girl

Snoop Dogg‘s daughter Cori Broadus and her fiancé Wayne “Duece” Polk bid a final farewell to their baby girl, less than a year after welcoming her into the world.

Broadus and Polk celebrated the life of their infant daughter, Codi, over the weekend in a memorial attended by family and friends. On Sunday, Broadus shared various scenes from her baby’s funeral to her Instagram page, including pictures from the church reception, of loved ones wearing matching “Codi’s Crew” outfits and of the infant’s casket in the ground with flowers and a teddy bear laying atop.

“Part of me went with you,” Broadus captioned her Instagram carousel. “My girl for life.”

In a video from the memorial, Broadus mourned her daughter’s short life and all the moments they could have shared in a moving eulogy. Broadus lamented being unable to see her baby girl take her first steps, bring her to her first day of school and support her through the highs and heartbreaks of life together.

Broadus, with Polk by her side, said “I don’t understand why this happened.”

“I’m trusting God, but that doesn’t mean it makes sense to me. Some days I wonder if this world was just too cruel for someone as pure as you,” she continued. “Other days, I wonder how I’m supposed to live in a world without you in my arms.”

Broadus, 26, and Polk became parents to baby Codi last February. The baby girl arrived prematurely, after Broadus’ 25-week pregnancy. The happy mom at the time detailed her emotional pregnancy journey, which she said included “blaming myself because I wasn’t able to give her all that she needed.” Broadus said she praised God for supporting her and making her daughter’s birth possible.

Broadus had detailed her infant’s health issues in December, describing her daughter in a poem as a “miracle wrapped in tubes and tape” with “lungs trying to catch up to the life inside her.” The Choc Factory Co. makeup executive said she felt guilty that her daughter might also suffer from lupus, an autoimmune condition she was diagnosed with in childhood. In her poem, Broadus said she was hopeful her daughter would live a healthy life beyond the hospital walls of the NICU.

In January, Broadus revealed that her baby girl was back home in her arms and shared photo and video to Instagram. Weeks later, she announced she “lost the love of my life.”

Broadus said in her eulogy that amid her mourning she feels relief that her daughter is at rest.

“I find comfort knowing you have your angel wings now, knowing you are home, safe.”

Leonardo is the latest in a series of half a dozen storms to batter the Iberian Peninsula this year.

A man has lost his life in Portugal after floodwaters engulfed his car, and in Spain, a girl has been reported missing after being swept away by a river as Storm Leonardo has battered the Iberian Peninsula with torrential rain and gale-force winds.

Leonardo is the latest in a wave of half a dozen storms to sweep across Portugal and Spain this year, causing several fatalities, destroying infrastructure and leaving thousands of homes without power.

Portuguese authorities confirmed on Wednesday that a 70-year-old man died in the southern region of Alentejo after floodwaters swept his vehicle off a road near a dam.

In southern Spain’s Malaga province, a girl remains missing after she was dragged away by the Turvilla River in Sayalonga while trying to rescue her dog. The animal reportedly managed to reach safety, and emergency teams resumed the search for the girl at first light on Thursday, according to local and national news reports.

“We spent the whole afternoon and night yesterday searching in the river from the place where the girl fell in until the very end of the river. We found the dog, but not her,” Malaga fire chief Manuel Marmolejo said on Spanish television on Thursday.

Spain’s State Meteorological Agency has warned that Storm Marta, the next front in the ongoing “storm train”, is expected to reach the region this weekend.

Portuguese Economy Minister Manuel Castro Almeida stated that reconstruction efforts after Storm Kristin alone may exceed 4 billion euros ($4.7bn).

In Alcacer do Sal in southern Portugal, residents were forced to wade through waist-deep water after the Sado River breached its banks following a series of storms. Restaurant terraces were submerged, and shopkeepers and homeowners used stacked sandbags in an attempt to protect their properties from the rising floodwaters.

“I’ve never seen anything like this. It’s surreal,” resident Maria Cadacha told the Reuters news agency. “There are a lot of people here, very good people, many shopkeepers, homes with damage. I wouldn’t want to be in their shoes.”

Andalusia’s emergency services reported attending to more than a million incidents by midnight on Wednesday.

Antonio Sanz, head of the regional government’s interior department, confirmed that 14 rivers and 10 dams were at “extreme” risk of overflowing due to the severe conditions.

In Portugal, the National Civil Protection authority registered at least 70 incidents by early Thursday as the region continued to monitor the impact of the storm.

Ever since Hunter Greene stepped foot on campus at Sherman Oaks Notre Dame High as a 14-year-old freshman, everyone has predicted stardom in baseball. But one day, it will be remembered how much he has done to help inspire and encourage the next generation of students to follow their dreams.

Greene, the No. 2 draft pick of the Cincinnati Reds in 2017, has become a member of the team’s starting rotation while continuing to serve as a role model for others.

On Saturday, he returned to Notre Dame to present two scholarship awards from his foundation given annually to a boy and girl who demonstrates character and commitment to their community. It’s the seventh and eighth scholarships since he began the annual presentation four years ago.

Donors list for the Hunter Greene Scholarship Fund at Sherman Oaks Notre Dame.

(Eric Sondheimer / Los Angeles Times)

Even in high school, Greene was seen as someone who could be a leader in helping others. He embraced that role and has continued as a professional baseball player, whether it’s at his former school or helping youth around the country.

Notre Dame held an alumni baseball game, where former major leaguers Brendan Ryan and Brett Hayes were among the participants.

Greene did not play, but what he continues to do off the field is admired and much appreciated.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

If you want to see what a top 15-year-old girls’ soccer player looks like, go watch freshman Mia Rizo of St. Genevieve.

She has scored 19 goals and contributed six assists for the Valiants while earning universal respect for her play.

“Mia is a crafty midfielder with great vision,” coach Marlon Archey said. “She has a nose for the goal that is remarkable for a freshman playing at the varsity level.”

She has participated at the U.S. Soccer Talent Camp and continues to climb the ranks of young players.

St. Genevieve is 13-3-3 overall and 4-2-3 in the Del Rey League. The Valiants play Paraclete on Tuesday for second place in the league.

“Mia has an impeccable soccer IQ at such a young age,” Archey said. “She’s a coach’s dream.”

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

This time 36 years ago, Fabrice Morvan was preparing for his first Grammy Awards. It had been a wild few years for the 23-year-old Parisian and his best friend Robert Pilatus from Germany. The duo known as Milli Vanilli had rocketed to fame, going from obscure dancers in Munich to dominate the pop music scene. Not only were they nominated for best new artist, but they were expected to perform live. Underneath it all, the pair were quickly reaching their breaking point.

Don Henley’s “The End of the Innocence” was nominated for both song and record of the year. Indeed, for the tens of millions of Milli Vanilli fans who bought their records, the 1990 Grammy ceremony marked an end of innocence of sorts. To this day, Milli Vanilli are the only artists in the history of the Grammys to have their award revoked.

L-R: The pop duo Milli Vanilli comprised of Fab Morvan and Rob Pilatus, the subject of the Paramount+ documentary Milli Vanilli, streaming on Paramount+ beginning October 24, 2023.

(Ingrid Segeith/Ingrid Segeith/Paramount+)

“Rob and Fab,” as they were known, never sang — live or in studio — on any of the smash hit singles from their 6x platinum debut North American album, “Girl You Know It’s True.” Their Grammy performance was them lip-synching to a playback.

The real singing was done by paid session vocalists John Davis, Brad Howell and Charles Shaw while Rob and Fab captivated with their charisma, athletic dance moves and eye for style. In the wake of the fallout, Milli Vanilli remained steadfast that what they did was wrong. There was, in fact, plenty of blame to go around even if Rob and Fab suffered the brunt of it.

“They removed the platinum records from the wall at Arista,” says Morvan, now 59. He is perched on the edge of a poolside lounge chair from a boutique hotel in the heart of Hollywood. It’s a sunny December day, but he’s dressed all in black with glasses to match, slim fingers adorned with a custom silver skull ring. He loves the sunshine, but offers for my sake to move somewhere in the shade. Able to pass for decades younger, he now basks in life on the other side of infamy.

“They say the truth will set you free. The truth takes the stairs while the lies take the elevators. And that is true,” Morvan said. “So finally, after 35 years, my truth comes to the surface.”

(Stephen Shadrach)

Now, in a redemption as astounding as his rise, Morvan is back in the running for the 2026 Grammys as the only person in Recording Academy history nominated after a prior revocation.

This time, the voice is unmistakably his. Nominated in the audio book, narration, and storytelling recording category for his memoir “You Know It’s True: The Real Story of Milli Vanilli,” Morvan’s lilting French dialect and soft tone are hypnotizing and he has a natural knack for storytelling. The recording was performed alone in his home studio.

“They say the truth will set you free. The truth takes the stairs while the lies take the elevators. And that is true. So finally, after 35 years, my truth comes to the surface,” he contends. “And people, they get it, they understand that.”

Sadly, Rob Pilatus isn’t here to see it. Unable to handle the fallout and struggling in addiction, he died in 1998. In one of the more moving parts of his memoir, Morvan speaks to his former partner, laying bare for the first time some of the more unhealthy aspects of their relationship but in a way that makes clear his love for Pilatus runs deep.

After Pilatus’ death, Morvan tried his best to move on. He taught French at a Berlitz school for a while when not performing at small venues. “I’m not even looking at becoming big,” he told Times journalist Carla Rivera in a 1997 profile. He even had a stint on radio hosting “Fabrice’s Fabulous Flashbacks” for KIIS-FM. But he always returned to making music.

“Music was always there with me,” he says, his excitement building. So when it came to moving forward in life, and, I said, ‘OK, what am I going to do?’ Music kind of popped up and said, ‘Hey, show me how much you love me.’ And then I worked on that, and I learned how to play guitar, and I learned how to produce, and I learned how to write … it allowed me to take the pain away, to remove it.”

But after 20 years in Los Angeles, Morvan felt it was time to leave “Hotel California,” as he calls it, for opportunities in Europe. In a follow-up Zoom call from his home in Amsterdam, he confides that he almost felt like giving up, but figured maybe a change of scenery was what he needed.

“I was very disillusioned,” he says, headphones crowning his dreadlocked updo. “I found a producer that I could work with and build something with, but due to certain circumstances, it didn’t come together. So I met some Dutch people that wanted to launch a fashion line. And I heard that Holland was a place where dance music was evolving.”

Becoming a DJ, he played festivals and kept Milli Vanilli’s legacy alive, performing with a live band.

Morvan with his wife Tessa van der steen and their four children

While preparing for a project about 15 years ago, Morvan met his current partner, Tessa van der Steen, who is Dutch and works as a health and fitness coach and alternative medicine practitioner. Together, they have four children: a 12-year-old boy, 9-year-old girl, and a set of 4-year-old twin boys.

During Milli Vanilli’s heyday, powerful male (mostly white) figures held the cards, but in this phase of his life it’s women who play big roles. Not mentioned in his book is Kim Marlowe, who Morvan says, in the 1997 Times article was his manager and best friend. They at one point married; Marlowe quietly filed for divorce in L.A. in 2024.

Van der Steen, however, is the love of his life. She had no idea who he was when they first met, he was simply “Fabrice.” And according to Morvan, she is fiercely protective. “Fab is the most loving partner and father I could ever imagine,” Van der Steen writes over email. “We are soulmates. We have been together for more than 15 years. We understand each other, and it happens often that we are thinking of the same things, without saying a word.” She champions his efforts to release original music and continue performing.

In recent years, changes in culture, technology and the music industry have opened up conversations casting Rob and Fab in a more sympathetic light. Morvan himself took part in the well-received 2023 Paramount+ documentary “Milli Vanilli.” That same year, “Girl You Know It’s True,” a well-made biopic directed by Simon Verhoeven, came out.

And Morvan was caught off guard when Ryan Murphy featured Milli Vanilli prominently in his 2024 series on the Menendez brothers, a move introducing the group to new generations unfamiliar with the story. Motivated by the renewed interest, he recorded a stripped down, acoustic version of the Diane Warren-penned hit “Blame It on the Rain.”

As recently as November, Milli Vanilli came up in the zeitgeist, sparked by a comment on X by veteran producer Jermaine Dupri commenting on AI “artists” charting on Billboard.

Of course there are still detractors, but in an era in which public cancellations abound and apologies are scrutinized for any whiff of inauthenticity, Milli Vanilli’s wrongdoings can now seem quaint.

Benjamin Matheson, assistant professor at the University of Bern’s Institute on Philosophy, studies collective shame and writes on celebrity apology. He offers the startling thought that certain fans might be more willing to forgive a moral wrong, even an egregious one like unlawful intercourse with a minor in the example of director Roman Polanski, as opposed to artistic deception because it can be seen as more authentic.

“I think that perhaps,” Matheson writes over email, “Milli Vanilli suffered because they were an early ‘created’ pop band, and the public hadn’t been acclimatized to this kind of music. Whereas now I think people are much more comfortable with autotuning, AI music, and so on — though I’d love it if there was a bit more push back on this kind of thing.”

Morvan has plenty of thoughts on the state of the music industry past and present. He welcomes the change in perspective, and while he doesn’t live in regret, looking back, he would give his younger self a little advice.

“Keep working on your craft now. No matter what, and don’t ever start drugs. And don’t let your buddy Rob start with that. With those two, things would have been different.”

The pop duo Milli Vanilli comprised of Rob Pilatus(left) and Fab Morvan are the subject of the Paramount+ documentary Milli Vanilli, streaming on Paramount+ beginning October 24, 2023.

(Paul Cox/Paramount+/Paul Cox/Paramount+)

When the Los Angeles Tribune editorial staff selected “Girl You Know It’s True” as its movie of the year, Morvan met Parisa Rose, his co-writer and executive producer for the recording of the memoir. Rose, a first-time author and mother of two, first met Morvan when she interviewed him for the quirky paper — now in its fourth revival. She is now chief operating officer of the Tribune, which has expanded to include a publishing house.

Rose, who grew up in Pasadena, helped Morvan reckon with parts of his background he had long buried. One of the most compelling parts of the memoir is when he breaks the fourth wall, narrating letters to individuals from his past.

“You need to say everything you have never said before to them that you’ve always wanted to say,” she says of the exercise they conducted for the interludes. “You need to know that this is the last conversation you will ever have with them. And you need to imagine they are sitting across from you now.” Reached over the phone, Rose said she also helped with research, uncovering details on the seaside sanatorium in France where Morvan spent much of his early childhood.

A great part of Morvan’s motivation for the memoir was to leave a legacy for his kids. His oldest son is getting into music and recently found an old Milli Vanilli vinyl and plays it along with Daft Punk and Michael Jackson. Remaining “zen” about the idea of winning, he’s enjoying the moment. And the big dreams never die. He plans to tour in the next year and come back to perform in America. And who knows? Maybe one day he can play Coachella.

He’s particularly thrilled over his Grammy outfit, a collaboration with Spanish designer Helen López, whom he previously worked with on a Milli Vanilli-inspired line. “When you’ll see what I’m wearing … you’ll see that I don’t play,” he says with a twinkle in his eye. “No matter what the outcome in life, you have to just be, be in the moment. Enjoy the moment. Whatever happens will lead you to something else. I have no expectations.”