festivals

Between the Trees, south Wales

Winner of the UK’s best micro-festival in 2025, Between the Trees returns to Candleston Woods in the spectacular Merthyr Mawr national nature reserve (between Cardiff and Swansea) this year. Designed to reconnect people to the natural world, the programme features science and nature activities, folk music and storytelling. Workshops in the Eco Hub include micrographia sessions – exploring the world of insects on the reserve – and nature crafts. The Seren area has plenty of new talks and walks on offer, including stories of Welsh witches and forage-and-taste outings. With camping spots next to a wild beach and huge dunes, the site itself will ignite plenty of awe.
27-30 August, weekend tickets £195 adults, £50 children, betweenthetrees.co.uk

Secret Wildlife festival, East Sussex

On peaceful, rewilded fields between a 75-acre wood and a quiet country lane near Barcombe, the Secret Campsite is bursting with nature, from nightingales to slow worms. The best time to soak it up is during the Secret Wildlife festival, when Michael Blencowe, also known as the Sussex Naturalist, will deliver non-stop nature activities to about 90 campers. Alongside drop-in bushcraft activities, guided walks from dawn to dusk, and a big communal barbecue, hands-on activities include moth trapping, building hedgehog tunnels, and a glow-worm safari. Each evening, the Seven Sisters Astronomy Group will help campers explore the universe, and the event closes with a Secret Cinema screening of the campsite’s camera traps.
26-28 June, weekend tickets including camping and all activities from £112 adults, £56 children, thesecretcampsite.co.uk

Isle of Wight Biosphere festival

The Isle of Wight Biosphere festival spans the island, showcasing the diverse species and landscapes of this Unesco reserve, from beaches and wetlands to chalk downland and woodland. Featured events include a freediving safari in seagrass meadows at Seaview led by marine photographer Theo Vickers, open days at Permaculture Island (as seen in Ben Fogle’s New Lives in the Wild), and a UV night walk exploring forest biofluorescence in Firestone Copse. Red Funnel offers discounted ferries from mainland England (£14, adults on foot) to celebrate the week.
27 June–5 July, mix of free and paid events, iwbiosphere.org

North Pennines NatureFest, County Durham

Coinciding with European Geoparks Week, North Pennines NatureFest promises a packed agenda of informative and interactive events across the North Pennines national landscape and Unesco Global Geopark. An adder exhibition at Bowlees visitor centre will showcase the region’s commitment to the venerable native species, and all ages are welcome to join ecological experts in a bioblitz “wildlife recording frenzy” at Housty Farm in East Allen valley. During the middle weekend, families are invited to a nature camp at Low Way Farm in Teesdale for a range of activities from bat detecting to birdsong walks.
23 May-7 June, events priced individually, nature camp from £30 adults, £20 children, northpennines.org.uk

Nuts About Nature, Norfolk

Local nature experts will guide activities and workshops during Nuts About Nature at Kelling Heath holiday park, a 120-hectare (300-acre) woodland and nationally rare open heathland near Holt. Coinciding with the unveiling of the park’s new red squirrel enclosure, guests are invited to become “acorn adventurers” for the weekend, taking part in activities including pond-dipping, nature crafts, and self-guided trails. The park’s countryside team will be on-site to answer questions about the park’s red squirrel population, conservation efforts, and the recently refurbished and enlarged enclosure.
5-7 June, tent pitches from £39.50 per night and 3-for-2 nights offer with code NUTSABOUTNATURE26; kellingheath.co.uk

Urban Wild, Southampton

Run by the Southampton National Park City initiative and part of its Youth for Climate and Nature scheme, Urban Wild 2026 will use communal events to explore the theme Reimagining Southampton. Designed to bring people closer to the city’s green and blue spaces while imagining a greener future, the festival will open with Urban Wild on the Common (24 May), featuring stalls, music and family activities on Southampton Common. Other activities are organised by community groups and include group bike rides, creative workshops, and wildlife identification sessions.
23-31 May, free, southamptonnpc.com

Orkney Nature festival

Organised by a committee of local volunteers, this weeklong festival will immerse visitors in Orkney’s unique wildlife, from puffins to Risso’s dolphins. Across the islands of Hoy and Birsay, guided walks visit seabird colonies clinging to cliffs, while RSPB wardens allow close observation without disturbance during guide-in-a-hide sessions. Other activities include snorkel safaris with Kraken Diving, an exploration of 5,000 years of people and nature at Skara Brae, and nature-inspired pottery sessions with Robin Palmer.
11-17 May, events priced individually, orkneynaturefestival.co.uk

Solstice festival, Cornwall

Nature the Artist – an initiative recognising nature as a recording artist and using royalties to fund conservation work – will take over Trematon Castle estate over the solstice weekend for the first time this year. Overlooking the Tamar estuary, live music, immersive art installations, talks and fire ceremonies will be led by the likes of female group Boss Morris, Alexis Taylor (Hot Chip), and Deb Grant (6 Music DJ). Nature immersion will be plentiful, with botanical guided walks, foraging sessions, and participatory workshops focused on ecology and seasonal change. The not-for-profit gathering will donate 100% of festival profits to EarthPercent’s nature restoration efforts.
19–22 June, from £260 for a weekend ticket, adults only, gardenoftomorrow.org.uk

Goren festival, Devon

Spread across the wildflower meadows and orchards of Goren Farm near Honiton, Goren festival is a family-friendly weekend celebration of music and nature. Pop-up stages will fill the farm with music all weekend and everyone is invited to get involved in the creative arts through workshops, open mic and fireside sessions. A nature zone will inspire and delight younger visitors with nature trails, bat walks, wildlife stands and a forest school.
3-5 July, weekend tickets from £44 adults, £29 children, camping pitch £18, gorenfestival.co.uk

Festival of Nature, Bristol

Organised by the Bristol Natural History Consortium, the Festival of Nature aims to inspire public action for nature and the climate through free events in Bristol, Bath, and online. As the UK’s largest free nature festival, hundreds of events are on offer, including guided wildlife walks, river and shoreline surveys, citizen science projects, seed planting, pollinator tracking and hands-on conservation activities. Among this year’s highlights are insect ID walks with Bath City Farm, family tree trails in Victoria Park, river dipping in Brislington Brook, online poetry-writing workshops, dementia-friendly allotment sessions, and a bioblitz species count at Stoke Park.
6–14 June, free, bnhc.org.uk

Cameron Collins was sick of Joe Biden.

The owner of concert promoter Brew Ha Ha Productions describes himself as a libertarian-leaning conservative who built his career in San Juan Capistrano. He’d kept his personal politics out of his popular SoCal events, like the ska fest OC Super Show and the nationally touring Punk in the Park fest, a staple for bands like Bad Religion and Pennywise.

On May 30, 2024, Collins felt dismayed that Biden had pursued reelection. In a fit of anger, he donated $225 to Donald Trump’s campaign.

“It was just an impulsive thing,” Collins said in an interview. “Biden had said he was going to run again. I was like, nope. He’d said he wasn’t. It was more about that than anything. I don’t post anything political or talk about anything politically. I’ve never donated to anything like that before.”

That donation proved fateful. After a small punk label discovered and decried Collins’ donation, the scene turned on him. Influential bands pulled out of his festivals or said they wouldn’t return.

On Feb. 27, Collins canceled every Punk in the Park date for 2026.

“The current climate surrounding the events has created challenges that make it impossible for us to move forward,” the organizers wrote on Instagram.

It’s no surprise that an underground music scene would loathe a Trump-donating promoter. Amid the Iran war, raids by U.S. Immigration and Customs Enforcement, and the Epstein files, many Americans want Trump supporters gone from their lives, some viewing any form of support for him as an attack on their and others’ safety and dignity.

Yet until this donation, Collins was a respected promoter whose events sustained hundreds of acts, including progressive bands. Some artists who relied on Collins’ festivals — even if they hate his politics — said the backlash will hurt their livelihoods too.

“It was the worst money I ever spent,” Collins said. “It was not worth this.”

On a March afternoon after canceling his tours, Collins spoke to The Times on a Zoom from his home in Texas. He wore a thick gray beard and the chunky glasses of an aging rocker. His home office was plastered in concert posters from his decades of shows, which include Punk in Drublic (a long-running collaboration with his friends in the left-leaning band NOFX), Silverado Showdown in Orange County and SoCal rock radio station KLOS’ Sabroso Festival.

He expressed bewilderment over the fan revolt that turned him from a scene mogul who gave to pediatric cancer research charities to a villain with a gutted festival business.

“I feel like my reputation with every artist I ever worked with was that they would say, ‘The guy’s got integrity. He treats everyone right. He fights for this scene,’ ” Collins said. “I’m wondering what is happening right now that this has become so polarizing.”

Asked what Trump policies he supported, Collins sighed and said, “A vote for a candidate is not an endorsement of everything they stand for. I am very antiwar. There were promises that Trump made — no more foreign wars, supporting Ukraine by ending that war, lowering prices on gas and on groceries. Dinner table topics.”

Those goals are significantly at odds with the president’s track record. Did Trump deliver on Collins’ donation?

“The way that this whole fiasco has gone down — no one would have voted for that,” he said.

Punk has long struggled with a reactionary streak. British bands in the ‘70s wore swastika armbands for shock value. The Sex Pistols’ Johnny Rotten and the Ramones’ Johnny Ramone turned rightward, and Orange County’s hardcore scene has had neo-Nazi extremists. Gen X punk fans who consider themselves anti-establishment might see online leftists as imposing on their ability to have consequence-free political speech.

Yet the vitality of today’s punk scene is driven by young, racially and sexuality-diverse fans who believe they are in grave danger from Trump’s policies.

Last year, Brandon Lewis, the founder of the Columbus, Ohio-based label Punkerton Records, was poking around on the donor database Open Secrets. He was curious how his scene was donating, and he’d attended Brew Ha Ha events like the Ohio punk festival Camp Anarchy. He checked where Collins put his money and was appalled that it went to Trump.

“We refuse to support, defend, or stay silent about someone who gave money to a man actively destroying everything we care about, deporting our friends and families, erasing the existence of our trans community, stripping away civil liberties, civil rights, and workers’ rights, while dismantling the Constitution itself,” Lewis wrote from Punkerton’s Instagram.

“I’m a combat veteran, and this administration is just pushing everything I believe in about freedom out the window,” Lewis told The Times. “When I would listen to Trump’s rhetoric about ICE — I’ve got friends who are undocumented. Supporting that in a financial way, supporting someone saying my trans friends don’t exist, and to do so coming from a music scene that to me is accepting and kind and certainly not ripping families apart, I couldn’t in good conscience let that go.”

Other bands in the scene, like Dillinger Four, found more donations — around $100 or $200 each — from Collins going to the Trump-supporting political action committees WinRed and Never Surrender and the Trump National Committee. Collins’ support ran deeper than a one-off gesture.

Left-leaning fans demanded that bands drop off Collins’ festival bills.

Dropkick Murphys, a rough-and-ready enemy of Trumpism in punk, had played Collins’ past events. When word of his donations spread, the band came out swinging.

“Punk Rock and Donald Trump just don’t belong together,” they wrote in an Instagram post . “So, upon finding out that Brew Ha Ha promotions donated to the Trump campaign, we will not be playing any more Punk in the Park shows.”

Some acts, like old-guard punks the Adicts and ska group the Aquabats, canceled sets at Collins’ events. Other bands, like Dead Kennedys, said they opposed his beliefs but fulfilled their contracts.

“Dead Kennedys have always stood firmly against authoritarianism, racism, and fascism. That has not changed,” the group wroteon social media. “After these scheduled appearances, we will not be participating in future Punk In the Park events.”

Collins said he understood why bands jumped ship. “There was so much pressure building,” he said. “The bands are a business. You have to say, at what level is the pay worth the headache?”

Yet he insisted that “anyone that pulled off did not pull out because they were standing for something, but were being pummeled to the ground by everyone that said they’d better do it or else. I don’t want those bands to go through that.”

Many fans say that Collins is seeing the predictable consequences of supporting a politician the scene despises.

Others struggled with what to do in response. Monique Powell, the singer for the Orange County ska band Save Ferris, describes herself as a “queer anarchist anti-Netanyahu Jewish child of a North African immigrant,” and far from a Trump sympathizer. Yet Save Ferris played Collins’ OC Super Show event in spite of the protests and bands pulling out.

She said that, while she opposes MAGA, she “wasn’t willing to disappoint fans and put hundreds of people out of work just because someone had a view I didn’t agree with.”

She said Collins “has been an important part of creating and nurturing this scene. He gave a lot of people work. From onstage, I see all the vendors, the stage crew, all providing jobs for people of all backgrounds. He’s given a place for fans to come together, even if they don’t all believe the same stuff.”

Save Ferris was a breakout act in the ‘90s and is now a working-class band on the ska and punk festival circuit. “I see the midsized, hometown venues that the bands of my ilk play — they’re being bought out or dying,” Powell said. “I’m not about to start getting out pitchforks for someone who did something that’s nothing compared to the effects of larger companies.”

Take, for example, Beverly Hills-based concert giant Live Nation, which was in the news last week after a federal jury in New York ruled against it in an antitrust case. Live Nation’s chief executive, Michael Rapino, has donated to Democrats Kamala Harris, Sens. Jacky Rosen of Nevada, Lisa Blunt Rochester of Delaware and Adam Schiff of California, and the music biz-friendly Texas Republican John Cornyn. Live Nation’s PAC has given to Republican Sens. Marsha Blackburn of Tennessee and Ohio Rep. Jim Jordan, alongside several Democrats. Billionaire Philip Anschutz, whose namesake firm AEG is the parent company of Coachella promoter Goldenvoice, has donated millions to Republican politicians, PACs and party organizations for decades — exponentially more than Collins ever did.

It’s fair for to wonder why music fans who hold the line on supporting a Trump donor like Collins might attend those other shows. Lewis said he struggles with that contradiction too but said it hurt worse coming from a punk promoter.

“Donating to Trump is antithesis of what punk means. Hating people for their sexuality or skin color is not punk in the least bit. People clearly expected better from a punk rock festival,” he said.

“I think Live Nation should be broken in half,” Lewis added. “But it’s no knock on someone who wants to see Social Distortion at a Live Nation venue; they need escape as well. I’m just not going to pretend Live Nation is a beacon for good things.”

Those punk communities are pushing back beyond Collins’ events. The SoCal gothic-cumbia DJ collective Los Goths pulled out of the Orange County festival Los Darks after learning its organizers, Peachtree Entertainment, produced the MAGA-champion Kid Rock’s controversial Rock the Country festival. The Los Angeles crust-punk event C.Y. Fest was scrapped after its organizer, Ignacio “Nacho Corrupted” Rodriguera was accused of sexual misconduct (he called the claims “false allegations and misinformation,” but stepped back from the festival).

Collins’ company produces events outside the punk scene, focused on craft beer and other music genres. He recently revamped his upcoming Me Gusta festival into Sublime Fest after the rap group Cypress Hill pulled out. (Last year, Sublime played at the Trump National Doral golf course for the Saudi-backed LIV Golf tour.)

Collins is not sure how he’ll find his way back into the punk scene or if the fans will want him there again.

“I still go out into the audience because I just want to see, is it real? Do people hate me?” he said. “We have bands up there like the Casualties, who are flying [anti-ICE] flags. People are like, ‘You’re a fascist,’ but I’m paying a band to go on my stage to say whatever they want, and then signing a check and going, ‘Thanks for doing it.’ ”

In America‘s current political climate, left-leaning punk fans may not have patience for Trump sympathizers. Having heterodox beliefs is one thing; financially supporting the president is another. Collins is a free market guy, and the punk market has spoken.

Yet huge companies that donate to Trump and his allies are consolidating the industry. It’s harder for progressive punks who want the scene to reflect their values.

“I feel like we created a sustainable, realistic scene that can keep going for years, and bands can earn the money that they need to anchor those tours,” Collins said. His donation caused this avoidable backlash, but “if you take away festivals that are their anchors, like we have been for so many of these artists over the years, how do they tour? This is what the bands are telling me, that ‘we’re the ones getting killed here.’ ”