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FAMILY on the sofa, food coma setting in, the annual arguments are raging. 

But there’s one thing we can all agree on: the best Christmas films are the ones we already know the words to.

Forget the streaming giants’ flops; Google’s latest trends data proves we are still watching the same five classics we’ve seen a hundred times.

According to Google search rankings for December 2024, the only movies that matter are: Home Alone (1990), Love Actually (2003), Elf (2003), Die Hard (1988), and The Holiday (2006). 

These aren’t just films – they’re Christmas crackers that rule the roost for the entire season.

Baby, it’s cold online

Let’s face facts, the last proper Christmas film breakthrough was Will Ferrell’s hilarious Elf. Why?

Back then, films became classics because they were hammered on to terrestrial TV every Christmas Eve, year after year. It was a shared moment.

Now? Streaming channels pump out festive films that disappear quicker than the cranberry sauce. Remember 2021’s Love Hard, anyone?

There’s no big, shared night; just another cheap, made-for-TV sequel you’ll forget by Boxing Day. 

At Christmas, we don’t want novelty, we want nostalgia! We crave the familiar faces, the iconic soundtracks and the quotes we grew up with.

Top of the tree

Home Alone is the undisputed king of Christmas, topping the search list again. 

Macaulay Culkin is still the only star guaranteed to keep the kids quiet, have the parents chuckling and give millennials that lovely warm feeling of childhood. 

Coming in second, Love Actually – the ultimate festive romcom. 

Of course it charts high, adults are the ones doing the searching! Packed with A-list talent like Hugh Grant and Keira Knightley, it’s a love letter to London that we feel we own. 

Elf, meanwhile, sits happily in the “children’s films that adults secretly love” category. Good clean fun.

The debate that never dies

Every year, social media repeats the same classic film debates: should the Home Alone parents be arrested for gross negligence? Is the Grinch high-key relatable? 

But the one argument that will forever cause a family meltdown: is Die Hard a Christmas film?

Is it an action movie set at Christmas, or is John McClane a festive hero? We’ll never get a definitive answer, but the search numbers prove we’ll keep watching the chaos.

Bruce Willis bounces back into the charts partly because some people rewatch it purely to win the family argument!

The newest addition to the charts is The Holiday, featuring Cameron Diaz and the ridiculously handsome Jude Law. 

It has surpassed How the Grinch Stole Christmas for the first time. Why the sudden love? Algorithm-driven Christmas escapism. Cosy cottage-core and 2006 Jude Law at his best – it was a hit waiting to happen.

Maybe one day, a new festive favourite will break into the hallowed list and earn a permanent place. 

But until then, the classics will keep topping Google searches – because at Christmas, above all, we love a familiar story.

MORE Americans are looking to vacation in the States — and search data reveals the surprising destination that’s leading the way.

According to Google Trends, it seems as though we have started to ditch the beach for icy thrills, with record-high numbers of us looking up “Alaska cruise”.

Interest in domestic travel has surged in the past few years since the pandemic.

After months stuck indoors, we clearly rediscovered our love for fresh air, wildlife spotting and larger-than-life landscapes.

Alaska fits perfectly with this new outlook, as we increasingly seek nature-packed getaways.

The state’s appeal is plain to see — already one of the world’s most popular cruise destinations, the Last Frontier wows even the most seasoned travelers.

Think lush, secluded mountain ranges and abundant wildlife — from grizzly bears to towering moose.

Out on the ocean, passengers can see stunning spectacles like whales breaching alongside the vessel or seals chilling on ice caps.

But one of the things that appeals most about sailing these waters is the ability to set your own pace.

Want to spend days trekking across colossal glaciers? They’re there for exploring.

Prefer soaking in a hot spring with unbeatable views? Go and lap it up.

Many voyages let you do both: adventuring through rugged coastline and fully indulging in the relaxing facilities onboard afterward.

It’s the perfect blend of excitement and laid-back comfort, with a huge variety of trip types on offer.

Most long-haul cruises head out from Seattle or Vancouver and last about a week, although more travelers are opting for 10 to 14-day itineraries crammed with exploration.

Flying straight to Alaska is also an option, allowing for shorter, more intimate, and adventure-focused itineraries.

Smaller ships can venture where big liners can’t, offering hikes, kayaking, fishing, and other memorable experiences.

But with Google Trends showing far more searches for Alaska cruises than flights, Americans seem to want to take their time.

Most Alaskan voyages run between May and September, when the days are long, warm, and perfect for sighting humpbacks, orcas, and even bald eagles.

So it makes sense that online interest for voyages peaks around July and August.

Searches for cruises overall have soared in the past three years, with summer 2025 seeing the highest peak for half a decade.

Caribbean cruises still attract more online interest than Alaska though.

Curiosity for hot-weather retreats spikes in December and January, but Alaska’s popularity shows Americans also crave epic experiences as well as beach breaks.

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The data trends suggest Americans are hungry for slow travel that mixes comfort with real adventure and wild encounters — all without leaving the country.

With pure escapism high on the wish list, it’s no wonder more people are setting their sights on Alaska.

Nov. 19 (UPI) — Tech giant Nvidia on Wednesday posted record revenue and strong profit for the third quarter, beating Wall Street expectations, amid exploding growth in artificial intelligence.

Nvidia, which has the world’s largest market capitalization at $4.5 trillion, reported record sales. It said sales grew 62% in one year to $57 billion through Oct. 26. Wall Street had projected a $54.9 billion figure.

On Oct. 29, Nvidia became the first company worldwide with a $5 trillion cap one day before CEO Jensen Huang met with President Donald Trump in the White House.

“There’s been a lot of talk about an AI bubble. From our vantage point, we see something very different,” Huang said during a conference call with investors.

Fourth-quarter sales are estimated to be around $65 billion, contrasting with $61.66 billion by analysts.

Profit was up 65% from last year in the quarter to $31.9 billion or 78 cents per share, slightly ahead of expectations. The net income represents 58% of revenue.

NVIDIA will pay its next quarterly cash dividend of 1 cent per share on Dec. 26.

Nvidia builds chips and software platforms for the AI industry. The company, founded in 1993 in the Silicon Valley in California, pioneered the graphics processing unit, initially for 3D video games.

The chips are made in the United States by GlobalFoundries, Taiwan Semiconductor Manufacturing Company and Samsung in South Korea. Taiwan’s new factory in Arizona focuses on chips for Nvidia.

The design work is done in the United States, GeekBitz reported.

Most AI companies’ technology runs on Nvidia’s chip, CNN reported.

Its best-selling chip is the Blackwell Ultra, a second generation. The company is banned from selling the new ones to China.

“Blackwell sales are off the charts, and cloud GPUs are sold out,” Huang said in a statement about its best-selling chip.

“Compute demand keeps accelerating and compounding across training and inference — each growing exponentially. We’ve entered the virtuous cycle of AI. The AI ecosystem is scaling fast — with more new foundation model makers, more AI startups, across more industries, and in more countries. AI is going everywhere, doing everything, all at once.”

In October, Huang said there were $500 billion in AI chip orders for 2025 and 2026 combined.

“The number will grow,” Nvidia finance chief Colette Kress said during the earnings call with analysts.

Nvidia said there were $51.2 billion in revenue in data center sales, a 66% rise year-over-year.That includes $43 billion in revenue was for “compute,” or the GPUs. The company said most growth was from GB300 chips.

Nvidia’s stock price rose 5.08% in after-hours trading on Wednesday night on NASDAQ. The stock was at $196.00, below the record $207.04 on Oct. 29.

The stock, with the ticker symbol NVDA, initially traded at $12 per share, through its Initial Public Offering on Jan. 22, 1999.

The strong Nvidia report boosted after-hours trading of tech firms Meta, Microsoft, Amazon and Google.

“This answers a lot of questions about the state of the AI revolution, and the verdict is simple: it is nowhere near its peak, neither from the market-demand nor the production-supply-chain sides for the foreseeable future,” Thomas Monteiro, senior analyst at Investing.com, said in emailed commentary following the report.

In September, Nvidia announced a $100 billion investment in OpenAI in exchange for chip purchases.

On Monday, Anthropic committed to buying $30 billion in computing capacity from Microsoft Azure in exchange for an investment in the AI lab from both tech giants.

Nvidia announced a collaboration with Intel to jointly develop multiple generations of custom data center and PC products with NVIDIA NVLink.

Nvidia has reviewed plans to accelerate seven new supercomputers, including with Oracle to build the U.S. Department of Energy’s largest AI supercomputer, Solstice, plus another system, Equinox.

Nvidia said it had $4.3 billion in gaming revenue, which is a 30% boost from one year ago.

Despite the boom, CEO of one of the world’s largest independent financial advisory organizations warnsthere is a “real risk” because of complacency.

“Exceptional results don’t remove the need for discipline,” Nigel Green of deVere Group in Britain said in an email to UPI. “The AI ecosystem is growing fast, but fast growth doesn’t protect anyone from the consequences of over-extension.”

He said the path from deployment to real commercial returns “remains untested” in many industries.

“Investors must examine whether business models can convert this scale of capital investment into sustained earnings,” he said. “Complacency could be a real risk.”

Nov. 18 (UPI) — Facebook owner Meta can keep the WhatsApp mobile messaging app and the Instagram social media site in a federal trial first brought by the Federal Trade Commission in 2020.

Washington D.C.-based Judge James Boasberg ruled Tuesday that the FTC did not prove its claim that Meta has maintained a monopoly on social media platforms, CNBC reported.

“Whether or not Meta enjoyed monopoly power in the past, though, the agency must show that it continues to hold such power now,” Boasberg wrote.

“The court’s verdict today determines that the FTC has not done so,” he added.

Meta officials said in a statement to NPR that Boasberg’s ruling affirms that social media remains competitive.

Boasberg in 2021 dismissed the case citing a lack of evidence that Facebook held “market power” over social media.

The FTC amended and refiled its complaint in August 2021, providing more detail on user data and comparisons to competitors, including Snapchat, the discontinued Google+ social network and Myspace.

The FTC also argued Meta engaged in a “buy or bury” strategy to monopolize social media when it paid more than market value to buy Instagram in 2012 and when it bought WhatsApp in 2014, according to NPR.

The only way to resolve the alleged monopoly was to require Meta to spin off Instagram and WhatsApp as independent companies, the FTC argued.

The social media marketplace has changed greatly over the past five years since the federal agency first accused Meta of monopolizing social media, Boasberg wrote.

“While it once might have made sense to partition apps into separate markets of social networking and social media, that wall has since broken down,” Boasberg wrote.

He cited the rise of TikTok and called it “Meta’s fiercest rival,” which he called evidence of a competitive social media marketplace.

During the trial that concluded in May, Meta’s legal team argued it faced plenty of competition and only bought WhatsApp and Instagram because they are quality products that were easier to buy instead of replicating.

During the trial, Meta CEO Mark Zuckerberg testified that buying Instagram was easier than creating a new product that would compete with it.

ESPN football is returning to YouTube TV after the service and The Walt Disney Co. settled their contentious contract dispute — ending the 15-day blackout of Disney channels.

The Disney-owned channels and ABC station signals were being restored for YouTube TV’s 10 million customers, the companies announced late Friday. The breakthrough came after the companies agreed on a new distribution deal for YouTube, which is owned by Google, replacing the previous pact that had expired on Oct. 30.

Financial terms were not disclosed.

“This new agreement reflects our continued commitment to delivering exceptional entertainment and evolving with how audiences choose to watch,’’ Disney Entertainment Co-Chairmen Alan Bergman and Dana Walden and ESPN Chairman Jimmy Pitaro said in a statement.

“It recognizes the tremendous value of Disney’s programming and provides YouTube TV subscribers with more flexibility and choice. We are pleased that our networks have been restored in time for fans to enjoy the many great programming options this weekend, including college football.”

The outage surpassed the length of last year’s clash between Disney and DirecTV, which saw Disney channels being dropped for 13 days.

YouTube and Disney have been bickering over distribution fees. Google had rebuffed Disney’s earlier demands for fee increases to carry ESPN, ABC and other channels. The Burbank entertainment giant wanted to maintain revenue to help pay for Disney’s content production, streaming ambitions and ESPN’s gargantuan sports rights deals, including long-term contracts with the NFL and the NBA.

YouTube pushed back, pointing to declining viewership for ABC and other channels, for which Disney had been seeking fee increases.

Disney and other programmers have been trying to boost fees to offset the loss of pay-TV customers who have cut the cord or switched to smaller streaming bundles. YouTube also had accused Disney of holding out in an effort to scoop up aggravated YouTube TV subscribers considering a switch to its Fubo or Hulu + Live TV services, which compete directly with YouTube TV. The services offer most of the same TV channels.

The dispute highlighted the ongoing tensions between pay-TV distributors and programmers amid the shift to streaming. In 2021, the Disney channels were knocked off YouTube TV for two days in an earlier fee dispute.

A shrinking pool of big-bundle subscribers increasingly has been asked to shoulder higher programming expenses. Distributors, including YouTube TV, have tried to hold the line on prices, cognizant that their customers are tired of ever-escalating monthly bills. YouTube TV offered a package of channels for $35 a month when it launched in 2017. The service now costs $82.99 a month.

The cost of carrying broadcast channels (ABC, CBS, Fox and NBC) and sports networks, including ESPN, has skyrocketed due to the huge jump in costs for TV rights deals with major sports leagues. ESPN is the most expensive basic cable channel, costing pay-TV distributors nearly $10 a month per subscriber home.

Disney has defended its costs to pay-TV distributors, arguing that it provides high-quality programming that consumers love.

The company also is trying to transition its businesses to focus more heavily on direct-to-consumer streaming services, including Disney+ and Hulu + Live TV, that bypass the traditional pay-TV distributors.

The skirmish was just the latest between YouTube and a major programming company.

Since August, Rupert Murdoch’s Fox Corp., Comcast’s NBCUniversal and Spanish-language broadcaster Univision have all complained that YouTube TV has been trying to use its market muscle to squeeze them for concessions.

“Rather than compete on a level playing field, Google’s YouTube TV has approached these negotiations as if it were the only player in the game,” the Disney executives Pitaro, Bergman and Walden wrote in an Nov. 7 email sent to employees.

YouTube TV customers have been without Univision and Unimas since Sept. 30. That dispute centered on YouTube’s plan to group the Univision channels with other Spanish-language programming on a separate tier rather than offer the channels as part of YouTube’s basic packages.

Univision cried foul, in large part, because the switch would mean less revenue because programmers are paid rates based on the number of households that receive their channels. Fewer consumers pay for the Spanish-language add-on.

YouTube countered that Spanish-language viewers were watching Univision on the main YouTube free video site — and that service has remained available.

Nov. 14 (UPI) — The European Union wants Google to dismantle its European-based advertising-technology business, which it has deemed a monopoly, but the tech firm said Friday it has another plan.

Google officials announced they submitted a compliance plan following the European Commission’s ad-tech decision, which Google will appeal.

“Our proposal fully addresses the EC’s decision without a disruptive breakup that would harm thousands of European publishers and advertisers who use Google tools to grow their business,” Google said in a blog post.

Google’s proposal “includes immediate product changes to end the specific practices the Commission challenges,” it said.

“For example, we are giving publishers the option to set different minimum prices for different bidders when using Google Ad Manager,” Google officials said.

They also propose addressing accusations of conflicts of interest by giving publishers and advertisers more choices and greater flexibility by “increasing the interoperability of our tools.”

Google officials said they intend to cooperate with the EC while it considers the proposal and “are committed to finding an effective solution that provides certainty and consistency for our customers across Europe, the United States and globally.”

The EC in September fined Google $3.5 billion in a search engine antitrust case and wants Google to break up its European business.

Google’s proposal seeks to avoid a breakup, but it does not provide any mechanisms for measuring the impact of proposed changes, according to Politico.

The EC has received Google’s proposal, which drew criticism from online publishers in Europe.

“Behavioral adjustments have been tested repeatedly over many years and have failed to rebalance this market,” Angela Mills Wade, European Publishers Council executive director, told Politico.

She said Google’s proposal, ultimately, won’t eliminate its ad-tech monopoly, which accounts for most of parent company Alphabet’s annual revenues, which topped $350 billion in 2024.

“Without structural change, Google will continue to own and control the tools and data flows that determine the terms of trade for the entire digital advertising ecosystem,” Wade added.

JACOB ELORDI is gracing our screens once again, this time as the Creature in Guillermo del Toro’s Frankenstein – and it seems audiences can’t get enough of the Australian actor. 

According to Google Trends data, Elordi’s global search record charts an extraordinary rise from Netflix romcom newcomer to one of Hollywood’s most in-demand leading men.

Google Trends shows his career highs with clear spikes in search interest. 

His breakthrough role came in 2018 when he starred in Netflix’s The Kissing Booth, introducing him to Gen Z audiences around the world. 

The following year, he solidified his profile as Nate Jacobs in HBO’s Euphoria, a role that won critical acclaim and expanded his fanbase beyond romcom audiences.

But it’s in the past two years that Elordi’s popularity has skyrocketed. 

Searches for “Jacob Elordi” reached new global highs after the release of Emerald Fennell’s Saltburn in 2023.

It makes sense that all these projects are among the top 25 related searches – alongside relationship history, of course. 

Searches have surged again this fall, thanks to the release of Frankenstein.

Early reviews of the film have praised Elordi for his ability to combine vulnerability with intensity, showing he can tackle challenging characters. A million miles away from the character he played in The Kissing Booth. 

The data also shows that Elordi has international appeal. 

Early searches were mainly in Australia, the US and the UK. Recent trends show growing interest across Europe, Asia and South America, with his choice of roles boosting his global profile.

Elordi looks set to maintain his momentum with Wuthering Heights, scheduled for release in 2026, in which he will star opposite Margot Robbie. 

The casting is already sparking excitement, appealing to fans of classic literature as well as general moviegoers. 

Frankenstein audiences have been fascinated by how Elordi brings Mary Shelley’s iconic character to life. As Wuthering Heights is also a beloved literary classic, expectations are sky high. 

Literary fans will be watching closely, hoping for an adaptation that honors the original and doesn’t just appeal to Hollywood.

Each major appearance sparks a worldwide search spike, making Elordi a soon-to-be household name. 

He is a phenomenon whose every role – from Nate Jacobs to the Creature and, soon, Heathcliff – triggers global attention.

With Frankenstein out last month and Wuthering Heights on the horizon, one thing is certain: Elordi’s well on the way with his journey from teen heart-throb to Hollywood A-lister.

Nov. 9 (UPI) — The Trump administration has ordered states to stop distributing benefits to 42 million food insecure Americans, including critical nutrition and aid to the Women, Infants and Children program.

The move follows an order last week by two federal judges that ordered the administration to provide the benefits that hungry children rely on.

A memo from the U.S.D.A. Food and Nutrition Service directs states to “immediately undo any steps taken to issue” full payments to recipients of the Supplemental Nutrition Assistance Program

The Administration has called on states to issue partial payments, about 65% of a typical monthly SNAP benefit, to recipients.

The memo threatens states with total cuts in federal funding they need to pay SNAP administrative costs if they don’t heed the warning.

As of Sunday morning, officials in many states said they were unsure how the USDA order will affect their aid, the fate of which has been uncertain as courts and the Trump administration volley back and forth over the amount to be distributed, if any.

Washington funds SNAP, but the federal government and states share the administrative costs of distributing the benefits to recipients.

Friday night, Supreme Court Justice Ketanji Brown Jackson blocked a Rhode Island judge’s order that, earlier in the week, directed the Trump administration to issue full SNAP benefits for the month of November.

The Trump administration said Friday that it was working to distribute the aid, and it appealed to the Supreme Court to block the Rhode Island judge’s order.

The SNAP program provides aid to more than 42 million Americans, including elderly people, children and low-income families.

It has been at the center of the historically long government shutdown, as recipients have been unsure, often on a day-to-day basis, whether they are going to receive the funds they need to buy food they need to survive.

YouTube TV customers are bracing for another frustrating weekend.

For the last week, YouTube TV’s 10 million subscribers have been denied access to ESPN, ABC and other Walt Disney Co. channels in a dispute that has swelled into one of the largest TV blackouts in a decade. Instead of turning on “College GameDay,” “Monday Night Football” or “Dancing With the Stars,” customers have been greeted with a grim message: “Disney channels are unavailable.”

The standoff began Oct. 30 when the two behemoths hit an impasse in their negotiations over a new distribution contract covering Disney’s channels and ABC stations.

Google, which owns YouTube, has rebuffed Disney’s demands for fee increases for ESPN, ABC and other channels. The Burbank entertainment giant has been seeking a revenue boost to support its content production and streaming ambitions, and help pay for ESPN’s gargantuan sports rights deals.

Talks are ongoing, but the two sides remain apart on major issues — prolonging the stalemate.

“Everyone is kind of sick of these big-time companies trying to get the best of one another,” said Nick Newton, 30, who lives near San Francisco and subscribes to YouTube TV. “The people who are suffering are the middle-class and lower-class people that just love sports … because it’s our escape from the real world.”

Both companies declined to comment for this article.

The skirmish is just the latest between YouTube and programming companies. Since August, Rupert Murdoch’s Fox Corp., Comcast’s NBCUniversal and Spanish-language broadcaster TelevisaUnivision have all complained that YouTube TV was trying to use its market muscle to squeeze them for concessions.

Here’s a look at what’s driving the escalating tensions:

Google’s growing clout in television

The struggle between Disney and YouTube reflects television’s fast-shifting dynamics.

Disney has long entered carriage negotiations with tremendous leverage, in large part because it owns ESPN, which is a must-have channel for legions of sports fans.

Programmers, including Disney, structured their distribution contracts to expire near a pivotal programming event, such as a new season of NFL football. The timing motivated both sides to quickly reach a deal rather than risk alienating customers.

But for Google’s parent, Alphabet, YouTube TV is just a sliver of their business. The tech company generated $350 billion in revenue last year, the vast majority coming from Google search and advertising. That gives YouTube a longer leash to hold out for contract terms it finds acceptable.

“This dispute is not that painful for Google,” said analyst Richard Greenfield of LightShed Partners, noting that YouTube TV could probably withstand “two weekends without college football, and two weeks without ‘Monday Night Football’ — as long as their consumers stay with them.”

Disney, however, depends on TV advertising and pay-TV distribution fees. The week-long blackout has already dampened TV ratings, which means less revenue for the company.

Consumers like YouTube TV

For decades, throngs of consumers loathed their cable company — a sentiment that Disney and other programmers were able to use in their favor in past battles. Customer defections prompted several pay-TV companies to find a compromise to restore the darkened TV channels and stanch the subscriber bleeding.

But YouTube is banking on a more loyal user base, including millions of customers who switched to the service from higher-priced legacy providers.

“I’ll stick this thing out with YouTube TV,” Newton said, adding that he hoped the dispute didn’t drag on for weeks.

“This is one of the problems facing Disney,” Greenfield said. “It’s been a noticeable change in tone from past carriage fee battles. If customer losses stay at a minimum, then Disney is going to be in a tough place.”

It boils down to power and money

YouTube TV is the fastest-growing television service in the U.S. Analysts expect that, within a couple of years, YouTube TV will have more pay-TV customers than industry leaders Spectrum and Comcast.

In the current negotiations, Google has asked Disney to agree to lower its rates when YouTube TV surpasses Comcast’s and Spectrum’s subscriber counts. Disney maintains that YouTube already pays preferred rates, in recognition of its competitive standing, and that Google is trying to drive down the value of Disney’s networks.

“YouTube TV and its owner, Google … want to use their power and extraordinary resources to eliminate competition and devalue the very content that helped them build their service,” top Disney executives wrote last Friday in an email to their staff.

People close to YouTube TV reject the characterization, saying the service has been a valuable partner by providing a strong service that brings Disney billions of dollars a year in distribution revenue.

“The bottom line is that our channels are extremely valuable, and we can only continue to program them with the sports and entertainment viewers love most if we stand our ground,” the Disney executives wrote in last week’s email. “We are asking nothing more of YouTube TV than what we have gotten from every other distributor — fair rates for our channels.”

Higher sports rights fees

A major reason Disney is asking for higher fees is because it’s grappling with a huge escalation in sports costs.

Disney is on the hook to pay $2.6 billion a year to the NBA, another $2.7 billion annually to the NFL, and $325 million a year for the rights to stream World Wrestling Entertainment. Such sports rights contracts have nearly doubled in the last decade, leading to the strain on TV broadcasters.

In addition, deep-pocketed streaming services, including Amazon, Apple and Netflix, have jumped into sports broadcasting, driving up the cost for the legacy broadcasters.

The crowded field also strains the wallets of sports fans, and appears to be adding to the fatigue over the YouTube TV-Disney fight.

Newton wrote in a recent Twitter post that he was spending $400 a month for his various internet, phone and TV services, including Disney+ and NFL Sunday Ticket, which is distributed by YouTube TV.

“I’m already on all the major subscriptions to watch football these days,” Newton, a third-generation San Francisco 49ers fan, said. “You need Netflix. You need Peacock, you need Amazon Prime and the list goes on and on. I’m at the point where I’m not paying for anything else.”

THE Love Actually reunion no one saw coming just happened – and it’s still 49 days until Christmas.

My insiders tell me that stars of the seasonal rom-com Martine McCutcheon and Thomas Brodie-Sangster have signed up for Google Pixel’s new festive ad.

They filmed the top-secret project in London yesterday afternoon — 22 years after appearing opposite each other in the 2003 hit film.

A source said: “Nothing says Christmas like Love Actually, and so Google Pixel are bringing a sprinkling of it back to insert some nostalgia into the festive period.

“It’s still such a firm favourite with millions of people, so they tapped up Martine and Thomas for the sweet reunion.

“The ad is going to be packed full of throwbacks — especially because Thomas was only 13 when he was in Love Actually.

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“A whole street in London was transformed into a winter wonderland and Martine and Thomas were in great spirits.

“They’re really happy with how the ad worked out. It’s going to be one people are talking about for a while.”

If you’ve lived under a rock and have never seen Love Actually, it’s one of Richard Curtis’s best films.

Martine plays hapless PA Natalie, swept off her feet by the Prime Minister, played by Hugh Grant.

And Thomas took on the role of sweet, love-stricken Sam, who went all out to impress his teen crush.

Google Pixel isn’t the only brand getting in on the Love Actually nostalgia for their Christmas ad.

Aldi revealed their famous Kevin the Carrot will propose to his sweetheart Katie in their festive offering this year using cue cards — inspired by the scene in the film where Andrew Lincoln’s character Mark professed his love for Juliet, played by Keira Knightley.

Without wanting to be too sentimental, it proves love really is still all around us.

And I’m definitely going to be renting it on Prime Video tonight.

KYLIE MINOGUE used a stocking from the filming of her CBeebies bedtime story last Christmas in the music video for her new festive single Xmas.

The Aussie pop star is celebrating the tenth anniversary of her Christmas album with a new version of the record, Kylie Christmas (Fully Wrapped), which features four new songs.

Speaking to Scott Mills on the BBC Radio 2 Breakfast Show about the video, Kylie said: “Because I was on the road we didn’t get to go so Christmassy.

“I think it was from a CBeebies Christmas story | did and they gave me a Christmas stocking.

“I thought, I have got to take something Christmassy and I think that’s it. That’s the one thing that you may see.

“We didn’t get to do fairy lights. We didn’t get to do paper chains. But in spirit we were very Christmassy.”

JOSH’S TOP DAY WITH SPINAL TAP

JOSH GROBAN was one of a few artists asked to perform with Spinal Tap for their next film, Stonehenge: The Final Finale.

I exclusively revealed the ­parody band had shot a concert alongside Eric Clapton and Shania Twain at the ­landmark in August, and now US star Josh has told me all about taking part.

He said: “Singing with Spinal Tap at Stonehenge – I don’t care how much you’ve done, that’s an experience for anybody. Eric Clapton felt it, Shania Twain felt it.

“Everybody was going, ‘I can’t believe we’re doing this’. I can’t tell you the song but it was ­ridiculous and amazing.”

Josh is returning to the UK on April 1 next year for a date at London’s O2 Arena, with tickets on sale tomorrow.

And on November 14 he will drop his next record, Hidden Gems.

The album is a collection of fans’ favourite tracks not available on streaming platforms.

Speaking after an intimate show in ­London at Union Chapel, Josh says: “These are all songs from my past.

“They’re B-sides and special-editions. I’ve also been working on new music.”

MUMMY’S THE WORD, BRENDAN

BRENDAN FRASER and Rachel Weiz are teaming up again for The Mummy 4, 17 years after the last film in the franchise.

They both starred in 1999’s The Mummy and 2001’s The Mummy Returns, below, but Rachel skipped 2008’s The Mummy: Tomb Of The Dragon Emperor.

Plans for a fourth film were ditched in 2012 before Tom Cruise tried to reboot the series in 2017 with another movie called The Mummy, but it lost millions at the box office.

The original followed treasure hunter Rick (Brendan), who wakes up an ancient Egyptian priest with special powers.

The latest news comes three years after Brendan’s career comeback in The Whale, which landed him a much-deserved Oscar for Best Actor.

YUNG HIT IN TRANS PIC SHOW

YUNGBLUD has provided the soundtrack for a new photography exhibition that tells the stories of 13 trans people from across the UK.

His song Hello Heaven, Hello will be used on screens at Outernet, right outside Tottenham Court Road Tube Station in central London, for the free exhibition called Trans Is Human from November 17.

Yungblud said: “I’m honoured that Hello Heaven, Hello will be a part of this exhibition.

“Trans Is Human is all about celebrating truth, identity and the beauty of being yourself.

“That’s something I’ve always tried to celebrate in everything I do.”

BABYSHAMBLES have returned with their first song in 12 years, Dandy Hooligan.

The band, fronted by Pete Doherty, dropped the track yesterday ahead of the launch of their comeback tour.

Pete said: “It’s a well turned-out, ­elegantly crafted reggae-ska-pop song . . . with a sweet melody to bowl along to with your sharpened walking cane.”

They were back on stage in Hastings last night for a warm-up gig ahead of their tour later this month.

ED’S PERFECT PITCH MEANS ALL KIDS CAN LEARN MUSIC

ED SHEERAN has once again proved he is a voice for good after a successful ­campaign to give all kids access to ­creative subjects at school.

Back in March, the Shape Of You singer wrote to No10 urging the government to look at the critical state of music education – and, incredibly, they’ve listened.

Keir Starmer yesterday heralded Ed’s letter, which was backed by stars including Harry Styles, Stormzy and Annie Lennox, as “powerful”, and told him: “I wanted you to know that your voice has been heard.”

In a letter to Ed which has been shared with me, the PM said: “The review ­places creative ­subjects firmly at the centre.

“We are revitalising arts ­education, strengthening music and drama, and launching a new National ­Centre for Arts And Music Education to support teachers and raise standards.

“We will make sure every child has access to those experiences – from arts and ­culture to nature and civic engagement – so that creativity isn’t a privilege, but a right.”

It is a huge victory for Ed and the Ed Sheeran Foundation, which has ­campaigned for accessible, meaningful education for all young people.

In a statement, Ed said: “I set up the Ed Sheeran Foundation because every child deserves to have access to a meaningful music education, and the chance to experience the joy and confidence that musical expression can bring.

“Shortly after ­setting up my foundation, I wrote an open letter to the Prime Minister about the critical state of music education in the UK and the fact it was slipping through the cracks.

“With the help of the letter and everyone who signed it, I’m happy to say that some of the key points we raised have been recognised by the government, marking the first change to the music ­curriculum in over ten years.”

All power to you, Ed. This is ­brilliant news.

COAT AND TAYLS

TAYLOR SWIFT has gone quiet since dropping her album The Life Of A Showgirl last month, but she re-emerged in New York for a night out with Gigi Hadid on Monday.

The singer wrapped up in a coat and knee-high boots alongside the model who is a long-time friend.

I’m sure they had plenty to catch up on, with a wedding to plan for Taylor, while Gigi’s romance with Bradley Cooper seems to be going from strength to strength after two years together.

Perhaps wedding bells will be ringing for her, too, before long.

JENNIFER LAWRENCE has let slip that she’s co-producing a movie with Emma Stone based on Miss Piggy, being written by US comedian Cole Escola.

Asked on the Las Culturistas podcast whether the actresses will also star in the film, she said: “I think so, we have to.”

On working with Emma for the first time, she added: “It’s f***ed up. It’s dark that we haven’t done a movie together.”

CYNTHIA’S IN GOOD MOOD FOR PREMIERE

CYNTHIA ERIVO was grinning from ear to ear at the premiere of Wicked: For Good, despite the fact her co-star Ariana Grande missed the big launch.

The British actress, who returns as Elphaba in the second flick, wore this quirky, tummy-baring outfit and was joined at the event in Sao Paulo by co-star Jonathan Bailey ahead of the London premiere on Monday.

Hopefully, Ariana will make it over here after a fault with a plane meant she couldn’t get to Brazil in time for Tuesday’s event.

She apologised on Instagram, but was then subjected to vile abuse.

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Later on, she wrote online: “Please don’t wish danger on us.

“It’s a sad state of affairs when fans are so vicious over something so unimportant.”

Pickpocketing is a major issue in popular tourist cities such as Barcelona, but it’s not Spain that tops the list as the prime location for this slick-fingered crime

While Barcelona is infamous for its high levels of pickpocketing, it’s not Spain that takes the crown as the prime hotspot for this nimble-fingered crime. Despite pickpocketing being a major issue – particularly for tourists – in Barcelona, the problem is rampant across Europe and beyond, with one European holiday destination dubbed the “worst” for light-fingered theft.

In tourist-heavy areas, holidaymakers must be extra vigilant with their belongings, especially in airports, train stations, underground systems, hotel lobbies or even while strolling down certain streets. UK travel insurance firm Quotezone.co.uk revealed last year that it had pinpointed where travellers were most likely to fall prey to pickpockets, singling out a location visited by 3.5 million Brits each year.

Tourists have corroborated the research with reviews on one particular visitor hotspot warning of “a lot of pickpockets in the area”. Data gathered by Quotezone showed that Italy was the prime spot where tourists are likely to be separated from their possessions by nimble-fingered thieves.

Rome’s iconic Trevi Fountain has been flagged as a hotbed for pickpocketing, with the landmark boasting over 100,000 reviews – and hundreds of mentions of “pickpockets” on TripAdvisor, reports the Express.

As a site that becomes packed from spring through to summer, visitors are cautioned to “be careful” at this “beautiful” Roman landmark.

One disgruntled holidaymaker took to TripAdvisor to vent: “You have to elbow your way to the front of the fountain. Many people gather in front and sit for hours, so sitting is almost impossible.

“We didn’t spend more than 15 minutes. Be aware of pick pockets, as you are body to body in front and around the fountain.”

Another tourist, also reviewing on TripAdvisor, described a “beautiful fountain” but warned that the area was “extremely crowded”, cautioning others to “beware of this area” due to “lots of scams and pick pockets”.

According to research by Quotezone, Italy tops the list as the prime hotspot for pickpockets, closely followed by France, with the Eiffel Tower in Paris being particularly notorious.

Currently, Google reviews of the Eiffel Tower reveal over 800 visitors citing pickpockets as a problem – and the area is swamped with tourists throughout the year.

One Google reviewer shared their experience, describing the Eiffel Tower as “enormous and breathtaking”, but they also issued a warning.

The visitor penned: “It’s a very popular place, so expect big crowds; people from all over the world gather here to admire the monument and take in the scenery.

“Because of that volume of visitors, be mindful of your belongings. Pickpockets operate in crowded tourist spots, and there are street hustles and game scammers who may try to distract you or pressure you into playing quick ‘games’ that aren’t fair.”

The reviewer added: “Keep bags zipped and close, avoid carrying valuables in easily accessible pockets, and politely decline invitations from anyone hawking games or insisting you join impromptu activities.”

Quotezone’s comprehensive European pickpocketing index has revealed Italy as the top spot, with France coming in second and Spain taking third place. These rankings are based on mentions of “pickpockets” or “stolen” per million visitors.

The researchers reached their conclusions by analysing the number of mentions of “pickpocketing” or “stolen” on traveller review websites for Europe’s top destinations, compared to the number of visitors to each country.

Greg Wilson, founder and CEO of Quotezone.co.uk, warned: “Theft can happen anywhere, and tourist hotspots are convenient places for criminals to target holidaymakers’ wallets and purses while they are busy taking in the sites.

“Many holidaymakers are unaware that some of the most popular destinations for Brits have some of the highest incidents of pickpocketing in Europe.

“Our research revealed some surprising results with Italy having the most pickpocketing mentions, yet France and Spain have much larger volumes of tourists.”

According to data from Quotezone, the “worst” European countries for pickpocketing are:

1. Italy
2. France
3. Spain
4. Germany
5. Netherlands
6. Portugal
7. Turkey
8. Greece
9. Poland
10. Republic of Ireland

Lille in France is the perfect destination for an extreme day trip, with the Eurostar from London taking just an hour and 22 minutes to reach the city

Living in the UK means you’re just a short journey away from exploring entirely different countries. With much of Europe within easy reach, extreme day trips are becoming increasingly popular among UK travellers.

According to Google search data, searches for “extreme day tripping” have skyrocketed by 9,900% between October 2023 and October 2025. The concept involves departing in the morning for another country and returning home the same evening.

It provides a budget-friendly travel option as you avoid accommodation costs whilst still experiencing the thrill of an international getaway. Lille in France makes an ideal destination for a day visit this festive season.

The average Eurostar journey from London takes just one hour and 22 minutes, making it perfect for exploring during the winter months. The city also boasts a delightful Christmas market where you can browse before heading home to sleep in your own bed, reports the Express.

Iglu Cruises has created an ideal itinerary for a Lille day trip. Upon arriving at the station, you can stroll through the historic old town, taking in the cobblestone streets and numerous cafes and bakeries.

Pop in for a coffee and croissant to energise yourself, then make your way to the Palais des Beaux-Arts.

This art gallery is amongst the city’s most stunning buildings and contains France’s second-largest art collection, behind only the Louvre.

In the afternoon, why not explore some of Lille’s renowned boutiques before pausing for a snack at Maison Méert, one of France’s oldest tea rooms still in operation.

It’s particularly famed for its waffles filled with Madagascan vanilla — the ideal sweet treat for an afternoon boost.

Before you catch your evening train home, make sure to visit the Grand Place at the city’s heart for a spin on the Ferris Wheel that takes you high above the cityscape.

Finally, round off your day by wandering through the Christmas Village in Place Rihour, with its 90 wooden chalets offering gifts, art and naturally, food.

Don’t depart without savouring a cup of mulled wine and some rich, indulgent raclette.