Festivals and Music Tours

ON Christmas Eve, 1956, a 15-year-old boy heads due south on a five-hour Greyhound Bus journey from his home in Hibbing, Minnesota.

Arriving in the state capital, Saint Paul, he meets up with two summer camp friends and they go to a shop on Fort Road called Terlinde Music.

Styling themselves as The Jokers, the fledgling trio record a rowdy, rudimentary 36-second rendition of R&B party hit Let The Good Times Roll and a handful of other covers.

The boy, with his chubby cheeks and hint of a rock and roller’s quiff, leads the way on vocals and piano.

Already enthralled by popular sounds of the day from Elvis Presley to Little Richard and the rest, he is now in proud possession of a DIY acetate — his first precious recording.

His name is Robert Allen Zimmerman, Bobby to his family and friends.

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Less than seven years later, on October 26, 1963, as Bob Dylan, he takes to the stage in the manner of his folk hero Woody Guthrie, now adopting an altogether more lean and hungry look.

Acoustic guitar and harmonica are his only props as he holds an audience at New York City’s prestigious Carnegie Hall in the palms of his hands.

He performs his rallying cries that resonate to this day — Blowin’ In The Wind, The Times They Are A-Changin’, A Hard Rain’s A-Gonna Fall.

He calls out the perpetrators of race-motivated killings with The Lonesome Death Of Hattie Carroll and Only A Pawn In Their Game.

He dwells on matters of the heart by singing Don’t Think Twice, It’s All Right and Boots Of Spanish Leather.

His 1956 schoolboy shindig and the Carnegie Hall concert, presented in full for the first time, bookend the latest instalment in Dylan’s endlessly captivating Bootleg Series.

Titled Through The Open Window, it showcases an artist in a hurry as he sets out on his epic career.

“I did everything fast,” he wrote in his memoir, Chronicles Vol.1, about his rapid transformation. “Thought fast, ate fast, talked fast and walked fast. I even sang my songs fast.”

But, as he continued: “I needed to slow my mind down if I was going to be a composer with anything to say.”

Among the myriad ways he achieved his stated aim, and then some, was by heading to the quiet surroundings of New York Public Library and avidly scouring newspapers on microfilm from the mid-1800s such as the Chicago Tribune and Memphis Daily Eagle, “intrigued by the language and the rhetoric of the times”.

He’d fallen under the spell of country music’s first superstar Hank Williams — “the sound of his voice went through me like an electric rod”.

Dylan affirmed that without hearing the “raw intensity” of songs by German anti-fascist poet-playwright Kurt Weill, most notably Pirate Jenny, he might not have written songs like The Lonesome Death Of Hattie Carroll.

Then there was Mississippi Delta bluesman Robert Johnson, who Dylan likened to “the scorched earth”. “There’s nothing clownish about him or his lyrics,” he said. “I wanted to be like that, too.”

‘Did everything fast’

We’ll hear more later about the man considered to be his primary early influence, Woody Guthrie, the “Dust Bowl Balladeer” who wielded a guitar emblazoned with the slogan “This machine kills fascists”.

And about leading Greenwich Village folkie Dave Van Ronk, known as the “Mayor Of MacDougal Street”, who had Dylan’s back from the moment he first saw him sing.

On two occasions in recent years, I’ve had the privilege of talking to Joan Baez, the unofficial “Queen” to Dylan’s “King” of the American folk scene in the early Sixties.

She championed him as he made his way, frequently bringing him on stage, their duets on his compositions like With God On Our Side revealing rare chemistry.

They also became lovers as Bob’s relationship with Suze Rotolo, the girl on the cover of the Freewheelin’ album, crumbled.

“He was a phenomenon,” Baez told me in typically forthright fashion. “I guess somebody said, ‘There’s this guy you gotta hear, he’s writing these incredible songs.’

“And he was. His talent was so constant that I was in awe.”

A leading figure in the civil rights movement, who marched with Martin Luther King, Baez added: “It was a piece of good luck that his music came along when it did. The songs said the things I wanted to say.”

But she finished that reflection by saying, tellingly: “And then he moved on.”

For Dylan, now 84, has forever been a restless soul, “moving on” to numerous incarnations — rock star, country singer, Born Again evangelist, Sinatra-style crooner, old-time bluesman, you name it.

In the closing paragraph of Chronicles, he admitted: “The folk music scene had been like a paradise that I had to leave, like Adam had to leave the garden.”

But it is that initial whirlwind period, 1956 to 1963, centred on bohemian Greenwich Village and the coffee shops where young performers got their breaks which forms Volume 18 of the Bootleg Series.

Through The Open Window is available in various formats including an eight-CD, 139-track version, and has been painstakingly pieced together by co-producers Sean Wilentz and Steve Berkowitz.

And it is from Wilentz, professor of American history at Princeton University and author of the liner notes accompanying this labour of love, that I have gleaned illuminating insights.

I can’t think of too many modern artists of his stature, if any, who developed that rapidly

Sean Wilentz

He begins with the arc of Dylan’s development, first as a performer, then as a songwriter, during his early years.

Wilentz says: “He came to Greenwich Village in 1961 with infinite ambition and mediocre skills. By the end of that year, he had learned how to enter a song, make it his own, and put it over, brilliantly.

“By the end of 1962, he had written songs that became immortal, above all Blowin’ In The Wind and A Hard Rain’s A-Gonna Fall.

“By the time of the Carnegie Hall concert in 1963, the capstone to Through The Open Window, his songwriting had reached the level we can recognise, that would eventually lead to the Nobel Prize.

“And his performance style, for the thousands in that hall, was mesmeric. I can’t think of too many modern artists of his stature, if any, who developed that rapidly.”

One of the show’s striking aspects is the lively, often comical, between-song banter. (Yes, Dylan did talk effusively to his audiences back then. Not so much these days.)

In order to assemble Through The Open Window, Wilentz and Berkowitz had “more than 100 hours of material to draw on, maybe two or even three hundred”.

Their chief aim was to find a way to best illuminate “Bob Dylan’s development, mainly in Greenwich Village, as a performer and songwriter”.

But, adds Wilentz: “Several factors came into play — historical significance, rarity, immediacy and, of course, quality of performance.

‘Good taste in R&B’

“We hope, above all, that the collection succeeds at capturing the many overlapping levels — personal, artistic, political and more.”

Though noting Dylan’s inspirations, Woody, Elvis and the rest, Wilentz draws my attention to “a bit of free verse” written by Bob in 1962 called My Life In A Stolen Moment, which suggests nothing was off limits.

“Open up yer eyes an’ ears an’ yer influenced/an’ there’s nothing you can do about it.”

This is our cue to take a deep dive into the mix of unheard home recordings, coffeehouse and nightclub shows as well as studio outtakes from Dylan’s first three albums for Columbia Records — his self-titled debut, The Freewheelin’ Bob Dylan and The Times They Are A-Changin’.

Of the first track, that primitive take on Let The Good Times Roll, Wilentz says: “Dylan and the other two were obviously enthusiastic, and they had good taste in doo-wop and R&B.

“But if you listen closely, you can hear Dylan, on piano, calling things to order and pushing things along, the catalyst, the guy we know from other accounts who was willing to take more risks onstage.”

I ask Wilentz what he considers the most significant previously unreleased discoveries and he replies: “Most obviously Liverpool Gal from 1963, as it’s a song even the most obsessive Dylan aficionados have known existed but had never heard.

“He only recorded it once, at a friend’s party, and it’s stayed locked away on that tape until now.

Dylan was producing so much strong material that some of it was inevitably laid aside

Sean Wilentz

“While not Dylan at his peak, it’s a fine song. It’s significant lyrically, not least as testimony to his stay in London at the end of 1962 and the start of 1963. That stay had a profound effect on his songwriting, and one gets a glimpse of it here.”

Also included is near mythical Dylan song The Ballad Of The Gliding Swan, which he performed as “Bobby” in BBC drama Madhouse On Castle Street during his trip to Britain.

The only copy of the play set in a boarding house was junked by the Beeb in 1968 but this 63-second audio fragment survives.

Of even earlier recordings, Wilentz says: “I’m drawn to Ramblin’ Round.

“Although known (in his own words) as a Woody Guthrie jukebox, Dylan has never released a recording of himself performing a Guthrie song.

“Here he is, in an outtake from his first studio album, handling a Guthrie classic, and with a depth of feeling that shows why his earliest admirers found him so compelling.”

Wilentz considers other treasures: “There’s an entire 20-minute live set from Gerdes Folk City from April, 1962, concluding with Dylan’s first public performance of Blowin’ In The Wind.

“Then there are two tracks of singular historic importance, the first known recordings, both in informal settings, of two masterpieces, The Lonesome Death Of Hattie Carroll and The Times They Are A-Changin’.”

If these versions shed fresh light on classics, let’s not forget the great Dylan songs that didn’t make it on to his albums, so great was the speed he was moving.

Does Wilentz find it staggering that songs like Let Me Die In My Footsteps and Lay Down Your Weary Tune were discarded?

“Yes and no,” he answers. “Yes, because these are powerful songs that were left largely unknown for years.

“No, because Dylan was producing so much strong material that some of it was inevitably laid aside.

‘Literary genius’

“Sometimes intervening factors kicked in. Take the four songs that, for business and censorship reasons, got cut from Freewheelin’ and replaced with four others.

“The album was actually better in its altered form, including songs like Girl From The North Country.

“But that’s how Let Me Die In My Footsteps was lost, along with a lesser-known song I love that we’re happy to include, Gamblin’ Willie’s Dead Man’s Hand, as well as an amazing performance of Rocks And Gravel.”

So, we’ve heard about songs but who were the key figures surrounding Dylan during his formative years?

Wilentz says: “Among the folk singers, Van Ronk most of all, and Mike Seeger, about whom he writes with a kind of awe in Chronicles.

“There was the crowd around Woody Guthrie, including Pete Seeger (‘Mike Seeger’s older brother,’ he calls him at one point) and Ramblin’ Jack Elliott.”

He singles out producer John Hammond, “for signing him to Columbia Records and affirming his talent.

“But most important of all there was Suze Rotolo, who was a whole lot more, to Dylan and the rest of the world, than the girl on the cover of The Freewheelin’ Bob Dylan.”

Finally, I ask Wilentz why the singer felt uncomfortable at being labelled king of the folk movement, “the voice of a generation” if you like.

“People misread Dylan from all sides,” he argues. “Never a protest singer in the mould of Guthrie or Seeger, even though he worshipped Guthrie and admired the left-wing old guard by the time he turned up.

“But Dylan wasn’t one of them, though he sympathised, in a humane way, with victims of injustice.”

Dylan’s work springs from a matrix that is emotional, filtered through his literary genius

Sean Wilentz

Wilentz believes the recent biopic A Complete Unknown, with Timothee Chalamet making a decent fist of portraying the young Dylan, “is a little misleading”.

He says: “It wasn’t Dylan’s ‘going electric’ that pissed off the old guard and their younger equivalent as much as his moving beyond left-wing political pieties.

“Hence the song My Back Pages, from 1964: ‘Ah but I was so much older then/I’m younger than that now.’”

Wilentz concludes: “Dylan’s work springs from a matrix that is emotional, filtered through his literary genius.

“It was impossible for someone like him, living through those two years (1962-63), not to respond to the politics in an artistic way.

“How, if you were Bob Dylan, could you not respond to the civil rights struggle, the killing of Medgar Evers (Only A Pawn In Their Game) or Hattie Carroll, as well as the spectre of nuclear annihilation?

“Dylan had a lot to say, but he was never going to be the voice of anyone but himself.”

Maybe he’d already explained himself on Don’t Think Twice, It’s Alright:

“When your rooster crows at the break of dawn

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Look out your window and I’ll be gone.”

BOB DYLAN

Through The Open Window
The Bootleg Series Vol.18

★★★★★

THIS the stuff of Dreams for millions of fans across the globe and now there’s fresh hope for a Fleetwood Mac reunion.

The group have not performed together since 2019 and they were left devastated when Christine McVie died in 2022.

But I’ve been told that there are serious discussions behind the scenes about a series of projects involving all of the remaining members to celebrate the 50th anniversary of their album Rumours, which is among the best-selling and most critically acclaimed records of all time.

At the centre of the plans is said to be Mick Fleetwood, who is leading peace talks between former couple Stevie Nicks and Lindsey Buckingham, as well as John McVie.

A one-off show, a TV special and a documentary about the making of Rumours are among options being discussed for the 2027 milestone.

And Warner Records is also preparing a special re-release of the album featuring unheard material from the original studio sessions.

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A source close to Mick in the US said: “Fleetwood Mac are discussing new projects and how to mark Rumours’ big 5-0. For certain there is a special edition version of the album coming, which the band and label have been secretly looking at.

“But also there is a significant hope that it is time for the definitive documentary on all the chaos in the studio that created the magic on record.

“John and Christine were divorcing and she was dating their lighting guy. Stevie and Lindsey were over just before she and Mick enjoyed a brief fling. And drugs and booze were everywhere.

“The desire is for everyone to sit down and present their side of events on screen.

“And then of course comes the potential for a stage reunion and concert. That is the goal from Mick.

“Stevie has said it would not feel right being on stage without Christine, but also she and Lindsey are on a healing journey right now, which could be the path to a new show.

“However there is a desire to pay tribute to Christine in some way and a live show around Rumours seems a very fitting way.

“The gig would fill a stadium dozens of times because of the love they command.

“But unless some major shift happens, a tour is unlikely at this stage.”

Aaron Bay-Schuck, co-chairman and CEO of Warner Records confirmed at LA’s City of Hope gala that “some very special” music leftover from the making of Rumours had been found.

He said: “We will do everything in our power to respect that anniversary as long as they’ll let us.”

Last month, Stevie and Lindsey suggested relations had thawed when they reissued their 1973 Buckingham Nicks album.

And in March, Mick admitted: “I always have a fantasy that [Stevie] and Lindsey would pal up a bit more and just say everything’s OK for them both.”

They are beloved by an entirely new generation now thanks to social media, so there will be millions around the globe hoping they can patch things up for one last hurrah.

Aaron Bay-Schuck was at City of Hope’s Spirit of Life gala to celebrate co-chairman and Warner Records COO Tom Corson, who was honoured at the event.

It is the centrepiece of the music, film and entertainment industry’s annual philanthropic campaign and raised nearly $6million.

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Funds from the campaign are fueling leading research and survivorship programs for young adults, including music therapy.

Michael Buble, Cher and members of Linkin Park were among other guests who were there in LA last week.

OASIS have confirmed the replacement for guitarist Paul ‘Bonehead’ Arthurs after he left the band’s tour to have cancer treatment.

The Manchester rockers have brought in Mike Moore from frontman Liam Gallagher‘s solo band for gigs in Asia and Australia.

A source told the Mirror: “Mike Moore has been playing for Liam since 2017 and so he knows plenty of the Oasis tunes from the solo gigs.

“It’s not a full time slot in the band and everyone wants Bonehead well and back but it’s a huge privilege for Mike and he’s excited to get on the stage.”

Moore has a long list of credits to his name including contributions to records by Baxter Dury, Duffy, Trampolene, James Arthur and Peter Doherty.

At the beginning of the month, Bonehead told fans in a social media post that he had been responding well to treatment for prostate cancer after being diagnosed at the start of 2025.

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The musician, 60, said he was moving onto the second phase of his treatment and as a result needed to miss a leg of the reunion tour.

His statement read: “Early this year I was diagnosed with prostate cancer.

“The good news is I’m responding really well to treatment, which meant I could be part of this incredible tour.

“Now, I am having to take a planned break for the next phase of my care, so I’ll be missing the gigs in Seoul, Tokyo, Melbourne and Sydney.

“I’m really sad to be missing these shows but I’m feeling good and will be back ready to go in time for South America.

“Have an amazing time if you’re going this month and I’ll see you back onstage with the band in November.”

He is due to return to the stage on November 15 in Buenos Aires for the first of the final five concerts of the tour.

Oasis shared the statement on X and added: “Wishing you all the best with your treatment Bonehead – we’ll see you back on stage in South America.”

Noel Gallagher’s daughter also Anais wished him well, commenting on Instagram: “We love you so much bonehead!” while Liam’s daughter Molly Moorish wrote: “Sending love!”

Bonehead was in the band from 1991 to 1999 and played on some of their biggest hits.

The musician then rejoined when they reunited for their hugely lucrative Oasis Live ‘25 Tour.

Bonehead, who has two children with his wife Kate, previously told in 2022 how he had been diagnosed with tonsil cancer, although he was later given the all-clear.

SAM Rivers, bassist for rock-rap group Limp Bizkit, has died aged 48, according to an emotional statement from the band.

His fellow band members paid tribute to their “brother” on social media after he passed away on Saturday evening.

Announcing the news to fans on Instagram, the band wrote: “In Loving Memory of Our Brother, Sam Rivers. Today we lost our brother.

“Our bandmate. Our heartbeat. Sam Rivers wasn’t just our bass player — he was pure magic.

“The pulse beneath every song, the calm in the chaos, the soul in the sound.”

They added: “From the first note we ever played together, Sam brought a light and a rhythm that could never be replaced.

“His talent was effortless, his presence unforgettable, his heart enormous. We shared so many moments — wild ones, quiet ones, beautiful ones — and every one of them meant more because Sam was there.”

“He was a once-in-a-lifetime kind of human. A true legend of legends,” the statement continued.

“And his spirit will live forever in every groove, every stage, every memory.”

The band concluded: “We love you, Sam. We’ll carry you with us, always. Rest easy, brother. Your music never ends. — Fred, Wes, John & DJ Lethal.”

The 48-year-old’s cause of death is yet to be revealed.

In 2015, Rivers left the band after being diagnosed with liver disease due to excessive drinking.

He revealed that he had undergone a liver transplant before rejoining the band in 2018.

Rivers was a founding member of Limp Bizkit, having formed the band with Fred Durst and John Otto in 1994.

The band then added guitarist Wes Borland and DJ Lethal in 1996.

The group dropped six albums, including critically-acclaimed “Significant Other” and “Chocolate Starfish and the Hot Dog Flavored Water”.

Rivers has played on all six albums, four of which have been certified platinum or multi-platinum.

Limp Bizkit are best known for songs including “Behind Blue Eyes” and “Take a Look Around.”

X FACTOR winner Joe McElderry says he’ll be ‘eternally single’ while opening up on his dating life.

The talented 34-year-old became a household name after he won the show in 2009, as a fresh-faced 18-year-old with Cheryl as his mentor.

But where his career has thrived, Joe’s not had the same success when it comes to dating. 

Joe referred to himself as “eternally single” in a chat with The Sun, while adding: “I’ve been single for a very, very long time. 

“And I mean I listen, I’m open to meeting somebody and I’d love to meet somebody, but I think dating is so hard now.

“Online dating is a minefield, and I don’t think people meet people unless it’s on dating apps now, which is crazy. It’s kind of sad in a way.” 

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And if he is to meet someone, they’d have to get the green light from his grandma Hilda. 

Joe continued: “She’s a very good judge of character. You’ll know if she doesn’t trust somebody or she doesn’t like somebody. 

“In our industry, you can come across some dodgy people, but she can call it out in seconds of somebody walking in a room and I’m like, that’s a wise woman.”

Joe shares a very close bond with his grandma Hilda, with the pair set to do a live recording of their popular podcast That’s Ridiculous, on October 23rd. 

The booked and busy star is also delighting audiences across the North East with his autumn tour, culminating in his one-night-only Festive Party at Newcastle’s O2 City Hall on 1st December.

Sharing more about tour life, the Climb singer told us: “It’s a very short tour in comparison to what I normally do, but I’ve been on the road with Joseph the musical since January. 

“We finished that in August, and the original plan was to kind of just have October off, and chill out, and then I got halfway through the year and I was like, I feel like I’m gonna miss touring. 

“So we managed to kind of shoehorn in about 10 shows, it’s been great.  We’ve done three of them already and it’s been lovely and it’s my favourite thing to do, just to be in the room with people that support me and know my music.” 

The star shared his pre-show ritual which he has stuck by for years – but admits it’s “not for everyone.” 

Joe continued: “The weirdest thing I do is I gargle bicarbonate of soda. 

“Years ago, a wonderful supporter of mine sent a letter in and he was saying how it’s like an remedy, and so I read this letter and I thought that sounds a bit strange, but I’m going to give it a go and honestly, I mean I’m not a doctor, so if anybody reads this as advice, do it at your own risk, but it’s like a miracle cure for the voice, it’s like a natural antiseptic. 

“You don’t swallow it or anything, it’s just a gargle on your voice. But I swear by it. I have it half an hour before the show. I sometimes have it in the interval of a show. And I even have it in a quick change if I’m struggling on a show day.” 

The 34-year-old admits huge singers have taken his advice in the past after asking what could work to help their vocal chords. 

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“It does taste disgusting, but honestly not one person has ever come back and gone, #that didn’t work,’” Joe added. 

Tickets for both the tour and the festive show at O2 City Hall are available via Joe’s official website and venue box offices – www.joemcelderryofficial.com.

AN EMOTIONAL JoJo Siwa was seen breaking down in tears live on stage after paying tribute to her boyfriend Chris Hughes.

The Celebrity Big Brother star, 22, has been on the road hitting venues across Britain, with her last show last night.

At her last gig of the tour, JoJo appeared to become overwhelmed.

The Dance Moms star broke down in tears as she took to the stage for the final show of her Infinity Heart Tour.

In a video shared by a fan on TikTok, JoJo was seen welling up during her performance of Back To That Girl.

She then told the audience at the Klub Proxima in Warsaw, that she doesn’t usually get “so emotional”.

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Continuing, JoJo said: “It’s been a while since I’ve done what I love which is being on stage being in front of you.

“And, most of you won’t really care, but today’s the last day of this tour.

“You don’t have to pretend you care, you came here because I’m in your city, you didn’t come here because it’s the last one.

“We’re all sobbing right now. But, it just, just to anybody who A, is in this building, B, came to any of these shows, or C, whether it be a good comment or a bad comment, left a comment, hit a like, watched a video, anyone who supported anything just a big massive thank you.”

An emotional JoJo then added: “I finally had myself pulled together and then I saw all these hearts in here.

“That caught me off guard that was good!’

The star’s emotional moment on stage followed a heartfelt Instagram post where JoJo paid a tribute to everyone on her tour who had supported her, which included Chris who has been cheering her on at the side of the stage.

She wrote: “I’ll definitely have a lot more to say once I’ve gathered some thoughts, but tonight is the final show on the Infinity Heart Tour and I am incredibly emotional.

“The amount of work that has gone into creating the show from choreographing it myself to all the creative direction to actually executing it on stage, the show represents who I want to be as a person and the artist that I wanna be in this lifetime, and it’s translated so well to the crowd and hearing your reviews that have been so positive, it just makes me flood with happiness and gratitude.

“Thank you so much for all the love on this tour, to everyone who showed up to the concerts, and to everyone who supported from the distance online.

“Means so very much.”

Chris then thrilled fans when he wrote in the comments: “Smashed it my love.”

The pair met on Celebrity Big Brother earlier this year and have been smitten ever since.

JoJo recently insisted she is not straight amid her romance with Chris and questions surrounding her sexuality.

The YouTuber has refused to put a label on her identity after falling for the former Love Island star inside the CBB house.

Prior to entering the house, JoJo was loved up with non-binary influencer Kath Ebbs but ended their romance to pursue things with Chris.

Now, she has given a candid insight into the negative reactions and “extreme amount of hate” for being currently “in a hetero relationship”.

The dancer and singer opened up in a radio interview on Sirius XM’s Smith Sisters Live.

JoJo said: “From the very, very, very beginning of our relationship. He said, ‘So you can be anything you want. I just love you. I don’t want you to change. I just love you.’

“And I don’t know, I think we got to see on episode two of Big Brother, he was the only person in fact that stood up for me right away.

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“That shows who he is as a straight white male that shows the kind of person he is to stand up for the young 22-year-old queer person in the house.”

JoJo appeared to be referring to when Chris defended her amid a homophobic remark from actor Mickey Rourke inside the house.

A HUGE rock band has split after a decade together – and fans are completely gutted over the news.

Irish rockers Kodaline, known for their hits such as Brother, All I Want, and Moving On, have announced that they will soon be parting ways.

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Taking to social media to share the sad news, the band, which formed in 2005, wrote: “After over a decade, it’s time to say goodbye.

“With all our love. VSMJ.”

The caption accompanied a video, which saw the band performing on stage with a voiceover that played over the top.

In the voiceover, the band members could be heard saying: “After over a decade together we’ve made the difficult decision to say goodbye to Kodaline. 

“It might come as a surprise, and it’s definitely bittersweet for us too.

“What we’ve shared has changed our lives forever. 

“From busking on the streets of Dublin to playing shows across the world, it really has been the stuff that dreams are made of.

“We want it to end on a high, so before we say goodbye, we’re heading into the studio one last time to record our fifth and final album as Kodaline. 

“We are, and always will be, forever grateful for your love and support.”

They went on: “It’s been a journey that we’ll never forget and we hope that the music stays with you long after we’re gone. 

“With all our love Vinny, Steve, Mark and Jay.”

Fans rushed to the comments to react to the heartbeaking news.

One person wrote: “Nah why you gotta ruin my week like this.”

“Please don’t,” pleaded another.

“Thank you for being there for so many of us through your songs,” added a third.

A fourth said: “Through every heartbreak and healing, your songs stayed. I’ll always love you—honestly, completely, endlessly.”

While a fifth penned: “NOOOO PLEASEEE i’ve never been to your concert wdym i’ll never have the chance to see you guys live.”

And fellow Irish musicians Jedward added: “You can never fully say goodbye to Kodaline so we’ll see ya in the year 2030 something.

“Cause your to iconic not to come back and slay once again.”

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TAYLOR SWIFT has admitted she no longer believed in ­marriage and had given up on love after splitting from long-term boyfriend Joe Alwyn.

The superstar has used her new album The Life Of A Showgirl — out today — to document going from depression to being wooed back to life by her fiancé, Travis Kelce.

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Though in a move that is sure to get the world talking, Taylor savages a ­mystery person, believed to be singer Charli XCX, for mocking her.

Taylor and Travis started dating in the summer of 2023 before he popped the question in August this year.

On lead single The Fate Of Ophelia, Taylor sings: “And if you’d never called for me. I might have drowned in the melancholy.

Rediscovered love of life

“I swore my loyalty to me, myself and I, right before you lit my sky up.”

She adds: “You dug me out of my grave and saved my heart from the fate of Ophelia.

“And if you’d not come for me, I might have lingered in purgatory.

“No longer drowning and deceived, all because you came for me.”

The song is based on Shakespeare’s character Ophelia in Hamlet.

After being toyed with by rich and powerful men, Ophelia goes insane and kills herself by drowning.

The track acts as a bridge between the doom of Taylor’s 11th album The Tortured Poets Department and her new, rediscovered love of life, all thanks to her Kansas City Chiefs man.

On Eldest Daughter, Taylor pines for true love, admitting she feels played and betrayed by men her whole life.

She says: “I’ve been dying just from trying to seem cool. But I’m not a bad bitch.

“The last time I laughed this hard was on the trampoline in somebody’s backyard. I must have been eight or nine.

“The night I fell off and broke my arm. Pretty soon I learned cautious discretion. When your first crush crushes something kind. When I said I don’t believe in marriage, that was a lie.”

Vowing she still secretly pines for true love despite being hardened to disappointment, Taylor sings: “And I’m never gonna let you down. I’m never gonna leave you out. So many traitors. Smooth operators.

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“But I’m never gonna break that vow. I’m never gonna leave you now.”

Despite only being out today, thanks to pre-orders The Life Of A Showgirl is already the fastest selling album of the year.

Written during Taylor’s record-breaking Eras Tour last summer, the record peels back what life was like for the star away from the stage.

On song Elizabeth Taylor, she sings about dating Travis: “Sometimes it doesn’t feel so glamorous to be me.

“All the right guys promised they’d stay, under bright lights they withered away. But you bloom. Tell me for real. Do you think it’s forever?”

Despite the glitz and glamour, Taylor says she had “everything and nothing all at once” — pining for true love over material goods.

She sings: “Hey, what could you possibly get for the girl who has everything and nothing all at once?

“Babe, I would trade the Cartier for someone to trust.”

On Opalite, Taylor sings about “dancing through the lightning strikes”, a reference to her splitting with British actor Joe just weeks before embarking on the biggest tour of her career.

Storytelling best

Continuing with the theme of yearning for the simple things in life, Taylor uses Wi$h Li$t to double down on wanting love over material goods.

She pines: “I made wishes on all of the stars. Please, God bring me a best friend who I think is hot, I thought I had it right once, twice but I did not.”

She adds: “I just want you. Have a ­couple kids.”

For the title track, Taylor reverts to her storytelling best alongside fellow superstar Sabrina Carpenter.

The Life Of A Showgirl tells the brutal reality of life on the road chasing fame and fortune.

Taylor sings: “The more you play the more that you pay. You’re softer than a kitten so. You don’t know the life of a showgirl, babe

She continues: “I’m married to the hustle. And now I know the life of a showgirl, babe. And I’ll never know another. Pain hidden by the lipstick and lace.”

As a final nod to her record-breaking 24 months, the song —  and album —  fades out with live audio thanking fans as she takes her final bow on her Eras Tour.

CHARLI XCX

‘It’s sweet all the time you’ve spent on me‘

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THE most brutal track on the album is called Actually Romantic.

It appears to be a full take-down of Brit singer Charli XCX, who is friends with Taylor’s love rat ex Matty Healy.

Charli’s husband George Daniel is part of Matty’s band The 1975.

Taylor sings: “I heard you call me ‘Boring Barbie’ when the coke’s got you brave.

“High-fived my ex and then you said you’re glad he ghosted me.

“Wrote me a song saying it makes you sick to see my face. Some ­people might be offended. But it’s actually sweet, all the time you’ve spent on me.”

Charli has long been accused of glamorising drug use – even ­releasing a vinyl of her latest record Brat filled with white powder. Rather than being a flash-in-the-pan spat, the duo have a long ­history.

Charli supported Taylor on her 2018 Reputation Stadium Tour. But the Brit hated the experience.

She told Pitchfork mag in 2019: “I’m really grateful that Taylor asked me on that tour. But, as an artist, it kind of felt like I was getting up on stage and waving to five-year-olds.”

From then on things seemed to sour further – and Charli’s Brat album track Sympathy Is A Knife is believed to be about Taylor.

Charli sings: “This one girl taps my insecurities. Don’t know if it’s real or if I’m spiraling. Cause I couldn’t even be her if I tried.

“I’m opposite, I’m on the other side. I feel all these ­feelings I can’t control.”

SCOTT BORCHETTA

‘They don’t make loyalty like they used to’

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DESPITE plenty of floor fillers, Taylor’s new album is not all sweetness and light. As well as having a dig at Charli XCX, on Father Figure Taylor appears to round on Scott Borchetta.

He is the CEO of her first label Big Machine Records, who sold the rights to her first six albums in 2019.

The track features lines of George Michael’s 1987 single of the same name, as she seemingly talks about how Borchetta, right, boasted about being able to make her a star before stabbing her in the back.

“I’ll be your father figure, I drink that brown liquor. I can make a deal with the devil because my d’s bigger. This love is pure profit, just step into my office.”

She later adds: “They don’t make loyalty like they used to.”

Her reference to brown liquor is thought to be a nod to how Borchetta celebrated selling her masters to Scooter Braun over a glass of whisky.

In an open letter to fans about the sale, Taylor wrote: “These are two very rich, very powerful men.

“Then they’re standing in a wood-panel bar doing a tacky photoshoot, raising a glass of scotch to themselves.

“Because they pulled one over on me and got this done so sneakily that I didn’t even see it coming.”

Earlier this year, Taylor finally bought back her masters.

Hinting at her victory, she ends the track singing: “We drank that brown liquor. You made a deal with this devil. Turns out my d’s bigger. You want a fight, you found it.”

BIZARRE VERDICT

★★★★☆

THE Tortured Poets Department – for me the best Taylor album until now – was always going to be a hard act to follow.

But a drastic change of direction here has served the star well.

Lyrically, she continues at her best – with enough metaphors and coded literary references to keep fans speculating for ages.

Pop records are the hardest to perfect when it comes to both lyrics and melodies, but with producers Max Martin and Shellback by her side, Taylor has once again made magic.

With The Life Of A Showgirl, she proves yet again she’s the best in the business. Are there a couple of skips? Yes. But there’s also some of her best ever work.

Lead single The Fate Of Ophelia is an earworm of a track that’s perfect for both radio and dancefloors. It’s also possibly the most infectious Taylor lead single of all time.

Elizabeth Taylor, Ophalite and Cancelled! are also standouts.

Taylor’s reign atop the music industry is far from over.

LIFE is better together – and that goes for your bank balance, too.

Buddying up can mean all sorts of savings, from everyday bills to days out.

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Here’s how to get a cash boost by sharing the love . . . 

REFERRALS: If you’ve had great service from a company, why not let your pals know?

Many firms will reward you if you refer someone as a new customer.

This is true for most utility providers, as well as credit card firms.

Even just referring a mate to cashback site TopCashback will net you £20.

So next time you’re telling someone about a great offer, check if you can get something for the recommendation.

Just make sure you get sign-ups through your own unique links or codes to get the reward.

BULK BUYS: If you’re buying tickets for an event, always try to buy with friends and then split the total between you.

This means that if there are booking fees you’ll only pay one between you.

Plus, many venues offer multi-ticket savings that are worth looking for.

For example, you can pay £24.50 to visit the Minecraft Experience in London, but this reduces to £18.50 each if there are seven or more tickets bought through a group bundle.

FRIEND FOR THE ROAD: Travelling can be expensive but you can ease the pressure with others in tow.

Ride app Uber easily allows you to add extra pick-ups on the way to a destination and divide the bill with contacts who also have an account.

If you have a pal who you frequently travel with, the Two Together railcard is £35 a year but gives you a third off off-peak fares when you travel together.

Or with GroupSave, groups of three or more adults can get a third off off-peak train fares when travelling together.

For regular journeys, such as to the office, why not ask work friends if they fancy lift sharing and you can take it in turns to drive.

You’ll save on petrol and get a little added company too.

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• All prices on page correct at time of going to press. Deals and offers subject to availability. 

Deal of day 

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It’s down from £79.99 to £49.99 at Currys.

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Cheap treat 

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TERRY’S is about more than its famed chocolate orange.

This caramel ball, £1.98 from Asda, is just as tasty.

WHAT’S NEW? 

HEINZ has launched a range of bean and pulse-based pouches for an easy, nutritious lunch.

You can get them for £2 from Sainsbury’s with a Nectar card (£2.50 without).

Top swap 

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Or sniff out a bargain with Wilko’s pumpkin spice pie shower cream, below, £1.99.

SAVE: £6.51

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JOIN thousands of readers taking part in The Sun Raffle.

Every month we’re giving away £100 to 250 lucky readers – whether you’re saving up or just in need of some extra cash, The Sun could have you covered.

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The more codes you enter, the more t

I KNEW The Life Of A Showgirl was going to be a massive album.

But Taylor Swift has exceeded all expectations by scoring the fastest-selling album of the year — before it’s even been released.

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Music insiders tell me she has so many pre-orders for physical copies of her 12th album, which will finally come out tomorrow, that it is a dead cert for No1 next Friday.

And along with pre-save data from streaming services Spotify and Apple Music, it will instantly surpass Sam Fender’s record of the biggest single-week sales in 2025, which he set with 107,000 copies for February’s People Watching.

An industry source told me: “The reception from fans has been very impressive because the pre-orders for this album have been absolutely massive. She hasn’t even released a song from the album yet so it’s remarkable.

“No one can compete with her in terms of sales.”

Spotify has said The Life Of A Showgirl is the most pre-saved album in the streaming service’s history, with more than 5.5million saving it to instantly appear on their accounts tomorrow morning.

Meanwhile, Apple Music has said it is her most pre-added album ever, and she is the most “favourited” artist on the service.

In 2022, Taylor shifted 204,500 UK copies of her album Midnights in its first week.

But last year, she blew those sales out of the water when The Tortured Poets Department achieved 270,000 chart units in its first week.

That made it the biggest seven days of sales for an album in the UK for seven years, since her pal Ed Sheeran sold an eye-watering 670,000 copies of Divide in 2017.

There are other records she is breaking, too.

She has become the first solo female artist in American history to have certified album sales in the US of more than 100million, as determined by the Recording Industry Association of America.

Their figures also show her album 1989 is now her biggest-selling album, as it has gone 14-times platinum.

I don’t envy the other artists who have albums out tomorrow. I doubt they’ll get a look in.

Hailey marks another rear

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HAILEY BIEBER put on a flirty display in this yellow negligee – as she missed her wedding anniversary for Paris Fashion Week.

The model posted a string of snaps on Instagram, alongside the caption “bisou”, which means “kiss” in French.

While her husband Justin remained at home in the US, she stayed in Paris on Tuesday, six years since their South Carolina wedding.

The event on in 2019 was attended by friends and family, but they had secretly tied the knot , on September 13 2018.

Perhaps they had already celebrated this year, or maybe the pics were his anniversary gift.

Zara’s stripped off for the main pose

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ZARA LARSSON is on track to score her fourth Top 20 album tomorrow with the release of brilliant new record Midnight Sun.

But the Swedish singer has also been hard at work on clothing and lifestyle brand Main Rose, which she unveiled with this revealing snap of her in a long-sleeved pink leotard.

The Swedish singer, who started the project a year ago, wrote on Instagram: “Building Main Rose is genuinely a lust for me to creatively expand myself.

“To elevate one’s first layer, literally and figuratively, feels like a fun and natural first chapter for me to explore. Afterall, my dream outfit is really just a pair of panties.”

Amal’s looking lawsome

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AMAL CLOONEY stole her husband George’s thunder at his latest movie premiere.

She looked sensational in this designer minidress at the New York launch of comedy drama Jay Kelly.

It remains to be seen whether their twins Alexander and Ella will follow his career path, become a human rights lawyer like Amal, or do something else.

Asked if they had inherited the acting bug, he told E! News: “I don’t know, it’s so hard to tell at eight.

“They’re very funny kids, and they love to get up and sing. But you know, I hope they do exactly what they want to do in life, and that’s all you can hope for.”

On whether they know he’s a big star, George added: “They have some idea. My kid came up to me the other day and said, ‘Papa what’s “famous?” Somebody in my class said you’re famous’. I said, ‘Tell that kid I’m very famous’.”

“They saw Fantastic Mr. Fox. I won’t let them see Batman & Robin, I want them to have respect for me.”

The Becks Factor reaches £73m

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GOLDENBALLS has done it again – enjoying another year of record-breaking profits.

David Beckham’s company racked up revenue of £73.4million, as he goes from “face to founder” with more behind-the-scenes deals than ever.

The latest figures for DRJB Holdings, the umbrella company for his business ventures, show consolidated profits up 24 per cent to £35.1million.

A source said: “David is still an incredibly sought-after face for campaigns, but he has matured into an incredibly impressive and canny businessman, too.

“He really enjoys the boardroom machinations and while he looks as incredible as ever, probably won’t want to be on billboards in his pants for ever.

“Six years after setting up his own brand management operation, he is more hands-on than ever. Right now he’s at a really exciting next stage of evolution, and loves getting involved with new projects.”

This is partly thanks to successful deals with Boss menswear, and a license agreement with Safilo eyewear.

David also branched out into the wellness industry for the first time, with his IM8 supplements.

Other strategic partnerships include deals with speaker makers Bowers & Wilkins, Stella Artois beer and tech firm Shark Ninja.

Meanwhile, the former England captain’s profile has never been higher internationally following his four-part documentary from 2023.

News of his latest commercial success comes ahead of wife Victoria’s own Netflix docu-series, which comes out next week.

I can’t wait to see plenty more Becks on my box.

Stel-Hel Fashion week secret

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STELLA McCARTNEY went to extreme lengths to keep Helen Mirren’s role at Paris Fashion Week show a secret.

The designer secretly enlisted the actress to open her show with a recital of The Beatles classic Come Together.

Helen was driven around the block to give the illusion she had simply arrived to watch the event.

A source said: “It was a full-on military operation. No one knew Helen was taking part.”

Robbie reveals ‘I have Tourette’s’

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ROBBIE WILLIAMS says he has Tourette’s syndrome, but claims his tics are “intrusive” and not verbal.

The neurological condition causes sudden, repetitive and involuntary sounds or movements.

But Robbie, who was previously diagnosed with ADHD, suggested his is different.

He told the I’m ADHD! No You’re Not podcast: “I’ve just realised I have Tourette’s, but they don’t come out. They are intrusive thoughts. I was just walking down the road the other day, and I realised these intrusive thoughts are inside Tourette’s. It just doesn’t come out.

“Not only that, you would think that a stadium full of people professing their love to you would work as (a distraction), but whatever it is, inside me cannot hear it. I cannot take it in.”

Robbie also said he recently took a test to see if he is autistic.

He added: “It turns out I’m not, but I’ve got autistic traits. And it’s around social stuff, it’s about interaction.”

Dua’s in Bruise control

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DUA LIPA has had a lucky escape after accidentally injuring her shoulder while on tour in America.

The New Rules singer was spotted with a deep bruise, leading fans to fear she could have seriously hurt herself.

But I’m told while the mark does look bad, Dua hasn’t been hugely harmed.

More importantly, while she is due to undergo physio to make sure of a full recovery, it also means her US tour can carry on without a hitch.

A source said: “The injury happened while Dua was enjoying some down time from her show.

“It’s been painful but after being checked over by a radiologist, she’s been given the all clear.

“The tour will still be going ahead as planned. It’s just one of those things.”

While it’s no secret Dua loves a holiday and has previously joked about her life being one big vacation, she is also one of the hardest working women in music.

I just hope she is looking after herself too.

It’s a Slim volume

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FATBOY SLIM is releasing his first book, with the brilliant title It Ain’t Over . . .  ’Til the Fatboy Sings.

It documents his 40 years in showbiz through photos, flyers and stories and is out on October 16.

But fans can also see him at the Theatre Royal in Brighton on October 14 for a Q&A about it.

The DJ, whose real name is Norman Cook, said: “This year I’ll have been in showbiz for 40 years, and to celebrate that we thought we’d create a big book full of stuff which I’ve kept over the years. I’m really excited to appear in one of my favourite venues for something a little different this time.

“It’ll be nice to get up close and personal with the audience in a beautiful setting and to share some of my stories.”

BARACK Obama will be visiting London and Dublin for an evening of political discussion on current global challenges.

Here’s everything you need to know about the event dates and how you might still be able to get your hands on the tickets.

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When is An Evening with Barack Obama in UK and Ireland?

The former US leader will be hosting a speaking in the UK and Ireland in September 2025.

The 44th president will engage in a conversation with the audience at The O2 Arena, London on September 24, 2025.

The doors will open at 6pm and the event will commence at 8pm.

Obama will then travel to Dublin and hold the show on September 26, 2025 at the 3Arena.

An Evening with Barack Obama in Dublin will be moderated by Irish journalist Fintan O’Toole.

How can I still get tickets?

You can still snap up last minute tickets to An Evening with Barack Obama.

For London show, the main ticket platforms are Ticketmaster, Seat Unique, Stub Hub, and Vivid Seats.

Tickets may also be available at the O2 Box Office.

If you’re looking to nab the tickets for Dublin, then check out Ticketmaster or Seat Unique.

There is a limit of six tickets per person or per household, and any excess tickets will be cancelled.

A POPULAR rock star has pulled out of his band’s 25th anniversary tour – after his wife’s death.

Greg Tribbett, 56, is the lead guitarist and a founding member of Mudvayne.

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Writing on social media, Greg’s bandmates confirmed his absence from their 25th anniversary tour following his wife Debbie’s passing.

They penned on social media: “Tour starts today!

“We are going to miss our brother Greg on this tour, sending him and his family all the love.

“- Chad, Matt, Ryan, & Mudvayne crew.”

Mudvayne’s tour began on September 11 and will continue until October 26.

According to a GoFundMe campaign, Debbie had been diagnosed with Angiosarcoma, a rare form of cancer.

Meanwhile, a fan page wrote on social media earlier this week: “With the heaviest of hearts we mourn the loss of our dearest most beautiful friend Debbie Tribbett.

“Anyone who has been here from the start of the Mob family knows she was a huge integral part of this page and the family she did take a step back once she needed to but was still watching and sharing as she always did.

“She was fiercely supportive of MUDVAYNE and her loving husband Greg always so proud!

“I thank her for bringing her love and light to so many of us who were lucky enough to connect with her.

“We miss you beautiful sweet friend more than words can say god bless you and may your family be blessed with strength.”

One person commented: “Ah man this is so sad to hear. Praying for Greg and the children. This is tough.”

Another added: “I heard the news yesterday and cried my eyes out. Makes my heart hurt for her babies.”

Mudvayne formed in 1996 with Greg, vocalist Chad Gray, drummer Matthew McDonough and bassist Shawn Barclay.

Ryan Martinie joined the group a year later, to replace Barclay as bassist.

Mudvayne went on hiatus in 2010 before returning to the stage in 2021.

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THEY say that a cat has nine lives – and this particular one has used up several of his.

For the life of Cat Stevens, the singer-songwriter who became Yusuf after converting to Islam, has been shaped by his brushes with death.

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The first of them happened in his early teens when the teeming streets — and inviting rooftops — of London’s West End were his playground.

One night, while out gallivanting with his best friend Andy, he found himself clinging by his fingertips to a ledge, several storeys up, near Prince’s Theatre on Shaftesbury Avenue.

Fall and his short life would be over but, as “the dark abyss” beckoned, Andy stretched out, grabbed his arm and pulled him to safety in the nick of time.

“It was the moment I first faced up to mortality,” Yusuf tells me, casting his mind back to the early Sixties.

“I already considered myself as a thinker by then and, as such, you can’t help thinking that one day you won’t be here.

“Whether it’s through an accident or illness or by dying in your sleep, it’s all one thing. You leave this world.

“That to me was a problem. I just had to understand more about it.”

So began a spiritual quest that Yusuf has carried with him to this day.
Two more narrow escapes followed.

In 1969, he contracted a life-threatening bout of TB which required months of recuperation.

With time to ponder his existence, he underwent a rapid transformation from Carnaby Street-styled pop star to tousle-haired, guitar-toting troubadour.

His thoughtful but hook-laden songs began flowing freely — Father And Son, Wild World, Moonshadow and Peace Train among them — and they made him a global superstar and bedsit pin-up.

Then, in 1976, he nearly drowned while swimming    off the coast of Malibu, California.

As his life ebbed away, he looked up to the sky and prayed, “Oh God, if You save me, I’ll work for You!”

At that moment, a wave rose up and nudged him towards dry land. He sensed that, “God was right there”.

Not long afterwards, his brother David Gordon bought him a copy of the Qur’an for his birthday.

It had a dramatic effect, prompting Cat Stevens to embrace Islam, change his name to Yusuf (a variation on Joseph) and begin a lengthy retreat from music.

He says: “I was like, ‘This is actually it’.

“Everything I’d been writing in my songs was converging into this one new message. It overtook everything.”

And yet, as we know, there was a second coming.

For the past two decades, Yusuf has rekindled his passion for songcraft — releasing acclaimed albums and keeping his timeless Cat Stevens songs alive with gigs around the world, including the Glastonbury “legends” slot.

‘BLANK CANVAS’

Now he has documented his singular journey in a heartfelt, detailed, illuminating, funny, sad, often profound memoir, Cat: On The Road To Findout.

There’s also a hits album celebrating his various eras, and last weekend he embarked on a book tour of the UK and US, described as “an evening of tales, tunes and other mysteries”.

That means I’ve been given another chance to speak to Yusuf via video call.

With his neat grey/white hair and beard framing still handsome features, the 77-year-old greets me warmly before diving into subjects closest to his heart.

After our chat ends, I realise we’ve covered his faith, his family, his music, the impact of those near-death experiences — all the things which have moulded Yusuf/Cat Stevens.

If I had to pick his defining song, I know which one I’d go for and I think the man himself might agree.

It’s the fourth track on side two (I’m going vinyl here) of his classic 1970 album Tea For The Tillerman.

Called, as you might have guessed, On The Road To Find Out, it serves as his mission statement — an early acknowledgement of his spiritual journey.

Recalling its creation, Yusuf says: “I had scraped my way through a lot of life’s difficulties and challenges but they were the things which built me and prepared me.

“So I was already feeling like a receptacle for some kind of inspiration to be my guide.”

I watch as he recites the opening lines of the song he’s sung so many times, “Well I left my happy home to see what I could find out/I left my folk and friends with the aim to clear my mind out.”

He maintains that when he wrote On The Road To Find Out, not being tied to one religion proved “very, very useful”.

“I wanted a blank canvas,” he says. “I didn’t want to be influenced by my background or wherever I was situated in society.”

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Yusuf draws my attention to the end of the song and adds: “It’s incredible really. It says, ‘Pick up a good book’.

“I was absolutely determined to write ‘a’ good book, not ‘the’ good book. I didn’t want people to think it had to be The Bible.”

His thoughts turn towards his childhood, his first encounters with spirituality and the parents he writes so affectionately about in his memoir.

His “handsome, bold” Cypriot cafe owner father Stavros was Greek Orthodox and his “beautiful azure blue-eyed” Swedish mother Ingrid was a Baptist.

They sent their youngest of three children, Steven Demetre Georgiou, as he was known then, to St Joseph’s Roman Catholic elementary school and he also attended Mass.

Though this was the first time he came “close to God”, he still felt like an “outsider” as a non-Catholic.

“Sometimes, the church itself can be a barrier between you and your creator,” muses Yusuf.

“When Jesus was asked how to pray, he didn’t say go to church. He said, ‘Pray direct to God’.

Mum taught me how to love and dad taught me how to work

Yusuf/Cat Stevens

“I was fortunate not to be tied to a strict religion.

“That gave me flexibility — I achieved my observer status as far as spirituality was concerned.”

As a child, Yusuf was given a lively introduction to the world.

“Growing up in the West End had a big impact on me,” he says.

“It felt like the whole world was crammed into this little area of London where everything happened.

“You didn’t necessarily learn how to climb trees, but you did learn how to climb roofs,” he adds with a rueful smile about the time he nearly fell.

Next, I ask him to share memories of his parents.

“Mum taught me how to love and dad taught me how to work,” he replies.

Yusuf says that his mother Ingrid “had a massive impact on me”.

“Swedes have a characteristic which is beautiful in a way. It is called ‘lagom’ which means equality — you don’t need everything, you just need enough.

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“From that, you can develop your attitude towards charity and all sorts of things.”

He continues: “Mind you, Dad was also charitable. He used to give cups of tea to tramps.

“It was part of the culture of the family to appreciate having food on the table.”

Yusuf describes how his father Stavros “first went from Cyprus to settle in Egypt”.

“Then he went to America and, from there, he passed back through Greece to the UK — you know, to the Empire, because Cyprus was connected to Britain at that time.

“He gave me the traveller’s bug and also a work ethic. I certainly know how to wash dishes!”

Yusuf credits his parents to a certain extent for his love of music and performing.

He remembers writing a “sweet Swedish lullaby” with his “naturally musical” mother while they sat at the piano.

The final couplet translates as, “Come will you take my hand and lead me away/The way to my heart is so short.”

In the book, Yusuf describes Ingrid’s strength of character when she discovered her husband was having an affair with a waitress, leading to their separation.

She whisked her children to her hometown of Gavle for five months, where young Steven was the only “dark-eyed, black-haired lad in town”.

‘SO FORTUNATE’

Yusuf says his “extrovert” father probably gave him the characteristics to command a stage.

“He was extremely sociable to customers and an expert at Greek dancing with glasses of water balanced on his head.”

One of the most moving passages in the book arrives when Yusuf gets to 1978 and his dad has only days to live.

Stavros had called him “Stevie” from the day he was born but, as he lay on his deathbed, he whispered, “Where’s Yusuf?”

It was an act of acceptance for Yusuf’s Muslim faith for which he is eternally thankful.

He says: “You called your son one name all your life, and that’s the one you chose for him.

“Then, at the end, you accept his path and his identity. You don’t detach from it, you embrace it.

“My God, I was so fortunate. I was so lucky to have a dad like that.”

Now it’s time to turn our attention to music… after all, it’s what made Yusuf/Cat Stevens famous.

In the autobiography, he recalls buying his first single, Baby Face by Little Richard, how much he loved Buddy Holly and how later on he was blown away by John Lennon’s mighty holler on The Beatles’ cover of Twist And Shout.

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He tells me with a laugh: “You can just imagine the Queen at the Royal Variety Show watching The Beatles and wanting to pull off her pearls and diamonds and dance in the aisles.

“But I’m afraid she couldn’t.”

So what compelled him, already a gifted visual artist, to venture into the music business and adopt the “hip” stage name Cat Stevens?

“I felt I had something to offer,” he replies. “I felt that people should get it.

“It wasn’t just a career choice or business decision. It was more than that — it felt like a calling.

“I responded to it and it responded to me. My songs, everything, came so easily.

“I wrote The First Cut Is The Deepest when I was 17 [in 1965].

“My brother David also had a big hand in it because he was the business head of the family.

“He was instrumental in getting me contacts.”

After a run of hits including I Love My Dog, Matthew & Son and I’m Gonna Get Me A Gun, Cat Stevens went through his dramatic change of tack, prompted by him contracting TB.

“It was an opportunity to take another stab at life — from a new, inspired position,” says Yusuf.

As human beings, our way forward is to understand that we’re all the same in our dreams, our visions and our hopes

Yusuf/Cat Stevens

“By that time, I’d read a very interesting book dealing with metaphysical issues of the spirit, the soul, the beyond, the divine. It put me on another plateau.”

One of the songs written by the “new” Cat Stevens was Where Do The Children Play?, as relevant today as ever.

He says: “There’s a very poignant line pointing to what we are facing today, which is assisted dying.

“I say, ‘Will you tell us when to live/Will you tell us when to die?’.

“I mean, God Almighty, you’ve got a chance to live. You don’t want to lose that.

“When you look at the way the corporate world is moving, it really is designing life for the people of this planet.

“And it may not be the best life because we’re detached from nature so much of the time.

“Where Do The Children Play? is a song about nature and children are perfect examples of human nature.”

Before we go our separate ways, I ask Yusuf about the long hiatus from music after his conversion to Islam.

It was a time when he was dragged into various controversies.

One headline, which he repeats in the book, even read, “Cat Stevens Joins The Evil Ayatollah”.

“It’s just prejudice,” says Yusuf. “And that is something we have to be very careful about.

“As human beings, our way forward is to understand that we’re all the same in our dreams, our visions and our hopes.”

This comment reminds him of “what we’re seeing right now in Palestine”.

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“These are people, these are families,” he says. “They’re not from an alien planet.

“That’s why it’s good to see the response from ordinary grandparents and ordinary kids, responding to the devastation people are facing.

“You may argue about the term genocide, but you can’t argue about the term infanticide.”

Returning to his break from music, he says: “I have no regrets at all. I chose the name Cat Stevens and was content with that.

“That was my success but it was not the success I was yearning for overall in my life.

“The biggest thing for me was finding my identity — and that’s twice as difficult when you have a show name.”

It was Yusuf’s son Yoriyos, one of his five children with wife Fauzia (a sixth died in infancy), who encouraged him to make his comeback.

“He got what I was about and he said, ‘This cannot be buried’.

“It wasn’t a case of reinventing, more of reviving the spirit. He saw it as a pure, good thing — and it inspired me.”

Finally, I ask Yusuf if he’s still on the road to find out.

He answers: “There’s a saying in the Qur’an — ‘If all the seas were ink and all the trees were pens, you would never exhaust the words and the knowledge of God’.

“So, yeah, no fear about drying up here.”

LADY GAGA dominated the MTV VMAs – winning four gongs out of 12 nominations and performing her new single The Dead Dance on stage for the first time.

She is now the third most awarded artist in the ceremony’s history with 22 gongs — one more than Madonna.

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Gaga is now just behind Beyonce and Taylor Swift who are tied on 30 awards each.

Despite putting on the best performance of the night, Bizarre can reveal the superstar wasn’t actually inside the UBS Arena in Elmont, New York, when she appeared on stage.

In fact Gaga secretly recorded her performance across town at Madison Square Garden, where she was performing on her Mayhem Ball tour, and shot it four times to make sure they had the perfect take.

Gaga pushed back her performance there by 90 minutes in order to walk the red carpet at the VMAs before racing back across town to get on stage.

A source said: “Gaga was adamant she wanted to be involved in the VMAs but obviously cancelling her show at MSG was never an option.

She and her team worked with MTV for weeks in order to get in two places at once.

“As soon as she won Artist of the Year she raced backstage for pictures and then drove to MSG. It was full on but if anyone could pull it off it’s Gaga.

“During her show she performed with some of her Moonmen — she’s so proud to be still winging awards.

“It was a really special moment, especially as her mum and dad were in the crowd.”

As she picked up the Artist of the Year gong, Gaga gave a shout-out to her fiance Michael Polansky and said: “To my partner in all things, Michael.

“Creating this year with you was a beautiful, beautiful dream, and you have been my partner every step of the way.

“I dedicate this to you too, my love. I wish I could stay and watch all these amazing performances, but I have to go back to Madison Square Garden.”

Feeling reflective the superstar went on to admit she wants to be performing until 2045 and feels like New York has shaped her into the artist she is today.

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Gaga said: “I hope in 20 years when I have written lots more albums that I will still be back here. I can’t tell you how fortunate I feel that this is where I grew up because it made me so much of who I am.

“I think about what [my music] would have sounded like if I hadn’t grown up here.

“I feel like when you are from New York it kind of grows roots in your veins. You have this understanding of life and community, it’s very strong. It’s a feeling. I can’t quite describe it as it’s a feeling.”

Now Gaga is on a roll, the wheels are in motion for her to come to the UK for four headline shows at London’s O2 Arena.

The gigs, along with two more in Manchester’s Co-op Live arena, sold out in seconds.

And if her performance in New York was anything to go by, us British fans are in for a treat.

IT’S RAINING MEN FOR SABRINA

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SABRINA CARPENTER wowed fans with a seriously sexy and rain-soaked  rendition of her new single Tears.

And there was something for everyone, as she was surrounded by a troupe of very attractive male dancers dressed as policemen as well as drag queens.

During the evening, Sabrina won three MTV VMAs and used her performance to call for the advancement of trans rights.

Speaking on stage, the Manchild singer said: “This world, as we all know, can be so full of criticism and discrimination and negativity.

“So to get to be part of something that can make you smile, make you dance, and make you feel like the world is your f***ing oyster, I’m so grateful to do that.”

NIGHT’S YUNG FOR AEROSMITH

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HOMEGROWN star Yungblud led a special tribute to the late Ozzy Osbourne after his death in July.

The punk rocker was joined by Aerosmith legends Steven Tyler and Joe Perry for a medley of the Black Sabbath singer’s hit singles Crazy Train, Changes and Mama, I’m Coming Home.

Speaking on the carpet, Yungblud  revealed he was wearing Ozzy’s cross necklace (which Ozzy had given him, inset above) as a mark of respect.

He added: “It’s a big moment to honour someone you love.

“I’m wearing his cross tonight. I love him and always have. I hope he’s up there with a drink watching tonight.”

Teasing his future plans, Yungblud, whose real name is Dominic Harrison, added: “There is a new project coming in two weeks… I’ve not said that yet.”

As the cameras cut away from the singer, to Steven Tyler’s impressive guitar solo, Bizarre watched as Yungblud turned his back on the audience and sipped an alcoholic drink, looking up to the emotional montage of the late rock legend.

Over the past few years Yungblud had grown close to Ozzy and his family. He was one of the star acts at Black Sabbath’s homecoming gig in Birmingham earlier this summer.

Yungblud revealed to Bizarre that he learned of Ozzy’s passing via a text from the heavy metal legend’s son Jack Osbourne. The singer said: “You get to know someone personally, who you love and then they leave.

“I was texting him, then his son Jack texted me and said, ‘He’s gone’.

“Being around the family and being at the funeral, the amount of love there. That family are real as f***.

“The dream is to have kids and a family like that. There’s no gimmicks. It’s authentic.”

TATE’S IN TRAINING TO WED

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TATE McRAE appeared to be using the VMAs as a dry run for her own wedding.

The singer wore a sheer white dress with a statement train that was so long she needed two members of staff to carry it like bridesmaids.

Tate is thought to be single at the moment, but after watching her red-hot performance of Revolving Door and Sports Car in this two-piece we imagine she won’t be short of offers.

ARI: MIC’S TUTU TALL

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ARIANA GRANDE may be small but she took home some of the biggest gongs of the night.

She picked up the award for Best Pop and Video of the Year for her Brighter Days Ahead.

Despite not being a performer, Ari was given her own dressing room backstage to cater for her three wardrobe changes.

The superstar arrived in a fitted polka dot number and ended things in a white ballerina tutu.

During her time on stage, Ari seemed overcome with emotion at her wins, before joking that the height of the mic got taller each time she took to the stage.

MARIAH’S MEDLEY

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MARIAH CAREY returned to the VMAs stage for the first time in two decades to pick up the Video Vanguard Award and to perform a medley of her hits.

And, naturally, the notorious diva made sure the luxuries were laid on before she even stepped foot in the Big Apple.

Insiders said Mariah flew in via private jet, which had been decked out with white roses and cashmere blankets.

After laying low for a couple days at her sprawling £16million penthouse in Tribeca, Mariah and her glam squad then spent most of Sunday getting her red carpet-ready.

MTV bosses were on alert for the infamous diva to be hard work, but I’m told everything went smoothly . . . even if she did keep a wide berth from almost every other star.

Mimi opted to swerve both the red carpet and on stage VIP seats, instead zipping in and out via the backdoor.

She was handed her gong by Ariana Grande. Mariah told Ari: “I love you. I’m so grateful for you and I’m beyond proud of everything you’ve achieved, girl.”

It marked the first time the We Belong Together singer has ever won a coveted Moonman.

RICKY WINS LATIN ICON

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RICKY MARTIN proved he’s still got it with a hip-thrusting medley of his biggest hits.

The Latin pop king belted out Livin’ La Vida Loca, Shake Your Bon Bon, Maria, The Cup Of Life along with two Spanish tracks.

Ricky, who also picked up the first ever Latin Icon award, was hoisted high above the crowd to kick off his medley before an outfit change mid performance.

A beaming Ricky told fans: “I’m addicted to your applause that’s why I keep coming back.”

Later this year he will tour Australia with support from Rita Ora. It’s been a long time since he played the UK so hopefully dates over here are not far off.

ON July 22, 2025, R&S Records came home.

The pioneering Belgian label, founded in Ghent in 1984, staged a free party at the week-long street festival, Gentse Feesten, transforming the city’s historic centre into a vast, open-air dancefloor.

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With thousands gathering to hear Nastia, Charles Webster (live), LTJ Bukem, and founder Renaat Vandepapeliere himself, the night felt like both a celebration of R&S’s stories past and a bold statement of intent for its future.

Renaat’s set was as fearless as his impeccable, genre defying label with a diverse selection of electronica challenging and delighting the crowd.

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For Vandepapeliere, the night was a leap into the unknown. “Honestly, I almost backed out myself,” he admitted. “I’ve never played for 6,000 people and I was nervous. I even called around to find someone to replace me, but a few friends convinced me to just go for it.

“The main goal was to take a risk and hopefully entertain some new people. Many had never heard us or the music before.”

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Risk-taking has always been central to R&S. From the early days of releasing Joey Beltram’s Energy Flash, Model 500 and Aphex Twin, to shaping the careers of CJ Bolland, James Blake and many more, the label has built its reputation on fearless choices.

“We had no idea, we weren’t trying to be anything other than sharing music we liked and believed in,” Vandepapeliere reflected. “Let’s be honest, good music is good music. There is, as I always say, the right time and the right place to play whatever it is.”

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That philosophy was evident in the Ghent lineup, which spanned genres and generations.

“It’s an opportunity to bring other people into the genre that aren’t necessarily into those sounds,” Vandepapeliere explained. “It has raw authenticity and a depth behind it. I could make a billion lineups like that, there’s so much talent and exciting music to share.”

His own set was guided by instinct and emotion. “It was intuitive, with many influences,” he said. “Today, if a set is different, it could be bad, so my honest opinion is to ask the crowd.”

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The reaction was telling. He added: “You didn’t see any phones going up and all that. It was random people wondering what the hell was going on, of all ages, which I also find very interesting.”

For Vandepapeliere, who has spent much of his career behind the scenes, the experience rekindled something powerful. “Let’s say it’s actually set a new spark,” he admitted. “I now want to play more.”

Looking ahead, he is keen to build on the success of the Gentse Feesten. He said: “I would love to do more events. I don’t know if it’s possible, but yes, I’d really love to. Keeping it different, keeping it fresh, I think that would be really cool.”

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But through all the years and transformations of dance music, Vandepapeliere insists the spirit of R&S hasn’t changed.

“We always wanted to be an eclectic label,” he said. “Not really be pushed into a certain corner and have a freedom of expression.

“It’s definitely not about formula. I wanted to be free. That’s all. You have to love what you’re doing and work for it. Nothing comes that easy. It is work, with a lot of failures and a lot of frustration. But hey, that’s the price you have to pay for freedom.”

A SUSPECTED murder victim found in a pool of blood at the infamous Burning Man festival has been identified as a 37-year-old Russian.

Vadim Kruglov was discovered on Saturday night inside the festival grounds in Nevada’s Black Rock Desert.

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On Wednesday, organisers confirmed his identity and said they were working with the Pershing County sheriff’s office, which is leading the investigation.

In a statement, Burning Man said: “Our hearts go out to Vadim’s family and friends, and we grieve the loss of a community member.

“Burning Man Project is doing everything we can to assist the sheriff’s investigation so the perpetrator can be caught and brought to justice.”

The festival added that it was donating to a programme allowing witnesses to share information anonymously and urged anyone with knowledge to come forward.

Friends said Kruglov had been missing for four days before his body was found.

His pal Sofiia Shcherbakova wrote on Instagram: “His tent and belongings were left at camp, but he never returned.”

She later confirmed his death, calling him a “true hero of Burning Man”.

“He poured his soul into our community: building the camp, creating an art installation, always ready to help others, and being kind and responsive to everyone,” she wrote.

“His energy and contribution will forever remain part of the Burn’s history.”

In a follow-up post, Shcherbakova said she was raising funds to bring his body back to his hometown of Omsk, Siberia.

“Now we want to honour his memory and support his family,” she said.

“We are raising funds to bring him home to Omsk, so that his parents can say their last goodbye and lay him to rest with his loved ones.”

As of Thursday, the GoFundMe had collected $4,063 of its $15,000 goal.

The sheriff’s office has condemned the killing, calling for information that could lead to the arrest of “any person who would commit such a heinous crime against another human being”.

They have so far declined to release further details about how Kruglov died.

Burning Man — famous for its giant effigies, art installations and eccentric camps — attracts tens of thousands of revellers every year, including tech billionaires and celebrities.

About 70,000 people from 102 countries attended this year’s gathering.

The festival was already rocked last week by intense dust storms that left some attendees injured.

It also saw the shock birth of a baby in an RV after a woman who did not know she was pregnant went into labour on site.

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DESPITE years as one of the most famous party boys in London and New York, don’t expect to see Mark Ronson hitting it hard for his 50th.

The Uptown Funk hitmaker is celebrating the landmark birthday today but is opting for a low-key family occasion instead of a blow-out bash.

Mark, who is gearing up to release his book Night People on September 16, explained: “I feel like because my whole life has been a party, not necessarily a party for me, but DJing a party for others and being in the party and all that s***, I have no desire to.

“Everybody’s like, ‘You’ve gotta do something big!’

“And my 40th, I kind of went all out.

“I had this big party with 60 friends or maybe more in the countryside.

“We all got on a tour bus and I DJ’d at Festival No6 in Wales.

“And then it was just three days of partying.”

But things are different for Mark these days, after he settled down and became a dad to two daughters.

He added: “Now I have absolutely no desire to do that.

“I just want to be with my family.”

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SHAKIRA’S MEX ON THE BEACH

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SHAKIRA shore looks good as she poses on a beach to launch her new haircare brand Isima.

She shared the bikini pic from Mexico, where she is on her mammoth Las Mujeres Ya No Lloran world tour.

Shakira will play out the remainder of her gigs in South America before finally finishing in Argentina on December 9.

HAILEY LEGS IT TO NEW YORK

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HAILEY BIEBER looked like she was fresh from shooting hoops as she headed out in New York.

The supermodel wore mesh basketball shorts with heels and an oversized leather jacket.

Hailey has just signed a fresh deal with fashion house DKNY to be the face of its new autumn campaign alongside Candice Swanepoel.

She said: “DKNY channels everything I love about New York: It’s energized, unique and full of inspiration.

“There is a balance of structure and ease that makes everything so wearable.

“I gravitate towards elevated classics that I can throw on but still feel intentional.”

I gravitate towards anything in the washing pile that looks clean and not too creased.

ILL CELINE SCRAPPED EURO GIG

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CELINE DION was forced to cancel her appearance during the final of this year’s Eurovision Song Contest in Switzerland after struggling with her health.

The My Heart Will Go On singer had kept the surprise appearance under wraps.

But it ended up being one of music’s worst-kept secrets, with Eurovision presenter Graham Norton referencing a possible appearance live on air.

Celine, who has stiff person syndrome, had been due to perform Ne Partez Pas Sans Moi, the song she won the competition with for Switzerland in 1988.

French newspaper Le Parisien has now claimed Celine was in Basel for the event but suffered a medical episode and was forced to cancel her performance.

The revelation comes after her Prime Video documentary last year, in which she talked about living with stiff person syndrome, which is a neurological disorder that causes muscle stiffness and cramps.

She was diagnosed with the rare disease in 2022 and has shared her experience to raise awareness.

Celine said: “I barely could walk at one point and I was missing very much living.

“My kids started to notice.

“I was like, ‘OK, they already lost a parent. I don’t want them to be scared’.

“I let them know, ‘You lost your dad, but Mum has a condition and it’s different. I’m not going to die. It’s something that I’m going to learn to live with.’”

Celine, you are a warrior.

GAGA’S ALL DOLLED UP IN VID

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LADY GAGA transforms into a broken doll for her new video The Dead Dance.

She wears a tattered dress while strutting through a rain forest littered with creepy broken dolls.

Gaga debuted the video last night, with more than 74,000 fans tuning into the YouTube reveal.

The song is in the new series of Netflix’s Addams Family spin-off, Wednesday.

She also updated streaming platforms last night to add two tracks to her album Mayhem – Kill For Love and Can’t Stop The High.

AN American rock band has canceled their remaining tour dates, with the frontman making a confession about the ‘hardest decision’ he had to make.

Earlier this month, The Dangerous Summer, which was formed in 2006, revealed their summer tour would expand into the fall – but this is not the case anymore.

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Fans are gutted after learning that the band has unexpectedly canceled all of their remaining tour dates for the year.

Their frontman AJ Perdomo penned a touching statement about needing to step away from music for a while.

He penned, “There is no easy way to say this, but I am burning out from being on the road so often.

“It is the hardest decision in the world to make, but I have decided to cancel the remaining tour dates for the rest of the year.”

He added, “I need to go home and be a father, a fiancé, and a creative. I need to work on my life at home for a moment.

“I have the dreamer’s disease. Next year will be 20 years since this band has started.

“It has become such a large part of my existence, and how I value myself as an individual. I have been overworking to fill a hole in my heart that no amount of shows or success will be able to fill.”

Opening up further, AJ continued, “When I am standing up on stage singing a song like ‘What’s an hour really worth?’ I start to think about the life that is passing me by while I am away from home.

“It broke my heart to tell my band, my manager, and my team of agents—but they have been extremely supportive of my decision to take some time away from touring.”

Reassuring the band’s fans, AJ urged that this was not the end.

“This isn’t the end, and in fact, making new music is one of the driving factors in this decision,” he explained.

“Creating music is where my heart truly lies, and I need to get back to it.

“Please continue supporting live music, and the bands/venues that we had intended on hitting this fall/winter.

“Music and art need your support more than ever.”

Fans were quick to react to the sad news of the tour being canceled, but were understanding of AJ’s reasoning for doing so.

One fan replied to his post on X saying, “’ll speak for every fan and say take all the time you need! Cherish those moments with your fam and we’ll see you again later.”

A second added, “That sucks but totally understand AJ. Do what you need to do and see ya back on stage at some point.”

While a third wrote, “Much love and respect, AJ. Enjoy the time with your family.”

The Dangerous Summer had a “messy breakup” before reuniting.

They were initially together from 2006 until 2014 when they disbanded.

They then reunited in 2017.

When the band was not together, AJ had settled into a more lowkey lifestyle.

He had gotten into the groove of raising his daughter with his wife in L.A, as per a report three years ago.

“I loved the life I created,” AJ told Metro Times in 2022, adding, “I kind of loved having a nine-to-five. You know, the grass is greener.”

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POP royalty Anastacia has revealed she’s returning to the UK and Ireland for a huge new tour.

The singer, 56, will play nine dates in September 2026 as part of her #NTK tour next year, with European dates to be announced soon.

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This marks Anastacia’s return to London’s OVO Wembley Arena after last performing at the venue 22 years ago.

The upcoming tour will see the performer descend upon Belfast, Dublin, Glasgow, Manchester and Wolverhampton.

She will conclude her tour dates with three shows in Cardiff, London and finally Brighton.

Fans will be pleased to know that tickets will go on sale at 10am on Friday, 5 September via anastacia.com/live.

The American-native, who appeared on The Masked Singer announced the exciting news today on her Instagram as she posted the official tour poster.

She penned: “We’re coming back in 2026 with the #NTK Tour starting in the UK and Ireland. Europe dates to come soon.”

Loyal fans flocked to the comments section to share their excitement as one enthused: “Wembley Arena is where I saw Anastacia for the first time in 2005.”

Another fan commented: “I’m so happy that you are coming to Cardiff next year, my hometown and of course I’ll have to go to Wembley, the place I saw you live for the very first time.”

Someone else said: “Yes!!!! The tour that keeps on giving. The best celebration for an album ever,” and a fourth added: “Time to buy my first flight for the UK.”

Speaking about the upcoming shows, Anastacia, who revealed why she not to have children, said: “This tour is such a special moment for me.

“Returning to Wembley after so many years feels like coming full circle—and I can’t wait to celebrate these songs with the fans who’ve been on this journey with me since the very beginning.”

The Strictly Come Dancing star appeared on This Morning today and spoke to Rylan Clark and Josie Gibson about her 2026 tour.

She expressed: “Three weeks from now I will have done 70 shows this tour this year. I’m super grateful for it because it’s the 25th anniversary and you know it just seemed like people were really up for celebration and every crowd, every country was super excited about being there.

“When I got to the number 25, I actually was like, wow, yeah, that’s kind of cool. I do feel there is a place, they’re still playing my music, they actually like my music still. I feel good about it.”

The tour comes as Anastacia celebrates 25 years since the release of her chart-topping debut album, Not That Kind.

She played an incredible 64 shows across the UK and Europe earlier this year as part of her sold-out, Not That Kind tour.

In September, she will head to Australia for four shows and to commemorate the milestone in her career, she has released a special anniversary edition of her debut album.

Anastacia began her career back in 1993 and has gained commercial success with huge hits over the years including I’m Outta Love, Paid My Dues and Left Outside.

 After releasing her first album in 2000, the icon has gone on to release seven further albums, with seven worldwide tours.

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BAD Bunny fans were left gobsmacked after spotting an A-List movie star at the singer’s latest gig.

Fellow concert-goers at the vocalist’s home-town gig in Puerto Rico did a double take after the Mad Men alum was seen in the crowd.

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Golden Globe award winner Jon Hamm donned a white and blue patterned shirt paired with a white bucket hat and trainers for the lengthy show at the Jose Miguel Agrelot Coliseum in San Juan.

Part of his No Me Quiero Ir de Aquí residency, Bad Bunny‘s VIP guest was seen boogying with a glass of drink in hand.

The Baby Driver actor, 54, then busted out a series of energetic dance moves, throwing his right arm in the air, as he embraced the tunes.

His appearance was captured on TikTok where one user confessed: “Seeing Jon Hamm vibing out at the Bad Bunny concert in Puerto Rico was not on my 2025 bingo card.”

They added: “A whole vibe” before hailing him “an icon.”

Another TikTok user confessed: “I can’t stop watching this video.”

One put: “He’s living his best life” as a fan added: “This man is everything I expected him to be.”

A fan then surmised: “Just another reason to love him.”

SUPER FAN

Jon has previously gushed over the Monaco hitmaker and his talents – and spoken publicly about his plans to head to the gigs.

The Morning Show star told Today ahead of the August show: “We’re hoping to go to Puerto Rico.

“I’m excited because he’s doing this residency where he’s doing a month and a half of shows in Puerto Rico.

“First of all, I think it’s really cool that he’s going back to his home, to really give back to the fans.

“He’s reserving the first four, five or 10 shows, or whatever it is, for only residents of Puerto Rico, which is so cool.”

Meanwhile, on a previous Saturday Night Live episode, he added of the chart star: “He’s a really nice guy.

“And he’s funny. And he’s fun and his music is awesome.

“You can’t listen to his music and not smile. I just love his story.

“He’s a really nice guy. He’s funny.”

He then told how the music icon had given him the nickame Jon Jamón which is the Spanish translation of his name.

Meanwhile, Jon isn’t Bad Bunny’s sole famous fan.

Recently, he sparked a bromance with LeBron James as they headed to a party after another of his home town gigs.

At the time, a source told the US Sun of Bad Bunny’s aims for the shows and said: “It’s an elaborate thing where he is making the tickets available at a low price, you have to prove you’re a fan and a Puerto Rican resident, like people have to get the tickets at the supermarket he worked at when he was a kid.”

They added: “LeBron was at the concert, there were a bunch of videos of them together, but before that, they had hung out and played golf together all day.”

The insider added that the NBA star is still a newbie at golfing and has been enjoying the sport lately. 

They added: “After all that they partied their a**es off at the St Regis property nearby with a lot of beautiful women.”

“They have this fun new bromance energy going on.”

BUNNY CAREER

Bad Bunny has collaborated with artists including J Balvin, Ozuna, Farruko, El Alfa, Arcángel, and Daddy Yankee.

He’s also made guest appearances on songs by Drake, Dua Lipa, Cardi B, Jennifer Lopez, Marc Anthony, and Will Smith.

He rose to fame almost immediately after he released “Soy Peor” (“I’m Worse”) in 2016.

While speaking to Rolling Stone, the musician described himself as being a wallflower, though he developed a reputation at school for coming up with creative raps.

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