of the mural in progress at a rented space at Bergamot Station Arts Center, an acclaimed, high-end gallery in Santa Monica.
Artist Judy Baca talks to the media after starting to paint a new section of “The Great Wall of Los Angeles” as part of a LACMA exhibition on Oct. 26, 2023.
(Genaro Molina / Los Angeles Times)
Baca supporters believe she is a visionary who has used the reputation she earned with “The Great Wall” to continue lifting underserved communities.
“I don’t know how to better serve a community than to represent them well,” said Kelly Watts, who, as a teen in the 1980s, participated in painting “The Great Wall” as a student artist. Watts now lives in Tennessee and said she isn’t familiar with the inner workings of SPARC but that what matters to her is Baca’s guidance over the years. “Judy has been a mentor of mine and has always been a really positive influence on me and my growth as an artist.”
The $5-million grant
At the root of the allegations is Baca’s 2017 announcement that she intended to expand “The Great Wall” to include hundreds of feet of new imagery, representing history from the 1960s up to the present day. The mural, which is in a floodwater channel that runs through the leafy Valley Glen neighborhood in the San Fernando Valley, originally concluded with depictions of two Olympic gold medalists, track star Wilma Rudolph and Native American runner Billy Mills. Baca also sought to add interpretive stations, illuminate the mural at night and build a pedestrian bridge over the Tujunga Wash flood control channel to provide a better view of the work.
Judy Baca painting “The Great Wall of Los Angeles” in 1983.
(SPARC Archives / SPARCinLA.org)
Baca’s goals were boosted in 2021 when the Mellon Foundation — one of the largest and most important nonprofit funders of art projects in the nation — supported “The Great Wall” plans with a $5-million grant to be paid over three years, ending in 2024. The grant was distributed through Mellon’s newly formed $250-million Monuments Project “to express, elevate, and preserve the stories of those who have often been denied historical recognition.” (Los Angeles County Museum of Art, the Emmett Till Interpretive Center in Mississippi and other noted institutions also received separate grants.)
Among those who question Baca’s stewardship of the grant are Pete Galindo, a former director of the Great Wall of Los Angeles Institute, which SPARC formed to oversee the mural expansion, and Carmen Garcia, who served as director of SPARC for six months ending in early 2023. Both alleged Baca required SPARC employees to also do work for Judy Baca Inc., Baca’s private business for her art.
Garcia resigned after repeatedly raising concerns about alleged misappropriation of Mellon grant funds, which Baca denied, and calling for the board to investigate Baca. She said she was “forcefully” led out of the building.
Galindo was fired in February 2022 after less than a year in his role. He alleges Baca terminated him in retaliation for questions he raised about how she was using the grant and objecting to her work assignments. Before his Great Wall Institute role, Galindo said he had known Baca for nearly 30 years, beginning as a UCLA student in 1996 and later working in various roles on a variety of SPARC initiatives, including as a community public art director.
According to documents reviewed by The Times, including Galindo’s offer letter and a spreadsheet with Mellon grant line items, Galindo’s $75,000 salary was paid through SPARC and the grant, which stipulates the money be used “to support the preservation, activation, and expansion of one of the country’s largest monuments to interracial harmony through civic engagement and muralist training.” But Galindo alleged Baca assigned him work outside SPARC and the Great Wall: to help sell her personal artwork, aid in fixing a termite infestation in her archives and help to manage the production of a mural titled “La Memoria de la Tierra: UCLA,” which was not related to “The Great Wall.”
The Times reviewed a series of text messages between Galindo and Baca in which Baca asked Galindo to help with jobs outside his Great Wall duties, including dealing with termites. The messages included a question to Baca from Galindo confirming she’d like the team to “print the UCLA mural at scale for review.” Baca replies that she will call momentarily. Another group chat between Galindo and two other SPARC employees is about meeting to move Baca’s belongings out of her office at UCLA in 2021.
Baca denied Galindo’s allegations, including that she asked Galindo to help manage the UCLA mural — a task outside of the Mellon grant’s purview. She said the project was brought to her personally and she referred the work to SPARC. The mural was completed on-site through a research and teaching facility known as the Digital/Mural Lab, she said. SPARC received money for the project, Baca wrote in a statement, although Baca got paid a commission — an “established practice” at SPARC for paying artists for their work.
In an interview, SPARC board chair Flores declined to say how much Baca earned from that project or Baca’s specific commission rate. However, on a hypothetical $200,000 project she said about $58,000 could go to SPARC for costs and fees. The remaining $142,000 could go to other vendors and Baca.
For decades, Baca brought in dozens of commissions to SPARC without being paid, SPARC said in a statement. The board voted to change that in recent years with a so-called “fiscal sponsorship arrangement,” which allows paid projects to piggyback on SPARC’s tax-exempt status. In this case, Baca earns a commission and SPARC receives funds for employee work on projects.
SPARC’S website currently lists nine board members. Baca and Flores are included, as is Mercedes Gertz, who rents an art studio in SPARC’s building. Baca’s cousin, Anthony Salcido, serves as the board’s finance chair. Bookkeeper Gloria Thompson is also Baca’s cousin.
“Mr. Salcido began working with SPARC only after consultation with legal counsel and Board approval, with Judy recused from the vote,” Flores wrote in an email. “Ms. Thompson began with SPARC as a volunteer and later became bookkeeper following formal consultation with legal.”
In 2022, after he was fired from SPARC, Galindo wrote a letter to Emil J. Kang, then the Mellon Foundation’s program director for arts and culture, to allege that Baca had misused the Mellon grant money by asking him to do work for her personal business.
“Throughout my time as the Great Wall of Los Angeles Institute Director, she focused my work on her personal exhibitions, sale of artworks, training her personal assistant, overseeing commissions, press and documentation,” Galindo wrote in the letter, concluding, “While Judy’s contribution to the field over the years cannot be denied, her treatment of employees, unequal pay scales and overall exploitation of staff and artists is anathema to the values and ideals of social justice movements and the monuments they inspire.”
Baca said she could not comment on personnel matters, but in a statement, SPARC said, “We strive to be fair and professional in all our personnel matters.”
Judy Baca poses in front of her artwork “La Salsera” at LA Plaza de Cultura y Artes in downtown Los Angeles in 2024.
(Christina House / Los Angeles Times)
Galindo said he did not receive a reply to his letter from Kang or the Mellon Foundation.
The Mellon Foundation issued a statement to The Times, confirming it had received Galindo’s letter, which “was handled in accordance with Mellon policy on third party complaints about our grantees.” The foundation added that it “does not comment on issues pertaining to internal matters of its grantees.” SPARC’s grant status never changed.
Garcia, who was hired as SPARC’s executive director after Galindo left the organization, remembered dealing with heightened inquiries from Mellon representatives, including culture program director Kang. Once, she said, the foundation asked SPARC for additional information on how grant money was being spent.
SPARC said in its response to The Times that such questions from funders were routine.
“Mellon consistently reviews all of its grantees’ performance, as is standard for nonprofit funders,” SPARC said.
Baca told The Times that she was unaware that Mellon had raised questions about how the grant was being used. However, in a text exchanged with Garcia in 2023 and reviewed by The Times, she indicated she had spoken to Kang at a National Medal of Arts event in Washington, D.C.
“They will ask us to improve some things but generally we had a long discussion and lots of laughs about me ‘hating the interrogation by a bunch of white me[n],’” Baca wrote. “He got a laugh out of it and knew they were a pain in the a—.”
When asked about the text she sent to Garcia, Baca said, “It was an informal conversation at a White House reception. We didn’t talk about the specifics of the grant itself. The conversation really was about the review process.”
Who should profit from ‘The Great Wall’?
Work on “The Great Wall of Los Angeles” began in 1974 and was completed over five summers by Baca with the help of many now well-known artists including Isabel Castro, Ulysses Jenkins, Judithe Hernández, Patssi Valdez, Margaret Garcia, Christina Schlesinger and Judy Chicago. More than 400 young people and their families — many from underserved neighborhoods — also contributed to the project, including 80 youths recruited from the juvenile justice system.
The collective effort made “The Great Wall” a work of social justice, and in 1976 led to the founding of Baca’s nonprofit, SPARC, with its stated mission of producing, preserving and promoting, “activist and socially relevant artwork,” and fostering “artistic collaborations that empower communities who face marginalization or discrimination.”
“The Great Wall of Los Angeles” on April 9, 2025.
(Carlin Stiehl / For The Times)
Some former SPARC employees feel that Baca has failed to honor the community that toiled to create “The Great Wall.” They have expressed concern that Baca has benefited unfairly from the project, and, in particular, the sale of work related to it.
Flores disagrees, writing, “For 50 years, SPARC has used art to empower communities facing marginalization and/or discrimination. This currently includes immigrant populations traumatized by ICE. Further, SPARC ensures that working artists can remain in Venice, a neighborhood with deep artistic and cultural roots.”
When “The Great Wall” was originally copyrighted in 1983, authorship of the work was attributed to both “Judith F. Baca” and the “Social Public Art Resource Center.” In 2011, however, after a restoration effort led by SPARC in which the mural was completely painted over, the project was again copyrighted, this time solely under Baca’s name. Former employees question the ethics of Baca’s profiting off a celebrated community effort, but Flores said Baca has always retained ownership of her work and that, “Owning a copyright is not the same as owning an artwork itself.” Baca, Flores said, evenly splits copyright licensing fees with SPARC.
Baca sold “The Great Wall” archives to the Lucas Museum in 2021. The sale included more than 350 objects and ephemera, including concept drawings, site plans, sketches and correspondence with community leaders, scholars, historians and collaborators.
A Lucas Museum representative declined to comment on how much the museum paid for the archive or whether or not the acquisition was made from Baca or SPARC.
Galindo said he was told by former SPARC executive director Carlos Rogel that it sold for $1.5 million. Rogel declined a request for comment. Another source close to SPARC, who asked to remain anonymous out of fear of retaliation, also said the sale was for $1.5 million.
Baca and Flores declined to say what the archives sold for. In an emailed response, Flores wrote that Baca was the owner of “The Great Wall” archive and was not paid by SPARC to produce that work.
“Nonetheless, following the sale, and although Judy was not required to do so, she generously donated $521,000 to SPARC,” Flores wrote.
Galindo and other former employees also expressed concern about Baca’s rising salary and believe it is out of proportion with SPARC’s mission of uplifting and aiding underserved communities and youth. In the two years prior to receiving the Mellon grant, Baca made $42,916 and $50,000, respectively. The year after SPARC received the grant, Baca’s salary rose to $215,000. In 2023, she made $236,149, and the following year, $211,004. The increase in Baca’s salary is discussed in an internal email and executive board meeting minutes reviewed by The Times, which state that SPARC’s board voted to set Baca’s annual compensation to be commensurate with what Baca was paid before she retired as a UCLA professor and that the additional money should come from the Mellon grant. Records of her 2025 and 2026 salaries were not currently available.
“The Great Wall of Los Angeles” depicts the history of California through the 1950s. An expansion to be completed in 2028 will add scenes from the 1960s to 1990s.
(Carlin Stiehl/For The Times)
SPARC said in a statement that Baca’s salary “is lower than the market rate for similar non-profit CEOs and lower than the market value commissioning rate for artist Judy Baca who is the author of The Great Wall Mural.”
Ongoing work on “The Great Wall” is currently done by a variety of people. For the new panels, which begin with the civil rights era of the 1960s, research is done by Baca and her team from the Great Wall Institute (there is currently no institute director, according to SPARC’s website). From there, Baca creates rough drawings, and drafts are made by artists from SPARC’s Digital/Mural Lab. Baca suggests edits and gives directions, and later she will add her own personal touches.
Eventually, colorations are submitted by various artists, and Baca does one final hand coloration of the entire piece. During The Times’ visit to see the mural expansion in progress, two artists were painting on sketches that had been fine-tuned by Baca and printed onto giant panels. These panels will eventually be attached to the wall of the flood water channel where “The Great Wall” resides, Flores said.
Former SPARC digital mural artist Toria Maldonado alleged it was not always clear if the work they were doing was for SPARC or for Judy Baca Inc. They were asked on occasion to work on assignments that appeared to be for the benefit of the latter, Maldonado said.
Maldonado said they and two other SPARC employees once redrew the 1960s segment of “The Great Wall” for a private collector. Baca, Maldonado said, “was selling a print, and wanted to refine it, and had us do that assignment.” Maldonado shared a checklist with The Times featuring notes about what work needed to be done on the segment, including shading Malcolm X’s hair.
In an email, Flores called Maldonado’s allegations, “factually inaccurate” and “misleading.”
“Judy was the owner of the segment referenced. It was hand-colored by Judy and assistants whom Judy paid personally, and this work was done in her personal studio,” Flores wrote. Baca’s studio is a Frank Gehry-designed space at her Venice home.
Maldonado said that they had never been to Baca’s personal studio and that their salary was always paid through SPARC.
From May through August 2023, segments of “The Great Wall” were exhibited at Jeffrey Deitch Gallery in L.A. Baca didn’t sell any works during that show, Flores wrote in an email, but in 2025, “a coloration by Judy’s hand of a segment presented in that show was sold. This work was created in Judy’s private studio and owned by her.” Baca declined to disclose how much the segment sold for. SPARC began showing more of “The Great Wall” expansion in February at Jeffrey Deitch Gallery. The original panels will not be for sale, but “if a work of Judy’s is sold at the show, she receives the proceeds as the owner of the work,” Flores wrote.
The room where art happens
Galindo and Garcia also alleged that SPARC inappropriately leases its premises to board member Gertz and others.
Since 1977, SPARC has been housed in a former Venice police station and jail, a 1920s Art Deco building owned by the city of Los Angeles. In 2000, the city signed a lease allowing SPARC to use the building for free until 2055. That agreement stipulates the property be used for “production, exhibition, promotion and distribution of and education about public art on a nonprofit basis.” SPARC can sublease portions of its building to those engaged in similar work with a city official’s approval. It must submit annual financial reports to the city with earnings from such deals.
The Times reviewed Instagram posts made by Gertz touting a 2023 exhibition of her personal art at SPARC, another in 2024 advertising a holiday sale, as well as one that shows her working in her studio inside the building. SPARC said Gertz pays market rate for her studio but declined to specify how much that is, only that it is, “equivalent to the rent paid by all the other artists who sublet space in the building.”
Judy Baca outside her Venice nonprofit, the Social and Public Art Resource Center, better known as SPARC, in 2021.
(Gary Coronado / Los Angeles Times)
According to documents obtained through a California Public Records Act request, the city only has one sublease on file for SPARC from 1991. When asked if the city had approved SPARC’s deal with Gertz, Amy Benson, the director of the city’s real estate services division, wrote in an email that she had no further information to provide.
Flores wrote in an email that she was unable to speak to the specifics of a question about whether or not SPARC submits annual financial reports, inclusive of its subleasing income, to the city but noted, “we will follow up to make sure that the City has the documents you mention.” According to the latest available tax filings, SPARC made $64,991 in “rental property income” in 2024 and $57,590 in 2023.
Asked if Gertz’s use of SPARC for her personal, for-profit art practice, violates SPARC’s understanding of the lease, Flores wrote, “Our understanding is that our lease allows any use of the premises that is reasonably consistent with our nonprofit mission… Ms. Gertz uses her studio to weave textiles and also to lead art workshops for immigrants in the community, an activity that we think is entirely in keeping with our mission.”
Baca has also sold her personal art for profit at SPARC. When Baca’s art is for sale she “is treated like all other artists” and receives 60% of profits, the nonprofit said in a statement.
“I’m certain there are hundreds of artists in Los Angeles making socially engaged work who would benefit from a solo exhibition at SPARC,” Galindo wrote in an email.
Fallow deer are grazing under ruined brick walls in the house where Lady Jane Grey was born. It’s a moody spring day at Bradgate Park in Leicestershire and there are few visitors. Instead, there are fieldfares in the hedges and skylarks singing in the mist. I’m walking, through bracken and craggy outcrops, towards Old John Tower, a folly that looks like a giant beer mug on the hill ahead.
It sometimes feels as though England’s much-photographed beauty spots get more booked up and overpriced every day. But there are scenic corners of the country that still fly under the insta-radar and Charnwood, around Loughborough, is one of these. The largest borough in Leicestershire,Charnwood is the area between Leicester and the Nottinghamshire border. Its gentle wooded hills and well-kept villages offer country walks to gourmet pubs and cafes. It’s like a cheaper, quieter Cotswolds with better transport links.
The Navigation Inn in Barrow upon Soar. Photograph: Terence Wright/Alamy
An hour and a quarter by train from London or 50 minutes from Sheffield, Loughborough is easy to reach. The town makes a good base for a Charnwood holiday, with several immersive, weatherproof experiences and easy rural connections by bus, rail and steam train.
The atmospheric landscapes around popular Bradgate Park are just a few miles south of Loughborough. Bus 154 winds past thatched and half-timbered cottages, rugged granite chimneys and drifts of garden snowdrops. Outside the Badger’s Sett pub, near Cropston Reservoir, you can hop off the bus into Causeway Lane, a quiet stony track leading to Bradgate Park with wide views over the water.
Next morning’s mist turns to rain and I head to the UK’s last remaining bellfoundry for a tour. Fifteen minutes’ stroll from the cafe-lined lanes around the market, the museum was relaunched in 2024. Inside the foundry, there are showers of sparks from a metalworker’s bench, a smell of wood shavings in the bell-wheel workshop, and an 18ft-deep sandpit for cooling casts.
Loughborough is home to the UK’s last working bellfoundry. Photograph: John Keates/Alamy
Loughborough Bellfoundry has made bells for cathedrals around the world, from York Minster to Sydney’s St Andrew’s, including Britain’s biggest church bell, Great Paul, for St Paul’s Cathedral. Shiny new and refurbished bells are destined for churches in Truro, Paisley, Betws-y-Coed, Stow-on-the-Wold. Guide Lianne Brooks is a keen bellringer, ringing in four church towers each week. “One pull on a rope and I was hooked,” she laughs. As she demonstrates on the foundry’s bells, the metal vibrates with a low seismic hum. The bellfoundry’s museum has a £5 entry fee for adults, and tours are available from £20.
The 1950s-style heritage Great Central Railway (GCR) station, a couple of minutes away, includes another packed museum and a Brief Encounter-esque refreshment room. With a whistle and whoosh of steam, we’re off, past banks where badgers live, to 1940s-themed Quorn and Woodhouse station. There’s a Naafi-style cafe, with a blazing log fire and radio playing wartime songs, in an old air-raid shelter under the railway bridge.
More than 700 volunteers work on GCR, doing everything from shovelling coal to serving tea. “Dig for Victory” says a sign above trackside gardens, where pink-and-lime-green rhubarb unfurls in pale spring sunshine. Drivers are training new recruits. “If one of us old buggers suddenly collapses, we’d need someone to take over,” says chief fire inspector Ken Scriven, a long-term volunteer driver and former mainline fireman.
The Great Central Railway in Loughborough. Photograph: Simon Pocklington/Alamy
GCR has ambitious schemes, with planning permission granted in 2025, to link the railway through to Nottingham, one of Europe’s biggest heritage rail projects. The photogenic stations feature regularly in TV series, from The Crown to Happy Valley. Much of the recent Netflix drama Seven Dials takes place on board one of GCR’s steam trains. Rolling on towards Leicester, we cross the bullrush-framed Swithland Reservoir, where dining cars pause to watch swans glide over sunset waters (GCR day tickets £24/£13 for adults/kids).
I’m staying at Burleigh Court on Loughborough’s crocus-carpeted university campus on the edge of town (doubles from £75, room only). At night I can hear tawny owls hooting from nearby bluebell woods. The Sprint Bus links the campus with the town centre and railway station every 10 minutes. There’s art on the walls by Loughborough students, carpets made from recycled bottles, and a spa with a decent-sized pool. A £4.5m refurb in autumn 2024 introduced the stylish new Fifty Restaurant, where half the meals are plant-based, and a bar, named after Lionesses Carney and Scott, both Loughborough alumnae. Cocktails include sustainable drinks using leftover veg. I sip a chocolatey purple Beet the Waste while a fellow-drinker braves the Cauliflower Colada.
John’s House is Leicestershire’s only Michelin-starred restaurant
Leicestershire’s only Michelin-starred restaurant is John’s House, a beamed, brick building on a working farm in the village of Mountsorrel, 20 minutes from Loughborough on bus 127 the next day. “It’s a good job he can cook,” jokes John’s brother Tom Duffin; “he was bugger-all use on the farm.” Nearby, the sheep are loudly hungry. “I hear that noise in my nightmares,” grins a young farmworker, lugging a bag of feed. The farm’s hogget, with locally foraged hen-of-the-woods mushrooms, features in today’s lunch (three courses, £49). Fresh venison arrives from Bradgate Park. The evening’s tasting menu (from £100) includes fallow deer with walnut wine as well as Tom’s potatoes with smoked eel, crispy chicken skin and lovage. Stonehurst Farm itself has a nostalgic smell of baking and wet straw. Tom’s daughter, soil scientist Zoe, shows us round pens of rare curly-headed Leicester Longwool sheep and gingery Tamworth pigs, destined for summer hog roasts. Tiny orange piglets are climbing over a spotted sow. There are Easter lambs on the way and a new indoor play barn.
At drier times of year, it’s a pleasant two-mile walk from Mountsorrel along the river to the pub-rich village of Barrow upon Soar. Today, the Soar has spilled onto the floodplains, leaving a duck-dotted lake where the path should be. Luckily, it’s not much further by road, taking a path known as The Slabs. Stepping out of icy drizzle into the fire-warmed Blacksmith’s Arms feels miraculous. An elegant mushroom wellington with deeply savoury mash goes well with golden beers from Charnwood Brewery. Trains from Barrow-upon-Soar station are hourly and take only five minutes to get back to Loughborough. Outside the window are boats on willow-hemmed waterways and flocks of wintering geese.
My friend Andrea and I had hiked about 3½ miles before we perched ourselves atop boulders near the Brown Mountain Dam waterfall. We eagerly pulled out our sandwiches, jalapeño pimento cheese, and chips and queso we’d carried in our backpacks.
Nearby, a small group of hikers glowered at us, eating jerky and protein bars, commenting on the resplendent meal before us (which we’d purchased from local deli Maciel’s). It seemed they were rethinking their food choices. 💅
I love spending time in nature, regardless of whether I’m lounging on a blanket with a friend at a park or hauling my body up a steep fire road to summit a local peak. But the uniting factor of many of the best experiences I’ve had outdoors is great food.
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Below you’ll find three hikes that will lead you to great picnic spots around L.A. You’ll see that I’m defining “picnic spots” as a place that offers enough open space to take a seat, including on park benches, picnic tables and flat ground.
Before we dive in, I’d like to remind you of something I frequently scream on trails: Orange peels are trash! Please don’t leave any food out in nature that you bring with you.
“There is a common misconception that ‘natural trash’ such as orange peels, banana peels, apple cores, and shells from nuts and seeds are OK to leave behind on the trail, in campgrounds, or in other outdoor spaces,” Leave No Trace’s Erin Collier and Brice Esplin wrote in this article. “While these things are natural, they are not natural to the places they are being left. These types of trash attract wildlife to areas with human activity, affecting their health and habits.”
Now that you’ve vowed to pack out what you pack in, let’s dive into this week’s hikes.
Oak woodlands and riparian habitats are among several plant communities in the mountains around L.A., including along the Gabrielino Trail near Pasadena.
(Jaclyn Cosgrove / Los Angeles Times)
1. Gabrielino Trail to Gould Mesa campground
Distance: 3.6 miles out and back Elevation gained: About 300 feet Difficulty: Moderate Dogs allowed? Yes Accessible alternative: The first mile of this trail is paved!
The Gabrielino National Recreation Trail is a 28.8-mile long journey from Chantry Flat Recreation Area north of Sierra Madre all the way to Ventura Street & Windsor Avenue trailhead near the Hahamongna Watershed Park in La Cañada Flintridge. It is a multi-use trail for hikers, mountain bikers and horse riders.
The trail has several beautiful sections, including from its western entrance in Hahamongna to the Gould Mesa Trail Camp.
To begin your hike, you’ll park at a large free dirt lot near the backside of NASA’s Jet Propulsion Lab. If hiking in a wheelchair or seeking a paved path, I recommend parking at this smaller paved lot.
You can either take the paved trail or an unofficial dirt trail that follows the Arroyo Seco before leading you to the official trail. Either way, it’s a fairly easy stroll along the Arroyo Seco, shaded by coast live oaks, bay laurels and sycamore trees. After hiking about two miles, you’ll reach the Gould Mesa Trail Camp, where you can set up your picnic at one of the campground’s tables, or nearby along the creek.
And if you’d like to go a bit farther, you can continue onward to the Paul Little Picnic Site or the Brown Mountain Dam waterfall that I mentioned above. Regardless of where you stop, I promise you’ll be treated to a stunning landscape and likely hear the chirp and squawk of scrub jays, California quail and more.
Hikers make their way up a trail to the Griffith Observatory.
(Carlin Stiehl / For The Times)
2. Griffith Observatory via Fern Dell/Four Loops (Griffith Park Explorer Segment 6)
How often do you act like a tourist in your own city? Well, now’s the time!
The Fern Dell/Four Loops trail is a 4.1-mile figure-eight-shaped looping path through Griffith Park’s southern end. Although it doesn’t officially include a stop at the Griffith Observatory, that’s what I’d recommend, as it is such a serene place to share a meal with family and friends.
To begin, you’ll park in an O-shaped lot north of the Trails Cafe, where you could grab a meal to-go before heading out. You’ll head north from the lot, following the West Trail in a loop back south to the aptly named Loop Trail. After completing the Loop Trail’s loop, you’ll head south before taking the Observatory Trail on your next loop. If following the Griffith Park Explorer map, you’ll want to take note of when to turn to head to the Griffith Observatory.
If the Observatory area is busy, consider going just a little farther north to the Berlin Forest to have your picnic. Just make sure to link back up with the Fern Dell/Four Loops trail so you can not only enjoy the lush greenery in the Fern Dell area, but also make it back to where you parked.
One of many benches on the way to Mt. Thom and Tongva Peak in Verdugo Mountains.
If you’ve ever looked out your plane’s window as you flew out of Hollywood Burbank Airport, and thought, “My, that trail looks hard,” you would have been correct.
The trail from Brand Park in Glendale to Mt. Thom is a grueling dirt trail, but its payoff includes stunning views of the San Fernando and San Gabriel valleys and San Gabriel Mountains. And along the way, you’ll find benches and other lookout spots that would make for epic picnic spots. (Plus, if you do it, you could brag from your plane window, “I hiked up there and had these great tacos from that very peak!”)
To begin your hike, you’ll park near the Miss American Green Cross statue before heading northeast up the trail. Please note that there isn’t any water access on the trail, and it has limited shade outside of its lookout points with benches, which you’ll reach just under a mile in.
You’ll reach Mt. Thom about half a mile farther, but it will be a steep half mile. Keep going for about three-quarters of a mile, and you will find a quick offshoot that’ll take you to Tongva Peak. This is a fabulous place to relax, take in the views and, most importantly, eat.
If you’d like to skip the steep section, I’d recommend parking near the Sunshine Preserve, a critical wildlife passageway managed by the Arroyos & Foothills Conservancy. From here, you’ll take Sunshine Drive up to Las Flores Motorway, which offers an easier incline to reach Mt. Thom and Tongva Peak.
Either way, you should spot some benches and flat areas to take a seat or lay out a blanket and enjoy the expansive views of Glendale, Burbank and the cities beyond there. I promise: Your meal will taste even better after the climb to Mt. Thom — especially since it won’t be just jerky or a protein bar!
3 things to do
Runners participate in a previous 4 Mile Hill Challenge run.
(Aztlan Athletics LLC)
1. Frolic for feathered friends in L.A. Athletes from beginner to elite have until Friday to sign up for Saturday’s 4 Mile Hill Challenge, a trail run and walk in Ernest E. Debs Regional Park. Proceeds from the race benefit the Audubon Center at Debs Park. Race onlookers can partake in bird-themed activities as they cheer on their athletes. Register at 4milehillchallenge.com.
2. Get moving in Montebello Montebello Outdoor Adventures will host a hiking trip from 9 a.m. to 3 p.m. Saturday in the Puente Hills Preserve. Guests will meet at the Cathy Hensel Youth Center (236 S. Taylor Ave. in Montebello) before being taken by free transportation on the day trip. Registration is required. Register at montebellorecreation.com via the Trips and Tours page.
3. Foster the forest in Sunland-Tujunga The Sierra Club Angeles Chapter will host a volunteer workday from 8 to 10 a.m. Saturday in Sunland-Tujunga. Volunteers will water and mulch four or more trees, helping them stave off disease or death, especially in hotter months. Participants should bring gloves and sun protection. Tools provided. Location released upon registration. Register at act.sierraclub.org.
The must-read
A motion-sensor camera captures an adult female mountain lion in the Verdugo Mountains in 2016.
(U.S. National Park Service via Associated Press)
I continue to be amazed by the ongoing legacy of P-22, L.A.’s dearly departed lion king. On Thursday, the California Fish and Game Commission unanimously voted to list six specific mountain lion populations — more than 1,400 pumas — in Southern California and the Central Coast as threatened under state law. “Hemmed in by freeways and housing, cougar clans in the Santa Monica and Santa Ana mountains — both included in the listing — have a 16% to 28% chance of extinction in 50 years if they aren’t able to reach lions to mate with in other areas, providing genetic diversity,” wrote Times staff writer Lila Seidman. It’s hard to imagine this happening without the advocacy for mountain lions stimulated by P-22, whose memorial in 2023 lasted more than three hours and drew thousands of guests.
Happy adventuring,
P.S.
Do you have a story of love on the hiking trail? Did someone break up with you atop a mountain? Or perhaps it was a marriage proposal on a peak! On April 3, The Times will host L.A. Affairs Live, a competition show featuring real dating stories from people living in the Greater Los Angeles area. The event is a spin-off of our popular dating and romance column of the same name. Seven to 10 storytellers will be selected to perform 5- to 7-minute relationship stories related to the theme of “Starting Fresh.” A live audience will choose the winner. The winner will get a written version of their story published as an L.A. Affairs column and receive a $400 payment. So, do any of our Wild readers have a lowercase-wild story to tell? Learn more about how to audition here. The deadline to submit is midnight Sunday!
For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.
EXCLUSIVE: Death in Paradise star Don Gilet has spoken out about new cast member Catherine Garton who plays Sergeant Mattie Fletcher
Teaser clip ahead of new Death in Paradise series
Death in Paradise’s detective Don Gilet, who portrays Mervin Wilson in the BBC series, has praised new police officer Catherine Garton, who takes on the role of Sergeant Mattie Fletcher.
Mattie is the latest addition to the Saint Marie force and steps into the shoes of Darlene Curtis, previously played by Ginny Holder. Ginny made a quiet exit from the show after only appearing via video link in the Christmas special.
In an exclusive chat with Reach PLC and other media outlets, Don discussed the upcoming series and his experience of welcoming a fresh face to the squad.
He began by stating that Darlene was not replaced, as “you cannot replace that character”. He elaborated, “It was just the new character coming in, just a completely different energy that we weren’t expecting.
“The arrival of Mattie surprises us all as characters, and she’s a very colourful and larger-than-life character as well. So it’s always great,” reports the Express.
“It’s just the same as when new characters come in per episode, it sort of keeps things fresh, keeps the characters on their toes, brings some new and different energy in with a new storyline to go with it.”
He continued, “And again, not giving too much away, but you find out things about Mattie bit by bit as she tries to connect with her colleagues, the same way I tried to connect with my colleagues, and it didn’t happen very easily.
“She’s a great character to work with, and there’s a rebelliousness to the character that Catherine brings, which in some ways is similar to the way that Mervin works.
“So I wonder if there’s just a little tinge of admiration for the way she works that is a bit unorthodox.”
The synopsis for tonight’s episode, available to stream on BBC iPlayer, states: “A reclusive pensioner is shot dead in his home, and a figure matching the description of an unassuming accountant was witnessed fleeing the crime scene.”
It continues: “However, the suspect has a rock-solid alibi. Meanwhile, the commissioner is determined to get the islanders back on side with a community-focused initiative, but tensions rise when Mervin goes rogue during the launch event.”
