Sparks center Cameron Brink condemned former NBA player Enes Kanter Freedom for his behavior that got him removed from a WNBA game this week while also declaring her support for transgender women.
Kanter, who recently claimed he is eligible for the WNBA draft because he declared himself a transgender woman, was removed from the Chicago Sky’s game against the visiting Indiana Fever at Wintrust Arena on Sunday after he confronted Sky guard Natasha Cloud.
He has been banned by the Sky from attending Wintrust Arena.
“Personally, I think when it comes to the trans issues, I think it’s a non-issue, and I think it’s people trying to just come for the trans community, and I just don’t stand for that,” Brink said before blasting Freedom, whom she said is “just trying to stay relevant.”
Brink then added: “I think people are tuned in for the right reasons, and it’s great that we can all talk about things that are important and hard and even have your own opinions on that. But I think taking something that’s a non-issue right now and just trying to use it for clickbait or for views for likes, and then targeting a vulnerable community, is just really low.”
Brink, 24, has previously expressed support for transgender athletes, saying in an interview with Dime Magazine in 2024: “Some of my teammates go by they/them pronouns. I want to bring more acceptance to that and not just have people support us because of the way that we look.”
In an ESPN profile in July, Fever guard Sophie Cunningham said she did not support transgender women playing women’s sports, referring to them as “biological men.” Since then, Kanter and fellow former NBA player Royce White have claimed they should be eligible for the WNBA draft.
The WNBA ruled both players ineligible, according to Front Office Sports.
The WNBA’s collective bargaining agreement includes only a single line addressing gender eligibility, stating in Article XIII, Section 1(a): “Only players who are women are eligible to play in the WNBA.”
Several other players have spoken out against the ire directed at transgender women, including Cloud, the Valkyries’ Gabby Williams and Storm’s Stefanie Dolson.
There is currently no transgender athlete playing in the league.
BILLINGS, Mont. — The 250th anniversary of U.S. independence was just months away when National Park Service employees received a surprising directive from Washington: Maintenance projects approved for this year at sites across the nation were being relegated to a new “low priority” list.
Work wanted by the White House was taking precedence, including repairs to the Lincoln Memorial Reflecting Pool, according to documents obtained by the Associated Press and three officials from the park service and Interior Department who spoke on condition of anonymity because they were not authorized to comment publicly.
The reflecting pool repairs and other projects tied to President Trump’s Freedom 250 initiative landed on a separate list for White House priorities, the documents show. Many of the administration-backed projects have advanced, though the Reflecting Pool repairs were botched.
Meanwhile, almost all of about 1,500 maintenance and other projects on the low priority list as of last month are expected to go undone, the officials said. That will worsen a repair backlog at national parks that doubled over the last decade to more than $24 billion even as visitor numbers surged.
The shelved projects, many already approved, span more than 200 sites and range from roof repairs at Golden Gate National Recreation Area to computer upgrades at Alaska’s Katmai National Park and bulk purchases of toilet paper and garbage bags at Yellowstone National Park.
Because of their low priority designation and with the fiscal year ending on Sept. 30, it’s unknown when they will move forward unless park staff can find a workaround, two of the officials said.
Park service employees “were told to not expect anything on the low priority list to be contracted,” one of the officials said.
“The first priority was White House priorities,” the official said. “Anywhere that is 250th-related they would have been diverting resources, some it probably planned but a lot of it pushed by the administration.”
The Interior Department said many entries on the low priority list had been “mis-prioritized and were corrected.” It declined to say how many or which ones, or how much parks are spending on projects outside Washington. Agency officials declined to answer questions about the Reflecting Pool.
Congress has pushed to fix maintenance backlog
The park service has a third list for “high priority” projects that includes more than 2,000 items, many with contracts awarded or in process, the documents show.
“In any year, the National Park Service must prioritize projects most in need,” Interior spokesperson Katie Martin wrote in a statement. “The National Park Service has not only been focused on beautifying the district for the 250th celebrations in our nation’s capital but has also been working on many deferred maintenance projects throughout the country.”
The 1,500 low priority projects had a combined cost estimate of more than $400 million.
Sen. Angus King (I-Maine), the ranking member of the Senate’s National Parks Subcommittee, said the administration’s pursuits around Washington “are more aesthetic than strictly necessary,” even as they siphon resources from sites elsewhere in the U.S.
“I don’t object to setting priorities,” King said in an interview. “I object to the White House priority list being tacked onto the top of that pyramid.”
He added it could lead to “the deterioration of America’s gems” as things like sanitation upgrades and basic maintenance don’t happen.
Congress during both Democratic and Republican presidencies has pushed to address the backlog. The bipartisan Great American Outdoors Act in 2020 included $6.5 billion for maintenance and repairs through 2025. A legislative extension is pending.
Testing the park service’s mission
The priority designations came from park service headquarters in Washington, according to documents obtained by AP and one of the unnamed officials.
The park service appears to be moving forward on at least $80 million in White House priorities, including $52 million awarded, the documents indicate. Much of that work was championed by Trump and Interior Secretary Doug Burgum, such as the reflecting pool repairs and the rehabilitation of other parks in the capital with an eye toward the 250th celebrations.
Trump announced his plans to paint the Reflecting Pool blue in April, aiming to address longstanding problems at the site before July 4. But the $16-million initiative faced immediate problems, including peeling sealant and a fierce return of green algae.
Not all of the administration’s priorities advanced: A $70-million line item for “turf maintenance” over five years at parks in the Washington, D.C., area is among more than $80 million in work marked as “canceled” in the Interior Department data.
The park service’s mission has been tested under Trump as its employees navigate new realities. It lost at least one-quarter of its permanent workforce under Trump.
Remaining employees have been ordered to revise exhibits that Trump said advanced “improper ideology,” and demolish the East Wing of the White House, which is under park stewardship, for the creation of a ballroom. Trump also reduced Bears Ears and Grand Staircase-Escalante national monuments in Utah as Republicans reshape public lands management.
Contracting officers in short supply
Pressure to deliver on administration demands for Freedom 250 was compounded by staffing cuts that made it harder to execute contracts, the unnamed officials said.
Prior to Trump’s second term, the parks had 275 contracting officers. They’ve since been consolidated into the Interior Department, which nevertheless saw its contracting workforce drop more than 20%, public records show.
About $140 million has been obligated or spent by the park service in Washington, D.C., this year, according to public data. That includes the reflecting pool work and the rehabilitation of fountains across the district.
Interior spokesperson Martin said the Trump administration is eyeing different revenue sources for maintenance including endowments and park pass sales.
Those sales rose more than $2 million, to $16.7 million, in the first quarter of 2026 compared with a year earlier, she said.
Washington, DC – Over the next two days, a portion of the United States capital will transform into a seven-turn professional-grade track for the city’s first-ever IndyCar race.
The Freedom 250 Grand Prix, championed by President Donald Trump, is one of several special events held to commemorate the country’s 250th birthday.
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But the race, which has been billed as a means of “celebrating American greatness”, is not coming without a heavy dose of criticism.
Questions have been raised about potential disruptions to life in the capital, as well as Trump’s ties to the event’s sponsor, the transportation company Penske.
Here’s what you need to know about the weekend’s automobile tournament:
President Donald Trump speaks at the White House during a showcase for the Freedom 250 Grand Prix auto race in Washington, DC [File: Alex Brandon/AP]
Why is this taking place?
In January, Trump signed an executive order establishing the race as a means of celebrating the country’s 250th anniversary and its history of motorsport.
“This will be like no other race ever,” Trump said in July. “It’ll be one of the most unforgettable racing events the world has ever seen.”
Trump, who has described himself as a racing fan, has participated in several high-profile motorsport events since returning to office in 2025.
Last year, Trump attended NASCAR’s Daytona 500 race, after serving as the grand marshal during his first term. A few months later, in April 2025, he hosted NASCAR and IndyCar drivers at the White House.
Have similar events been held?
The Grand Prix is one of several sporting events being held in honour of the country’s 250th anniversary.
Earlier this month, as part of the festivities, high-school athletes were invited to participate in the inaugural Patriot Games, broadcast on the sport channel ESPN. And in June, Trump hosted an Ultimate Fighting Championship event on the White House lawn, dubbed the UFC Freedom 250.
But members of the Trump administration have compared the race to early moments in US history as a means of highlighting its historic nature.
Transportation Secretary Sean Duffy said Washington, DC, has not seen a competition like this since Thomas Jefferson, the third US president, helped mark the country’s 25th birthday in 1801 with horse races.
Is the IndyCar race part of Freedom 250?
Not officially. While the Grand Prix bears similar branding to Trump’s Freedom 250 initiative, they are separate entities.
Trump’s Freedom 250 task force was a public-private partnership that put together events like the Patriot Games and the Great American State Fair, which took place in June on the National Mall.
But critics argued that the task force undermined America250, a separate bipartisan organisation created by the US Congress to arrange festivities for the anniversary. There was also a backlash to the perception that Freedom 250 would be a vehicle for Trump’s political agenda.
The Grand Prix, meanwhile, is being “administered by INDYCAR in coordination with the America 250 Task Force”, according to the District of Columbia government website. IndyCar is a subsidiary of Penske.
Protective panels surround a sculpture outside the National Gallery of Art ahead of the Freedom 250 Grand Prix in Washington, DC, on Monday [Jim Lo Scalzo/EPA]
What response has the race received?
The race is arguably the most ambitious of all the events Trump has hosted for America’s 250th celebration. It has also drawn concern from preservation experts.
A temporary track for the race will run 2.7 kilometres, or 1.7 miles, including through the National Mall. Part of the race will therefore take place near several buildings that contain priceless historical works and documents.
Immediately adjacent to the motor speedway will be the National Gallery of Art, featuring paintings spanning the history of Western civilisation, and the National Archives, which includes the original Declaration of Independence and US Constitution.
With race cars set to pass by at speeds nearing 321km/h (200mph), the National Gallery has boarded up some windows on its building and put barriers around several of its outdoor works.
A preservationist group has also warned that historic New Deal-era murals in the nearby Cohen Federal Building could be damaged “due to vibratory impacts”.
A Freedom 250 Grand Prix spokesperson told The Associated Press (AP) news agency that IndyCar has “tremendous respect for the history and the structures” surrounding the track.
But the race’s impacts are being felt by Washington’s residents and travellers as well.
In the days leading up to the race, commuters were plagued by hours-long congestion caused by the closure of some of the city’s popular thoroughfares as organisers prepared for the event.
The Federal Aviation Administration also announced that flights at the nearby Ronald Reagan Washington national airport will be paused for three hours on Sunday so flyovers associated with the event can take place.
Workers set up barriers ahead of the Freedom 250 Grand Prix on the National Mall in Washington, DC, on Wednesday [AFP]
Who’s paying for this?
With an expected price tag of $35m, the 147-lap race will be among the most expensive on IndyCar’s calendar.
Bud Denker, the president of Penske Corporation and chairman of the race, told AP his company will pay for the “vast majority” of the event, while the city will cover some “very limited” costs to repave streets and seal manhole covers.
A spokesperson for Washington, DC’s transportation department, German Vigil, told Al Jazeera the city “will be getting reimbursed” by the Grand Prix for those repairs.
The Freedom 250 Grand Prix website explains that the event is supported “by a group of key partners”, including Harbinger, a production company with ties to at least one previous Trump-hosted event.
CNN previously reported that the firm was hired to solicit corporate sponsors for the 2025 White House Easter Egg Roll.
The race’s website identifies Harbinger as an “official event partner” that will “coordinate logistics and the fan experience” for the Grand Prix. A spokesperson for Harbinger told Al Jazeera it was only handling “production”.
Several of the race’s sponsors have government contracts, including the aerospace firm Boeing and the telecommunications firm Verizon.
One, the building manufacturer WillScot, was in discussion with the second Trump administration about leasing mobile structures to house detainees slated for deportation, according to the publication Semafor.
Another, the aircraft company Gulfstream, was the recipient of nearly $200m in a controversial deal Trump’s Department of Homeland Security undertook to buy luxury jets for executive travel.
WillScot and Gulfstream did not return Al Jazeera’s request for comment.
Fox Sports CEO Eric Shanks speaks with US Secretary of Transportation Sean Duffy on the Freedom 250 Grand Prix track in Washington, DC, on Thursday [Finn Gomez/Getty Images via AFP]
How much does it cost to attend?
A reported 100,000 general admission tickets have already been given away for free, while premium viewing of the race comes at a steep price.
Tickets for the Champions Club, which offers views of the racetrack, cost $5,000 per person, while luxury suites are priced upwards of $250,000.
Will Trump attend?
Media reports have indicated that Trump himself is likely to attend the event.
The New York Post reported that the president may take a lap on Sunday around the track in his motorcade, to kick off the last day of the race.
But Trump’s involvement raises concerns, including from IndyCar drivers, that the event could be politicised. McLaren Racing’s Pato O’Ward, IndyCar’s only full-time racer from Mexico, has said it would be “ironic” if he won, given the president’s aggressive political stance towards immigration and Mexico itself.
On August 10, 2026, Reporters Without Borders marked five years of Taliban rule with an assessment that Afghanistan has become, in the organization’s words, a prison for information. The report catalogs more than twenty national directives and a long list of provincial decrees, most delivered verbally rather than published, that have progressively stripped Afghan journalism of independence. The starkest new detail is legal rather than administrative. A Code of Criminal Procedure quietly enacted in January 2026 now punishes insulting the country’s supreme leader with thirty nine lashes and a year in prison, and insulting the wider leadership with twenty lashes and six months. Afghanistan sits at one hundred seventy fifth of one hundred eighty countries in RSF’s 2026 World Press Freedom Index, alongside North Korea, Eritrea and China, as global press freedom overall falls to its lowest point in twenty five years.
From Verbal Orders to Written Law
The Taliban’s approach to media control has moved through recognizable phases since retaking Kabul in August 2021. Eleven rules issued that September gave authorities broad power over what could be published. Restrictions escalated from there: a November 2021 ban on interviewing regime critics, a March 2022 prohibition on rebroadcasting Voice of America and Radio Free Europe, and a July 2022 declaration by supreme leader Haibatullah Akhundzada that criticizing officials contradicts Islamic law, which recast basic accountability as religious transgression. Afghanistan’s 2015 Press Law, the last formal legal protection for journalists, was repealed in April 2024. What followed was an acceleration rather than a pause. September 2024 rules banned live political programming and limited on air guests to Taliban approved voices. A July 2024 law prohibiting broadcast images of living beings has since spread to more than twenty provinces. Women have been pushed out of the profession in stages, from mandatory face covering for television presenters in 2021 to a March 2025 Kandahar order banning women’s voices from radio entirely.
The Shift From Deniable Pressure to Permanent Law
What separates the January 2026 Code of Criminal Procedure from everything that preceded it is durability. Verbal orders and provincial decrees can be denied, reversed or applied unevenly, and much of what RSF documents over the past five years was communicated exactly that way, through unpublished instructions passed down from de facto ministries rather than through any formal legislative process. A criminal code cannot be waved away the same way. The document only became public because it was leaked; the Taliban never announced it. RSF notes the code does not mention journalists specifically, but it offers them no exemption either, meaning ordinary reporting on Taliban governance now falls under the same provisions that criminalize insulting the leadership. A separate article requires citizens to report any contact with government opponents, extending the incentive to inform beyond state security services into the population at large. Legal researchers reviewing the code have also flagged provisions dividing defendants into social categories, with punishment calibrated to status rather than offense, a structure that undercuts equal treatment under law well beyond the press freedom question alone.
The scale of the resulting collapse is difficult to overstate. RSF’s country data shows forty three percent of Afghan outlets disappeared within three months of the takeover, more than two thirds of the roughly twelve thousand journalists working in the country in 2021 have left the profession, and eight in ten women journalists have stopped working entirely. Behind each of those figures sits a newsroom that no longer exists or a byline that no longer appears, the practical result of a five year campaign that RSF’s South Asia desk head has described as turning criticism itself into a legal offense.
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None of this makes Afghanistan an isolated case, which is what gives the story weight beyond South Asia. RSF’s own 2026 index places Afghanistan’s collapse inside a broader global pattern: more than half the world’s countries now rate as difficult or very serious environments for journalism, the worst showing the index has recorded in a quarter century. The organization has also pointed to a specific mechanism spreading well beyond authoritarian states, in which national security and counterterrorism justifications, first normalized after the September 11 attacks, are increasingly invoked to restrict reporting on matters of public interest, a pattern RSF says now appears in established democracies as well as in regimes like Afghanistan’s. Afghanistan represents the extreme endpoint of that continuum rather than an exception to it, which is precisely why treating it as a uniquely Afghan problem understates the lesson.
The crackdown has also produced a measurable outflow with consequences well beyond Afghanistan’s borders. RSF data shows the number of countries journalists have been forced to flee from worldwide has doubled over five years, from nineteen to forty, with Afghanistan topping the list. Those journalists do not disappear once they cross a border. Pakistan and Iran, the two most common host states, have each carried out mass deportations of Afghan refugees through 2026, and independent reporting from RSF and Human Rights Watch has documented Afghan journalists, including some holding valid visas, among those detained and forcibly returned toward the same authorities they fled. Resettlement pipelines to Europe and North America have slowed at the same time, leaving exiled journalists in prolonged legal limbo in third countries with limited protection. For policymakers well outside the region, that combination turns a domestic censorship story into a live test of asylum and non return commitments.
Three Paths From Here
The most likely trajectory is continued institutionalization rather than reversal. The Taliban leadership has shown no interest in press freedom as a bargaining chip for international recognition, and the shift from verbal directive to codified criminal law suggests an intent to make current restrictions permanent rather than negotiable. This path is highly likely through the remainder of 2026 and into 2027, with enforcement of the new code expanding province by province and further directives layered on top of an already dense regulatory web.
A second, less likely path involves narrow, tactical loosening tied to international engagement. If the Taliban pursues formal recognition or unlocked aid financing, cosmetic concessions on foreign broadcasters or select outlets are possible, mirroring past patterns of selective accommodation when the leadership has wanted to project moderation to specific foreign audiences. This outcome is possible but not likely to alter the underlying legal architecture, since Akhundzada’s own framing of criticism as a religious offense forecloses any structural reform led from within the leadership itself.
A third path, already underway, is a deepening exile crisis that draws in host and resettlement states more directly than the domestic censorship story alone ever could. Continued deportations from Pakistan and Iran, combined with stalled resettlement processing in Europe and North America, raise the probability of a high profile forced return case drawing sustained international attention, potentially forcing governments to clarify protection commitments to Afghan media workers in ways they have so far avoided through case by case handling. This path is likely to intensify over the next twelve months regardless of what happens inside Afghanistan itself, since it depends as much on Pakistani and Iranian deportation policy as on any Taliban decision.
Why a Domestic Censorship Story Is Not a Domestic Story
Afghanistan’s press freedom collapse will keep being read as an isolated horror story unless it is placed against the trend line RSF itself is now drawing, in which national security framing, once confined to the world’s most repressive states, is migrating into ordinary governance practice elsewhere. The clearest near term indicator to track is enforcement, not legislation. The Code of Criminal Procedure has existed on paper since January 2026 without a confirmed public prosecution under its press relevant articles. The first documented case brought under Article 19 or Article 23 against a journalist or commentator will mark the moment Taliban media law moves from threat to precedent, and from precedent to template.
The Wound is Where the Light Enters: A Memoir of Resilience
By Chris Young Little, Brown and Company: 336 pages, $35
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Chris Young grew up in Clarksville, Tenn., in the direst imaginable circumstances — unimaginable, in fact, to many of us.
He never knew his father. His mother was a crack addict with a habit of stabbing her romantic partners. While his mom was in prison, Young and his older brother, Robert, mostly fended for themselves, often in a home that lacked electricity and running water. Young, tormented by sickle-cell disease, saw many of those closest to him die by homicide or suicide.
The two boys weren’t totally bereft. They had a grandfather, cousins, friends and a stepfather. A neighbor provided showers, until his water bill got too high; another supplied hot meals. A woman known as Big Mama offered shelter and tough love. But it wasn’t nearly enough. Desperate for money, the teenage Young — smart, entrepreneurial, dreaming of a rap career — became a gun-toting drug dealer.
Young’s searing memoir, “The Wound Is Where the Light Enters,” chronicles this bitter childhood and its devastating consequences. The evocative title is a quotation from the 13th century Persian poet Rumi.
Unlike some prison memoirs, this isn’t an innocence story. But it is no less an indictment of the U.S. justice system — its laws, its courts and its brutal prisons. “The constant state of heightened agitation and awareness that it takes to survive a single day in a federal penitentiary is enough to drive a man insane,” Young writes. “At every turn, the system is designed to crush your humanity. You’re an animal in there and are expected to act like one.”
But not everyone does. “The Wound Is Where the Light Enters” not only reveals the system’s horrors, but also celebrates the redemptive power of hope, intellect and community.
By the time Young was swept up in a federal drug investigation, he already had two felony drug convictions. His involvement in the federal conspiracy case, as he tells it, was marginal. He was no kingpin and had never met most of the people being charged.
But he faced a zealous prosecutor, with only court-appointed attorneys at his side. Worse yet, he was up against a harsh “three-strikes” law that replaced judicial discretion with mandatory minimum sentences.
Young’s own pride and sense of justice also came into play. He could have pleaded guilty, perhaps even cooperated, and received a finite (though still hefty) prison sentence. Instead, determined to argue his case, he opted for a trial at which conviction was all but certain. Then, against advice, he presented a meticulously crafted and rehearsed speech at his sentencing hearing.
The 26-year-old Young, who’d already spent four years behind bars, had used that time productively. A former straight-A student who had dropped out of high school, he had embarked on a program of self-education, reading deeply in African American history, Greek philosophy, finance and other subjects. “Every day,” he writes, “I left the library with new language to put to my thoughts.”
Young told the court about his chaotic upbringing and his recent scholarly pursuits. “He spoke of the things he could do if he did not have to die in prison. He told me of the possibilities that would never be,” the trial judge, Kevin H. Sharp, writes in the book’s foreword. “It was impossible to listen to someone so full of compassion, intelligence, and, above all, promise, and not question the system that had not just allowed this to happen but required it.”
Sharp sentenced Young to life without the possibility of parole, as the law mandated. But two years later, he stepped down from the bench and joined Young’s defense team.
Young describes his childhood mostly from the perspective of a boy — alternately bewildered, hurting, depressed and “mad all the time.” His account of his incarceration, with its mind-numbing routines, gang hegemony and intermittent violence, is equally gripping.
At McCreary, the tense high-security federal prison in Kentucky known as Misery Mountain, Young meditated, adhered to a workout routine, read prodigiously, taught GED classes to fellow inmates and maintained ties to his few surviving loved ones. And he kept hoping. “The system’s control over my body was absolute,” Young writes. “Its control over my mind was not.”
In 2015, the sickle cell-related disintegration of his hips prompted Young’s transfer to a low-security prison, Federal Medical Center Lexington. Here the surroundings are less bleak, the library better, the prisoners friendlier. Young teaches himself to code and envisions an app that will focus on mental health and suicide prevention. Yet he still must fight to obtain the hip replacement surgery he so desperately needs.
By now, his case has attracted sympathetic press attention and more effective lawyers. Even so, his story takes a dark turn. From Lexington, he is sent to his most terrifying prison yet, known as Bloody Beaumont, where COVID-19 adds another layer of threat. A judge reduces his sentence, but, for reasons never entirely clear, he is suddenly thrown into the prison’s “hole,” its barbarous solitary confinement cells.
It is from that hell that Young, more than a decade after his arrest, emerges to freedom — earning a degree in economics and public policy from Southern Methodist University, pursuing a consulting career and writing this indelible book. For his 2021 grant of executive clemency, he has his lawyers and reality-TV star Kim Kardashian to thank — as well as President Trump.
Klein, a cultural reporter and critic in Philadelphia, has been a three-time finalist for the National Book Critics Circle’s Nona Balakian Citation for Excellence in Reviewing.
Walt Disney Co.’s ABC network has stepped up its defense of “The View” amid its battle with Federal Communications Commission Chairman Brendan Carr, who has targeted the network’s programming and its hiring policies.
At issue is whether “The View” still qualifies for an exception to FCC rules that require broadcasters to provide equal air time for opponents of various political candidates.
Carr has called the daytime talk show “overtly political.”
Late Monday, ABC filed documents with the FCC to support its request for a declaratory ruling that “The View” is indeed a bona fide news interview program entitled to the equal-time rule exemption that covers newscasts, political debates and documentaries.
The show was granted the exception in 2002.
“Today, the program in the Commission’s sights is The View,” ABC said in this week’s filing. “The principle in the balance is far larger: whether a federal regulator may override a broadcaster’s editorial judgment about whom to interview — a judgment the Constitution commits to broadcasters and their audiences, not to the state.”
Since the FCC opened its inquiry in late May, the agency has received more than 77,000 public comments — most in support of the long-running daytime talk show.
“While ABC insists that ‘The View’ is a ‘bona fide news program’ under the law, ABC should focus on complying with its public interest obligations, rather than misleading the public about them,” an FCC spokesperson said in a statement sent to The Times.
Losing the licenses for its stations, including KABC-TV Channel 7 in Los Angeles, would be a significant blow to the Disney-owned network.
Some conservatives, including Sen. Ted Cruz (R-Texas) have suggested the FCC actions are an overreach while others have encouraged the agency to come down hard on Disney.
“The Commission can take this opportunity to address multiple pending complaints against ABC related to its programming,” conservative lawyer Daniel Suhr, head of the Center for American Rights, wrote in his 65-page petition in support of revoking Disney’s licenses.
“The View,” which features Trump critics Whoopi Goldberg, Sunny Hostin, Joy Behar and Ana Navarro, helps make a case that Disney is running a partisan network, Suhr alleged in his documents.
“Democrats are featured on The View at an insanely high ratio compared to Republicans,” Suhr wrote, noting that at least a third of the show’s 348 guests in 2025 were liberals — including Sens. Bernie Sanders (I-Vt), Elizabeth Warren (D-Mass) and Cory Booker (D-N.J.). Meanwhile, two prominent conservatives, former Georgia Republican Rep. Marjorie Taylor Greene and actor Cheryl Hines, the wife of Health and Human Services Secretary Robert F. Kennedy, Jr., were featured last year.
Since Carr opened the review, the ABC show has avoided conversations with political candidates in competitive races leading up to this year’s pivotal midterm elections.
The show has continued its tradition of hosting politicians, though, including a highly rated interview last month with a Carr ally — Vice President JD Vance.
ABC has asked the FCC for a declaratory ruling on the status of “The View.” The network maintains that “The View” books politicians based on newsworthiness and not partisanship.
“Big fan of the show. Hope my vote counts,” wrote one viewer, Wilson Vélez, in a comment filed with the FCC on Monday.
Another viewer, Patricia Pomeroy, wrote: “Freedom of speech, Freedom of speech, Freedom of speech.”
ABC’s filing noted that the program has kept the same format and focus on topical news events since its inception.
“What has changed is not the program but the political climate around it,” ABC said in the petition.
Disney’s filing, signed by attorney Paul Clement, commended the “robust response” from the public, saying the outpouring “represents laudable civic engagement of the kind the Commission should welcome given its statutory obligation to make decisions based on the public interest.”
Hundreds of masked white nationalists marched on Washington DC waving Confederate flags and chanting anti-immigrant slogans on the 250th anniversary of the founding of the United States.
DETROIT — Jerry Esters proudly displays the American flag each day on his Detroit home. A few miles away, Yvonne Pistochini says there is no scenario under which she would allow the Stars and Stripes to cast its shadow where she lives.
Both are Black.
For Esters, the flag represents the opportunities that allowed the great-great-grandson of slaves to find success and flourish. Pistochini, 79, simply says the America identified by the flag is not the same country she saw growing up.
Republicans and older, white adults are especially likely to say they fly the American flag, while younger Democrats and Black adults are more likely to say they don’t fly it. Views of the flag — and whether it’s a unifying or divisive symbol — track with other deep divisions among Americans, who see their country’s history and accomplishments very differently.
“A lot of Black Americans see the flag as a symbol of both inclusion and exclusion,” said Matthew Delmont, professor of American history at Dartmouth College. “Black Americans, more so than white Americans, also understand the flag can be used to justify a version of patriotism that is rooted in exclusion, with the flag being used to say ‘you don’t belong here.’”
The survey of 2,596 adults was conducted April 16-20. It suggests that older white Americans, especially Republicans, are more likely to see the flag as unifying.
About half of U.S. adults said they display the flag at home throughout most of the year, or during holidays. About 7 in 10 Republicans and about 6 in 10 Americans ages 60 and older fly the flag at least during holidays.
About 6 in 10 Democrats and independents, on the other hand, say they “never” fly the U.S. flag. That includes the vast majority, 75%, of Democrats under 45.
Opportunities worth fighting for
Esters, a 64-year-old retired clay sculptor for a Detroit automaker, flies three American flags at his Sherwood Forest home on the city’s west side.
“When these homes were built, Black men like me, my mother and my family … we couldn’t even buy these homes,” he said. “To me, that’s one reason I fly the flag. We went through a lot to be able to own nice homes, and this is what we fought for.”
The other reason is Moriah Martin, Esters’ great-great-grandmother, who was born into slavery.
“I’m kind of living out her dreams — what I did for a living, having a business, having a nice home,” he said. “I think that’s the American way, but we got to fight for it and we, as Blacks, fought for it.”
He’s in the minority among Black adults, according to the survey, which found that only about 3 in 10 Black adults say they ever display the American flag, compared with about half of white and Hispanic adults.
Pistochini says current divisions over political leanings and perspectives, and inequality of opportunities for the poor and people of color are not what she believes the flag should stand for. People confuse flying it with being patriotic, she added.
“Just because you fly a flag doesn’t make you a patriot,” Pistochini said. “If there was patriotism, we would not have all this. We can’t look at (what’s going on) and say this is America.”
For country and freedom
Ben Gaskins, chair of political science at Lewis & Clark College in Portland, Oregon, says the flag is an important symbol of patriotism for many Americans.
“It is those who are older people, who are white and people who are more conservative,” Gaskins said. “They take it as more central to their identity.”
Nancy Hansen, a 73-year-old retired Customs and Border Protection clerk in Culvertson, Montana, believes “you have to be for the country, no matter what” and that the flag means “freedom.”
“Freedom to live where we want to live, travel where we want to travel, raise our kids where we want to raise our kids,” said Hansen, who is white and identifies as Republican.
Each year around July 4, the American Legion posts flags outside businesses and homes in Culvertson, including Hansen’s home.
Linda and Greg Cunningham also equate the flag with freedom.
The white, conservative Pontiac, Michigan, couple are going all out this summer. The exterior of their home northwest of Detroit is awash in red, white and blue. The flag sits atop a flagpole just feet from their door.
“It’s no political thing, at all,” said Linda Cunningham, 63. “It’s our freedom. I love the American flag. I love the whole concept of it. I love America. I know there’s so much going on in the world, right now, and I know everyone has their own views, and I’m just sad that politics have to be brought into the flag.”
Flag as a ‘painful reminder’
Of those who took the survey, 47% see the flag as a “more unifying” symbol. About 16% call it a “more divisive” icon, while 36% say it’s neither divisive nor unifying.
Only 22% of Black adults see the flag as a unifying symbol, compared with 55% of white adults and 42% of Hispanic adults.
“It’s a painful symbol. It’s a reminder of what we could be and how it’s failed to live up to that for Black people, for Indigenous people and people of color,” said Allison Wiltz, a Black author and founder of Writers and Editors of Color.
Paul Walthour, 71, occasionally flies the flag outside his Minneapolis-area home on special occasions and some holidays. Walthour says that when he’s away from home and at his cabin, the flag goes up each morning and is taken down at the end of the day.
“This is antiquated, perhaps,” said Walthour, who is white and a retired advertising agency creative director. “I feel it’s a symbol that you’re proud to be an American.”
“Unfortunately, I kind of think it’s kind of a symbol of dividing more than uniting,” added Walthour, who identifies as a Democrat. “The people who fly it on the far right have one kind of feeling about it, and the people who fly it on the left have a different kind of feeling about it.”
The AP-NORC poll of 2,596 adults was conducted April 16-20 using a sample drawn from NORC’s probability-based AmeriSpeak Panel, which is designed to be representative of the U.S. population. The margin of sampling error for adults overall is plus or minus 2.6 percentage points.
Williams, Sanders and Parwani write for the Associated Press. Sanders and Parwani reported from Washington.
Justin Gaethje waited a long time to become an undisputed UFC champion.
Now the 37-year-old MMA star might have to wait another six months or so before fighting again.
Gaethje upset former two-weight champion Ilia Topuria with a technical knockout in a lightweight unification championship bout at the UFC Freedom 250 event Sunday on the White House South Lawn.
Topuria was a bloody and swollen mess by the time his corner stopped the fight between the fourth and fifth rounds. Gaethje executed a soaring back flip off the cage to celebrate his first undisputed belt, but it turns out that the former two-time interim champion also suffered significant injuries during the bout.
Both Gaethje and Topuria were among the five UFC Freedom 250 fighters who received 180-day medical suspensions from the Association of Boxing and Combative Sports Commissions, according to a list issued by the commissions and viewed by The Times.
Ilia Topuria suffered two broken orbital bones during his loss to Justin Gaethje at UFC Freedom 250 on June 14 in Washington.
(Chris Graythen / Getty Images)
Gaethje’s suspension can be shortened if he is cleared with negative MRIs for his right wrist and left knee. Topuria, who suffered two broken orbital bones, can return early if cleared by a an Oral and Maxillofacial Foundation specialist.
Both men also are required to serve mandatory rest days (45 for Gaethje, 60 for Topuria).
Alex Pereira, who lost his interim heavyweight title bout to Ciryl Gane by TKO, was medically suspended for 180 days or until he’s cleared with a negative maxillofacial CT scan. Undercard fighters Aiemann Zahabi and Steve Garcia also received 180-day medical suspensions.
Topuria won the UFC featherweight championship by knocking out Alexander Volkanovski in February 2024. He vacated that title a year later and in June 2025 defeated Charles Oliveira by knockout to claim lightweight belt.
In November, Topuria announced he was temporarily stepping away from fighting. Gaethje earned the interim lightweight title in January by defeating Paddy Pimblett by unanimous decision.
The president held a cage fight on the White House South Lawn, complete with flyovers, fireworks, mini-skirted “octagon girls” and the surrealistic sight of mixed martial arts fighters striding through historic White House rooms flanked by National Medal of Honor winners.
Despite wide public disapproval for Sunday’s event and much scathing commentary about the political and psychological messaging of Donald Trump’s choice of a Vegas-like spectacle to celebrate his 80th birthday, and the country’s 250th, the sky did not fall, the original Constitution in the nearby National Archives did not tear in two and none of the fighters passed out from the heat or bug bites.
Things didn’t even get bloody until the final match in the fifth hour, when Justin Gaethje kicked and punched the crap out of widely favored Ilia Topuria.
Even so, it was impossible to emerge from watching UFC Freedom 250 without feeling punch-drunk.
Not because of the fighting; because of almost everything that was not the fighting.
Beginning with Paramount+, owned by the Trump-friendly Ellison family’s Paramount Skydance, which recently received Justice Department clearance for its highly controversial acquisition of Warner Bros. Discovery.
The jarring sight of past UFC matches being seemingly projected onto the Jefferson Memorial and the Capitol gave way to a series of poorly produced “historical” moments in which UFC fighters were cast as inheriting the same “fighting spirit” that motivated this nation’s Founding Fathers, past presidents and war veterans. Down to the inevitable strains of the Village People’s “Y.M.C.A.” (the baffling anthem of MAGA), the event projected a macho-man view of patriotism that was just as ghastly as many feared it would be.
UFC fighters are indeed dedicated and talented athletes who have overcome all manner of personal obstacles. But to compare them with Thomas Jefferson or American soldiers storming the beaches of Normandy is absurd and more than a little insulting.
The tens of thousands of UFC and Trump fans who gathered on the South Lawn and the Ellipse, however, were clearly having a very good time. Proceedings were delayed an hour by the threat of storms, but the weather cooperated in the end. “The President’s Own” United States Marine Band, and in particular, soloist Staff Sgt. Hannah Davis, gave masterful performances throughout. And while the Claw, the 600-ton steel structure arching above the Octagon, certainly looked like the first stage of an alien attack during the day, it put on a pretty terrific (if more than a little Vegasy) light show at night.
For those watching from home, however, these bright spots were glimpsed and heard infrequently, drowned out by the endless hyperbolic intonations of commentators (including Joe Rogan, who initially criticized the event), the long and invariably self-aggrandizing introductions of the various participants and the onslaught of frequently militaristic commercials, more than a few of which, included ads for Ram, featured UFC President and Chief Executive Dana White.
Which isn’t surprising when you think about it. White’s longtime support for the president culminated in his organization covering the event’s $60 million in production costs, and from the moment a smiling White joined Trump as he made his way through the White House to the front row, the event served as an almost-six-hour ad for the UFC.
Though I am not a UFC fan, I realize that showmanship is key to the sport’s wild and increasingly broad popularity. Championship matches, which rarely last longer than 30 minutes and sometimes much less, are inevitably preceded by hours of participants making all manner of florid claims and trash-talking their opponents. (Which may explain Trump’s fondness for the UFC.)
But when all of this strutting, preening and wild-eyed reaction revolves around what was, for better and worse, a series of rules-free brawls being force-fed into a narrative about this country’s enduring strength, what emerges is not so much a sporting event as it is a piece of naked and nationalistic propaganda.
Which came to a head in the final fight. After the six previous matches concluded rather quickly with bloodless knockouts (a UFC record), the fight between American Gaethje and the German-born, Georgia and Spain-representing Topuria lasted much longer. Gaethje, introduced as “the most violent man in the most violent sport,” left the lightweight champion’s face such a mess that even Rogan was shocked.
By all metrics, including Topuria’s refusal to go down, it was the best fight of the night. But hearing the crowd chant “USA, USA” as the bloody blows fell … well, let’s just say it was not everyone’s notion of a presidential birthday celebration.
Some have suggested that Trump staged the event in the hope of regaining the support of young men who helped him win the last election. Even if that was not the case, it was difficult to view UFC Freedom 250 in any way nonpartisan (especially after British former heavyweight champion Tyson Fury strode out of the White House wearing a “Trump for Prime Minister” hat).
Yes, several of the six non-American participants entered to Spanish or Portuguese songs (why so much fuss then about Bad Bunny at the Super Bowl?) but some of the winners are longtime MAGA supporters and made that very clear — Bo Nickal thanked Trump for being the only one “to have the balls” to stage such an event while Josh Hokit followed up his thanks to “my lord and savior Jesus Christ” with “Michelle Obama is a man. Am I right, America?”
President Trump is known for being combative. And to mark his birthday Sunday, he’s literally picking a fight — actually seven of them. But a legion of opponents are determined to squash the celebration.
Trump has been gearing up for weeks for UFC Freedom 250, a mixed martial arts extravaganza that will turn the historic White House into a one-night fight house. The event designed to simultaneously celebrate his 80th birthday and commemorate America’s 250th anniversary will take place in a massive octagon-shaped structure that has been erected on the South Lawn of the White House.
The invitation-only event is scheduled to stream live on Paramount+, which is owned by David Ellison, one of Trump’s closest allies. UFC fights began streaming on the service earlier this year, with some airing on CBS, one of the first major deals signed under Ellison.
White House spokesman Davis Ingle has called the UFC card “one of the greatest and most historic sports events in history, and President Trump hosting it at the White House is a testament to his vision to celebrate America’s monumental 250th anniversary.”
But the gala is facing fierce legal challenges from activists who say UFC Freedom 250 is a scam flavored by financial and political corruption, accusing Trump and his close friends UFC chief Dana White and Ellison of benefiting financially from the event. Opponents say Trump has purchased stock in UFC’s parent company, TKO Group Holdings, while pointing out that UFC Freedom 250 is happening several weeks before the Fourth of July anniversary.
White House officials have called those allegations baseless and have asked a judge to dismiss the lawsuit.
As promo spots showing the combatants in fight mode fill the airwaves, the Public Integrity Project watchdog group has filed a lawsuit trying to derail the event. While the National Park Service is named as one of the defendants in the suit, environmental groups and former park service staff have decried the event.
Dana White, left, and then-President-elect Trump attend a UFC event held at Madison Square Garden in New York City in 2024.
(Sarah Stier / Getty Images)
Though some legal experts have predicted that those efforts may fall short, UFC Freedom 250 marks the latest in a relentless stream of furors shadowing Trump as he faces sharply declining poll numbers and harsh criticism over his economic and domestic policies, as well as his handling of the war with Iran. Here’s what we know about the event and what to expect Sunday.
What is UFC Freedom 250?
The event will take place in a mammoth claw-like outdoor arena that will spotlight the White House in the background. Undisputed lightweight champion Ilia Topuria will face off against current interim lightweight champion Justin Gaethje in the main event, which is billed as a five-round title unification battle.
A six-fight undercard, including a heavyweight interim title bout between Alex Pereira and Ciryl Gane, will precede the main event.
Who is putting on the fight?
White‘s UFC is staging the event. White, who has stressed in interviews that no taxpayer dollars are involved, has said that Trump made the suggestion of a White House event when they were together at a recent UFC fight.
Wouldn’t baseball or basketball be a more appropriate sport to feature in a celebration of America instead of a cage fight?
Perhaps. But Trump is a huge fan of boxing and mixed martial arts. He was flanked by several of the fighters who will be participating in the event when he first announced the bouts at the Oval Office. He gushed as he introduced them individually, calling them warriors: “No people in sports are tougher than these people.”
But Conor Friedersdorf, a staff writer for the Atlantic, put forth a different theory: “On Trump’s 80th birthday, blood sport will be the diversion of choice at the White House because he wants to associate his presidency and himself with the violent domination and humiliation of rivals,” he wrote in a newsletter. “America itself is weaker now on the world stage than it was when Trump began either of his presidencies.”
White has credited the president’s devotion to the sport with propelling it into the cultural mainstream, and he is predicting a record-breaking global audience.
Where can viewers watch the event?
UFC Freedom 250 will stream on Paramount+ as part of a $7.7-billion deal that Ellison struck with TKO Group Holdings, the owner of UFC. The broadcast starts at 5 p.m. Pacific.
Dana White, left, and President Trump attend UFC 327 in Miami in April.
(Julia Demaree Nikhinson / Associated Press)
The event is another apparent maneuver for Ellison to curry favor with Trump as he seeks his support and approval for a $111-billion deal to buy Warner Bros. Discovery. Trump has made no secret for his desire for shake up Warner Bros. Discovery-owned CNN, which he regards as a hostile platform.
Will this be a star-studded event?
Don’t expect a New York Knicks-style celebrity row. Although several stars including Dwayne “The Rock” Johnson, Adam Sandler, Mario Lopez and former star quarterback Tom Brady have reportedly been invited by White, none have indicated that they plan to show up.
White has said that 70,000 fans have registered for free tickets to attend the fan event at the Ellipse near the White House.
Since it’s Trump’s birthday, is UFC Freedom 250 a political event?
“This isn’t politics,” White said recently on ESPN’s “The Pat McAfee Show. “This is about the United States, what this country is about … If you love America, you’re going to love this event. It has nothing to do with politics. We just happen to be on the White House lawn and the president of the United States will be there.”
Why is there opposition to the fights?
The lawsuit filed by the Public Integrity Project contends that UFC Freedom 250 violates federal regulations that prohibit sporting events on federal park lands. Two Virginia activists who are plaintiffs in the suit claim that they “want to uphold the rule of law and protect our nation’s most cherished monuments from corrupt exploitation.”
The suit contends that the plan includes a weigh-in at the Lincoln Memorial and a pre-fight walkout from the Oval Office.
According to the suit, “The president is giving White and his company what none have enjoyed before: unfettered access to the White House and Lincoln Memorial to state a private, for-profit sports event with all of the promotional and branding opportunities that accompany such access.”
Brendan Ballou, chief executive of the Public Integrity Project, said in an interview on MS NOW that the event and advertising is “fundamentally the private profiteering of our national monuments, and that is fundamentally what is violating the law and why we are suing.”
The UFC White House event scheduled for Sunday, 14 June has been challenged by a federal lawsuit which alleges it is unlawful.
UFC Freedom 250 is set to take place on the White House’s South Lawn on US President Donald Trump’s 80th birthday, as part of celebrations to mark 250 years of United States independence.
However, the Public Integrity Project has filed a lawsuit – seeking an emergency temporary retraining order – against the event billed as the first professional sporting event to be held on the White House grounds.
“We think that this is a profound misuse of our sacred national monuments for private gain. And we think that needs to be stopped because it breaks the law,” said Brendan Ballou, lead attorney for the Public Integrity Project.
The Public Integrity Project is a self-described anti-corruption law firm based in Washington.It is led by Democrats including former Senator Russ Feingold and politician Zephyr Teachout, and has brought several suits against Trump, including one to undo the sale of the social media app TikTok and another to stop a billion-dollar “anti-weaponisation” fund.
The group argues that Trump and the UFC believe they do not have to apply for a permit to use the National Mall, ask Congress to approve construction of “The Claw” at the White House, or conduct an environmental review, because the fight is part of special semiquincentennial celebrations.
But it says that the event does “not in any material sense” celebrate the anniversary of the country’s founding and is not being carried out by the federal government or the official commission steering the anniversary’s observance.
The Trump administration issued a response to the BBC: “This is an obstructionist, baseless and dilatory lawsuit brought simply to prevent President Trump from hosting what will undoubtedly go down as one of the most historic sporting events in our nation’s history during our semiquincentennial celebration.”
Hundreds marched in Tunisia’s capital demanding press freedom and the release of political prisoners detained during President Kais Saied’s crackdown on dissent, which has jailed opposition figures including Ennahda party leader Rached Ghannouchi.