fires

A worried mother working miles away from her family frantically tries to get her three children out of harm’s way as an out of control fire ravages their community. Firefighters do everything they can, but strong winds are working against them to make the destruction go from bad to worse.

This scenario is reminiscent of the heroics that are portrayed weekly on the CBS firefighter television drama “Fire Country,” which follows the dedicated Cal Fire station in Northern California where an abundance of wooded areas make fire a common hazard. However, this particular story is very real and comes from actor Diane Farr, who plays Cal Fire Division Chief Sharon Leone and mother to firefighter Bode Leone (Max Thieriot, also a co-creator and executive producer) on the series. Farr remembers how in January she was on the show’s set in Vancouver while the wildfires were wreaking havoc in Los Angeles.

“My house was inside the evacuation order and I had to start flying my children out as fast as I could from L.A.,” she says of her La Cañada Flintridge home, which survived. “We were evacuated for eight days and the wind just went toward Altadena as opposed to coming toward our house. It was terrifying and was very eye opening for us.”

The horrific Los Angeles fires were eventually contained after catastrophic damage to the city, with some heroic firefighters leaving with jarring stories they were able to share with the “Fire Country” cast and crew. “Two of our consultants are L.A. firefighters, Matty and Marty Mullen, who had shown me a lot of videos of real firefighting of what was going on in L.A. that we were able to infuse into our [Season 3] finale,” says executive producer Tia Napolitano. “It felt important that we could show real authenticity inspired by the L.A. fires that we all lived through. I can’t believe it’s only been a year.”

Diane Farr as Sharon Leone in “Fire Country.” The actor’s home was in the evacuation zone during the L.A. wildfires in January.

(Sergei Bachlakov / CBS)

That dedication to authenticity has helped “Fire Country” become one of the sturdiest series on CBS’ prime-time schedule since premiering October 2022. Currently in its fourth season, “Fire Country” has won its time slot every week this season except when it aired against Game 6 of the World Series. It is now the veteran drama on Friday nights sandwiched between two new successful procedurals, “Sheriff Country” starring Morena Baccarin at 8 p.m. and “Boston Blue” starring Donnie Wahlberg at 10 p.m. Pacific, both spinoffs that have quickly caught the attention of audiences since their October debuts.

Farr believes the success of these shows is akin to the huge popularity of genres like true crime and their basic storytelling structure. “There is a good guy and a bad guy that’s very clear and very binary,” she says. “If you can create a situation that feels a little bit unsafe, if you can show me how people would make me safe in it, how they would solve the problem, it’s slightly relieving on a nervous system level.”

“Fire Country” delivers on all those components with the Station 42 crew performing regular acts of heroism as they keep their community safe, a reflection of real-life firefighters, says Thieriot. “People who have to do this job day in and day out are really a special breed. For me, a big thing has always been trying to capture that and trying to portray that the best way possible,” he says. “It’s television, so obviously there are more moments when we’re trying to find the drama, but at the end of the day, it’s really important that we focus on the real and we find the real in there.”

Eve (Jules Latimer) and Bode (Max Thieriot) in “Fire Country.” “People who have to do this job day in and day out are really a special breed. For me, a big thing has always been trying to capture that and trying to portray that the best way possible,” Thieriot says. (Sergei Bachlakov/CBS)

Part of the real comes in knowing that where there are heroes, there are also villains and, as its midseason finale is set to air on Friday, “Fire Country” currently has a frightening one in the form of Landon (Josh McDermitt). Initially seen as meek and even-tempered, the layers have been pulled back to show something different.

“Landon is a threat to our people and that’ll go forward for a few episodes,” teases Napolitano. “You feel like this guy is out there and he has nothing to lose.”

That’s because Landon has already lost the trust of his girlfriend Chloe (Alona Tal) and her teenage son Tyler (Conor Sherry), who recently revealed to Bode that Landon set the tragic Zabel Ridge Fire. That’s the L.A.-inspired blaze from the third-season finale that not only destroyed homes and land but also took the life of Cal Fire battalion chief Vince Leone (Billy Burke), Sharon’s husband and Bode’s father.

In Friday’s episode, a vengeful Landon isn’t happy about being investigated or the fact that Bode and Sharon have made sure that Chloe and Tyler are staying away from him. “Landon’s a small man with a very big ego and a big victim complex and that’s going to manifest in a scary way,” Napolitano says.

It also may not help matters that Chloe and Bode were once romantically involved and a spark may still exist, especially since Bode has been mentoring the troubled Tyler. Is the single Bode’s heart open to a second chance at love? “He’s getting there,” says Thieriot. “Leading up to this season, Bode had so many obstacles and I think this journey with Tyler [as mentor] is a big part of that.”

Bode (Max Thieriot) and Chloe (Alona Tal) were once romantically involved. (Sergei Bachlakov/CBS)

Hearts are also healing on the show in the aftermath of Vince’s shocking death, an event that was never in the show’s plan to quickly sweep under the rug. “We really want to be the show that everyone knows and loves, which is a comfort to a lot of our viewers,” says Napolitano. “It’s a show of joy and levity but also honors the fact that we are missing a core character who did die a hero’s death and honoring him by keeping his memory alive.”

That memory exists for Farr in several rings she regularly wears representing Sharon’s marriage and family with Vince, but she added another piece this season based on a suggestion from director Sarah Wayne Callies.

“Vince’s bracelet is heavy and regularly bumps the smaller bones in my hand,” Farr says. “Just like my former scene partner Billy, who would debate any word or line or blocking or intention with me to get to the truest take on anything we did together. Losing him is always going to be loss.” Farr said she doesn’t want to play grief forever but upcoming episodes will continue to show Sharon “trying to figure out who she is as a ‘one’ instead of a ‘two.’”

Though everyone hopes Los Angeles won’t see more fires like the ones from nearly a year ago, “Fire Country’s” creators and cast will continue to shine a light on firefighters and all the life-and-death work they do on a daily basis and, above all else, entertain.

“It’s not always easy to continue to surprise the audience and come up with this stuff that’s just really captivating and fresh and new but I believe that we can,” Thieriot says. “I’m really eager to accomplish that.”

Southern California Edison did not spend hundreds of millions of dollars on maintenance of its aging transmission lines that it told regulators was necessary and began billing to customers in the four years before the Jan. 7 wildfires, according to a Times review of regulatory filings.

Edison told state regulators in its 2023 wildfire prevention plan that it believed its giant, high-voltage transmission lines, which carry bulk power across its territory, “generally have a lower risk of ignition” than its smaller distribution wires, which deliver power to neighborhoods.

After two of the most destructive fires in the state’s history, The Times takes a critical look at the past year and the steps taken — or not taken — to prevent this from happening again in all future fires.

While it spent heavily in recent years to reduce the risk that its smaller lines would ignite fires, Edison fell behind on work and inspections it told regulators it planned on its transmission system, where some structures were a century old, according to documents.

Edison’s transmission lines are now suspected of igniting two wildfires in Los Angeles County on the night of Jan. 7, including the devastating Eaton fire, which killed 19 people and destroyed more than 9,000 homes and other structures in Altadena.

Twenty miles away, in the San Fernando Valley, terrified Sylmar residents watched a fire that night burning under the same transmission tower where the deadly Saddleridge fire ignited six years before. Firefighters put out that Jan. 7 blaze, known as the Hurst fire, before it destroyed homes.

Roberto Delgado said the 2019 Saddleridge fire started at this powerline in the hillside behind his Sylmar house. He said the January 7 Hurst began with sparks at this and another nearby powerline. Photographed in Sylmar, CA on Wednesday, Aug. 20, 2025.

(Myung J. Chun/Los Angeles Times)

After the fires, Edison changed course, and began spending more on its transmission lines, according to executives’ recent comments and state regulatory documents.

The utility began installing more grounding devices on its old transmission lines no longer in service, like the one suspected of igniting the Eaton fire. The company says it believes the idle line, last used 50 years ago, may have momentarily reenergized from a surge in electricity on the live lines running parallel to it, sparking the blaze. The official investigation hasn’t been released.

The added devices give unexpected power on the old lines more places to dissipate into the earth.

A helicopter transports workers during the process of removing Southern California Edison’s tower 208, which is suspected of causing the Eaton Fire, on Monday, May 5, 2025, in Pasadena, Calif.

(William Liang/For The Times)

Edison also began replacing some aging equipment. Sylmar residents said they saw workers in trucks and helicopters replacing hardware on the transmission line where they had watched early flames of both the Hurst fire and the 2019 Saddleridge blaze.

“Not until this year did we see repairs,” said Roberto Delgado, a Sylmar resident who can see Edison’s transmission towers from his home. “Obviously the maintenance in the past was inadequate.”

Jill Anderson, the utility’s chief operating officer, told regulators at an August meeting that the company replaced components prone to failure on a certain transmission line after Jan. 7. Edison later confirmed she was referring to equipment on the line running through Sylmar.

In interviews, Edison executives disputed that maintenance on the company’s transmission lines suffered before Jan. 7.

A helicopter transports workers during the process of removing Southern California Edison’s tower 208, which is suspected of causing the Eaton Fire, on Monday, May 5, 2025, in Pasadena, Calif.

(William Liang/For The Times)

“I do not think that our inspections and maintenance in the years leading up to 2025 were at depressed levels,” said Russell Archer, a top Edison regulatory lawyer.

Scott Johnson, an Edison spokesman, said: “The 13,500 people at Southern California Edison show up every day committed to the safety of the communities where we live and work. There is no higher value than safety here.”

Johnson said the utility prioritized safety both before and after the fire. For example, he said, the company increased aerial and ground inspections of transmission lines in areas at high fire risk in 2022 — and kept them at that higher level in subsequent years.

Among the company’s increased spending this year was an expensive upgrade to a transmission line that the state’s grid operator said was required to more safely shut down five critical transmission lines in L.A. County including those running through Sylmar and Eaton Canyon. That work was expected to be finished by 2023 but was still in progress on Jan. 7.

Edison didn’t preventively shut down the lines in Eaton Canyon or Sylmar on Jan. 7, but said the delayed upgrade had nothing to do with that decision. The company said the wind that night combined with other factors didn’t meet its protocol at the time for the lines to be turned off.

Some proposed maintenance changes will take years.

Work crew dismantles a section of Southern California Edison’s tower 208 which will be removed for further examination on Wednesday, May 7, 2025. The idle transmission tower is suspected of sparking the Eaton fire.

(Myung J. Chun/Los Angeles Times)

For example, executives recently told regulators that next year they may begin determining whether some of its 355 miles of idle transmission lines in areas at high-risk of wildfire should be removed for safety reasons. The company said 305 miles of those dormant lines run parallel to energized lines, like the one in Eaton Canyon.

Regulators at the state Office of Energy Infrastructure Safety asked Edison this summer if any of those lines posed a risk of induction, where they become energized from nearby electrified lines. Edison told them it “has not done a line by line analysis.”

Pedro Pizarro, chief executive of Edison International, the utility’s parent company, acknowledged in a November interview that the company made changes after the fires, including by replacing a steel part called the y-clevis, which was found to have failed in the minutes before the 2019 Saddleridge fire.

“We saw some concerns with that so we accelerated a program to replace them,” he said.

Pizarro said he continued to back the company’s statements before Jan. 7 that it had decreased the risk that its lines would spark a wildfire by as much as 90% since 2018, including by spending billions of dollars for prevention work on its smaller distribution lines.

He called the Eaton fire “a black swan event” — one of “low probability, but high consequence.”

Aging equipment

About 13,000 miles of transmission lines carry bulk power through Edison’s territory. In comparison, it has nearly 70,000 miles of the smaller distribution lines, delivering power to homes.

Because the high-voltage transmission lines are interconnected, utilities must keep the system balanced, trying to prevent sudden increases or decreases in power. An abrupt jump in electricity flowing on one transmission line can cause surges and problems miles away.

In 2023, Edison said in a filing to the state Public Utilities Commission that the average age of its infrastructure was increasing as it replaced equipment less frequently than in previous times.

More than 90% of its transmission towers are at least 30 years old — the age when the first signs of corrosion appear, it said in a filing. Some transmission lines and pylons are nearing 100 years of service and have never had major overhauls, the company said.

Edison said it began looking for corroded transmission towers in 2020, but found so many that it temporarily stopped those evaluations in 2022 to focus on fixing those found unsafe.

In 2021, the commission’s Public Advocates Office warned that Edison wasn’t completing maintenance and upgrades that the utility said was “critical and necessary” and was authorized to bill to customers.

Edison had been under-spending on that work since 2018, staff at the Public Advocates Office wrote. They urged regulators to investigate, saying that “risks to the public are not addressed” and customers may be owed a refund.

That shortfall in spending continued through 2024.

According to a report Edison filed in April, the company did not spend hundreds of millions of dollars on transmission system work that regulators had authorized from 2021 to 2024.

Among the shortfalls was $270 million to fix thousands of deficiencies found more than a decade ago where its transmission lines hang too close to the ground, the report said. Also unspent was $38.5 million authorized for transmission operating maintenance and an additional $155 million for capital maintenance.

Edison planned to perform 57,440 detailed inspections of its transmission poles in those four years, the report said, but performed only 27,941, citing other priorities.

Edison said its inspection numbers still met state regulatory requirements.

A helicopter flies over the downtown Los Angeles skyline during a cloudy day on Monday, May 5, 2025, in Pasadena, Calif.

(William Liang/For The Times)

The utility also replaced 38% fewer substation transformers than it said it would. And while it was authorized to replace 14,280 transmission poles it restored just 10,031, the report stated.

Archer said some uncompleted work was for an inspection program using drones in areas at lower risk of fire. Instead the company focused those aerial inspections in high-risk areas, he said.

He said some shortfalls were for upgrade projects that were delayed for reasons beyond the company’s control.

Utilities are allowed to pass on the costs of approved maintenance projects to customers in the monthly rates they charge. State regulators also give them some flexibility to decide whether to spend the money on approved projects, or something else.

Archer said that most of the unspent money involved capital expenses like purchases of new transmission towers and upgrade projects. Once regulators authorize a capital project, he said, customers begin paying a small portion of the cost annually over the assets’ expected life, which is often decades. If the project is not completed, those annual payments stop, he said, adding that state regulations don’t allow Edison to issue refunds for most unspent funds.

Transmission lines known to spark deadly fires

Before Jan. 7, Edison told regulators in its wildfire mitigation plan that it had focused its prevention efforts on its smaller distribution system. It said transmission lines posed a lower threat because they were taller and had wires more widely spaced.

Yet the deadliest wildfire in state history was caused when equipment on a century-old Pacific Gas & Electric transmission tower failed. The 2018 Camp fire killed 85 people and destroyed most of the town of Paradise.

A year later, the Kincade fire in Sonoma County ignited when a steel part on a PG&E transmission line broke. Like Edison’s line in Eaton Canyon, that transmission cable was no longer serving customers.

Edison is now facing hundreds of lawsuits claiming it was negligent in maintaining its transmission lines in Eaton Canyon and for leaving the old unused line in place — allegations the company denies.

At 6:11 pm on Jan. 7, Edison recorded a fault — a sudden change in electricity flow — on a transmission line running from La Cañada Flintridge to Eagle Rock, according to its report to regulators.

Faults can be caused by lines slapping together, a piece of equipment breaking or other reasons. Edison said it did not know the cause.

The fault caused a momentary surge in current on the four live lines running through Eaton Canyon, the company said, which may have energized the idle line.

Investigators view the Edison electrical lines, transmission towers and surrounding area, which is a location that is being investigated as the possible origin of the Eaton fire in Eaton Canyon in Altadena Tuesday, Feb. 11, 2025.

(Allen J. Schaben/Los Angeles Times)

State regulations require utilities to remove old lines no longer in service. Edison says that even though it hasn’t used the line in decades it sees a need for it in the future.

Edison’s transmission manual dated December 20, 2024 states that it inspects idle lines every three years, while active ones are inspected annually.

Executives said they went beyond the manual’s requirements, inspecting the idle line in Eaton Canyon annually in the years before the fire.

Edison declined to provide records of those inspections.

Sylmar line suspected of two wildfires

Edison says it believes its transmission line running through the foothills above Sylmar was involved in the ignition of the Jan. 7 Hurst fire. But it denies the line ignited the 2019 Saddleridge fire.

The 2019 fire killed at least one and destroyed or damaged more than 100 homes and other structures.

This year, lawyers for victims of the 2019 fire argued in court the two fires started in the same way: steel equipment holding up the transmission lines broke, causing a sudden, massive surge in energy that triggered sparks and flames at two or more towers located miles away.

The lawyers say the line, constructed in 1970, is not properly grounded so that sudden increases in energy don’t disperse into the soil — a problem they say the company failed to fix.

Edison denies the claims, calling their description of the fire’s start an “exotic ignition theory…contrary to accepted scientific principles.”

A judge recently denied Edison’s request to dismiss the case.

The setting looked almost cozy: Los Angeles Mayor Karen Bass and a podcast host seated inside her home in two comfy chairs, talking about President Trump, ICE raids, public schools and the Palisades fire.

The recording session inside the library at Getty House, the official mayor’s residence, lasted an hour. Once it ended, the two shook hands and the room broke into applause.

Then, the mayor kept talking — and let it rip.

Bass gave a blunt assessment of the emergency response to the Palisades and Eaton fires. “Both sides botched it,” she said.

She didn’t offer specifics on the Palisades. But on the Eaton fire, she pointed to the lack of evacuation alerts in west Altadena, where all but one of the 19 deaths occurred.

“They didn’t tell people they were on fire,” she said to Matt Welch, host of “The Fifth Column” podcast.

The mayor’s informal remarks, which lasted around four minutes, came at the tail end of a 66-minute video added to “The Fifth Column’s” YouTube channel last month. In recent weeks, it was replaced by a shorter, 62-minute version — one that omits her more freewheeling final thoughts.

The exact date of the interview was not immediately clear. The video premiered on Nov. 25, according to the podcast’s YouTube channel.

Welch declined to say whether Bass asked for the end of the video to be cut. He had no comment on why the final four minutes can’t be found on the YouTube version of the podcast.

“We’re not going to be talking about any of that right now,” he told The Times before hanging up.

Bass’ team confirmed that her office asked for the final minutes of the video to be removed. “The interview had clearly ended and they acknowledged that when they took it down,” the mayor’s team said Tuesday in an email.

In the longer video, Bass also talked about being blamed for the handling of the Eaton fire in Altadena, which is in unincorporated Los Angeles County, outside of L.A. city limits. Altadena is represented by L.A. County Supervisor Kathryn Barger, not Bass.

“No one goes after the Board of Supervisors,” Bass said on the original 66-minute video. “I’m responsible for everything.”

Bass, in an interview with The Times, said she made those remarks after the podcast was over, during what she called a “casual conversation” — a situation she called “unfortunate.” Nevertheless, she stood by her take, saying she has made similar pronouncements about the emergency response “numerous times.”

In the case of the city, Bass said, the fire department failed to pre-deploy to the Palisades and require firefighters to stay for an extra shift, as The Times first reported in January. In Altadena, she said, residents did not receive timely notices to evacuate.

“The city and the county did a lot of things that we would look back at and say was very unfortunate,” she told The Times.

Bass was out of the country on a diplomatic mission to Ghana when the Palisades fire first broke out on Jan. 7. When she returned, she was unsteady in her handling of questions surrounding the emergency response.

Both the response and the rebuilding effort since the fire have created an opening for Bass’ rivals. Real estate developer Rick Caruso, who lost to her in 2022, is now weighing another run for mayor — and has been a harsh critic of her performance.

Former L.A. schools superintendent Austin Beutner, who is running against Bass in the June 2 primary election, called the mayor’s use of the word “botched” a “stunning admission of failure on behalf of the mayor” on “the biggest crisis Los Angeles has faced in a generation.”

“She’s admitting that she failed her constituents,” Beutner said.

Bass isn’t the first L.A. elected official to use the word “botched” in connection with the Palisades fire, which destroyed thousands of homes and left 12 people dead. Last month, during a meeting on the effort to rebuild in the Palisades, City Councilmember Monica Rodriguez said that Bass’ office had mishandled the recovery, at least in the first few months.

“Let’s be honest,” she told one of the mayor’s staffers. “You guys have to be the first to acknowledge that your office has botched the first few months of this recovery.”

Bass has defended her handling of that work, pointing to an accelerated debris removal process and her own emergency orders cutting red tape for rebuilding projects. The recovery, she told Welch, is moving faster than many other major wildfires, including the 2023 Lahaina fire in Hawaii.

“It’s important to state the facts, especially because in this environment … there’s a number of people out there who have been very, very deliberate in spreading misinformation,” she said.

Bass, who formally launched her reelection campaign over the weekend, has been giving interviews to a growing list of nontraditional outlets. She recently fielded questions on “Naked Lunch with Phil Rosenthal + David Wild.” She also went on “Big Boy’s Off Air Leadership Series” to discuss the Palisades fire and several other issues.

On “Big Boy’s Off Air,” Bass said she was in conflict with then-Fire Chief Kristin Crowley over her handling of the fire. When she ousted Crowley in February, she cited the LAFD’s failure to properly deploy resources ahead of the fierce winds. She also accused Crowley of refusing to participate in an after-action report on the fire.

Bass told Big Boy, the host of the program, that firefighters “were sent home and they shouldn’t have been.”

She also called the revelation that the Jan. 1 Lachman fire reignited days later, causing the Palisades fire, “shocking.” The Times has reported that an LAFD battalion chief ordered firefighters to leave the burn area, despite signs that the fire wasn’t fully extinguished.

Bass said that had she known of the danger facing the region in early January, she wouldn’t have gone to Long Beach, let alone Ghana.

Asked where blame should be assigned, Bass said: “At the end of the day, I’m the mayor, OK? But I am not a firefighter.”

On “The Fifth Column,” Bass spent much of the hour discussing the effect of federal immigration raids on Los Angeles and the effort to rewrite the City Charter to improve the city’s overall governmental structure. She also described the “overwhelming trauma” experienced by fire victims in the Palisades and elsewhere.

“To lose your home, it’s not just the structure. You lost everything inside there. You lost your memories,” she said. “You lost your sense of community, your sense of belonging. You know, it’s overwhelming grief and it’s collective grief, because then you have thousands of people that are experiencing this too.”

In the final four minutes, Welch told Bass that he viewed the Palisades fire as inevitable, given the ferocious strength of the Santa Ana winds that day. “As someone who grew up here, that fire was going to happen,” he said.

“Right,” Bass responded.

Welch continued: “If it’s 100 mile an hour winds and it’s dry, someone’s going to sneeze and there’s going to be a fire.”

“But if you look at the response in Palisades and the county,” Bass replied, “neither side —”

The mayor paused for a moment. “Both sides botched it.”

The singer of the band lights up a cigarette and smoke drifts into the theater. Ditto for the pungent aroma of marijuana when a few band members share a joint. “Stereophonic,” which is playing at the Hollywood Pantages through Jan. 2, isn’t biographical, but it sure feels close.

The authenticity springs in part from the quality of the songs being recorded by the fictional band on stage, which were written by Will Butler, a multi-instrumentalist and former member of the Grammy Award-winning band Arcade Fire.

“Stereophonic,” which holds the record for the most Tony nominations of all time for a play, unfolds over the course of a single year as a rock band on the cusp of megastardom struggles to record its second album as the first reaches No. 1 on the charts. While the pressure to produce a hit builds, the band falls apart. For proof of the formula’s resilience, look no further than the success of VH1’s “Behind the Music” series, which plumbed the depths of dozens of rock ’n’ roll train wrecks.

“We really tried to just make something real,” Butler said during an interview in the small, cluttered green room at Amoeba Music before he joined the cast of the show for a brief in-store performance. “This is three hours of what it’s like to make a record.”

Is it ever. There is something inherently combustible about being in a band. (Full disclosure: I played in a semi-popular indie band for a decade, which imploded with huge amounts of drama right on cue. I know at least a dozen other groups that have unraveled in similar fashion.) Despite, or rather because of, Arcade Fire’s massive popularity, Butler knows the crash-and-burn nature of being in a band. He joined Arcade Fire after one of its original members quit in the middle of an encore following a fight with the lead singer — Butler’s older brother, Win Butler.

Will Butler left Arcade Fire at the end of 2021, saying at the time that the decision came about organically. “There was no acute reason beyond that I’ve changed — and the band has changed — over the last almost 20 years. Time for new things,” he wrote on social media.

Will Butler performs at Amoeba Music with Claire DeJean and the stars of the Broadway tour of “Stereophonic,” which follows the rise of a struggling 1970s rock band.

(Jason Armond / Los Angeles Times)

“Stereophonic” was one of those new things, and Butler has brought his understanding of volatile band dynamics to bear in his work on the show, as well as his thoughts on the fragile, ephemeral nature of recording in a studio.

“There’s a little booth, and you go into the booth and you lose your mind,” Butler said of the experience of laying down a track. “And you exit the booth and you’re just a boring human.”

The boring — and boorish — parts of that humanity are on display in “Stereophonic,” where there is more control room conflict than actual music making. This also feels true to form. Romances blossom and bottom out in spectacular fashion. Drugs are consumed in copious amounts — particularly cocaine. This is 1976, after all. The long-suffering recording engineer reaches his breaking point after becoming totally fed up with the band’s self-absorbed, self-destructive behavior.

Human beings weren’t meant to create art in this particular kind of pressure cooker. Until they do. There is a moment in the making of every great song when each musician becomes part of the whole during the act of recording, and the band’s genius is temporarily realized. The song can’t be made by any one member — it can only come from the spontaneous transcendence of the group.

This moment happens in “Stereophonic” after a truly frustrating number of stops and starts, when the group plays a song so beautifully that the theater erupts in effusive applause. This is why the band stays together despite its constant feuding — and why the audience has come.

“We really tried to just make something real,” Will Butler said of “Stereophonic.” “This is three hours of what it’s like to make a record.”

(Jason Armond / Los Angeles Times)

“The music in this show has to crack open the world because it’s so much talking and it’s so much sitting around,” Butler said. “And then when they play music, you have to instantly realize why they’re together.”

Butler first met playwright David Adjmi and heard his idea for the show in 2014. Butler was intrigued, but had to wait for the script before he could work on the music in earnest. The songs needed to fit into the script like puzzle pieces, Butler said. Sometimes he needed to write a whole song and other times he needed to focus on composing the first 30 seconds of a song — which would be heard on repeat.

“And then we cast it, and now the music exists in a different way,” Butler said, noting that the music changes with every new cast. A cast — like a band — has its own particular strengths and weaknesses. No rhythm section is ever the same. You know John Bonham’s tom fills when you hear them, just as you can immediately recognize the sound of Ringo Starr’s hi-hats.

None of the actors in the national tour cast of “Stereophonic” — except for the drummer — are trained musicians.

(Julieta Cervantes)

The whole process of constructing “Stereophonic” as a play is very meta — with Butler producing the band that is in turn producing itself onstage in the studio. During the course of the show, one of the songs is actually recorded live and played back from the control room. It is slightly different each time, in ways both meaningful and incidental. Just like in real life.

The in-store performance at Amoeba, however, is wildly different from what happens onstage at the Pantages. The cast members are not — with the exception of the drummer — trained musicians, and stripped of the confidence that comes with costumes and a set, they appear somewhat vulnerable in the process.

This is in stark contrast to Butler, who displays all the verve and conviction of a bona fide rock star. The cast will do the same across the street later that night. For the moment, however, Butler is showing them just how it’s done.

Michigan has fired head football coach Sherrone Moore with cause after a university investigation found “credible evidence” he had “engaged in an inappropriate relationship with a staff member,” the school announced Wednesday.

“This conduct constitutes a clear violation of University policy,” athletic director Warde Manuel said in a statement, “and U-M maintains zero tolerance for such behavior.”

Moore started at Michigan in 2018 as tight ends coach and worked his way up to offensive coordinator. He was named head coach in January 2024, weeks after the Wolverines won the College Football Playoff national championship, after Jim Harbaugh left to become coach of the Chargers.

The Wolverines went 8-5 in Sherrone’s first season, including a win over Alabama in the ReliaQuest Bowl, and 9-3 this season, earning a spot in the Citrus Bowl against Texas on Dec. 31.

Associate head coach Biff Poggi has been named interim head coach. Poggi also served as interim coach for two games in 2025 while Sherrone was suspended after an NCAA investigation into Michigan’s sign-stealing scandal.