French

Disneyland Paris may be France’s most famous theme park but there’s an underrated, lesser-known gem that I discovered with my son which I’ve been telling everyone to visit immediately

Theme parks are not my thing. Like many first-time parents, when my first son was born, I was wildly optimistic about the prospect of travelling with him.

I imagined my sweet boy hanging off my hip as we wandered around restaurants and museums on city breaks, enjoying all the things I enjoy.

The reality, of course, is that children like children’s things. And if you’re lucky, they’ll tolerate your interests for half an hour at most. Which is why, for years, the idea of a theme park holiday filled me with dread.

So, when I found myself taking my 11-year-old to Futuroscope in France, I approached it with an endurance test mindset. What I didn’t expect was that by the end of the trip, I’d be recommending it to other families.

Getting there

The journey, in both senses, was easier than I expected. Just months away from starting secondary school, my son has reached that fleeting sweet spot between childhood and adolescence where he still wants to spend a weekend away with his mum.

Our route from Manchester involved an Avanti train, a night near St Pancras station, an early morning Eurostar, the Paris Metro and a high-speed train to Futuroscope station near Poitiers. On paper it sounded like a lot.

In reality, it became very much part of the adventure and my son was enjoying all the responsibility – checking maps and practising his French on DuoLingo.

As a mum of three, I realised how rarely we get this kind of uninterrupted time together. Even before we’d reached the park, the journey itself had already brought us closer.

Staying at the Ecolodgee

A short walk from Futuroscope station and we were there. In fact, the journey via Eurostar was so seamless that my son repeatedly asked whether we’d actually left England yet.

We stayed at the Ecolodgee near the park entrance for really easy access. It’s made up of nature-inspired cabins overlooking a beautiful lake with very lively families of frogs to provide endless wonderment for curious kids such as mine. My son along with some neighbouring kids named themselves ‘the frog hunters’ for the duration of our stay, which says it all really. Nature is the best playground.

The cabins themselves are thoughtfully designed with cabin beds for kids cleverly separated from the master bedroom area yet in the same space. According to my son, the hand-delivered breakfast basket that arrived on our cabin doorstep each morning filled with French delights was the best meal of the entire trip.

I couldn’t agree more. Sitting on the terrace together, listening to frogs and looking out across the lake with no screens, was just perfect.

The rides and attractions

As someone who once rode Blackpool’s Pepsi Max Big One six times in a row without hesitation, I’ve reluctantly had to accept that age has made me considerably less fearless.

Two fun-packed days with my son however, meant stepping out of my comfort zone and straight into the arms of a nine-metre-high robot. Dances with Robots is a ride that throws you around to music at a fear factor of your choosing. Speaking on behalf of both of us, that fear factor was apparently “expert level” according to my son.

I emerged feeling slightly shaken and wondering how I was going to survive an entire weekend of being flung upside down. Thankfully, I quickly realised that Futuroscope isn’t really a theme park in the traditional sense.

Yes, there are plenty of thrilling rides; my son called Objectif Mars (Destination Mars) “the best ride ever” before immediately asking to go on it again. But much of what makes Futuroscope special isn’t physical at all. It’s immersive, imaginative and distinctly French in a way that truly sets it apart from most theme parks.

If needed, English language translation is available through the ListenWIFI app for many of the story-led attractions, but I found myself happily dusting off my GCSE French for the most part and embracing the fact that this is a park built with French families in mind.

Chasseurs de Tornades (Tornado Chasers) was a favourite. We were plunged into the heart of a tornado on a revolving platform, combining blockbuster storytelling with a thrill factor that doesn’t make you question your life choices. My kind of ride.

I also loved La Clé des Songes (The Key to Dreams), a spectacle of water screens, projections, lights and pyrotechnics in the most grand and beautiful setting, that really was like stepping into a dream.

What I appreciated most though was the overall balance.

One minute my son was absolutely wired on the water rapids ride Mission Bermudes, the next he was peacefully gliding around the world with me on The Extraordinary Journey.

Each attraction activated different parts of his imagination. And, more importantly, gave me just enough recovery time.

The food

Futuroscope offers a huge variety of food options ranging from French dining and buffets to gelato and street food – without a nugget in sight.

La Table d’Arthur is great for most tastes with its generous self-service buffet, while L’Atelier des Saveurs offers a more traditional French dining experience.

The most enticing option for children, however, is Space Loop Restaurant, a futuristic dining experience where your meal travels from the kitchen to your table via a rollercoaster suspended above your head. The star attraction is the famous blue burger, which is as blue as a bottle of WKD and, unsurprisingly, is a child’s dream, as is much of the food at Futuroscope.

For us, though, enjoying it all required extra planning.

My son has multiple food allergies, including sesame, nuts and fish, so eating anywhere new can be very stressful. Throw in a language barrier, an overwhelming buffet and you have a familiar challenge for many allergy families.

Thankfully, Space Loop had a delicious pasta option and fries, which kept my son very happy and full. Meanwhile, when I felt stressed by the choices at La Table d’Arthur, staff were able to give a detailed allergen information sheet which was reassuring.

Travelling with food allergies will always need extra vigilance, but once I knew how to ask, our meals became easy and enjoyable.

My overall verdict on Futuroscope

What I loved about Futuroscope overall was that rather than stepping into a global brand, I felt like I’d genuinely travelled somewhere both unique and affordable. The food, language, attractions and even the families around us reminded me that we were in France at every turn. And for me, that’s its biggest selling point.

It also gave me something I hadn’t expected from a theme park holiday.

As my son edges closer to his teen years, uninterrupted one-on-one time can be surprisingly hard to find.

Whether eating food delivered on a rollercoaster or exploring virtual worlds, the trip gave us space to try new things and just be together and that’s what I’ll look back most fondly on.

Of course, he’ll treasure the rides the most. And strangely, we’ll probably both remember the frogs.

Book the holiday

• Stay three days and two nights at Futuroscope from €896 (£774) for a family of four staying at Hotel Ecolodgee, with Futuroscope tickets as well Aquascope tickets. Find out more and book at futuroscope.com.

A French teenager has been fined about $465 after pleading guilty to a public nuisance charge in Singapore for licking a straw. Didier Gaspard Owen Maximilien went viral when he posted a video of himself licking the straw and placing it back in a juice vending machine.

Kavinsky, the French electronic musician and DJ whose moody single “Nightcall” scored the hit film “Drive,” has died. He was 50.

French newspaper Le Figaro and TV station BFM reported that Kavinsky, born Vincent ‌Belorgey, died from a suspected stroke. Paris prosecutors investigated and found “no suspicious elements,” they said.

Kavinsky was a defining act of the Paris electronic scene of the 2000s and 2010s, whose neon-smeared synths and noirish atmospheres lent themselves to L.A. freeways and Montmartre nightclubs alike.

Adopting a droll persona — a red-eyed electronic producer who returned from the dead after a Ferrari crash — Kavinsky was a major figure in the second wave of the “French touch” dance scene.

His popular breakthrough came with “Nightcall,” a collaboration with CSS’ Lovefoxxx and Daft Punk’s Guy-Manuel de Homem-Christo. The song was a propulsive theme of Nicolas Winding Refn’s 2011 film “Drive,” a brutal and romantic revenge thriller beloved for its slinky, retro-futuristic soundtrack. Kavinsky performed the song to close out the 2024 Paris Olympics, performing with the French band Phoenix and the Belgian singer Angèle.

While he only released two studio LPs, including the 2013 singles collection “OutRun” and “Reborn” in 2022, he was influential to major acts that came after him. The Weeknd, who sang on an edit of Kavinsky’s “Odd Look,” wrote on X: “So heartbreaking to hear the news. An inspiration to so many, including myself. I will continue to honor your name and your music. Rest easy Kavinsky.”

French President Emmanuel Macron also wrote a tribute on Instagram, calling Kavinsky an artist France could be proud of forever.

DAWN French and Jason Manford have paid a heartbreaking tribute to the “quietly magnificent” publicist Neil Reading.

The entertainment industry heavyweight died aged 56 following a short illness.

Mr Reading, one of Britain’s best-known showbiz publicists, represented a glittering roll call of stars including French, John Cleese and the late Victoria Wood.

His sudden death has prompted an outpouring of grief from the celebrities and friends whose careers he helped champion.

The founder of Neil Reading PR was behind a string of West End hits, including High Society, Only Fools And Horses and Fawlty Towers – The Play.

But for French, Mr Reading was far more than the man handling her publicity.

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She said: “Neil Reading was a one-off, such a kind, decent, intelligent man, a proper gentleman in the old-fashioned way, quietly magnificent.

“Our work relationship became a very real and trusting friendship.

“He has been my ally and fierce protector through so much and for so long. I don’t quite know how I’ll manage without him. Sleep tight darlin’ heart.”

Comedian Jason Manford also revealed the devastating depth of their nearly two-decade friendship.

He said: “Describing Neil as my PR manager does not come close to describing what he meant to me.

“He was a trusted friend of almost 20 years, a confidant and one of the most loyal, noble and brilliant men I have ever known.”

Mr Reading’s star-studded client list also included John Bishop, Sir Lenny Henry and Paul McKenna.

Bishop said: “Neil was a true gentleman. He was too humble to realise how much he meant to people and I know he will be greatly missed.”

McKenna said: “Neil was one of the finest people I’ve ever known.”

Businessman Nick Candy, who was a close friend of Mr Reading, said the publicist’s impact stretched far beyond the spotlight.

He said: “Neil wasn’t just a brilliant publicist – he was a true friend and one of the kindest, most generous people I have ever known.”

Mr Reading launched his agency in 1992, building it into a formidable entertainment, consumer and lifestyle PR operation.

The company later expanded into business, property and fashion, while forging links with agencies across Europe and the United States.

Through decades at the heart of showbiz, Mr Reading became a trusted figure behind some of Britain’s biggest names and productions.

He is survived by his wife Claire and daughter Rosa.

Mr Reading’s career was built on a knack for turning famous names into headline-makers, long before social media transformed the publicity game.

He struck out on his own in 1992 at just 22, quickly building an agency around personal publicity and an increasingly glittering roster of household names.

By 1997, he was representing stars including Jonathan Ross, Michael Flatley, Jack Dee, Lee Evans and Ben Elton, while also working with clients outside showbiz.

His agency went on to become a formidable force behind some of Britain’s biggest entertainment launches.

In his 1997 Independent interview, he described personal PR as his “first love”.

One balmy October day in Havana, as the Cuban French sister act Ibeyi plotted the video for “Offerings” — an electro-spiritual ballad from the new album “Offering,” released in June — Lisa-Kaindé Díaz unceremoniously asked her twin Naomi Díaz, to ceremoniously shave her head on camera.

Naomi was accustomed to Lisa-Kaindé’s whims long before they became professional artists. But to take a blade to her sister’s voluminous curls would be a bridge too far.

“I was like, ‘Hell no. I’m not doing that!’” Naomi recalled to The Times, over a Zoom call from Paris.

“As always, when I come with my woo-woo stuff, Naomi is eye rolling like, ‘Girl, what is this s—?’” said Lisa-Kaindé. “But this time around, Naomi was like, ‘OK.’”

The music video ended with Lisa-Kaindé releasing her locks into the sea.

At the core of Ibeyi, which translates to “twins” in the Yoruba language, is the polarity between sisters. Lisa-Kaindé is the bleeding heart who whispers divinity into her lyrics, and Naomi grounds them with the beating pulse of her percussion. They sing in unison, both in tension and harmony. This is the synergy that illuminates their atmospheric approach to the Afro-Cuban jazz tradition.

Born into a musical family in Paris — their mother the French Venezuelan singer Maya Dagnino, their father the Grammy-winning Cuban percussionist Anga Díaz (of Irakere and Buena Vista Social Club) — the 31-year-old sisters jump-started their music careers at 18 when they were discovered by British producer Richard Russell, who also helms the indie powerhouse XL Recordings. After releasing a self-titled debut in 2015, the Díaz sisters appeared in the utopian short film for Beyoncé’s “Lemonade,” then released two more albums under XL: 2017’s “Ash” and 2022’s “Spell31,” which Lisa-Kaindé admitted underperformed expectations.

For “Offering,” they parted with XL and braved the studio as independent artists, inviting new collaborators into the project such as producer Michael Brun (J Balvin, Victoria Monét)and the famed Cuban conguero Pedrito Martinez.

“Things didn’t go the way you wanted them to go, now what does it free?” said Lisa-Kaindé. “It freed a lot of things, in our personal and professional lives,” she added.

The duo returned to their roots in Havana last fall to film the visuals for “Offerings” — as well as other singles “Aset” and “Hurry Hurry,” which were co-directed by Corry Van Rhijn and Roman Pichon Herrera. Family, friends and neighbors filled the frames with dancing and dominoes; their apartments painted in shades of mint, butter yellow and palomino pink, flecked with a patina cultivated by humidity and time.

As Cuba remains a topic of heated debate in the U.S. — or a political football — the Díaz sisters remind listeners that the island nation is still home to over 10 million people, including their relatives, whom they’ve visited regularly since they were little girls.

In 2027, Ibeyi will embark on a North American tour, which kicks off Jan. 27 at the Fillmore in San Francisco and includes a stop at Pacific Electric in Los Angeles on Jan. 29. (“I want everybody to cry, dance and twerk that ass at our shows!” said Naomi.) The Díaz sisters spoke to The Times about their season of upheaval and the recovery that informed their first independent outing yet.

This interview has been edited and condensed for clarity.

What has changed for you the most since you released “Spell31?”

Lisa-Kaindé: A lot has changed, personally and in the world. We needed to stop for a little bit and gather our thoughts, reflect on our career and all that we have done. We went from anger to sadness to acceptance. We left XL Recordings, which was our home for 10 years [and] three albums. We also stopped working with Richard Russell, whom we love. He was one of the first people to hear the album. But we really needed to experience something new.

Naomi: We started when we were 18, and now we’re independent and more in control than ever. We tried to find new producers with whom we felt a deep connection. That was like leaving a marriage and going on Tinder and having lots of bad dates… Our sound is so strong that we’d eat them, so we had to find producers whose sound could stay strong with ours.

I hear a lot of heartbreak in this album, but also making peace with that. How do you personally heal from the pain of such endings?

Lisa-Kaindé: We just go through the s—. There’s no other way. I think we should all be courageous to change. Look into the mirror and be like: “Who am I? What do I want to do?” And just live. L-I-V-E. It could also be L-E-A-V-E.

You have a T-shirt that says, “I used to make spells, now I make offerings.” What does that mean to you?

Lisa-Kaindé: “Spell31” [went] hand-in-hand with my high expectations. I felt like we needed to put a spell on the world, so that the world would love us. When “Spell31” didn’t meet the expectations I had, it was painful. I went into a meditation and came out thinking: “I used to make spells. Now I make offerings.” Suddenly it was so obvious I was trying to feed myself from the wrong source of protein. What if I just gave without expecting anything?

Some of your lyrics name orishas from the Yoruba religion, such as Elegua and Olokun. What does your spiritual practice look like?

Lisa-Kaindé: The older we grow, the more religious I’m becoming … but Naomi lives her spirituality in very different ways. For her, twerking in a sweaty club can be one of the most spiritual things ever. She’s getting more and more gangster.

Naomi: It’s how we grew up. We never use the word “spiritual,” but spirituality can be a lot of things. To me, there’s nothing more spiritual than being in [famed Atlanta strip club] Magic City. Some people are gonna light a candle. Everybody can do whatever the f— they want.

Lisa-Kaindé: It’s about living in a way that is aligned with what makes you vibrate, what makes you feel alive.

What was it like for Naomi to cut Lisa’s hair in the video for ‘Offerings?’

Naomi: I was scared that she would not like her reflection. She came [to me] with, “Can you be the one shaving my head?” And I was like, “Hell no. I’m not doing that!” She was like, “Please, [it’s] really important for me as a twin.”

We didn’t have any mirrors. It was tough, but [as] I was doing it, I was like, “I hope she’s gonna love herself.” At one point I looked at her and I was like, “Oh, you’re so beautiful!” And she was like, “If Naomi tells me I look beautiful, I am.” It was really powerful.

In the closing track, ‘Lucky,’ you sing: ‘We can’t manifest for s—; God will always choose for us.’ Be honest, is this in response to those trending videos on social media about manifestation magic?

Lisa-Kaindé: Funny enough, we’ve never talked about this to the press. … But I went kind of cuckoo with the manifestation while making “Spell31.” I started writing three times a day: “It’s gonna do well.” It was the first time I ever did that. And when it didn’t work, I was like, “What do you mean? I did all of the things y’all told me to do!” And that’s why I’m saying we can’t manifest for s—. What happened was exactly what was supposed to happen.

My own outlook changed after a priestess told me to keep an altar to bring offerings to my ancestors. If you want something … you have to give the universe something to work with!

Lisa-Kaindé: You need to give! That doesn’t need to be a religion or whatever. Just be kind. It’s an exchange. There’s always a price — and that doesn’t have to be a terrible thing. It could be a very beautiful thing. I think it’s better if there’s a price. You’re not just demanding the universe to give you something just because you say it enough times.

I sense more thunder in the sounds of ‘Offering,’ especially in Naomi’s percussion. ‘Mosh Pit’ is a storm of trap and acoustic elements. Can you talk about making this song?

Naomi: This was the first song we made for the album. We met Michael Brun, who is Haitian and lives in New York. We wanted a tough energy, we wanted dragon energy in this song. I listen to a lot of rap and trap, so there’s a little more of myself in this. Ibeyi is like a needle between Lisa and I; for 10 years, the needle moved a little more toward Lisa, but now it’s moving toward me. Life is like that.

You shot multiple music videos in Cuba. What made you decide it was time to make these videos in Havana?

Naomi: We recorded the videos in September and October. We wanted to show Cuba because it’s remembering our dad. Home is Paris, London and Havana for us.

Lisa-Kaindé: After having done the visuals from “Spell31” inside the studios … we needed something more personal. We had never done visuals in Cuba, but I think it’s because we’re very protective of Cuba. We’re protective of what the world sees Cuba as, whether it’s the old ladies smoking cigars, or the American cause. We’d go there in the summers [for] our whole lives. We wanted to show something beyond what tourists see. These are the people who actually live there. It’s important to know how people live.

Naomi: We wanted to be with our people and show the real Yoruba, Cuban way of living. Parties full of elderly people, young people … everybody twerking!

This big house party happens in the video for the song ‘Aset.’ Can you tell me about shooting the party scene?

Lisa-Kaindé: Funnily enough, I think our family was more involved behind the scenes. Naomi’s best friend helped with all of the wardrobe because she’s a fashion girlie. One of the directors we’ve known since we were 15 years old, he’s like a brother to us. We also worked with a conguero, like our dad, his name is Karín. We filmed the “Offerings” video in his house. Then we went to La Playita 26, which is not far from our old house, to look at the sea.

Naomi: What’s beautiful is that it was all real. It was also [full of] people we didn’t f— know. But it was raw.

Lisa-Kaindé: The day we filmed “Aset,” when I saw Naomi dance, I was like: “Here we are. Here is that freedom [we’ve been] missing.”

On Tuesday morning the Gironde prefect ordered a new evacuation of all camping sites near the coast at Lacanau, while those in the nearby town were allowed to stay put but told to prepare for sudden evacuation.

About 4,000 tourists told to leave the area are in addition to the 220,000 people evacuated around France in recent days.

An estimated 240 homes and houses have been destroyed, officials have said.

By midday on Tuesday firefighters were already intervening in various parts of the region to tackle fires that were picking up again.

A 23-year-old man who was arrested on suspicion of starting a fire in the Var region. is now facing 15 years’ imprisonment. Interior Minister Laurent Nuñez said that 184 people had been arrested since 6 July in connection with the fires.

Peggy Plouhinec, the general director of Château Picque Caillou – one of the few wine estates on the west side of Bordeaux – told the BBC that her business chose to close at the weekend because of the smoke, but that the situation had improved since then and that a bout of rain on Sunday night had helped.

While her vineyards were not at risk, she said tourists had “deserted” the region.

“The hospitality sector will be impacted this summer, that’s for sure,” she added. “What is happening is unprecedented. We’re lucky that we haven’t been too affected yet, but the business will still suffer from the lower numbers of tourists.”

“But many people have lost their homes or their businesses, not to mention the firefighters who have been hard at work for weeks now and who must be exhausted.”

One resident of Cap Ferret, which was evacuated late last week, told French media that his main concern now was for the peninsula he lived in, rather than the big city city inland.

“Everyone talks about saving Bordeaux, but in Bordeaux there’s nothing but concrete. Have you ever seen concrete burn?”

“Here, there are only trees… and when you see all that has burned, it’s a catastrophe.”

Additional reporting by Xavier Pallas

YOU’LL need plenty of Gaul to brave the rides at Parc Asterix.

As an experienced theme park fan, I thought I’d seen it all but some of the rollercoasters at this theme park, north-east of Paris, left me feeling like a Roman soldier on the wrong end of a clobbering from Obelix.

I took my wife and our daughters, aged five and three, and I must confess I wasn’t sure what to expect.

Despite having been a fan of the Asterix comics growing up, I had no idea France had its own theme park dedicated to the combative Gaul.

But in fact, Parc Asterix predates Disneyland Paris by three years, and in the past decade or so has really ramped up its offering to compete.

And sacre bleu, does it ever!

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The park is divided into areas themed around parts of the ancient world, including Rome, Greece, Egypt and Gaul itself, with Londinium on the way in 2028.

Rides include Cetautomatix, a spinning chariot coaster; Trace du Hourra (Trail of Hooray) which is like a juddering luge track; and the bone-shuddering Tonnerre 2 Zeus (Zeus’s Thunder) wooden coaster, which left me feeling elated but also like I’d been in some sort of crash.

There is also a clutch of river rapids and log flumes, refreshing on a hot day, including one called Le Grand Splatch (I’ll let you work out the translation), although it was actually the Menhir Express — menhirs being the enormous boulders beloved by Obelix — that left me thoroughly drenched and giggling.

Despite the play parks and small rides for toddlers, I did feel that at three, my youngest Alyssa was a bit too ­little to get the most out of it. My five-year-old, Bronwyn, had more ride options but I think from seven up would get the best experience.

One thing to also take on board is that Parc Asterix is proudly French, and a smattering of the language is useful, especially for the shows, although even if you don’t understand a word, attractions such as the 4D cinema Attention Menhir! are certainly a hoot.

We stayed at Les Quais de Lutece — one of three themed hotels and counting on site — designed to look like a fort on the ancient River Seine, and it made a great base for exploring the park, with early entry to the park to beat the crowds.

Being so close was also helpful for the late-night drone, laser, water and fireworks show over the park’s lake, which was a memorable way to ­finish the day.

I’ve left the biggest rides until last, and I’ve been showing people back home the “POV” videos on YouTube to show how impressive they are.

First we were steered towards the Pegase Express, and as it was dark I hadn’t seen in advance what awaited us.

Assuming that as Bronwyn passed the height limit it would be fine for her, I soon realised I’d miscalculated and as she clung to me, even I was wondering if I’d ­bitten off more than I could chew.

A rollicking rollercoaster took us up to Medusa’s temple, where the Gorgon lost her temper and sent her snakes chasing us BACKWARDS down another twisty-turny track.

Once she’d recovered, Bronwyn enjoyed the far gentler Vol d’Icare (Flight Of Icarus) rollercoaster much more and asked to go back on it two further times over the weekend.

Definitely for bigger thrillseekers only was the Goudurix, a barrelling coaster that at one stage had the most loops in Europe.

Same with the OzIris, which was probably the most exhilarating ride — a Nemesis-style leg-dangling coaster.

Finally — having saved the very best until last — there’s the Toutatis, and just looking at this one made me gulp.

It’s France’s tallest, fastest rollercoaster, which launches you forwards at speeds of up to 66mph and features a backwards element, an ingenious switch-track, and a vertical arch that you only get up and over on the second attempt before going straight down the other side.

So there’s only one question you have to answer to see if you’re ready to take on Parc Asterix:

Are you a menhir or a mouse?

EXCLUSIVE: From the moment I landed in Toulouse, I immediately understood why it is affectionately known as La Ville Rose, the pink city. Everywhere I looked, whether down narrow side streets or along the main thoroughfares, warm terracotta buildings caught the sunlight

I grew up in England, specifically Norfolk, a rural county in the east that is alarmingly flat and, if we are being honest, quite dull aesthetically. It has its charm, of course, and is often cited as one of the more desirable places to live in the country, but it rarely prepares you for visual spectacle. So when I recently jetted off to the south of France, to a city I had barely heard of before, I wasn’t expecting to find one of the most beautiful places I have ever seen. From the moment I landed in Toulouse, I immediately understood why it is affectionately known as La Ville Rose, the pink city. Everywhere I looked, whether down narrow side streets or along the main thoroughfares, warm terracotta buildings caught the sunlight.

Depending on the time of day, the brickwork shifted beautifully between dusty pink, burnt orange, and soft gold. It felt like a city alive, glowing beneath the southern French sun.

The beauty here isn’t loud or demanding; it reveals itself slowly.

You find it in quiet courtyards hidden behind ornate doorways, along the banks of the Garonne River where the pink facades shimmer in the water, and in the intricate details of wrought iron balconies that have watched over the streets for centuries. I have to admit, I am not usually one to obsess over architecture when I travel. This isn’t born out of ignorance, but rather the largely uniform nature of the places I’ve previously visited. Toulouse, however, brought out the architect in me. For centuries, this city prospered because of pastel, a humble plant whose leaves produced one of Europe’s most prized blue dyes. Often called the region’s “blue gold,” pastel brought enormous wealth to Toulouse during the Renaissance, funding the elegant merchant houses that still stand today. I had read a bit about this history before arriving, but staring at a laptop screen is a completely different experience from holding that history in your own hands. To truly understand it, I attended a workshop led by a local woman whose passion for the craft was impossible not to admire. Rather than simply demonstrating the process, she invited me to participate. She explained how generations of artisans had transformed the green leaves into a vibrant natural dye, preserving techniques passed down through centuries.

When my turn came, I was incredibly nervous because I am as cack-handed as they come. But with a plain white cloth in front of me, I gave it a go. I folded, twisted, and bound the fabric with elastic bands, creating patterns without knowing what the final result would look like. It felt a bit like making tie-dye back in school, though this was slower, quieter, and far more intentional. Every fold felt like a crucial creative decision, even though I was largely winging it. The most mesmerizing moment came when I submerged the fabric in the dye bath. Instead of emerging blue, the cloth came out a surprising shade of yellow-green. As I lifted it into the air, the guide simply smiled and told me to wait. Like magic, oxygen began to work, transforming the dye before my eyes from green to the deep, iconic pastel blue the city is famous for. That afternoon changed how I looked at Toulouse. Suddenly, I began noticing blue everywhere: in boutique windows selling naturally dyed scarves, in handmade ceramics, on painted window shutters, and in the stories proudly shared by local artisans. The famous pink architecture and the city’s blue heritage no longer felt like separate identities, but rather two complementary colors that have shaped Toulouse’s soul for centuries.

Travel often encourages us to merely collect photographs, but the experiences that stay with us are the ones that ask us to participate. The pastel workshop gave me a deeper connection to this place than any museum or monument could have offered. When I think back to Toulouse now, I don’t just remember the blue-stained fingertips or the quiet satisfaction of watching my fabric transform in the air. I also remember wandering through those glowing streets, the warm terracotta facades catching the evening light and giving the city its unmistakable character. Together, the rosy architecture and the centuries-old pastel heritage tell the story of a city shaped by color, craftsmanship, and creativity. Toulouse didn’t just feel like a place to visit; it was an experience where every shade and handmade creation left a lasting impression long after you returned home.

Book it

Book a room at the Hotel Le Granda Balcon for from £172 per night Direct flights from London Heathrow or London Stansted Airport to Toulouse start from £39 The AHPY dyeing workshop costs £47 Toulouse is accessible via a Eurostar service to Paris, followed by a high-speed TGV connection to Toulouse. A one-way journey from London to Toulouse with Eurostar and TGV start from £80pp.

July 21 (UPI) — The French parliament passed a new law to ban children younger than 15 from using social media.

The law was a pet project of President Emmanuel Macron, who is near the end of his term limits. He announced the ban on X immediately after it passed Wednesday.

“I had committed to it, and now it’s been voted on: social media will be banned for those under 15 starting back-to-school. Thanks to the parliamentarians. It’s up to the Constitutional Council to rule, then on to action to make this measure concrete and protect our children online,” Macron said.

The French Senate and National Assembly approved the ban, despite criticism from some on the left, which has said it prevents online anonymity.

The law will be implemented in two stages: Beginning in September, children under 15 can’t open accounts, and age verification will be required for all new accounts; and in January 2027, the age verification rule applies to all existing accounts.

The French privacy regulator would have to approve the age-verification tools used, and everyone in France would have to verify their age on social media. The law doesn’t create penalties against children or parents who don’t comply or for social media providers. Those would likely need to come from the European Union.

In December, Australia was the first country to ban children under 16 from using social media apps, though a June New York Times report showed it is largely failing to keep kids off social media. Britain and Canada are working on implementing similar bans, and Italy, Poland, Portugal, Spain have all written laws. The EU is expected to create a bill this fall.

“France wants to push its own legislation to make the EU act, and the EU act fast,” Jessica Galissaire, a senior policy researcher at Interface, a Berlin-based think tank, told The Times. “I see it more as a political announcement.”

Macron, last year, argued for the ban.

“It is clear that before the age of 15 or 16, social media is not a good thing. This is because at that age, we have not yet sufficiently consolidated things on an affective, emotional and cognitive level,” he said.

He likened it to age restrictions on drinking alcohol.

“Sixty years ago, kids were served wine,” he said. “There may still be people who serve beer to infants, but in my opinion, they are not in a majority in the country today.”

One month after the world number one suffered a seismic shock at the French Open, another upset was brewing.

Confronted with unwanted history, Sinner would have to come from behind to beat Miomir Kecmanovic in five sets and avoid becoming only the third defending Wimbledon men’s champion to lose in the first round.

The 24-year-old’s durability in marathon encounters has long been a concern, with Sinner having lost eight of his previous nine matches that went the distance.

There had also been a shattering event in Paris for the second year in a row.

Sinner arrived at Wimbledon having not competed since his extraordinary collapse in the French Open second round, when he lost to Argentine Juan Manuel Cerundolo from two sets and 5-1 up.

He had recovered from a far greater catastrophe to triumph at the All England Club in 2025, taking revenge on rival Carlos Alcaraz just 35 days after losing their epic Roland Garros final from two sets and three championship points up.

But now his physical resilience was under the spotlight – and the early signs at Wimbledon offered encouragement to those eyeing his throne.

Both junctures would have taken others months to recover from. For Sinner, they became catalysts for greater heights.

“This one means a lot because it was a tough one after Paris, again,” Sinner said.

“Last year was also tough. But coming here, I tried to put myself in the best position to be as competitive as possible.

“We put in a lot of long days, sacrificing a lot to be in this position.”

Marine Le Pen, the far-right French politician, announced Tuesday she is running for president next year after an appeals court shortened her election ban. Le Pen was convicted of embezzlement and ordered to wear a tracking bracelet and banned from running for office for five years.

Paris and Chamonix, France – Ibrahim Doukanthi prepares to plunge into the Canal Saint-Denis. It is almost noon, and the temperature in the Paris region is nearing 30 degrees Celsius (86F).

He grew up just north of Saint-Denis, one of France’s poorest municipalities, and now lives in La Plaine, hundreds of metres from the Stade de France, the country’s national stadium.

“The water here is completely normal,” he said. “It’s just that it’s green, so you don’t know what’s in it – that’s what makes it a bit scary.”

He has been jumping into the canal – technically not open to swimmers – to cool off during the recent heatwaves.

Like many residents of Paris’s sprawling, historically disinvested suburbs, Doukanthi had to be creative to beat the heat while living in an apartment building without air conditioning.

“What I do is take the spray bottles – I call them ‘pshit-pshit’ – fill them with water, spray myself down, then sit in front of the fan,” he said. “It cools you off like crazy.”

Sitting in the shade at a flea market in Saint-Denis, Natifa Segli, a municipal employee, criticised the government’s response to the heatwave.

“I don’t feel like we learned the lesson from the 2003 heatwave. Here we are in 2026, and this heatwave was horrible,” she said. “Even at work, we weren’t sheltered. The temperatures in the offices were very, very hot.”

For Segli, the only consistent solution is to avoid the sun. “We’re going to stay in the shade,” she said of an upcoming heatwave, expected later this week.

‘We really have nothing to cool off with’

In areas like Saint-Denis, access to cooling infrastructure is unevenly spread, Louiza Ammari, a childcare worker who lives in social housing, told Al Jazeera.

In her building, police banned residents from setting up an inflatable pool for children. As renters, her family is not allowed to install air conditioning. Though one municipal pool opened free swimming hours, she could not go because it does not allow burkinis.

“We really have nothing to cool off with,” she said.

In France, there were 2,025 additional deaths during the last heatwave, the week of June 22 – a week-over-week increase of 30 percent nationwide and 62 percent in the Paris region, according to the national public health agency.

Extreme heat highlights existing inequalities, according to Bruno Villalba, a political science professor at AgroParisTech Paris-Saclay, specialising in political ecology and environmental policy.

“The heatwave is merely a symptom of social vulnerability, particularly in terms of housing,” Villalba told Al Jazeera.

Wealthier people can insulate their homes, afford a portable air-conditioning unit, eat fresh produce, or even leave the city for vacation when it gets too hot, options that are unavailable to many others.

“It’s up to the government to step in,” Villalba said.

“They tell us, ‘Stay hydrated, don’t stay in the sun, drink water,’” he said. “The French government did not sufficiently anticipate the acceleration of climate change.”

‘We are not all equally exposed’

There is a pervasive misconception of “universality” when it comes to climate deregulation, noted Mael Ginsburger, a lecturer at Universite Paris Cite focused on inequalities linked to the ecological transition.

Although experienced by everyone, more vulnerable populations have limited resources to mitigate heatwave conditions.

“We are not all equally exposed, just as we are not all equally responsible. There are significant inequalities in carbon emissions,” Ginsburger said. “Not everyone is equally capable of adapting, and there are certain groups that face multiple vulnerabilities linked to poor health, for example.”

Among wealthy households in France, 70 percent consider their homes properly insulated to combat heat, compared with 46 percent of lower-income households, according to Ginsburger’s research. More people report now suffering from heat in the summer – 66 percent – than cold in the winter, 46 percent.

“Overcrowded housing is much more likely to be in poor condition and have extremely poor insulation,” Ginsburger said. “These are populations facing a combination of overcrowding in dilapidated housing located in areas like Marseille and Lyon that are particularly vulnerable to heat.

“We’re sticking with this same approach of small steps rather than a structural approach that would actually require a more far-reaching overhaul of [building] infrastructure.”

For the homeless, the ramifications of heatwaves can be even worse.

“People who are outside don’t have a moment’s respite. They are suffocating in a concrete jungle where there is no simple, effective way to escape the intense heat. On asphalt, the perceived temperature can often rise to 45-50 degrees,” Paul Alauzy, at NGO Medecins du Monde, or Doctors of the World, told Al Jazeera.

He is a member of Le Revers, an activist group that formed during the 2024 Paris Olympics to bring awareness to the conditions faced by unhoused people in the Paris region.

“We’re asking for long-term policies designed to protect as many people as possible and reduce the number of people living on the streets, precisely to shield them from the harsh weather,” Alauzy said. “Once again, the authorities are stubbornly resorting to reactive, weather-dependent management.”

During heatwaves and cold snaps, French officials usually add a few emergency shelters and install temporary water stations.

“This is obviously not nearly enough,” Alauzy said.

Not all parks and natural spaces, essential for cooling down, are accessible to all.

“Trees, which are natural tools for regulating temperatures, have been effectively pushed out of our cities,” Villalba said, especially in deprived areas.

In places like Saint-Denis, schools and other public infrastructure are insufficiently equipped, said Ammari, the childcare worker.

‘Definitely an advantage to be at an altitude’

Even in the mountains, temperatures rose above 30C during the last heatwave, about 10C (18F) above normal end-of-June temperatures.

In Chamonix, the Bossons Glacier above town visibly shrank and conditions along popular routes up Mont Blanc and neighbouring peaks are becoming dangerous due to rockfall risks.

But nights are not stifling, and locals and visitors in the Alps sleep comfortably.

There are forested trails and a river fed by glacial melt that cools the surrounding area.

“In Chamonix, like in many mountain towns, it’s definitely an advantage to be at an altitude of 1,000 metres [3,280 feet] and to have the forest a few minutes from home,” Jean-Michel Bouteille, who recently retired from his role as director of municipal services in Chamonix, told Al Jazeera. “We’re a town of 9,000 people, but we still have nearby green spaces that are free and easily accessible.”

Although the mountain weather is not oppressive, climate change is felt in Chamonix.

“We have temperatures much higher than in previous years, which is leading to significant consequences. The Bossons Glacier is a disaster,” said Bouteille, who has lived in the valley for 26 years.

This beautiful seaside town has become a popular staycation destination in recent years

The French Riviera is an enormously sought-after holiday destination, renowned for its breathtaking coastal scenery and magnificent cities. But you don’t necessarily have to travel abroad to find turquoise waters and sandy beaches, as one charming town right here in the UK has been likened to France’s most glamorous stretch of coastline.

Salcombe in Devon has been hailed as a spectacular alternative to heading off to France by one lucky visitor. Taking to Instagram, UK travel content creator Hannah, who shares guides and reviews under @postcardsbyhannah, posted a video of the gorgeous seaside spot.

Questioning why Brits are always quick to moan about living in the UK when “it’s home to places like this,” she drew comparisons between the town and the stunning vistas of the French Riviera region, which takes in Nice, Cannes, Saint-Tropez, Antibes and Monaco.

She wrote: “Welcome to South Devon… Salcombe to be exact! Once a quiet fishing village, it’s now one of England’s most sought-after seaside escapes, where pastel-coloured cottages sprawl down the hillside towards bobbing sailboats on turquoise waters.”

Hannah went on to say that Salcombe boasts a relaxed and understated sense of luxury that feels almost effortless, with family-run boutiques, art galleries, ice cream parlours, and waterside pubs dishing up oysters freshly harvested straight from the estuary.

She continued: “Salcombe’s estuary is stunning, surrounded by rolling green hills and sandy coves reached only by foot or boat. Have a wander round town and visit Cranch’s Sweet Shop, one of the most iconic establishments in the town, selling sweets since the 1800s.”

Salcombe boasts numerous breathtaking beaches, including Salcombe North Sands, with its rockpools and panoramic views of the ruins of the nearby Salcombe Castle, and Salcombe South Sands Beach, regarded by many as one of the most pristine beaches in South Devon.

Another well-loved beach in the vicinity is Hope Cove Bay, where watersports enthusiasts can hire kayaks and paddleboards to venture out onto the water.

One visitor to Salcombe North Sands expressed their affection for the beach on TripAdvisor, writing: “Love this little place.

“Tide was in when we arrived but after a stroll around town and lunch at The Winking Prawn, it had started to go out revealing a beautiful sandy bay with low shallow water for paddling in. Dog friendly too!”

Meanwhile, another visitor to South Sands penned: “A lovely day to spend the day as a couple or with the family. Beautiful beach, especially when the tide goes out. Spectacular scenery from the beach.

“A small kiosk sells sandwiches and salads along with wine and tin beer and of course tea and coffees and soft drinks. You need to bring your own chairs (no deck chairs) A great place to visit!”

Once you’ve soaked up the stunning beaches, why not pay a visit to Overbecks Garden — a Grade II registered garden dating back to the Edwardian Era, brimming with tender and exotic sub-tropical plants that are well worth exploring at a leisurely pace.

One visitor wrote: “Stunning gardens with absolutely fabulous views. Couldn’t believe the size of the tropical plants! Nice route around the garden.”

Zverev had long been dubbed the best player of his generation to have never won a Grand Slam after a string of near misses – including three defeats in major finals.

At the US Open in 2020, he lost the final despite being two sets up against Dominic Thiem and having served for the championship at 5-3 in the final set.

Zverev then led Carlos Alcaraz by two sets to one in the 2024 French Open final but it was the Spaniard who ended up lifting his first Coupe des Mousquetaires.

At the Australian Open in 2025, he was outclassed in a merciless performance by Jannik Sinner that left Zverev saying he felt mentally “empty” a few months later.

“Last year was one of the most difficult moments in my tennis career,” Zverev said.

“This year is one of the happiest moments. It’s a very different feeling right now.”

It seemed like the pressure of a Grand Slam final might prove too much for a fourth time when 24-year-old Cobolli, who had twice fought back from a set down, forced a deciding fifth set.

But Zverev, who has struggled with his emotions on court in the past, held his nerve to end his major final curse.

After falling flat on his back in celebration, Zverev dedicated his victory to his team, which includes his father and brother.

“We have been through injury, heartbreaks, losses. We have been losers at times in the most important moments,” Zverev said.

“At the end of the day, we are Grand Slam champions now and that is what counts.

“I was laying on this court with an injury that I didn’t know if I will ever come back from. All of those memories, they’re not wiped out,” he said.

“They’re still with me but this one will beat all of them.”

PARIS — Alexander Zverev is no longer one of the best players never to win a major title.

He’s finally a Grand Slam champion.

In his fourth major final, Zverev beat Flavio Cobolli 6-1, 4-6, 6-4, 6-7 (5), 6-1 for the French Open title on Sunday.

It was a unique opportunity for Zverev without Jannik Sinner or Carlos Alcaraz across the net and the third-ranked German took full advantage on the red clay of Roland Garros.

When Cobolli missed an overhead on the second championship point after more than four hours of the five-set encounter, Zverev dropped on his back to the clay and covered his face with his hands as he began sobbing. When he got up, with his shirt and arms covered in clay, Zverev put his hands back on his face before he lifted both arms in celebration.

When Zverev was handed the Coupe des Mousquetaires trophy, he lifted it with both hands and let out a liberating roar.

“This court is so special to me in so many ways. I’ve had the best moments of my life on this court; I had the worst moment of my life on these courts,” Zverev said, referring to when he was injured and pushed off on a wheelchair during a semifinal against Rafael Nadal in 2022.

“I was laying in that corner over there four years ago with seven broken ligaments and two fractured bones,” Zverev said. “I lost a Grand Slam final here two years ago but now finally it’s a happy end.”

Zverev has now joined an elite group of players that captured their first major in their fourth final: Eight-time major champion Andre Agassi, 2001 Wimbledon winner Goran Ivanisevic and 2020 U.S. Open champion Dominic Thiem.

No Sinner or Alcaraz

Zverev had been an overwhelming favorite for the title ever since the top-ranked Sinner struggled in the first week’s heat wave and wasted a two set and 5-1 lead against Juan Manuel Cerundolo in the second round. A day later, 24-time Grand Slam champion Novak Djokovic was also eliminated.

Alcaraz, the two-time reigning champion, withdrew before the tournament with an injured right wrist.

It was Zverev’s second French Open final, having wasted a lead of two sets to one against Alcaraz in the 2024 championship match.

Zverev had an even bigger advantage — two sets to none — in the 2020 U.S. Open final and lost that one, too, to Thiem. He was also beaten in straight sets by Sinner in the 2025 Australian Open final.

It was the 25th title of Zverev’s career.

Cobolli’s first Slam final

The 14th-ranked Cobolli had never been past a Grand Slam quarterfinal until this week. He was attempting to become the first Italian man to raise the singles trophy at Roland Garros since Adriano Panatta 50 years ago.

Cobolli comes from the same tennis club in Rome as Panatta did and Panatta was asked by tournament organizers to present the trophy to the champion to celebrate the anniversary of his 1976 triumph.

The honors, however, went to Zverev.

Russian teenager Mirra Andreeva won the women’s singles trophy on Saturday.

Zverev took control early on

The match was played in perfect conditions and Zverev’s game was almost flawless at the start.

Zverev broke Cobolli’s serve in a long opening game when Cobolli shanked a forehand into the first row of the stands. The break came after Zverev had a bit of luck when a backhand return hit the net but dribbled over on game point for Cobolli.

A group of women in the stands held up letters to form Zverev’s nickname: “Sascha.”

Cobolli likes to stand way over near the corner of the court and hit big kick serves out wide into the ad court. Zverev knew what was coming and returned one such kick serve early in the first set with a backhand that he wrapped around the outside of the net post. Cobolli ended up winning the point, but it was a message from Zverev that he knew how to handle his opponent’s tactics.

The next time Zverev hit a wrap-around-the-net-post return, Cobolli couldn’t handle it and Zverev won the point.

Cobolli’s supporters in his box were all dressed in blue, the color of Italy’s national teams, and as Cobolli worked his way back into the match, there were chants of “Ole, Ole, Ole; Flavio, Flavio.”

After Zverev held for a 6-5 lead in the fourth, he had his upper right leg treated by a trainer. Then Zverev wasted a 3-1 lead in the tiebreaker, which Cobolli concluded with a forehand winner up the line that produced a roar from the crowd.

But Cobolli appeared to run out of energy in the fifth, running down a drop shot only for Zverev to then pass him up the line for a 3-0 lead and a double break.

Abuse allegations

Moments after Zverev’s previous Grand Slam final in Australia in 2025, a person in the stadium yelled out the names of two of his ex-girlfriends who accused him of physical abuse.

One case was resolved following an agreement between German prosecutors, lawyers for Zverev and his former partner. The ATP Tour investigated another case and concluded there was insufficient evidence.

Dampf writes for the Associated Press. Samuel Petrequin and Jerome Pugmire contributed to this report.

Alexander Zverev has finally secured his maiden Grand Slam title with a dramatic five-set victory over Italy’s Flavio Cobolli in the French Open final on Sunday.

The second seed became the first German man to win a major tournament since Boris Becker at the 1996 Australian Open with a 6-1, 4-6, 6-4, 6-7 (5/7), 6-1 victory after four hours and 16 minutes.

“This court is so special to me in so many ways… but now finally, it’s a happy end,” said Zverev, who suffered a season-ending ankle injury in the 2022 semifinal against Rafael Nadal on Court Philippe-Chatrier, where he was also edged out in five sets by Carlos Alcaraz in the 2024 final.

It was Zverev’s fourth Grand Slam final and second at Roland-Garros after some heartbreaking near misses in his career.

“We’ve been through losses, we’ve been losers at times as well in the most important moments,” he said during the trophy presentation, turning to his team.

“But at the end of the day, we’re Grand Slam champions now, and that’s what counts.”

Cobolli, the 10th seed, was bidding to become the first Italian man since Adriano Panatta to win the French Open in 50 years.

The 24-year-old had never even played a Slam semifinal before, let alone a final, after his last-four opponent Matteo Arnaldi withdrew from the tournament due to illness.

“It’s not easy for me to talk right now,” said Cobolli after receiving his runner-up trophy from Panatta, before addressing Zverev.

“I’m happy for you, but I’m also sad because I was close and I feel it. So now you’ve achieved your dream, let me win the next time.”

Both players appeared to struggle with nerves at various points in the match, especially Cobolli during an error-strewn first set.

But Zverev’s greater experience showed in a deciding set that was far tenser than the scoreline suggested, as he managed to get over the line.

The 29-year-old was handed a golden opportunity to break his Grand Slam duck by the injury-enforced absence of reigning champion Alcaraz and surprise early exits for Jannik Sinner and Novak Djokovic.

The world number three was not always in control, making 54 unforced errors, but did enough to finally shed the tag of being one of the best players to have never won a major.

Zverev had previously also lost in six Slam quarterfinals and seven semifinals, alongside his three final defeats.

The most agonising miss of all was his first major final, when he blew a two-set lead and failed to serve for the championship against Dominic Thiem at the 2020 US Open.

The now-retired Thiem was watching on from the stands at Roland-Garros as Zverev belatedly put the memories of that match to bed six years later.

Cobolli’s nervy start

Cobolli made a nervy start and appeared to be struggling to deal with the occasion as the first set quickly got away from him in 39 minutes and he made 16 unforced errors.

He managed to settle into the match with three successive holds of serve in the second set, and then made his move out of nowhere to break in the seventh game.

Zverev had been completely untroubled on serve previously, but produced a scrappy game featuring two double-faults and a wild forehand on break point before turning to gesticulate angrily towards his coaching staff.

Cobolli started to grow in confidence and served out the set to breathe life into the final.

A higher-quality third set disappeared from Cobolli’s grasp in the 10th game, though, as from 30-0 up, he lost four points in a row, including a poor forehand that flew well wide on set point.

The world number 14, who will climb into the top 10 for the first time next week, hit straight back with a break in the opening game of the fourth set.

He could not pull away in the set, though, as both players ended up being broken twice, including Cobolli when he served for it at 5-4.

But the Italian rallied himself to push it into a tie-break, which he took to force a decider with a blistering forehand winner on his second set point.

Following a delay before the start of the final act after Cobolli left the court, Zverev struck first blood with a break in the first game.

Cobolli’s hopes were finally all but extinguished when he missed a break-back point and then dropped serve again to slip 3-0 down.

Zverev staved off three more break points in the fourth game and eased to victory from there, falling to the clay in celebration after Cobolli shanked an overhead on his second championship point.

Maja Chwalinska’s French Open ended almost three weeks after it started – but her journey to the brink of a first Grand Slam title began long before that.

A former Australian Open junior doubles finalist alongside fellow Pole Iga Swiatek, Chwalinska has spoken openly about the depression that led her to take a break from tennis early in her professional career.

In the build-up to Roland Garros, she was playing events on the second tier of the women’s tour across Europe.

Her French Open campaign began in the first round of qualifying on Monday, 18 May. Nine wins later, only teenager Mirra Andreeva stood in the way of Chwalinska becoming just the second qualifier to win a Grand Slam singles title in the Open era.

It was not to be for Chwalinska, who fell 6-3 6-2 to Andreeva on Saturday, but finishing runner-up will have a profound effect on her life and career.

She will climb from 114th in the world to a new high of 21st on Monday, while her Roland Garros prize money of 1.4m euros (£1.21m) is almost double what she had previously earned in her entire career.

“It’s been 18 years of hard work, patience and perseverance,” said 24-year-old Chwalinska, who took up tennis as a young girl.

“I had to go through so much to be in this position. Life is weird sometimes and you’ve just got to do your thing and believe it will click someday, and I’m happy that it did.

“It is definitely an unforgettable three weeks for me. I’ll never forget it.”

PARIS — Russian teenager Mirra Andreeva was already a tennis phenom at age 15.

At 19, she’s a Grand Slam champion.

The eighth-ranked Andreeva ended the run of 114th-ranked Polish qualifier Maja Chwalinska by 6-3, 6-2 in the French Open final on Saturday.

Andreeva became the youngest player to win the women’s singles title since Monica Seles, who was 18 when she landed her third straight French Open in 1992.

“You’re so young and talented. It’s so annoying,” Chwalinska told Andreeva during the awards ceremony.

When Andreeva executed a backhand cross-court winner on her first match point, she threw her racket into the air and dropped on her knees to the clay to celebrate.

Mirra Andreeva returns a shot against Maja Chwalinska during the French Open women’s final on Saturday.

(Thibault Camus / Associated Press)

During the trophy presentation, Andreeva took the unusual step of thanking herself “for believing in myself, always giving my 100%, even when it’s tough, trying every day to be better as a person and as a player, believing that I can do this, fighting so many demons inside of me.

“Only I know how tough it was for me,” Andreeva added. “How nervous I was throughout these two weeks.”

Chwalinska was attempting to become the first qualifier to capture the Roland Garros title.

Andreeva was born in Siberia and moved to Sochi and eventually France to develop her tennis career.

She drew loud applause from the crowd on Court Philippe-Chatrier when she spoke a few words of French during the trophy presentation.

“Thanks for your support today and over these past two marvelous weeks here in Paris,” Andreeva said. “It was very important for me.”

Alexander Zverev plays Flavio Cobolli in the men’s final on Sunday to conclude the wildest Grand Slam in recent memory.

Andreeva has been considered a Grand Slam contender since she burst onto the scene as a 15-year-old at the 2023 Madrid Open, where she became the third-youngest player to win a main draw match at a WTA 1000 tournament and made the quarterfinals.

Lately, Andreeva has had to contend with playing under neutral status and without her country’s flag due to the war with Ukraine.

When she beat Marta Kostyuk in the semifinals, Kostyuk refused to shake her hand, as has been the custom for Ukrainian players facing Russians ever since the war started in 2022.

Andreeva has gone a step further than her coach, Conchita Martinez, who lost the 2000 French Open final to Mary Pierce.

Pierce presented the winner’s trophy to Andreeva.

The final was played under mostly sunny skies but wind was a factor in the first Grand Slam final for both players.

Chwalinska double-faulted on the opening point of the match but she was the first player to hold serve in the fifth game for a 3-2 lead.

But then Andreeva won nine straight games to take control as she found a way to hit through the wind and answer Chwalinska’s array of spins and drop shots.

Andreeva produced 25 winners to Chwalinska’s 10 and also had fewer unforced errors: 26 to 29.

There was a strong Polish presence in the crowd.

When Chwalinska was introduced, fans held aloft red-and-white Polish flags and chanted her name: “Ma-ja, Ma-ja.”

Andreeva had little support from the crowd, although there was a shout of “Davai Mirra!” (“Go Mirra”) in Russian late in the match.

In men’s doubles, top-seeded Marcel Granollers and Horacio Zeballos retained their title with a 6-4, 6-2 win against Harri Heliovaara and Henry Patten.

Dampf writes for the Associated Press. Samuel Petrequin contributed to this report.

Italy’s Flavio Cobolli said he was “sad and happy at the same time” after reaching his first Grand Slam final at the French Open on Friday, following the last-minute withdrawal due to illness of his last-four opponent and compatriot Matteo Arnaldi.

The 24-year-old 10th seed will meet Alexander Zverev in Sunday’s final, which will produce a new major champion, after the German second seed earlier moved past Jakub Mensik in the other semi-final.

Just more than 20 minutes before Cobolli and Arnaldi were due to take to Court Philippe Chatrier, tournament organisers announced that the 104th-ranked Italian had been forced to pull out with a “virus”.

“When he came to me almost one hour ago, I almost cried. You know, it’s something that you don’t expect at all. I was ready to play this match,” Cobolli told reporters during a news conference he held with his close friend Arnaldi, as the pair sat three metres (10 feet) apart.

“When he came, I was completely sad for him. But, at the same time, of course, I’m really happy for the result that I reached this week.

“Yeah, now I’m sad and happy at the same time.”

For first-time major semifinalist Arnaldi, withdrawing was “not something that you wish to anybody”, but “the right decision for me to take”.

“It’s tough, because for how the tournament was, for how many hours I’ve been on the court, I was feeling actually very good,” Arnaldi, who had spent the most amount of time on court for a player en route to a Grand Slam semifinal, said.

The 25-year-old added that, on Thursday, he was “feeling OK” during practice, but after his dinner, he began to feel unwell during the night.

“I started to feel so-so with my stomach. I was, like, ‘All right, just didn’t digest very well,’” he recounted.

“But then I woke up at 1:00am, and I started vomiting, and I wasn’t feeling the best. Then I tried to sleep. I couldn’t sleep at all. At 6:00, 7:00am, I vomited again.

“We called the doctor into the room. He came, gave me some stuff. I was hoping that it would just be something from dinner or something like that, but then throughout the day, I couldn’t eat. Every time we did something or would drink, I would go back to the bathroom.”

Despite his best efforts, his state worsened throughout the day.

“I tried to get ready and tried to stay as much as I could here and tried to see if I could go on court, but every time I get up, I feel dizzy,” Arnaldi said.

“It’s a virus, I think, because I was feeling pretty cold. I think I had a fever, like, during the day. I don’t know, to be honest.

“I just know that I can’t move, and I can’t eat, and I can’t drink. So, there was really no way that I will be able to play.”

Cobolli paid tribute to a tearful Arnaldi.

“Matteo is a big inspiration for all of us. He’s an amazing player and amazing professional,” Cobolli said.

“He’s, I think, the best person outside the court for how his match preparation, focus, cool-down. He’s one of the best on the tour, for sure.”

After the conference, Cobolli took to centre court to have a hit watched on by a decent smattering of spectators that had come for the match but stayed to see the world number 14 keep his eye in.

After his quarterfinal victory over Canadian fourth seed Felix Auger-Aliassime on Wednesday, Cobolli will go into the weekend’s final with plenty of rest.

“Maybe having almost four days off is a lot, so you lose the rhythm,” he said.

“Now, I got practice again. I think I will be ready, for sure, for the final, but I also know that I will be fresh, for sure.

“Maybe [the extra time off] will help; maybe not. I’ll tell you after the final.”

Flavio Cobolli is through to the French Open final after fellow Italian Matteo Arnaldi withdrew minutes before their semi-final with a virus.

The good friends were supposed to meet in the last four at 18:00 BST on Friday for a place in a first Grand Slam final.

However, Arnaldi’s withdrawal was announced just 20 minutes before the players were due to step on Court Philippe Chatrier.

It puts world number 14 Cobolli straight through to Sunday’s Roland Garros showpiece, where he will face second seed and title favourite Alexander Zverev.

Arnaldi had spent 19 hours and 42 minutes on court en route to the semi-finals in Paris – the longest anyone has played on their way to the last four of a major since 1991.

The past five years has seen Chwalinska work hard on the lower levels of the WTA Tour, diligently trying to improve her game.

Working on being able to mentally compartmentalise her career – which she associated with “pressure, stress and crying” – from the rest of her life has proved crucial.

A year ago, Chwalinska was playing tiny tournaments in Italian cities Brescia and Bari after going out of the French Open in the second round of qualifying.

Now she has won nine matches in a row at Roland Garros. One more will see her become the first qualifier in the Open era to lift the trophy here.

Maybe the tattoo represents how she has played over the past three weeks – with a freedom and joy that has captivated the Parisian crowds.

Chwalinska has earned notable wins over former French Open semi-finalist Maria Sakkari and Olympic champion Zheng Qinwen, as well as beating three seeded players in Shnaider, Anna Kalinskaya and Elise Mertens.

Playing with variety and spin, Chwalinska can lob, drop shot and moonball her opponents to distraction, but she can also hit with pace to finish off points quickly.

“I feel like I’m in the bubble. I don’t know what’s going on. I’m just very happy to be here,” said Chwalinska, who has almost tripled her career prize money with the guarantee of winning at least £1.2m by reaching the final.

“After the tournament there will be time to process it and breathe in, breathe out.”

June 4 (UPI) — Melinda French Gates has added another $215 million to her organization Pivotal, which funds social initiatives for women and families around the world.

The latest boost in funding is specifically to address problems with women’s reproductive and menopause health, she said. French Gates has contributed $600 million to women’s health over the past two years.

As part of this round, she is donating $10 million to The Menopause Society for the education of healthcare professionals and to expand outreach in areas where access to menopause care is limited.

“For too long, perimenopause and menopause have been treated as invisible — something women are expected to manage quietly, without clear answers or support. That must change. By getting healthcare practitioners better training and investing in research, we can help ensure women have the care they need to live full and healthy lives,” French Gates said in a statement.

While midlife issues have seen more attention, thanks to social media, that attention doesn’t always translate to correct information from practitioners.

“The piece that I’m focused on with Pivotal is: How do we make sure that women get accurate information about what we do know about this phase of life? And how do we make sure that all providers are trained?” she told Time in an interview.

“In midlife, I would say we both don’t have enough knowledge or tools,” she said. “The research should have been started more than 50 years ago. We should have had many, many, many studies about this period of life, so that we have different tools, not just hormone replacement therapy. Then, we have a lack of provider training, which is the piece I’m going to work on with this particular amount of funding.”

The Menopause Society said the funding will help reach women who need the care.

“Menopause is a universal life stage, but quality care is not universally available,” said Dr. Stephanie Faubion, medical director of The Menopause Society, in a statement. “With this funding, we can scale evidence-based training for front line clinicians and extend our reach to areas where menopause care has long been overlooked. This is a meaningful step toward ensuring that women receive the informed, compassionate care they need and deserve so they can make smarter healthcare decisions. It also allows for exploration and a better understanding of the need for system changes.”

While the donation is critical, Faubion said the attention generated by French Gates is even more important.

“It shows that somebody like Melinda Gates and Pivotal feel that this is an important issue,” Faubion told the Independent. “It will illuminate the gaps that are still there … and it makes people not only aware, but maybe motivated to take some action.”

Though women make up half the population, health issues that affect them get only 2% of private healthcare funding, according to the World Economic Forum.

“The role of philanthropy, in my opinion, is to look at some of these societal problems that have been left behind, and shine light on them, show ways of making progress so you can then crowd in other donors and ultimately crowd in government funding,” French Gates told The Independent. “Part of what I’m doing here, I hope, is sending a signal to say, ‘This is really important. Let’s do something about it.’ And my hope is that I’ll be able to get others who will join me.”