He wanted to get back into the “Scream” franchise. Of course his character, Stu Macher, could survive a television being dropped on his head (though it’s said that he was electrocuted). Lillard even thought about dropping an actual TV on his head to prove that it was possible. Luckily, he didn’t go through with it, becausea lot of TV figuratively dropped on his head anyway.
The “Scooby-Doo” actor has been cast in several high-profile projects. He’s on “Cross,” the Amazon Prime show starring Aldis Hodge as a homicide detective and forensic psychologist. He will be in the eight-episode “Carrie” miniseries — yes, that Carrie — developed by filmmaker Mike Flanagan for Amazon MGM Studios. He’s dipping his toes in the Marvel cinematic pond with a role in Netflix’s “Daredevil: Born Again.”
On the big screen, he’s prepping for a third “Five Nights at Freddy’s.”
All of this from an actor whom Quentin Tarantino (speaking on “The Bret Easton Ellis Podcast”) “doesn’t care for.” Lillard has answered questions about and commented on Tarantino’s viral comments often in the last few months. An actor for almost four decades, Lillard says he has built up a thick skin, but the comments were hurtful.
He talks about those comments, along with his recent projects, working with friends and his constant desire to say “F— ICE.”
So. Tarantino said some things about your (and Paul Dano’s) acting prowess …
Look, candidly, it was a weird moment. It was a bummer. It was a drag at the beginning. But I’ll say this — I have never felt so seen by this industry. My entire career, I felt like a blue-collar working-class actor trying to be in the best movies and do the best work I possibly can. In that moment, along comes an industry that I’ve served now for 35 years, rising up and saying really lovely things. I said, in the past, it felt like I was living through my own wake. You don’t normally see that outpouring of love until after somebody passes. At the end of the day, it ends up being a really beautiful moment for me.
It’s not like I’m this fragile little thing. I’ve been around a long time. Did it suck? Sure.
This Quentin Tarantino thing … I’m good. I love his films. It also sucked because I was like, “Oh, I would love to get in there and kick ass for him.” But whatever. It is not about the box office wins that week. It’s about a body of work, a community of friends, and longevity that really defines. Which is the goal, and it defines a life well spent.
You mentioned longevity, and a quick IMDb search shows that Shaggy is your world! There’s so much “Scooby–Doo.” Straight-to-video. Live-action. Video games.
Yeah. Isn’t that crazy?
Looking back, how did you approach doing the voice work and being in the movies, and what was your thought process when that first came to you?
My first thought process was, “I’m getting that job.” I’m like, “I will kill that.” The way I got into the voice was that I would have to scream myself hoarse. I’ll never forget coming down and being in the car, an empty Warner Bros. lot, screaming to prepare my voice for the audition, and having Chuck Roven, the producer, walk by and knock on the window and be like, “Dude, are you OK?”
The first movie was so successful that I felt like I was launched. James Gunn and I went in and pitched “Plastic Man” at Warner Bros. I felt like, “Oh, I’m now an option to be No. 1 on a call sheet.” Then “Scooby-Doo 2” came out, didn’t do great, and started a reset of my career that took a couple of years.
I look back now at 56 years old and think, without that, I wouldn’t be in this career. I don’t know if I would have been around long enough to get this comeback that I’m in the middle of and enjoying.
“Scream 7” revisits one of the most successful horror franchises ever. How did you feel about being approached to come back? Can you say much about your role?
Ghostface in Paramount Pictures and Spyglass Media Group’s “Scream.”
(Brownie Harris / Paramount Pictures / Spyglass Media Group)
I’m not going to lie, I was over the moon. At some point, right before I got the offer, probably three or four months before I got the offer, [“Scream” franchise creator] Kevin Williamson put it out in the world that the “Scream” franchise does not need Matthew Lillard. I remember reading that and thinking to myself, “Why don’t you just leave me alone? I’m planning on getting back in.”
[Film producers] Radio Silence had set up in [the fifth and sixth films] the potential or the whisperings that Stu was still alive. So I was like, “We’re trending in the right direction here. Why is Kevin Williamson kicking me in the teeth?” And the funny thing is, he called me in the middle of the afternoon and he’s like, “Are you interested in coming back?” I was super excited. And … there’s not a lot I can say about the movie, for obvious reasons. But I think that people are going to be really excited.
You’re continuing in the horror field with “Carrie.” No release date yet, but what can you say about it?
I had a small scene [in “Life of Chuck”], but the scene’s great and the movie’s beautiful. I saw Kevin Williamson at [“Life of Chuck” and “Carrie” producer] Mike Flanagan’s house because we were playing a game of “Mafia.” I was doing “Five Nights at Freddy’s” and I was sitting talking to Mike and he was talking about doing “Carrie” and everything he’s got coming up. After he and I did “Life of Chuck,” he’s like, “Well, congratulations. You’re now in the Flanafam.” He works a lot with the same actors.
I finally got up the courage to say, “Hey, listen, what is that? I mean, if I’m in the Flanafam, what does that mean? How does that work? Am I supposed to tell you my schedule?” He’s like, “Oh, no, no, no. I have a part for you in ‘Carrie.’ I want you to come and do ‘Carrie’ if you’re interested.”
Everyone knows the story. Carrie, pig blood, all that. But that De Palma version only uses certain specific aspects of the book. The thing I’m excited about is that Mike Flanagan pulls in elements of the book that are not necessarily in the first film, and then adds headlines ripped from today’s day and age in terms of bullying and things we’re seeing in social media and all of that. So he’s giving it a new lens to look at what bullying looks like for kids today. I saw the first three episodes — the entire cast gathered at a screening room — and it blew me away.
Summer Howell plays Carrie, and she’s incredible, and Sam Sloyan plays her mother. There’s three basic parties. There’s the kids, there’s the parents, and then there’s the faculty. I play the principal at the school, watching the entire thing fall apart around them.
You’re also dipping your toes in the world of Marvel with “Daredevil: Born Again.”
I can talk about “Daredevil” a little. I played Dungeon & Dragons with three incredible showrunners. Dario Scardapane, who runs “Daredevil,” Matt Nix, who’s doing the new “Baywatch,” and then Elwood Reid, who does “Tracker.” I’m their dungeon master. We play with Abraham Benrubi, this beautiful actor (“ER,” “Buffy the Vampire Slayer”), a dear friend of mine. … Dario brought me in to play Mr. Charles [on “Daredevil: Born Again”], who’s like a CIA spook. He’s a guy that controls power from afar. He helps nations rise and fall, but he’s very clandestine. He is not impressed by the powers of [Vincent] D’Onofrio’s character [Kingpin] at all. He and I get into this really delicious struggle over power. It’s good. It’s fun.
Matthew Lillard taps “Scream” vibes with Ghost Face Vodka, whose release will coincide with the seventh installment of the film franchise.
(Andreas Branch)
You’ve combined storytellingwith alcohol for your lines of whiskey, vodkas and the like. How did you decide to mix the two?
I started a Dungeons & Dragons company six years ago now called Beadle & Grimm’s. Somebody approached me about building a spirits company around Dungeons & Dragons.For me, what I heard in that was like, “Hey, build a luxury item for niche communities that people don’t always respect and know and understand.” My experience with Beadle & Grimm’s was very clear. They will come out and support it.
So we created Quest’s End Whiskey. Quest’s End is a 16-bottle drop over four years. Each bottle is a different character class, but each bottle delivers a new chapter of an ongoing saga. We sold out in the first two weeks. In a week, we had 25,000 people on the waiting list to purchase that first bottle.
I know the impact that “Scream” [has] had on the horror community. I realized that if we could license the [intellectual property] of [film villain] Ghostface that we could make something super badass that fans would go crazy for. It took us a while to secure those rights. But once we did, we built Ghost Face Vodka.Our hope was to sell 2,000 units of a collector’s edition. We had 40,000 people sign up for early access in the first 72 hours.
Ghost Face Vodka has a game on the back, a QR code. When you sit down, all your people can hit that QR code with their smartphones and load an automated game of “Mafia.” It’s a communal game. It’s like two or three of you are Mafia members, and you have to figure out who that is. And it’s super fun. Again, trying to build community. Our hope is that, launching around “Scream 7,” it’s going to catch the zeitgeist and blow up.
Lastly, we have “Cross,” your most current TV project.
Matthew Lillard in “Cross.”
(Ian Watson / Amazon MGM Studios Prime Video)
I’m in love with that creative team and Aldis Hodge and everything he represents. I don’t think people understand that that show did 40 million views in the first 20 days for Amazon. It is unapologetically a Black show that … it feels like it’s being ripped from the headlines. I think Aldis Hodge and the creative team do an incredible job representing a man who is a Black man as a detective in this world. The relationships, the friendships, the bonds he has with his community — just being around that creative team has been really inspiring, and [show creator] Ben Watkins is an incredible storyteller.
I think the thing about “Cross” is that it really challenges you, especially given what we’re living through in this moment. I have to say it — politically speaking, we’re in a s— storm. I went viral a month ago about saying, ‘F— ICE.’ But … f— ICE.
Could you describe your character?
Another dubious character. He’s a billionaire named Lance Durand, and he’s out to solve world hunger. Sometimes, a billionaire has very questionable scruples as to the best ways to go about things. Solve world hunger, kill all the people. That’s how you do it.
The whole series opens up with a bunch of middle-aged white men on an island doing horrible things to girls. So when I say “ripped from the freaking headlines” … It’s, like, crazy.
Neve Campbell helped cement the “Scream” franchise’s legacy in the horror genre, which is why stepping away from the sixth movie was a difficult decision.
But it’s one the actor stands by, she told “CBS Mornings” on Tuesday, adding that she “didn’t think I could live with myself walking on set.”
Campbell, the original “Scream” queen, declined to return for the sixth film following a pay dispute.
“I just didn’t feel right. I just knew that my value to this franchise was bigger than what had been offered,” Campbell told the morning show. “For me, I needed to make that choice.”
The seventh installment is expected to open to a franchise-high $45 million to $50 million in North America this weekend, according to Variety.
But the film’s journey to the big screen wasn’t easy. Melissa Barrera and Jenna Ortega led the sixth movie in lieu of Campbell, both of whom subsequently left the franchise in 2023. Director Christopher Landon also exited the movie shortly after.
Barrera was fired from the seventh film in late 2023 after sharing on social media pro-Palestinian statements regarding the Israel-Hamas war. Ortega then exited the film, citing her conflicting filming schedule for Netflix’s “Wednesday.”
In “Scream 7,” Sidney Prescott is now a mom living a quiet family life; a “pretty bold choice” for the character, Campbell told “CBS Mornings,” “considering what happens to most of the people she loves, but she’s decided not to let her past dictate the way she’s going to live her life now.”
Campbell’s co-stars from the original film, along with fans of the franchise, were quick to voice their support for the actor’s decision in 2022. Matthew Lillard, who starred opposite Campbell, tweeted that the decision was “straight up sexism.”
“When I spoke out about it, it wasn’t really to sort of rally everybody,” Campbell said. “It was really just my truth at the time and the fact that people sort of got behind me, I got lovely support and that was really nice.”
Spanish figure skater Tomàs-Llorenç Guarino Sabaté said Tuesday that he may be able to skate his Minions-themed program at the Olympics after all. He shared on Instagram that Universal is allowing him to use the music from its popular animated franchise for the “special occasion” and said he is working to clear the remaining hurdles.
“There are still a couple things to be tied up with the other 2 musics of the program but we are so close to accomplishing it!” Guarino Sabaté wrote in his update thanking his supporters. “I’m so happy to see that the minions hitting Olympic ice is becoming real again!! I’ll keep you posted!”
A six-time Spanish national champion, Guarino Sabaté said on Monday that he had been informed Friday — exactly a week before the opening ceremony of the Milan-Cortina Games — that the medley of “Minions” music he had skated to, while dressed in blue overalls and a yellow shirt, through the entirety of the season could not be used at the Olympics due to copyright issues. This meant that Guarino Sabaté, who had been set to make his Olympics debut with his Minions-themed short program on Feb. 10, would need to change his plans last minute. How bananas.
The cheery yellow creatures are a signature of Universal and Illumination’s “Despicable Me” film franchise. NBCUniversal owns the U.S. media rights to the Olympics.
“Finding out about this … so close to the most important competition of my life, was incredibly disappointing,” Guarino Sabaté wrote in his post sharing the initial news. “This season I competed with my Minions short program to bring joy and playful style to the ice while still meeting every required element to show that skating as a male Olympic figure skater can be fun. … Nevertheless, I will face this challenge head on and do my best to make the best of it.”
The Olympian said then that he had followed the proper procedures and submitted his music through the International Skating Union’s recommended rights clearance system in August. The situation has brought to attention to the complexities of music licensing and how it affects artistic sports like figure skating. Contemporary music is not in the public domain and skaters are responsible for clearing their own music.
For now, fans will just have to remain hopeful that Guarino Sabaté’s dream of bringing joyous Minion mayhem to the Olympic ice will come true in the end.
Yellowstone’s Jefferson White has officially joined the cast of the upcoming Rambo prequel led by an iconic Netflix star
Yellowstone official teaser trailer for new season on Paramount+
Yellowstone actor Jefferson White has officially been cast in the forthcoming Rambo prequel, John Rambo.
With Noah Centineo taking on the legendary veteran role originally made famous by Sylvester Stallone, the new picture from director Jalmari Helander (Sisu) will be positioned several years prior to the 1982 action masterpiece, First Blood.
White, known for playing Jimmy Hurdstrom in the popular Western series, becomes part of an ensemble that features Yao (Sinners), Jason Tobin (A Thousand Blows), Quincy Isaiah (Winning Time: The Rise Of The Lakers Dynasty), and Tayme Thapthimthong (The White Lotus).
Specifics regarding White and his fellow cast members’ characters remain under wraps. The prequel is being described as a labour of love for Helander and will likely delve into Rambo’s wartime service in Vietnam.
Production is presently taking place across Bangkok, Krabi, Phang Nga, and Kanchanaburi in Thailand, reports the Express.
A stark initial poster showing Rambo’s grip on military identification tags has been unveiled.
Speaking about the project, Helander revealed: “When I was 11, I saw First Blood for the first time, and it changed my life.
“Rambo wasn’t just a film to me – it stayed with me growing up and was a defining influence on why I wanted to become a filmmaker.
“As we begin production on the origin of John Rambo, we’re going back to the beginning.
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“This is Rambo stripped down, raw, and real – a survival story about endurance, persistence, and lost innocence. It’s an honor to shape this next chapter with deep respect for the character and the legacy, and to bring audiences the start of John Rambo’s journey.”
Erin Westerman, president of Lionsgate Motion Picture Group, said: “We’re thrilled to start production on John Rambo, which will allow both new audiences and existing fans to explore John Rambo’s roots, his principles, and most importantly, some incredible action, courtesy of Jalmari’s singular vision.
“And we’re so excited for Noah’s committed and powerful performance to show what forged this character into legend.”
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Leading man Centineo rose to fame playing Peter Kavinsky in Netflix’s beloved To All the Boys I’ve Loved Before rom-com trilogy opposite Lana Condor.
His credits also include 2022’s superhero blockbuster Black Adam alongside Dwayne Johnson, whilst he’s set to take on the role of Ken Masters in the forthcoming Street Fighter adaptation arriving in cinemas later this year.
John Rambo does not yet have a release date. Yellowstone is available to stream on Paramount+
