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The imposing Beaux-Arts mansion at the Huntington in San Marino, designed at the start of the 20th century by architects Myron Hunt and Elmer Grey, first opened to the public in 1928, just for a few weekday afternoon hours, following the deaths of founders Arabella and Henry E. Huntington. (They’re buried out on the lawn.) The railroad, shipbuilding and real estate tycoon (1850-1927) and his wife (1850-1924) were sometimes said to be America’s wealthiest couple, equivalent to billionaires today when their fortune is adjusted for inflation, and they had been spending lavishly on art for two decades. Their nonprofit was founded in 1919, partly to take advantage of brand new income tax deductions for charities, a government novelty lessening what was surely a hefty annual federal assessment, plus eventual estate taxes. For more than 30 years after it opened, their grand house-museum held the best art collection — by far — that the suburban Los Angeles public could see.

The Huntington’s Art Museum, once home to Henry and Arabella Huntington, boasts a large collection of European, American and East Asian art.

(Allen J. Schaben / Los Angeles Times)

L.A. has seen various major art museums blossom since the 1960s, but the Huntington collection is still enormously impressive. The centerpiece is European paintings, sculptures and decorative arts — especially 18th century British and, secondarily, French — while American art claims maturing depth. (Chinese and Japanese art holdings are modest.) A 2021 acquisitions partnership with the Ahmanson Foundation is bringing major additions, so far including exceptional paintings by Francisco Goya and Thomas Cole.

What follows is a selection of 22 works, chosen from the mansion and the Virginia Scott Steele Galleries for American Art, a short walk away. (The art’s locations are noted as “M1” or “M2” for the mansion’s two floors, or “S” for the Steele.) Note, however, that this is most definitely not a “best of” list. Some works would surely turn up on such a selection, but the aim here is instead to give an idea of the diverse pleasures that will be found throughout the place. The list is in chronological order.

“Los Angeles sports legend” is the most appropriate way to describe the contributions of Gail Goodrich, who returned to Southern California on Friday as an 82-year-old full of stamina and humbleness after his alma mater, Sun Valley Poly High, named its gymnasium the Gail Goodrich Sports Complex.

“This is where it all started,” Goodrich said. “I have great memories here. I’m emotional that they’re going to name the gym after me. I had great coaches. I had great teammates. I’ve been one to always look to the future. Today is a day to recall and look back.”

There are few individuals in sports history who achieved what he accomplished in his hometown as a basketball standout. He led Poly to the City championship over Manual Arts in 1961, helped UCLA win two NCAA titles under coach John Wooden, including a record-setting 42-point performance in the 1965 final, and won an NBA title as the Lakers’ leading scorer in 1971-72 on a team that had a 33-game winning streak and featured fellow future Hall of Famers Jerry West and Wilt Chamberlain.

In the 1961 title game, Goodrich suffered an ankle injury in the third quarter. He came back to dominate the fourth quarter, finishing with 29 points. He played the game on a Wednesday, graduated on a Friday and was at UCLA that Monday.

Four of Goodrich’s high school teammates attended Friday’s ceremony, including center Ernie Brandt, who said, “I’m the guy who passed the ball to him all the time.”

This was the second gym-naming ceremony for Goodrich, who traveled from his home in Idaho in 2015 to see Madison Middle School in North Hollywood name its gym the Gail Goodrich Sports Center.

He graduated from Madison at 5 feet 2 and 99 pounds. At Poly, by his senior year, he was nearing 6 feet tall. He was known for his accurate left-handed shooting touch. He recalled how his father built a basket at home and he practiced into the night.

“I lived at the Poly gym. I became a gym rat. The gym became my second home,” he said.

He helped launch Wooden’s UCLA basketball dynasty that would lead to 10 titles in 12 years. Assistant coach Jerry Norman was one of the few recruiters to pay attention to him in high school and was at Poly on Friday. Goodrich was inducted into the Naismith Memorial Basketball Hall of Fame in 1996.

In 2014, Goodrich wrote about Wooden, “He never talked about winning. He talked about being a success and being able to look in the mirror at the end of the day. If you did the very best you could, that’s all anybody could ask.”

Poly opened its gym two seasons ago. Officials sought recommendations for dedicating the gym. Poly coach Joe Wyatt said there was no need for debate.

“I said, ‘Gail Goodrich.’ That’s an easy one. That’s perfect,” Wyatt said.

“As a friend told me, ‘I reached the top of the mountain for my craft,’” Goodrich told Poly students who filled up the bleachers. “Yes, you will get roadblocks and get knocked down. Sometimes you have to take three steps back, but find your mountain and don’t let anyone tell you you can’t do it.”

MIAMI BEACH — South Florida is seeing a wave of new cars, but they won’t add to traffic or lengthen anyone’s commute. That’s because the cars are made of marine-grade concrete and were installed underwater.

Over several days late last month, crews lowered 22 life-size cars into the ocean, several hundred feet off South Beach. The project was organized by a group that pioneers underwater sculpture parks as a way to create human-made coral reefs.

“Concrete Coral,” commissioned by the nonprofit REEFLINE, will soon be seeded with 2,200 native corals that have been grown in a nearby Miami lab. The project is partially funded by a $5-million bond from the city of Miami Beach. The group is also trying to raise $40 million to extend the potentially 11-phase project along an underwater corridor just off the city’s 7-mile-long coastline.

“I think we are making history here,” Ximena Caminos, the group’s founder, said. “It’s one of a kind, it’s a pioneering, underwater reef that’s teaming up with science, teaming up with art.”

She conceived the overall plan with architect Shohei Shigematsu, and the artist Leandro Erlich designed the car sculptures for the first phase.

Colin Foord, who runs REEFLINE’s Miami coral lab, said they’ll soon start the planting process and create a forest of soft corals over the car sculptures, which will serve as a habitat teeming with marine life.

“I think it really lends to the depth of the artistic message itself of having a traffic jam of cars underwater,” Foord said. “So nature’s gonna take back over, and we’re helping by growing the soft corals.”

Foord said he’s confident the native gorgonian corals will thrive because they were grown from survivors of the 2023 bleaching event, during which a marine heat wave killed massive amounts of Florida corals.

Plans for future deployments include Petroc Sesti’s “Heart of Okeanos,” modeled after a giant blue whale heart, and Carlos Betancourt and Alberto Latorre’s “The Miami Reef Star,” a group of starfish shapes arranged in a larger star pattern.

“What that’s going to do is accelerate the formation of a coral reef ecosystem,” Foord said. “It’s going to attract a lot more life and add biodiversity and really kind of push the envelope of artificial reef-building here in Florida.”

Besides the project being a testing ground for new coral transplantation and hybrid reef design and development, Miami Beach Mayor Steven Meiner expects it to generate local jobs with ecotourism experiences such as snorkeling, diving, kayaking and paddleboard tours.

The reefs will be located about 20 feet below the surface of the water and about 800 feet from the shore.

“Miami Beach is a global model for so many different issues, and now we’re doing it for REEFLINE,” Meiner said during a beachside ceremony last month. “I’m so proud to be working together with the private market to make sure that this continues right here in Miami Beach to be the blueprint for other cities to utilize.”

The nonprofit also offers community education programs, where volunteers can plant corals alongside scientists, and a floating marine learning center, where participants can gain firsthand experience in coral conservation every month.

Caminos, the group’s founder, acknowledges that the installation won’t fix all of the problems — which are as big as climate change and sea level rise — but she said it can serve as a catalyst for dialogue about the value of coastal ecosystems.

“We can show how creatively, collaboratively and interdisciplinarily we can all tackle a man-made problem with man-made solutions,” Caminos said.

Fischer writes for the Associated Press. Associated Press videojournalist Cody Jackson contributed to this report.