Gen

The U.S. Marine Corps says it is making good progress toward fielding Collaborative Combat Aircraft (CCA) type drones, starting with a landing gear-equipped version of Kratos’ XQ-58 Valkyrie. The service sees those aircraft, and potentially other CCAs, paired with its F-35s as a “bridge” to an entire family of next-generation air combat capabilities, which could include a sixth-generation crewed fighter.

Marine officials discussed the service’s CCA plans and broader future aviation vision during a panel discussion at the Navy League’s Sea Air Space 2026 exhibition, at which TWZ is in attendance. The Corps’ CCA efforts currently fall under a program called Marine Air-Ground Task Force (MAGTAF) Uncrewed Expeditionary Tactical Aircraft (MUX TACAIR). The MAGTAF is the primary organizing concept around which the service deploys air and ground forces.

“So, with the MUX TACAIR effort, I think we’re meeting our testing goals. I would say that it’s on track,” Marine Col. Dan Weber, the Unmanned Aerial Systems Branch Head in the office of the Deputy Commandant for Aviation, said. “From a funding and demand power perspective, I think we’ve got great support. We’ve got good partners. We’ve got good relationships right now to keep that program on track, and I expect that we’re going to meet all of our milestones and goals.”

“From the F-35 side, the vision ultimately is we want the F-35 to be a quarterback with CCAs as attritable mass, as enablers to ensure the MAGTAF can project power, the sensing, the lethality, [and] all of the intangibles that kind of go along with that,” Marine Col. Thomas Bolen, the Tactical Aviation (TACAIR) Branch Head, another one of the panelists, also said. “How we integrate with CCAs is going to be extremely important, and that will bridge us down the road to kind of the sixth-generation family of systems.”

One of the “main things in our portfolio that will be enduring and developing over the next couple years” is “man-unmanned teaming,” Marine Col. Richard Rusnok, head of the Cunningham Group, who was also on the panel, added. “We’re laying the foundation for that with our first foray into Collaborative Combat Aircraft, the MQ-58.”

The Cunningham Group, which also falls under the office of the Deputy Commandant for Aviation, is charged with plotting out the overarching future vision for Marine Corps aviation.

MQ-58 refers to Marine-specific variants of Kratos’ Valkyrie now in development. Last year, the Corps announced that it was transitioning what had originally been experimental work with a small fleet of XQ-58s into a full program of record to acquire an operational platform. Kratos has since partnered with Northrop Grumman to deliver these uncrewed aircraft.

Marine Valkyries will have built-in landing gear, unlike the original version of the drone, but will still be capable of making rocket-assisted takeoffs from static launchers. This means the uncrewed aircraft will retain a valuable degree of runway independence, but that there will also be tradeoffs, as TWZ has previously explored here.

In January, Kratos told TWZ it was hoping to see the first flight of a landing gearing-equipped Valkyrie in early 2026, but there has been no official announcement yet of that milestone being reached. The Marine Corps’ unclassified 2026 Aviation Plan presents the MQ-58 as a capability arriving in the 2026 to 2030 timeframe.

The Marines have also said previously that they expect the MQ-58 to be just the first in a planned series of CCA “increments,” which might entail the future acquisition of completely different types of drones. The service has said in the past that MUX TACAIR, broadly speaking, “will enhance Marine Corps Aviation’s lethality and ability to support the Stand-in Force (SiF) by delivering air-to-ground, reconnaissance, and Electronic Warfare (EW) capabilities.”

The Corps has also already chosen to use General Atomics’ YFQ-42A Dark Merlin at least as a surrogate to test new autonomy technologies and other mission systems under the umbrella of the MUX TACAIR program. The YFQ-42A is also one of two drones under development as part of Increment 1 of the U.S. Air Force’s CCA program. Dark Merlins have been flying since August 2025, but General Atomics announced an indefinite pause in flight activities earlier this month after one of the drones suffered an accident on takeoff.

Speaking on the panel today, Col. Thomas Bolen did not elaborate on what the Marine Corps’ “sixth-generation family of systems” might consist of. However, Marine Lt. Gen. William Swan, the Deputy Commandant for Aviation, said his service was beginning to explore what it might want in a future sixth-generation crewed combat jet during a press roundtable last week, as first reported by Breaking Defense.

“Last year’s Av[iation] Plan didn’t have six-gen on there, and I made the team put it on, because we need to think about that,” Swan said at that time. “We’re not there yet. We’re fast following with the Air Force, right? They got the F-47. The Navy’s looking at F/A-XX, and they’re just starting on that. So we are going to watch.”

“We want to be an all Block 4 F-35 fleet, and that’s probably going to take another 10 years. So we’re probably five to 10 years away from ultimately making that decision. And we’ll see what they have, see what the threat looks like,” Swan continued. “I think right now, if you had to say, ‘hey, what is it going to look like?’, I think it’ll look a lot more like what the Navy’s doing, because we still fly off the carriers, we’re part of the Department of the Navy.”

“I don’t know that we’re going to get high-end, and that’s really not a Marine Corps mission; it’s the Air Force,” he added. “So I think if I had to – if you said, make a decision right now, it would be yes, some amount to augment the fifth-gen [F-35] force, and it would probably look something like the F/A-XX, or whatever the Navy ends up being [sic; acquiring].”

Lt. Gen. Swan, who served as the moderator for today’s panel at Sea Air Space, as well as Col. Bolen, again stressed the importance of the Block 4 upgrades for the F-35, including for future teaming with CCAs. The Block 4 effort has been mired in delays and cost growth, even after a revision in the fielding strategy last year to focus first on a truncated portion of the planned capability improvements. The full package for all three Joint Strike Fighter variants is eventually expected to include a new AN/APQ-85 radar and electronic warfare suite, replacements for the AN/AAQ-37 Distributed Aperture System (DAS) and Electro-Optical Targeting System (EOTS), and a host of other improvements. A particular point of concern now is that new production F-35s might soon start being delivered without any radars at all, as a result of issues tied to the development of the APG-85.

As the Marine’s top aviation officer noted last week, it could be 10 years before his service at least sees all of its F-35s fully upgraded to the Block 4 standard. That, in turn, could have serious impacts on the service’s broader plans to acquire and field new crewed and uncrewed aircraft.

Marine Corps interest in whatever the Navy chooses for F/A-XX could be an important factor for the future of that program, as well. In response to a question from TWZ at a roundtable on the sidelines of Sea Air Space this morning, Chief of Naval Operations Adm. Daryl Caudle said he is now hoping to see the selection of the winning design in the F/A-XX competition by August. The program has been in bureaucratic purgatory since the Pentagon moved to effectively shelve it indefinitely last year, with Congress subsequently intervening to keep it funded. How the Navy’s next-generation carrier-based fighter plans will proceed now still very much remains to be seen.

If nothing else, the vision the Marines have put forward today clearly frames Block 4 F-35s ‘quarterbacking’ fleets of CCAs as a key stepping stone to the service’s next-generation aviation capabilities.

Contact the author: joe@twz.com

SHE was 35 and in her prime when Smash Hits magazine published images of her parading the stage in a skimpy bra – and scoffed: “Calm down, grandma!”

But the cutting headline, which accompanied a review of her Girlie Show tour in 1993, did nothing to deter the uniquely stylish Madonna.

In a career spanning more than 40 years, she became the hottest female singer in the world, selling over 400million records.

But through it all, the Queen of Pop faced intense backlash over her appearance.

Critics have judged everything from her cone bra in 1990 to her Met Gala “bondage”-style outfit in 2016, when she was 57.

But now, as Madge prepares to return to the spotlight with her 15th studio album, she has done what many thought would never be possible.

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Aged 67, she is finally cool again.

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

Now, Confessions On A Dance Floor: Part II is promising to be a continuation of the project.

And Madonna is still not letting her age define her fashion, posing in a blue leotard, fishnets, a silver jacket and shades in a defiant photo to promote the record.

A music insider said: “Madonna has locked in for this project and it’s not at all what you’d expect from any other woman who is nearly 70.

“It has roots in New York house music and rave culture and her record label believes it will usher in a whole new generation of fans.

“Confessions 1 showed Madonna at her coolest and, after straying into other genres on her last few albums, this feels wonderfully authentic.”

Madge is yet to release the album’s first single, but she has been steadily building a Gen Z fanbase, who have been discovering her back catalogue.

Last month, her 1985 chart-topper Into The Groove returned to the Top 20 after going viral on TikTok.

Cruz Beckham, KSI, Aitch and Sam Thompson were among those who shared videos of themselves dancing to the song 41 years after it was a No1 hit.

And she is heavily tipped to make a live return tonight at the buzziest festival of the year alongside one of the world’s hottest young pop stars, Sabrina Carpenter, 26.

The Espresso singer will headline the second weekend of Coachella in California and has extended her set by ten minutes, further fuelling industry whispers that Madge may join her on stage.

It would be the veteran pop star’s first performance there in 20 years. She delivered a memorable set in 2006 following the release of her first Confessions album.

Sabrina idolises Madonna as a blueprint for pop music — and there are suggestions they may have collaborated on a song.

In 2024, she paid tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and so exactly how you expect her to be — just, like, so magnetic.”

Many of the current crop of pop starlets have named Madonna as their top inspiration.

Dua Lipa has said her 2020 No1 album Future Nostalgia was heavily influenced by Madge, and she worked with her on a remix of her song Levitating.

Jade Thirlwall said last year: “She is one of the best pop stars we will ever get.”

In fact, Madge has such pulling power, supermodel Kate Moss, plus film stars Benedict Cumberbatch and Gwendoline Christie, are set to have cameos in her comeback music video.

It is a sea-change from previous generations who used Madge as a verbal punching bag.

When asked to name the most overrated person in pop, Lily Allen once said: “Madonna. She might have meant something once, but I don’t know many people my age who care.”

And Lady Gaga insisted she could not be compared to the megastar, explaining: “I play a lot of instruments. I write all my own music . . .  I’m a producer. I’m a writer. What I do is different.”

On Wednesday, Madonna released a snippet of upcoming track I Feel So Free, which heavily samples the 1989 house tune French Kiss by Lil Louis.

The original features more than two minutes of sex noises — something which seems fitting for pop’s most notorious provocateur.

For Confessions II, Madonna has teamed up again with British producer Stuart Price, who was musical director on her 81-date Celebration Tour in 2023 and 2024.

Meanwhile, her boyfriend, former footballer Akeem Morris, 29, is regularly seen dancing and larking around with her in videos on TikTok, where her clips have been liked over 45million times.

Last month, Madonna was in Venice shooting for the second series of the Apple TV show The Studio, in which she will appear opposite Julia Garner.

But now it is full steam ahead with her music, after re-signing with Warner Records — her label for the first 24 years of her career.

Madonna said of her new album: “When Stuart Price and I first started working on this record, this was our manifesto: We must dance, celebrate and pray with our bodies . . .  To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people.”

Gen Z will not know what has hit them . . . 

THE ROLLING STONES continue to champion new talent, this time signing up Marty Supreme actress Odessa A’Zion for their next video.

The wise old rockers previously cast Sydney Sweeney in the vid to accompany 2023 comeback single Angry.

Now they are hoping to repeat that success, as I can reveal they have got one of Gen Z’s buzziest names on board.

Odessa filmed the visuals during a hushed-up two-day shoot at Battersea Arts Centre in South London last week.

I’m told loads of extras of all ages and styles were brought in to reflect the Stones over the years.

A music industry insider said: “The video represents the Stones through the ages. There’s a lot going on. They brought in lots of extras to represent subcultures and sonic histories.

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“The idea is it blends everything from blues souls and punk kids with old school rockers and Northern Soul dancers.

“Then there’s a load of glam rock attitude and DIY chaos to echo the legacy of the Stones.

“Odessa is at the centre of it all.

“The video should look really impressive when it’s all tied together.”

The return of the Stones has been talked about for a while, but there isn’t long left to wait at all.

The band is expected to drop a new song today, as I revealed on Wednesday.

Mick Jagger, Keith Richards and Ronnie Wood have been teasing their return under the pseudonym The Cockroaches.

They are coming back with their 25th album, believed to be titled Foreign Tongues, which is largely being touted as their final record together.

It is a follow-up to their 2023 album Hackney Diamonds, with the tracks mainly being written and recorded during the same sessions.

Unfortunately for their fans, I’ve been told there are no immediate plans for the band to hit the road again just yet.

But I live in hope the band will rethink that — when they see just how many people snap up this new album when it drops later in the year.

Zara up to finny business

ZARA LARSSON is por-poised for action as she lifts a dummy dolphin over her head.

She dazzled in a sequined skirt split to the waist and a tiny bikini top while fronting Spanish label Desigual’s Life’s A Beach campaign.

Zara has signed a major deal with the clothing brand for a new range inspired by her Y2K look.

Meanwhile, her US tour ends tomorrow in Houston, Texas – then she’ll focus on a deluxe version of her 2025 album Midnight Sun, due out next month.

Zara has remixed tracks with female collaborators. Tyga, Madison Beer and Jade are among stars expected to be involved.

The record originally peaked at No36, but with Zara enjoying a popularity surge, I predict a massive leap up the charts.

Derm’s so Keane on his main man

DERMOT KENNEDY has a surprising role model in his music career – football great Roy Keane.

His inspiration during gigs is the memory of Man United hero Keane playing against Juventus in 1999.

Despite being yellow-carded, the captain put in a blistering performance that took them to the Champions League final.

Dermot whose album The Weight Of The Woods became his third No1 last night, said of Roy: “If you ask about the way I sing, it’s purely him.

“He has a thing in his book where, when he was younger trying to get spotted, he would play a match to 100 or 200 people, and he developed the skill of creating the atmosphere in his head.

“I think I have that in music. If I play to ten people, I will rip it because I don’t care how many people are there.”

Dermot also shares a love of football with Roy once playing for Dublin’s Crumlin United.

He said: “I’m a far better person when I’m playing football regularly. Whatever feeling everyone thinks I get from music, I get it from football. It’s the one time my mind is clear.”

But Dermot has another reason to be inspired after his wife Aisling Finnegan gave birth to their daughter.

Asked how long they have been together, he told the And The Writer Is . . .  podcast: “I would have been eight years old.

“We went to school together. What age did I know? Early twenties, probably.”

Michaela in a flap

MICHAELA COEL looks amazing despite her suit falling apart at the seams as she steps out in New York.

The actress, whose outfit had several flappy features, recently admitted she didn’t love appearing in 2022’s Black Panther: Wakanda Forever, in which she played warrior Aneka.

She said: “I really don’t think I was ready for that world of green screen acting. I don’t know how to do that.”

Maybe she’s struggling with new styles.

Nineties exhibition shines the spotlight on Scary’s catsuit

THE famous leopard-print catsuit Mel B wore when the Spice Girls performed at the Brit Awards in 1997 is going on display.

Former Bizarre editor Dominic MOhan has curated the exhibition, 1996: 30 Years On, and managed to get hold of the catsuit which was worn to perform their debut hit Wannabe.

Mel said: “It was all a crazy Nineties whirlwind but, in my leopard print, I knew I could take on anything. This outfit is sexy, naughty and bold, which pretty much sums me and the Nineties up.”

Also on display will be Emma Bunton’s dress from the same performance, Geri Halliwell’s Union Jack boots and a signed Liam Gallagher‘s tambourine.

It opens on Thursday at the Barbican Music Library in London and runs until September 19.

Dom will be launching his four-part show Cool Britannia on Virgin Radio tomorrow from 6pm.

OLIVIA DEAN is obsessed with Love Island.

She said: “I just watched Love Island All Stars and, oh my god, what amazing television that was.

“Thank you everybody involved for that. It really got me through the last couple of months and I loved it. No notes. Can’t wait for the next season.”

She also had a message for its host: “Maya Jama, I love you.”

Even pop’s busiest acts can’t resist a bit of villa drama.

Masterclass by B-Side Boys as jangling Mars Attacks

THERE aren’t many acts that can pull off five sell- out shows by promising only B sides, album tracks and no hits.

But the Pet Shop Boys did, without breaking a sweat.

I’d happily listen to Neil Tennant sing the back of a crisp packet, but he and Chris Lowe had something more special in store here in Camden, North London.

They whipped out guest Johnny Marr early on, who added some excellent guitar jangling on Up Against it from 1996 and 2003’s I Didn’t Get Where I Am Today.

They might be synthpop’s finest duo, but they can rock out too. With a back catalogue spanning more than 40 years, you can forgive Neil for needing lyrics printed out for the more obscure numbers, and being overjoyed at a stool, joking: “Ooh, I can sit down now, like Westlife.”

They finished by teasing the launch of their upcoming musical, Naked, performing a song from it called I Dream Of A Better Tomorrow.

Right now, that’s a mantra we can all get behind.

THE Easter weekend is nearly here and whether or not you have kids, you are probably wanting to make the most of the four-day weekend.

Whether you want to escape crowds of families or just discover something new away from your hometown, the Sun Travel team has recommendations for every generation and every type of person.

Gen Z

Gen Z Travel Reporter, Jenna Stevens is used to jet-setting off around Europe and further afield, but when it comes to doing things in the UK for Easter, her first recommendation is to head to Norwich.

She said: “The artsy city of Norwich in Norfolk was just voted the best place to live in the UK, and in my opinion, it’s one of the best spots for a city break, too.

“This city moves at a slower pace, split up by the River Wensum’s scenic canals, gardens, Tudor buildings and bookshops that give it a quaint feel.

“Norwich is full of easy-going creatives and young people who prefer a chill pint by a waterside pub than a groggy night out clubbing.

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“My top spots are the Red Lion Bishopgate, which juts out over the water, and the Playhouse Bar with a colourful beer garden and affordable pints.”

And instead of just heading shopping, Jenna recommends strolling the city’s cobbled streets to “dip into vintage shops and grab a new jacket or pair of shoes”.

She added: “Visiting during Easter means flowers at the Plantation Garden will be in full bloom, plus it’s the perfect time for literature and history walks (yes – that’s what Gen-Z are into nowadays).”

Alternatively, Jenna recommends heading to Cornwall for a dip in the sea.

She said: “Cornwall really is a crowd-pleaser UK destination for all ages.

“My dad loves a coastal walk and a pint of local ale in a pub steeped in history, whilst I seek out cider and beer festivals and the best beaches for watersports.

“One of my top Easter holiday activities would be to have a go at surfing.

“April is the prime time to shake off the cold and make use of the increasingly sunny days to grab a wetsuit and head out into the water.

“Newquay is the surf capital of the UK, so there’s no better place to try it – whether it’s your first time or your fiftieth.

“Fistral beach has prime waves that reach 6-8ft, but don’t worry if you’re a beginner like me; there’s plenty of classes for first-timers.

“Escape Surf School have been teaching beginner classes for over 20 years, and they start at £43pp for a group lesson.

“There’s also Hibiscus Surf School, which was Europe’s first women-only school, where sessions start at £35pp.”

Millennial

Having travelled to more than 50 countries, Deputy Travel Editor Kara Godfrey has had her fair share of memorable travel experiences.

But when it comes to Easter, the UK holds some real gems for her.

She said: “Living in Kent, I love the trail along the White Cliffs of Dover, which if you can brave the blustering winds, has some of the most beautiful views in the UK.

“The circular National Trust route is just over three miles, so you can easily do it in less than two hours.

“Then end with a cuppa and cake at Mrs Knotts Tearoom or grab a pint at The Coastguard Pub which has a great pub garden at the front.”

But coastal country walks aren’t for everyone, so if you prefer something a bit more bustling, Kara suggests to head to Manchester.

She said: “Manchester is one of my favourite cities – and one you will always have a good time at.

“And by this, I mean embracing your inner child with a day of games and experiences.

“Start at Chaos Karts, an indoor race track (£30pp) where you can pretend you are in Mario Kart, before grabbing some Barbie-esque skates to whizz around Archie’s Atomic (£8.50).

“End the evening at NQ64, a gaming bar with all the old classic machines and some very fun themed cocktails, before a stint at K2, a karaoke bar open until 4am (£10pp).

“Followed by some chips and gravy of course…”

Families

Having a seven-year-old son, Head of Travel (Digital) Caroline McGuire knows exactly what makes a good family day out.

Having tried and tested tons of spots across the UK, Caroline recommends dropping by The Outernet in central London.

She said: “When it comes to free attractions, few are as popular in my house as The Outernet next to London’s Tottenham Court Road station.

“Now, my son and I will make a 25-minute detour to spend even 20
minutes there, whenever we’re in central London.

“The huge, multi-screened space screens artist-made short films
throughout the day, and you can walk in from the street and spend as
little or as much time there as you want.

“With screens covering the sides and ceiling, you really do feel like
you are inside the films.

“Yes, you wouldn’t spend the whole day there, but the British Museum is
a short walk away, as is the walled playground Coram’s Fields.”

But if you are looking for a getaway and don’t want to head into the city, Caroline suggests booking into Haven Hopton Holiday Park in Norfolk.

She said: “[It] is routinely named the best Haven site in the country by visitors, with 4/5 star rating on TripAdvisor.

“It was the first holiday park I ever went to, and it still ranks as my No.1.

“The park has direct access to a lovely sandy beach, which is one of its more best-loved features, but it also has stacks of indoor activities in case the weather forgets to play ball.

“There are two indoor pools, arcades, a climbing wall and a good-sized soft play, as well as some excellent evening entertainment.

“If you fancy going off-site, then it is a short drive away from Pettitts Animal Adventure Park, Pleasurewood Hills Theme Park and the Norfolk Broads.”

Or if you are just looking for a day full of fun, head to Paultons Theme Park in Hampshire.

Caroline said: “With a child under eight, Paultons Theme Park is easily my favourite theme park in the UK.

“Specifically because nearly all of the rides have been designed for younger children – so he can go on everything.

“It is best-known for Peppa Pig World, but there is so much more to the park than that.

“With several different lands, including a £12million new Viking land opening in May this year.

“At last year’s UK Theme Park awards, Paultons bagged ten gongs
including the coveted Theme Park Of The Year.

“I’d have to agree with that gong, thanks to many key factors.

“Incredibly short queues for rides, incredible customer service (employees all cheerful), the cleanliness (bathrooms spotless), and the attention to detail.

“For example, the fact that they don’t charge for parking, unlike
several other big theme parks, and that they have leaflets at the
entrance telling you all of the events that are on that day.

“It’s a family-run business and that really shows.”

Empty Nest

Head of Travel at The Sun, Lisa Minot, is an expert in all things travel having been travelling both the UK and the world for decades.

And when it comes to spend Easter in the UK, she recommends “enjoying the mellow sounds of jazz from a floating platform in London’s St Katharine’s Dock while sipping a free glass of English sparkling wine“.

She said: “Sessions on Saturday evening of the Easter weekend (April 4) catch the golden hour when the yacht lights twinkle across the Marina and Sunday afternoon will be a relaxed affair with performances Olivia Swann, Jamie Safir and Flo Moore.

“Tickets are from £27.50 and include a glass of fizz and light bites, as well as blankets to snuggle under if the weather turns.”

Alternatively, Lisa suggests “making the most of the spring delights of Herefordshire with their new Roasts and Rambles guide that teams up great walks with excellent country pubs along the route”.

She added: “There are more than 60 curated trails to choose from that can see you discover everything from wild mountain ponies to romantic castle ruins, ancient caves and tranquil rivers – all with cosy country pubs along the way for a well-earned pint and classic pub grub.”

For more ideas on what to do this Easter, here are the best UK family days out from £10 to completely free this the Easter holidays.

Plus, 10 of the most affordable English seaside towns for Easter holidays with £1 rides, £2 pints and mega cheap hotels.

One Friday night last year, Akylah Cox and her boyfriend took a red-eye flight from Pennsylvania to Dublin for a whirlwind adventure. The trip lasted less than 30 hours. They hit up an impressive number of spots: the Guinness Storehouse, the Book of Kells experience at Trinity College, Ha’penny Bridge, Capel Street for thrifting (“I gave myself only 30 minutes to do this, but it had to get done,” Cox says) and the Celtic Nights dinner and show.

They were back home on Sunday and went to work the next day.

She shared her experience on TikTok with the caption, “Was this crazy?!” The responses varied.

“I would be tired the rest of the week,” one person commented with two woozy-face emojis.

“This inspired me!” another said.

“I’m tryna be this level crazy,” commented another.

Akylah Cox and boyfriend Akram Imam in Dublin in February 2025.

(Akylah Cox)

For Cox, who was working full time in engineering and pursuing an MBA while her boyfriend was completing his medical residency, creating an ultra-compacted itinerary was the only possible way to travel. And she loves the practice. On TikTok, she shares her itineraries for “microtrips” — short, usually international trips lasting 24 to 72 hours.

“You can just leave,” says Cox, who lives in Chicago. “You can have that quick break, that quick reset.”

She’s part of a new wave of travelers, particularly Gen Z, opting for these types of trips over extended vacations, according to an AirBnb trend report. Partly fueled by a viral TikTok trend in which people break down how they spent one to two days in another country, young travelers are no longer waiting for spring break or to accumulate paid time off to cross destinations off their bucket lists. A recent Expedia survey found that 25% of Gen Z and millennial travelers said they plan to take a microtrip in 2026, with Toronto; Nassau, Bahamas; and San Juan, Puerto Rico, being the most popular destinations.

“Short trips can fit busy schedules much better than a longer vacation can, which allows more people to explore the world without committing to long absences from work or family,” says Airbnb communications lead Ali Killam. “I think people are really embracing this idea that even brief changes of scenery can really recharge you, your mind and spirit.”

Another driver of the trend could be the fact that younger generations consider travel a top priority in their lives. In 2023, Gen Z and millennial travelers took an average of five trips per year, compared with Gen Xers and baby boomers who took less than four. Gen Zers and millennials allocate an average of 29% of their income for travel, reports the management consulting firm McKinsey & Co. (though a study last year by Savings.com found that a growing number of parents are helping their adult children out financially more than ever). Among younger generations, there’s also a mantra of doing things “for the plot” and taking chances because the future feels uncertain.

“Younger millennials and Gen Z are really creating their own version of the American dream, which I think is really based off of experiences and the memories that you’re able to create,” said N’Dea Irvin-Choy, 30, an L.A.-based content creator who posts about luxury travel, skiing and tennis experiences.

Kareen Hill, 27, of New York, is another microtrip crusader on social media. Since October, he’s been taking trips to explore the food scenes of various cities. In January, he went to London for two days and posted a recap video on TikTok that received more than 1.5 million likes. He now tries to take a trip, either international or domestic, about every two weeks.

“I just realized you do have free will,” says Hill, who works at an airport. “Like why not?”

N’Dea Irvin-Choy at the Eiffel Tower in Paris, left, and Kareen Hill at the Colosseum in Rome.

(N’Dea Irvin-Choy; Kareen Hill)

Beyond convenience, microtrips can also be more affordable than longer trips — an important factor as oil prices rise and airfares are already beginning to surge. With the help of credit card points and a travel credit, Cox’s trip to Dublin was just under $450. She says these quick trips are a “low barrier to entry” to international travel because you only have to plan an itinerary for one or two days. And the more flexible you can be on the timing or destination, the better chance you’ll have at finding deals.

Another benefit is how short trips force you to be intentional about how you spend your limited time. “You can get a lot more done than maybe you think you can,” she said. During a three-day trip to Japan with her mother and grandparents in May (not including the travel time), they were able to squeeze in a food tour and multiple tourist attractions in Tokyo and Mt. Fuji.

Of course, a common concern about microtrips is how exhausting they can be, especially if you’re traveling across time zones. And, yes, the fatigue can be real and travelers should certainly consider their bodies’ limits. But the purpose of these trips is to explore a destination rather than relax, Cox says. Once you’re in that mindset, you can better embrace the experience. “You really don’t have the impact of jet lag because you’re purely running on adrenaline,” she says.

Want to take a microtrip yourself? Here are some tips:

• Book the earliest flight possible to your destination and the latest flight back so you can optimize your time, advises Irvin-Choy. Definitely try to opt for nonstop flights.
• Make it easy to move around your destination. Hill says it’s best to avoid checking a bag and to pack light. Cox recommends booking a hotel that allows you to store your bag even if your room isn’t ready.
• Prioritize your “musts.” For each of her microtrips, Cox uses the same formula: Pick three must-do activities or sights and plan the rest of your trip around those. One of her favorite things to do in any new city she’s visiting is go on a food tour.
• Prepare to jump back into the grind at home. Irvin-Choy recommends parking your car at or near the airport, which can sometimes be cheaper than opting for a ride share when it’s such a short trip. You also might want to wear your work clothes on the plane, so you can head straight into work if necessary.
• And finally, don’t forget to get some rest during your trip — even if it’s on the plane. “That’s the hardest part when it’s so short,” Irvin-Choy says. “But make sure you get some sleep at some point during the weekend.”

“Everyone is at least a dormant ballet nerd,” declares 22-year-old Eden Lim, while sitting for an interview in the suburban Dallas studio where she and her sister, Jordan, 24, film and edit their popular YouTube channel “Ballet Reign.”

Judging from the near-universal backlash to Timothée Chalamet’s recent bad-mouthing of ballet, Eden’s summation of the central tenet of their show may be true. With 67,000 subscribers in 166 countries and growing, the Lim sisters are mixing Gen Z humor and exuberance with astounding erudition to bring ballet to a new generation and fire up older, longtime fans.

With episode titles such as “Addictive Ballet Moments to Alter your Brain Chemistry” and promises like “This will increase your lifespan and double your morale,” they are on a mission to ensure that ballet not only survives but thrives.

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Mirthfulness is the Lim sisters’ medium, but their message is serious. During each show, they parse video clips of great performances, often by explaining the history of the piece and giving detailed behind-the-scenes stories. They dissect the most famous pas de deux with trenchant insight and introduce their audience to the greatest dancers, including Natalia Osipova and Roberto Bolle. With signature, irrepressible enthusiasm, the sisters help viewers see precisely what makes the shows and dancers so extraordinary.

Eden, left, and Jordan Lim of YouTube channel “Ballet Reign” trained as professional dancers before deciding to focus on their show full time.

(Larsen & Talbert / For The Times)

A video clip featured in the “Addictive Ballet” episode shows New York City Ballet principal dancer Ashley Bouder launching herself into a jeté so high she seems to leave Earth’s gravity. In midair she manages to turn herself 180 degrees before being caught by her partner, despite her momentum seeming to drift into his arms like a feather blown by a breeze.

While watching the singular feat, Eden exclaims, “Call the news channels! We found a person who can actually levitate!”

Jordan says the goal is to make viewers feel equipped to say, “I understand what’s going on, and I can appreciate it, and I can appreciate that this was done well.”

“Ballet Reign” launched three years ago with modest hopes. The sisters sought a mere toehold in the YouTube universe, aiming for a narrow niche audience of fellow ballet fanatics (“ballet nerds”) ages 16 to 25. To their initial astonishment, they have attracted a far wider viewership spanning all ages, even followers who hitherto had only scant interest in ballet. They have drawn in many young children and older adults, with those 65 and up now their third-largest subscriber group.

The show has rapidly won acclaim from within and outside of the ballet world — perhaps because the depth and breadth of their knowledge makes it hard to shake the suspicion that they secretly are Ivy League professors.

The Lim sisters speak with sophistication about classic ballets and dancers they love — delivering their message through a whimsical show that has attracted fans of all ages.

(Larsen & Talbert / For The Times)

They comment with equal sophistication on ballet steps, choreography, history, musicology and the minute details of costume design. Eclectic references pop out of nowhere — a metaphor from quantum physics, an aside that the flute is the instrument whose sound is closest to a sine wave, that a serinette is an 18th century music box used to teach caged canaries to sing.

Even actual professors laud the show.

Nicolas Krusek routinely shows “Ballet Reign” episodes in his classes for adults on ballet history at Simon Fraser University in Vancouver. Krusek says what makes the show compelling “is the spirit of the videos, just the sense of joyousness and benevolence that they communicate, and a real sense of reverence for the art and the artists.”

John Meehan, a Vassar College professor of ballet and former principal dancer with American Ballet Theatre, calls their episode on Igor Stravinsky’s “The Firebird” ballet “amazing,” adding that it conveys at least as much information in much more palatable form than a “dry” university lecture.

Julie Cronshaw, director of the Highgate Ballet School in London, says even for learned, longtime balletomanes the show opens up a whole new realm of understanding and appreciation. For those weighed down by adult concerns, watching an episode leaves them feeling uplifted.

This is why Jordan believes “Ballet Reign” has attracted a significant older audience — and also because the sisters honor tradition.

“They’re looking at the content and saying, ‘These are pieces that I grew up watching. And these are the dancers that I adored when I was younger,’” Jordan says.

Eden says she hopes “it’s because our content, and the way we deliver it, is able to touch hearts.”

The Lim sisters keep a disciplined schedule, turning out polished, deftly produced episodes 52 weeks a year.

(Larsen & Talbert / For The Times)

The show also benefits from its high production values, with expertly edited clips from performances, clever blurbs of text and quirky cutaways to, say, a pole vaulter as an allusion to how high a dancer jumps.

Episodes generally begin the same way, with the sisters sitting behind a table with an old-fashioned radio-days microphone nicknamed “Mike-elangelo” between them. Eden kicks things off by announcing, “Ladies and gentlemen, this is Ballet Reign.”

A flash of superimposed text identifies them as “*Very certified*, extremely serious ballet experts.”

Jordan and Eden revel in each other’s company, finish each other’s sentences and play off each other with insightful or witty interjections.

“We grew up best friends from the beginning, and that’s never changed,” Jordan says.

They keep a disciplined, grueling schedule, turning out polished, deftly produced episodes 52 weeks a year.

Comments validating their efforts come in frequently. “You really helped me through a dark time,” reads one. Another notes, “I was going through a really difficult life transition and having your videos helped me get through.”

Jordan says, “That’s a sort of impact that I genuinely did not see coming.”

The sisters are openhearted and enjoy revealing ballet’s best-kept secrets, but they have kept a remarkably mysterious online profile. Until now, they have never even disclosed their last names, let alone anything about their background, education or experience.

There is also nearly nothing on the internet, and fans have long wondered about their credentials, including whether they are professional dancers themselves.

On the show the sisters certainly come across as if they were. Surprisingly, the answer is no — with an “almost” caveat.

The oldest of four siblings, Jordan and Eden spent nearly all of their childhood in Ottawa. From the time they were small the sisters beelined toward becoming professional ballet dancers. Jordan says when she was 4 she got up at the crack of dawn every day and put in a VHS tape of a ballet class that her mother, Mary Lim, had bought. With fierce determination, she performed tendus and relevés along with the older students on the tape.

Eden’s ballet fascination quickly followed. Mary says she soon realized she had no choice but to send them to ballet school.

“Obviously, if you look at a 4-year-old doing ballet at 7 a.m. every single day, you’re like, OK, let’s try lessons,” Jordan says.

Eden, left, and Jordan Lim of “Ballet Reign” are the oldest of four siblings and spent nearly all of their childhood in Ottawa before relocating to Texas to pursue their careers.

(Larsen & Talbert / For The Times)

By 2015, the girls needed a better ballet school than was available in Ottawa. Their parents packed up the family and moved to Dallas, where the pair enrolled in the Ballet Academy of Texas. Aside from ballet classes they were entirely homeschooled, but they had plenty of experience dancing in school performances, ballet competitions and with real companies.

Mary says the intent was “to give them an opportunity to move and carve their own path … We wanted them to find their passions.”

The moment the sisters had worked for all their lives arrived in 2020, when the time came to set off around the country — and the world — to audition for ballet companies. But the COVID-19 pandemic hit just as they got started, and almost everything in the ballet world shut down.

Jordan says the hiatus led them to reflect for the first time on whether their lifelong ambition was truly what they wanted. At the same time they groped for a way to put their passion for ballet to temporary use.

For years the sisters had fantasized, half-seriously, about having their own YouTube channel. Eden convinced an initially reluctant Jordan it was time to make the daydream real, and “Ballet Reign” premiered on Dec. 21, 2022.

The sisters say they convinced themselves they were using the show to take “a gap year” while waiting out the pandemic. As the first months passed, and their audience widened and sent glowing feedback, they began to realize they were having a big impact and touching lives. It dawned on them that this wasn’t just an interlude but their calling.

In an agonizing twist, just as the show had gotten underway, Jordan received word she had been accepted by a professional ballet company. She turned down the offer.

“It was one of the hardest decisions I’ve ever had to make,” Jordan says, but in retrospect the right one.

If you find yourself surrounded by towering palms, mod furniture, vintage-looking neon signs, a 26-foot Marilyn Monroe statue and a backdrop of bare desert mountains, chances are you’ve landed in Palm Springs.

Look, I get it: Palm Springs doesn’t exactly scream Gen Z. It’s long been known — and still functions — as a retirement haven. A place where older adults trade in puffer jackets for gallery strolls, pool lounging and taco sampling under cloudless skies.

But I, a Gen Z reporter, am here to say Palm Springs can be really fun, and it actually aligns with my generation more than you might expect.

“If you’re going to Palm Springs and you’re our age, you’re looking for spots that are content-creatable,” said Ava Bostock, a 25-year-old L.A.-based public relations professional who researches the intersection of media and youth consumer behavior. “We need the picture to prove we were there.”

Palm Springs doesn’t shy away from its past, and that’s exactly what makes it feel so current.

Gen Z, which covers those who are 14 to 29 years old, is fluent in the digital world, but we romanticize the analog: the grainy film photo, the thrifted wardrobe, the rotary-phone energy of another era. Palm Springs leans into that fantasy: sun-faded signage, bubblegum-colored motels, midcentury homes with breeze blocks and Old Hollywood flair. It’s a time capsule built for our aesthetic eye and our camera roll.

“When I revisit the past, the ’60s were so focused on the future and space age and what comes next,” Bostock said. “I don’t think our generation has that. It feels like we’re walking into the future backwards — like we’re so enchanted with the past.”

That fixation shows up in our Pinterest boards, photo filters and travel decisions. “The most iconic images of decades past are at your fingertips,” she said.

In a place like Palm Springs, where roadside signs, retro motels and Old Hollywood architecture are preserved like set pieces, Gen Z can find a slowed-down, stylized version of the past we’ve only ever seen online.

It’s not just about visuals. “The way we consume and vacation and travel is really dictated by content,” Bostock said.

That’s part of what makes Palm Springs feel uniquely Gen Z. It satisfies a generational paradox: a destination that’s hyper-photogenic yet relaxed and immersive. It’s a place where you can stage the perfect coffee photo, then put your phone down and just be.

So whether you’re tagging along with your desert-retreating parents or planning a weekend getaway with friends, here’s your Gen Z-approved guide to Palm Springs, from where to caffeinate and vintage shop to the best spots for dancing, wellness walks and content-worthy photo ops.

WASHINGTON — Atty. Gen. Pam Bondi was subpoenaed Tuesday to answer questions from Congress about the Justice Department’s sex trafficking investigation of Jeffrey Epstein and the agency’s handling of millions of files related to the disgraced financier.

Bondi was ordered to appear for a deposition on April 14 by the Committee on Oversight and Government Reform after a vote earlier this month that five Republicans supported.

The Justice Department’s failure to fend off the subpoena from the Republican-led committee underscores widespread discontent among President Trump’s own base over Bondi’s management of the review and release of a trove of documents from the criminal investigation into Epstein.

“The Committee has questions regarding the Department of Justice’s handling of the investigation into Jeffrey Epstein and his associates and its compliance with the Epstein Files Transparency Act,” Rep. James Comer, the Republican chairman, said in a letter to Bondi.

“As Attorney General, you are directly responsible for overseeing the Department’s collection, review, and determinations regarding the release of files pursuant to the Epstein Files Transparency Act, and the Committee therefore believes that you possess valuable insight into these efforts,” he wrote.

The department on Tuesday called the subpoena “completely unnecessary.” Bondi and Deputy Atty. Gen. Todd Blanche were expected to provide a private briefing Wednesday to members of the committee.

“Lawmakers have been invited to view the unredacted files for themselves at the Department of Justice, and the Attorney General has always made herself available to speak directly with members of Congress,” the department said in a statement. The agency said it looks forward to “continuing to provide policymakers with the facts.”

The Trump administration has faced constant political headaches since the rollout of the files began in December, with critics accusing the department of hiding certain documents and over-redacting files. In other cases, victims have slammed the department for sloppy redactions that revealed their sensitive information.

The Justice Department has fiercely defended its handling of the Epstein files, saying it worked as quickly and diligently as possible to review and release millions of documents required under the law. The department has denied any accusations that it used redactions to protect certain people or improperly withheld certain materials. And it has said it immediately worked to fix any redaction errors raised by victims.

Richer writes for the Associated Press.

March 11 (UPI) — Gen. Joshua Rudd was confirmed by the Senate to lead the National Security Agency and U.S. Cyber Command Tuesday.

Rudd is already the deputy chief of the U.S. Indo-Pacific Command. The Senate voted to confirm him in a 71-29 vote.

Sen. Ron Wyden, D-Ore., voiced his objections to Rudd because he doesn’t have cybersecurity experience. He had put a procedural hold to block Rudd’s confirmation but the chamber was able to get around it.

“He is not qualified for this job,” Wyden wrote in a letter addressed to President Donald Trump that was submitted to the Congressional Record. “And, when it comes to the cybersecurity of this country, there is simply no time for on-the-job learning. The threat is just too urgent for that. For these reasons, I oppose the nomination.”

The position of NSA director had been vacant since April, when retired Gen. Timothy Haugh and his civilian deputy Wendy Noble were ousted.

Lt. Gen. William Hartman has been acting head and plans to retire when Rudd is sworn in. No date has been announced yet.

“General Rudd is a war hero with a lifetime of service to our nation. He is the right choice to lead the protection of our nation from cyberattacks by Iran, Russia and China,” Sen. Tom Cotton, R-Ark., said in a statement.

During nomination hearings before Senate committees, Rudd defended Section 702 of the Foreign Intelligence Surveillance Act, a data-collection law that is set to expire in April.