I still remember the moment when I heard “Cien Años” for the first time. I can vividly recall the haunting aftertaste, the glorious specificity of the experience.
I had moved from Buenos Aires to Los Angeles, and somehow managed to make a living writing about Latin music. I‘d seen Los Tigres del Norte in concert, shared a lengthy conversation with Vicente Fernández outside the Arrowhead Pond of Anaheim, and spent months poring through the songbook of José Alfredo Jiménez. But listening to the 1953 recording of “Cien Años” by Mexican legend Pedro Infante was a game changer — an existential milestone that will stay with me for the rest of my life.
I was in my home office, researching a story about the golden era of Mexican music. “Cien Años” played on, the elusive contours of its melody floating in the afternoon air. Three minutes and 33 seconds later, when it ended, you could hear a pin drop. I sat still for a few minutes, transfixed. Then I played it again. And again. Ten, 15, 20 times in a row.
A composition by Rubén Fuentes and Alberto Cervantes, the song wasn’t just another lilting ranchera from the 1950s — that much was clear. On the contrary, it felt like an otherworldly manifestation from the gods above, as if a UFO had landed in the Mexican capital decades ago, and an advanced race of extraterrestrials left this artifact behind as some sort of exquisite offering — a reminder of everything that could be but wasn’t.
There‘s the matter of that sinuous electric guitar intro, halfway between tropical psychedelia and merry-go-round anthem. Then, the main melody: forlorn, hallucinogenic. Infante’s aristocratic delivery collides head on with the brutal indifference of the girl he will carry on loving for the rest of his embittered existence. His voice, so soft and fragile, could belong to both man and woman; the universal scar of romantic rejection.
Clearly there was a mystery attached to this evergreen standard that people got to see on the big screen in 1954, when Infante performed it in the film “Cuidado Con El Amor.” The song also reminded me of Schubert — maybe a page off “Winterreise,” the romantic song cycle composed in 1827.
Had I accidentally discovered a supernatural portal where time and space didn’t exist, one where random phenomena of blinding beauty could materialize on this plane without any logical explanation?
To figure out why “Cien Años” still resonates, I decided to consult with a few notable singer-songwriters.
First I thought of Spanish rock star and longtime Los Angeles resident Enrique Bunbury, who himself traffics in the diffuse territories of the ominous and esoteric. I sent him a rambling voice memo, trying to convey my bewilderment as best as I could. True to his character, he replied with a terse but eloquent text.
“I apologize for the delay in responding, as I was busy promoting my new album,” he wrote. “I have to agree that Pedro Infante’s version has an incredibly evocative air to it that is not common in rancheras. This may be related to the classical violin training of Rubén Fuentes, who was also an arranger. Alberto Cervantes, on the other hand, was a bolero guy. I imagine he contributed the intense Acapulco scent that emanates from this song. I’m so sorry that my ignorance on this subject will probably not be of great help in your inquiry.”
I marveled at Bunbury’s humility, but agreed with him that the mystery was far from solved.
Maybe a young Mexican singer could shed some illumination, I thought, before sending a somewhat incoherent email to Silvana Estrada. I was right to assume that the 29-year-old prodigy behind 2025’s “Vendrán Suaves Lluvias” — one of the most spiritually devastating albums of the decade, and the second best album of last year — would have something to say.
“This is one of the most gorgeous boleros in the Mexican repertoire,” Estrada replied.
“I always thought the Pedro Infante version was mind-boggling. There is something in the string arrangement that sounds a bit impressionistic to me, but also profoundly Mexican, with the trumpets doubling the violin lines. There’s also a sense of maximalism that sums up the old Mexico as a time of splendor. And when I think of this song, I think of something splendid.”
At least now I knew that I was not alone in my overwhelming passion for this strange little gem. But neither Bunbury nor Estrada had addressed the eerie supernatural vibe that emanates from the recording — the feeling that when “Cien Años” was recorded somewhere in Mexico City, Pedro and company connected with another dimension.
I was scheduled to interview Mexican American singer Lila Downs the following day, and I decided to bring this up at the end of our chat. She was sitting down in her stately Oaxaca home when we connected over Zoom, and smiled widely the moment I brought up my metaphysical query.
“I’ve experienced a similar feeling with other songs that I’ve performed,” she said. “It’s like they transport me to a más allá [a far beyond], a certain undefined something that doesn’t belong in my own era. ‘La Llorona,’ in fact, connects me to something that is not even human — a force that exists in the shape of waves. It’s the essence of the very mystery that music itself evokes in all of us.”
Downs pointed out an important detail: that “Cien Años” could not have emerged from any country other than Mexico.
“Our subconscious is loaded with the spirit of the ancestors,” she added. “There is a deep connection with the cosmos in Mexico. I’ve seen it in anthropology books; this vision of art as a healing agent that facilitates spiritual growth.”
I was finally ready to put the matter aside, when I spoke to Gepe. The Chilean singer-songwriter has crafted many tracks that have a timeless, soulful quality to them. “Desastre,” a lovely tune released in 2024, feels almost as unearthly to me as “Cien Años.”
I asked him to listen to the song.
“That intro is definitely striking,” he told me in the first of many voice memos. “It has a psychedelic tinge that didn’t really exist in the 1950s. It reminds me of someone like Peter Drake and his slide guitar playing, which had more of a Hawaiian sound. I think it’s beautiful that such a short intro can leave you with more questions than answers. That’s part of the magic, isn’t it?”
Gepe made an astute observation: that my life-changing experience with “Cien Años” was not due to a single factor. It was a layered, complex combination of different details.
“You have this incredible, hypersensitive performance by Pedro, coupled with a timeless arrangement which was definitely ahead of its time,” he explained. “The cinematic, almost Hawaiian touch on the guitar, but also a strong affinity to the bolero aesthetic — there’s a subtle softness in the maracas, so that the voice can grow and shine with so much sweetness.”
And then, he told me the one thing that brought it all together.
“It’s funny, because you keep saying that this song sounds like it landed from another world, but there’s a stark contradiction in that statement,” he said. “Pedro’s delivery is so marvelous and sensitive, that it goes beyond male or female — it sums up the human experience in all its subtlety and aching beauty. I think what happened here was that the composers, arrangers, musicians and Pedro got together in a studio and created something so immense and luminous that it ended up transcending its own sense of time.”
Jason Heyward didn’t give Freddie Freeman the heads up that he’d secured a job in the Dodgers’ front office. He hadn’t told any of his former Dodger teammates. But Freeman, who’s known Heyward for two decades, now says he’d heard rumblings. He was just going to let his longtime friend break the news himself.
On May 13, midway through a home series against the Giants, Freeman walked into the food room at Dodger Stadium, and, to his surprise and confusion, there was Heyward.
“What are you doing here?” a slack-jawed Freeman asked.
“Well, I’m working,” Heyward said.
No text. No call.
“He waited to tell me in person,” Freeman said.
Heyward technically started his job as a special assistant at the beginning of May, but he was on site for the first time a couple of weeks later. That game against the Giants, with Heyward looking on as a Dodgers special assistant for the first time, Freeman stole a base — a rarity in recent years.
“I wanted to ask him, what was my grade?” Freeman said. “What do you give me, a 70 on the 20-80 (scouting) scale?”
Freeman chuckled. Though he has long been an adept baserunner, it’s never been because of his speed — not even in high school, when teams were scouting him for the 2007 MLB draft.
Jason Heyward, who joined the Dodgers as a special assistant earlier this season, stands on the field before a game against the Seattle Mariners at Dodger Stadium last month.
(Jayne Kamin-Oncea / Getty Images)
That’s when Freeman and Heyward first met, the summer before their senior year. They had no way of knowing that they’d go on to experience baseball and life milestones together for the next two decades and counting.
They were both drafted by the Braves, Heyward in the first round (No. 14 overall), and Freeman in the second (No.78). They became roommates and teammates, debuting in the same year.
Over the course of two long and decorated MLB careers — which includes Heyward’s five Gold Gloves, Freeman’s 10 All-Star selections, and five World Series rings between the two of them — their paths diverged and reconnected multiple times.
In this most recent chapter, Heyward has ventured into the front office, Freeman is adding to his Hall of Fame candidacy, and they’re once again on the same team.
“To see us now, it’s crazy,” Freeman said. “It really is.”
Strangers
It’s rare for friends of 20 years to be able to pick out the details of their first encounter. Over the decades, fond memories start to jumble and fade.
But not for Freeman and Heyward.
Without hesitation they’ll bring up August 2006, when they were both 16 and played on opposing teams in the Aflac All-American Classic, held that year in San Diego. They really got to know each other during the down time that week, hanging out in the communal game room in the hotel.
When they met, Freeman was playing Pop-A-Shot.
“That’s where he was most of the time,” Heyward said.
The group could gravitate to another part of the room to “trade cards, sign autographs, talk a little shop,” and Freeman would somehow end up back at the Pop-A-Shot.
That, however, didn’t stop Freeman and Heyward from hitting it off.
On the surface, they were an opposites-attract kind of duo, in pretty much every category but height — listed as 6-foot-4 and 6-5 during that showcase. Heyward grew up in the Atlanta metropolitan area, playing on the East team, and Freeman was an Orange County native, representing the West.
Their priorities and aspirations pulled them together.
“You kind of look around and see all the other guys there and see what they’re doing, how they talk, how they act,” Freeman said. “And then you run into Jason, and then, I’m like, ‘That’s who I want to hang out with.’ He had everything figured out at such a young age.”
Heyward was the more hyped prospect, and the star of the East in that game, with four stolen bases, a pair of hits and two RBIs.
The second time Heyward reached first base, Freeman said to him, “You’re not going to steal again.” Heyward’s response: “I’m going again.”
“I looked down, he was kicking dirt on my shoes, all that,” Heyward said. “So, same guy who he is today on first base, that’s who he’s always been.”
Even in practice, Freeman’s competitiveness stood out to his new friend.
“One hundred percent competitive, but it was fun for him to be competitive,” Heyward said. “Not competitive in like, ‘Get off me,’ [stuff] like that. He welcomed me.”
Though they became fast friends, and ran into each other on the showcase circuit throughout their senior year, who knows what would have happened if the 2007 draft had played out differently?
Dodgers first baseman Freddie Freeman takes his shoes off after batting practice during spring training at Camelback Ranch in Phoenix in February.
(Eric Thayer / Los Angeles Times)
Draftees
Freeman was scheduled to take a final exam the day he was drafted.
That year, the draft made its television debut. The first round — including the Braves selecting hometown kid Jason Heyward — was broadcast on ESPN2. Heyward’s selection wasn’t a surprise — “We know the Braves have a history of drafting young players from the area,” he said.
But Freeman would have to be in front of a computer to track the subsequent rounds. He finagled permission to go home until he was selected, and then return to school.
“We were going along, and I had some other teams calling for me as a pitcher,” Freeman said. “And I was like, ‘I don’t want to pitch, let me hit first.’”
Eventually the Braves called, with their second pick of the second round approaching. Freeman, wasting no time, kicked off the conversation with: “I don’t want to pitch.”
“And they’re like, ‘Good, because we don’t want you to,’” Freeman recalled.
Finally. The excitement began to set in.
Even after the Braves drafted Freeman, it wasn’t a done deal on his end.
He’d committed to Cal State Fullerton, the alma mater of his father, Fred Freeman. And Freddie had his sights set on becoming a CPA and taking over his dad’s business.
A couple days after the draft, at 2 or 3 a.m., Freddie knocked on Fred’s bedroom door with a decision.
“Dad, I don’t want to go to college,” he said. “I want to play baseball.”
They talked for a while. And though Fred had wanted his son to pursue an education, he softened his stance, supporting Freddie’s dream. They agreed, Freddie remembers, that if he didn’t make it to the big leagues in four years, he’d quit to follow the original plan.
“Back then, I was like, ‘Oh, yeah, that’s fine,” Freeman said. “And now you think about it — that was crazy to think, right? Four or five years in the minor leagues, that’s what the norm is. … We didn’t know any better.”
That set Freeman and Heyward on course to reunite, this time as teammates.
Heyward, poised to sign for above slot value, had to wait until mid-August to sign his contract ($1.7-million bonus). So, when he finally joined the Gulf Coast League, for all of eight games before finishing the season with rookie-ball Danville, he remembers Freeman greeting him with a disgruntled, “Hey, man, I’ve been waiting on you. I’ve been here, it’s been hot.”
“My bad,” Heyward said. “I couldn’t control it.”
Freeman broke into laughter.
After the instructional league that fall, Freeman and Heyward decided to room together in spring training. And though the accommodations changed throughout the years, they’d remain roommates through 2010, their debut season in the majors.
Roommates
Outfielder Jason Heyward, left, and infielder Freddie Freeman celebrate before the start of a spring training game against the Toronto Blue Jays in March 2010.
(Al Messerschmidt / Getty Images)
There’s no better way to quickly learn a person’s idiosyncrasies than living with them.
In terms of morning routines, Heyward and Freeman were on far ends of the spectrum. If Heyward was going to start getting ready at 12:30, Freeman was waiting until 12:48 — and it was always something that specific too. Extremely structured to this day, if something throws off Freeman’s schedule, his “robot mind,” as he puts it, malfunctions.
While Heyward would marvel at how close Freeman was willing to cut it, Freeman would give Heyward grief for how long he’d take to get ready.
“In the minor leagues, we had to shave, had to keep it low,” Heyward said. “And I’ve been, at that time, shaving since I was 15. So sometimes I had to shave twice a day, otherwise it was just freaking uncomfortable.
“So, yeah, if I may take a long time to get ready, ‘You’re rocking with what you’re rocking with; you can just get out of bed, literally wet your hair, and then go.’”
On the road, Freeman still jokes, Heyward’s BlackBerry phone came into play. The team would put the players up in hotel rooms with two beds, subjecting Freeman to the incessant clicking of Heyward texting.
“Anybody can nitpick something, but if I complain about a BlackBerry texting, that’s not really anything,” Freeman said. “‘Sorry, I had friends,’ he would say.”
Freeman and Heyward were inseparable. They’d hit back-to-back in the lineup, and then get on the bus for a 13-hour ride and sit right next to each other.
They rose quickly through the farm system, one after another, sharing the highs and lows.
“There was some irony in the fact of how he was treated in the South, versus how I’m treated in the South, even though I’m from there,” said Heyward, who is Black. “And that goes back to even in the minor leagues.”
A road trip to Savannah, Ga., in 2008 immediately came to mind for Freeman, who is white. From first base Freeman could hear everything the crowd said to Heyward in right field — including the racial slur a fan yelled in the middle of a game.
“It was the first time I ever heard the N-word,” Freeman said. “It was crazy to me. And I was almost in tears. I wanted to run into the stands.”
In fact, he started walking over there, before Heyward stopped him.
“For me, obviously, that’s been my whole life, especially growing up where I grew up,” Heyward said. “But it’s just a good perspective on him not hearing it before. And I think that’s it.
“But, yeah, if anybody would have tried him on anything, I’m fighting them too. … What’s understood didn’t have to be explained there.”
The fact that Heyward could remain so calm was eye-opening for Freeman. The pair came away from that incident, and more subtle slights (like having to wait 20 minutes to be seated in a mostly empty restaurant), with a better understanding of each other.
“For an 18-year-old to have that be a normal thing is even more saddening,” Freeman said. “To this day, it’s hard to even talk about. That those kids, or young adults [in the stands] grew up thinking that was an OK thing to say, it’s just baffling to me.”
Teammates
Heyward’s highly anticipated MLB debut came on April 5, 2010, opening day at Turner Field. And in his first major league at-bat, he smoked a three-run home run to right field.
Freeman, on the other hand, started the season in triple A. But that didn’t split up the roommates. Freeman made the 35-minute drive northeast to Gwinnett, and Heyward headed south for 15 minutes.
By late August, it was obvious Freeman would be among the Braves’ call-ups when rosters expanded on Sept. 1.
Sure enough, Heyward and Freeman both headed south that day — still driving separately because of their differing morning routines.
Freddie Freeman, left, Jason Heyward, center, and Brian McCann chat during a workout at spring training in Kissimmee, Fla., in 2011.
(Phelan M. Ebenhack / Associated Press)
“I walked into Turner Field, and saw my name in the lineup, hitting sixth, and I almost threw up,” Freeman said.
Seeing familiar faces helped. Freeman knew many of the coaches and his new teammates from major league spring training the past two years. And, of course, there was Heyward.
“Just a special day,” Freeman said. “I didn’t get any hits, but I didn’t care.
“Jason got all the hits for us, he went four for four. He was so happy I was there. He took all my hits.”
As Freeman went through his big-league firsts, he appreciated having Heyward, who’d already checked them off for himself, by his side.
Freeman looks back fondly on their plane rides. He and Heyward would sit together, eating Chick-fil-A.
Raising the level of decadence, the next year, Freeman had his first “show dinner” with Heyward and veterans such as Eric Hinske and Chipper Jones at a steakhouse in Seattle called El Gaucho.
“I was like, this is the coolest thing ever,” Freeman said.
“Those were both of our ‘college years,’” Heyward said. “So seeing the real world a little bit, spending time on flights, clubhouse, dinners, enjoying teammates, becoming young adults.”
Jason Heyward, right, high-fives teammate Freddie Freeman after scoring off a single by Justin Upton in the first inning of a June 2013 game against the Arizona Diamondbacks.
(David Goldman / Associated Press)
They were also playing well. Heyward and Freeman finished No. 2 in NL rookie of the year voting in consecutive years. And they started filling up their own individual trophy cases, while the Braves made it to the postseason three times in five years.
“Everyone has fun playing baseball,” Freeman said, “but to experience the big leagues with your best friend, I don’t know if you can get much better than that.”
Rivals
As soon as the Braves were eliminated from the 2014 postseason chase, the team fired general manager Frank Wren. Plunging into a rebuild, new president of baseball operations John Hart’s first big move was to trade Heyward to the Cardinals for pitching.
“That was the first time I saw the business side of baseball,” Freeman said. “Sad day. But it opened my eyes to, this isn’t just fun all the time. The fun has to end at some point.”
Freeman and Heyward kept in touch and celebrated each other’s successes. But it wasn’t the same.
“That was like, ‘Alright, this is becoming more of a job,” Heyward said.
Heyward leveraged that platform season in St. Louis into an eight-year free agent contract with the Cubs worth $184 million, setting a franchise record.
The Braves extended Freeman. Then when he finally hit free agency after the 2021 season, he became the first infielder to sign a $100-plus million deal with the Dodgers, signing a contract for six years and $162 million.
For eight years, Heyward and Freeman played for opposing NL teams. Then, an unexpected turn of events set the ball rolling for a reunion.
In early August 2022, when Heyward had already been on the injured list for over a month with what the Cubs called right knee inflammation, president of baseball operations Jed Hoyer announced that the team intended to release the veteran right fielder from the final year of his contract after the season.
Freeman saw an opportunity. And for the rest of the year, he didn’t let Dodgers president of baseball operations Andrew Friedman or general manager Brandon Gomes walk by without hearing his pitch for Heyward.
“I’ll shoot you straight,” Freeman told them. “I don’t know what you’re going to get from the baseball player Jason Heyward, but I know what you’re going to get from the person Jason Heyward, and what he would mean inside of a clubhouse, and what he can do to young guys and help them. There’s no one better to be in this clubhouse than how you are envisioning clubhouse culture and chemistry than to bring this guy in.”
Friedman doesn’t have an exact count on the number of times Freeman mentioned Heyward to him in those months, “but it was definitely a lot.”
Friedman and Gomes were intrigued enough to have their group dig into the evolution of Heyward’s swing. But they still had questions, like how open was he going to be to diving into adjustments with their staff?
Soon after he was officially released, the Dodgers set up a Zoom.
“He was all-in,” Friedman said, “in terms of open-mindedness, desire to change some of the recent narrative, and he was excited about the prospect of working with our guys and doing what he could to help us win games, both on and off the field.”
Heyward said he heard from the Dodgers three times before he heard from any other team in free agency.
“That was how persistent they were,” he said.
Jason Heyward, left, celebrates a run with Freddie Freeman against the Texas Rangers in June 2024.
(Ronald Martinez / Getty Images)
Heyward signed a minor-league deal with the Dodgers in early December. He spent time in Southern California over the offseason to get a head start on overhauling his swing. And he met Freeman in Newport Beach, to hang out, hit and work out together.
Heyward’s efforts paid off. He made the team out of spring training. And he and Freeman were officially teammates again.
“It was so fun,” Heyward said.
Their reunion on the field was brief — the Dodgers re-signed Heyward for the 2024 season and then, his first half derailed by injuries, released him in August — but it was still sweet.
“You go from sitting together on a bus coming from Rome, Ga., going to Wilmington, Delaware — and like now you’re on a first class flight with the L.A. Dodgers, and traveling from West Coast to East Coast, wearing the jumpsuits, all that stuff,” Heyward said. “That was a very cool experience coming from being 16-years-old, Aflac All-Americans, to now sharing a World Series ring.”
Co-workers
Heyward finished 2024 with the Astros and spent the next season with the Padres. He trained this past offseason to be ready for spring training if a team gave him an offer. But in the final weeks, he also started laying groundwork for a post-playing career in case the phone never rang.
“This year I said, ‘If we get a Super Bowl weekend, that’s it, and I’m content,’” Heyward said. “Not complacent; I’m content. I let it run its course, and now I have clarity to go do whatever else it is.”
He said he reached out to the Cubs first about a non-playing role, and had cursory conversations with the White Sox. He exchanged texts with Friedman, reviving conversations they’d had in his stint with the Dodgers. In many ways, it came down to timing.
Heyward had already been planning on meeting up in spring training with Dodgers manager Dave Roberts, a former player, to pick his brain about the transition.
They went to dinner, with both their wives, and stayed for six hours.
“I basically was just honest with him, in telling him that, No. 1, I think it’s great that he wants to stay in the game,” Roberts said. “But No. 2 is that when you’re a player, you look at certain things in a certain lens, but for him to be good at this job in the front office, he’s got to be really open-minded to learn.”
Roberts came away from the conversation excited by how earnestly Heyward embraced that message. And he mentioned to Gomes: “Someone with his character that has his desire to work could be a huge asset for us.”
Two and a half weeks later, Heyward stopped by Dodgers camp at Camelback Ranch to catch up with old friends and teammates.
“I was here for two years, and it felt like I was here for 10,” Heyward said. “And that’s family included — my family, my kids, my wife … So, what I thought was going to be natural, this was even more organic.”
Friends
Dodgers outfielder Jason Heyward, right, congratulates Freddie Freeman after bringing him home on an eighth-inning sacrifice fly against the Colorado Rockies at Dodger Stadium in a June 2024 game.
(Robert Gauthier / Los Angeles Times)
Life changes dramatically between the ages of 16 and 36.
“Single guys trying to make it, to married with many kids,” said Freeman, who turns 37 next month. “And we’re still as close as ever, which is really, really special for me.”
Then, he added: “This is going to be friends forever.”
Their wives, Chelsea Freeman and Vedrana Heyward, are close too. The Freeman’s middle children are just a little over a year older than the Heywards’ eldest. And the families’ newest additions were both born months apart.
Freeman and Heyward are already coordinating family schedules and travel — the Heywards are based in Chicago — to all get together in California this offseason.
They’re no longer those high schoolers bonding between rounds of Pop-A-Shot. In June, Freeman surpassed 2,500 career MLB hits.
“The way Free’s done it, winning is all over it,” Heyward said. “I think that’s one of those unique abilities, to this guy is playing the game first, winning first, and then he’s getting a result, then he’s having the big at-bat, doing it obviously in the postseason. So I’m just happy to see him get the recognition that he’s earned the time he put into it. I’m happy to see his stubbornness pay off.
“It’s not easy to do. It’s much easier said than done.”
Heyward, moving on from a 16-year major-league playing career, would love to be a general manager one day. But he’s keeping an open mind. He took Roberts’ advice to heart and is using his first year as a special assistant to learn and explore the possibilities.
Heyward has been around the major-league team for a handful of series in Los Angeles and Chicago (even giving Freeman advance notice before the White Sox series to make up for his May drop-in).
Trying his hand at player evaluation, he sat in the stands during the Southeastern Conference tournament. And as he pops in on affiliates, the Dodgers also see the time he spends with their outfield prospects — the biggest strength of their farm system — as invaluable.
“Whatever he wants to be in the front office, he’s going to be it, because that’s just who he is,” Freeman said. “Because he is a special man, he works hard, he cares, he wants to be the best.”
Freeman has already seen Heyward manifest his dreams once — and vice versa.
Being drafted, making it to the majors, winning championships, those were just dreams 20 years ago this month, when they both wandered into the communal activities room between All-American Classic obligations.
“That week in San Diego,” Freeman said, “obviously we’ll never forget it.”
Those who were at Dodger Stadium on a gorgeous Friday night seemed to be in for an all-nighter.
They have Tommy Edman to thank for getting home a bit earlier.
With two outs in the 10th, Kiké Hernández on third and Kyle Tucker on first, the second baseman hit a walk-off single against Pittsburgh Pirates reliever Gregory Soto, earning the Dodgers a 5-4 win.
“Yeah, it feels great,” Edman said. “We’ve kind of been struggling a little bit in those clutch situations, myself included, so it felt really good to come through.”
Edman entered the at-bat 0 for 3 and was seemingly on the verge of keeping the 200-minute game alive in an unfavorable way.
Soto, however, threw the same low-middle sweeper that Edman fouled off one pitch earlier, and the second baseman jumped on it the second time around, propelling the Dodgers (78-51) to four consecutive wins for the first time since late July.
“That’s something I really try to take pride in — leaving past at-bats behind me — and I think I’ve done a good job of that this year,” Edman said. “I think that’s something we do really well overall as a group, and that leads to coming through in big situations like that, putting past at-bats behind you.
“One of the best feelings after grinding for 10 innings,” he added. “We had a bunch of pitchers do a really good job today.”
However, the victory was tempered by the loss of center fielder Andy Pages, who was struck in the left hand with a Bubba Chandler pitch in the third inning. Manager Dave Roberts said X-rays showed a fracture and Pages is expected to be out at least four weeks.
The right-hander brought the urgency to the mound that the Dodgers were missing during an abysmal 5-11 stretch that ended with a sweep against the Colorado Rockies this week.
“I personally felt like today’s game is very important,” Yamamoto said. “We’re gonna have [Tarik] Skubal starting [Saturday], and I just wanted to maintain the momentum, which started in Colorado.”
Yamamoto surrendered two runs — both via singles from Pirates designated hitter Nick Gonzales — on five hits over 6⅓ innings, striking out nine and walking one.
“My stuff was pretty good today,” Yamamoto said. “I was feeling pretty good out there. So even after letting runners on the bases, I just tried to focus and then take it one hitter at a time.”
Chandler, meanwhile, exited after four innings. Max Muncy hit a two-run homer in the first, and Mookie Betts contributed a two-run single in the third.
The Dodgers, with a 4-2 lead, cruised into the eighth. But Kyle Hurt gave up a tying two-run homer to Oneil Cruz.
Dodgers pitcher Yoshinobu Yamamoto delivers against the Pittsburgh Pirates in the second inning Friday night.
(Gina Ferazzi / Los Angeles Times)
Matters looked grim for the Dodgers in the 10th when Evan Phillips found himself in a one-out, bases-loaded jam.
All was well, though, once Phillips got Henry Davis to ground into an inning-ending, 6-4-3 double play.
“That was great,” Roberts said of Phillips. “I know that he’s trying to kind of build as we’re going through this, and [it] hasn’t been smooth sailing for him and the success that he’s used to. But this is a big one. Big confidence builder for him … to strand those two runners was a big outing for him.”
Edman took care of the rest.
And for maybe the first time in weeks, the Dodgers appear to be inching back to their champion ways.
“I think our guys are kind of reinterested, you know, collectively,” Roberts said before the game. “So, that’s a good thing.”
Andy Pages sustains hand fracture
Dodgers center fielder Andy Pages gets hit by a pitch during the third inning against the Pirates on Friday night.
(Gina Ferazzi / Los Angeles Times)
Roberts said Pages sustained a fracture on the back of his left hand when he was hit by the 100-mph pitch It’s unclear if he will need surgery.
“Well, it’s just really unfortunate, obviously,” Roberts said. “It’s not season-ending. … So, I would expect him back, knowing him, on the earlier side. … I feel for him because he’s having such a good year.”
Roberts said Edman is an option to fill in for Pages in center field.
In a more positive development, Will Smith faced live pitching for the first time since June, and Roberts said that the plan is to activate the catcher during the first week of September.
“Today was a good day for Will,” Roberts said. “Taking at-bats. He’ll catch a couple bullpens today. He’ll do a couple more lives. … He still needs to get his legs back under him before we feel confident that he can take down a major league game and feel good coming out of it.”
Roberts added that Smith is “gonna play in the postseason” and that there is enough time for him to reach 100% strength.
Tyler Glasnow will likely be activated during the Dodgers’ upcoming trip to Atlanta.
“I just saw him. He had a great outing — his last rehab outing,” Roberts said. “I’m not sure which day we’re gonna pencil him in against the Braves, but if all of the things check out, it’ll be that [series].”
Ohtani will return to the mound at some point this season.
“It’s gonna happen,” Roberts said. “[Ohtani] threw another bullpen. … I think that there’s going to be a live or two, and then he’ll be on the mound. I just don’t know when we’re going to do that with the scheduling.”
Dalton Rushing is “pain-free” and close to facing live pitching, according to Roberts, but the catcher is “unlikely” to return to catching this season.
“I hope I’m wrong,” Roberts said. “But he’s determined to go through the process, the progression, the build-up and get back. And we’ll see where we’re at.”
Roberts didn’t rule out the possibility of Rushing being activated as a designated hitter down the line.
The Dodgers just can’t have some peace and calm, can they? Now, an owner is getting in on the fun with some controversy.
The first time that artist and filmmaker James Spooner heard Patti Smith’s song “Rock n Roll N—,” he cringed and reflected on the years of racism, microaggressions and abuse he dealt with as a young Black punk rocker in California’s high desert and later, New York.
According to Spooner’s new book, “It Starts With Anger,” this moment of reflection is a catalyst that prompts him to pursue a closer examination of the experiences and challenges Black people face in punk rock and alternative music scenes that are predominantly white.
“If there was such a thing as a ‘Rock n Roll N—’ Patti Smith wasn’t going to be the one to define it. Right then, I decided I was going to make a movie,” Spooner writes in his book.
In 2003, Spooner started working on a documentary called “Afro-Punk,” which took him across the country as he interviewed Black artists, musicians and fans to talk about their experiences in punk rock. “Afro-Punk” starts by calling out Smith’s controversial song before diving into what it means to be Black in a music scene intended to welcome outsiders, but which nonetheless alienates and projects harmful values toward people who are not white.
“I don’t think she’s a bad person, I think she’s a white person who was trying to be edgy and then just like doubled down her whole career,” Spooner told The Times. “I’m all for and have always been understanding of people who make mistakes, people should have an opportunity to correct themselves.”
The punk rock documentary is being rereleased this month after Spooner launched a successful Kickstarter campaign to remaster the film. The rerelease coincides with the publication of Spooner’s new book, “It Starts With Anger,” which covers the author’s personal history, the creation of the documentary, the larger Afropunk brand (it does not use a hyphen like the film), and the eventual demise of his brainchild at the hands of corporate ventures. “Afro-Punk” will premiere in Los Angeles and New York, with a special screening and book talk on Sunday at the Skirball Cultural Center with former S.O.A. and Black Flag vocalist Henry Rollins.
“Young people at the time needed it,” Spooner says about his documentary “Afropunk.” They needed that connection to see that there were other young Black punk rockers, they needed to hear from them and know that they had common experiences.”
(Lisa Nola )
“Before there was anything negative attached to it and before there was any corporate interest attached to it, people saw the movie and were like, ‘Oh, that’s my story, I guess I’m an Afropunk and didn’t even know it,’ and then they started calling themselves that,” Spooner said. “I helped define an experience for a group of people in the underground, I inadvertently helped to define an experience for a lot of people who feel othered and ostracized.”
Spooner, who upheld punk’s DIY ethos by shooting, producing, directing and editing the entire project himself, recently regained the rights to his film after a contentious years-long legal battle against his former business partner, Matthew Morgan, and Essence Ventures, the current owners of the Afropunk brand.
“The way that it all turned out in the end, it’s like, not everybody gets to see the long arc of justice in their lifetime, but to be so hurt and slighted and then watch karma do its thing is like, why waste time with being pissed off anymore? There are still things that I wished wouldn’t have happened, but I’m lucky in the end,” the Afropunk founder said.
After Spooner made his documentary, he realized how much the film resonated with Black punks who yearned for community and acceptance. Damon Locks, a visual artist and musician who was featured in the documentary and later worked as a publicist for the Afropunk festival, said he was “really impressed” with the film when it first came out, and that “James’ instincts were correct” when it came to the vision and execution.
“Young people at the time needed it, they needed that connection to see that there were other young Black punk rockers, they needed to hear from them and know that they had common experiences,” he said.
Eager to extend the reach of “Afro-Punk” beyond the documentary, Spooner began organizing a series of DIY underground punk shows known as “The Liberation Sessions,” with the goal of developing this concept into a major festival. He also decided to enter a business relationship with Morgan, who offered to manage Spooner’s creative affairs and help him take “Afro-Punk” to the next level.
According to Spooner, Morgan wanted to bring in corporate sponsors and feature music genres outside of punk to generate more interest and maximize profits. Spooner said he reluctantly compromised, yet after several years of working with Morgan, Spooner grew disillusioned with what Afropunk the festival became.
Maurice “Moe” Mitchell, vocalist for hardcore band Cipher and national director of the Working Families Party, was featured in the documentary and performed at several Afropunk shows and festivals. He said what happened with Afropunk is “a tale as old as time” and Morgan being outside of the movement led to “moneyed interests” altering what Spooner had created.
“At some point, those interests figure out how to co-opt, how to monetize, how to profit, how to take over this thing and it becomes a shell of itself, no longer owned or operated by the original originators, just a product or a marketing scheme for some company,” Mitchell said. “And that is rinse and repeat what happens to really good art and really good movements, and it’s what happened with Afropunk.”
By 2008, Spooner decided he wanted to walk away. He moved to Los Angeles and signed over the Afropunk rights and trademark to Morgan.
“My priority was to the kids … and I didn’t want for them to not have Afropunk just because I was over it, just because I moved on to the other side of the country, I could have just been like, ‘F— you, everything’s in my name, if you want it, sue me,’ I could have done that and I probably would have won because everything is in my name,” the punk filmmaker said. “I also was incredibly broke, I was not only broke when I moved to L.A., I was like $20,000 in debt on credit cards, so it was not like I was in a good place to continue this thing.”
As “Afro-Punk” returns to screens in Los Angeles and New York, Spooner leans into punk’s rebellious ethos, reclaiming his work and spotlighting Black liberation in loud, uncompromising ways.
(Lisa Nola )
In 2020, Spooner sued Morgan for failing to make contractual annual payments and failing to observe a clause in their 2010 agreement that mandated that if more than 50% of the company was sold, Spooner was entitled to a share of the profit. In 2020, Essence Ventures acquired the Afropunk LLC, but Spooner was not made aware of the sale. After a complicated legal battle against both Morgan and Essence Ventures, Spooner settled, successfully recovering the rights to the film in 2025, which he says was more important to him than financial compensation.
Representatives for Essence Ventures did not immediately return requests for comment.
“I didn’t start ‘Afro-Punk’ with money in mind, I wanted people to see my film,” Spooner said. “I wanted people to see my film, and then people saw the film, and then I wanted those people to stay in the room together and become friends, and all of that happened.”
Mitchell, who ended up becoming friends with Spooner after participating in the documentary, said he is “very happy” that Spooner “came out vindicated” in the legal struggle. The Cipher frontman believes “Afro-Punk” is an important documentary that shows “what it means to be a person of color in America,” and which makes visible the identity issues Black people experience beyond the punk rock community.
“That’s also the story of Black people when we lean into our liberation, right?” Mitchell said. “Like we are expressing ourselves in very loud and uncompromising ways that challenge the status quo and so I’m really happy that this film is coming out because this is a moment where we need as many people, as many Black people, to lean into who we are in loud and uncompromising ways, because we have a whole political structure that is demanding our compromise.”
As Spooner celebrates the release of his new book and the premiere of his remastered film — which he says still needs distribution — he hopes that he can continue shedding light on the Black experience and sharing the legacy of what he created as a young Black punk rocker.
“It’s wild to me that I made something when I was 25 that people still care about, and I hope that it keeps reaching another generation and proves itself to be valuable in some kind of way,” he said.
NEW YORK — Ohio State and Oregon were 1-2 in The Associated Press Top 25 released Monday, giving the Big Ten Conference the top two teams in the preseason rankings for the first time in 65 years and just the second time ever.
The Buckeyes received 40 first-place votes and Oregon received 14 in voting by 69 media members who cover college football.
Ohio State will go into a season No. 1 for the ninth time, and first since 2015. The Buckeyes are now tied with Alabama for second-most preseason No. 1 rankings behind Oklahoma’s 10.
Oregon has its highest preseason ranking in program history after having opened No. 3 four times.
Georgia, Notre Dame and Texas round out the top five. Defending national champion Indiana starts at No. 6 and is followed by Miami, Texas A&M, Mississippi and Oklahoma.
Notre Dame received six first-place votes, Indiana got eight and Miami one.
This is the first year a conference has held down the top two spots in the preseason poll since Oklahoma and Nebraska of the Big Eight were 1-2 in 1987.
The last time the Big Ten had the Nos. 1 and 2 teams in the preseason was 1961, when Iowa and Ohio State topped the poll. The Hawkeyes lost four of their last five games after a 4-0 start and finished that season unranked. The Buckeyes went 8-0-1 and ended the season No. 2 behind unbeaten Alabama.
The Big Ten has won three straight College Football Playoff championships (Michigan, Ohio State, Indiana) and will be going for an unprecedented fourth straight national title. This is the fourth consecutive year the Big Ten has had two of the top three teams in the preseason rankings.
The Southeastern Conference leads all conferences with nine teams in the preseason Top 25, marking the third straight year it has had at least that many. Five of the top 10 teams are from the SEC for the first time since 2013.
Four Big 12 teams are ranked, with conference champion Texas Tech the highest at No. 12. The Atlantic Coast Conference has three ranked teams, with the Hurricanes joined by No. 19 SMU and No. 24 Louisville. There are no Group of Six schools in the Top 25.
Top-ranked Buckeyes
The offense is loaded. Heisman Trophy finalist Julian Sayin was the most accurate passer in the nation by a wide margin last season, Jeremiah Smith leads the nation in receiving yards and receiving touchdowns over the last two years and Bo Jackson is coming off a 1,000-yard rushing season as a freshman.
There is little concern about the defense even though eight starters must be replaced for a second straight year. At least six transfers are projected to start or play major roles.
Ohio State will get tested early and often. The Buckeyes visit Texas on Sept. 12 and five of their nine conference games are against preseason ranked teams, including at Indiana and against Oregon at home.
The Buckeyes have ended a season No. 1 in the AP poll six times (1942, 1954, 1968, 2002, 2014, 2024).
Bulldogs best of the SEC
The beat goes on for Kirby Smart’s Georgia Bulldogs. They’re in the preseason top five for the ninth straight year. The two-time defending SEC champion Bulldogs are favored to play in a sixth straight conference title game and appear in the CFP for the sixth time in 10 years.
Texas, the preseason No. 1 last year, opens in the top five for the third straight year. No. 8 Texas A&M is in the preseason top 10 for the first time since it was No. 6 in 2022, the year that marked the beginning of the end for coach Jimbo Fisher.
Pete Golding’s first full season as Mississippi head coach starts with the No. 9 Rebels in the preseason top 10 for the second time in three years and third time since 1970. No. 10 Oklahoma is in the preseason top 10 for the first time since 2022, when it was in the Big 12.
What about the Hoosiers?
Indiana is the seventh returning national champion in 40 years, and second in three years, to be ranked outside the top five in the preseason (Michigan went into the 2024 season ranked No. 9 after winning the national title).
The Hoosiers became the first team in the modern era to go 16-0, and they return lots of talent and signed a top-10 transfer class. The move from Heisman Trophy winner and No. 1 NFL draft pick Fernando Mendoza to TCU transfer Josh Hoover at quarterback apparently put doubts in the minds of voters.
Poll nuggets
—USC, which landed the nation’s top recruiting class during the offseason, is ranked No. 15 in the preason poll.
— Ohio State will try to become the 12th team to start and finish No. 1 since the AP preseason poll debuted in 1950. The last team to do it was Alabama in 2017.
— Notre Dame has its highest preseason ranking since it was No. 2 in 2006. The Fighting Irish, who have a Heisman candidate in quarterback CJ Carr, bring a 10-game winning streak into the season and are still smarting from being left out of the playoff.
— Lane Kiffin’s first LSU team is No. 11 after finishing 7-6 and unranked under Brian Kelly and Frank Wilson.
— Ten of the 12 CFP teams last season are ranked. The two that aren’t are James Madison and Tulane from the Group of Six.
— No. 23 Houston has its first preseason ranking in four years and third since 1991.
The radio broadcasters reminded listeners of the final score, invited them to tune in again the next day, and signed off. The Dodgers had lost Saturday, so the sounds of “California Stars” wafted through Dodger Stadium.
“Well,” Charley Steiner said to his colleagues in the broadcast booth, “they’re still playing this song.”
The little things can be the ones we remember the most. On Saturday, for the first time in three years, Steiner called all nine innings of a Dodgers game.
In 2024, he beat cancer into remission. The first sign was back pain. He later suffered three back fractures, and to this day the pain is still there.
“It’s gone from intolerable to tolerable,” Steiner said.
He left Dodger Stadium in a wheelchair Saturday. He can walk, but the trek from the broadcast booth to the parking lot is too much, at least for now.
Yet he was in the booth, and on the air for nine innings, so Saturday was a very good day indeed.
Steiner returned for opening day in 2025, but he wore down and left midway through the game. He has called a few games this season, for a few innings each time, building up his workload as if he were a pitcher in spring training.
On Thursday, after Steiner called six innings, he said he would like to try seven the next time. Duane McDonald, the Dodgers’ radio producer, encouraged him to try the full nine.
And so Steiner did, his voice sounding raspy and rusty in the early innings but getting stronger with each successive inning.
He called the statistics put up by Milwaukee Brewers prodigy Jacob Misiorowski “Koufaxian numbers.” He translated an infield single with an exit velocity of 37 mph into everyday language: “That’s driving in the school zone.”
And, on an afternoon Dodgers starter Justin Wrobleski gave up two home runs — that’s 11 homers surrendered in his last 19⅔ innings — Steiner did not miss a beat when reading an advertisement: “Toyota dealers: they make it easy. Wrobleski makes it hard.”
The Dodgers have consistently and graciously told Steiner to take all the time he needed to get better, but recovery is slow, uneven and ongoing.
“Who would have ever thought that sitting could be painful?” Steiner said.
“I get home after a game, and I’m sitting with three ice packs on my back. It’s like I’ve completed playing.”
In the broadcast booth, he sometimes alternates between standing and sitting, or puts his feet up on a table, anything to avoid sitting for hours on end.
The happiest person next to Steiner on Saturday was the one who has been next to Steiner for two decades in the booth: Rick Monday, who checked on Steiner almost every day the past three years and who teased him unmercifully on Saturday, at times using words best left out of a family newspaper.
“You can’t invent chemistry,” Steiner said.
You also can’t invent what is now a lifelong bond.
“I had fun watching him, because I know he has gone through hell,” Monday said. “His world shrunk. We’re used to 50,000 people and you saw, what, one or two a day?”
Steiner nodded.
“Housebound,” Monday said.
“The last three years have been P.T. [physical therapy],” Steiner said. “Every day. Social life? Scratch that.
“If I want to go out to eat, it’s not necessarily where, but what’s the seating like? I can’t sit in a wooden chair.”
It’s too uncomfortable, he said, without cushion or support for his back.
Steiner is 77. He does not have to endure discomfort in the booth. He does not have to be here.
Or, perhaps, he does.
“It’s just nice being back at the park,” he said.
“It’s home.”
He is still building back his strength, no pun intended. His next goal: call a game on consecutive days, just as a relief pitcher has to prove he can pitch on consecutive days.
“But there ain’t going to be no Timmy Trumpet for me,” Steiner said.
That second consecutive day won’t be Sunday. From his home, he’ll do a segment with Monday for the pregame show.
And when might he be back in the broadcast booth on a regular basis? He had a twinkle in his eye, and seven of the most famous words in Dodgers broadcasting lore at the ready.
Simpson started only 15 games at Alabama before the Rams ostensibly made him the eventual heir apparent to Matthew Stafford.
Now, after offseason workouts, two weeks of training camp and a few preseason practices, Simpson will get his first NFL game opportunity when the Rams open the preseason against Kansas City Chiefs at Arrowhead Stadium on Saturday at 1 p.m. PDT (CBS).
“I’m really ready to show who I am,” Simpson said this week.
Simpson, 23, acknowledges the pressure that comes with his draft position, especially for a team that is favored to win Super Bowl LXI. But he does not feel it.
Not outwardly, anyway.
“I try to be as present as I can, and make sure every day I understand how much of a blessing it is knowing that I am the No. 13 pick and everything that comes with it,” Simpson said during training camp. “But also understanding that being here every day, and making the most out of every opportunity that I get, is everything I can ask for.”
Simpson started slow in the first few training camp workouts, but he appeared to break through when he stepped up in the pocket and completed a pass across the middle of the field. Simpson said he had begun to “put the puzzle pieces together,” marrying concepts with lessons learned watching Stafford and Bennett.
“His arm and the confidence that he’s throwing the ball with has definitely grown a ton,” since offseason workouts, Nacua said before the Rams broke camp. “I think he’s feeling more comfortable in the pocket, understanding and seeing more guys run routes.”
Said offensive coordinator Nate Scheelhaase: “You’ve certainly seen him go and make some throws and go and compete in a really cool way.”
But there is no tackling during practices. So Saturday will be Simpson’s first time experiencing NFL contact.
“It’s going to be a whole different lifestyle,” he quipped.
Rams quarterback Ty Simpson looks to pass during a drill in training camp at Loyola Marymount on July 27.
(Eric Thayer / Los Angeles Times)
Coach Sean McVay does not play starters or other projected significant contributors during the preseason. In addition to Nacua and Davante Adams being held out, receivers Jordan Whittington and Konata Mumpfield also will not play, McVay said.
Simpson’s fellow rookies — tight end Max Klare, offensive lineman Keagan Trost, receiver CJ Daniels and defensive lineman Tim Keenan — will play.
Scheelhaase will call plays.
This will be Bennett’s seventh — and most important — preseason start.
Jimmy Garoppolo is no longer on the roster and Stafford was on a limited schedule during training camp, so Bennett worked with the first-team offense for the first time in his career. The former Georgia star, who led the Bulldogs to two national titles, played with confidence and made plays in his bid to show McVay and teammates that he can step in if Stafford is sidelined during the season.
McVay is looking to see how Bennett and Simpson manage the offense before and after the snap. He anticipates that both will use their mobility to make plays if the pocket collapses.
“Seeing some of that stuff come to life will be important,” McVay said. “But I think it’s got to occur naturally.”
Stafford, Bennett and quarterbacks coach Dave Ragone are among those who have eased Simpson’s transition to the NFL. As Simpson prepared for Saturday’s game, Stafford offered counsel.
“The best advice he gave me was, ‘Just go let it rip. It’s nothing that you haven’t done before,’” Simpson said.
But this will be the first time Simpson will do it as a pro.
Simpson anticipates that it will be “surreal” to put on his game jersey and fulfill a dream of playing in the NFL.
“There are going to be things that I mess up on,” he said. “I’m going to learn from them and move on, and next week be able to learn from it and make sure it doesn’t happen again.”
Jaylen Brown and Giannis Antetokounmpo will play homecoming games a week apart in January.
The 2026-27 NBA schedule was released Thursday, setting the dates for the two former NBA Finals MVPs to return to face the teams that traded them this summer.
The schedules for opening night and Christmas already were unveiled this week, so those two games were among the most intriguing matchups not yet known. Brown, who was dealt from the Celtics to the rival Philadelphia 76ers in a stunning move, will play his first game back in Boston on Jan. 21.
Antetokounmpo was expected to be traded by Milwaukee this offseason — at one point speculation was that he might be swapped for Brown — and eventually was dealt to Miami. The Heat will travel to face the Bucks for the first time on Jan. 28.
Both of those games, which will be on Thursday nights, will stream on Prime Video.
Other details about the schedule:
From start to finish
The season will open Oct. 20 with a tripleheader, highlighted by LeBron James, Brown and the 76ers visiting the New York Knicks, who will receive their rings after winning the franchise’s first championship since 1973.
The regular season ends April 11. All-Star weekend is set for Feb. 19-21 in Phoenix.
Busy nights and nights off
Every team will play on Monday, Nov. 2, and there will then be no games the following night, which is election day in the U.S. The league is leaving that first Tuesday in November as an open day in hopes that fans and members of the NBA community will participate in the voting process.
No teams will play on Saturday, April 10, the second-to-last day of the regular season. Every team is then in action on the final day, with all the games matching Eastern Conference teams and the one interconference matchup scheduled to begin at 6:30 p.m. EDT. The games involving West teams are set for 8:30 p.m.
Where to watch the games
There will be 90 regular-season games televised nationally on ABC or NBC, up from 79 last season. Every team will be scheduled to appear on national TV at least twice.
Throughout the season, games will stream on Peacock on Monday nights, be shown on NBC and Peacock on Tuesdays, be televised by ESPN on Wednesdays, and stream on Prime Video on Fridays.
Saturday night primetime games on ABC begin Dec. 12 with the Knicks visiting the Heat, while NBC’s “Sunday Night Basketball” returns Jan. 24 with Oklahoma City visiting Golden State.
Prime Video will begin streaming Thursday night doubleheaders in January and some Saturday afternoon games starting Feb. 6 with Portland at Memphis, when Ja Morant returns to face the Grizzlies for the first time.
A lot of TV time
The NBA champion Knicks have the most appearances on ABC with six, while the Lakers, 76ers, San Antonio Spurs and Minnesota Timberwolves all are featured on ESPN eight times.
The Knicks, Spurs, 76ers, Thunder, Warriors, Lakers, Denver Nuggets and Houston Rockets all get the maximum 11 appearances on NBC.
Back-to-backs and schedule breaks
Teams will average 14.2 sets of back-to-back games, the lowest total since the NBA Cup was added to the schedule, and no team will have more than 16. No team will play eight games in 12 nights, or 18 in 30.
There are 59 back-to-back games involving at least 750 miles of travel, down from 74 last season.
No team will be scheduled to play the night before games in the NBA Cup, or if they are in nationally televised games on Christmas Day, Martin Luther King Jr. Day, Presidents Day, Sunday nights on NBC or Saturday nights on ABC.
Milestone moments
If Kevin Durant averages 26 points, as he did in his first season in Houston, he could move past Kobe Bryant into fourth place on the career scoring list sometime around Jan. 16, when the Rockets would be at the midpoint of their schedule.
Indiana’s Rick Carlisle is set to become the eighth man to coach 2,000 NBA games on March 8.
Forget high prices or website glitches. With more than 12 million people registering for 2028 Olympics tickets, even getting a chance to browse the ticket shelves was hard to come by.
LA28 said in a statement Friday that more opportunities to buy Olympic tickets will come in 2027, including the first first-come, first-served ticket sales.
The first two ticket drops this year drew historic interest, with fans from more than 200 countries registering. LA28 sold 4 million tickets in its first drop in April, and time slot notifications hit inboxes Wednesday and Thursday for Drop 2, which lasts from Aug. 10-20. The 48-hour purchasing windows were granted through random lottery, but even a guaranteed slot to purchase didn’t prevent headaches as the ticketing system was fraught with technical glitches and high website traffic.
The next year will bring significant movement in the Games ticketing process as Olympic sales continue, Paralympic tickets are made available for the first time and the official ticket resale platform opens.
Fans who have already registered for Olympic tickets are automatically entered into the Paralympic ticket process, which will begin with the same draw system that started the Olympic ticketing process. The Paralympics, which will come to L.A. for the first time, open on Aug. 15, 2028, at SoFi Stadium and close on Aug. 27 at the Coliseum.
AXS and Eventim are LA28’s official secondary ticket marketplace, and other verified resale platforms will include Ticketmaster and Sports Illustrated Tickets. The secondary market allows fans to re-sell their tickets, potentially opening chances to see sold-through or popular sports, but the prices could fluctuate drastically. Secondary ticket resale prices will not be capped, LA28 said in a statement, as the organization’s ticket process “will follow federal law and regulations.”
Ticket prices stayed consistent between the first and second drops. LA28 said it would not use dynamic pricing for the early stages of ticketing, but prices could change as the Games get closer.
LA28 expects to sell 14 million tickets between the Olympics and Paralympics, which would break a sales record, eclipsing the 12 million tickets sold for Paris 2024 Games.
The Williams sisters are back on track for their doubles reunion.
Serena and Venus Williams were awarded a wild-card entry for the doubles tournament at the Cincinnati Open, organizers announced Monday. Venus was also awarded a wild-card entry for the women’s singles competition. The event will take place Aug. 8-23, with matches kicking off on Aug. 11.
This will mark the first time the iconic duo will be on the court together since the 2022 U.S. Open. The Williams sisters were previously set to play doubles together at Wimbledon last month, but had to withdraw after Serena injured her knee during the singles competition. The loss to Maya Joint marked the younger Williams’ first singles match in almost four years.
The Williams sisters have won 14 Grand Slam doubles titles and three Olympic gold medals together. Fans have been anticipating their doubles reunion since Serena announced her return to competitive tennis in June.
The 44-year-old’s first event back was the doubles tournament at the HSBC Queen’s Club Championships in London earlier this summer, where she teamed up with Canadian Victoria Mboko. They won their first match, but had to exit after Mboko suffered a knee injury. Williams then partnered with Czech star Karolína Muchová for the WTA 500 Berlin Open. They were eliminated in the first round.
Venus, meanwhile, is competing in her record 33rd consecutive WTA season at age 46. She has previously reached the semifinals and quarterfinals at the Cincinnati Open in 2012 and 2019, respectively, and she holds a 12-10 overall record at the event.
This is the first time the Williams sisters will compete at the Cincinnati Open together as a team. The event is considered a premier warm-up tournament ahead of the U.S. Open, where Venus is set to play mixed doubles with Alexander Bublik. Serena has not yet said whether she plans to play the final Grand Slam of the year, which she has won six times in her singles career. The U.S. Open will be held from Aug. 23 to Sept. 13 in New York.
Heading into the final weekend of this summer’s World Cup, The Guardian reported that support for FIFA president Gianni Infantino had climbed to record levels. More than 200 of FIFA’s 211 member associations formally endorsed Infantino’s bid for a fourth term as head of world soccer’s governing body, the paper reported, making next March’s vote more of a coronation than an election.
Two weeks later, that support disappeared. Not only is Infantino’s reelection campaign in tatters, but there’s a chance he won’t survive until the spring, with British Prime Minister Andy Burnham and Javier Tebas, president of Spain’s soccer association, calling for his resignation and close confidants such as Carlos Cordeiro, the former president of U.S. Soccer, and Kevin Lamour, FIFA’s chief operating officer, publicly breaking with their boss.
At the center of that reversal was a closely guarded scheme to raise $4.2 billion by selling a 20% stake in the World Cup to private investors, who would be given influence in planning and executing future events, including broadcasting and commercial deals tied to the tournament.
In short, Infantino was planning, in secret, to sell shares in the World Cup. And once details began leaking in the media, he was forced Friday to scrap the whole thing, an embarrassing retreat that has left him vulnerable just two weeks after he had seemingly reached the heights of his third term as FIFA president.
Infantino’s idea, called the FIFA Forward Enterprise, was intended to turn the World Cup, FIFA’s milk cow, into a golden calf. But to do so, he needed the approval of at least 106 of FIFA’s 211 member countries, so he promised countries that backed him that they would receive $20 million each by mid-September. Those who declined would get just a fraction of that.
Infantino was certain the piles of cash would buy the acquiescence — or at least the silence — of enough members for the plan to go through. Instead, the bribe blew up in his face and FIFA issued a statement late Friday, under Infantino’s name, that basically said “never mind.”
“Having listened carefully to all the views, it has become clear that the project has created divisions of a nature that, regardless of the level of support, are no longer in the interest of the objective set out in the first place,” the statement read.
The question now becomes whether Infantino’s presidency will proceed.
He wouldn’t be the first FIFA president to be grievously wounded by unbridled ambition, but the speed and depth of his fall is staggering. The 2026 World Cup was, by nearly every measure, wildly successful. The largest and most complex sporting event in history the tournament, hosted by the U.S., Mexico and Canada, exceeded expectations, drawing more than 6.8 million live fans and a global TV audience of more than six billion. The four-year World Cup cycle brought FIFA revenues of about $15 billion, making it the first sporting event in history to earn more than $10 billion.
Infantino has never been shy about pushing boundaries despite heading a Swiss-based organization that, its wealth notwithstanding, is officially a nonprofit. Nor was this the first time he tried to bring private equity into the World Cup: In 2018, two years into his first term as FIFA president, he considered a plan to raise $25 billion to fund tournaments, only to cave in the face of massive opposition.
He didn’t give up the idea of squeezing more money out of the World Cup, though.
This summer, he introduced three-minute hydration breaks in the middle of each half — ostentatiously a nod to the heat and humidity, but in reality a ruse that allowed broadcasters to generate millions in additional revenue through TV commercials. FIFA also staged a halftime show for the first time ever during the final, sold VIP tickets priced at more than $1 million each and introduced dynamic pricing for the tournament’s 104 games, driving prices for some seats to four times what fans paid four years ago in Qatar.
That pushed the tournament beyond the reach of many of the sport’s most loyal supporters — and soccer, more than any other sport, belongs to the fans. It’s why teams are called clubs and fans are called supporters.
The World Cup, then, wasn’t Infantino’s to sell. So the pushback to his latest idea was immediate and unsparing.
“Football does not belong to investors,” Burnham said in an Instagram post. “Once you have sold a piece, you have sold out. Football belongs to the fans. It always has, and it always will.”
What really angered stakeholders, however, was Infantino’s brazen move to develop the FFE in secret, only to have its details leak out.
Bernd Neuendorf, president of the German soccer association and a member of the FIFA Council, the group’s most influential body, said he first learned of the FFE by reading about it.
“I was very surprised, and also annoyed, that we had to find out about something like this from the press,” he told a German news outlet last week.
Another self-inflicted wound was Infantino’s decision to launch the project with Thrive Eternal, a venture capital firm founded by Joshua Kushner, the 41-year-old brother of Jared Kushner, President Trump’s son-in-law and a kind of all-purpose White House advisor and negotiator. Thrive Eternal focuses on long-term investments in scarce cultural institutions that technology cannot replace, but it has little relevant experience in managing something as large and complicated as a World Cup.
FIFA president Gianni Infantino, left, and President Trump wave during an award ceremony following Spain’s win over Argentina in the World Cup final July 19.
(David Ramos / Getty Images)
Moreover, the partnership would draw Infantino further into the orbit of Trump, whom the FIFA president has openly courted for years. Infantino, who has been a frequent visitor to the Oval Office and Trump’s Mar-a-Lago estate in Florida, attended the president’s inauguration and accompanied him on visits around the world.
Trump’s relationship to Infantino was questioned when Infantino presented him with the first FIFA Peace Prize last December, then became even more controversial when Trump phoned Infantino three times to lobby to have the red-card suspension of U.S. forward Folarin Balogun overturned ahead of a World Cup elimination game last month.
FIFA eventually cleared Balogun to play, marking just the second time in tournament history a red card ban has been lifted. For some, Infantino’s decision to partner with someone close to Trump on his latest venture was a bridge too far.
“It’s a really bad look for Infantino given the concerns about political interference that were already there after Balogun,” said Steven A. Bank, a professor of business law at UCLA who has written and lectured extensively on the economics of soccer. “Especially with the fund led by Jared Kushner’s brother.”
Once details of Infantino’s secret plan began to leak, UEFA, the confederation that governs European soccer, held an emergency meeting during which all 55 members — including Spain, the reigning men’s and women’s World Cup champion — voted to boycott all FIFA competitions.
“Some things are simply too important to sell. The FIFA World Cup belongs to football. It always will,” UEFA, the largest and most powerful of FIFA’s six continental confederations, said in a statement.
CONCACAF, which oversees soccer in North America, Central America and the Caribbean, said its 41 countries also rejected the plan, an opinion the U.S. Soccer Federation backed in a sparse post on X.
“U.S. Soccer stands with CONCACAF and its members,” it wrote.
The Asian Football Confederation joined in, saying in a statement its 47 members stand “in solidarity with UEFA and CONCACAF in expressing serious concerns over FIFA’s proposal to introduce private investment into FIFA’s flagship competitions.”
When it became obvious Infantino would not get the votes he needed to go forward, he pulled the plug on his plan. But it may not have been so much that the idea was bad as it was the execution.
Soccer is awash with private investors. The biggest clubs are owned by billionaires or sovereign wealth funds and many leagues — including Spain’s La Liga, which Tebas oversees — have sold commercial stakes to private equity firms in much the same way FIFA proposed.
Alan Rothenberg, a former U.S. Soccer president and the driving force behind the 1994 men’s World Cup and 1999 women’s World Cup, among the most successful tournaments in history, said the idea of selling a private equity stake in the World Cup isn’t a bad idea. But the way Infantino tried to implement his plan led it to failure.
“What is proposed is not that revolutionary,” Rothenberg said. “There have been private equity investors in MLS, in one of the subsidiaries of the NFL, in F1.
“But I think the combination of everything has doomed it. It does raise the possibility that Infantino, he’s finally become Icarus and gotten too close to the sun. It actually may doom him politically.”
Others including Cordeiro, a former vice chairman at Goldman Sachs, questioned the need to bring in outside investors.
“FIFA already has access to extraordinary financial resources. The organization sits on billions of dollars in reserves and no debt,” Cordeiro pointed out in his resignation letter. “If member associations believe additional investment is needed to develop the game, FIFA already has the financial capacity to provide that support from its existing resources.”
Infantino has flaunted consensus before without significant consequence, cozying up to autocrats while overseeing the 2018 World Cup in Vladimir Putin’s Russia and the 2022 tournament in Qatar before being accused of awarding the 2034 tournament to Saudi Arabia in a rigged vote.
This time, however, the stakeholders within FIFA were pushed too far by Infantino’s penchant for wielding unilateral power, so they pushed back and the president blinked. Hours before he backed down, an ally of Infantino’s told the Financial Times that he would not bend, seeing the standoff as “a fight to the death.”
Infantino’s presidency might not be dead, but it is surely in critical condition.
Shohei Ohtani has not pitched in a game for the Dodgers since July 3, though he admitted after Tuesday’s game that there’s more going on than just a sore left knee.
“My biceps is not 100%,” said Ohtani through interpreter Will Ireton while speaking with the media for the first time since before the All-Star break. “Just [a] similar issue with the knee. Do we consider pushing this? It is still July. So, I think the conversation would be a little different if we’re in August or September.”
Ohtani, who has remained in the lineup at designated hitter, has stalled in his throwing program after the team scratched a bullpen session tentatively scheduled for last Saturday that was to come on the heels of a roughly 30-pitch side session he threw last Wednesday in Philadelphia.
Ohtani received an orthovisc injection in his knee on July 12 and he skipped All-Star Game obligations in Philadelphia to allow for rest and recovery. But it remains unclear when Ohtani will return to the mound, and though manager Dave Roberts remains optimistic about him pitching again this season, concerns about building back up start to factor in.
“We are getting closer to that,” Roberts said. “You know, he’s a starting pitcher, and then, when you start missing three, four, five weeks of that build-up, then you’ve got to kind of start up again.”
Ohtani, who led off Tuesday’s 7-6 loss to the Seattle Mariners with a home run, clarified the origins of his knee problem and shared an estimate of where it’s at strength-wise.
“The discomfort was caused initially by the pitching,” Ohtani said. “So, it’s something I have to work around. In terms of running, I’m not exactly at 100% capacity. When I know it’s not, then it’s always a little harder to be aggressive on the basepaths.”
Ohtani and Roberts both said that the Dodgers haven’t reached a point of considering shutting down Ohtani from pitching.
“Everything that I’ve heard, that’s not the option,” Roberts said. “I guess anything’s possible, but for me, it’s highly unlikely.”
Added Ohtani: “The knee is where it is in terms of, for it to heal is the most important priority. I don’t think the team has really come to a place exactly where, do I pitch through it or not. That’s still really up in the air.”
In other injury-related updates, Kiké Hernández was activated Tuesday after being out since May 26 with a grade 3 oblique strain. Alex Freeland was optioned to triple-A Oklahoma City in a corresponding move.
“All you can do is take it one day at a time,” said Hernández, who did not play Tuesday. “And the best way that you can take things one day at a time is focusing on what you can do today to get better. And that’s what I did … literally going one day at a time and trying to be the best rehabber I could … the best teammate that I could. … It’s been a really long time. … So, I feel pretty good, and happy to see what I can do out on the field.”
Hernández had already made his season debut late — on May 25 — because of his recovery from offseason elbow surgery. Now, the 34-year-old utilityman is grateful to be back and eager to build on his four-for-four start over two games.
“A lot of nervousness,” Hernández said about playing again, mentioning that he had a panic attack when first learning of his worse-than-expected diagnosis. “I feel pretty good. … I feel like everything is in a pretty good spot right now. Trying to keep my 1.000 batting average going and be the best hitter in the league.
“[I’m] just happy to be back with the boys.”
Edwin Díaz will be the next to return.
The right-handed closer is scheduled to be activated Wednesday — fittingly, when 40,000 fans will receive an Díaz bobblehead — after missing three months because of right elbow surgery.
“He’s checked all his boxes,” Roberts said. “So getting him back in the mix is going to be fun for all of us as well.”
Meanwhile, Will Smith is starting baseball activities “pain-free” after sitting on the injured list since June 5 with a neck injury, Roberts added, and Tyler Glasnow will throw a live session Wednesday after being out since May with a back problem.
EAST RUTHERFORD, N.J. — This summer’s World Cup will be remembered for a lot of things.
It was the first to be played in three countries, the first with 48 teams and the overall attendance nearly doubled the previous record. Norway’s Erling Haaland and Cape Verde’s Vozinha were captivating while Egypt and Canada both won World Cup games for the first time, advancing to the Round of 16.
But the tournament will also be remembered for a classless and churlish Argentina, which forever stained itself with a thuggish performance in the game and an ungracious one afterward.
If La Albiceleste had simply kept its composure it would have secured a place next to Brazil and Germany, the only other countries to reach three finals in four World Cups, as one of the greatest teams of all time. Instead, some of its players turned the postgame handshakes into a brawl, with Argentine midfielder Leandro Paredes drawing a red card for grabbing Spain’s Eric Garcia by the throat and shoving him to the turf.
It was believed to be the only red card ever handed out after a World Cup final, and the ignominy it brought was well-deserved. But the childishness was just beginning. When Spain assembled on the podium to accept the World Cup trophy, which had been Argentina’s moments earlier, the South Americans turned their backs.
More than an hour later Lionel Messi, who has cemented his stature as the greatest player in World Cup history, soiled that status by leading the players out of the locker room and through a back exit to the team bus, avoiding the media many had been so eager to speak with during the team’s unbeaten run to the final.
Argentina’s Nahuel Molina, top, reacts after Spain won the World Cup final between Spain and Argentina in East Rutherford, N.J.
(Pamela Smith / Associated Press)
It was an attack on class and decorum as well as violation of FIFA rules, which require players to leave the stadium through a “mixed zone” accessible to media. They are not required to stop or speak, but certainly someone owed some accountability to the tens of thousands of fans in Argentine jerseys who packed Times Square and MetLife Stadium over the weekend and the millions in Argentine who filled plazas and town squares to watch the team play.
“We’ve been great in victory and we need to be great in defeat,” Argentine coach Lionel Scaloni said moments after Paredes was booked for assault. “We have shown today that we know how to lose, too. We lost the game and we accept that.”
Scaloni, who did address the media, later broke down in tears.
“I already cried all the tears I had in the dressing room,” he said in Spanish.
Scaloni, 48, may be out of a job when his contract expires in December, but his message for the fans was don’t cry for me, Argentina.
“It is hard to ask people to enjoy this equally. It is very hard to convince people that this is a triumph,” said Scaloni, who has lost just twice in 15 World Cup games.
“When you win, not everything is good. When you lose, not everything is bad.”
But while Argentina was being petty and petulant, Spain was practically perfect in every way. Not only did it concede just one goal in the tournament, it held Argentina without a shot into extra time Sunday — the first time that’s ever happened in a World Cup final — and ran its unbeaten streak to a record 38 games overall.
The win, which came on substitute Ferran Torres’ goal moments into the second extra-time period — and less than 20 minutes after Argentina was reduced to 10 men when Enzo Fernández was given a second yellow card for a foolish tackle — not only made Spain the first country to be the men’s and women’s world champion at the same time, it also made it the first to be the men’s world, European and Olympic champion at the same time.
No country in history has dominated the sport as Spain is dominating it now. And since Spain is the second-youngest team to win the World Cup in 56 years, La Roja could be on top for some time.
“After the match, some of the players who have been with us the longest asked me ‘coach, what is left for us win? We’ve won everything,’” said Spain’s manager Luis de la Fuente. “I told them, well the next match in September.”
That’s a UEFA Nations League match with England, which finished third in this World Cup. A little further down the road is the 2030 World Cup, which Spain will co-host, making it the first country in history to defend its title at home.
“When you arrive at a moment like today and think about the journey we’ve taken, you realize the importance of that process,” said De la Fuente, a former youth national team coach who managed many of the players on the World Cup team — among them Dani Olmo, Mikel Merino, Mikel Oyarzabal, Unai Simón, the tournament’s top goalkeeper, and Rodri, tournament’s top player — to U-19 and U-21 European titles.
“We certainly wouldn’t be here today — we wouldn’t have achieved anything — without the journey we’ve shared with these players,” the coach continued. “We have that raw material, those wonderful Spanish footballers. And they way they compete, that is what brought us here.
“That goes back many years.”
De la Fuente, soft-spoken and professorial, is also scrupulously polite, an example many of his players follow. And while it is undoubtedly easier to display grace and dignity in victory than it is in defeat, the difference in the way Argentina and Spain exited the World Cup was far greater than the gap that separated them on the scoreboard, something De la Fuente unwittingly highlighted in speaking about his team late Sunday.
“It seems people were surprised that, alongside talent and brilliance, good people can also play the game,” he said. “This proves that it is possible; that good, supportive, generous people with strong values can form a genuine team.
“We played against the best national teams in the world, yet we were the best team. We demonstrated that a team built on good people — supportive people, people who hold values and principles that prioritize the common good over individual interests. Traveling with people like that makes for a better, safer journey.”
In Spain’s case, it also makes a World Cup champion.
Staff writers Eduard Cauich and Jad El Reda contributed to this story.
Maiara Niehues scored for the fifth straight game and Sveindís Jonsdottir added a late goal to lead Angel City (7-6-1) to its third straight win, 2-0 over the Chicago Stars on Saturday.
Niehues scored on a penalty kick in the 56th minute after a video review determined Ary Borges was fouled in the box.
Jonsdottir scored on a breakaway in stoppage time.
Since taking over as interim coach, Leif Smerud has led Angel City to three straight 2-0 wins, the first time the club has had three consecutive shutout wins.
Spain international Leila Ouahabi made her debut for the Stars (4-11-0).
NEW YORK — Dodgers All-Star third baseman Max Muncy didn’t get a break this week, traveling to Philadelphia to compete in the Midsummer Classic. But even without the extra rest, he put a charge into his go-ahead swing Friday.
The Dodgers struggled against veteran Yankees starter Gerrit Cole — until he hung a slider to Muncy in the seventh inning. Muncy launched it for a two-run blast to carry the Dodgers to a 2-1 victory.
“Anytime you can find a way to win a game when Gerrit Cole’s pitching, it’s a good thing,” manager Dave Roberts said.
Between the come-from-behind win, a strong showing from Dodgers starter Roki Sasaki and a defensive turnaround, the Dodgers (62-36) came out of the All-Star break on a positive note.
It was clear early on that Sasaki, who didn’t give up an earned run in 5 ⅔ innings, had something a little extra.
Pitching at Yankee Stadium for the first time, he punctuated a clean first inning by getting ahead of Paul Goldschmidt with 101.8- and 101.7-mph fastballs, en route to a five-pitch strikeout.
“I got a big smile on my face when I saw 102,” Roberts said.
It was the first time Sasaki topped 101 mph in a regular-season game, according to Statcast. He threw 21 pitches at 100 mph or harder, the most of any Dodger since pitch tracking began in 2008. Sasaki pointed to the rest he got over the All-Star break and a delivery tweak for his increase in velocity.
“I kind of changed the way I use my lower body,” Sasaki said. “So I’m really happy to get that velo up.”
The Yankees (54-43) scored their only run against Sasaki by taking advantage of a pair of defensive mistakes.
With two outs in the fourth, center fielder Andy Pages bobbled Jasson Domínguez’s double in right-center field, giving him time to get to third. The next pitch, a forkball, got past catcher Dalton Rushing, and Domínguez raced home.
Pages later found some redemption with a defensive gem to end the fifth. He made a full-speed tumbling catch in the right-field gap to rob Austin Wells of an extra-base hit.
Cole held the Dodgers to just four hits in six-plus innings. Before the seventh, only one Dodgers runner reached second base, when Kyle Tucker and Teoscar Hernández hit back-to-back singles in the second.
Cole came back out for the seventh and walked Mookie Betts to lead off the inning. After a mound visit, he stayed in to face Muncy.
“It was a tough decision for [Yankees manager Aaron Boone],” Roberts said. “You’re thinking about going to the ‘pen, or do you let your ace go after Max and Tucker. And Max spoiled some good pitches and then got a pitch in his wheelhouse and put a good swing on it.”
Muncy fell into a two-strike count, but he kept battling. On the seventh pitch, he saw something he could drive — 416 feet at a 30-degree launch angle, to be exact.
“The swing felt great,” Muncy said on the Spectrum SportsNet LA broadcast. “The result was better and it gave us a chance to win.”
Dodgers relievers Jack Dreyer, Alex Vesia and Tanner Scott chipped in a combined 3⅓ scoreless innings to secure the win. The Yankees came inches away from tying the score in the eighth, but the Dodgers, shaking off their pre-All-Star break rough patch, delivered on defense.
With Trent Grisham on first after a walk, Ben Rice hit a double into the right-field gap off Vesia. Pages chased down the ball and quickly fired to shortstop Betts, who threw it home. Rushing’s sweeping tag beat Grisham to the plate.
“I think it was huge,” Betts said. “We still had a couple mishaps in this game. We’ve got to clean that up for sure. You can’t win a World Series doing what we did today. But we’ll keep working and try to clean it up.”
Inductees into the National Baseball Hall of Fame by definition have plenty of marvelous memories when reflecting on the career accomplishments that led them to Cooperstown.
Bumps in the road were inevitable as well.
One big bump for Jeff Kent and Andruw Jones came with the Dodgers in 2008, Kent’s last of 17 MLB seasons and Jones’ first following 12 years with the Atlanta Braves.
Suffice to say neither will enter the Hall of Fame wearing a Dodgers cap.
Kent signed with the Dodgers ahead of the 2005 season fresh off a National League Championship Series Game 7 loss with the Houston Astros. Already recognized as perhaps the top power-hitting second baseman of all-time, he yearned for a championship ring to make his career complete.
Jones, a center fielder from the Caribbean island of Curaçao, signed a two-year, $36-million contract with the Dodgers at age 31 only three years removed from leading the National League with 51 home runs and 128 runs batted in. Already the winner of 10 Gold Gloves, he also was chasing a title after losing twice in the Fall Classic.
“It’s one of those things where we didn’t sign to make the Hall of Fame, we played this game because we love it and because we wanted to win championships,” Jones said Friday.
The Dodgers had high expectations in 2008. Joe Torre, with four World Series championships as manager of the New York Yankees on his resume, was in his first year in L.A. The roster was a blend of accomplished veterans (Nomar Garciaparra, Greg Maddux, Derek Lowe and midseason pickup Manny Ramirez) and budding stars (Matt Kemp, Russell Martin, Andre Ethier, James Loney and midseason call-up Clayton Kershaw).
Kent was the resident no-nonsense, old-school veteran whose bat remained potent at age 40. Near the end of the previous season he had gone public with his frustrations about the approach of some of the young players.
“A lot of kids in here, they don’t understand that … you hate to waste an opportunity, even if it’s one and even if it’s your first time,” he said at the time. “It’s hard to get them to understand that because they haven’t been there.”
By spring training in what he acknowledged would be his final season, Kent had gotten over it and was ready for a last try.
“So much is made of the idea that we should be hugging, that we should all go out to dinner, but more important is the translation of talent and knowledge, with the older guys showing what they know and the younger ones asking for it,” he said.
Jones was expected to lock down center field and provide leadership. But a poor start and a midseason knee injury torpedoed his performance. He batted .158 with three home runs and 14 RBIs in 75 games and suffered torn cartilage in his right knee that required surgery and landed him on the disabled list for the first time in his career.
Kent, as always, was consistent at the plate, batting .280, but he also sustained a knee injury that required arthroscopic surgery and sidelined him for all of September.
In what could have been a legit postseason opportunity, Jones did not play and Kent came off the bench to go 0 for 9 during an NLDS sweep of the Cubs and five-game loss to the Phillies in the NLCS.
Kent will wear a Giants cap into Cooperstown. His six seasons playing alongside Barry Bonds vaulted him into the conversation as the best-hitting second baseman of all-time. He drove in more than 100 runs eight times, was NL MVP in 2000 and finished his career with 55.4 wins above replacement (WAR).
In a video call with reporters Wednesday, Kent made it clear that his heart belongs not to San Francisco or L.A., but to Austin, Texas, where he lives on a ranch.
“I’m a boring guy,” he said. “I chase grandkids and chase cows and ride motorcycles. When I retired I kind of went into my hole in Austin and I like living in my hole.”
Jones will don a Braves cap. He made his debut at 19 in 1996 and hit 25 or more home runs in 10 consecutive seasons beginning in 1998, finishing his career with 434 homers and 62.7 WAR.
“When I came [to Atlanta] at the young age of 19, they welcomed me in,” he said. “I never moved from here. I made Atlanta my home.”
The Hall of Fame induction ceremony takes place Sunday, July 26 at 10:30 a.m. PDT. Outfielder Carlos Beltrán will be inducted along with Kent and Jones.
“It’s a bigger emotional deal than I ever thought it would be, absolutely,” Kent said. “I still tear up talking about it.”
Added Jones: “Thinking that this kid from Curaçao who came here chasing a dream, gets a chance to play a sport he loves and ends up in Cooperstown, is wild.”
NEW YORK — If LeBron James knows where he will play this coming season, he’s still not saying.
The NBA’s career scoring king and current free agent spoke publicly for the first time in weeks Thursday afternoon, though stopped short of revealing which team he’ll choose to play for this fall — despite at least one cry from someone in a jampacked room shouting for him to “pick a team.”
“It’s going to be fun wherever I land,” James said.
The four-time NBA champion was recording an episode of his “Mind the Game” podcast alongside guest co-host Tyrese Haliburton of the Indiana Pacers in New York on the opening day of Fanatics Fest, a four-day event featuring dozens of athletes, celebrities and sports legends. Single-day general admission tickets were sold out, organizers said, and it’s likely that many of those patrons — there were at least several hundred there, phones out to capture the moment — were hoping to hear James’ next decision.
Not yet, he said.
“There’s no decision,” James said.
Thursday’s appearance has been planned for months; it was announced publicly in May. James playfully chided Haliburton for asking him about his future — “didn’t we talk about this in the back?” James asked, and Haliburton said he’d ”leave it alone.”
Of course, they didn’t leave it alone. James made reference to a slew of teams such as Cleveland, Miami, Philadelphia and Golden State, though didn’t appear to give much in the way of hints. He did sip from a bottle of red wine that he opened and shared with Haliburton, calling it one of his podcast traditions.
And when fans shouted out suggestions for James’ next team — one even asked him to play for the New York Yankees — no clues were forthcoming.
“We’ll see,” he said.
If former Lakers forward LeBron James knows where he plans to play next season, he wasn’t sharing that news with fans on Thursday.
(Robert Gauthier/Los Angeles Times)
James is the NBA’s oldest active player at 41 and the only player in league history to have a career spanning 23 seasons; this coming season will be his 24th. Speculation has been rampant for more than two months about his future, officially starting in May when the Lakers were eliminated from the NBA playoffs.
At that time, James said he didn’t know what he would be doing.
And the only developments that he’s revealed since came on June 30, when he said he would play this coming season and that he was leaving the Lakers after an eight-season run highlighted by the 2020 NBA title.
For more than two weeks, the NBA has been waiting to hear what comes next. James, as he did in a social media post at the time, lauded his time with the Lakers, who also offered him well wishes as he moves forward.
“I spent eight great years with the Los Angeles Lakers,” James said.
James’ resume is beyond compare in NBA history. He’s a 22-time All-Star, a 21-time All-NBA selection, a four-time Most Valuable Player, a four-time NBA Finals MVP, a three-time All-Star Game MVP, and was a member of the NBA’s 75th anniversary team.
He’s also coming off a season where he averaged 20.9 points, 6.1 rebounds, and 7.2 assists per game. For his career, he’s averaged 26.8 points, 7.5 rebounds, and 7.4 assists in more than 1,600 games.
The podcast was the first of two known speaking engagements for James in New York on Thursday.
He also has an appearance at the Game Plan Summit, an invitation-only event presented by CNBC and Boardroom. James is slated to have a conversation with Boardroom co-founder Rich Kleiman — Kevin Durant’s longtime business partner — about “how he’s built an empire beyond basketball, what’s ahead for him in business, and why the next generation of athletes is poised to wield more influence than ever before.”
James started his career in Cleveland in 2003 and spent seven seasons with the Cavaliers before heading to Miami for four seasons — where he won his first two titles. He then returned to Cleveland for four more seasons, leaving in 2018 to start an eight-season run with the Lakers.
Cleveland and Miami are believed to be on James’ radar again as he weighs this decision, as are several other teams including Philadelphia, Minnesota and Golden State.
“I’m looking forward to what comes next as I wind down my journey,” James said.
Whyno and Reynolds write for the Associated Press. Reynolds reported from Miami.
In separate speeches delivered a few hours apart, California’s two gubernatorial hopefuls stuck to familiar themes — offering a preview of the issues that could define the November election to succeed Gov. Gavin Newsom.
Xavier Becerra, a Democrat, sought to tie Republican rival Steve Hilton to President Trump during his remarks Wednesday at the National Assn. of Latino Elected and Appointed Officials conference in downtown L.A.
Hilton focused on his immigrant roots and how to help small businesses in California, and ignored Becerra’s attacks.
California gubernatorial candidate Steve Hilton speaks at the National Assn. of Latino Elected and Appointed Officials conference at the InterContinental Los Angeles Downtown on Wednesday.
(Myung J. Chun / Los Angeles Times)
Their appearances at the conference marked one of the first times both candidates have appeared at the same event since the June 2 primary.
Becerra, the former U.S. Health and Human Services secretary and former California attorney general, placed first in the primary, winning 28% of the vote. Hilton, a former Fox News commentator, followed with 24.6%.
Republicans make up only a quarter of registered voters in the state, so Hilton may face an uphill battle to victory in November.
Democrats, including Newsom, have sought attention by attacking Trump and defending California policies, and Becerra appeared to lean into that approach on Wednesday.
Without mentioning Hilton or Trump by name, Becerra labeled the president a “false” prophet during his 10-minute address.
“We don’t need people who make a promise to end a war in one day, and today, we still fight it and others,” said Becerra, referring to the ongoing U.S. attacks on Iran. “We don’t need someone who said they will lower the price of gasoline and then raise it by starting a reckless, illegal war.”
California doesn’t “need those prophets and worse. And I tell you this — in California we will not accept their disciples,” said Becerra, seemingly referring to Hilton.
Hilton, who spoke for about five minutes, acknowledged he was endorsed by Trump. He then pivoted to the topic of immigration and alluded to the red tape and regulations in the state that he blames for hurting small businesses.
He recounted how his parents moved from Hungary to Britain, and then how he moved to California in 2012.
“That story of the immigrant aspiration, climbing the ladder of opportunity in a new country, that is my story,” Hilton said.
Hilton attended the University of Oxford and worked a senior advisor to former U.K. Prime Minister David Cameron before moving to the state. He also talked about his time running restaurants.
“That is a really tough business, and it is especially tough today in California for small business owners, for working-class Californians, and that’s what I’m fighting for in this campaign,” he said.
Hilton said he is “not an ideologue,” and doesn’t “want to tell anyone how to live their life or run their business.”
“I just want everyone to have a shot at climbing that ladder of opportunity,” he said.
Becerra also chastised Hilton over an incident in May, when Hilton filmed himself eating a Del Taco taco, which he called a “street taco.”
Becerra, looking amused, told the NALEO audience that you don’t get street tacos “in some establishment that’s been around for a long time.”
“You get it on the street from the guy who’s been making it for a long time in his little cart,” he said.
Newsom and U.S. Sen. Alex Padilla (D-Calif.) also previously spoke during the conference, which included discussion of the recent killings of immigrants by federal officers.
“The price of freedom, of democracy, of inclusion, is high,” said Becerra, adding that the price of “simply driving while brown” is “so high.”
ARLINGTON, Texas — In a World Cup boasting a galaxy of stars, a lunch-bucket team of blue-collar everymen may wind up outshining them all.
Spain punched its ticket to the final Tuesday by smothering France 2-0 at AT&T Stadium, running its unbeaten streak to 37 games while eliminating a team that had run roughshod through the tournament.
And it wasn’t even close. France came into the game with 16 goals, second only to Argentina in the tournament, then failed to put a shot on goal in the first 81 minutes
It had Kylian Mbappé, who is tied with Lionel Messi for the scoring lead this summer and was the Golden Boot winner four years ago in Qatar. He was all but invisible until, frustrated, he felled Spanish keeper Unai Simón with a cheap shot in the final minutes, drawing a well-deserved yellow card.
France couldn’t even score into an open net, with Desire Doue lining a low shot right at a rapidly retreating Simón, who had come well off his line and left the goal unattended. For Simón, Tuesday’s clean sheet was his sixth in seven games in this tournament.
Spain will meet the winner of Wednesday’s second semifinal between England and reigning champion Argentina on Sunday at MetLife Stadium in East Rutherford, N.J.\
France’s Kylian Mbappé reacts after losing to Spain during a World Cup semifinal in Arlington, Texas, on Tuesday.
(Julio Cortez / Associated Press)
“Whoever comes, comes,” teenage center back Pau Cubarsí said in Spanish. “I don’t think I want any of them. Let it be God’s will. We’re going to New York and then we’ll figure out who needs to come.”
Winning with defense may not be attractive, but it’s certainly been effective. And for Spain, the approach certainly fits with its team-first mentality.
“There was some talk that our defense and goalkeeping weren’t up to par. But I think we’ve silenced a lot of critics,” Cubarsí said. “We’ve only conceded one goal and we’re in the final.
“This is a team effort, both those who play and those on the bench.”
Added right back Pedro Porro: “We’re just continuing to work with humility. We’ve been doing things right and building on our strengths. We’ve also been correcting the things we haven’t done well. We’re just taking it step by step.”
It wasn’t so much that France played poorly, although they did. It was that Spain forced them to play that way.
France had never trailed in the tournament, but it fell behind in this one on Mikel Oyarzabal’s successful penalty shot in the 22nd minute. Lucas Digne was called for the foul when he chested down an errant pass from Spain’s Marc Cucurella on the edge of the 18-yard box, then reached out his left boot to control it, only to catch the leg of Spain’s Lamine Yamal who was charging in from the blind side.
Salvadoran referee Iván Barton immediately pointed to the spot and Oyarzabal stepped up and obliged, beating French keeper Mike Maignan into the side netting at the right post for his fifth goal of the tournament. The score was the first Maignan had allowed in the knockout rounds, snapping a 360-minute scoreless streak and it would be all Spain would need to get to the final for the first time since 2010, when it won its only World Cup.
Spain goalkeeper Unai Simon makes a save in front of France’s Theo Hernandez during a World Cup semifinal in Arlington, Texas, on Tuesday.
(Jessica Tobias / Associated Press)
Maignan didn’t do any better on the second shot he faced, this one coming 13 minutes into the second half when Porro came in alone on the keeper, then used his right foot to flick the ball by the goalkeeper to double Spain’s lead.
“My son couldn’t come today because he’s feeling a little under the weather with a fever,” said Porro, who dedicated his goal to the boy. “It was a mix of emotions because he couldn’t be here, and then his dad scored a goal.
“I wanted to look out at the stands and the only people there were my partner, my father-in-law and my physical therapist.”
For Porro, the goal was a measure of redemption as well. There were doubters when coach Luis de la Fuente named him to the World Cup team and those critics grew louder when De la Fuente made him a starter.
But those critics fell notably silent Tuesday.
“I don’t have to prove anything to anyone,” Porro said. “Obviously, I never imagined — not even in my wildest dreams — that I’d be playing in this World Cup the way I am.
Spain’s Pedro Porro celebrates after beating France during a World Cup semifinal Tuesday in Arlington, Texas.
(Florencia Tan Jun / Getty Images)
“But it’s also thanks to my teammates, and thanks to the coach for the confidence he’s shown in me from the very beginning.”
Spain hasn’t lost a game in the knockout phase of a World Cup since 2006 — when it fell to France — playing to draws in the round of 16 in the last two tournaments before being eliminated both times on penalties. They didn’t let it come down to that this time.
“We’re in a final. It’s a once-in-a-lifetime experience,” said Cubarsí, 19. “Maybe I’m still too young for everything I’m going through right now. But soccer is something to be enjoyed. Opportunities will come your way if you’re willing to make sacrifices and all that.”
For French coach Didier Deschamps, meanwhile, the loss marked his penultimate game with a team he’s taken to two World Cup finals in 15 years as coach. He had earlier announced he would be stepping aside after the tournament. Instead of capping raucous Bastille Day celebrations in France with a trip to the World Cup final, Deshamps and his squad will travel to Miami to play in the third-place game.
Some players knelt at the final whistle, head down, staring at the turf.
“There’s obviously a lot of disappointment,” Deschamps said. “The players are devastated because we had high hopes. Even so, we have to be realistic and acknowledge that today we were a step behind technically against a team that played very well.
The longtime Minnesota Lynx coach tied WNBA legend Mike Thibault for most career wins on June 28. The two remained deadlocked, with the league-leading Lynx losing two straight games for the first time all season.
But the losing streak is over — and the WNBA has a new all-time winningest coach. Minnesota defeated the Connecticut Sun 86-80 on Wednesday night for Reeve’s historic 380th career victory.
“I am so glad this is over,” Reeve, 59, said during a postgame interview on USA Network.
Reeve was a four-year starter at La Salle from 1984-1988 and ranks fifth in career assists (420) for the Explorers. After serving as an assistant coach at her alma mater and George Washington, Reeve became head coach at Indiana State, going 63-72 over five seasons with winning records in each of the last two.
Jumping to the WNBA in 2001, Reeve was an assistant coach for the Charlotte Sting (two stints), Cleveland Rockers and Detroit Shock before becoming head coach of the Lynx in 2010. Since then, she has compiled a record of 380-196, won four WNBA titles (2011, 2013, 2015, 2017) and been named the league’s coach of the year four times (2011, 2015, 2020, 2024).
Reeve has missed the postseason only twice during her time with the Lynx, and her 49 playoff wins are the most in league history. She was inducted into the Women’s Basketball Hall of Fame last month.
“A milestone fit for the Hall of Famer,” the WNBA wrote in an X post congratulating Reeve.
While Reeve has compiled her total over 16-plus seasons, Thibault reached 379 victories over the course of 20 WNBA seasons, 10 with the Connecticut Sun (2003-2012) and 10 with the Washington Mystics (2013-2022). Currently the head coach of Belgium’s national women’s basketball team, Thibault was a three-time WNBA coach of the year and led Washington to the league title in 2019.
Reeve was head coach of the U.S. national team, with Thibault as her assistant coach, when it won gold at the 2022 World Cup in Australia and the 2024 Paris Olympics. Thibault’s son, former Mystics coach Eric Thibault, has been on Reeve’s staff in Minnesota as associatehead coach the past two seasons.
“Learned a lot from Mike through the years,” Reeve said after Wednesday’s game. “Tremendous coach and just so much respect that we’ve had for each other through the years. I know he’s happy for me. And somebody’s going to pass me and I’ll be happy for them too.”
Reeve was correct about Thibault’s feelings.
“Congrats, Cheryl, so much from all the Thibault family,” Thibault said in a video posted on X by the Lynx. “If anyone was going to break my record, I most wanted it to be you. Our friendship means a lot, but the job you’ve done as a coach and mentor in this league is appreciated by so many people. And I couldn’t be more proud to have you as a friend.”
Toronto’s Sandy Brondello is the closest active coach to Reeve’s mark. She ranks sixth all-time with 280 wins.
In an era hallmarked by what experts call a “sexrecession,” Six Sex is a symbol of liberation.
The Argentine baddie fashions herself as a baby-voiced, bikini-clad fembot, beamed in from the clubs of Buenos Aires — and has become known for cheeky, instructive celebrations of desire. Her songs are designed to galvanize like-minded club rats into Dionysian revelry, or, in the case of the song “How to Make Your Ass Bigger,” squats.
To a certain subset of the Latine underground, she represents a pure-hearted hypersexuality. Yet, for the artist behind the persona, Francisca Agustina Cuello, this wasn’t always the intention.
“I don’t know if it was because I still had to keep my innocence or what, but I didn’t envision the project that way,” she said, calling from a hotel room in Barcelona. “That response sort of came about from the people, towards me. So, I said OK, I’m making it my own.”
In doing so, Cuello has churned out six thumping EPs as Six Sex, a campy character that she describes as a “fable” — a mix of “fantasía y hedonismo.”
That dynamic is taken to extremes on her debut album, “Ultra”, released June 6. It’s a dark and propulsive journey through decades of electronic dance music, best described by its own opening words portending “ultra terrorific fantasy.” (The phrase conjures up images of grandeur, but really, it evokes that “Blades of Glory” quote: “no one knows what it means, but it’s provocative.”)
“I feel like nothing I say is all that serious,” she said about her lyrics. “It’s a thing about my personality to be silly and goof around.”
“Ultra” centers Cuello’s winking, suggestive sense of humor. “Not Your Mom” features a conversation with a garbled, omnipotent voice akin to the parents in Charlie Brown; “FUchi!” features schoolyard taunts about “low dickie energy;” the album ends with “No More Porn,” a playful yet powerful subversion of sexual expectations.
“At the same time, for me, that acts as a filter,” she added with a laugh. “Weeding out the people who get scandalized by it, and identifying the people who get it and say: ‘Yas, yo también quiero tener cuatro novios.’”
Earlier this year, Cuello took the stage at Don Quixote, performing in front of a sold-out crowd for her Los Angeles debut. The smell of sweat permeated the air as she ripped through several of her hits — including collaborations with Reysha Rami and German producer MCR-T. Every single one of her signature ponytail flips sent the room into hysterics. The audience screamed every word at the top of their lungs; it was the loudest, most raucous show I’d been to in years.
Cuello took a breather in the middle of her world tour to chat with De Los over Zoom about all things Six Sex: her new record, her writing style and how it feels to connect with fans spun into febrile intensity.
This interview has been condensed for clarity and was translated from Spanish to English.
“[I’m] weeding out the people who get scandalized,” says Six Sex of her provocative music.
(Catalina Jacobo)
I was really taken by the “Ultra” album cover. You’re wearing a white bikini and in this “come to Jesus” pose. What was the goal? [laughs] It was hard, because I wanted the cover to represent what the entire journey of the album meant to me. I was looking for something strong and heavy in visual terms, because with “Ultra”, this is the first time I’ve finished a long, heavy project and I see the start of something. It’s like something new was unlocked. I found a new way to convey feelings, and a new way to create as well. It’s not like I just finished, and it is what it is. Rather, it is the beginning of something bigger.
Is there an element of separation at all between the artistry and you as a person? I think they’re pretty close. It’s as if Six Sex was sort of a fable, or like a hentai or comic [version of] my life. It’s also happened that things I wrote as a joke later became reality. But generally, I draw inspiration from things that actually happened to me.
Is it weird to put those intimate experiences on an album? No, not for me. Because I’m not speaking so seriously, I don’t feel exposed. Even though my persona and my character are very close to one another, I don’t have to prove anything to anyone. I’m not trying to make you believe in something. The songs stop being about me as soon as someone else listens to them. There are certain things we can all see ourselves represented in, and I think my music aims for that, too.
I want to ask about your performance style. I saw you live in Los Angeles and was really taken by the energy exchange between yourself and the crowd. How do you approach live performance? Nowadays, I’m in a balance between performance and being a human being that connects with people and can pause to look in the eyes of the audience to register how they feel. I like being in a showgirl role, and at the same time, knowing when to step out of it.
Sometimes I go up there after having a crappy day, thinking that I’m gonna screw it up. And when I get up there and connect with the people, everything flows in a perfect way.
Does the music transform when it’s performed live, versus on a record? A lot of your music seems designed to be played in the club. I think it’s very personal. For me, I’m a bit autistic; sometimes when I’m at a show, I get different sensations. It really depends on the person. I like seeing people’s reactions live when I start playing these songs for the first time. People were super hyped. They were enjoying them and jumping around a lot. It feels really fresh.
You reference ‘90s club classics all over “Ultra,” including by U.K. band the Prodigy on “Bitch Up.” How did these sounds come into your life? These sounds evoke a special kind of nostalgia for me. Even though I hadn’t been listening to them lately, they sounded like something I wanted to bring back to the table — songs my uncle used to listen to when I was really young. Like a CD [of] pirated songs that somehow ended up at my house, and at the time I was like, “Wow, what is this music?”
There’s an element of Six Sex that gives “fembot,” like a female, sexy robot. I’m curious if you feel that playing out in your work. [laughs] I didn’t know about the fembot thing. I don’t use Twitter. I [keep] a bubble… against some things that I don’t know. But I’ve always liked the idea that people have that perception of me, to some extent.
How do you feel about the rise of AI as a musician, especially considering your persona adopts that perception? I mean… I don’t have a formed opinion on the matter. I do think that, I don’t know, it’s all very relative. For one thing, I obviously feel like it strips away the human value, but at the same time, it’s also a tool for humans. So it’s kind of contradictory. I feel weird about it…. I don’t know.
Zooming out, I’ve noticed Argentina has been having a musical moment over the last few years between yourself, Ca7riel y Paco Amoroso, Juana Rozas… How do you feel Argentina being represented or even challenged in your music? I feel that culturally, Argentina is a very rich country. However, I do feel like, over generations, a paradigm was broken, and new sounds have been created that don’t necessarily abandon the roots of our music, but were created out of counterculture.
That same kind of counterculture is what makes Argentina be in such turmoil. It’s also the context of our country. Economic, political, social. The key Argentinian figures we refer to nowadays are constantly changing. And that allows you to listen to a variety of genres from Argentina, from people doing different things, and at the same time raising the flag and saying: “Yo soy argentino.” And we love that.
Some kids grow up with video games and summer camp. Sebastian Berhalter grew up with the World Cup.
He was 13 months old when his father, Gregg, played in the tournament for the first time and 5 when his dad was called back. And four years ago, when Sebastian was already a professional in his own right, he went to Qatar to watch his father coach the U.S. to the round of 16.
Yet none of that prepared the younger Berhalter for his own World Cup debut earlier this month.
“It’s ridiculous,” Sebastian said. “Before the game, I just kept chuckling to myself, like, ‘What the hell is going on?’ Literally I couldn’t believe it. Playing for my country, it’s the best feeling in the world.
“I just can’t believe that happened.”
Nor could he believe what happened next. Because after making appearances off the bench in the team’s first two group-play games — both of which ended in U.S. victories — Berhalter started the third game. And with a goal and an assist in a loss to Turkey, he already has more World Cup goals and assists than his dad.
In fact, he’s the only American with a goal and assist in the same World Cup game in the last 96 years. Not bad for your first start in the tournament.
His father still has bragging rights in one category, however, since the 2002 team he played for is still the only American team to win a knockout game in a World Cup. Sebastian can match that Wednesday in Santa Clara when the U.S. plays Bosnia and Herzegovina in the round of 32 of this summer’s expanded tournament.
“They’re a good team,” Sebastian said of the Bosnians. “It’s a round of 32, so do or die. I think you play every game like it’s a knockout game. For us it’s, it’s keep doing what we’ve been doing.”
If Gregg provided the inspiration and the road map that guided his son to the World Cup team, the younger Berhalter had to wait for Mauricio Pochettino before he could take his first steps on that road. That came in the spring of 2025, about 11 months after his dad had been sacked as coach, when Pochettino, the new manager, gave the younger Berhalter his first national team call-up.
He’s gone on to make 16 appearances for the U.S., including three in the World Cup. And that’s something Gregg is convinced couldn’t have happened as long as he was coach.
“I think about it all the time,” he recently told ESPN. “I never could have picked him.”
The scrutiny would have been too fierce, he feared, the whispers of nepotism too loud. Sure, Michael Bradley played more than 50 internationals games for his father Bob, including four in the 2010 World Cup. But he was already on the team when his father took over from Bruce Arena, who gave Michael his first call-up.
So, Sebastian had to wait. He had to play for three MLS teams, win an MLS Cup and three Canadian Championships and become too good to ignore in order to get his first shot with the national team — one which came from Pochettino, not his father.
Neither Berhalter has regrets.
“What I know,” Gregg, now coach and sporting director of the Chicago Fire, told ESPN, “is that everything is in the place it’s supposed to be. This is how life is. It’s his turn. It’s his time now.”
And he’s playing as if there’s no time to waste.
After making his international debut in a friendly with Switzerland last May, Sebastian played five full games in the Gold Cup last summer, then scored his first international goal in a friendly with Uruguay less than three weeks before leading the Vancouver Whitecaps into the MLS Cup against Inter Miami.
So, when the time came for Pochettino to name his World Cup roster last month, it was clear Sebastian, 25, had earned a spot.
“He’s a monster. He’s a monster, in the way of how professional he is,” the coach said. “He’s the type of player who’s going to train, going to train, going to train. I mean, sometimes I have to say [to him], ‘Go inside, no?’“
After stumbling in the group-play final, which Turkey won with a goal deep in stoppage time, the U.S. will have no room for error in its first elimination game. It’s a game in which history may — or may not — be on the Americans’ side.
On one side, the U.S. is winless in its last 13 games against European opponents. On the other, its last win over a UEFA team came in December 2021, in California, over Bosnia and Herzegovina, a team to which it has never lost.
There’s an omen in there somewhere.
“Our goal is to win the World Cup,” Sebastian said. “That’s what we want to do. It’s always been our mission and we’re still taking it one game at a time.”
There’s also the family record book to think about. One more victory and Sebastian will have more World Cup wins than his dad. Two more and he’ll be in the tournament quarterfinals, which is as far as his father went in his first World Cup.
In Qatar, Sebastian was the one in stands, cheering on his dad. In this tournament, the roles have been reversed. And Gregg told his son he couldn’t be happier about or prouder of how things have worked out.
“Four years ago, I was waiting for him to come up in the stands. Now, he was waiting for me to come up in the stands,” Sebastian said. “That was special.
“When you hear words that your dad is proud of you, that’s a cool moment.”
