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Our writer Abby Wells soaks up the culture on a wonderful weekend in the Italian capital, featuring incredible history, authentic cuisine and top tourist attractions

Having never been to Italy before, I was very excited to see what its capital city had to offer – and it certainly didn’t disappoint. After leaving rainy England and landing in Rome’s significantly sunnier weather just over two hours later, I was immediately smitten with the architecture, the people, the food and the history.

Where to stay in Rome

I arrived at the Grand Hotel Palace Rome in the centre of the city in the heat of the afternoon sun as I was visiting back in the summer. Walking into the cool reception, with its calm and inviting decor, was a refreshing welcome.

Restored in 2010, this boutique hotel now blends timeless Italian design with 21st-century modernity – think marble floors, huge chandeliers and stunning frescoes. Despite having 74 bedrooms and 12 luxurious suites, it has an intimate feel.

My superior room was spacious and decorated in pastel hues. It had impressive city views and was a real haven away from the hustle and bustle of the crowds outside.

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What to do in Rome

This city is best explored on foot, so comfy shoes are a suitcase essential. The grand architecture is guaranteed to impress as you wander around with your gelato.

Our hotel was a stone’s throw from the gorgeous Villa Borghese, Rome’s largest park, which has landscaped gardens, sculptures and fountains, a zoo and even a replica of London’s Globe Theatre. I recommend heading to the Pincio terrace, which offers panoramic views of the city, including the famous domed roof of Saint Peter’s Basilica in the distance.

The Spanish Steps are a 10-minute walk from the hotel and although it was very busy here with tourists, I managed to find the perfect spot to sit and people watch – Babington’s tea rooms, which dates back to 1893 and is a must for tea lovers.

You can’t go to Rome and not visit Trevi Fountain. Tradition says that if you throw a coin into the fountain, you will return to the city. Already keen to visit again, I joined in.

What really struck me was how big it was. Measuring 26 metres high, it’s the biggest fountain in Rome, and undoubtedly the most magnificent. You need to join the queuing system to get close to the fountain, but this did move very quickly when I went at 9am.

Visiting the Colosseum is another must and I highly recommend booking a guided tour. My guide, Max, was extremely knowledgeable but also managed to add some humour. It was amazing seeing the huge arena where gladiators used to fight in front of thousands of people. Be sure to pre-book and get there in plenty of time, as getting through security takes a while.

After a long day of sightseeing, you can treat your tired feet to a pamper at Grand Hotel Palace’s Fusion Spa, an Asian-inspired oasis with a sauna, indoor heated saltwater pool and relaxation areas, plus a choice of indulgent treatments.

Where to eat in Rome

You’re spoilt for choice for places to eat in Rome. On every street there are lovely little tabernas strewn with fairy lights, pizzerias or shops serving gelato in every flavour imaginable.

On my first night I enjoyed the tasting menu at Grand Hotel Palace’s Ristorante Cadorin. I feasted on four courses, but the best was saved for last – the tiramisu was heavenly. I went to bed very happy with a full stomach. The hotel breakfast was buffet-style, with optional extras available to order.

If you’re looking for a traditional Italian restaurant, I recommend Checco Er Carettiere in an area called Trastevere. Tucked away down a side street, it’s family-run, serves authentic Roman dishes and has a pretty courtyard out the back. My pasta dish was just as you’d expect: utterly delicious.

If you’re a fan of fish, Il San Lorenzo is worth a visit. This sleek restaurant is reputed to offer the best seafood restaurant in Rome. If you do find yourself eating your body weight in pizza and pasta, don’t worry, as you’ll soon walk it off exploring this amazing ancient city.

How much does it cost?

Rooms at Grand Hotel Palace Rome start from £330 per night.

For alternative hotel options in Rome, browse on holiday booking sites such as Booking.com and Expedia.

The Shohei-inspired sushi roll, available only during games, features spicy tuna inside — representing Ohtani’s Japanese heritage — and avocado on top, representing California. “That’s the whole idea: the mixing of the cultures,” said owner Don Tahara. Other World Series specials — available all day, even when the game’s not on — include chili cheese fries, cocktail specials and Canadian poutine in a nod to the Blue Jays.

A few months ago, my younger daughter, Darby, and I were settling into our seats at the local AMC. As the previews rolled, she gasped. “I know that voice,” she said. “That’s Aidan. Mom, that’s Aidan.”

I looked up just in time to see a familiar shock of brown curls. It was indeed Aidan Delbis, former member of the Falcon Players at Crescenta Valley High School in La Crescenta, a kid I had seen perform alongside my daughter in countless student plays.

Only now he was seated at a kitchen table with Jesse Plemons and Emma Stone as the words “Bugonia” and then “directed by Yorgos Lanthimos” flashed across the screen.

“Did you not know?” I asked my daughter. CV is a fine public school with a good theater program, but it isn’t exactly an incubator for nepo babies and aspiring stars. That one of their own had stepped off last year’s graduation stage and into a major film production should have been very big news long before a trailer hit theaters.

“No,” she said, furiously messaging various friends. “But now they will.”

Now they will indeed. When he joined the cast of “Bugonia,” Delbis didn’t just become a part of Lanthimos’ highly anticipated remake of Jang Joon-hwan’s 2003 black comedy “Save the Green Planet!” He also entered the mythology of which Hollywood dreams are made: A 17-year old sends in his first-ever open-call submission and lands a major role in a very big movie.

With a script by Will Tracy and obvious Oscar potential, “Bugonia” had its world premiere in August at this year’s Venice Film Festival before launching onto the festival circuit, including screenings in Toronto and New York, in preparation for its release this Friday. A slightly absurdist, darkly funny thriller with political undertones, it revolves around the kidnapping of a pharmaceutical company’s CEO, Michelle (Stone), by wild-eyed conspiracy theorist Teddy (Plemons) and his loyal cousin Don (Delbis).

From left, Emma Stone, Aidan Delbis and Jesse Plemons in the movie “Bugonia.”

(Atsushi Nishijima / Focus Features)

Teddy believes Michelle is an alien sent to destroy Earth. Don believes in Teddy. Though he falls in with Teddy’s plans, he often questions them, serving as a continual reminder that even within Teddy’s paranoid view of the universe, there is such a thing as going too far. Don is, in many ways, the heart of the film.

He is also, like the actor who plays him, autistic.

Delbis — who chooses to self-describe as autistic rather than neurodivergent — is not someone who has long nursed dreams of stardom. He took drama classes all through high school, but it wasn’t until his junior year, Delbis says, “that I started to get more into the process. I found the general process of acting, of understanding and investing in different personalities, to be fun and sometimes scary.”

Still, he says, “I wasn’t really sure that I wanted it to be my main career. But it so happened that this happened while I was in high school, and here we are.”

Here is the Four Seasons on a very rainy October afternoon where Delbis, now 19, has just finished his first solo photo shoot and is sitting, fortified by Goldfish crackers (his go-to-snack), for his first long one-on-one interview. He went to some of the film festivals and just returned from “Bugonia’s” London premiere, where he signed autographs on the red carpet and enjoyed flying first class. His parents, Katy and David Delbis, are seated nearby, as is his access and creative coach, Elaine Hall.

Delbis is a tall, good-natured young man who speaks with a distinctive cadence and in an unwaveringly calm tone. Aside from a habit of repeating himself as he searches for what he wants to say next, he seems more comfortable discussing his experience with filmmaking than many of the dozens of more experienced actors I have interviewed in this very hotel over the years.

“We should try to be more empathetic to people with different worldviews because you never really know what those people are going through,” Delbis says. “The movie feels very relevant to that theme.”

(Christina House / Los Angeles Times)

“It all started,” he says, “when my mom was friends with this agent, April, and one day she sent Mom an audition that seemed pretty promising, so I submitted for that. And they really liked it and called me back.”

It actually started a bit further back than that. With Plemons and Stone already cast, Lanthimos had decided that he wanted a nonprofessional actor to play Don.

“We went really wide in trying to find someone really special,” the Greek-born director of “The Favourite” and “Poor Things” says in a phone interview. “With these two experienced actors, I wanted to bring in a different dynamic. As we looked at people, I felt that the character would be more interesting if he was neurodivergent.”

Casting director Jennifer Venditti put out an open call, which April Smallwood of Spotlight Development saw and sent to Delbis’ mother, Katy.

“A happy-go-lucky young man, neurodivergent — it practically described Aidan,” Katy says in a later interview. La Crescenta may not be an industry hub, but, like many in L.A., the Delbis family has a Hollywood connection. Aidan’s older brother, Tristan (who is also neurodivergent), works at a movie theater; father David is about to retire after years at the Writers Guild Health Fund; and Katy, a self-described “creative,” has done some acting herself. But no one saw film-acting as a potential career for Aidan, who was set to take a gap year after high school. And, Katy says, she had no idea what sort of movie it was for. “It said for a ‘big film,’ but they always say that.”

She thought of it a bit like the time Delbis, a member of the high school track team, decided he also wanted to try out for basketball. “As I drove him to the school,” Katy said, “I told him that he might not get on since there were a lot of kids who had been playing basketball for years, which he had not. He said, ‘Mom, I just want to see what it’s like.’”

Now Delbis wanted to see what it would be like to audition for a “big film.”

Aidan Delbis in the movie “Bugonia.”

(Atsushi Nishijima / Focus Features)

He had recently performed the Vincent Price monologue from “Thriller” for the school talent show, which Katy filmed on her phone, so Smallwood submitted that. Venditti called Smallwood the next day and met with Delbis over Zoom. Thus began a monthslong process of meetings, rehearsals and auditions.

“We focused on him right away,” Venditti says. “He seemed to have it all. And he was very committed.”

“I was really unaware of how big a project it was,” Delbis said. “I had never seen a film by Yorgos.”

In March, Lanthimos, Stone and Plemons were in L.A. for the Oscars, so they all met with Delbis and came away impressed.

Lanthimos thought of casting a neurodivergent actor in a part because it would bring a natural clarity and unfiltered unpredictability to the role. He didn’t consider it any more challenging than working with any other actor. And when he met Delbis, Lanthimos says, “I just thought: That’s him.”

“Just from watching that first tape, you could see there was something so magnetic about him,” said Stone during a recent phone interview. (She is also a producer on the film.) “Don is the audience’s window, the one who can see through the charade.”

Still, there were many more steps to take.

“It’s a big leap for any nonprofessional,” Stone says. “It’s a big part in what is essentially a three-hander.”

From left, director Yorgos Lanthimos, Emma Stone, Aidan Delbis and Jesse Plemons at the Venice Film Festival, where “Bugonia” had its world premiere in August.

(Alessandra Tarantino / Invision / AP)

For an autistic actor, it’s an even bigger leap. As talented as Delbis might be, he also had to be able to handle the pressures, boredom and chaos of a film set. Venditti reached out to Hall. The founder of the Miracle Project and mother to a now-adult neurodivergent son, Hall is an acting coach who has worked for more than 20 years to increase the presence and understanding of neurodivergent and disabled people. She is often asked to gauge the ability of actors to take on a certain role — their ease with the material, their physical stamina, their level of independence and their emotional accessibility.

Delbis, she says, ticked all the boxes. He loves horror films, he was on the track team and he was, at the time, about to travel without his parents on a school trip to Sweden.

He is, as he says himself, “a low-key guy,” so Hall gave him some exercises to help him portray more extreme emotions and prepare him for when other cast members might do the same. (One subsequent rehearsal involved a scene in which one of the actors screamed repeatedly.)

Often, Hall says, perfecting these exercises can take weeks; Delbis, working with his mother, did it in a weekend. She also helped him prepare for his meeting with and then chemistry read with Plemons.

Delbis says he was “a bit nervous, though I don’t know why.” He did not recognize Plemons’ name or his face. “I had watched ‘Breaking Bad,’ but I didn’t realize Jesse played Todd. Halfway through [the read], I told him he looked like Todd and he said, ‘That’s because I played him.’ I’ve seen him in other things since then,” Delbis adds. “He’s a very solid actor.”

More important, he says, “Jesse seemed to me to be a very cool guy.”

That feeling is mutual. “When we brought Aidan in, I was excited and a little nervous,” Plemons says during a phone call from London. They started with one of the more extreme scenes from the film. “I was finding my feet too. When it became apparent that he was going to be fine with the darker scenes, I said, ‘This is him; this is Don.’”

While all this was happening, Delbis was finishing his senior year, which included a starring role in a production of “Almost Maine.” “It was not overly hard,” he says, but sometimes it was a lot. “I did one read and then I had to go to rehearsal for the play.”

Venditti remembers that day very well. “Here we were being so careful, treating him like he was fragile and not wanting to overload him,” she says laughing, “and he’s just calmly multitasking.”

When Delbis got the role in May, he and his family signed a nondisclosure agreement, which is why none of his friends knew his news after graduation, and Delbis and his family flew to the U.K. to begin filming. It was a tough secret for his parents to keep. But “any time it looked like I might slip,” Katy says, “Aidan shut me down.” He celebrated his 18th birthday near the set outside of Windsor, where production ran for three months before moving for two weeks in Atlanta.

Hall was hired to be Delbis’ on-set access and creative coach, a job she believes she has invented, meant to make the experience for neurodivergent and disabled actors easier. She suggested that Lanthimos and Tracy simplify Delbis’ script pages, stripping down the description of action “so he wouldn’t get stuck thinking he had to do exactly what was on the page,” she says, which they were happy to do.

“We didn’t want to put any limits on him,” Lanthimos says.

Delbis chose most of his costumes (except a beekeeping suit, motivated by the plot, which he says “was very hot”), which mirrored his own wardrobe preferences down to the horror film t-shirts and mismatched socks. Even the food Teddy and Don eat during the film reflects Delbis’ taste: mac ’n’ cheese, taquitos, spaghetti.

Hall ensured Delbis had extra time before filming, during which she could help him prepare with rehearsal and centering exercises. She visited the set before he arrived so she could tell him exactly what to expect and worked with the production team to ensure that he had his own space between takes. “They built us a little house, with horror posters on the wall and stuffed animals that looked like his cats,” she says. As there were no Goldfish available in the U.K., the production had them flown in.

“Having Elaine there was amazing,” Venditti says. “The idea of having someone to act as eyes and ears of what people are actually experiencing on set, I think it’s groundbreaking. I don’t know why we haven’t done it before.”

Delbis spent a fair amount of time with Plemons, who Hall said occasionally stepped in to help if she had to be away from set.

“We did a decent amount of goofing around,” Delbis says. “The bond that developed between us occurred quite naturally. I consider Jesse a friend.”

For his part, Plemons enjoyed being around someone who spoke his mind.

“I so appreciated Aidan’s inability to tell a lie,” Plemons says. “On a set, you spend so much time waiting around, and he would say, ‘What are we doing? What is taking so long?’ Which was exactly what I was thinking. He’s a very smart, sensitive, self-assured guy, and if you’re unclear in what you’re saying, he will let you know.”

“Aidan is just so funny,” says his “Bugonia” co-star Emma Stone. “We spent a lot of time together in a basement and Aidan had so many jokes about that.”

(Christina House / Los Angeles Times)

Stone says that while she and Delbis had a friendly rapport, she hung back a little when they weren’t shooting. “I didn’t want to form the same kind of bond Aidan had with Jesse because [in the film] it’s them against me and I didn’t want to do too much to mess with that.”

But, the two-time Oscar winner says, “Aidan is just so funny. He was on a jag during the kidnapping scene. We spent a lot of time together in a basement and Aidan had so many jokes about that.”

“I went through all of ‘Bugonia’ thinking I had never seen Emma in anything,” Delbis says. “Then I realized my parents had shown me a clip of a woman getting very involved in a birthday card — ‘Pocketful of Sunshine’ — and that was from ‘Easy A.’”

When he was filming, Delbis was all business. Several of the takes which he ad-libbed made it into the film and Delbis is proud of that.

“Despite being in more extreme situations than I’ve been in, there’s something of Don’s emotion and struggles that did feel very familiar to me,” he says. “Feelings of great distress and helplessness and conflictedness and confusion. I have felt that in classes in high school.”

“Aidan has great instincts,” Lanthimos says. “In a scene toward the end [of the film], he was so moving, it was the first time I have ever teared up on set.

There were difficult days — one moment with Plemons, Delbis says, took many takes. “It was hot AF and involved me getting more worked up that I am used to getting,” he remembers. But he appreciated Lanthimos’ willingness to let him try things. “In one scene, Jesse throws a chair and I thought that seemed pretty cool. So at the end of the day, they let me throw a chair. I hope that makes it into the outtakes reel.”

He was also very pleased when the crew threw him a s’mores party at the end of filming. “There was a fire pit on set that looked perfect for s’mores,” he says. “And I told them that, so it was my idea to have a s’mores party.”

Delbis is happy with how the film turned out, including his performance. “I think I looked pretty baller in that suit,” he says of one scene. Though he doesn’t have an opinion on the authenticity debate — whether autistic actors should always be the ones to play autistic characters — he thinks it’s “cool that writers and directors are starting to be more conscientious and give more realistic and respectful depictions of neurodivergent people and characters.”

He is more concerned that audiences understand what he thinks is the most important message of the movie.

“We should try to be more empathetic to people with different worldviews because you never really know what those people are going through,” he says. “The movie feels very relevant to that theme. God knows, people aren’t always willing to be tolerant.”

The recent downward spiral in Afghanistan-Pakistan relations would have been hard to imagine when Pakistani military and civilian leaders welcomed the Taliban’s return to power in Kabul in August 2021.

A Taliban government, Islamabad believed, would be friendly to Pakistan and would become a bulwark against any security threats to the country. After all, Pakistan’s military and intelligence services had for more than two decades supported the Afghan Taliban movement.

Between 2001 and 2021, this meant a contradictory foreign policy. On the one hand, by supporting the United States’ military intervention in Afghanistan, Pakistan recognised the US-backed governments that ruled the country. At the same time, Pakistan covertly tolerated – and even enabled – the resurgence of the Taliban inside Pakistani territory, which also included co-habitation with other Pakistani militant groups.

Yet, that relationship has now collapsed as Pakistani airforce struck targets in Kabul for the first time ever this week.

An apparent disconnect in their mutual expectations, and disrespect for each other’s capabilities, makes it harder for them to resurrect what they once had.

What is at stake for both countries?

The Pakistani security establishment, comprised of the army and the country’s powerful military intelligence agency, the Inter-Services Intelligence (ISI), is responsible for devising and driving the nation’s Afghan policy.

Historically, the army has also exercised significant power over the civilian administrations, even when Pakistan has not been under military rule.

Pakistan has faced a surge of unprecedented attacks against its security forces since 2021, coinciding with the Taliban’s return to power in Afghanistan. More than 2,400 deaths were recorded for the first three quarters of 2025, towering over last year’s figure of approximately 2,500 people killed in attacks across Pakistan.

Pakistan has blamed a majority of attacks on the Tehreek-e-Taliban Pakistan (TTP), the so-called Pakistan Taliban, whose leaders are now based in Afghanistan. TTP members hail largely from the tribal areas of Pakistan, along the Afghan border.

Pakistan had hoped that TTP leaders would leave Afghanistan once the Pakistan-friendly Taliban government was established in Kabul. Some TTP fighters reportedly did return home, but this did not translate into a decline in violence. The TTP demands a localised implementation of Islamic law and the reinstatement of the former semi-autonomous status of tribal areas bordering Afghanistan.

For Pakistan, confronting a deadly and persistent uprising at home has become a national security crisis. Pakistan is, meanwhile, also reeling from several other intersecting crises: a stunted economy, geopolitical tensions with archrival India – marked by the recent conflict in May – as well as a growing domestic political discontent, and natural disasters.

Taliban leaders in Afghanistan insist that the TTP is a domestic challenge for Pakistan to address. In 2022, shortly after forming an interim administration, the Taliban government mediated talks between TTP leaders and the Pakistani army in Kabul. After initial indications of progress, underpinned by a temporary ceasefire, the talks collapsed.

For the Taliban government, which is heavily sanctioned and isolated from international financial institutions, the realities of ruling a vastly underdeveloped and economically poor country are stark. Over four years since taking power, Russia is the only country that has formally recognised the Taliban administration, though a growing number of countries – China, India and Iran among them – have, in effect, acknowledged the group as Afghanistan’s rulers and are hosting their diplomatic representatives.

Afghans are suffering from the near-collapse of the economy, and public sector institutions – such as health and education services – are on the brink of a complete breakdown. Faced with severe food insecurity and humanitarian challenges, common Afghans suffer as United Nations-led aid agencies face funding cuts. A prolonged conflict with Pakistan is likely to further deepen these challenges.

Can both sides return to their past friendship?

Both sides appear, at the moment, to be digging their heels in. Though they have agreed to temporary ceasefires, neither side wants to look weak by admitting it needs to back down.

Official Pakistani government statements now refer to the Taliban government – whose return to power in Kabul was once celebrated – as a “regime”, calling for a more “inclusive” administration in Afghanistan. They warn of continuing attacks within Afghan territories if the Taliban fail to act against the TTP.

To be sure, Pakistan possesses a substantially more powerful military, technologically advanced weaponry, and considerable geopolitical leverage against the Taliban government. There is also a renewed sense of self-confidence as Pakistan considers it successfully fought the recent war with India in May 2025, including by downing multiple Indian jets.

Since the 1980s, it has hosted millions of Afghan refugees, a generation of whom were educated and have built livelihoods in Pakistani cities. This, according to Pakistani leaders and some public opinion, should mean that Afghans must bear goodwill towards Pakistan. Forcing out Afghan refugees will be a key leverage Pakistan would want to use against the Taliban government.

Fundamentally, Pakistani leaders view their country as a serious and powerful entity with strong global alliances – one that any Afghan government, especially one led by a group supported by Pakistan, should respect and cooperate with.

The Taliban, on the other hand, view themselves as victorious, battle-hardened fighters who waged a long and successful war against foreign occupation by a global superpower. Hence, a potential conflict imposed by a neighbour would be a lesser mission.

Taliban spokesmen are pushing back against Pakistani officials’ recent narrative, underlining the significance of the ongoing information war on both sides. They have alleged, for instance, that Pakistan’s tribal border areas shelter ISIS/ISIL fighters with tacit backing from elements of the Pakistani army.

Nonetheless, as a landlocked country, Afghanistan is heavily dependent on trade routes via Pakistan, which remain shut due to ongoing tensions, resulting in major losses for traders on both sides. The Taliban government lacks air defence systems, radars or modern weaponry to counter any further incursions by Pakistani drones and jets.

The path to de-escalation

The Pakistani army continues to frame its fight against TTP as part of the wider confrontation with India. It has alleged, without evidence, that the armed group is backed by New Delhi. Pakistan also expects the Taliban to disown and distance themselves from the TTP and instead align themselves with Islamabad.

However, the TTP and Taliban share long-term camaraderie, ideological compatibility and social bonds that go beyond stringent organisational peculiarities. For the Taliban, a conflict with the TTP could also risk creating space for minacious actors such as the ISIL-Khorasan armed group.

And while Pakistan is stronger militarily, the Taliban have their own tools that could hurt Islamabad.

What if the Taliban’s Kandahar-based supreme leader, Mullah Haibatullah Akhunzada, were to issue a fatwa for jihad against Pakistan’s security establishment? The TTP leadership had already pledged allegiance to Akhunzada in 2021. But the Taliban’s top leader is also held in high religious regard by a large segment of Pakistani religious school students and religious leaders, and a call against Islamabad from Akhunzada could lead to serious internal security challenges for Pakistan.

Islamist political groups in Pakistan would also not support an all-out war with the Taliban. Meanwhile, any sustained Pakistani attacks against Afghanistan will likely bolster domestic support for the incumbent Taliban administration, even when there is palpable resentment among Afghans against the Taliban.

To prevent further escalation and seek meaningful political dialogue, there is an urgent need for a trusted mediation actor capable of sustainable engagement. This role is best suited for Middle Eastern and Muslim nations trusted by both sides, such as Qatar and Saudi Arabia.

There is evidence that this is a fruitful pathway. Taliban Foreign Minister Amir Khan Muttaqi confirmed in a news conference in New Delhi last week that the Taliban ceased retaliatory attacks against Pakistan after Qatar and Saudi Arabia mediated.

But first, there needs to be a real desire for peace from the leaders in Pakistan and Afghanistan.

Even as Afghan and Pakistani officials hurl warnings at each other, and their forces engage in repeated bouts of cross-border fire, both countries are acutely aware that war will cost them heavily.

However, this does not mean that relations will return to the erstwhile bilateral warmth anytime soon or that miscalculations cannot happen.

Geography and history bind Afghans and Pakistanis into interdependence, which needs to be capitalised upon.

Governments need to stop hoping in vain for the success of failed approaches that have been tried for decades. Afghan leaders must work at developing amicability with Pakistan. Pakistani leaders need to reciprocate by conceiving a wholesome foreign policy towards Afghanistan, which is not coloured by rivalry with India.

The world does not need yet another war in the Afghanistan-Pakistan region. It can never bear better dividends than peace.

Health officials in Gaza say many of the 90 returned bodies bore marks of violence and possible executions.

Gaza’s Ministry of Health says it has received the remains of 45 Palestinians who were held in Israeli custody via the International Committee of the Red Cross, bringing the total number of bodies returned to 90 as part of a United States-brokered ceasefire deal.

Medical teams are continuing to examine, document and prepare the bodies for delivery to families “in line with approved medical procedures and protocols”, the Health Ministry said in a statement on Wednesday.

Under a ceasefire deal backed by US President Donald Trump and aimed at ending the two-year Gaza war, Israel was to turn over the bodies of 15 Palestinians for every deceased Israeli returned. The remains of 45 people were returned on Monday.

Palestinians awaited information about the bodies that arrived at Nasser Hospital on Tuesday and Wednesday. The forensics team described disturbing conditions, bearing signs of physical abuse.

Some of the Palestinian bodies were blindfolded and handcuffed, indicating “field executions” may have taken place, medical sources told Al Jazeera.

Israel is expected to hand over more bodies, though officials have not said how many are in its custody or how many will be returned. It remains unclear whether the bodies were dug up from cemeteries by the Israeli army during its ground offensive or if they belong to detainees who were killed during the Israeli assault. Throughout the war, Israel’s military has exhumed bodies as part of its search for the remains of captives.

As forensic teams examined the first remains returned, the Health Ministry on Wednesday released images of 32 unidentified bodies to help families recognise missing relatives.

Many appeared decomposed or burned. Some were missing limbs or teeth, while others were coated in sand and dust. Health officials have said Israeli restrictions on allowing DNA testing equipment into Gaza have often forced morgues to rely on physical features and clothing for identification.

The forensics team that received the bodies said some arrived still shackled or bearing signs of physical abuse.

“There are signs of torture and executions,” Sameh Hamad, a member of a commission tasked with receiving the bodies at Nasser Hospital, said.

The bodies belonged to men aged 25 to 70. Most had bands on their necks, including one who had a rope around his neck. Most of the bodies wore civilian clothing, but some were in uniforms, suggesting they were Palestinian fighters.

Hamad said the Red Cross provided names for only three of the dead, leaving many families uncertain of their relatives’ fate.

Israel’s war on Gaza has killed nearly 68,000 Palestinians since October 2023, according to the Health Ministry. Palestinian officials say the true toll could be far higher, with tens of thousands of bodies believed to be under the rubble.

Thousands more people are missing, according to the Red Cross and Palestinian Central Bureau of Statistics.

Rasmiya Qudeih, 52, waited outside Nasser Hospital, hoping her son would be among the 45 bodies transferred from Israel on Wednesday.

He vanished on October 7, 2023, the day of the Hamas-led attack. She was told he was killed by an Israeli strike.

“God willing, he will be with the bodies,” she said.

The Health Ministry released a video showing medical workers examining the bodies, saying the remains would be returned to families or buried if left unidentified.

Rights groups and a United Nations Commission of Inquiry have accused Israel of committing genocide in Gaza, and South Africa has filed a case alleging Israel committed genocide at the International Court of Justice. Israel denies the accusations.

When Shohei Ohtani was asked about his woeful performance at the plate in the Dodgers’ National League Division Series against the Philadelphia Phillies last week, he first gave credit to the opposition.

Then, after a series that saw the Phillies counter him with one left-handed pitcher after the next, he was also quick to point out that he wasn’t alone.

“It was pretty difficult for left-handed hitters,” Ohtani said in Japanese amid the Dodgers’ clubhouse celebration following their Game 4 victory. “This was also the case for Freddie [Freeman].”

The Phillies did indeed make life tough on the Dodgers’ best lefty bats.

Freeman was only three for 15 in the series, albeit with a key Game 2 double and a .294 on-base-percentage.

Max Muncy was four for nine in the series, but spent most of it waiting on the bench, not getting a start in any of the three contests the Phillies had a southpaw on the mound.

And as a team, the Dodgers hit just .199 with 41 strikeouts in the four-game series.

However, no one’s struggles were as pronounced as Ohtani’s — the soon-to-be four-time MVP winner, who in the NLDS looked like anything but.

Ohtani struck out in each of his first four at-bats in Game 1. He didn’t get his first hit until grounding an RBI single through the infield in the seventh inning of Game 2.

After that, Ohtani’s only other time reaching base safely was when the Phillies intentionally walked him in the seventh inning of Game 4.

His final stat line from the series: One for 18, nine strikeouts and a whole lot of questions about what went wrong.

Ohtani, who was coming off a three-hit, two-homer wild-card round, did acknowledge Thursday night that “there were at-bats that didn’t go the way I thought they would.”

But, he quickly added: “The opposing pitchers didn’t make many mistakes. They pitched wonderfully, in a way that’s worthy for the postseason. There were a lot of games like that for both teams.”

The real question coming out of the series was about the root cause of Ohtani’s unexpected struggles.

Was it simply because of the tough pitching matchups, having faced a lefty in 12 of his 20 trips to the plate? Or had his faltering approach created more legitimate concerns, the kind that could threaten to continue into the NL Championship Series?

“I think a lot of it actually was driven by the left-handed pitching,” manager Dave Roberts said Saturday, as the Dodgers awaited to face either the Chicago Cubs or Milwaukee Brewers in an NLCS that will begin on Monday.

However, the manager also put the onus on his $700-million superstar to be better.

“Hoping that he can do a little self-reflecting on that series, and how aggressive he was outside of the strike zone, passive in the zone,” Roberts said. “The at-bat quality needs to get better.”

For the Dodgers, the implications are stark.

“We’re not gonna win the World Series with that sort of performance,” Roberts continued. “So we’re counting on a recalibration, getting back into the strike zone.”

From the very first at-bat of Game 1 — when he was also the starting pitcher in his first career playoff game as a two-way player — Ohtani struggled to make the right swing decisions.

He chased three pitches off the inside of the plate from Phillies lefty Cristopher Sánchez, which Roberts felt “kinda set the tone” for his series-long struggles, then took a called third strike the next two times he faced him.

From there, the 31-year-old slugger could never seem to dial back into his approach.

He went down looking again in Game 1 against left-handed reliever Matt Strahm. He led off Game 2 with another strikeout against another lefty in Jesús Luzardo. On and on it went, with Ohtani continuing to chase inside junk, flailing at pitches that darted off the plate the other way, and finding his only reprieve in a rematch with Strahm in Game 2 when he got just enough on an inside sinker.

Roberts’ hope was that, moving forward, Ohtani would be able to learn and adjust.

“Understanding when he faces left-handed pitching, what they’re gonna try to do: Crowd him in, off, spin him away,” Roberts said. “He’s just gotta be better at managing the hitting zone. I’m counting on it. We’re all counting on it.”

Roberts also conceded that Ohtani’s at-bats on the day he pitched in Game 1 seemed to be especially rushed.

“[When] he’s pitching, he’s probably trying to conserve energy, not trying to get into at-bats,” Roberts said. “It hasn’t been good when he’s pitched. I do think that’s part of it. We’ve got to think through this and come up with a better game plan.”

After all, while Ohtani might not have been the only struggling hitter in the NLDS, his importance to the lineup is greater than anyone’s. The Dodgers can only endure without him for so long.

AN ANCIENT Roman ship downed by a storm has been found centuries later at a holiday hotspot – and there’s even treasure on board.

The 2,000-year-old discovery was made mere metres from a popular beachfront – and baffled researchers claim the ship is still in great condition.

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The archaeological sensation was unearthed along the Dalmatian Coast in Croatia this month, almost two millennia after it sunk.

Its timbers even “look like they were just carved”, according to the gobsmacked research team.

Divers suspected there might be a wreck at the Roman port of Barbir after discovering an antique plank with a metal nail in 2020.

Five years later, the entire 42-foot vessel has now been revealed, along with a haul of ancient coins.

One of them even included the ancient Roman emperor, Trajan.

The incredible shipwreck lies in the village of Sukošan just a few miles south of Zadar, one of Croatia’s biggest tourist destinations.

The International Centre for Underwater Archaeology, which led the excavation, said the ship was likely lost in a storm.

Director Mladen Pešić said: “As the evidence shows us, the ship was docked in the harbour.

“It was found just in front of the pier, so we suppose that due to the bad weather the ropes could be broken and the ship might have hit the shore.”

He added: “Broken stern elements give us evidence of this, since this beam that belongs to the keel was split like it hit a hard surface.

“The ship was probably in such bad condition that the owners decided to leave it on the bottom of the harbour.”

Radiocarbon analysis dates the ship to the first or second century AD – roughly the period of Trajan’s reign.

And though the ship was damaged enough to sink, it is in surprisingly good condition for its age.

Dr Pešić said: “The preserved ship was almost 13 meters in length and 3.5m in width.

“Many different elements were preserved – keel, planks, frames, ceilings, and many elements of the ship’s upper construction.”

He continued: “It is quite well preserved; some of the planks and frames look like they were just carved.”

The construction of the vessel suggests it was built to carry heavy loads over medium-to-long distances.

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And the artefacts found on board point to the same conclusion.

Dr Pešić said there were many shards of “pottery, glass, and other archaeological material” that could be connected with ship and the port.

“Most interesting are two complete jugs that were part of the ship’s equipment,” he explained.

“As we found many olive pits on it, we suppose that at the moment of sinking, the ship was transporting olives for further processing or for sale.”

The ship will now be preserved in-situ, being covered with a protective geotextile membrane and reburied in the sand.

But a recreation of the ship is planned for public display.

Dr Pešić said: “The plan is to make a 1:10 scale reconstruction of the existing ship construction in order to make a predictive model of ship how it looked in Roman times.”

Excavation of the ship was the work of a multinational team, including experts from Croatia, France, Poland, Germany, and the UK.

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IF your heart races at the thrill of a massive bargain, prepare yourself. 

Shoppers are in a frenzy over a chain of retail outlets where you can snag Amazon customer returns and overstock for an unbelievable fraction of the price. 

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TikTok user ‘meganmariac’ posted a video of her haul from one of these locations, often referred to as a Trade Outlet. 

Her video, which showed aisles filled with discounted goods, quickly racked up 180,000 views in less than 24 hours. 

Meganmariac explained that she was initially on the hunt for a few personal bits, but the sheer volume of discounted goods – especially in the kids’ and tech sections – was impossible to ignore. 

A toy originally priced at £30 was just £5, while an iPad case (RRP around £20) was a ludicrous £3. 

You can find entire sections dedicated to children’s books, games, and paint-by-numbers sets for as little as £2, making these stores an absolute cheat code for Christmas and birthday gifting.

She also grabbed a £45 wireless camera for just £5, and a fancy smartwatch that would normally cost around £90 was only £20. 

Even health and beauty items, like a box of Vitamin C and Hyaluronic Acid serums retailing for around £33, were down to a mere £6. 

Her ultimate haul of an iPad case, a screen protector, and some adorable croc charms came to roughly a tenner.

The Golden Rule

If you’re expecting a curated retail experience, think again.

“It’s really overwhelming. It’s so busy here,” Meganmariac admitted.

This is the liquidation zone: the home of customer returns, minor packaging damage, and overstock. 

Many of the best items are still sealed in plain brown delivery boxes, which means shoppers have to check the tiny labels to be sure of what the item is. 

Where to find them?

While there are many places that sell liquidation stock, the specific “Trade Outlet” chain meganmariac visited has become famous for its Amazon-heavy returns. 

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If you’re based in the North West of England, you’re strategically placed for a bargain dash.

The chain has several locations, including major sites near Chester Gates (often situated opposite a Costco), Liverpool, and Trafford Park.

It was meant to be the start of a family getaway, but it was quickly flooded with concern after they made a horror discovery in the Airbnb where their three young children were staying – ‘It really spooked us’

Checking into an Airbnb to kick-start a holiday is usually filled with excitement, but for one family, their stay was swiftly met with dread.

Content creators Kriss and Kate Hardman booked a gorgeous four-bedroom home on Airbnb for their trip to Australia, Perth, with their three children. But they quickly discovered a camera that appeared to be switched on inside the property.

In a shocking TikTok video, Kriss wrote the caption: “When you book a ‘private’ Airbnb in Perth… and find out maybe it’s not that private…” He then went on to explain: “So we got to our Airbnb last night. It’s a nice place, but there’s one thing I’m not sure about, maybe you can help me out.”

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Kriss walked through the property in the video before panning the camera around to show a video camera placed on a white shelf that appeared to be switched on. He then asked: “Is that allowed in Airbnb’s? Is that standard practice, because I don’t reckon it should be allowed.”

While Kriss was filming, one of his children could be heard playing in the background, and concerned viewers flocked to the comments to share their thoughts. One wrote: “No !!! Disconnect it”, as a second added: “They have to tell you by law”.

A third said: “No way. I wouldn’t be OK with that”, and a fourth noted: “Turn it off or turn it around. It’s not allowed especially if they haven’t told you.”

“Cameras shouldn’t be allowed. You’ve paid for the place. Ridiculous,” another penned.

Later that night, the couple shared an update in another TikTok video and said they “decided to leave the accommodation”. Kriss shared: “It really spooked us and the safety of the family, three little kids is what meant the most.”

His partner Kate went on to explain: “Airbnb fully supported this, they said that we could move and that they would find accommodation equivalent to where we were staying, which was a four-bedroom, placed central to Perth CB.”

The couple explained that the booking company had also promised to pay for a night’s stay in a hotel, while an alternative Airbnb was found for the family, at no additional cost. However, things took a turn when it was found that an alternative Airbnb would cost thousands more for the family.

“Once they found that out, they went quiet,” Kriss claimed. The family were left unsure of where they would be staying for the duration of their trip, as Kate said, “We are yet to find out”.

“They backtracked and Kriss has been dealing with them all day, customer service has not been the best and they’ve gone very quiet,” she added. The couple then asked for help from TikTok users as they said, “They’ve gone quiet, so we need you to be loud.”

Thankfully, by the next day, Airbnb had covered their costs, and they were able to find alternative accommodation with no extra fee. While they were relieved to have it figured out, Kriss said in a video update: “They’ve jumped on board but it’s such a shame that it took the power of social media to reach Airbnb for them to do what is the right thing.

“We’re lucky that we’ve got some followers who are really happy to help us out, but someone who maybe doesn’t have that following, I dread to think the situation they could’ve still been left in now.”

READ MORE: ‘I moved to European country 90 minutes flight away from the UK – I’ll never return’

On the Airbnb website, it states: “We do not allow hosts to have security cameras or recording devices that monitor indoor spaces in homes, even if these devices are turned off. Hidden cameras have always been prohibited and will continue to be prohibited. Hosts are allowed to have exterior security cameras, noise decibel monitors and smart devices in homes as long as they comply with the below guidelines and applicable laws.”

Meanwhile, a spokesperson for Airbnb Australia and New Zealand told the Mirror: “Airbnb does not allow hosts to have security cameras or recording devices that monitor indoor spaces in homes, even if these devices are turned off.

“Airbnb has provided the guest with a full refund and assisted them in rebooking alternate accommodation.

“In the rare event a host or guest feels unsafe or experiences a safety-related issue during an active reservation, we have a safety team that can be reached via our 24 Hour Safety Line, which is available to all users.”

A COUPLE have made a stunning discovery of English treasure while weeding their back garden and are set to sell it for £230k.

The husband and wife found an extraordinary stash of 70 gold Tudor coins in clumps of clay soil at their suburban home in Hampshire.

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After they wiped off the mud and laid out the coins on the decking, it dawned on them that they were remarkably preserved.

They’re now set to go to auction in Zurich, Switzerland in November where they’re expected to fetch an estimated £230,000.

The earliest coin dates back to the reign of King Henry VI in the 1420s but a large number are from the 1530s and the reign of Henry VIII.

Some contain the initials of two of Henry’s wives, Catherine of Aragon and James Seymour.

They were found in Milford-on-Sea which is near the historic Christchurch Priory.

The hoard may have been buried for safekeeping by an exceptionally wealthy church cleric during the time of Henry VIII’s Dissolution of the Monasteries and Catholic priories.

The couple, who have asked not to be named for fear treasure hunters may descend on their quiet street, notified the authorities of their find in 2020.

Although the hoard was initially declared as treasure, it was later disclaimed and returned to the couple as no museums or institutions were in a position to buy it during the pandemic.

The coins are now set to go under the hammer at David Guest Numismatics’ auction in Switzerland where they will be sold individually.

It’s usually the case with coin hoards that a portion of the proceeds must go to the landowner, but in this case the finders are the landowners.

The couple are said to be “excited” about the sales which will be like a lottery win for them.

Auctioneer David Guest said: “It is a fantastic hoard found by a couple while they were gardening at the end of the garden of their home in Milford-on-Sea.

“They were digging in a flower border and found these circular discs in a clump of clay soil.

“They put them on the decking and washed them off and realised they were gold coins so they carried on digging and found a total of 64 of them in the same spot.

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“After they notified the Portable Antiquities Scheme the coins were examined by the British Museum.

“They organised a further archaeological dig of the site and found six more coins.

“The earliest coins are from the reign of Henry VI in the 1420s and they go right up to 1537 and the reign of Henry VIII.

“They are in a remarkable state of preservation.”

Guest added that it was clearly a hoard assembled over a long period of time and that the coins amounted to £26 which was the equivalent price of a house back then.

“It was a lot of money. I doubt most people in England at the time ever saw a gold coin,” he said.

“The gold coins could have belonged to a merchant of considerable wealth or a church cleric who was very rich.

“Milford-on-Sea would have been part of the estate of Christchurch Priory at the time.

“The dissolution of the monasteries was a very tumultuous time and we know that other hoards were buried at this time to keep money away from the King’s commissioners that sought to take control of lands.”

He said the couple who made the find were in their 50s with two children and added “they were sitting on a gold mine”.

“I don’t think anyone digging in their back garden can imagine what it would be like to find one gold coin from Tudor times let alone a hoard of 70.

“The combined pre-sale estimate is a considerable amount of money and a life changing amount for the vendors.

“I have invited them out for the sale but I don’t know if they are coming yet but they are very excited. We have considerable interest in the sale.

“Hoards always attract interest as people love stories about the thrill of finding buried treasure.

“Combined with the quality of many of the coins and the state of preservation adds to the appeal.”

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A HUNT for a gang of brazen thieves has been launched after 17 cars were stolen from holidaymakers on a cruise.

The motors were lifted from a special “secure” parking facility in Southampton, overnight.

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The special parking site is operated by Southampton Cruise Parking Services and is touted as “secure” storage for vehicles.

Police said they were working closely with the firm in a bid to capture the thieves.

The holidaymakers vehicles were taken between 9 and 10 September, cops said.

Police were called early the next morning and when they arrived at the parking facility they discovered the motors had been swiped.

So far, only six of the 17 stolen motors have been recovered by Hampshire and Isle of Wight Constabulary.

Officers are appealing for any witnesses to come forward to assist with their investigation into the mass motor theft.

Did you have your car stolen? Email [email protected]

A spokesman for Hampshire Constabulary said: “We are appealing for witnesses following the theft of 17 vehicles from a cruise parking facility in Southampton.

“The incident occurred between the evening of September 9 and the early hours of September 10.

“Officers were called at approximately 7:40am on Wednesday September 10 to reports of a suspected break-in at Southampton Cruise Parking Services on First Avenue.

“Upon arrival, it was discovered that 17 cars had been stolen.

“The investigation team is working closely with the company operating the site, as well as local partners, to secure all available evidence.”

Detective Constable Edward Smith, the officer leading the investigation, said: “We don’t underestimate the significant impact this incident has had on the victims, who have returned from their holidays to discover their car stolen.

“We continue to keep those victims updated with the progress with our investigation, which our team is working incredibly hard on to ensure those responsible are arrested.

“We continue to progress several lines of inquiry including a full review of CCTV from the scene and surrounding areas.

“I am pleased to say that this work has already led to the recovery of six of the vehicles and those owners have been updated with the good news.”

Anyone with information, or who may have CCTV footage from the area, is urged to contact police quoting reference number 44250409694.

Alternatively, information can be provided anonymously via Crimestoppers by calling 0800 555 111 or visiting their website.

The Sun has contacted Southampton Cruise Parking Services for comment.

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THE real ‘Da Vinci Code’ is close to finally being solved after a major scientific breakthrough.

Experts are racing to crack the mystery of DNA, death and burial tied to legendary artist, scientist and inventor Leonardo da Vinci.

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The world was captivated by 2003 novel and 2006 movie The Da Dinvci Code.

It saw Tom Hanks playing a professor looking to uncover a religious mystery around the Holy Grail with clues hidden in Leonardo da Vinci’s iconic painting The Last Supper.

But the real Da Vinci Code that scientists are trying to solve involves mapping out the artist’s genome.

That’s the entire collection of DNA in da Vinci’s body – all of the genetic instructions needed to make and maintain him.

Now scientists say that they’ve confirmed a male bloodline that they can date all the way back to 1331.

This family tree spans 21 generations and involves as many as 400 individuals.

And they’ve found at least six descendants who, after DNA testing, can be traced directly to Leonardo da Vinci, who was born in 1452 in Anchiano, Vinci, Florence and died in 1519.

As part of the research, the scientists have also confirmed the existence of a da Vinci family tomb, in the Church of Santa Croce in Vinci.

The experts think this may be where several of Leonardo da Vinci’s family members are buried.

That includes his grandfather Antonio, uncle Francesco, and half-brothers Antonio, Pandolfo, and Giovanni.

“Further detailed analyses are necessary to determine whether the DNA extracted is sufficiently preserved,” said David Caramelli, of the University of Florence.

“Based on the results, we can proceed with analysis of Y chromosome fragments for comparison with current descendants.”

Now scientists hope to analyse the remains in the Vinci church tombs to find a match with the Y chromosome of the living descendants.

And scientists are also hoping to look for traces left on his original works.

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This could allow scientists to fully reconstruct da Vinci’s DNA.

“Our goal in reconstructing the Da Vinci family’s lineage up to the present day,” said Alessandro Vezzosi, of the Leonardo da Vinci Heritage Association.

“While also preserving and valuing the places connected to Leonardo, is to enable scientific research on his DNA.

“Through the recovery of Leonardo’s DNA, we hope to understand the biological roots of his extraordinary visual acuity, creativity, and possibly even aspects of his health and causes of death.”

Scientists may be able to use this information to confirm da Vinci’s final resting place.

The Renaissance painter was originally said to have been buried in Amboise, France in the Saint Florentin church.

This church was severely damaged during the French Revolution.

And bones believed to belong to him were moved to the Chapel of St Hubert in Amboise.

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But there have been doubts over whether these bones really do belong to da Vinci – a puzzle that could be solved using his DNA.

So scientists are probing what remains of da Vinci in terms of his works and descendants to crack the real code.

“Even a tiny fingerprint on a page could contain cells to sequence,” says Jesse H. Ausubel, of The Rockefeller University, who is director of the DNA project.

“21st-century biology is moving the boundary between the unknowable and the unknown.

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“Soon we may gain information about Leonardo and other historical figures once believed lost forever.”

MARRIED At First Sight UK is back with a bang and a whole host of soon-to-be newlyweds looking for love.

Here we get to know brand-new bride Julia-Ruth, who’s more familiar with the spotlight than most reality TV contestants.

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Who is Julia-Ruth from Married at First Sight UK 2025?

Julia-Ruth is a 29-year-old professional dancer, originally from South Africa, who currently calls New Zealand and the UK home.

She has performed with some massive artists, even working as a backup dancer for rap megastar 50 Cent.

Julia-Ruth is one of the contestants starring in Married At First Sight UK 2025.

She had a challenging childhood, including being adopted at the age of 16 by her sister.

Julia-Ruth has experience in reality TV, so this isn’t her first foray into reality romance.

In 2023, she appeared on the Paramount+ programme Are You The One?

Julia-Ruth found love on the show, but the relationship didn’t last.

She has now been single for two years and admits she’s had a bad habit of choosing the wrong men.

So for her next chapter, Julia-Ruth is turning to the experts on Married At First Sight UK.

She’s hoping to find a grounded, ambitious and empathetic partner.

When is Married At First Sight 2025 on?

The new series of Married At First Sight UK starts on Sunday, September 21, 2025.

It runs nightly at 9pm from Sundays through to Wednesdays for its first few weeks on E4.

In previous years, the show aired Mondays to Thursdays, meaning MAFS UK on the weekend is a special treat for viewers this time around.

Expert matchmakers Paul C Brunson, Mel Schilling and Charlene Douglas are returning to make matches and guide couples through the process.

Who are the other Married at First Sight UK 2025 contestants?

Brides

• Anita, 54, operations manager from Durham — following some turbulent times she’s ready to say yes to everything, including a man she’s never met
• Grace, 31, midwife from Norwich — funny Grace is looking for a tall, dark, handsome, confident and humorous partner
• Leah, 35, business owner from Liverpool — searching for a fun and spontaneous partner after coming to the realisation she prefers women aged 25
• Leigh, 30, NHS clinical coder from Romford — following heartbreak, she’s ready for her happily ever after
• Maeve, 29, aesthetics practitioner from Newcastle — ‘trouble maker’ mum who refuses to settle for a man who won’t put the effort in
• Nelly, 30, cosmetic dentist from Manchester — hoping to get everything she deserves after a year alone
• Rebecca, 32, aesthetics nurse and clinic owner from Liverpool — looking for her dream man following a broken engagement
• Sarah, 31, recruitment consultant from Aberdeen — thinking there aren’t any eligible bachelors in her hometown, she’s only after “the nicest guy in the world”

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Grooms

• Ashley, 35, operations director from Bridgend — Sporty father whose ex-girlfriends include a former Miss Universe
• Bailey, 36, sales manager from St Albans — dad who set up a microbrewery, looking for family-oriented partner
• Davide, 33, cabin crew from Portugal — looking for fellow romantic following heartbreak after his huge wedding was cancelled earlier this year
• Dean, 31, team-building host from Feltham — following a year on his own he’s hoping to find his soul mate
• Divarni, 29, musician from London — self-proclaimed ladies’ man looking for partner with a nice smile
• Joe, 31, personal trainer from Huddersfield — former lothario and world traveller who’s ready to settle down after a frank talk from his mum
• Keye, 33, marketing manager from London — hoping the experts will find a man to look after him following his previous marriage ending
• Paul, 60, retired — father of three looking for someone he can share his hobbies with
• Steven, 34, investment banking manager from Essex — dad of two, ready to find lasting love after a year single

THE best pubs across the country have been revealed – so does your local make the list?

The Great British Pub Awards has announced its shortlist of finalists across categories including Best Beer Pub, Best Pub Garden and Best Country Pub.

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The awards are aimed at celebrating the best boozers in the UK.

Six pubs have been nominated in each category, with the eventual winners revealed later this month.

The nominations for Best Beer Pub include the Cask Pub & Kitchen in Pimlico, London.

It claims to have the UK’s first and only vintage beer cellar, which includes beers from the 1950s.

There’s also The Riverhead Brewery Tap in Marsden, Huddersfield, which has its own microbrewery inside.

Blind Jack’s in Knaresborough is a family owned independent traditional pub founded in 1991 that sells highly rated craft beers.

The other nominations for Best Beer Pub include Bowland Beer Hall at Holmes Mill in Clitheroe, Granville’s Beer & Gin House in Horsforth, Leeds, and The Tamworth Tap in Staffordshire.

If you’re a fan of a pub lunch after a walk in the countryside, there’s also a list of the Best Country Pubs.

The Sun Inn in Great Easton, Leicestershire, is in the heart of the Welland Valley.

It says “wet wellies and muddy paws are welcome” and it has a roaring fire to warm you up after your walk.

Meanwhile The Tally Ho Inn in Bouldon, Shropshire, is within the stunning Corvedale Valley.

It’s located centrally between the historic towns of Ludlow and Bridgnorth.

Reviewers say it’s a hidden “beautiful find” with an “outstanding” Sunday lunch.

If you’re heading to the Peak District, it could be worth stopping at The Ashford Arms in Ashford in the Water.

The pub is a stone’s throw from the famous medieval Sheepwash Bridge and there are also hiking opportunities along the River Wye.

The other nominees include The Tollemache Arms in Harrington, Northampton, The Turkey Inn in Laycock, Keighley, and The Fleece Inn in Eversham, Worcestershire.

If you’re looking to make the most of outdoor dining before the weather gets chillier, six pubs have also been nominated for Best Pub Garden.

The Gaggle of Geese in Buckland Newton is set in rural Dorset with five acres of gardens.

It’s got everything you could want, with a skittle alley, crazy golf, pygmy goats and a playbus, as well as camping and glamping.

Meanwhile The Mutton at Hazeley Heath overlooks Hazeley Farm and its garden has boasts blooming flowers and greenery.

A previous Sun review said it has “amazing views, private dining experiences and a huge selection of drinks”.

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The historical Black Friar pub in Salford was built in 1886 but laid derelict for over 15 years before it was restored in 2021.

It now has an award-winning garden and outdoor tavern, as well as its famed Glass Room.

The other nominees are Myrtle Tavern in Meanwood, Leeds, the Hare & Hounds in Tingley, Wakefield, and The Old Crown in Digbeth, Birmingham.

Other categories in the awards include Best Pub for Food, Best Pub for Families and Best Pub for Dogs.

You can see more of the nominations below…

Sept. 15 (UPI) — U.S. border agents in Texas said they uncovered $16 million worth of methamphetamine hidden in a load of mangoes.

The drug delivery was uncovered weeks after $50 million of the illegal drug was discovered in another bust at America’s southern border.

Officials at U.S. Customs and Border Protection in Laredo said Monday that a tractor trailer shipment of frozen mangos allegedly carried hundreds of packages of what authorities believe to be illicit methamphetamine weighing nearly 2,000 pounds.

“It is not unusual to encounter hard narcotics comingled with fresh produce,” according to Alberto Flores, director of the Laredo Port of Entry.

Flores said border officers made the discovery last Tuesday in what he described as an “effective combination of targeting and high-tech tools to take down this significant methamphetamine load” of about 733 packages that weighed nearly 1,791 pounds during a traffic stop at World Trade Bridge.

According to U.S. officials, the payload had a value of more than $16 million.

CBP agents seized the narcotics hidden within the shipment after the mango-carrying truck was referred for a secondary inspection and underwent a “nonintrusive inspection” by a canine unit.

The most recent drug bust comes a few weeks after the U.S. border agency revealed it uncovered nearly $50 million of the illegal drug during two separate stops in the same area.

On Monday, Flores added that seizures of hard narcotics “on this scale underscore not only the pervasive nature of the drug threat but our steadfast commitment to keeping our border secure,” he said in a statement.

A criminal investigation is ongoing by agents of Homeland Security Investigations.

WITH the chilly season well and truly here, many retailers have been launching new autumn stock.

But it looks like Tesco might have to remove an item after one eagle-eyed mum spotted a spelling mistake on their kid’s clothing.

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The error was picked up by mother-of-three Rebecca Jeffs, from Northamptonshire, who took to TikTok to tag the popular supermarket.

According to Rebbeca, who posts under the username @rebeccaanicole_x, she stumbled across an adorable autumn-themed two-piece whilst shopping at Tesco.

The cosy co-ord consisted of comfy joggers, as well as a matching cream sweatshirt with a pumpkin design.

On the front side there was a little pumpkin, as well as a sticker that said ”Look at my back”, urging customers to check out the rest of the design.

However, what the major retailer clearly didn’t realise is the spelling mistake they’d missed during the printing process.

Sharing the epic blunder on social media, the mum-of-three said in the video: ”The cutest outfit but turns out it has a mistake.

”Didn’t even notice. If anyone’s picked this up, has yours got this mistake?!” Rebecca wondered in the caption where she also tagged the retailer.

As well as having several adorable pumpkins printed on the back of the cosy sweatshirt, there was also text in a bold fond that was supposed to read as ”best little pumpkin picker”.

While at first glance the text looks absolutely fine, there is a letter missing – and dozens of social media users admitted it took them a while to spot it.

One TikToker commented: ”The dyslexia in me didn’t spot a mistake, I had to look in the comments to see what was wrong.”

”Genuinely thought for a second the mistake was it was beige and who takes there kid pumpkin picking in a beige outfit,” another joked.

A fellow mum said: ”I got this for my girl the other day i didn’t even realise.”

”What’s the mistake?” someone else was struggling to spot the missing letter.

Are you still looking at the text and everything looks like it should?

”It says best lttle instead of best little. It took me an embarrassingly long time to work it out,” one of the 250k viewers finally figured it out.

”Maybe nobody will really notice as took a lot of us ages to realise,” a shopper joked.

Want to test your eyesight even more? Earlier this year, Primark shoppers spotted a ‘‘spelling mistake’’ on new Rita Ora top – and you can’t unsee it.

Fashion fans were also gasping as Matalan launched an £18 jumper with glaring spelling mistake.

I don’t remember the picture being taken. Somewhere in Scotland, sometime in the 1980s. It has that hazy quality you get with old colour prints: warm but also somehow melancholy. I’m wearing blue jeans, white trainers, an army surplus jumper – and am perched on a standing stone.

My mum gave me the photo when I turned 50. She found it up in the loft. Some of these childhood pictures, souvenirs of trips with my grandparents to historic sites, have the place names written on the back. This one was blank, a tantalising mystery. Though I didn’t recognise the location, something about the landscape and quality of light suggested it was Islay, an island I’d visited just once – when I was not quite 12. So I decided to see if I could find the spot, slipped the photograph into my notebook and set off.

Islay is the southernmost point of the Inner Hebrides, lying on the same latitude as Glasgow. That makes it sound an easy hop from the city, but the watery fractures of Scotland’s west coast require a long drive north and then south along the shores of sea lochs, before a two-hour crossing from the port of Kennacraig. Islay is the eighth largest of the British Isles (bigger than the Isle of Man and Isle of Wight) and yet not, I think, well known. Some of its communities – Ardbeg, Bowmore, Lagavulin – have given their names to famous whisky brands, but the island as a whole feels a little obscure.

A saltire (Scottish flag) flapped on the prow as the CalMac ferry eased up the Sound of Islay. The cloud-shrouded mountains of nearby island Jura were a dark presence to starboard. Islay, to port, appeared far more friendly, with its purple heather and bright strand. But appearances can deceive. A cormorant – the devil’s bird – flew in front of the ship in the direction of Islay, not Jura, and I wasn’t at all surprised. I remember, as a boy, being much taken by an illustrated map in which the island was made to look like a demon. The Rinns peninsula formed its horns and snout, the Oa peninsula its claws, and the north-east headland its leathery wings. It sat hunched on the edge of Scotland, poised to take flight for Irish shores.

Disembarking at Port Askaig, I drove to Port Charlotte, where the Museum of Islay Life, housed in a former church, is a charming jumble. A wooden figurehead poses next to the island’s old telephone switchboard; a stuffed red squirrel sits glassy-eyed in a bell jar; and an American flag, sewn by Islay women to be flown at the burials of the many US soldiers whose bodies washed ashore when the SS Tuscania was torpedoed by a German U-boat in 1918, hangs faded with age.

I’d spent a lot of time in this museum during my childhood stay, fascinated by one exhibit in particular: the skull of an Irish elk. It had been found in a peat bog in the 19th century, and in my recollection was stained almost black, but seeing it again now I realised that memory had played me false; it was greyish brown, no darker than an oatcake. Yet I had not misremembered its great size – an almost 2-metre span between the tips of its antlers. This creature, now extinct, lived and died on Islay about 12,000 years ago, at about the same time, it is thought, as the first people, a party of hunters, arrived on the island, travelling from Scandinavia or northern Germany. Perhaps they glimpsed the elk across the virgin landscape. Perhaps it scented the unfamiliar human stink and wisely kept its distance.

Islay has a great many ancient sites. The standing stone in my photograph could be any of them. I had arranged to speak with Steven Mithen, an archaeologist with a particular interest in the island, in the hope he would identify it. I was lucky to catch him. The University of Reading professor would soon leave for a few days camping on Nave, a tiny island off Islay’s northern coast, where he hoped to find a Viking boat burial. We met for a cuppa and I showed him the picture.

“That’s Cragabus,” he said. “Lovely photo. Wonderful place.”

The stone on which I was sitting, he explained, was a surviving part of a chambered cairn – a Neolithic stone tomb probably built around 3,500BC. It had been excavated in 1902. Human remains were found along with fragments of clay vessels, known as beakers, their presence indicating that the cairn had been reopened in the bronze age and used by those later people for the burial of their own dead. I knew a bit about beaker burials. I’d excavated one myself – in 1984, the same year, I think, as my visit to Islay, helping my grandparents to trowel up the bones of the person buried alongside a decorated pot.

My grandfather, Eric Ross – Grumps to his grandkids – was a coachbuilder. That was how he earned a wage, building buses in a factory, but archaeology was what he loved. He fell for it during the second world war. He had joined the RAF in 1941, aged 20, serving in north Africa and Italy. “He was the only man I knew who had used a genuine working Roman bath,” one of his friends once told me. “Just before the victory parade in Tunis, his squad was given a few minutes in the still-operational baths fed from the hot springs.”

So, washing desert sand from his body in Roman ruins is how history got under his skin? I like this very much as an origin story. I wish I could have asked him but, of course, it is too late. People slip away before we are ready to hear their stories. I wish, too, that I had become an archaeologist myself. Whenever I think back to our old adventures, it feels like a path not taken. This trip to Islay, and my new book, Upon a White Horse: Journeys in Ancient Britain and Ireland, are attempts to walk it a little.

Prof Mithen told me where to find Cragabus: in the south-west of the island, just off a single-track road, marked on the map with that gothic type so evocative of strange old places. At Port Ellen, I followed a sign marked Mull of Oa and was soon there. Climbing a farm gate, I walked up a short, steep rise. There was the megalith I had sat upon: nearly 2 metres tall, the same distinctive shape, tip bristling with a pelt of lichen, its lower parts soft with snagged wool where sheep had rubbed. I propped my phone on a fence post and took a photograph, 41 years after the first: a middle-aged man touching a stone.

People who were taken to ancient places as children often have fuzzy old photos of themselves at the sites. Such pictures increase in power as the years go by. The people who took us pass away, and we ourselves grow up and change, but the stones stay the same. So, when we return as adults, we can measure ourselves against them, see our little lives in relation to eternity. That was how I felt at Cragabus: bigger yet smaller, older yet no age at all.

Peter Ross’s Upon a White Horse: Journeys in Ancient Britain and Ireland is published by Headline at £22. To buy a copy for £19.80, go to guardianbookshop.com. Delivery charges may apply.

A survey conducted by consumer group Which? placed Manchester’s Terminal 3 at the bottom of the list for the fourth consecutive year, with a customer satisfaction score of just 43%

Travellers have delivered their verdict on the UK’s airports – and Manchester has been branded the worst to fly from.

A survey conducted by consumer group Which? placed Manchester’s Terminal 3 at the bottom of the list for the fourth consecutive year, with a customer satisfaction score of just 43%. The terminal received a dismal one-star rating out of a possible five for measures such as security queues, seating, and the pricing in shops and food outlets.

One frustrated Terminal 3 passenger fumed: “It’s impossible to get a drink or something to eat, but much worse than that – there is nowhere to sit.” Manchester’s other two terminals didn’t fare much better in the survey. Terminal 1, which is set to close later this year, was ranked second-worst.

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Another traveller said: “The cleanliness in Terminal 1 is appalling. Toilets are often overflowing, and there’s rubbish everywhere.”

Terminal 2 at Manchester could only muster fourth from bottom, with a customer satisfaction score of 53%, although there was at least some positive feedback. One traveller commended its “good facilities prior to long-haul flight and helpful staff at baggage check-in”.

At the other end of the scale, Exeter Airport topped the list with an overall customer satisfaction score of 80%.

However, Exeter serves around 500,000 passengers annually, compared to 29 million at Manchester or 84 million at Heathrow.

Close behind, with a score of 78%, was Liverpool John Lennon Airport, which now caters to five million passengers each year. Passengers lauded its swift, efficient process and friendly staff.

You can search for your closest airport and check the ratings using our interactive gadget.

Chris Woodroofe, Manchester Airport’s managing director, has hit back at the Which? survey and criticism the airport has received. He said: “Through our historic £1.3 billion transformation programme, we have created a world-class and award-winning Terminal 2. We have also announced plans to invest significantly in Terminal 3 – starting this year.

“I am also proud to say customer satisfaction has increased significantly over the past four years. We know how customers feel about their experience because we asked hundreds of them every week about it. Between January and June this year, 91% of 3,045 people surveyed told us their experience was good, very good, or excellent.

“That is how I know this latest outdated and unrepresentative report from Which? bears no resemblance to the experience people receive at Manchester Airport day in, day out.”

A Gatwick spokesperson added: “In the first half of 2025, passengers received great service, as the airport significantly improved its on-time performance, following excellent collaboration with airline partners and National Air Traffic Services.”

A statement from Heathrow read: “Which? has relied on unrepresentatively small sample sizes and recollections to assess an industry that already collects vast amounts of data on a daily basis, all verified and published by an independent regulator, the Civil Aviation Authority.”

While London Luton Airport’s spokesperson said: “Whilst we value all feedback, a sample size of just 255 Which? readers is simply not representative of the 16.7 million passengers who travelled with us in 2024.”

London Stansted’s spokesperson said it was “proud to have welcomed a record-breaking 30m passengers to the airport in the last year, driven by the great value and reliable service on offer, and convenient access to over 200 destinations across Europe and beyond.”

This article contains spoilers from the first season of “The Paper.”

The journey to spin off the U.S. version of “The Office” has, until now, been long and slow. (That’s what she said.)

While the unconventional workplace comedy about a humdrum band of paper company employees, adapted from a beloved British series of the same name, famously got off to a sluggish start on NBC with a low-rated six-episode first season, it became a rare case study of how a risky gamble can become a pop culture phenomenon and one of the most popular sitcoms in TV history. Talks of expanding “The Office” universe began as early as Season 3, when another office branch was introduced. “Parks and Recreation” was initially conceived as a spinoff but morphed into a standalone series. Another centered on socially awkward Dwight Schrute (Rainn Wilson) would get dropped. The series eventually ended its nine-season run in 2013 with no offshoot. But it still managed to have an afterlife without one, as fans obsessively continued to watch it in syndication or on streaming platforms.

Once “The Office” began making headlines in 2020 for the being the most streamed show in America, Greg Daniels, who captained the U.S. adaptation and was initially concerned about tarnishing its legacy with offshoots, was coming around to the idea that it was safely insulated enough to withstand any attempt to find a way to build out its kooky world.

Finally, more than a decade after “The Office” went off the air, Peacock is hoping the spinoff series “The Paper” can recycle some of that show’s success while finding its own path.

In “The Paper,” Domhnall Gleeson, left, stars as editor in chief Ned Sampson, and Tim Key plays executive Ken Davies.

(Aaron Epstein / Peacock)

This series shifts its focus to the staff at the Toledo Truth Teller, a struggling local newspaper in Ohio, which is being filmed by the same documentary crew that followed bumbling boss Michael Scott (Steve Carell) and his Scranton, Pa.-based Dunder Mifflin employees. (It’s a believable documentary subject when you consider the U.S. has lost more than one-third of its newspapers since 2005.) Daniels created the series with Michael Koman (“Nathan For You,” “How to With John Wilson”).

All 10 episodes of the first season were released Thursday on Peacock, and the show has been picked up for a second season. Daniels and Koman visited The Times earlier this month — and spoke in follow-up video calls — to discuss the comedy potential of a beleaguered industry, why Oscar is the obvious choice to be the crossover character in the spinoff and whether they plan to reference the president’s comments about the press. These are edited excerpts from the conversation.

The series was originally going to launch with four episodes, then switch to a weekly drop. But it was recently announced that the full season is dropping at once. What happened? And do you have strong feelings about release models?

Daniels: Every company is different. I do know that they’re [NBCUniversal] being incredibly supportive and there’s a giant team gaming out every move. I trust that they have the best of intentions and have a lot of good strategy. My inclination was always to sneak on the air without any fanfare whatsoever, and then maybe advertise after — that is very naive, apparently. One possible nice thing about it being handled this way is our superfans will be able to watch at their own convenience, and maybe before they’ve seen too many promos. I’ve always felt like the show was cut to be the introduction to the show itself. And the more you know jokes you see from later in the seasons, the more you’re coming at it with an unintended awareness of what’s to come. It may play better, just clean for all the superfans. Actually, I thought at first, the pace-out model would be good because that was how “The Office” was on NBC. But they did point out to me that probably the majority of “The Office” fans have watched it on streaming, where they could binge the whole thing.

Koman: It’s not really my area, but that’s how I like to watch things. I’m always happy when it’s up to me — I can make my own schedule, and I tend to watch things quickly.

The crisis facing local journalism doesn’t feel like an obvious backdrop for comedy — and if you’re in it, it’s more of a can’t-help-but-laugh–to-keep-from-crying vibe. How did you arrive at a newsroom as your backdrop and what was the pitch?

Daniels: You wouldn’t think that selling stationary was a particularly hilarious or glamorous place to set a show. I think that there are some intentional differences with this show, and in the sense that we didn’t want to repeat aspects of “The Office.” For me, I was incredibly protective of the original show and the cast. I just waited a long time to do something like this. The original “Office” cast was very supportive by the time it came about. Since it’s a documentary, if you’re going to really commit to that device, you have to think all the time about [how] there’s really camerapeople in the room; they’re trying to cover something; they wouldn’t be there to just cover what they thought was a funny workplace. They’re there to cover an actual story. And the hollowing out of local newspapers is an interesting story that you could imagine a documentary crew from PBS being like, “Oh, this is a good story.” Of course, since it’s a comedy show, the stuff that’s happening in the background is really the point of the show — all the funny interactions with people as they try to do stuff. Another way that we wanted it to be different was the whole interaction between Michael Scott and his staff — he was not a very inspirational boss, and Ned Sampson, played by Domhnall Gleeson, comes in and he does manage to inspire the people working there. And the question is more: Is he biting off way more than he can chew and his staff can chew? Or should they be right and believing in him?

Koman: I just think reality always makes the best backdrop. And it’s good if your characters are facing a challenge and you have something to root for.

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1. Clockwise from top left: Rainn Wilson as Dwight Schrute, Jenna Fischer as Pam Beesly, John Krasinksi as Jim Halpert, BJ Novak as Ryan Howard and Steve Carell as Michael Scott in “The Office.” 2. Carell, Krasinksi and Wilson in a scene from the NBC comedy. (Justin Lubin / NBC Universal)

How did you land on Toledo?

Daniels: That was really about the alliteration of the Toledo Truth Teller. There’s something about the Cleveland Plain Dealer that I think is a super interesting thing. The name of it, I thought, has always been very intriguing. It kind of reminds you of the independence of these big Midwestern newspapers, which is different from now. It really feels like the big newspapers are L.A., New York, Washington, Dallas. I know the Cleveland Plain Dealer is still quite healthy, which is great. But there is something about the Midwest that feels nostalgic.

Koman: If I think of the heyday of print journalism, Ohio is just a place that comes to mind. They had so many really important newspapers and great journalists that came out of there, so it just seemed like … if somebody was going to try to revive something, that’s a state, and Toledo itself, is a place where you can see it happening.

Daniels: Toledo also has a certain “Office-y,” Scranton thing to it. There was a time where we were looking at where the other locations that Dunder Mifflin has offices. And the list is very funny. It’s like Yonkers and Nashua, New Hampshire. It’s all these words that are just kind of fun to roll off your tongue.

Greg, you had been resistant to the idea of expanding “The Office” universe. “Parks and Recreation” was originally meant to be a spinoff, but it eventually evolved away from that. Why now? What changed?

Daniels: There’s two questions. One is, why now? And part of that is that “Upload” [Daniels’ Prime Video series] is wrapping up. When we first started discussing it, I didn’t know what was going to happen with “Upload.” I had sold it and I was committed to being the showrunner and it kept getting picked up, so I kept having to put off thinking about any kind of [“The Office”] spinoff. But [the final season of] “Upload” is dropping Aug. 25. The other part of your your question — over the years, since the finale, the show had this enormous blow-up on Netflix. It just felt like this show is pretty bulletproof at this point. Even if we did a s— job with a spinoff, it’s not going to go back in time and mess up “The Office,” which was my concern. “The Office” was such a beautiful and rare confluence of the cast and the time and the format and the writers and everything — it seemed very arrogant to think you could pull that off again. But then after a while, it’s like, “Well, you got to try.” You can’t be intimidated out of ever doing anything.

Greg Daniels says the staff of a struggling newspaper is as relatable as their Dunder Mifflin predecessors: “That quality of morale being low is very ‘Office’-like. The tone is intended to be similar without having the characters be similar.”

(Jason Armond / Los Angeles Times)

How did you arrive at former Dunder Mifflin accountant Oscar Martinez (Oscar Núñez) being the connecting character between the two shows?

Daniels: When you look at the finale of “The Office,” everybody was going off in their own direction that had a lot of, in my view, meaningful wrap-up of their story. Jim and Pam were moving to Boston with Darrell; Toby was in England. But Oscar didn’t really have a big arc. He was pretty much Oscar the whole way through, and it didn’t feel like it was going to undo anything with “The Office” to keep Oscar involved.

Koman: It made sense, just on a business level, that if one company was acquired by another, that some people would move over into that company. He was the one person who, I think, would have stayed.

Daniels: He was maybe the most self-possessed. He had the most dignity, I think, of most of the characters. The idea that the crew has found him again just seemed appropriate. He did run for elective office at the end of “The Office,” so I feel like he is susceptible to being inspired and do something for his community, so he seems like a person who could buy into what Ned is selling.

Koman: Also, he has kind of a cosmopolitan personality. The city is like a third larger than Scranton.

Greg, you gave us one of the great will–they/won’t–they relationships in TV history with Jim and Pam. There are a couple of office romances brewing on “The Paper.” The season ends with Ned and Mare (Chelsea Frei) kissing. Is there a specific challenge with crafting a slow burn in the streaming era? How did you want to approach things this time around?

Daniels: You need to have stakes in stories. If you’re going to be very realistic and relatable, the stakes in people’s stories are mostly romantic because most people don’t battle aliens to save the world or whatever. So, the highest stakes a normal person usually has is who they’re going to marry or who they’re seeing, or what drama they’re in in their personal lives. There’s a column the New York Times does about people who are getting married, how-they-met kind of thing, which I love, and you realize that there’s hundreds and hundreds of stories of how people meet. It’s not all Sam and Diane or Pam and Jim. My aim would be to not have the audience be like, “Who’s the next Pam and Jim? Is that Pam and Jim?” That’s their relationship. Those two actors were brilliant. You can’t replicate it, but it doesn’t mean that other characters aren’t going to be romantically interested in each other.

Pam Beesly (Jenna Fischer) and Jim Halpert (John Kraskinski), the friends-to-lovers duo affectionately known as JAM, in a scene from “The Office.” (Paul Drinkwater/NBC)

“The Paper” features characters like interim managing editor Esmeralda (Sabrina Impacciatore), compositor turned reporter Mare (Chelsea Frei) and new boss Ned (Domhnall Gleeson). Mare and Ned have a will-they/won’t-they dynamic in the sitcom. (Aaron Epstein/Peacock)

We had a sense, at least through Kelly Kapoor and her pop culture references, that “The Office” took place in our shared reality, but it didn’t directly comment on real world matters. But considering the show’s setting and Ned’s idealism about the profession, with President Trump’s ongoing remarks about the press, can you see a day where those remarks or ideas are more directly referenced in some form? Or do you want to stay clear of that?

Daniels: I think there’s so many voices that [are] constantly talking about that, just from a comedy standpoint; I’m very tired of it. There’s also so many opinions that are so strong. My inclination is to do the fundamentals — it’s a character comedy. These are characters. They’re in a world of journalism [and it] has a lot of bumping between human beings and ethics, and to tell those stories is valuable. No matter what side you’re on, you can look at it and, hopefully, if there’s truth in what’s being presented, you can take something valuable away.

Koman: It’s important to think of this as a local paper. Their struggle is to credibly tell local stories, which is what I think the city needs, more than anything — a voice to just tell people what’s going on. Beyond that, I think the way that a culture will seep into a show like this — you should always have a sense of reality and that this is taking place in the present. I think of their minds as being focused on: How can we be a good news source for Toledo?

Michael Koman, who previously worked on docu-comedies “Nathan For You” and “How To With John Wilson,” on capturing the state of journalism realistically in “The Paper”: “What makes newspapers different than other businesses or other jobs is that people do arrive with a sense of enthusiasm for what they’re going to do. It seemed important that many of these people could have started their jobs like this, but now we’re meeting them at a point where that’s been tamped down enormously.”

(Jason Armond / Los Angeles Times)

The impulse when you hear about a spin-off or a reboot is to compare and to see who fits into what archetypes. Tell me about the types of characters you wanted to fill out in this newsroom.

Daniels: We tried to avoid that. What’s the point of doing something where everybody can go, “Oh, that’s the new Dwight”? They’re working in journalism and they have a very romantic, idealistic boss. He’s extremely interested in getting to the bottom of stories and being super rigorous and ethical, but he’s come in and replaced the temporary managing editor, Esmeralda, played by Sabrina Impacciatore, who has a very different view. She doesn’t really drill down that hard. She’s more about getting eyeballs.

Koman: What makes newspapers different than other businesses or other jobs is that people do arrive with a sense of enthusiasm for what they’re going to do. It seemed important that many of these people could have started their jobs like this, but now we’re meeting them at a point where that’s been tamped down enormously. Morale is low. In terms of who this group of people was, you could feel like that’s been dampened enormously and somebody new can come in who, either out of naivety or just optimism, thinks that he can revive it.

Daniels: That quality of morale being low is very “Office”-like. The tone is intended to be similar without having the characters be similar.

The title sequence is a montage of the various ways people make use of newspapers — rather than reading it. How would you describe your relationship to print journalism?

Daniels: When I first moved out here, I had a subscription to the L.A. Times, and the volume of papers was so gigantic, and it would come with these white ties to hold it all together. I built furniture in my apartment out of stacks of L.A. Times because they were so big. So it’d be like two weeks of them, I could make a stool and make a table with a full week’s worth stacked up.

Koman: Yes, I would say that digital media is all well and good until you need to pack glasses, then you hunt for a newspaper.

Daniels: One of my earliest memories is my parents trying to read the newspaper on their bed, and I wanted their attention, so I would roll onto the newspapers and look up at them, which would really irritate them. They were a big newspaper household.

Much like the news media, your industry is confronting budget constraints and technological disruption that is forcing changes to business models and programming strategies. What are your concerns about your industry right now?

Daniels: One of the big themes is the return to advertising. The streamers have all added ad tiers and that naturally is going to change the programming a bit. I don’t think, necessarily, [that] it’s bad. When you look at the heyday of Netflix, a lot of their biggest stuff had been developed under the old advertising model. I sometimes think about the French movie business, where it seems like they don’t care if something makes money or not. It’s just, if you’re in the club, you get to make movies over and over again. I’ve always felt like that there’s something more democratic about: You actually have to get people to watch your thing somehow.

Koman: The strangest thing about this industry is that it might change a lot, [but] the thing you’re making is a timeless product. You’re telling a story. There’s the part of it that is like, “Well, this will eventually be finished and will be presented somewhere” — and you have no control over how that’s going to change. But what you’re actually trying to make would have to hold up under any conditions.

Sept. 2 (UPI) — A large Samaritan estate has been unearthed by archaeologists in Israel, uncovering a wealth of treasures including mosaics, baths and an ancient oil press.

The dig is in Kafr Qasim, an Arab city about 12 miles east of Tel Aviv. It is on the Israeli side of the border with the West Bank. It was financed by the Israeli Ministry of Construction and Housing before constructing a new neighborhood. The site is within the boundaries of the Kafr Hatta archaelogical site.

The estate is an agricultural site that existed about 400 years ago, from the fourth through seventh centuries, which was between the Roman and the Byzantine periods. The site of Kafr Hatta is described in historical sources as the birthplace of Menander, the Samaritan magician and successor of Simon Magus, who was considered the father of the Gnostic sects and one of Christianity’s first converts.

The dig was in preparation for building housing on the site. The Ministry of Construction and Housing is cooperating with Israel Antiquities Authority archaeologists in the field and helping with conservation operations, parallel to promoting the neighborhood’s development in other areas, a press release said.

“The size and splendor of the buildings discovered, the quality of their mosaic floors and the impressive agricultural installations, all point to the great wealth and prosperity of the local Samaritan community over the years,” said Alla Nagorsky and Dr. Daniel Leahy Griswold, Israel Antiquities Authority excavation directors.

In one of the buildings, a mosaic floor was preserved, decorated with a dense geometric pattern and vegetal images. Alongside its central medallion are acanthus leaves combined with rare decorations of fruits and vegetables — such as grapes, dates, watermelons, artichokes and asparagus. In the entrance to this room was a partially preserved Greek inscription wishing the building’s owner “Good Luck!”

The owner’s first name, Rabia, was common in Samaritan communities.

In the northern part of the estate, archaeologists found an olive press, a large warehouse building and a public purification bath called a miqveh. The proximity of the oil press to the miqveh probably was used to produce olive oil in purity.

The large olive press had two wings; the northern wing contained the main production areas, while auxiliary rooms were erected in the southern wing. In the production areas, two screw presses were found, as well as a large olive crushing basin.

“This type of olive press is more typical of the Jerusalem region and the Judean Shephelah and is less common in Samaria” Nagorsky said.

Over the years, the estate saw dramatic changes.

“The wealth and luxury of the buildings were replaced by oil production and agricultural installations. New walls damaged the mosaic floors, and the magnificent capitals and columns were integrated within the new walls,” she said.

Nagorsky suggested that these changes are related to the Samaritan Revolts under the Byzantine rule — a series of fifth- through sixth-century uprisings against the Byzantine emperors, who enforced restrictive laws on members of other religions.

“What makes this site particularly interesting is that unlike some of the other Samaritan sites that were destroyed in these revolts, the agricultural estate in Kafr Qasim actually continued in use, and even preserved its Samaritan identity — as evidenced by the Samaritan ceramic oil-lamps uncovered in our excavation,” she said.

“This is a fascinating site, which displays the historical gamut between the days of prosperity and the decline of the Samaritan community,” Nagorsky said. “Its long-term existence and impressive findings will allow us to reconstruct its history over centuries and will enrich our knowledge about this population in ancient times.”

Rabbi Amichai Eliyahu, Israeli minister of heritage, explained the connection between ancient Jews and Samaritans.

“These two ancient communities led their lives based on the Torah and shared common roots, and also experienced similar hardships during periods of antagonistic rule,” he said. “The impressive findings indicate the prosperity of a community closely related to Judaism, who lived in the Land of Israel for many centuries. These physical remains are another reminder that our heritage in this land is deep and multi-faceted.”