Festivals and Music Tours

A CLASSIC British rock band’s touring plans have been put on hold until one member gets a bill of clean health.

The band YES was due to embark on an 11-date European tour this month, launching in Glasgow on April 22nd – but the group’s guitarist Steve Howe has to undergo essential surgery, forcing the band to announce a change in plans.

YES was set to play their much-loved 1971 album Fragile in full, after the success of their North American tour in 2025.

But taking to Instagram, the group have issued a statement explaining the need to postpone.

“The upcoming YES ‘Fragile’ UK and EU Tour has had to be postponed as guitarist Steve Howe requires an essential operation that requires recovery time,” read the statement on social media.

“This decision has been made to ensure that Steve can return to the stage in full health and deliver the performances that fans deserve.

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“We are working hard to reschedule the UK and EU shows to a later date, with full details to be announced after Easter.

“Steve Howe and YES would like to thank their UK fans and hope for their continued support at this time.”

The post explained that tickets would be valid for the rescheduled dates and that the concerts would take place later in 2026.

Fans took to the comments underneath the post to express concern for Steve, wishing him well.

One wrote: “The most important thing is Steve’s health… wishing a full and speedy recovery to one of rock’s greats!”

YES released Fragile as their fourth album – and it’s widely considered their best among fans and critics alike.

The group formed in 1969, but Steve didn’t join until a year later, replacing original guitarist Peter Banks.

The group gained considerable recognition with their third and fourth albums – The Yes Album and Fragile – which were both released in 1971.

The latter included famed single Roundabout.

Over the decades, 20 different members have been part of YES, including founding members Jon Anderson, Chris Squire, Bill Bruford and Tony Kaye.

Steve is the only remaining member of his era, now joined by lead singer Jon Davison, drummer Jay Schellan, keyboard player Geoff Downes, and Billy Sherwood on bass.

In 2017, the group had to cut another tour short due to personal circumstances when Steve’s 41-year-old son tragically died from a heart attack.

YES are considered the pioneers of progressive rock by many music fans, known also for their impressive live performances, and are members of the Rock & Roll Hall of Fame.

The band originally split in 1980, with some members attempting to launch spin-off groups, which mostly failed to take off.

One of these groups ended up comprising mostly of ex-YES members, and in 1983 the band was re-launched.

More incarnations of the group followed, with Steve eventually leaving in the early 1990s, returning later that decade, before the group split again in the early 2000s.

They reformed again in 2009 and have recorded new material and toured on-and-off ever since, marking their 50th anniversary in the process.

In 2024, former keyboardist Rick Wakeman left the group, saying he felt it was “time to call it a day”.

Steve and the other current line-up have continued with the group without Rick over the past two years.

DELTA Goodrem’s first album in half a decade is just around the corner.

The Australian singer, 41, has opened up to The Sun about the project – admitting fans won’t have long to wait.

Chatting ahead of a surprise pop set in Camden, London with Australian chocolatey biscuit Tim Tam, Delta said: “I have finished the new album.

“When Eurovision came up I was in the studio already as it was naturally time to create the new album.

“I am doing a new video next week when I am back in Aus again for the next song.

“That will be straight out the gate and the new album will be there straight away.”

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The record, her eighth, will be Delta’s first since 2021’s Bridge over Troubled Dreams.

During her north London set, Delta performed her Eurovision track Eclipse for the first time in the UK.

The Born To Try singer will represent Australia next month at this year’s contest in Vienna, Austria.

Previously speaking to The Sun, Delta admitted while she’s toyed with the idea of doing Eurovision for a few years, it wasn’t until she opened up about her dreams to Bizarre last May that things really started taking shape.

Delta said: “This is, literally verbatim, all your fault. It is all on you — Bizarre started this.

“Your article went back to the Aussies who were like, ‘Do you want to do this?’ So thank you. I have a big job to do.”

Delta will head to Vienna this May to compete with her song Eclipse and it ticks every box, with an infectiously camp chorus and a complex piano bridge.

A beaming Delta explained: “From your article, people started reaching out.

“Then one of the songwriters, Jonas Myrin, who I wrote the song with, took a screengrab of the article and sent it to me saying, ‘Delta, if you ever go to Eurovision, I want to write the song with you’.

“He’s in Sweden. Sure enough he flew to Australia when I said I was doing it.

“Even the first question I got asked when doing my first Australian interview was, ‘We heard it all started from an article from the UK,’ and yes, it did.”

It’s been three years since Australia last qualified for the live final, which adds to the pressure on Delta, who has sold eight million records worldwide.

Delta added: “Of course I am nervous, but it’s so joyous and I am so excited to be a part of it.”

ARLO PARKS’ third album is a reset, inspired by the nightlife, freedom and spontaneity she missed out on when she broke through as a teenager. 

For Ambiguous Desire, the London-born singer-songwriter wanted to escape from way she had created songs in the past.  

Arlo, 25, says: “I wanted this to be from ground zero and exactly how I feel now, while I’m really living. 

“When I got to the end of the cycle for my second record, My Soft Machine, I was like, ‘OK, I want to see what it’s like when I DECIDE the path of my days’.  

“I wanted to spend more time in nocturnal spaces, making friends with DJs, club organisers and people in different collectives, and getting inspired by exploring the subcultures and the history and the architecture of those spaces. That’s what was fascinating.” 

Using voicenotes, journal entries and memories from nights out, the Mercury Prize winner’s intimate album is rooted in storytelling.  

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She says: “For this record, my mantra was to write it exactly how it felt.  

“In the past, I was focused on making things as beautiful and poetic as possible, but this time I stripped it right back to the lean truth of it, and that felt more authentic.  

“I also wanted to bring in those references exactly as I heard them, without softening the edges or maybe adding guitars to bring it into the indie world. 

“I wanted it to be inspired by house and garage, the music I’ve been loving. It was just about being true to myself.” 

This raw approach to songwriting runs through 12-track Ambiguous Desire. 

Arlo, real name Anais Marinho, says: “I wanted to make the music feel exciting and dynamic, so the song Jetta is just a voicenote in an Uber with my friends from one of those nights. 

“It’s the sound and the stories of people. Even the vinyl cover and the inserts are photos I took of my friends on nights out.” 

I chat to Arlo at her London record label office the day before she flies back to LA, which has been her home for the past four years. 

Arlo, who won the Brit Breakthrough Artist Award in 2021, following the success of her debut album Collapsed In Sunbeams, says: “LA does feel like home, but London will always BE home.  

“When I moved to LA, I was coming into myself as an artist, so I see it as the place where I built my community and grew into my confidence. But London is where I grew up, where my roots are, where I wrote my first word and heard my first song.”  

While London holds emotional ties — Arlo has been staying with friends and family while in the capital — LA has provided the creative community and space to push her sound. 

She says: “It’s the place where I met a lot of the people that I make music with. And there’s something about the pace of life there, the nature and the sunshine that gives me this sense of peace, where I can just sit and write.  

“My main collaborator, Baird, lives there and we made the whole record in the space he shares with his brother. 

“It’s like a living-room studio with pianos, acrylic paints, sewing machines — it’s an amazing creative hub. The place has been really inspiring for me and given me the peace to experiment.” 

Club culture became both creative research and a release from everyday worries.  

She says: “In New York, we were going to clubs like Nowadays and Basement, which is more in the techno world, and then in LA there are nights like Midnight Lovers. 

“The scene there feels much more DIY, more warehouses than big institutions like London’s Fabric.  

“It was nice to have that as part of our week, like knowing on a Saturday we’d go out and experience it. 

“And I love living in LA because so many artists pass through, so you can catch shows all the time. People like Jamie xx in those spaces were amazing.” 

The euphoric dancefloor-inspired Heaven was the first song that Parks wrote and knew she was on to something special.  

She recalls: “I’d been out with my friend Kelly [DJ Kelly Lee Owens], who was supporting Caribou and, the night after, I’d written all of these little fragments in my journal, like my friend wearing pink Adidas shoes. That’s in the song, which came together exactly like the night had felt.  

“I was able to distil that experience into a song. It felt very cinematic.” 

Clubbing helped Arlo reconsider how songwriting can be a collective experience rather than just a personal one.  

That instinct carries into the brilliant 2Sided, the first track released from the album, which describes the heat and chaos of a night out with friends at a club. 

She says: “It felt like the right song to start this era, and it came about really naturally.  

“I felt it when I made it, and also a lot of my friends — my partner, everyone in my life — were like, ‘That’s the one’.” 

Her other standout tracks explore different themes.  

The dreamy Beams includes the line “I know it’s not a way to treat people you love”, and Parks says: “I think that sentiment is really simple.  

“There’s a moment where you’re in a situation or a relationship and you’ve become used to being treated a certain way and then you realise, ‘Wait, that’s not actually how you treat people. You should be softer, kinder’.  

“It’s about that realisation of what you actually deserve.” 

Luck Of Life is another brilliant track, which explores grief. Arlo says: “That started just me on my computer at the kitch­en table.  

“It’s about loss, something we’ve all experienced whether it’s someone passing away or a break-up, but the impact those people had on our lives and, hopefully, bringing comfort to people who are hurting.” 

On Senses, a collaboration with Sampha, she says: “It’s soothing. I think a lot of that comes from Sampha, as he’s just such a soulful person. 

“He’s always tried out lots of different genres in his career, which is really inspiring to me.” 

For her forthcoming live shows in the UK, US and Europe, Arlo has made some changes. 

She says: “It makes sense to shift the set-up as well for these shows. For a long time, it’s been kind of indie — I had a guitar band — but I want to bring the samplers and the drum machines in.  

“I’ve been inspired by how Massive Attack are touring now and bringing those Nineties sounds into more contemporary spaces. 

“With the smaller shows we did at the end of last year, I had this idea of a light box above with a blue wash, and the stage being in the round with all my samplers and equipment in the middle.  

“I wanted to feel like those nights. Even the imagery came from that.  

“We went back to some of those clubs and did this kind of guerilla-style photography with my friends.  

“It was about staying true to what really happened and trying to recapture that.”  

In 2022, Arlo cancelled some US tour dates due to “debilitating” mental health issues. She has since learned to slow down to avoid another burnout. 

She says: “Music is what I love most in the world, so if I ever feel anything negative, I know it’s because I’m feeling overworked, not because of the music itself.  

“It’s my passion, it’s very much at the centre of who I am.” It is why she also took her time making Ambiguous Desire.  

She says: “I didn’t really want it to be this sprint where I would then have a crash, I want to do this for the rest of my life.”  

Arlo, who became a Unicef UK Ambassador in 2024, to advocate for child mental health, adds: “I’ve always wanted to be a career artist and be making music forever. I knew that I had to pace myself a bit. And, looking back, I’ve had some amazing times. 

“Thinking back to Glastonbury and winning the Mercury Album Of The Year [for Collapsed In Sunbeams] as well, I couldn’t believe it.  

“There’s something really specific about the Mercury because it’s just one winner and it was at the Hammersmith Apollo, which I used to cycle past on the way to school, which made it surreal.” 

Parks has previously been hailed a “voice of her generation”, but that must come with pressure.

She says: “I felt like I was speaking to collective experiences we were going through, rather than being some kind of spokesperson. I never really saw myself as that, so I didn’t feel pressure to be a certain way.  

“I was just telling stories about what I was seeing and living, and that happened to connect with teenagers at that time. 

“But, anyway, my fan base is broad — I love it when I see whole families at a gig and I’ve seen grandparents with grandkids as well as groups of friends. It really is a bit of everything. And I love that. That makes me feel really happy.” 

Ambiguous Desire concludes with track Floette, which she describes as “a note of hope”. 

Arlo says: “I wanted to embrace the fact that change is inevitable and part of life, and we’re all growing and trying our best.  

“ ‘We’re blossoming’ as it says in that song.  

“Looking at myself, I’m more confident and I feel happier than ever.  

“I’ve made something I’m really proud of, which colours the lens that I’m looking at things through.  

“It’s the start of something new, and in the future, I’d love to write a book and a screenplay and be part of a soundtrack for a film.  

“It’s like I’m coming of age. Maybe it’s just growing up. 

“While I’m proud of the music that I made before, this feels a little bit more different.  

“I feel like I’ve finally arrived, after years of making music. I’ve found the confidence to step away and do things my way, take a risk and witness it pay off. 

“I trust myself and my intuition more than ever.” 

• Ambiguous Desire is out today. 

ARLO PARKS
Ambiguous Desire

★★★★☆

PIANO Man Billy Joel has recorded a special interview to air during Eurovision thanks to his song named after host city Vienna, I can reveal.

Afterwards, Austrian singer Cesar Sampson, who finished third in 2018, will cover the song before the results are revealed.

I’m told there were hopes Billy could fly over to make a surprise appearance at the contest.

But it was ruled out on health grounds.

Billy was diagnosed last May with a rare neurological disorder that can cause issues with hearing, balance and vision, although he is having physical therapy to treat it.

The musician has already cancelled all of his 2026 concerts, including shows in Edinburgh and Liverpool.

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However, he did make a surprise appearance in Florida on January 2.

A source close to the singer, who will turn 77 a week before the final on May 16, said: “Billy has recorded an interview talking about his love for Vienna and his links to the city, which is all tied into his song.

“Organisers originally hoped he could perform but that was ruled out. They will be making a big deal of this very rare interview with him.”

He has sold more than 160million records and is one of the best-selling artists of all time.

Vienna was released in 1977 as the B-side to Just The Way You Are, and is now among his most popular tracks.

Ultravox’s 1980 hit, also called Vienna, is arguably even more popular.

But frontman Midge Ure certainly won’t be there, as he will be in the middle of a UK tour.

The 70th edition of the contest will take place at the Wiener Stadthalle arena after 166million tuned in to see Austrian singer JJ win with Wasted Love last year.

Celine Dion had been in talks to perform at the 2025 event in Switzerland, but it didn’t happen as she continued to battle Stiff Person Syndrome.

I’ll have to keep my fingers crossed that the Eurovision entries themselves provide plenty of entertainment instead.

IT’S being billed as a huge tribute concert to Gary ‘Mani’ Mounfield, who died in November.

But I’m told the “Manichester” event in honour of the Stone Roses bassist, organised by his brother Greg, has caused a rift in the family.

The concert will see musicians including Zak Starkey, Baz Fratelli from The Fratellis, John Mcclure from Reverend And The Makers and Simone Butler from Primal Scream come together at Manchester’s Diecast in May.

Cast are also lined up to perform, along with Mick Rossi from Slaughter & The Dogs and Stone Roses guitarist Aziz Ibrahim.

But while the concert was believed to have the full support of Mani’s family, which includes his twin sons Gene and George, insiders say not everyone is in agreement.

A source said: “Mani’s legacy and celebrating that is so important to so many people.

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“But not everyone related to him is happy about this concert.

“Even his young son Gene has voiced his concerns on social media.

“It is all very messy and is spilling over into the public domain.

“This is not what Mani would have wanted. His twin boys were everything to him.”

Greg confirmed earlier this month that he was organising the tribute concert, and said there were hopes of snaring Noel and Liam Gallagher to perform, as well as Johnny Marr.

He said: “I think it will be brilliant.

“With the names already in the hat, and the names we’re yet to announce, it’s a worthy thing, a tribute to our kid, a Mancunian legend, and I know he’d love it.

“He would be absolutely buzzing about it.”

Mani, who was best known for his work with Stone Roses and Primal Scream, died at home in Manchester aged 63.

Noel and Liam made an on-stage dedication to him during their Oasis ’25 Live reunion tour, while rock icons including Stone Roses singer Ian Brown turned out to pay their respects at his funeral.

As a fan of Mani, I hope this can be resolved quickly and without further upset.

LITTLE BRIT OF FAMILY TIME

BRITNEY SPEARS is being supported by her sons following her arrest for driving under the influence – and it’s about time too.

For years, the Circus singer was deserted by her boys – who she has with ex-husband Kevin Federline.

But it seems they are back in her life and bringing a smile to her face.

She shared a video on Instagram on a boat with Sean and Jayden, during a getaway, including a shot of them smiling together.

Britney wrote: “Thank you guys for all your support… Spending time with family and friends is such a blessing!”

AITCH FIZZES MUSIC

HE was flying high after his stint in I’m A Celebrity last year.

But now Aitch is facing another trial, and it could be just as gruesome.

I’m told the Strike Me A Pose rapper is embroiled in a legal row over his Syps drinks brand with two former directors of the company.

Aitch, real name Harrison Armstrong, created Syps back in 2023 with businessmen David Olusegun and Alexander El-Nemer – with the trio proudly showing off their fizzy, flavoured water at events across the UK.

But I’m told that partnership is now well and truly over, with David and Alexander resigning as directors.

A source said: “Harrison has fallen out with David and Alexander and it seems there is no going back.

“They’re in a full-blown legal dispute and it’s all in the hands of their lawyers.

“The three created the brand together so it could get messy.

“Harrison is still working on the brand and is running things with his manager.

“How quickly this is going to get resolved is the question. One thing is for sure though, Harrison wants it dealt with so he can move on.”

TAMER ROLE FOR HARDMAN ACTOR

TAMER HASSAN is swapping punch-ups for pull-ons after landing a major new deal with sportswear giant Reebok.

The hardman actor has filmed an advert for a bold campaign inspired by Robin Hood, of all people.

It sees Tamer playing a cheeky “friendly villain” who nicks sports kits before handing them out to kids.

He is joined by UK rapper K-Trap, and starry cameos from
Gary Oldman, Laila Morse and Lisa Maffia.

An insider said: “Tamer is genuinely thrilled to be part of something revitalised and forward-thinking.

“Reebok is part of the culture, and seeing it evolve with fresh energy in 2026 makes this really exciting.”

The retro-style campaign is also a nod to 2005 British crime flick The Business, which starred Tamer alongside Danny Dyer.

Filmed at a secret North London location, the advert is set to drop later this month and marks the start of a huge year for the actor.

He’s gearing up for the premiere of Rise Of The Footsoldier: Retribution at Cannes in May, ahead of its UK cinema release this summer.

From the big screen to the high street, it sounds like Tamer has a lot going for him right now.

TEARY NIGHT FOR ELLIE’S WOLF PACK

WOLF ALICE had an emotional night headlining the final evening of the Teenage Cancer Trust’s concert series – with frontwoman Ellie Rowsell breaking down in tears.

The group debuted two new songs, Hit The Sky and Gospel Oak, and towards the end of the latter, her voice broke and she became teary.

She asked the band to restart the track from the beginning of the final verse and was then hugged by guitarist Joff Oddie and bassist Theo Ellis.

Later, Theo admitted that performing in London’s Royal Albert Hall for the charity concert was making him emotional, too.

He said: “These are my best friends. It’s unbearable how much I want to cry all the time in this gaff.”

They deservedly picked up the British Group gong at the Brit Awards last month following the success of their fourth studio album, The Clearing – one of the best British albums of 2025.

If you’re yet to see them, make sure you make it to one of the festivals they’re playing across the UK this summer.

BENSON SWOON

BENSON BOONE got his fans hot under the collar while cooking up this tour announcement.

He whipped off his top, cracked eggs with his biceps and showed off his rippling muscles as he added ingredients to a bowl while baking a cake.

It was eventually topped with the poster for his new Wanted Man tour.

I have to applaud him for the sexy and hilarious snippet posted on Instagram, but it’s a sea change from 12 months ago when he told Rolling Stone magazine that he didn’t want to rely on his body to sell shows.

He told the mag: “I definitely remember there was a time where I would take my shirt off because I didn’t know what else to do.

“I don’t want to rely on my physical form to be the primary driver of my shows.”

It’s a good job he’s had a fair few hits.

YOU BOOTY, KATYA

STRICTLY’S Katya Jones looked the part – and had the footwear to match – when she strutted in to watch the opening night of musical Kinky Boots.

And she was in for a real treat.

With glitter, tinsel, red leather and high heels, this latest production of the hit show is a dazzling spectacle, the likes of which the West End has rarely seen.

Fellow Strictly star Johannes Radebe is mind-blowing as drag queen Lola, above, proving his singing voice and stage charisma are almost as brilliant as his dancing.

But playing the perfect straight man is X Factor winner Matt Cardle as Charlie Price, who inherits his father’s ailing shoe factory in Northampton and comes up with a plan to save it by making footwear for Lola and her fellow artistes.

Fun, feel-good and unforgettable, everyone should try these Kinky Boots for size.

A MAJOR band from the eighties have revealed that they won’t be performing live on stage again.

It comes nearly two years after the group sparked reunion rumours when they met up together in New York after attending the Brit Awards.

Erasure were responsible for some utterly iconic tunes back in their day, many of which have stood the test of time.

But now they’ve revealed that they have already performed their final gig.

Speaking to The New Cue newsletter, Erasure’s Vince Clarke spoke about the decision to stop touring and how it wasn’t an easy choice.

Vince was asked: “What’s the bravest career decision you’ve ever made?,” in an interview with the outlet.

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To which Vince responded: “To stop touring.”

He then continued to explain the reasoning behind the decision in more depth.

Vince elaborated: “What happened was [Erasure singer] Andy Bell and myself, we did these fan shows before Christmas and they were great but…

“It’s difficult to explain… the simple answer would be is I just don’t want to be really old and going onstage!

“I just don’t want to do it anymore.”

Vince and Andy sent fans rushing to conclusions of a reunion years ago after posting a vague post online with the caption: “plotting and planning.”

The news thrilled fans on X, who immediately started speculating what they had up their sleeves. 

“Let’s GO! Gotta see Erasure again live soon, it’s been way too long!” wrote one fan. 

“So thrilled you two are still working together all these years later,” said a second.

A third noted: “New album? Would kill for a follow up to Erasure” 

Erasure released their debut album Wonderland in 1985, and in the following year they broke into the UK charts with their single, Sometimes. 

Since that time, they have released a staggering 19 albums, with their last being 2022’s Day-Glo.

They won Best British Group at the 1989 Brit Awards, with other hit tracks including A Little Respect, Always, Chains of Love and Breath of Life.

Andy went on to have a successful solo career, while Vince Clarke had previously been a founding member of two more iconic bands, Depeche Mode and Yazoo. 

FOR Dermot Kennedy’s third album, he wanted to explore both the beauty and burden of a successful music career. 

The award-winning Irish singer might headline huge arenas but he has always had his feet firmly on the ground, valuing a normal life, privacy and simple things such as walking in his local woods — the theme of his new record. 

He says: “I feel I’m at a sweet spot, because I can play The O2 in London but I can walk around all day and no one really knows who I am. 

“Having a career in music is a blessing. It’s the most amazing thing, but at the same time, there are certain challenges that come with it. It tests relationships and tests your own resolve, it’s a ­pressure. And I wanted to write about that.” 

The pull of nature as a place to reset became more powerful to the singer as he found success — both his previous collections, Without Fear (2019) and Sonder (2022), topped the album chart. 

“With a career in music, you’re not anonymous, you’re constantly moving from city to city,” he explains. 

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“Being somewhere where you can only see trees in every direction has become more and more important to me, and more powerful. Where I live is quite remote, and that’s the way I want to be.”

This recurring woodland imagery reflects a sense of calm and nostalgia to Kennedy, and the cover of his new album, The Weight Of The Woods, features the singer in a woodland setting. 

As we chat in his central London record label offices, he’s signing a huge pile of his new CDs.  

“It’s a great album cover,” he says smiling. “Even signing these all morning, I’m not sick of looking at it yet.” 

A standout on Kennedy’s new record is the track Sycamore, a gorgeous introspective ode to home and identity. 

“The Irish landscape has always been important to me,” he says. “Where we took the picture for the album still resonates. It’s a big part of how I’m inspired.” 

Working with producer Gabe Simon — who produced Noah Kahan’s 2022 breakthrough album, Stick Season — Kennedy made The Weight Of The Woods in ­Ireland, Nashville and Norway. 

He says: “Sycamore is lush and smooth, which felt different for me. It was the first song we made when Gabe came over — there’s a sycamore tree right in front of my house that’s become a kind of ­talisman in my life. It felt like a lovely way to start. 

“A lot of these songs carry a vulnerability I haven’t shown before, and that felt important, because you can’t pretend you’re 100 per cent all the time. It’s just not true.” 

This shift shows a new confidence, one that allows him to do things his own way. 

“Generally, I’m a quiet person, so on previous albums I wasn’t the loudest in the room whereas with this one, I have the confidence to shout for it and take my time. 

“It’s taken this long to get to a point where I know what I want — what I need and what’s authentic.” 

The Weight Of The Woods reflects a stage in his life where Kennedy feels more secure, more at home and more fully himself. Now married with a baby daughter, his perspective has shifted in ways he struggles to fully articulate. 

“How has fatherhood changed me?” he ponders. “It’s hard to sum up, I can’t explain it in a couple of minutes. 

“It just means the world to me and gives you a completely new perspective on life. 

“It makes you realise there are more important things than chasing goals in music. 

“The best thing I can do now is make music that moves me and try to live in a way that feels like the purest version of who I am. It becomes the centre of everything. 

“Fatherhood has given me more confidence, but also a different kind of fragility, making me more emotionally open. 

“A lot of these songs carry a vulnerability that I haven’t shown in my music before, and that’s important.”  

Musically, Kennedy feels the album has a strong Irishness, though it was not a deliberate concept.  

Honest is a track that feels especially personal, as it directly references where he is from in Ireland. 

He says: The first lyric is about Kilteel [near Rathcoole, Co Dublin] which is an important part of where I’m from. It’s a more personal record so I needed to tell the story of where I’m from.” 

He reflects on the pull of home: “Sometimes when you’re trying to have a career in music, people assume they need to move away and live somewhere else. 

“But in Ireland we have one of the richest musical landscapes in the world, you know? So, it’s nice to be a part of that. 

“And it’s the most Irish-sounding track. I played the bodhran [a traditional Irish frame drum] on it, the drum you hear at the beginning, and there’s also a tin ­whistle. It all came together very naturally so these songs feel dynamic to me and they’re really going to work live.” 

Wasted is a favourite of Kennedy’s on the record. Inspired by US singer and producer Dijon, he says: “It felt like it had that excited, upbeat energy without being pop. It felt real in the room and exciting.” 

Then there’s The Only Time I Prayed, which explores the singer’s relationship with faith. 

“I’ve got songs like Glory, and lyrics about the devil, but I’d consider myself definitely agnostic. I believe in otherworldly things but I’m not a practising Catholic. 

“Still, when things get difficult, people pray — regardless of faith. It comes from desperation, and I find that fascinating. Sometimes I even feel envious of people with a strong faith.” 

Another highlight on the record is Funeral, a stunning track about letting go of the past to move forward. 

“I just wanted that song to be about ditching any difficult stuff I’ve been through,” he says. 

“Songwriters spend an awful lot of time wallowing in the past and I wanted it to feel triumphant — moving forward into something more positive. 

“It felt good and the vocal carries an energy which is always a fun thing on a song.” 

On this third album, Kennedy feels more confident, self-assured and clearer about what is authentic to him. 

He says: “It’s less inhibition and less stress — not poring over every decision. So confidence showed up in quite a carefree, exciting way.” 

It was important to Kennedy that the album was stripped back and imperfect to add to the studio atmosphere. 

“Musically, if you listen closely, there are lots of imperfections, little noises other artists or producers might take out,” he says.  

“You can hear someone talking, a chair creaking. It puts me back in that room, and I don’t want to lose that.” 

That same approach mirrors a wider creative release: “I feel like I’ve let go massively, which is a good thing.” 

That sense of letting go has also reshaped how he defines success. 

“Any pressure that came with the second album was internal, applied by myself,” he says. “I don’t think being competitive puts me in the best place to be the best artist I can be. I’m pretty sure it doesn’t.  

“Tracking streams or records isn’t success to me. With this record, it was just lovely to get back to a place where I really enjoyed making the music, the visual world around it, and playing the songs.  

“Don’t get me wrong, I still want lots of people to hear it, but I feel like I’ve already succeeded with this project.  

“If it reaches a ton of people, that’s fantastic, but I had a beautiful time making it, and that’s everything. 

“When you chase numbers and all that stuff, it’s all quite surface level and not very fulfilling in the end. 

“I don’t think trying too hard is the move. It’s important to work hard and promote things, but being overly try-hard isn’t appealing.  

“It’s better to sit back and let the music do the work. By letting go — stepping back from social media and putting the music first — it feels more likely to set my career up the way I want it.” 

Live performance remains central to Kennedy’s identity. He feels he has built his career the “old-fashioned way” by playing rooms and winning audiences over. 

He says: “Nowadays, there’s so many ways that someone can forge a career. You can blow up on the internet or go viral. For me, it’s never really been like that. 

“It’s been more about getting people into a room. I think I can play in such a way that they might want to come back and see it again next time.” 

“For me, when I dreamed about having a career in music, all I thought about was playing in big, beautiful theatres. So playing live is an important part of what I do.” 

Even as he now fills large venues, Kennedy is keen to preserve a sense of intimacy within those spaces. 

He explains: “We’re going to do it differently. There are lots of ways you can use tech in a live show. You can run tracks for things like horns and production, but then the whole show ends up on track and can feel like elevated karaoke. 

“You can come off stage feeling like you haven’t really achieved much. So, with this tour, we’ve got rid of the click track and any backing tracks. It’s about keeping it real and letting the performance have more freedom. 

“We’re getting rid of any kind of bells and whistles, and it’s just fun. I could start a song at any tempo, I could be feeling a certain way that ends up being a faster version with more energy, or we could pull it right back. 

“You go to a live show for the energy, and I think it’s far easier to tap into that special place if you don’t have that stuff.” 

Kennedy is also more careful about looking after his voice when he tours 

“I try not to do more than two nights in a row, because it compromises the rest of the tour. It means I can walk on stage excited, instead of just hoping I get through it.” 

It’s part of a wider shift in how he approaches performance. “It’s a process as well, working with vocal coaches and stuff. I run a lot more now, because you need that lung capacity. I’m not sure about other ­people’s experience touring, but it feels like a sport sometimes.” 

That mindset has also made him more aware of the level required to sustain a major live career — something he saw first-hand watching ­Taylor Swift live. 

“Well, I saw her at the venue I’m playing this summer, and it was inspiring.” he says. “I saw Travis, her fiancé, talking about her fitness regime and just how she’s operating at a kind of scary level. 

“I find that really inspiring, because it makes you realise this is a very high level of what we do — you have to take it seriously. When someone is that on top of their game, it’s just incredibly motivating.” 

“The show is, what, three hours long? It was wild to see. And honestly, it was just cool to be in Dublin and see people so excited by those songs.  

“What really struck me was that it was just her songs. You realise this is someone who started out just writing songs, and now it’s millions of people all over the world. 

“But it doesn’t feel like some manufactured pop machine. It just feels like someone who writes songs, and that’s what makes it so powerful.” 

• The album The Weight Of The Woods is out on April 3. 

DERMOT KENNEDY 

The Weight of The Woods 

★★★★☆

OLIVIA DEAN proved she’s unstoppable after sweeping the MOBO Awards – just weeks after dominating the Brits.

The singer scooped Best Female Act, Album Of The Year for The Art Of Loving and Song Of The Year for Man I Need, cementing her reign at the top.

It means Olivia has now cleaned up at two of the biggest nights in British music in a matter of weeks – a seriously impressive streak.

Fresh from her chart-topping success, she also wowed with a stunning performance of A Couple Minutes, marking the song’s first televised outing.

There was another huge moment when Alesha Dixon made a surprise appearance to present Album of the Year to Olivia.

Elsewhere, Jim Legxacy took Best Male Act, Central Cee won Best Hip Hop Act and Raye picked up Video Of The Year, while Flo continued their rise with Best R&B/Soul Act.

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Special honours went to Pharrell Williams and Slick Rick, with the latter also taking to the stage.

Performances were just as big, with Flo debuting new music, Aitch bringing out schoolkids to join him on stage, and a huge Grime 25 medley featuring Chip and Wiley.

The star-studded night drew a huge crowd, with Leigh-Anne Pinnock, Emeli Sande, Tinie Tempah and Love Island stars Indiyah Polack and Ella Thomas all spotted on the carpet.

Earlier in the day, I caught up with some of them on the VIP train from London, where DJ Davda had kicked the party off.

In an exclusive chat, Keisha Buchanan – who later presented an award alongside Little Mix‘s Leigh Anne – told me: “It’s always a vibe – they have the best parties.”

Teasing new Sugababes music, she added: “We have new music coming this year, sooner than people think.”

Indiyah and Ella were dancing through the aisles, with Ella even bringing her dog along for the ride as the carriage turned into a rave.

Meanwhile, Tobi Brown kept it real, saying: “I don’t function this early.”

• The bash airs on BBC One at 11.25pm tomorrow night

GO to Dungeon Lane today and it’s strange to think it occupies a special place in Paul McCartney’s heart.

Yet it will go down in pop history alongside other street names associated with him, joining Penny Lane and Abbey Road.

Situated in the Speke neighbourhood of Liverpool, the L24 postal district, a faded road sign sets the tone for its desolate air.

It is bordered on one side by a solar farm business and, on the other, by a fenced-off area of scrubland which separates it from the city’s John Lennon Airport.

Before you get very far, a bright yellow “emergency access gate” bars further exploration.

But, as a child, Dungeon Lane was McCartney’s gateway to a stunning rural idyll where he could escape the hustle and bustle of urban life.

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In the Fifties, the lane took him past a daffodil farm to the Oglet Shore on the widest stretch of the River Mersey.

I wonder if young Paul, a keen birdwatcher, ventured into this wilderness clutching his trusty The Observer’s Book Of Birds.

There, he may have spotted any number of waders — curlew, snipe, dunlin, black-tailed godwits.

What we do know is that his lifelong love of our feathered friends began in those days.

This helps explain the compositions dotted through his career such as Blackbird with The Beatles, Single Pigeon with Wings, Two Magpies with The Fireman and solo efforts Jenny Wren and Long Tailed Winter Bird.

To McCartney, his early rambles into the countryside represent humbler, simpler times before The Fab Four exploded on to the scene, before his storied life in the dazzling glare of publicity.

Sir Paul, 83, has called his 19th solo album The Boys Of Dungeon Lane . . . which is, as he suggests, a trip down memory lane.

He got the title from the lyrics of its first single, Days We Left Behind, released yesterday, a nostalgia-filled acceptance that he has a far longer past than future.

Intimate, beautifully sung with Macca playing acoustic guitar, bass, piano and harmonium himself (how does he do that!?), it is the first taste of a project that has been five years in the making.

“This is very much a memory song for me,” he says. “I was thinking about just that . . . the days I left behind.

“And I do often wonder if I’m just writing about the past — but then I think, how can you write about anything else?”

For McCartney, the song conjures up “a lot of memories of Liverpool. It involves a bit in the middle about John [Lennon] and Forthlin Road which is the street I used to live in. Dungeon Lane is near there.”

Paul was born on June 18, 1942, to his midwife mother Mary and salesman father Jim, and they moved with younger brother Mike to 20, Forthlin Road, Allerton, in the mid-Fifties from Speke, where they had lived since 1947.

We also know that Paul first bumped into John on July 6, 1957, at roughly 4pm, at a garden fete behind St Peter’s Church, Woolton.

In Days We Left Behind, he sings of the bond he formed with the lanky lad 20 months older than him: “We met at Forthlin Road/And wrote a secret code/To never be spoken.”

Continuing his reflection on the song, he says: “I used to live in a place called Speke which is quite working class.

“We didn’t have much at all but it didn’t matter because all the people were great and you didn’t notice you didn’t have much.”

As already mentioned, birdwatching was a hobby, one that required little cash and gave him a lot of pleasure “in the nearby woods and fields”.

A recent entry in Macca’s Spotify playlists, under the banner Sticking Out Of My Back Pocket, came accompanied by these musings . . .

“My mum had the midwife’s house on the edge of Liverpool, where we lived,” he says.

“It was where Liverpool just stopped and became deep countryside, so that was when I had the opportunity to do quite a bit of birdwatching.”

He particularly cherishes the moment he saw a “skylark rising into the sky, singing its sweet song”.

That unforgettable sight has found its way into Days We Left Behind, with its lines, “In the skies the skylarks rise/Above the sounds of war/Since that day I knew they’d stay/With me for evermore.”

All these decades later, he reflects: “And now because I live part-time on a farm [in Sussex], I’m able to see a lot of birds and I don’t need The Observer’s Book Of Birds quite so much as I did back then.”

McCartney’s new album promises to be one of the most personal, most autobiographical song cycles he’s ever recorded, while also finding room for up-to-date love songs dedicated to third wife Nancy.

Yesterday’s announcement states that it finds him in a “candid, vulnerable and deeply reflective mood, writing with rare openness about his childhood in post-war Liverpool, the resilience of his parents, and early adventures shared with George Harrison and John Lennon”.

I’m guessing here but songs yet to be heard, Momma Gets By and Salesman Saint, appear to be affectionate remembrances of mum Mary, who died when Paul was just 14, and dad Jim.

This is not the first time Macca has delved into his early years for songwriting inspiration.

I talked to him about the playful On My Way To Work, which appeared on his 2013 album, New.

He called it a “collection of memories all morphed together”, providing a fascinating glimpse into his life before Beatlemania.

“It’s about me going to my first job, before The Beatles took off, which was working on a lorry for a delivery company called Speedy Prompt Deliveries — SPD.”

McCartney described going to work on the council-run green and cream buses which led to him looking at risqué magazines like Parade.

“I’d go on the bus at some unearthly hour of the morning,” he said. “I might buy a magazine and look at the nudies. I was too young to be interested in the news!”

He remembered how hard-up kids like him ripped the fronts off cigarette packets and traded duplicates with their mates, instead of collecting “football cards or, like in America, baseball cards”.

“It was like, ‘I’ll swap you two Craven A for a Woodbine’. Then there were the posh brands because this bus route went from the centre of Liverpool to the outskirts.

“Posh people would be smoking Passing Clouds or Sobranies and packets of those were very prized.”

Another song, Queenie Eye, referenced a childhood street game from “1940s Britain”.

“It’s what we used to get up to before video games and that whole home entertainment thing,” he said.

“Someone would be elected to be ‘the one’ or the ‘queenie eye’. We’d all stand behind that person and he would throw a ball over his head and one of us would catch it and hide.

“Then we would all chant, ‘Queenie eye, queenie eye, who’s got the ball? I haven’t got it. It isn’t in my pocket!’ It was simple entertainment for simple minds but great fun.”

Now it is time to return to the 2020s and the creation of The Boys Of Dungeon Lane, the follow-up to his captivating lockdown album, McCartney III.

This time, we’re told we can expect “Wings-style rock, Beatles- style harmonies and McCartney-style grooves”.

The process began around five years ago when Macca met American live-wire producer Andrew Watt, known for his work with Ozzy Osbourne, Lady Gaga, Post Malone and The Beatles’ greatest Sixties chart rivals, the Rolling Stones.

Watt, I gather, “pulled a guitar” on his latest rock icon, who instantly happened upon a chord he didn’t recognise.

As the story goes, the ever- experimental McCartney changed one note, then another, until he had a three-chord sequence.

That led to his new record’s opening track, As You Lie There, which in turn set the ball rolling for the other 13 songs.

It’s remarkable that, as with McCartney III, he is credited with playing all the instruments himself across the whole thing.

It brings to mind how at ease this enduring music obsessive seemed as he suggested specific drum beats and fills to Ringo Starr in The Beatles’ Get Back documentary.

With Macca still touring and playing momentous shows like his 2022 Glastonbury epic, Days We Left Behind has been honed over half a decade when time permitted.

During that period, he even managed to introduce the Stones to producer Watt, who helmed their 2023 comeback album, Hackney Diamonds.

When McCartney was in Los Angeles working with Watt, he was brought in to play bass on Mick Jagger and Co’s punk blast, Bite My Head Off.

Upon its release, I spoke to Keith Richards who was made up over their special guest.

“Yeah, Macca just strolled in with his bass,” the guitar legend drawled. “I think the song reminded him of those times [in the Sixties]. Beatlemania was equally as bizarre as Stones mania.”

There’s a moment towards the end of Bite My Head Off where you can hear someone saying, “Come on Paul, play something”.

“That might have been me,” smiled Richards.

But this is all about Britain’s greatest living songwriter, Paul McCartney, and his new album The Boys Of Dungeon Lane.

Time is precious but when it comes to music and life, he’s still facing forward at 83 — even if he’s remembering a youth long ago when “in the skies, the skylarks rise”.

IT ISN’T even summer yet but we wouldn’t blame you if you are already excited about Christmas – and there’s good reason to be with some changes coming to LaplandUK.

LaplandUK – the huge family-friendly Christmas attraction – will be dropping tickets for both the Ascot and Manchester experiences this week,

Ahead of the drop on March 27 (this Friday) at 10am, the attraction has also revealed some big changes to the experience this year.

One of the biggest changes is that guests will get more time in the Elven Village.

This means guests will have more time to go ice skating, letter writing and enjoying the magical atmosphere of the Elven World.

Whilst LaplandUK hasn’t yet confirmed how long visitors will now have in the Elven Village, in previous years visitors had 90 minutes to enjoy the area.

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Another change for this year is that every child will now have the opportunity – included in their ticket – to create their own reindeer food with the Elves, ready to lay out on Christmas Eve for Father Christmas’ reindeer.

There is also a new invitation box this year, meaning that anyone who books a LaplandUK experience for 2026 will receive their invitations by the end of summer.

Returning this year will also be Mother Christmas’s Kitchen where kids will get more time to decorate gingerbread before meeting with Mother Christmas and the Elves for traditional story time.

LaplandUK is also bringing back the portal that takes humans ‘back to the UK’, but making it bigger for this year.

This year, LaplandUK will run from November 7 to December 24, with tickets costing between £60 and £195.

Last year, 350,000 tickets were available and before the tickets were released, over 750,000 people were waiting in the virtual queue online.

On March 27, when tickets go on sale, there will be a virtual queue online from 9am.

Guests will need to select their preferred venue – either Ascot or Manchester, – and then at 10am when tickets are released, each guest will automatically be allocated a random place in the queue for the venue they selected.

Once they reach position one in the queue, they will be able to select the number of tickets they want and the date they wish to visit.

After purchasing their tickets, in the following months guests will be sent a personalised invitation.

On the day of visiting, guests will venture through “secret portals in the Whispering Woods of the UK and follow magical pathways to arrive in Lapland”.

And throughout the day there will be performances and interactive activities such as helping out the Elves in the Toy Factory to make a toy to pop in Father Christmas’ Sleigh.

Kids will get a special moment with Santa as well, where they get a gift to take home and their parents are handed the toy they created in the Lapland Toy Factory to be given on Christmas Day.

To find out what it is like to visit LaplandUK, one Sun reporter visited the new experience in Manchester last year.

Plus, a mum has shared her top Lapland UK tips, including how to save money and the best areas to go to.

AN ICONIC noughties star looked unrecognisable to many as he took to the stage during this weekend’s Estero Picnic Festival in Columbia.

Over two decades since his initial rise to fame, the now 52-year-old musician looks a far cry from the twenty-something many fans remember.

Do you recognise him?

The singer in question in Travis frontman Fran Healy!

Known for hits such as Why Does It Always Rain On Me? and Sing, Travis dominated the music scene in the late nineties and early noughties.

Lead singer Fran has swapped the bright red hair he rocked a few years ago for a bleached look, donning a sky blue jumper as he joined numerous stars in fronting the Columbian festival this weekend.

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Alongside his Travis bandmates, Dougie Payne, Andy Dunlop and Neil Primrose, Fran took to the festival’s Smirnoff stage to perform to the waiting crowds on Sunday.

The three-day festival also saw Sabrina Carpenter, Tyler The Creator, Swedish House Mafia and The Killers perform.

Alongside their own set on Sunday, Travis joined The Killers on stage to perform with them on Saturday.

Born in Stafford, Fran was raised in Glasgow and formed Travis back in 1991 while studying at the Glasgow School of Art.

Still going strong, the band are performing across Chile this month and next, with gigs in Viña del Mar, Frutillar and Santiago.

While the band have taken breaks throughout their lengthy career, they are famous for having never split up.

Their tenth studio album, L.A Times, was released in 2024.

Fran was in a relationship with German photographer Nora Kryst for 23 years before splitting back in 2019.

They share a 20-year-old son named Clay.

Last year, during one of Travis’ US gigs, Fran was rushed off stage and to the hospital after twisting his ankle on stage.

At the time, Fran took to Instagram to explain that he was wheeled out on a gurney and put into an ambulance.

Admitting that he thought he’d broken his ankle, the musician confirmed it was simply a “gnarly sprain”.

ALFIE Boe – one of the nation’s favourite tenors – will be unleashing his inner rock god on new album Face Myself.

The record, out on April 10, is inspired by his love of the Madchester era and was produced by Myriot, who previously worked with Primal Scream.

In an exclusive chat, Alfie revealed the album’s title track pays tribute to late Stone Roses bass player Gary “Mani” Mounfield.

The classical singer said he spent his weekends travelling up to Manchester as a teenager to immerse himself in the music scene, where the Stone Roses launched hits such as I Wanna Be Adored. Alfie said: “At the time I was writing that song, Mani passed away.

“So I had to put a tribute in the song. I changed the lyrics to say, ‘For good old Mani, he played it right’.”

The high-energy track, which is released today, also name checks Liam and Noel Gallagher’s childhood home on Cranwell Drive and celebrates the Madchester spirit.

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On the track he sings: “Dreams are grown in Burnage sky, a golden past that made us cry.

“The prom is glorified with lights, for good old Mani, he played it right. Those Cranwell boys, they sang along.”

As a teen, Alfie, who has clocked up 12 Top Ten albums including four No1s, joined an indie band and later found himself exploring classical music.

“I was in an indie band called The English Roses,” Alfie said with a laugh. We were going to go on tour and I was going to be the drummer. But there was school to attend, which was fine, but then I joined lots of other little bands.”

Alfie’s new album is made up of mostly original material and he was inspired to start writing by his pal, The Who’s Pete Townshend.

And the Les Miserables stage fave says the record is all about facing his past, adding: “I thought, what is it about me I have to face?

“It was my childhood, my teenage years, and what got me to where I am today. It’s been a wonderful journey.”

Dua’s full of beans

Dua Lipa has a hefty cheque coming her way, plus a lifetime’s supply of coffee I imagine.

She’s signed up to be global ambassador for Nespresso and posed in blue co-ords to promote the new tie-in. Dua also had a snap with George Clooney, long-time face of the brand.

Greg heading to £2m…but pleads for Wills’ help again

Greg James continues his mammoth 1,000km cycle ride for Comic Relief after getting the royal seal of approval from Prince William.

He was given a boost on Tuesday, when the Prince of Wales hopped on the back of the Radio 1 DJ’s tandem.

As I caught up with Greg yesterday from the Yorkshire Moors, he said he wished William had stuck around.

Greg, resting up on a wall, below, said with a laugh: “I could’ve done with his legs today. Wills, if you’re reading this, help.”

He has remained incredibly upbeat despite the physical and mental toll the challenge is taking.

And he has been buoyed by the incredible donations from the public, which last night was creeping towards the £2million mark. Greg, who set off from Dorset last Friday and is pedalling all the way to Edinburgh, said: “The hills are very, very difficult today.

“But there was a really nice crowd of people shouting at me at the top.

“The good news is we’ve raised over £1.5million, which is an absurd amount. I’d be happy with that if it was the final total but we’ve got three days left.”

He starts his ride from Sunderland this morning with two full days to go.

Tomorrow he will begin his final push, cycling from Galashiels in the Borders to Edinburgh, where he is set to arrive in time for Comic Relief to start on BBC One at 7pm. You can do this, Greg!

Go to comicrelief.com/ride to make a donation.

Placebo are making a comeback for the 30th anniversary of their debut album, which they have reworked into a new version.

Placebo re:created will be out on June 19.

They will then kick off a European tour this September playing songs from their first two albums, with dates in Nottingham, Glasgow, Dublin, Manchester, London and Cardiff in November and December.

Big cat in Africa

Doja Cat showed her wild side in clashing animal prints while on stage in Rwanda.

The Say So rapper, who wore a blue wig with a tiger-striped bodysuit, was performing at Global Citizen’s Move Afrika concert.

She sounded great, despite her carefree lifestyle.

In a new interview with Vogue yesterday, Doja admitted she’s had to curb bad habits for the sake of her live shows.

She said: “I love trash – I’m Oscar the Grouch. I love to eat garbage, and I love to drink, and I love to party.

“Not too hard, obviously. I don’t do any drugs.”

Doja, who had a romance with actor Joseph Quinn in 2024, went on to reveal she is a serial dater, adding: “I’m 30, so I’m ovulating and horny.”

At least she tells it how it is.

Mosh-pit memories with trust

The Teenage Cancer Trust is staging a photo exhibition at the Royal Albert Hall to mark the joys of mosh pits.

Musicians including Yungblud, Wolf Alice, Fontaines DC and The Sex Pistols ft Frank Carter are featured in the show, called Good Energy.

It highlights “good energy”, which is the code used by fans to look after each other in the crowd. Frank said of his pic: “It was taken in the Royal Albert Hall.

“To play there with the Sex Pistols was a dream come true. Seeing a mosh pit inside such a venue felt like the definition of Good Punk Energy.

The exhibition runs until April 9. Buy signed copies of the prints at teenagecancer trust.org/good.

One direction’s Louis Tomlinson confessed the band’s debut No1 single, What Makes You Beautiful, was his least favourite track. He told Scott Mills’s Radio 2 show: “Performing it was always really eggy.”

Louis also took aim at the handling of 1D’s split, adding: “Hiatus, what a horrible word. It’s cringey, screams management.”

Princess is really made up

Harper Beckham has competition from another nepo baby when it comes to her upcoming beauty brand – Katie Price and Peter Andre’s daughter Princess.

The Sun told last week that Harper had taken part in a photoshoot for beauty brand Hiku by Harper, which is expected to launch in the coming months. Now Princess is following suit.

She said on the Not My Bagg podcast: “I’ve been working on it for ages. I was in Liverpool three days ago.

“I went up for a photoshoot for my beauty brand, which is so good. It’s being released this year.

I’m so excited. I’ve always wanted to be involved in some sort of business. Make-up, I love, so it had to be that.”

COUNTRY music heartthrob Riley Green furiously kicked a “jealous boyfriend” out of his gig after being hit with a phone that left him with a bloody ear.

Riley needed five stitches to piece his ear back together following the Melbourne show on his Cowboy As It Gets tour.

During the gig, he was struck by a phone pelted from the pit which caused him to stop the performance and take off his guitar.

He then pointed out the offender and directed security to haul him out. Smiling with blood running down his neck, Riley then slung his guitar back on before being cheered by the raucous crowd.

The 37-year-old told them: “Damn, am I bleeding? See how tough I am?”

He then said: “You can get your phones out, and you can turn the flashlight on – but don’t throw them at me.”

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The violent incident certainly did no harm to Riley’s aura. His smitten fans sent messages of support on Instagram.

One said: “My babyyyyyy was bleeding.”

Another wrote: “Brother, don’t hurt my wife’s boyfriend!”

A third said: “He was bleeding but he’s a Bama boy…that’s just a little scratch. He can do anything he wants!”

While on one video, a fan wrote: “PSA to the jealous boyfriends., don’t throw your phones at Riley Green xx.”

Riley had a fun time despite the incident and regretted not being able to play for longer.

He wrote on Instagram: “Ole buddy ’bout ran outta anytime minutes last night… but a hell of a time was had.”

Riley’s become a global phenomenon in recent years.

Heartfelt songs like I Wish Grandpas Never Died, There Was This Girl, and Different ‘Round Here (feat. Luke Combs) have resonated thanks to their honest storytelling and southern drawl.

He supported Morgan Wallen at his BST Hyde Park gig in 2024 but put on a headline-worthy show.

Speaking about his summer in the capital, he told Entertainment Focus: “I wasn’t nervous but I certainly didn’t expect what happened! I thought that there would be, maybe, a handful of folks that knew a couple of my songs but they knew every word to every song.

“To see the size of the crowd……. especially when you go to another country and Canada had been the only other time I had played outside the States….. things are usually gradual in building up a fan base, right? It was shocking to see how passionate people were about country music over here.”

And he returned to these shores last year for some sold out gigs of his own.

POUTING actress Sydney Sweeney does more than just pay lip service to her undies brand by modelling the range.

The 28-year-old was marking SYRN’s role as lingerie partner of US music festival Stagecoach.

Sydney said: “We’re making the festival even better.”

Sydney recently revealed her true bra size, admitting her curves made her insecure until her star rose in Hollywood.

Her role in Euphoria helped her embrace her body exactly how it is, according to the star.

“I grew up with boobs. I was wearing a 32DD in sixth grade, and I never felt confident,” she told the magazine.

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“I never had anything I felt good in, and I just wanted to hide. It wasn’t until [I played] Cassie in Euphoria that I started realizing it’s actually powerful to be confident; our bodies are incredible.

“We should embrace [them] and feel really good in our skin.”

Sydney said that while playing Cassie, she was forced to wear things she typically wouldn’t – revealing pieces that highlighted her ample chest.

“I’d always be like, ‘Oh, this fit doesn’t work’,” she said.

“‘I don’t have the support I want. The straps are digging into my shoulders or it’s kind of itchy and riding up.’

“I started a whole Pinterest board of thousands of photos of inspiration, and I [thought], ‘I should actually do this.’ And we put it together.”

“Well, I guess it’s a brother thing.”

The Black Crowes singer Chris Robinson is reflecting on his rollercoaster relationship with his younger sibling, guitarist Rich.

Their explosive chemistry once earned the outfit a fitting accolade — “The Most Rock ’n’ Roll Rock ’n’ Roll Band in the World”.

Chris is first to admit they’ve had their ups and downs since forming in 1984 under their original name, Mr Crowe’s Garden, as schoolkids in Atlanta, Georgia.

“Rich and I, for better or worse, were stubborn and arrogant but always strong believers in the art,” he admits.

“This has always been our path and, no matter what, we have to do it like this.

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“In rock ’n’ roll, there are plenty of show dogs, pure bred and beautiful. We’re f***ing feral.”

Following in the footsteps of other warring brothers — Ray and Dave Davies or Noel and Liam Gallagher — the Robinsons weren’t on speaking terms for five years after their so-called “contractual obligations” tour ended in 2014.

“Sometimes, you have to take your lumps,” continues Chris, employing that very American phrase for suffering setbacks. “But, right now, we’re in the zone. The chemistry is 100 per cent there.

“The way we feel goes right back to when we started — it’s f*** it, just play it — even if we are more well-mannered.”

The Black Crowes’ big reunion began in late 2019 with warm-up shows for a planned 30th anniversary tour of their debut album, the seminal Shake Your Money Maker, the following year.

But the pandemic slammed on the brakes before the dates finally happened across the US in 2021, uncorking the band’s celebrated freewheeling energy.

Back to the live arena came Jealous Again, Hard To Handle, She Talks To Angels and Twice As Hard, songs that somehow bottled up the band’s influences — Led Zeppelin, the Rolling Stones and Little Feat among them — but still refreshingly their own.

In 2024, with their creative juices flowing, The Black Crowes released their first album of original material in 15 years, Happiness Bastards.

Now the Robinsons are back again — with a bang.

The follow-up, A Pound Of Feathers, comes tearing out of the blocks with the rocket-fuelled, riff-driven Profane Prophecy, setting the tone for another of The Black Crowes’ “love letters to rock and roll”.

The album arrives with some sound advice — “This isn’t a record you play on Sunday morning, this is a f***ing Saturday night burner!”

In a world where smoothly produced pop dominates the airwaves, The Black Crowes are unashamedly sticking two fingers up at it.

“None of what’s going on in that world is relevant to me,” decides Chris, “and rock ’n’ roll is still huge for millions and millions of people.”

He is talking to me via video call from Aspen, Colorado, the premier ski resort in the States, playground of the rich and famous.

“My wife is an avid skier. She’s the Franz Klammer of the family,” he reports with a reference to the Austrian downhill legend.

“I get to do the cooking, the reading and the hanging out.” (And talking to people like me about The Black Crowes). Brother Rich is at home in Nashville and begins his call by apologising for being under the weather.

“I’m going to be coughing randomly,” he says. “I’m in the middle of flu that’s going around.”

After clearing his throat, Rich, the less flamboyant one who lets his guitar wizardry do most of his talking, gamely picks up on Chris’s theme.

“When we got back together, we both agreed we needed to do it properly,” he affirms.

“We knew that bringing back a toxic dynamic wouldn’t be healthy for anyone.

“We couldn’t have the overarching idea that when Chris and Rich get together, it’s a bad thing.

“We’ve always written all the songs, we own the name so coming back with a more mature approach has been very helpful.”

Rich acknowledges that the music landscape for the older, wiser Black Crowes is vastly different from when they started out. “There’s a bunch of people in the industry who like to think rock ’n’ roll is dead,” he says.

“But then there’s a bunch of people trying to keep it alive. Guns N’ Roses, the Rolling Stones, Metallica and Def Leppard are still selling out stadiums.

“Tens of millions of people still want to see bands like them. Rock ’n’ roll is one thing that no one could tame.

“And it’s still like that for us. We can go into a studio with almost nothing and, in a week, make a record.

“There’s a human, organic quality to rock ’n’ roll. We don’t have auto-tune and we don’t have to set our s**t to a grid.”

Looking back at their unfettered past, Chris exclaims: “I have to say I’m so f***ing proud of The Black Crowes, man!

“Rich and I started this band when we were teenagers in Mom and Dad’s house, as a vehicle to write songs.

“And we found our way to being musicians and performers.”

Yet the creation of A Pound Of Feathers has still blown Chris away, most notably because of the stellar contributions from Rich.

The album was made in double-quick time, carried along by the brothers’ spontaneous fusion of riffs and lyrics.

Chris says: “I’ve been on stage and sat in studios my whole life with my brother playing amazing guitar.

“But, with this album, I sat there with my mouth hanging open.

“Granted I’m very close to the flame but everything he did, I was like, ‘Wow, this guy’s taking it to a new place.’”

During the sessions, The Black Crowes were visited by Chris’s friend, Todd Snider, the singer/songwriter who died last November from pneumonia aged just 59.

Chris cherished the chance to hang out with Todd — and to get some memorable feedback from him.

“He was a storyteller, a real poet, and he and I had a great friendship. He also really liked The Black Crowes.

“He asked if he could come and check out the recording. I went, ‘Dude, yeah fine, but you’re going to be the only one here’. So he sat there taking in me and Rich putting music together.

“At the end of the day, he said, ‘Are you f***ing warlocks? Is this some kind of ESP or is it a parlour trick? You don’t say anything yet, 30 minutes later, there’s this massive song blasting out of the speakers’.”

For Rich, the studio is his happy place. “I’ve always loved being in a studio,” he says.

“It’s where you bring to ­fruition all the things you have in your head.

“With this record, we came in without any concrete ideas. By allowing ourselves just to play in the sandbox, it became fun and exciting.”

Rich gives a shoutout to producer Jay Joyce, who also helmed Happiness Bastards.

He says: “Nine and a half times out of ten, he agrees with us when we’re excited about something.

“He’s there with us, not bogging us down by trying to insert himself when its unnecessary.”

So what of the songs? There’s the aforementioned opener Profane Prophecy which captures the unvarnished sound of The Black Crowes’ live mayhem, yet recorded in the calmer confines of a studio.

You hear Chris nodding to past rock ’n’ roll excesses by hollering, tongue firmly in cheek, “My pedigree in debauchery is my claim to fame.”

He smiles, “Of course I have to embrace that life. That’s why I sing, ‘I eat casino breakfast off the kitchen floor’.”

But he maintains that while giving “a vision of a debauched rock ’n’ roller”, he’s also “confusing fact with fiction”.

The four-minute shindig concludes with the ensemble chant of the phrase that yielded the album title, “a pound of feathers or a pound of lead”.

Chris got the line from In Here The World Begins, a song by long-defunct British electro-pop band Broadcast.

“I loved the phrase and what it could mean because a pound is a pound,” he says. “It doesn’t matter whether it’s lead or feathers. There’s some weird wisdom to it.”

We turn our attention to Cruel Streak, pounding rock underpinned by funky rhythm.

“I’m adjacent to funk at all times,” says Chris. “Growing up in Atlanta, there was this multi­racial band called Mother’s Finest who played heavy funk with ‘Baby Jean’ Kennedy as lead singer.

“There’s a lot of Mother’s Finest in The Black Crowes.”

On the R&B-flavoured It’s Like That, which comes with heavy basslines and a hint of reggae, the brothers employed an amphibian guest, which, as Chris explains, fits with their anything goes attitude.

“I was staying in Nashville, and the doors were open. I heard this frog, so I recorded him. That’s my Nashville rasta frog on the solo.”

Rich says: “There are tree frogs all over the South. They were blaring one night and Chris said, ‘Man, I want to use that sound’.

“So he took his phone and pressed record. We found the right space for it on the song.” On the loose, laidback country-tinged Pharmacy Chronicles, recalling the vibe of the Rolling Stones’ Exile On Main St., Chris sings “let the demons find you” because, he insists, we mustn’t think everything is “sugar-coated, glossy and gorgeous”.

“Especially something as messy as a 40-year career in rock ’n’ roll,” he adds. “I can’t believe some of the s**t I was doing. Get some surgical gloves and get to it!”

But Chris is not one to dwell on the past, with all its euphoric highs and crashing lows. “I am devoid of nostalgia,” he says.

“I like to think I interact with the world as a poet. I’m always writing — it could be because I overheard a conversation at an airport check-in.

“I’m no Bruce Springsteen,” he confesses. “But I connect with the world through whatever inspires me.”

And, as he puts it, “a lot of the darkness that is the United States right now” informs A Pound Of Feathers.

It explains why final track Doomsday Doggerel with its line “a front row seat to the end of times” is in stark contrast to the closing song on Happiness Bastards.

“On that last record, Kindred Friend was a beautiful pastoral thing with harmonica, about me and Rich, the band and our audience,” says Chris.

“Doomsday Doggerel is much darker. We haven’t remembered lessons from our past and the f***ing racism means we’re operating at a very low frequency.

“I just hope that someone can play this record on a Saturday night, keep out the low frequency and get a better hum going.”

As Pharmacy Chronicles ebbs to a close, you hear a defiant chorus of “the good times never end”.

As far as Chris and Rich and the rest of The Black Crowes family are concerned, rock ’n’ roll is the perfect antidote to personal and universal turmoil.

“We’re loud, we can be sloppy but we are like an old cartoon of two people fighting on a train,” says Chris.

“The train goes round a bend, leaning all the way over a cliff, but then it comes back up. That’s us.”

THE BLACK CROWES

A Pound Of Feathers

★★★★☆

THE list of the richest celebs in the world has been revealed — and it’s good news for Taylor Swift.

The US superstar’s net worth has soared since she was named a billionaire in 2023, and she is now worth twice that.

She has risen from No9 last year to No7 in ­Forbes magazine’s annual rundown, which revealed there are now 22 celebrity billionaires — up from 18 last year.

Fellow singer Beyonce, tennis ace Roger Federer, rapper Dr Dre and filmmaker James Cameron are the new additions who have crossed the $1billion threshold.

Taylor, 36, boosted her earnings massively with profits from her record-breaking Eras Tour and the value of her music catalogue, all of ­which she now owns, having bought back the rights to her first six albums last year.

She is said to have amassed $1billion from royalties and touring, while her catalogue of hits has been valued at $900million.

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The Eras 149 gigs across 21 countries from March 2023 to December 2024, made it the highest-grossing tour of all time at $2.077billion, with 10MILLION attendees.

Thanks to the money-spinning shows, she was able to buy the rights to her first six albums.

In 2019 Taylor’s former label, Big Machine, had sold the masters to talent manager Scooter Braun, prompting Taylor to vow to re-record them.

Braun sold them on to LA investment fund ­Shamrock Holdings in 2020.

But last May she announced she finally controls all her music.

Taylor said last year: “That’s how I spent that Eras Tour money. My fans are why I was able to get my music back.”

The rights to the records had been sold for more than $300million, although it is not known how much she spent to reclaim them.

But she is believed to have made an eight-figure sum in profits from the “Taylor’s Version” remakes of Fearless, Red, Speak Now, and 1989 — which all topped the charts.

She also owns $100million of real estate, including pads in New York, Beverly Hills, Rhode Island and Nashville.

The news coincides with new figures from the British Phonographic Industry, which reveal CD sales in the UK returned to growth in 2025, up 3.1 per cent, largely thanks to 226,000 copies of Taylor’s latest album The Life Of A Showgirl being sold here.

She also contributed to the 19.9 per cent year-on-year rise in vinyl purchases, thanks to 147,000 sales of the record on the format.

It meant The Life Of A Showgirl sold the most vinyl of any new album in a calendar year this century. Her 2023 collection Lover (Live From Paris), which was reissued last year, was also the fourth biggest vinyl of 2025.

Taylor has now scored six No1 singles and 14 No1 albums, ­beating Madonna’s record of 12 chart toppers for a female artist.

Taylor’s huge net worth dwarfs that of her American football star fiancé Travis Kelce, 36, whose riches total $90million.

The two are expected to marry this summer in a glittering, star-studded ceremony in the US.

Yesterday Travis hinted Taylor has started working on new music for a potential 13th studio album.     

He said: “It’s amazing to see her keep going to the table, keep finding new things to write about, keep finding new ­mel­odies and things like that.

“On top of that, still seeing her have that love and joy in what she does.

“Of course that’s motivating. That’s motivating for anybody to see, let alone in my fiancée, and knowing that I’m going through something as I try to figure out what the future holds for me.

“Something like that motivates me.”

1. Steven Spielberg

$7.1bn

THE highest-grossing director of all time, 79-year-old Spielberg earns an estimated $100million annually from gross ticket sales thanks to a 1987 deal.

2. George Lucas

$5.2bn

THE Star Wars creator, 81, kept the merchandising rights and ownership of the hit sci-fi franchise and in 2012 sold his firm LucasFilm to Disney for $2.2billion plus shares.

3. Michael Jordan

$4.3bn

BASLETBALL legend, 63, made $2billion from ­corporate deals.

In 2023 he sold majority stake in NBA team Charlotte Hornets, valued at $3bn.

4. Vincent McMahon

$3.6bn

BUSINESSMAN, 80, made sports promotion firm World Wrestling Entertainment – WWE – a global brand before a $21billion wrestling mega-merger in 2023.

5. Oprah Winfrey

$3.2bn

TALK show host made TV and films through her production firm Harpo.

Oprah, 72, has also earned millions partnering with Weight Watchers and through real estate.

6. Jay-Z

$2.8bn

Rapper, 56, made over $1billion from his alcohol brands D’Usse cognac and Armand de Brignac.

In 2008 he founded the lucrative entertainment firm Roc Nation.

7. Taylor Swift

$2bn

8. Kim Kardashian

$1.9bn

Reality star owns a third of her $5billion shapewear brand Skims.

Kim, 45, also earns through her skincare firm, endorsements, real estate, acting and TV shows.

9. Peter Jackson

$1.9bn

MOVIE director, 64, made Lord Of The Rings films and sold the tech division of his visual effects company Weta Digital for $1.63billion in 2021.

10. Magic Johnson

$1.6bn

FORMER basketball player, 66, has a majority stake in a life insurance company as well as part-ownership of four US professional sports teams.

11. Tiger Woods

$1.5bn

GOLFING legend made $1.9billion during his sporting career and through endorsements.

Woods, 50, is estimated to have earned $121million in prize money.

12. Dick Wolf

$1.5bn

THE producer behind hit US TV dramas Law & Order, Chicago and FBI, 79-year-old Wolf signed a five-year, $1billion deal with NBCUniversal in 2020.

13. Tyler Perry

$1.4bn

THE actor and filmmaker has 100 per cent ownership of his 22 films and over 1,200 TV episodes.

Perry, 56, now owns the largest film production studio in the US.

14. LeBron James

$1.4bn

SPORTS contracts have earned $500million for the 41-year-old basketball player – and he has a lifetime $1billion endorsement deal with Nike.

15. Bruce Springsteen

$1.2bn

ROCKER, 76, has toured for five decades, released 21 studio albums and received $500million when he sold his entire music catalogue to Sony in 2021.

16. Arnold Schwarzenegger

$1.2bn

HAVING earned $500million from films, the 78-year-old actor has also made savvy investments, including in an investment firm which manages $1 trillion in assets.

17. Jerry Seinfeld

$1.1bn

THE comedian has earned almost $500million from syndicating his self-titled sitcom.

Seinfeld, 71, still does stand-up and has a Porsche collection valued at $100million.

18. Roger Federer

$1.1bn

Retired tennis player, 44, won 20 Grand Slams but also had lucrative deals with Rolex and Mercedes.

He also has a stake in athletic

19. James Cameron

$1.1bn

FILMMAKER behind three of the four highest-grossing films of all time.

Cameron, 71, directed Titanic, Avatar and Avatar: The Way of Water, which made over $7.5bn.

20. Rihanna

$1bn

THE Umbrella singer, 38, has a $200million music catalogue but made her main fortune through cosmetics firm Fenty Beauty and lingerie brand Savage X Fenty.

21. Beyonce

$1bn

AS well as grossing more than $1billion in back-to-back tours, the singer, 44, has a $300million music catalogue and a haircare line, Cecred, valued at $100million.

22. Dr Dre

$1bn

RAPPER, 61, co-founded Beats Electronics and Beats Music, and launched the careers of Kendrick Lamar and Eminem through his label Death Row Records.

WE are just days away from St Patrick’s Day and the UK is full of events to celebrate.

Even though St Patrick’s Day falls on a Tuesday (March 17), this weekend there are a number of events you can head to soak up the celebration.

Some cities are hosting parades and others have more family-orientated events – so here are some of the best.

Belfast St Patrick’s Day Celebrations

Of course, it wouldn’t be this list without the capital of Northern Ireland.

St Patrick’s Day celebrations are spread across several days in Belfast, with a Music Festival from March 13 to 17, Celebrations at St George’s Market on March 14 and 15 and a parade on March 17.

When it comes to the parade on Tuesday, the streets will come alive with performers, music, dance troupes and community groups.

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Also on Tuesday, visitors will be able to enjoy the St Patrick’s Day Festival Village between 1pm and 4pm at Belfast Cathedral Car Park.

The village is free to enter and will boast music, dancing, food and family activities.

London St Patrick’s Day Parade

This Sunday, March 15, London will host one of the largest St Patrick’s Day parades in the country.

Starting at 12pm and running until 6pm, the parade will follow a 1.5 mile route and feature carnival performers, musicians, dancers and marching bands.

There will also be lots of celebrations in Trafalgar Square that are free for the public to enjoy.

For kids there will be arts and crafts sessions and if you get hungry there will be plenty of food stalls around.

Manchester Irish Festival

Manchester Irish Festival will take place across several days with Irish art, comedy, dancing, music, sport and theatre performances.

The parade will take place on Sunday, March 15, starting at 12pm.

It will follow a route into the city centre.

From March 12, there will be the Irish Festival Village at St Ann’s Square, with live music every day, Irish-themed pizza and pints, of course.

Leeds St. Patrick’s Day

Leeds‘ annual St Patrick’s Day celebration will be on March 15.

The day will be full of entertainment but there isn’t a parade this year.

In a statement on social media, the team said: “The Leeds St Patrick’s Day Parade committee would like to inform you of an important change to this year’s festival day.

“Due to matters out of our control, we have had to make the decision not to have floats and walkers travel the parade this year.

“This is a decision which was not made lightly and we hope to have this aspect back next year – bigger and better than ever.

“However, we will still be celebrating St Patrick’s Day in Millennium Square.

“There will be lots of entertainment and displays in the square for all to enjoy.

“It is still set to be a brilliant day – so don’t miss out.”

Birmingham St. Patrick’s Fun Day

On March 15, there will be a St Patrick’s Family Fun Day in Birmingham.

The event will take place at the Irish Centre, starting at 12pm.

There will be entertainment, activities, food, live bands and music.

For children, there will be a lot of fun to get stuck into including a funfair and face painting.

Meanwhile, parents can peruse stalls and have a go at the tombola.

If you want to grab a bite to eat, there will be Irish sausage baps as well as Fitzgerald’s Irish Store, which sells a range of Irish products.

Tickets to the event cost £10 per person, but children under the age of 10 go free.

Cheltenham Festival St Patrick’s Thursday

If you happen to be at Cheltenham Festival on March 12, you will get to see St Patrick’s Thursday.

As the battle for the Prestbury Cup continues, attendees can also make the most of live music across six areas.

For example, The Tumbling Paddies will perform live in The Guinness Village.

Glasgow St Patrick’s Festival Family Fun Day

In Scotland, you can head to Glasgow‘s St Patrick’s Festival on March 14.

Running from midday to 5pm, the festival on Merchant Square will include live Irish music, face painting, a balloon artist and stalls with deals on holidays in Ireland.

There will also be a number of bars and restaurants involved in the event.

Can’t make March 14? On March 17 – actual St Patrick’s Day – head to the Grosvenor Cafe in Glasgow’s West End for live music, dancers, spice bags, pints and even a special appearance from Jedward.

For more upcoming events, here’s what’s on in the UK this month.

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SHARON Osbourne has revealed that Ozzy’s iconic Ozzfest gigs will continue following his tragic passing.

The festival featured an array of artists and was created by Ozzy and Sharon as a music festival tour specialising in rock and metal music.

It was an annual event which ran between 1996 and 2018 and was well known for featuring performances from Ozzy and his band, Black Sabbath.

Now, less than a year on from his sad passing, Sharon has revealed there are plans to revive the music festival tour in his legacy – beginning with a new run of shows in 2027.

Having held discussions with entertainment giant and touring company Live Nation, Sharon confirmed on her son Jack Osbourne‘s podcast that deals had been struck for brand new shows.

She said: “2027, it’s coming back – Aston Villa.

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“We wanna do two days in Aston Villa and then come to America.

“We wanna hear from everyone about where we should go in America.”

She went on to add: “We gotta find a lot of young new talent because that is what your dad would want.”

Jack agreed, adding: “That is what Ozzfest was all about.

“That second stage is where so many guys came out of.”

Sharon appeared to be referring to Villa Park – the stadium of Ozzy’s beloved team Aston Villa in his native Birmingham.

He held his farewell concert there last summer – just weeks before he tragically passed away.

The news will be a welcome surprise for Ozzfest attendees and fans of metal and rock music.

Sharon and Ozzy recently honoured Ozzy at the Brit Awards where he won the Outstanding Contribution to Music award.

IT MIGHT be super early to start thinking about Christmas but it is that time of year again where LaplandUK tickets drop soon.

LaplandUK has announced that tickets to its sought-after festive experience will be released later this month on March 27 at 10am.

The high-demand tickets usually sell out within a few hours after launch and this year is expected to be the same with the newer £30million Manchester LaplandUK experience running for its second time.

Similar to the rush for Glastonbury but for Christmas, LaplandUK is predicting that over one million people want to get tickets.

Last year, 350,000 tickets were available and before the tickets were released, over 750,000 people were waiting in the virtual queue online.

This year, LaplandUK will run from November 7 to December 24, with tickets costing between £60 and £195.

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On March 27, guests will be able to enter the virtual waiting room at 9am, via LaplandUK’s ticketing platform.

Each guest will then need to select their preferred venue – Ascot or Manchester.

At 10am, when tickets are released, each guest will be allocated a random place in the queue for the venue they have selected.

Once they reach position one in the queue, they will be able to select the number of tickets they want and the date they wish to visit.

Kerrie Thomas, 47, from South Wales said: “This year will be our 25th visit.

“The adrenaline of getting tickets to LaplandUK is literally like trying to get tickets to Glastonbury or Adele.

“We have everything ready before the sale opens, and get friends and family involved too.

“It really is worth it to see my daughter’s face when she steps into LaplandUK, it is just so magical.

“It has become an unmissable Christmas tradition in our household.”

Once guests purchase their tickets, they will be sent a personalised invitation.

Then, when it comes to the day of visiting, families will get to explore a snow-filled world with Elves, a frozen pond for skating and a Toy Factory.

Around the experience there will also be smells of the Lapland Bakery and the glistening of twinkling lights.

When guests arrive they will venture through “secret portals in the Whispering Woods of the UK and follow magical pathways to arrive in Lapland”.

The experience also includes performances and interactive activities such as helping out the Elves in the Toy Factory to make a toy to pop in Father Christmas’ Sleigh.

And of course, each child gets a special moment with Santa himself, who will give them a gift to take home and another surprise for Christmas Day – the specific toy they created in the Lapland Toy Factory.

To find out what it is like to visit LaplandUK, one Sun reporter visited the new experience in Manchester last year.

Plus, a mum has shared her top Lapland UK tips, including how to save money and the best areas to go to.

HILARY Duff broke down in tears as she laid bare the heartbreaking feud with her sister.

The So Yesterday hitmaker – who is in the midst of a huge pop revival with new album Luck … Or Something – admitted the pair “don’t speak”.

Hilary, 38, first referenced bad blood with her actress and singer sibling Haylie, 41, in her album track We Don’t Talk.

The track also tellingly samples Gotye song Somebody That I Used To Know.

In a new podcast chat with Jay Shetty, she explained the delicate situation and how the ongoing drama is a “raw part of my existence”.

Hilary, who previously starred with her big sister on the pair’s infamous Lizzie McGuire TV show, fought back tears as she told the On Purpose podcast: “My sister and I don’t speak.

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“And I think in my adulthood I’ve come across more and more people that are having this experience”.

She branded the situation as “a very raw part of my existence’ before she added: “I hope it’s not forever, but it’s for right now”.

Hilary said: “As painful as it feels to share, when I decided to make this record, I could only talk about the things that I’ve gone through.

“Like there would be no purpose to make a record after 10 years than to face, you know, what it’s been like.

“That’s my truth.

“And I really worked hard to lyrically make sure that I’m just speaking about my experience, you know?”

The sisters haven’t been seen together in public since 2019.

During her recent tour Hilary, who is currently relaunching her music career with a slew of stage shows, appeared to lift the lid on the fall out with her sister, and even blamed “jealousy”.

During her recent concert in London, Hilary introduced fans to the new song, We Don’t Talk.

In a clip of her performing the song on stage, she sung: “Don’t know when it happened / Not even sure what it was about,” alluding to their broken down relationship.

She continued: “Cause we come from the same home, same blood.

“People ask me how you’re doing / I wanna say amazing, but the truth is that I don’t know / What I always end up saying is how … ”

For the chorus, Hilary sung: “We don’t talk, we don’t talk about it / We don’t talk about anything anymore.”

It is in the second verse that Hilary alluded to sibling rivalry.

“And if it’s ’cause you’re jealous / God knows I would sell it all, then break you off the bigger half,” she sung.

A fan then took to social media to put: “WOWW… Hilary Duff just sung We don’t talk and it’s 100% about Haylie. But not mean at all. Basically telling her to reach out.”

Another agreed and put: “I think Hilary misses her sister!”

In another interview, she confirmed the spat was the source material for her track.

“Yeah, it is. It’s definitely about my sister,” Hilary admitted.

After years of silence, back in November Hilary seemingly addressed the feud between her and her sister while chatting about “family drama”.

Speaking to Rolling Stone about her musical comeback, the star said she feels “ready to fill in the blanks and share with people and connect with them on the level of now”.

She then told the outlet how she and her fans have gone through twists and turns and “have gone through a lot of the same things”.

“Whether that’s complicated relationships, anxiety, raising kids, divorces, trying to find yourself in adulthood, family drama…

“Finally I felt safe enough and comfortable in my own family to step outside and open that part of myself up again,” she explained.

Chatter previously swirled that the pair, who were once very close, weren’t getting along because of differing political views.

However, social media gossip page DeuxMoi claimed that the sisters fought over Hilary’s husband, Matthew Koma, butting heads with Haylie’s husband, Matthew Rosenberg.

WARMER weather is on the horizon, so why wait until summer to visit your favourite holiday hot spots?

Spain is still top of Brits’ holiday lists and the coming months are a great time to visit this beautiful country, with mild temperatures just right for exploring when it’s not too crowded.

Sophie Swietochowski shares her pick of springtime destinations in Spain and its islands with tips from experts who know the area.

THIS northern port city may not attract as many fly-and-flop holidaymakers as the southern costas, but its coastlines are no less beautiful.

Temperatures can reach the low 20Cs during spring in Bilbao, so Sara Di Lenardo, Destination Manager at British Airways Holidays, recommends hitting the shores.

She says: “There are several wild beaches in the Basque Country. The rocky shores are dramatic and incredibly photogenic.

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“Walk along stunning coastal paths with the Pyrenees as the backdrop — they might possibly still have snowy peaks in spring.”

The month of May is a great time to visit for music fans, thanks to several big concerts and events.

Sara advises to keep your eyes peeled for the Trikitixa, a traditional basque instrument that’s a bit like an accordion.

STAY: Two nights’ room-only at the 5H Melia Bilbao is from £349pp including flights from Gatwick on selected dates in May. Price includes 10 per cent discount. Book by March 31.

See britishairways.com/content/holidays/spain/bilbao.

THE White Isle only starts awakening for its big party season in spring, after a slow winter hibernation — and for travel expert David Mason, this is one of the best times to visit the party isle.

He reveals: “You have all the optimism of a new season commencing, cheap accommodation and flights, plus lots of local food festivals.”

Throughout this month, up until early April, you’ll be able to experience the Pintxa Run food festival in San Antonio, close to the ocean, David says.

Every Thursday throughout the month, dozens of small bars and restaurants dish up tapas and a drink for just three euros with everything from steakhouses to pizzerias participating.

David adds: “The festival includes a free novelty train that takes you from stop to stop — perfect if you’ve had a few too many cervezas on the route.”

STAY: Seven nights’ all-inclusive at the 4H Invisa Figueral Resort Hotel Cala Blanca is from £562pp including flights from Manchester on April 7.

See easyjet.com/en/holidays.

IF you’re a foodie, San Sebastian won’t disappoint.

Sara di Lenardo says this is the top place to sample pintxos in the traditional way (small bites served on a mini slice of bread).

Wash it down with a local beverage for a truly authentic experience.

Sara adds: “Spring is cider season. Try the local drink txakoli — it can be found in most bars in town, but if you have time, make sure to visit Getaria where it’s produced.”

For those seeking seaside relaxation, Sara recommends La Concha, a horseshoe-shaped beach right in the city, offering gorgeous views of the blue Med.

STAY: Seven nights’ B&B at the 4H Bancal Hotel & Spa is from £599pp including flights from Gatwick on selected dates in May. Book by March 31.

See britishairways.com/tenerife.

THIS vibrant student city, which sits a little south of Alicante, is fascinating for history lovers, with its 14th-century cathedral taking pride of place in the city centre.

Tom Wilkinson, product manager at Explore Worldwide, says: “This lesser-known southern gem enjoys 320 days of sunshine each year, with mild winters and a semi-arid climate.”

The sights are best explored on two wheels, says Tom — on a cycle tour you’ll pass through white-washed villages and historic Moorish towns, pausing to watch the sun set.

Fruit and veg are at the forefront of cuisine here and you can expect rich stews as well as freshly baked cakes.

Try Keki, not far from the cathedral, which serves up a Murcian cheesecake to die for.

STAY: A seven-day Cycle Southern Spain tour costs from £970pp including six breakfasts, all accommodation, cycle gear and flights from selected airports on May 10.

See explore.co.uk.

HOLIDAYMAKERS jetting off to Menorca in spring can expect rugged landscapes backed by chalky white cliffs and sandy bays overlooking vibrant blue seas.

“The beaches are some of the most beautiful in the world, offering Caribbean-style scenes without the time difference,” says Kate Bigger, destination manager at British Airways Holidays.

She suggests strolling the impressive Cami de Cavalls, adding: “This is a walk that goes through the length of the island, with spring being the perfect time to do this.”

Vineyards are scattered across the island and many of them invite visitors to meander among the vines, sampling wines as part of a tasting lunch or dinner.

STAY: Seven nights’ B&B at the 5H Melia Cala Galdana is from £1,099pp (includes €28pp tourism tax, payable locally) including flights from Gatwick on selected dates in May. Book by March 31.

See britishairways.com/menorca.

MUMS have their mothers’ meet-ups and Facebook community groups, but did you know the dads have their very own festival?

Every year, DadFest – the only festival in the country for just fathers and their kids – takes place in Yorkshire.

During the festival at South Cliff Holiday Park, you can create your own campfire with your little ones or stargaze together.

For active families, there’s the opportunity to have a go at archery, bouncing on trampolines, crazy golf and high ropes.

Dads who want to take a seat and watch their kids play can head to the disco or a Forest School.

And if you love exploring the wilderness, there are even bat walks to head off on.

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Of course, you can expect arts and crafts sessions too and children’s entertainment.

For a laugh, make sure to catch the Regional Dad Dancing Championships at the festival, which will pick one dad as Yorkshire Dad Dancing Champion.

It’s not just dads though – other male figures including step-fathers, uncles and grandparents are welcome.

All of the activities are included in a festival ticket, as well as access to The Edge Aerial Adventure (high-ropes course), camping and parking.

There is food for purchase on site too but you can bring your own camp stove and prepare your own food.

Guests can use the holiday park’s facilities whilst staying, which include the Conservatory Restaurant and two bars.

There is also a fish and chip shop if you prefer a salty takeaway and a small shop.

The holiday park also boasts an outdoor playground, with nest swings, zip lines, climbing walls and a giant tower with slides.

And whilst you stay at the park and enjoy the festival, make the most of the coastal location as well.

The holiday park sits right by Bridlington South Beach, which is a huge stretch of golden sand, is dog-friendly, ideal for watersports and has fascinating low clay cliffs.

The festival was created by The Dads’ Network CIC which is for dads, father figures, male carers and their children and last year, it won the award for the ‘Best Small Event in the UK’ by the National Outdoor Events Association.

Councillor Nick Coultish, cabinet member for culture, leisure and tourism at East Riding of Yorkshire Council, said: “This unique festival gives dads and children the chance to connect with nature while enjoying fun activities that help develop new skills and strengthen family bonds.

“I had the privilege of taking part in the last DadFest and was hugely impressed by how well organised it was and by the wide variety of activities on offer.

“My daughter and I had a fantastic time, and I’m delighted to see the event return.”

DadFest organiser and founder of The Dads’ Network, Ian Blackwell, said: “DadFest started in Devon in 2014 and we ran our first DadFest in Bridlington in 2025.

“We are really pleased to be bringing our small, award-winning festival to East Yorkshire in partnership with East Riding Council and Rewilding Youth.

“The festival will also be bringing the renowned ‘Yorkshire Dad Dancing Championship’ – a hotly contested dance off by grooving dads, much to the sheer embarrassment of their kids.

“The winning dad in Yorkshire will take home the bragging rights as the Yorkshire Champ and will get free tickets to The World Dad Dancing Championships in Devon in September, along with a fetching trophy for the mantlepiece.”

DadFest will take place from 3pm on May 15 to May 17.

Tickets cost £112 per dad and one child, £122.50 per dad and two children or £132.50 per dad and three children.

For more family days out, here are the best UK family days out from £10 to completely free this Easter holidays.

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