Gary

What will USC’s defense look like under Gary Patterson?

Welcome back to the Times of Troy newsletter. When you read this, I will hopefully be lying on a beach somewhere on Maui. Which means the Times of Troy will be taking a brief break next week. A tanner — read: redder — version of me will be back and recharged the following Monday. With the whole family coming and three kids under three in the mix, though, hopes of reaching peak relaxation may be slim!

But before I’m off, let’s dive a little deeper into the defense that the Trojans’ new defensive coordinator, Gary Patterson, plans to bring with him to USC.

Fight on! Are you a true Trojans fan?

In the 1997 edition of the American Football Coaches Assn.’s annual Summer Manual, Patterson, then just 37 and in his second year as New Mexico’s defensive coordinator, laid out his vision for the scheme that later became his calling card.

The 4-2-5, at that time, was unique in college football. The spread offense was just starting to take root, and Patterson wanted a scheme built to stop it. What he designed, it turns out, would still stand up almost three decades later.

That’s primarily because Patterson’s defense was built specifically to be adaptable, year to year, week to week, even play to play.

“Defenses must have enough flexibility in their scheme to limit offenses in their play selection, but be simple enough to be good at what they do,” Patterson wrote in 1997. “During a game we must look like we do a lot, but only do enough to take away what offenses do best.”

Patterson’s scheme has evolved plenty since then. But the principles remain the same. At its most basic level, the scheme uses four down linemen, two linebackers and a “five-spoke secondary” that utilizes three safeties (strong, weak and free). The safeties, in Patterson’s defense, are the glue that binds the scheme together. At any point, two of the three can walk up — to defend the run, for instance — and the look becomes more of a 4-4 defense. Or one can move up for a 4-3 look. It all depends on the offense’s personnel and tendencies.

“He’s going to scout you until his eyeballs come out,” former Texas coach Tom Herman said back in 2018.

The ability of Patterson’s defense to adapt on the fly to fit the situation makes it difficult to exploit. The idea, as Patterson sees it, is to confuse the offense as much as possible, both at the line of scrimmage and in the defensive backfield.

That’s not a revolutionary concept. What makes his approach especially distinctive is that every play includes two separate calls on defense, one for the front six and another for the secondary. The secondary is actually split into two as well, allowing Patterson to have each side playing different coverages, if he so desired. Meaning on any given play, one cornerback might be in man coverage while the other is in zone.

Sounds complicated, right? Well, that’s the idea.

“At first, I thought, ‘Man, it’s gonna be hard,’” said David Bailiff, who was Patterson’s first defensive coordinator at Texas Christian. “But it’s like algebra. When you get it, it’s a piece of cake. And he’s a great teacher of it, too.”

How his defense might look at USC is still to be determined. As of last week, Patterson was still learning his new players’ names, let alone understanding how to use their skillsets. But he said last week that he expects to “add to what we do” at USC now that he can get bigger, faster and stronger athletes on the field than he had at TCU.

He’d initially conceived of the 4-2-5 to account for a talent disparity at New Mexico and TCU, where Patterson only cracked the top 20 in recruiting class rankings once in two decades as coach. At USC, though, that won’t be a problem. Which begs the question: What might Patterson’s defense look like with a host of four- and five-stars at his disposal?

“The better the athlete we have, the more an offense must contend with our individual ability, plus the multiplicity of the scheme,” Patterson wrote in 1997. “We want offenses to guess what they should spend most of their time working on. Our job is to find out what their answer is.”

Patterson hasn’t led a defense since 2021. But as he sets out to install his scheme in the coming months at USC, the hope is that it’s the answer to what’s been missing through four years of Lincoln Riley.

Way-too-early game-by-game prediction for 2026

The Big Ten rolled out its schedule for 2026, and USC’s slate is just as challenging as we expected. There are way too many questions still to be answered to have any real idea how the season might shake out for the Trojans. But as a thought exercise, why not give it a go, anyway?

Aug. 29 vs. TBD: USC hasn’t finalized who will fit into this slot (more on that below), but whoever it winds up being won’t stand a chance of upending the Trojans in their season opener.

Sept. 5 vs. Fresno State: The Bulldogs were no pushover in Year 1 under Matt Entz, who traded his post as USC’s linebackers coach for Fresno. But USC has too much firepower.

Sept. 12 vs. Louisiana: The Ragin’ Cajuns have one of the best nicknames in college football. And that’s where their advantages over USC stop.

Sept. 19 at Rutgers: Traveling as far east as possible for a Big Ten opener isn’t ideal, and I could see USC opening a bit rusty. The Trojans still roll.

Sept. 26 vs. Oregon: Here’s where things get interesting. It will have been almost a decade since USC last beat the Ducks when they meet this fall in the Trojans’ conference home opener. Dante Moore is back, but I think this game will be more evenly matched in 2026. My instinct says it’s a loss, but I reserve the right to change later.

Oct. 3 vs. Washington: This is a tricky one, especially right after the Oregon matchup. Husky quarterback Demond Williams is the real deal, even if he did try to bail for LSU in the offseason. That shouldn’t be an issue when he hits the field. Especially since the defense backing him up could be among the best in the nation. USC barely escapes with a win in this first simulation.

Oct. 10 at Penn State: Woof. USC travels to State College at the end of a three-game gauntlet that could decide its season. We don’t know much about the Nittany Lions yet, but I believe in Matt Campbell, and playing at Beaver Stadium — and probably in a White Out game — is no joke. Another toss-up, but if USC’s beat-up at all by this point, it could struggle.

Oct. 24 at Wisconsin: Camp Randall is one of college football’s best venues, but the Badgers won’t be able to keep up with USC.

Oct. 31 vs. Ohio State:Halloween at the Coliseum delivers USC’s most frightening matchup of 2026. My guess — and I’m going out on a limb here — the Buckeyes will be dominant again. If USC can score a win here, making the Playoff should be a foregone conclusion.

Nov. 14 at Indiana: The defending champs may look a lot different next season, but I still trust Curt Cignetti to get it done. Especially at home. USC starts 3-4 in the Big Ten.

Nov. 21 vs. Maryland: The loss to Maryland two years ago was one of the worst in my tenure on the USC beat. The Terps are better now, but I don’t see USC slipping up again.

Nov. 28 at UCLA: It’s impossible to say what UCLA will look like in the fall, but I wouldn’t be surprised if Bob Chesney has them competing right away. For now, I’ll stick with USC as my crosstown winner.

Final record: 8-4.

USC will need to reach 10 wins to make the College Football Playoff. But it might be an uphill climb just to reach nine. USC will need to win at least one of its matchups against Oregon, Indiana and Ohio State, then also survive toss-up games against Penn State and Washington.

Southern California wide receiver Zachariah Branch (1) runs toward the end zone.

Zachariah Branch helped USC defeat San Jose State 56-28 in 2023.

(Jae C. Hong / Associated Press)

—USC has just 11 games scheduled for 2026. What’s going on with that 12th game? With Notre Dame and USC unable to reach a deal to extend their rivalry, USC still has one slot left to fill in its 2026 non-conference slate. That open game will be played at the Coliseum, during Week Zero on Aug. 29 because by opting to play in Week Zero, USC will get the privilege of a second bye during the season, where other Big Ten schools only have one. The problem is playing that early requires an exemption from the NCAA. So if USC intends to play the game at home, that means its only path to playing in Week Zero is to find a team that’s also playing at Hawaii. Any team playing Hawaii is allowed an exemption to play a 13th game in its season. Very few teams fit that criteria and still have an opening in Week Zero. But one makes the most sense, and it’s an opponent that USC opened the season against not that long ago: San Jose State. Don’t be surprised to see the Spartans come to the Coliseum again for the season opener in August 2026.

—Gary Patterson is bringing at least one defensive assistant of his choice to USC. Paul Gonzales, who spent last season as Baylor’s defensive pass-game coordinator, will be the Trojans’ defensive backs coach, taking the place of Doug Belk. Gonzales worked closely with Patterson from 2013 through his 2021 exit at Texas Christian, where he worked with cornerbacks and safeties. USC already has a cornerbacks coach in Trovon Reed. So we can assume that Gonzales will work with the safeties, which are critical in Patterson’s scheme.

—Defensive line coach Shaun Nua and offensive line coach Zach Hanson are staying put. Both had opportunities to leave USC after the season and ultimately opted to stay. Keeping Hanson is especially significant. The Trojans’ standout offensive line coach was in the mix to become an offensive coordinator at his alma mater, Kansas State, where his close friend, Collin Klein, is now the head coach. Yet Hanson still opted to stay, which I think is telling.

—The USC women’s win over No. 8 Iowa might have saved the season. Hopes of a postseason run were looking a bit bleak for USC before last Thursday night’s impressive home upset of the Hawkeyes. But the Trojans are now up to 20th in the NET rankings, with three Quad 1 wins, while a softer part of the schedule approaches. USC still can’t afford to drop too many of its nine remaining games, but the Iowa win is a sigh of relief on that front.

—New Dedeaux Field is still under construction. And will be when USC’s baseball season opens against Pepperdine on Feb. 13. That shouldn’t be a problem when it comes to playing actual baseball games. But the baseball offices, press box and concession stands aren’t finished yet (though, there will be temporary options). As such, baseball games will be free to fans this season. But USC not being able to deliver on the amenities that were promised by the time the stadium opens is a big miss for a baseball program that deserves more respect and could’ve used a boost in fan support. USC chose to prioritize finishing the football facility. Most schools probably would have done the same. For what it’s worth, Andy Stankiewicz, who just led the Trojans to their first NCAA tournament in a decade, has been very understanding of the whole situation.

Olympic sports spotlight

Freshman Max Exsted has been with USC’s men’s tennis program for just a few weeks, but he’s already made quite an impression. The mid-year addition from Minnesota has already won Big Ten Freshman of the Week twice in the first three weeks of the season.

That’s a great sign for a men’s tennis program that must replace an ITA All-American and All-Big Ten player in Peter Makk. The Trojans are 4-3 to start this season under seventh-year coach Brett Masi, whose contract was extended through 2028 in October as part of USC’s wider efforts to lock up its reliable Olympic sports coaches long term.

USC has made the NCAA tournament in four of six seasons under Masi. The expectation should be that that continues this year.

Times of Troy survey results

We asked,”How do you feel about the Gary Patterson hire?”

The results, after 414 votes

Cautiously optimistic it could work, 69.6%
Thrilled! We got a Hall of Famer!, 16.8%
Mildly concerned it will fail, 8.9%
Convinced this will be a disaster, 4.7%

In case you missed it

Ezra Ausar helps USC hold on for a win over struggling Rutgers

Kennedy Smith and USC women stun No. 8 Iowa in a huge statement win

New USC defensive coordinator Gary Patterson outlines his vision for the Trojans’ defense

USC faces brutal Big Ten football slate in 2026

What I’m watching this week

Jon Bernthal and Tessa Thompson in "His & Hers."

Jon Bernthal and Tessa Thompson in “His & Hers.”

(Courtesy of Netflix)

The mystery thriller genre has really hit a stride recently, with shows like “All Her Fault,” “Beast in Me” and “Task” all getting mentions in this space over the last several months. I don’t think “His & Hers” belongs in that group of standouts, but I’m willing to see it through.

That’s mostly on account of the always-charming Tessa Thompson, who plays a former TV anchor drawn back into an investigation when a murder takes place in her small Georgia hometown. Her estranged husband, played by Jon Bernthal, just happens to be the detective assigned to the case. Both are under serious suspicion right from the jump.

There’s high off-the-rails potential here, as tends to be the case with Netflix thrillers. But it’s also an easy binge, and now that I’ve watched a few episodes, I need to know where this mystery goes.

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.

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New USC defensive coordinator Gary Patterson outlines his vision for the Trojans’ defense

When Gary Patterson resigned as coach of Texas Christian in October 2021, midway through his 21st season with the Horned Frogs, the now-65-year old coach decided to take a step back and reevaluate where he and the college game were headed.

“I’d had a job since I was 9 years old,” Patterson said. “Just kind of wanted to take a break.”

For decades, football had been at the forefront of his and his family’s life, so much so that his wife joked she was merely his “mistress.” He wanted to spend time with her, with his grandkids. Plus, after a few seasons, he knew he’d be eligible for the College Football Hall of Fame, which was important to him.

Patterson ended up filling that time with football, anyway. He watched the game from afar, helping out as a consultant on staffs at Texas and Baylor, even working with Amazon Prime’s football coverage, just to score a subscription to Catapult, all along biding his time for the right opportunity to come along.

It came earlier this month, four years after his departure from Fort Worth, in the form of a text message from USC coach Lincoln Riley, whom he knew from their days coaching across from each other in the Big 12. The Trojans’ defensive coordinator, D’Anton Lynn, had left in late December for the same job at Penn State. Riley needed a replacement.

“He wasn’t going to jump back into this for anything,” Riley said Wednesday. “It had to be the right opportunity, the right kind of place, the right kind of setting. I know he knows and believe he’s found that.”

No one is more invested in that than USC’s head coach. Whether Patterson turns out to be the right fit at the right time for the Trojans may ultimately determine the trajectory of Riley’s future with the program. Patterson will be Riley’s third defensive coordinator in five seasons at USC.

“I think it’s an unbelievable hire by Lincoln,” said David Bailiff, who worked with Patterson at New Mexico and TCU. “For him not to be intimidated with Gary’s background, that all he wants to do is get USC better — a lot of coaches probably wouldn’t hire Gary because he’s been a head coach for so long.”

For Patterson, who never beat Riley in seven meetings while at TCU, it was a particularly ideal partnership.

“Any time that I was ever part of a team that had a great offense and scored a lot of points, we won a lot of ball games,” Patterson said.

Patterson, however, hasn’t been a full-time assistant since the turn of the 21st century. He last served as defensive coordinator under Dennis Franchione, who brought Patterson with him from New Mexico to TCU in 1998. He was promoted to head coach in 2000, when Franchione left for Alabama. A week later, across the country, USC hired Pete Carroll.

That’s how deeply entrenched Patterson was for more than two decades at TCU, where his tenure, by any measure, was a staggering success. Over 22 seasons, Patterson led the Horned Frogs to 181 wins and six conference titles. Throughout, defense remained his calling card. Five different times during his tenure, TCU finished No. 1 in the nation in yards allowed, as Big 12 offenses struggled for years to adjust to his multifaceted 4-2-5 scheme.

But by 2021, while Patterson’s TCU defense had largely remained strong, the luster of his long tenure in Fort Worth had faded. The bottom fell out that fall, as the Horned Frogs started the season 3-5. Informed that he wouldn’t be back the following season, Patterson instead resigned with four games left.

Now he returns not as a head coach, but as a coordinator, a step down that Patterson seemed just fine with when asked Wednesday.

“I love it, to be honest with you,” Patterson said.

The entire landscape of college football has also been turned on its head since Patterson last coached, with the advent of revenue sharing and the rise of the transfer portal. But he didn’t seem all that concerned by those changes Wednesday. Mostly because he doesn’t expect it to affect what USC is asking him to do.

Trojans fans hope Gary Patterson's hire leads to more of this, when three USC players brought down a running back last year.

Trojans fans hope Gary Patterson’s hire leads to more of this, when three USC players brought down a Northwestern running back last season.

(Eric Thayer/Los Angeles Times)

“My job is defense,” Patterson said. “I don’t deal with NIL. I don’t deal with all those different things.”

His reputation as a mastermind on the defense certainly precedes him, and at USC, that’s where he’ll be needed most. Bailiff, who worked with Patterson at New Mexico and served as his first defensive coordinator at TCU, said that hisability to diagnose what a defense needs is “superior from any person I’ve ever seen.”

His signature 4-2-5 defense was designed, in part, to allow for such adaptability. With five defensive backs on the field most of the time, Patterson’s scheme is intended to adjust to any offense, allowing for his defense to limit substitutions and match up against most personnel groupings.

That scheme, after four years away from the game, is likely to be different by the time it’s installed at USC. Patterson said he plans to marry his original 4-2-5 at TCU with concepts he learned at Texas and Baylor. He also plans to integrate some of what USC’s defense was already doing, with most of the assistants from last season expected to remain on staff.

“Instead of just coming in and saying, well, ‘This is how we’re going to do it,’” Patterson said, “it’s been a little bit more work of trying to put it all together.”

It’ll be up to Patterson to put it all together on USC’s defense, which in four seasons under Riley, has never put things together for long.

“Hopefully,” he said, “[I can] be that last piece to help SC get over the bar, get into the playoffs, to bring out a championship.”

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I kept eating until no one recognised me & to kill the pop star, says Gary Barlow as he tells all on battle with fame

TWO years ago, Take That’s Howard Donald delivered 52 tapes to Netflix in an enormous Ikea bag.

He had spent the past 35 years quietly filming the band as they transformed from working-class lads into bona fide global stars.

In one emotionally-charged interview, Gary Barlow talks about his struggle with bulimia, which started following Take That’s split in 1996 and his rivalry with RobbieCredit: Netflix
Gary says he spent 13 months rarely leaving the house as he struggled with his mental health and weight gainCredit: Netflix
The band had transformed from working-class lads into bona fide global starsCredit: Netflix

“Are you sure it wasn’t a Prada bag?” Howard teases as I interview the group to celebrate the release of a three-part Netflix docuseries based on that footage.

Jokes aside, Howard, Gary Barlow, Jason Orange, Mark Owen and Robbie Williams handed full editorial control to director David Soutar to tell their story with zero interference.

It was a bold move given the much-publicised trials and tribulations of one of Britain’s biggest bands, who have landed 12 No1 singles in their 35-year career.

The series features candid new interviews with current members Gary, 55, Howard, 57, and Mark, 54, alongside never-before-seen footage and photographs.

GARY’S LOW

Gary Barlow shares never seen before pics from bulimia battle after hitting 17st


BACK IN TOWN

Gary Barlow reveals secrets behind Take That’s new tour & Robbie’s new record

Robbie, 51, and Jason, 55, allowed archive chats with them to be used to narrate their part in the story.

In one emotionally-charged interview, Gary talks about his struggle with bulimia, which started following Take That’s split in 1996 and his rivalry with Robbie.

Taunts from Robbie are replayed during the documentary, with footage showing him saying: “My problem always was with Gary, I wanted to crush him. “I wanted to crush the memory of the band and I didn’t let go. Even when he was down I didn’t let go.”

Speaking at the premiere of the documentary at Battersea Power Station in South London on Monday night, Gary admits it was tough to watch.

‘Butt of the joke’’

He said: “It’s a narrative that I haven’t thought about for years and years. When we had our reunion we spent a lot of time talking about it and I remember leaving on one particular day and we’d discussed everything. And I remember leaving and my shoulders were light.

“And I’d not thought about it since because I’d not needed to. And it brought it all back. Tricky times they were.”

In the documentary, Gary shares previously unseen photographs of him as he struggled to find his purpose and says: “You’re the butt of the joke. It was so excruciating you just want to crawl into a hole.

“There was a period of 13 months where I didn’t leave the house once. I’d also started to put weight on.

“The more weight I put on the less people would recognise me and I thought, ‘This is good. This is what I have been waiting for. This is a normal life’.

“So I went on this mission then, if the food passed me I would just eat it. And I’d killed the pop star.

“I would have these nights and I would eat and eat and eat but however I felt about myself, I felt ten times worse the day after.”

At his heaviest, Gary, who has three children with his wife Dawn, weighed just over 17 stone.

He explained: “One day I thought, I have been out, it’s 10 o’clock, I have eaten too much, I need to get rid of this food.





It only took a few years to get that low, but it took me years to get back to who I wanted to be. Ten years probably.


Gary Barlow

“You just go off to a dark corner of the house and you make yourself sick. You think it’s only once and all of a sudden you’re walking down that corridor again and again.

“Is this it? Is this what I am going to be doing forever?”

By 2003, Gary turned his life around, and he said: “I just went, ‘No, I’m not having this any more, I’m going to change. I want to change and I’m determined that this is not who I’ve become’.

“It only took a few years to get that low, but it took me years to get back to who I wanted to be. Ten years probably.”

Discussing his recovery with The Sun in 2021, he explained: “I’ve been very strong-minded about how I live and what I eat.

“In general, I work on a 90/10 — 90 per cent sensible-choice food and ten per cent fun choices.

“Buy a nice little writing book, one you’ll feel good about holding and keeping on you at all times. Do a food diary every day, and look down and you’ll see what you’re doing wrong.

“A food diary will also show you what you’re missing in your diet. If you want to get serious and go to a dietician or to a friend and seek help, you can show them the diary.”

Howard is also painfully honest about how hard life was following the end of Take That.

In the documentary, Howard recalls returning home and says: “I felt like I was the only one who didn’t grow up, even though I was the eldest.

“I was a nobody in school, I didn’t go to university, I didn’t think I’d do anything but I felt like a superhero up on that stage.

“It was going towards a depressive state. I decided to go to the Thames.

“I was seriously thinking I was going to kill myself but I was too much of a s**tbag to do it.”

Speaking backstage at the premiere, Howard explains that the band did not want to hide the painful parts of their journey.

He said: “I think it is such a true documentary. You can easily do a documentary and take out all the bits that you feel uncomfortable with — and there are quite a lot of uncomfortable bits in there.

“But it’s true of the last 35 years of Take That. There is a lot of footage people have never seen. It’s good for people to see.”

Gary admits weight gain made him less recognisable – and briefly feel like he had found a ‘normal life’Credit: Netflix
Netflix’s Take That is available to stream nowCredit: PA

Mark is also seen struggling to cope with life after the band, who landed their first Top Ten hit with a cover of Tavares’ It Only Takes A Minute in 1992.

He said backstage: “We were working hard, playing all these gigs and things got very hard — but then we got back together. Maybe miss out on the middle bit.”

‘I got a lot of stick’

Like Robbie and Gary, Mark attempted to launch a solo career, but was dropped by his label in 1997, a year after Take That split.

He added: “You start to feel very negative about yourself.”

Robbie and Jason’s clashes with the band’s former manager, Nigel Martin-Smith, are also discussed in the doc.

Robbie says: “Nigel as a manager, he never managed me, he managed Gary Barlow. I wanted him to love me but he never did.”

Jason adds: “When I was in Take That the first time around I was the dancer and I accepted that at the time.

“I don’t know if this is the time or place to say, I was told not to bother singing, ever.”

After the group came back as a four-piece without Robbie in 2005, they ceased working with Nigel and found new representation.

Of the change, Jason says: “Robbie and I got a lot of stick from Nigel. He made us all feel insecure.

“I could feel worthless in the band and I didn’t deserve to feel that. I didn’t want to feel that any more.

“We had chosen our own management, we had chosen our own people, we were in control.”

Director David admits there was some trepidation when it came to showing the three episodes for the first time.





In about 25 minutes we’d put things to bed that had haunted us for years.


Gary on Robbie feud

Speaking backstage alongside producer Gabe Turner, David said: “We talked long and hard about how to do it.

“There is some really hard stuff in there for them, it was a tricky thing for them to watch and it was nervy for us to watch it with them.

“They allowed us to push them to that place. We asked them to lay down their story and they allowed us to take them to that place.”

Gabe added: “Episode two is punchy. With a lot of documentaries you are building that relationship for the first time, you’re working on the fly, but these guys know us and know what we want to do.

“I felt really positive about how little they wanted to see it. They handed us the keys and said, ‘Do you thing’.”

As well as the tough times, Take That fans get a front seat to the inner workings of the group’s comeback with Robbie in 2011.

‘Haunted us for years’

Opening up about healing their old wounds, Robbie says: “I needed Gary to listen to my truth.”

Gary continues: “There were things around people not being supportive of his songwriting and his weight. I’d called him Blobby rather than Robbie one day, which I shouldn’t have done.

“Then I hit him with things he had done to me that I didn’t like

“In about 25 minutes we’d put things to bed that had haunted us for years.”

As well as hearing original demos on the series, fans also get treated to a new single, You’re A Superstar, at the end of the third episode.

The track, taken from their tenth album, is expected to be released later this year.





We’ve got the first steps, we’ve got the Netflix documentary, then we’ve got the Circus tour, then there will be new music.


Gary

Backstage at the screening in London, Howard said the trio have spent months working on the material, adding: “It’s going really well.

“We’ve all been writing separately, writing together and I think we’ve got a really good choice of really good songs.

“We are really proud of them and we just can’t wait for people to hear them.

“We’ve got the first steps, we’ve got the Netflix documentary, then we’ve got the Circus tour, then there will be new music.”

Mark continued: “The tenth album feels quite special. I am really excited about what I am hearing.

“It’s given us a boost, the songs that are coming through and the fact it’s our tenth record, it’s like ‘Go on guys!’.”

Ahead of their 17-date Circus Tour, which kicks off at St Mary’s Stadium in Southampton on May 29, fans will be wondering now if history will repeat itself — and Robbie will rejoin again.

And Gary for one is hopeful, saying yesterday: “At some point it’s going to happen.

“And that’s one of the wonderful things about our band — you never know what’s around the corner.”

  • Netflix’s Take That is available to stream now.
Gary shows off his buff physique while on holidayCredit: BackGrid
Gary and Take That in 1992Credit: Getty

BRAVE BOYS GO WARTS AND ALL

THESE days, most big stars who promise a warts-and-all documentary about their lives end up pulling a Kim Kardashian and overseeing every last scene.

But not Take That, who were brave enough to hand over hundreds of hours of footage to Netflix to tell their story. 

For the most part, the three-parter is the most mesmerising trip down memory lane – with Gary, Howard, Jason, Robbie and Mark starting their career in the band by performing in gay clubs and then school halls in a desperate bid to make it. 

But with all the hilariously fun Nineties fashion and moments of shared joy, there is a heavier undertone that echoes around episode one before loudly arriving in the second. 

The realities of being shoved into the emotional mincing machine, which was sadly part and parcel of being a pop star in the Nineties, are hard to watch. 

My heart hurt as Mark, who penned my favourite Take That song Shine, begged people to ask about his solo music when the band split in 1996 – and when Jason admitted he was told that he was only good enough to dance and “shouldn’t bother singing”. 

And I was close to tears as Howard recounted reaching such a desperate point after they split that he considered taking his own life. 

I’m lucky enough to work with big musicians regularly and, each time, I am reminded that no matter how famous they are, they are all human. 

I’ve watched artists break down backstage under the strain of big tours and have been privy to quiet moments of anxiety and fear over their chart performances. 

For Take That to pull back the showbiz curtain to allow the public and fans to see the realities of the highs and lows of fame was a brave move – but, boy, it paid off. 

For me, it’s a must-watch. 

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