good

Some would argue that Downton failed to steal the crown of this classic.

Some things are simply unbeatable. A classic period drama, one as critically acclaimed as it was popular, remains regarded as amongst the finest ever produced — Upstairs, Downstairs.

The family saga charted the lives of the aristocratic Bellamy family and their staff in the early 1900s. Spanning three decades, the programme’s narrative stretched both World Wars and the jazz age through to the Great Depression.

As the quintessential period drama of its era, comparisons between Upstairs, Downstairs and Downton Abbey are inevitable. The BAFTA-winning ITV series established the benchmark for costume dramas with storylines that mirror its successor.

Upstairs, Downstairs came before Downton Abbey by 50 years. Both programmes portray the lives of an aristocratic family and their servants against a backdrop of social and political upheaval in the early 20th century.

They diverge in some major ways though, with the most obvious being Downton Abbey’s production values. The 1970s show looks more understated, a quality that strikes viewers as either nostalgic of off-putting.

Downton’s location is fundamentally more grand. The Bellamy family inhabit a London townhouse, worlds apart from the Crawley family’s lavish country manor which became a character in its own right.

Whilst Downton was famed for its visual spectacle, a share of the audience felt the series occasionally strayed into the melodramatic. In contrast, Upstairs, Downstairs has been likened to theatre due to its more grounded visuals and plot lines.

Fans of both period dramas have invariably come together online to compare the shows and name their favourite.

One person sparked a debate on a Downton Abbey forum by asking: “If you have seen both shows, which show do you think is better?” to which one person simply responded: “Upstairs Downstairs without question.”

“The original Upstairs Downstairs is one of the finest TV programmes ever made,” argued another. “Downton Abbey is a jumped up soap opera.”

Of course it would be remiss not to mention the BBC’s reboot of Upstairs, Downstairs in the 2010s, but that’s a whole ‘nother debate.

Upstairs, Downstairs can be streamed on ITVX.

ALL Saints star Melanie Blatt says taking part in the Strictly Come Dancing Christmas special stripped away her confidence.

The 1990s girl group singer, 50, said she did not feel comfortable in the flowing yellow dress she wore, which she said made her “look like custard”.

Speaking to Good Housekeeping UK she said: “I felt extremely vulnerable.

“It’s taken me 50 years to feel as good as I have ever felt about myself and Strictly stripped it away from me. Nothing dodgy went on — I think they’re on their best behaviour — but I just didn’t feel comfortable in a dress.”

Mum Mel and her professional dance partner Kai Widdrington finished fifth out of six couples after performing an American smooth in the telly extravaganza.

It was won by TV host Scarlett Moffatt and Vito Coppola, who got a perfect 40 score for their cha-cha-cha.

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Despite finishing second from bottom, Mel and Kai scored 36 out of 40 and she was hailed “fabulous” by judges Shirley Ballas and Anton Du Beke.

Mel had been tipped to take part in the full series this autumn but her comments suggest there is no way back.

Yet following her Christmas Day dance on the BBC One show, watched by 7.75million at home, Mel told host Tess Daly: “I really enjoyed it.

In a telling remark, she added: “It’s been amazing yet challenging, getting out of my comfort zone, having to wear a dress, having to look like custard . . . all of these things.”

A source insisted that Mel had taken her own dress which was “styled and adjusted” by the Strictly costume team to her specifications.

They added: “Strictly would never make anyone wear something they felt uncomfortable in.”

Mel, who had five No1 singles with All Saints, revealed last year that she was serving burgers at a North London boozer.

She is no longer in the pub but wants to start a new career in the food industry.

Mel, who performed in All Saints with Shaznay Lewis and sisters Nicole and Natalie Appleton said: “The main thing I want from life is peace and happiness.

“My dream is to do a cookery book or have my own cookery programme, something like ‘Cheeses of the World’. I will make it happen.”

• Mel’s full interview can be read now in April’s Good Housekeeping.

Britain’s Got Talent viewers were left divided by the drone performance featuring King Charles’ voice that closed the first episode of the ITV series

Britain’s Got Talent viewers were left split over one particular act that brought the curtain down on the opening episode of the ITV programme.

This year, hundreds of hopefuls will be greeted by award-winning presenters Ant and Dec before showcasing their abilities to judges Simon Cowell, Amanda Holden, Alesha Dixon, and newcomer KSI.

Performers from every corner of the UK and across the globe will be taking to the stage, hoping not only to impress the judging panel but also the voting public, in a bid to scoop the life-changing prize of £250,000 and a coveted spot at the legendary Royal Variety Performance.

Fans were quick to voice their opinions after Somerset act Celestial closed the show with a spectacular mega-drone display. As the judges and audience filed outside, Celestial put on a breathtaking show combining drones and lights.

Towards the finale of the performance, King Charles‘ voice was heard in a poignant tribute, leaving some viewers feeling it “couldn’t have come at a worse time”, reports Belfast Live.

The voice said: “Wherever you may live in the United Kingdom, I shall endeavour to serve you with loyalty, respect and love.

“Our nation and the wider family of realms, of whose talents, traditions and achievements, I am so inexpressibly proud. Have prospered and flourished, which makes us great as a nation.”

Amanda Holden remarked, “I am going to start crying.”

Responding to the act, one viewer wrote: “An act with the King’s voiceover could not have come at a worse time!”

“This is kinda sick #BGT,” wrote one viewer, whilst another chimed in with, “Not good timing but wow this is cool.”

One sharp-eyed fan noted, “Celestial- very cool very different I love it but I can’t see the King going outside to watch it that’s the only thing #BGT.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Another raised a valid point, asking: “How is a drone act going to work on the stage at The Royal Variety Show?”

Heaping praise on the heartfelt performance, one devoted viewer declared, “Celestial, best act of the Night #BGT.”

“Well, wasn’t that brilliant? Brought a wee tear to my eye #BGT,” gushed yet another fan.

Britain’s Got Talent is available to watch on ITVX.

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Crystal Palace manager Oliver Glasner has cast doubt on his immediate future at Selhurst Park after admitting he’s “not good enough” in the role, following the club’s 1-1 draw against Zrinjski in the UEFA Europa Conference League play-offs.

READ MORE: Glasner’s Crystal Palace future in serious doubt

Mérida, February 18, 2026 (venezuelanalysis.com) – The Venezuelan government commemorated the 60th anniversary of the Geneva Agreement and urged Guyana to engage in “good faith negotiations” to settle the longstanding dispute over the Essequibo Strip.

In a statement published on Tuesday, Caracas celebrated six decades of the agreement and reiterated that the treaty is “the only valid legal instrument for reaching a mutually acceptable solution to the dispute” over the 160,000 square-kilometer territory.

The 1966 accord, signed by Venezuela, the United Kingdom, and British Guiana, a British colony at the time, saw the different parties pledge to find an agreeable solution to the border issue.

The Venezuelan government’s communique noted that the treaty was submitted to the United Nations, arguing that it overruled the controversial 1899 arbitration ruling which awarded the territory to the United Kingdom.

The text also reaffirmed Venezuela’s sovereignty claim over the resource-rich territory and referenced the popular mandate from the December 3, 2023, referendum that saw over 90 percent of respondents back the country’s rights over the Essequibo Strip.

“The only possible solution to the territorial controversy is to engage in good faith negotiations, to achieve a satisfactory arrangement for the two parties that signed the Geneva Agreement,” the declaration concluded.

The Guyanese government responded on Wednesday with its own statement, arguing that the Geneva Agreement did not annul the 1899 Arbitral Award but rather established a framework for resolving the dispute that arose when Venezuela questioned the border’s validity in 1962.

Georgetown likewise noted that, in January 2018, the Secretary-General of the United Nations determined that the “good offices” mechanism had been unsuccessful in resolving the dispute. 

“In accordance with Article IV (2) of the Geneva Agreement, the Secretary-General decided to submit the case to the International Court of Justice (ICJ) as the final means of resolution. Both Guyana and Venezuela were bound by that decision.”

Hours later, the Venezuelan government issued a second statement accusing Guyana of attempting to distort the spirit of the Geneva Agreement and reiterating Caracas’ position rejecting the ICJ’s jurisdiction over the border controversy.

“Venezuela will not recognize any decision emanating from the International Court of Justice on the territorial dispute surrounding Guayana Esequiba,” the document read.

Despite rejecting the Hague-based court’s authority on the matter, the Venezuelan government participated in a documentation-gathering process before the ICJ during 2023 and 2024. Acting President Delcy Rodríguez, then vice president, led the country’s legal efforts.

In August 2025, Caracas submitted further evidence backing its Essequibo sovereignty claim and challenging Georgetown’s historical and legal arguments. The case will advance to the oral hearings phase in May 2026.

In January, the Guyanese Minister of Foreign Affairs and International Cooperation, Hugh Todd, claimed that the ICJ’s ruling would be binding for both nations and that the case was now in the hands of “the highest and most respected judicial authority in the world.”

The longstanding territorial controversy flared up in 2015 after ExxonMobil discovered and began exploiting massive offshore oil reserves. Venezuelan authorities have raised their sovereignty claims and criticized Guyanese counterparts for giving drilling permits to multinational corporations in undelimited waters.

Caracas has also criticized the US’ interference in the issue, with successive administrations offering their full backing to Georgetown. Venezuelan authorities have accused Washington of stoking regional tensions amid plans to establish military bases in Guyana.

Edited by Ricardo Vaz in Caracas.

SAVANNAH Guthrie is reportedly looking to quit The Today Show for good as she fears her fame made her mother a vulnerable target.

It comes just months after she filmed a segment for the show with her mother Nancy, 84, who has now been missing for two weeks.

Sources have said that the co-host is considering a permanent exit from the hit show after her mother was abducted from her home in Tucson, Arizona, at around 2am on February 1.

“This absolutely came out of the blue, and I think she’s really concerned that it was because of her job,” NewsNation’s Paula Froelich reported, citing sources. 

She added that Savannah, who is said to be a “mess” as the search for her mother enters its third week, fears her fame made her mother more of a target “with bad characters”.

Just months before she was taken, The Today Show filmed a segment with Savannah near Nancy’s $1 million home, which is now a major crime scene.

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In the NBC clip from November 2025, the mother-and-daughter duo paired up for a piece called “Savannah’s Arizona Homecoming” which also featured her sister Annie.

It documented the television star going back to her roots including her alma mater and El Charro, the oldest family-owned Mexican restaurant in America where she shared a meal with her family for the show.

“I have to come here every time I come home to Tucson,” Savannah said.

Her mother has featured in several segments for the show over the years since Savannah joined in 2012.

Despite admitting they are ‘exhausted’ by the search for Nancy, who is in poor health and in need of daily medication, cops have vowed they will find her and those responsible for her disappearance.

Investigators have now reportedly turned to high-tech scanners that can detect Bluetooth signals in an attempt to connect to Nancy’s pacemaker as they run out of leads and have no suspects.

A series of ransom notes sent to the family, law enforcement, and several news outlets are further muddying the waters, with a number of them turning out to be fake.

Fox News Digital reported that the Bluetooth devices have been attached to the bottom of police helicopters that are flying in low and slow, in grid-like patterns to try to locate her heart monitor device.

But, Pima County Sheriff Chris Nanos has said the search for Nancy could now go on for years as hopes seemingly begin to fade.

Earlier this week, investigators were seen combing through the grounds of her property, and searching inside a septic tank.

On Friday night, a number of people were reportedly detained in a SWAT raid at a nearby home after mystery DNA was recovered in the case, but cops later confirmed no arrests were made.

Meanwhile, investigators are still searching for the masked man captured in chilling doorbell footage taken from Nancy’s home on the night she vanished.

Federal agents have released new details about the suspect as they hope to cut down the number of public tips that have been called in with over 13,000 reported since February 1.

Officials are looking for a man who is around five-foot-nine-inches to five-foot-ten-inches with an average build.

He was seen in the footage wearing a black, 25-liter Ozark Hiker Pack backpack.

The reward for information that leads to an arrest and conviction in the case has been increased from $50,000 to $100,000.

Timeline of Nancy Guthrie’s disappearance

Nancy Guthrie, the 84-year-old mother of Today show co-anchor Savannah Guthrie, disappeared from her home on February 1, 2026.

Timeline:

• January 31: Nancy is last seen by her family
  • 5:32pm: Nancy travels to her daughter’s home for dinner, about 11 minutes from her own house.
  • 9:48pm: Family members drop off Nancy Guthrie at her home in Tucson. Her garage door closes two minutes later.
• February 1: Nancy is reported missing and a search begins
  • 1:47am: Nancy’s doorbell camera disconnects
  • 2:12am: Camera software detects a person moving in range of the camera. There is no video, and Nancy does not have a storage description.
  • 2:28am: Nancy’s pacemaker app disconnects from her phone, which is later found still at her house.
  • Around 11am: A parishioner at Nancy’s church calls the mom’s children and says she failed to show up for service.
  • 11:56am: Family members arrive at Nancy’s house to check on her.
  • 12:03pm: The family calls 911 to report Nancy missing.
  • 8:55pm: The Pima County Sheriff’s Office gives its first press conference and reveals some clues found at Nancy’s home caused “grave concern.” Sheriff Chris Nanos says helicopters, drones, and infrared cameras are all being utilized in the search.
• February 2: Search crews pull back. Nancy’s home is considered a crime scene. Savannah releases a statement thanking supporters for their prayers, which her co-hosts read on Today.
• February 3: A trail of blood is pictured outside Nancy’s home, where there were reportedly signs of forced entry. Nanos admits they have no suspects, no leads, and no videos that could lead to Nancy’s recovery. He and the FBI beg for more tips and accounts.
• February 4, 8pm: Savannah and her siblings release a heartbreaking video directed at their mother’s abductors asking for proof she is alive and saying they’re willing to work with them to get her back.
• February 5: FBI offers $50,000 reward for information on the case.
  • 5pm: First ransom demand deadline for millions in Bitcoin passes. Guthrie family releases demand to speak “directly” to the kidnappers, saying, “We want to talk to you and we are waiting for contact.”
• February 9, 5pm: Second ransom demand deadline, reportedly with “much more serious” conditions.

SOMETIMES it is easy to forget just how many stunning seaside destinations we have access to.

For gorgeous stretches of homegrown coastline, North Devon is one of the best places to go.

You’ll find breathtaking countryside plus endless attractions for all ages.

And, of course, the chance to indulge in the county’s famous cream tea (clotted cream first, followed by jam if you don’t want to be chased out of the region).

In fact, whatever the weather does, you’ll never be bored on a break in this corner of the South West.

My base for a weekend was cosy two-bed Rose Cottage, in the welcoming village of High Bickington.

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From the outside, this 18th-century thatched house with its garden full of scented blooms looks like something from the front of a postcard.

And inside, the rural “cottagecore” vibe continues with an inglenook fireplace, stone walls, wooden beams and a stunning slate floor.

Thoughtfully, amid all the higgledy-piggledy charm, there is also an abundance of hi-tech modern luxuries.

You’ll have no issue streaming your devices, and the Sonos surround sound system in the living room takes movie nights up a notch.

Meanwhile, there’s a traditional copper bath in one of the bedrooms — and a decidedly 21st-century hot tub outside.

It’s lovely and romantic, so spot on for cuddling up if you’ve escaped with your significant other, or perfect for channelling Cameron Diaz in The Holiday if, like me, it’s a solo trip.

Once settled, why not hop in the car to feel the golden sand between your toes (or maybe under your trainers if it’s wet) a short drive away at Saunton Sands?

This three-mile stretch of water is a surfing hotspot and great for people-watching if you don’t plan on riding any waves. You can also hire a wetsuit if you are feeling brave.

For a more relaxing day out, RHS Rosemoor should be high on your “must see” list.

With 65 biodiverse acres of themed garden “rooms” to explore, you’ll leave bursting with ideas for your own flower beds — or, in my case, window boxes.

I’m not that green-fingered, but you’re guaranteed to feel your shoulders drop when strolling around this wonderfully perfumed site.

This part of the world is perfect for people who love a potter.

So if your idea of bliss is, like mine, wandering around cute local towns and browsing shops, arty spaces and foodie stalls, you’ll soon find yourself losing track of time.

I spent a lovely few hours mooching around Bideford, which was packed with galleries, ceramics and other artisan treats.

South Molton is ideal for a grey day thanks to its indoor market.

Here, you will find lots of in- teresting crafts, including baskets called panniers, as well as snacks, gifts and other goodies.

Part of Rose Cottage’s appeal is how much you can access right on the doorstep.

A hike (or a gentle walk) across the grounds of the Millbrook Estate blew cobwebs away.

There are two private lakes for wild swimmers or those who fancy fishing. (Separately, of course!)

I’ll admit the alpacas I met slightly took me by surprise but, like all the locals, they seemed very friendly.

You’ll want to stay nearby when it comes to food, too.

Whether you want a traditional roast or a fancier “out-out” night of dining, the choice in North Devon is bountiful — and most restaurants come with a side order of amazing views.

The Pier House in Westward Ho! is perfect for sundowners and nibbles, and gave chic Costa Del Devon vibes on the sunny day I visited.

Or, for something a bit more traditional, The Globe in Beaford has incredible home-cooked pub grub.

You’ll find seafood that’s as fresh as it comes, so I’d suggest you try at least one dish containing the local crab meat, washed down with a glass of wine or two, then a long soak in that hot tub.

After all those country walks, you will be grateful for the bubbles.

If you’re reading this review of Gore Verbinski’s maniacal farce “Good Luck, Have Fun, Don’t Die” in newsprint, congratulations on being a Luddite.

But if you’re reading it on a smartphone, then you’re one of the suckers that Sam Rockwell is hoping to reach when his unnamed time traveler barges into a late-night Los Angeles diner screaming, “I am from the future and all of this goes horribly wrong!” The patrons pause scrolling to glance at this unhinged, unwashed man wearing a crown of computer wires wrapped around his head like an IT messiah. Then they get a good look at his shoes when he stomps on their tables, kicking cheeseburgers as he tries to make these regular folks engage with the tech-pocalypse he swears is coming.

It’s a sermon we’ve heard plenty of times before and possibly even delivered ourselves. Coming from the ever-charismatic Rockwell, a lecture to stop wasting our lives online sounds no more insurmountable, only more immediate.

Half of the world will die, he foretells. The other half will be too distracted to notice. That is, unless a handful of strangers join him right now, right this moment, to fight for humanity’s cerebral freedom. Unsurprisingly, volunteers don’t raise their hands. (The one eager guy who does has failed him too often in other scenarios.) But Rockwell’s time traveler — he really is one — is used to a firewall of resistance. He’s given this speech at this diner 117 times. Some combination of the 47 people in it is fated to succeed.

That opening scene sounds as if an AI merged “The Terminator” with “Groundhog Day.” True, Matthew Robinson’s funny, savage and surprising script doesn’t downplay its inspirations. (He even lets Rockwell rip off Indiana Jones’ line about snakes.) But the screenplay gets so intricate and angry — and so shamelessly ambitious — you can’t believe someone in today’s Hollywood was willing to put up the money to get it made. Even helmed by proven hitmaker Verbinski of the “Pirates of the Caribbean” franchise, it’s a feat akin to convincing someone to fund a skyscraper-sized cuckoo clock that has a bird that pops out and heckles the crowd.

Eventually, a dubious crew enlists: public school teachers Mark and Janet (Michael Peña and Zazie Beetz), grouchy ride-share driver Scott (Asim Chaudhry), assistant Boy Scout leader Bob (Daniel Barnett), jittery mom Susan (Juno Temple) and forlorn Maria (Georgia Goodman), who keeps sighing that all she wanted was a slice of pie. Rockwell also impulsively yokes in Ingrid (Haley Lu Richardson), a grungy girl in a princess dress, who seems to be on her own suicide mission. The actors are mostly just pegs in a complicated plot, but they snap into place well.

The man from the future doesn’t have a plan — and worse, he considers himself the only person who isn’t expendable. The others can die (and do). As the group shuffles toward catastrophe, Verbinski intercuts their mission with flashbacks to their civilian lives. Their ordinary days, the digital indignities they’ve borne, that’s where Verbinski really gets mean.

The film’s feints and twists are fabulous as they explore how the internet’s promise has soured. One plotline involves a corporate brainstorm to make people love and nurture their own talking adbot, essentially a human-sized Tamagotchi. In another, school shootings have become such an epidemic that when Temple’s Susan gets summoned to identify her ninth-grader’s corpse, the other grieving mothers at the station calmly chitchat about traffic until one glances over at her nonchalantly and says, “First time?”

At first, the not-so-original idea that phones have turned children into zombies is a Romero-style parody of brain rot. (The young actor Cassiel Eatock-Winnik has a great scene as a vicious teen who stares down one of her elders and says, “You’re 35? That’s, like, older than most trees.”) But Verbinski reveals an unexpected angle of attack: Here, society has groomed the next generation to behave like machines. We don’t know why, exactly, but we can imagine a few reasons.

Even coping mechanisms take fire. Susan meets more parents who’ve snapped under the strain and become nihilistic trolls raising their daughter to be toxic so it won’t matter as much if she dies. Another character is quick to insist that everything he’s looking at — the walls, the people — is a facade. A 20-something gig worker named Tim (Tom Taylor) wants to permanently live in a VR simulation. His story is a little rushed but we get the idea that Tim’s not a jerk, just an idealist who can’t handle the tawdriness of the 21st century. As he puts it, “Why would I choose this world over that one?”

Verbinski doesn’t say much outright about the creeping concern that we’re living in a highly surveilled, aggressive and unpredictable police state. He’s able to make that point without words when cops arrive and our heroes-slash-hostages, none of whom have yet done anything worse than skip out on their bill, all assume the itchy trigger finger of the law will shoot them on sight. (And they’re right.) He also makes an ominous refrain of “Thank you for your service.”

It’s easier to howl at a classic like “Dr. Strangelove,” which mocked the leaders giddyuping the planet’s destruction, than at a present-day satire where we ourselves are the joke. As with “Idiocracy” (and eventually “Eddington”), our ability to fully appreciate this merciless, furious comedy might take a decade of remove. Even then, though, I won’t like James Whitaker’s cinematography, which goes for a deliberate ugliness but just looks dishwater drab.

“Good Luck, Have Fun, Don’t Die” anticipates the audience’s resistance. We do think for ourselves and so we scour the movie for flaws that will justify the urge to roll our eyes. For example: Why does Rockwell let some characters die and not others? Is the movie just as shallow as its j’accuse of us? Some quibbles get answered. Larger questions are left coyly unresolved so that we leave the theater uneasy.

There are so many overwhelming ideas in “Good Luck, Have Fun, Don’t Die” that, at over two hours, it does have the sense of a dissociative doomscroll. There’s even a plot point involving an algorithmic overlord that creates randomly generated armies: “Ghostbusters” with AI slop. The normie survivors try to convince themselves it might send something good, like they’re thumbing TikTok hoping for a treasure worth the time. Rockwell assures them it won’t. Nothing good will ever come. And what does arrive is so hellacious that it makes the Stay Puft Marshmallow Man look sweet.

The film is too cynical to take itself that seriously; Verbinski would roll his eyes at any thoughts and prayers it could do much good. Yet, anyone born with “19” at the start of their birthyear still remembers how it felt to leave the house without a black rectangle in their hands. That makes us all time travelers of a sort, too, beacons of an increasingly distant era in which it was possible to be unplugged.

But it’s OK if you’re on your screen right now. Just sit before a bigger one to see this film.

it might not be on many people’s must-visit lists but people love it here.

It might not be on many tourists’ must-visit lists but locals in this town say they can’t think of anywhere they’d rather live. Just half an hour from Sheffield, and around 90 minutes from Manchester, it’s home to a thriving community, a stunning market and a huge range of independent shops.

Meeting with residents and shop owners on a grey day, life in the town bustles on despite the gloomy weather. Chesterfield is known for its historic crooked church spire which dominates its skyline. In recent years, the town has begun to grow, with plenty more on the horizon.

Alec Chapman-Taylor, 32, works at the Cheese Factor. The business has become a core part of the town with people travelling into Chesterfield to purchase its cheese. There’s a constant flow of customers despite the dull weather.

He says: “There’s a new market square, that’s going to be like the new event square. It’s fantastic. It looks a lot better. I think it’s hard to be an independent business these days. I really do think it’s hard. Luckily for us, Simon, who owns the place, has been here since the 60s with his dad.

“I’ve worked in the town now for probably the last maybe 10 or 15 years. Chesterfield has this kind of unique position where we have the heritage here. So the town hall is quite old. Again, I’d say the market’s quite old and traditional. It’s been going on for a long time. A lot of people have family connections to the market too which makes it really special.”

He says one of the town’s strengths is its quirky independent shops and he estimates there are around 80 in Chesterfield.

He adds: “The Davidson family have been running a cheese store since the early 60s, I’ve only been working here for two years but I’ve lived in Chesterfield since the mid-90s and I love it. I really love it. I’ve lived in quite a few places including Manchester, but I always came back to Chesterfield. It’s the perfect size and it’s got anything you want. I just really enjoy it, the people are really nice. It’s got some fantastic bars. I’m bringing up a family here. All my brothers and sisters all live here too – we’ve moved our family from elsewhere to Chesterfield.”

In terms of improvements, he says he has always wanted to see more events – and those have started to be put on now too. He explains: “We had an animatronic dinosaurs day which was great for the kids and we had a 1940s market which people loved too.”

Out on the high street, plenty of shoppers are milling around, dipping in and out of shops. Janice Wallhead, 72, is out shopping for the day. She says: “I’ve lived here for 40 years and I like it here. I can walk into town and I do think the high street is good but I would like to see a bit more variation. We have lost a few things over the years – a few of the fashion shops. There’s been some money spent on improving the market but I still think there’s other things that need to be improved in town other than just the market.”

Bringing new life to a well-known pub, The Royal Oak, Patrick Hopman, 30 and Meg Hopman, 29, say they think Chesterfield has a lot to offer. The couple have become known among local business owners for defying the odds and making a success of the pub despite the current economic climate.

The two former school teachers say the pub has been a great success – and stepping inside, it’s not hard to see why. Walking through a small door on a side street, the building opens up once you’re inside. Bright orange walls are adorned with memorabilia which the pair have collected. From decorative plates to signs and posters, it’s a feast for the eyes.

At the other side of the bar is a church-like setting, not too dissimilar from the set of a film. There’s stained glass windows, high ceilings and dried flowers.

The couple have clearly established the pub as a place to visit and a destination in the town. Pat says: “We took a bit of a punt by buying this pub but we’ve been really pleasantly surprised. We’ve had it for a year but we reopened it in April last year.

“Chesterfield has a few really unique buildings, the Spire is the main one. But after that, our pub is on the list for sure – school trips actually come and sit outside on our benches.”

Pat grew up in London and Meg grew up in Devon but they say they now feel at home in Chesterfield. They both agree that, at first, they wanted to live in Sheffield but due to Chesterfield being cheaper, they opted for the town instead – with the thought that Sheffield is just a short drive away.

But after living in Chesterfield, they say that everything they need is there, and they find themselves visiting Sheffield less and less. Pat says: “We’re about five minutes’ drive from the Peak District. We’re perfectly situated for Sheffield, Derby and Nottingham. It’s less than two hours into London. We even went to Newcastle last weekend which is only two hours away as well. Location wise, it’s great.”

Pat adds: “There’s quite a lot of negativity around, especially when I’ve been to loads of meetings where everyone says the town centre’s dead. I think it’s complete rubbish – certainly from what we’ve seen.”

Locals say the town is one filled with creativity and life. Emily Bowman, 44, managing director at Junction Arts, which is a community based arts charity based in the town, is keen to have an array of artists paint murals on some of the town’s buildings to add colour and vibrancy.

Arriving at its new home, there’s paintings and sculptures dotted around as we head to the conference room to talk about Chesterfield’s future. On February 1, a total of 11 local creatives took up a spot in the building.

Emily says she has high hopes for the town. She told the Express: “All of our work is grassroots and up so we work really closely with our community and there’s a real sense of pride in where people are from, what our communities have been through.

“We’re an ex-mining community and ex-industrial so there’s been quite a lot of change but there is a real sense of history in our town. It echoes across our business and across the community.”

Emily says that in May, she is looking forward to the Chesterfield Make-Off which will see around 40 artists “making and creating”. She adds that it’s an opportunity for locals to get involved and “see what we’ve got on our doorstep and how brilliant it is”.

She adds: “It’s really important to recognise the huge ambition for the future of Chesterfield.” Chesterfield might not be your first thought for a day out, but it’s a place that is definitely putting itself on the map. With affordable homes and great transport connections to larger cities nearby, it’s no surprise that so many people don’t want to leave.

PM calls for civil debate as government faces backlash over efforts to roll back policies to support Maori community.

New Zealand’s Deputy Prime Minister David Seymour has rejected criticism of his claims that colonisation was positive for the country’s Indigenous Maori population.

Dozens of people started booing and shouting when Seymour stood on Friday to offer a prayer during a dawn service at the Waitangi Treaty Grounds, where New Zealand’s founding document was signed in 1840 by representatives of the British Crown and more than 500 Maori Indigenous chiefs, setting out how the two sides would govern the country.

Seymour made his controversial comments that colonisation had been an overall positive experience for Indigenous people on Thursday during a speech to mark national Waitangi Day, an annual political gathering that gives Indigenous tribes a chance to air grievances.

“I’m always amazed by the myopic drone that colonisation and everything that’s happened in our country was all bad,” said Seymour, who is leader of the right-wing ACT Party and a member of the Maori community.

“The truth is that very few things are completely bad,” Seymour had said, according to local online news site Stuff.

Describing his hecklers on Friday as “a couple of muppets shouting in the dark”, Seymour said the “silent majority up and down this country are getting a little tired of some of these antics”.

Following Seymour’s prayer on Friday, left-wing Labour Party leader Chris Hipkins was also loudly jeered by those in attendance.

On Thursday, Indigenous leader Eru Kapa-Kingi told parliamentarians “this government has stabbed us in the front,” and the previous Labour government had “stabbed us in the back”.

Seymour’s government has been accused of seeking to wind back special rights given to the country’s 900,000-strong Maori population, who were dispossessed of their land during British colonisation and remain far more likely to die early, live in poverty or be imprisoned compared with the country’s non- Indigenous population.

Controversial legislation that was tabled last year seeking to reinterpret the treaty’s principles and roll back policies designed to address inequalities experienced by Indigenous people led to protests and failed after two of the three governing parties did not vote for it.

Speaking on Friday, New Zealand Prime Minister Christopher Luxon called for national unity and for steps to address challenges faced by the Maori community.

Luxon also said the national debate over the legacy of British colonisation should remain civil.

“We don’t settle our differences through violence. We do not turn on each other; we turn towards the conversation. We work through our differences,” Luxon said in a social media post.

Denial about the destructive legacy of colonialism and its connection to contemporary challenges faced by Indigenous communities remains a frequent subject of contentious debate in former colonies around the world, including Australia and New Zealand.