format

Artificial intelligence music company Suno is going retro — eventually.

The Cambridge, Mass.-based AI company has announced Suno Vinyl, a service that will press users’ generated AI tracks onto vinyl records. It has not gone live. The company has started a waiting list, with the first pressing reserved for users who sign up. A Suno spokesperson said the company is exploring ways for people to turn their music into physical artifacts.

“Press a banger, because it’s too good to live on a screen,” Suno wrote on its website.

Users will be able to build a tracklist of up to 46 minutes from their Suno library, then either upload their own album artwork or generate it on the platform for the sleeve, labels and cover. Each record will be a 12-inch pressing made from PETG, a type of plastic. Pricing is estimated about $45 plus shipping. Suno has not said who will press the records.

Vinyl records have seen a major resurgence ever since millennials brought the format back into mainstream culture in the 2010s. Over the years, it’s become customary for major musicians to release several vinyl variants to help promote their latest album. Olivia Rodrigo most recently released roughly 10 variants of her new album, “You Seem Pretty Sad for a Girl So in Love,” in June.

Last year, vinyl record purchases accounted for more than $1 billion in U.S. sales, up more than 9%, according to the Recording Industry Assn. of America’s annual report. It was the first time vinyl revenue topped $1 billion since 1983.

The format sold 46.8 million units, against 29.5 million CDs in 2025.

Suno, founded in 2022, has established itself as a leader in AI music tech and maintains an office in Venice. In February, the company said it had surpassed 2 million paid subscribers and was on pace for $300 million in annual revenue. In June, raised more than $400 million in a Series D round led by Bond Capital, more than doubling its valuation to $5.4 billion from $2.45 billion less than a year earlier.

The growth has unfolded as the company fights on several legal fronts. Suno and its competitor Udio were sued for copyright infringement in 2024 by the RIAA on behalf of the industry’s biggest labels, including Warner Music Group, Universal Music Group and Sony Music Entertainment.

WMG was the first of the three to settle with Suno, reaching a deal last November that included a licensing agreement, Suno’s first partnership with a major label, and the sale of Warner’s Songkick concert platform to Suno.

The UMG and Sony litigation is ongoing, with a fair use hearing set for Massachusetts federal court and the labels seeking to expand their complaint. Suno also lost a case brought by German collecting society GEMA last week and is defending against legal actions from Denmark’s Koda.

Separately, class action suits against Suno and Udio have drawn support from more than 1,800 independent artists who say their recordings were used without permission to train the company’s models.

Suno has not said whether users will be able to press tracks that resemble copyrighted work, what rights users hold in the records they order, or whether the company takes a cut.

As AI creeps further into the music industry, copyright remains the sticking point — now on a format that fans seek precisely because a person made it.

The 14-team 2027 ODI tournament in Africa will have a Super Seven stage but no quarterfinals.

The International Cricket Council (ICC) has announced a revamped format for the men’s 2027 one-day international World Cup that could lead to an additional fixture between India and Pakistan.

The restructure, revealed on Wednesday, comes after concerns were expressed about the prospect of too many dead rubbers, which in turn would lead to sparse crowds at venues, and the number of foregone conclusions at the recent T20 World Cup.

While next year’s edition in Southern Africa remains a 14-team competition, the three lowest-ranked qualifiers will now take part in a preliminary round, and just one of them will progress to a 12-team main group stage.

That will now feature just two pools of six teams with a new “Super Seven” stage replacing the previous “Super Six” round robin.

Significantly, there will be no quarterfinals with the 50-over tournament denied the further jeopardy and interest that comes with an extra round of clear-cut knockout matches.

The ICC, however, insisted in a statement that the new ODI World Cup structure “creates greater context, competitiveness and consequence during the event”.

An additional team in the round-robin phase also increases the prospects of an extra match between India and Pakistan, who share a bitter rivalry that has been soured further in recent years.

The passion for cricket on the subcontinent, which in turn generates lucrative broadcast rights and huge commercial revenues for the ICC, makes a match between India and Pakistan the most valuable in the sport.

But India and Pakistan no longer meet outside ICC events as political tensions between the border nations mean they are in effect barred by their own governments from facing each other.

The last bilateral series India played in Pakistan was in 2006 (Test and ODI series).

Another change approved last week at the ICC’s annual board meeting in Edinburgh will see the next men’s T20 World Cup in 2028 remain a 20-team competition but with 10 sides qualifying from the group stage rather than eight.

The two best-performing teams in the “Super 10” will automatically secure a semifinal spot with a new eliminator stage to decide their opponents.

ICC loans Cricket West Indies $12.82m

In a separate announcement, the ICC said it had approved a $12.82m loan to Cricket West Indies (CWI) “to support the member board”.

Unlike other leading international cricket teams, the West Indies are a regional side, and the relative economic weakness of its constituent Caribbean islands and territories along with the travel distances involved puts the CWI at a considerable financial disadvantage compared with the “Big Three” of India, England and Australia.

During the recent women’s T20 World Cup in England, West Indies captain Hayley Matthews lamented an “unfair” funding ecosystem after her cash-strapped side’s eight-wicket semifinal thrashing by Australia.

“The reason we were so successful back in 2012 to 2016 is because women’s cricket was based off pure talent at that time,” Matthews said.

“The minute that investment comes into the picture, we’ve seen the gap widen a lot. … I feel like it’s a bit unfair sometimes.”

Sony Pictures Television has acquired controlling interest in the reality TV production company behind “Real Housewives of Beverly Hills” and “Vanderpump Rules.”

The Culver City studio, which produces “Jeopardy!” and “Wheel of Fortune,” announced Monday that it has closed its purchase of a majority stake of Alex Baskin’s three-year-old production firm, 32 Flavors. Baskin’s company has been expanding beyond its audience-addicting programs on Bravo to develop podcasts and documentaries.

NBCUniversal will continue to own “Real Housewives” and the other programs it televises, including “The Valley,” and spinoff show, “The Valley: Persian Style.” Baskin will continue as executive producer on his Bravo shows and stay on as chief executive of his production company.

Sony declined to disclose deal terms.

“Real Housewives of Beverly Hills” and “Real Housewives of Orange County,” are produced through Baskin’s company.

“32 Flavors has been on a remarkable trajectory, and with Sony’s support, we expect that momentum to accelerate meaningfully,” Baskin said in a statement.

Sony Pictures Entertainment studios in Culver City.

(Luis Sinco / Los Angeles Times)

Sony already owns nonfiction production companies, including Sharp Entertainment, Embassy Row, Brass Monkeys Media and 19 Entertainment, the powerhouse behind “American Idol.” It also owns formats for “Shark Tank,” and “90 Day Fiancé,” and an upcoming adaption of the board game, Clue.

“As the market evolves, we see real opportunity in premium nonfiction, and 32 Flavors strengthens our ability to deliver high-impact, returnable formats that connect with audiences and buyers around the world,” Katherine Pope, president of Sony Pictures Television Studios, said in a statement.

Pope gained responsibility for the unscripted TV business earlier the spring as part of a restructuring and dramatic downsizing, which resulted in hundreds of layoffs in the Japanese company’s entertainment business. At the time, Sony said the cuts reflected a business shift under Sony Pictures Chief Executive Ravi Ahuja.