George Washington

‘Young Washington’ review: We deserve a more exciting founding father

It’s the 250th birthday of the United States of America and how better to celebrate than with a big-screen hagiography of America’s first president, George Washington? “Young Washington” arrives in theaters just in time for the Fourth of July with a chiseled, hot young actor in the lead role and the sheen of a prestige HBO drama, though the result isn’t really big-screen spectacle or appointment television. It feels more like something to be watched on the AV rig in a middle school social studies class. At least there won’t be a quiz at the end.

But there could be, because the plot of “Young Washington” plays out with all the thrill of a textbook chapter. It takes place mostly around 1753-55, at the advent of the French and Indian War. We open in medias res when the 23-year-old Col. Washington (William Franklyn-Miller) lurches from a dysentery-riddled nap directly into battle in the Pennsylvania woods, his battalion on the back foot, surrounded by gore and gunpowder. Another officer describes how dire the situation is while George ponders saving his men and asks, “What could be worth the risk?” Washington steels his gaze and we cut to black. You can almost hear the eagles scream, guitars riff and engines rev.

“Young Washington” is produced and distributed by Angel Studios, the faith-based movie studio that churns out films based on true stories that either feature freak accidents, strange illnesses or, more recently, unique stories from the past in which faith in God is a factor. Apparently, our nation’s founding also falls under this umbrella.

The film is directed by Jon Erwin, one of the in-house Angel Studios mainstays, who also helmed “Jesus Revolution,” “I Still Believe” and “I Can Only Imagine.” Erwin gives the whole project a kind of gritty, visceral approach — very “Game of Thrones” in red coats. It’s violent, muddy, the contrast is high and too many drone shots soar over the forest treetops.

Though it opens with a bang, this 1755 battle framing device gives way to the George origin story, starting with his father’s death 12 years earlier, when the 11-year-old George is bereft that he’ll have to sacrifice his education in order to become a tenant farmer and provide for his family including his mother, Mary (Mary-Louise Parker, doing a bizarre accent).

His older half-brother Lawrence (John Foss) takes him under his wing and teaches him, and the young George grows into a smart, bright, ambitious young man, whose dreams of becoming a British officer are dashed because he doesn’t have formal education, a fortuitous marriage or his own land. But he’s bootstrapped himself into intelligence and with savvy networking and know-how, he becomes indispensable to the British, volunteering as a major to survey land and negotiate treaties with the Native tribes and French army. It’s all a bunch of politicking and petty disputes until it escalates into all-out war thanks to an ill-advised ambush.

Sir Ben Kingsley, Kelsey Grammar (who starred in “Jesus Revolution”) and Andy Serkis play the British officers who begrudgingly, at times, believe in George and his capabilities, though a lot of the film is about a young man getting rebuffed by snobbish British officers.

He’s the kind of character who always makes the noble choice, does and says what’s right, and sees everyone as equals (including enslaved African men and Native American allies). He inspires his brother and others that the world can change and takes inspiration from his mother, who encourages him to continue his path and do it as God’s servant.

Unfortunately, this doesn’t make for a character that’s in any way complex or interesting at all. Franklyn-Miller is certainly pretty, serving as a fine face for this story, but the screenplay (by Erwin, Diederik Hoogstraten and Tom Provost) flattens his character into a basic cookie-cutter hero. Audiences, including the middle school social studies students, deserve better and more nuanced stories about this country and the values it was built upon.

“Young Washington” is propaganda in the form of a history lesson wrapped in a summer blockbuster. If only it were even slightly entertaining — maybe they’ll tackle that in the inevitable sequel.

‘Young Washington’

Rated: PG-13, for sequences of strong war violence and some bloody images

Running time: 2 hours, 5 minutes

Playing: Opens Friday, July 3 in wide release

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Howard Lutnick to testify to Oversight Committee on Epstein ties

May 6 (UPI) — Commerce Secretary Howard Lutnick is scheduled to testify Wednesday before the House Oversight Committee on his ties to Jeffrey Epstein.

The testimony is voluntary and behind closed doors. Lutnick is one of many people called before the committee to explain their ties to the late sex offender and financier.

“The Secretary looks forward to addressing any questions on the record when he testifies voluntarily before the Oversight Committee,” a spokesperson for the Commerce Department told CBS News. “He looks forward to putting to rest the inaccurate and baseless claims in the media designed to distract from his historic work underway at the Commerce Department.”

Lutnick has not been accused of any wrongdoing tied to Epstein.

Lutnick and Epstein were next-door neighbors in New York. He has said his interactions with Epstein were minimal, but earlier this month, he told a congressional committee that he had visited Epstein’s island, Little St. James in the U.S. Virgin Islands, with his family.

“We had lunch on the island, that is true, for an hour,” Lutnick told lawmakers. “Then we left with all of my children, with my nannies and my wife all together. We were on family vacation. We were not apart. To suggest there was anything untoward about that in 2012, I don’t recall why we did it. But we did.”

Epstein was convicted of solicitation involving a minor in 2008.

A photo of Lutnick and Epstein that appears to be on Little St. James with three other men was in the files released earlier this year.

Lutnick and Epstein also invested together in a now-shuttered advertising agency, Adfin, working together as late as 2014.

Lutnick previously claimed that he cut contact with Epstein in 2005

In October, Lutnick said on a podcast that he and his wife, Allison, visited Epstein’s New York townhouse in 2005, NBC News reported.

He said he saw a massage table in the middle of a room filled with candles. Lutnick said Epstein told him he had massages “every day” and got “weirdly close” to say, “The right kind of massage.”

“In the six to eight steps it takes to get from his house to my house, my wife and I decided that I will never be in the room with that disgusting person ever again,” Lutnick said.

“I was never in the room with him socially, for business, or even philanthropy,” he added. “If that guy was there, I wasn’t going, because he’s gross.”

The panel will likely question Lutnick’s credibility, Matt Dallek, a historian and political management professor at George Washington University, told NBC

“It’s risky business for him to go before Congress and testify about Epstein,” Dallek said. “Because lo and behold, he visited the island with his kids.”

Dallek said Trump will pay attention to Lutnick’s performance.

“If Lutnick comes off as wishy-washy or ineffective, Trump could sour on him,” Dallek said. “Especially if he wants a fall guy for the economy.”

President Donald Trump speaks before signing a proclamation inside the Oval Office at The White House on Tuesday. The memorandum is set to restore the Presidential Fitness Test Award, a competitive school-based fitness program last seen under the Obama administration. Photo by Tom Brenner/UPI | License Photo

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White House withdraws hospitality executive as nominee to lead the National Park Service

President Trump is withdrawing his nomination of a hospitality company executive to lead the National Park Service, the White House announced Monday.

The withdrawal of nominee Scott Socha comes as the park service has been shaken by widespread firings as part of the Trump administration’s pledge to sharply reduce its size.

Socha said in a statement that he was dropping out of consideration for the post for personal reasons.

The park service is currently overseen by an acting director, agency comptroller Jessica Bowron. It did not have a Senate-confirmed director during Trump’s first term, when it was led by a series of acting directors.

Socha is president for parks and resorts at Buffalo, N.Y.-based Delaware North, which has service contracts with numerous parks and describes itself as one of the world’s largest privately owned entertainment and hospitality companies. A White House spokesperson had said when he was nominated in February that Socha was “totally qualified” to execute Trump’s plans for the park system.

But some conservation groups had questioned whether Socha’s private sector work provided the experience he would need to oversee hundreds of national parks and monuments that range from the Statue of Liberty and other cultural sites to remote sites in the Utah desert.

The Associated Press sent email messages to the White House and the Interior Department seeking comment on Socha’s withdrawal.

Thousands of employees have been fired or otherwise left the park service since Trump took office.

Emily Douce with the National Parks Conservation Assn., an advocacy group, said Monday that the next director for the service needs to “undo the damage.”

“It’s very unfortunate that our parks have gone more than a year without a permanent director at a time when they need strong, steady leadership the most,” Douce said.

The Republican administration’s proposed budget for next year would reduce staffing to 9,200 employees. That’s down almost 30% compared to 2025 levels.

The park service’s operating budget would be cut by more than $1 billion, to $2.2 billion, for the 2027 fiscal year that starts in October.

Similar cuts proposed for 2026 were blocked by lawmakers in Congress after park supporters and former employees warned the administration’s proposal would have effectively gutted the agency.

The administration also has faced blowback for the removal or planned removal of national park exhibits about slavery, climate change and the destruction of Native American culture. In February, a federal judge said an exhibit about nine people enslaved by George Washington must be restored at Washington’s former home in Philadelphia after the Trump administration had taken it down.

Administration officials have said they are removing “disparaging” messages under an order last year from Trump. Critics accuse it of trying to whitewash the nation’s history.

Under Trump’s interior secretary, Doug Burgum, the park service has started charging millions of international tourists who visit U.S. parks each year $100 each to visit sites including Yellowstone and Grand Canyon. The service also has put Trump’s image onto its annual passes for U.S. citizens, drawing a lawsuit from environmentalists who said the move was illegal.

Brown writes for the Associated Press.

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