Festivals and Music Tours

LOLA Young has made her comeback to social media after taking a sudden break from her music career.

The performer shocked concert-goers when she plummeted to the ground on stage in September and just days later announced she was stepping away from the limelight for the “foreseeable future.”

Lola, 24, returned to Instagram with some positive news for fans and promised she was doing a lot better.

“Hey, I just wanted to express gratitude to everyone who has given me time and space to gather myself and get my head in a better place,” she wrote in the heartfelt post.

“I’ve felt so much love and support from you all and it has helped more than you will ever know.”

Lola continued: “I am hoping to gradually get back to performing and continuing pursuing my dreams. Happy holidays to you all and can’t wait to see you in 2026.

“Life is a journey, nothing is perfect but today I am doing well. All my love always, Lola x.”

The London-born singer had just released her critically-acclaimed debut when she made the sudden decision to press pause on her career and cancelled her tour.

Announcing her departure in a heartbreaking statement shared on Instagram, Lola said she hopes her followers will give her a “second chance”.

“I’m going away for a while. It pains me to say I have to cancel everything for the foreseeable future. Thank you for all the love and support,” she wrote in a post at the time.

“I’m so sorry to let anyone down who has bought a ticket to see me, it hurts me more than you know.”

The singer had gone through a series secret struggles – from a mental health diagnosis to an ongoing nepo baby row and even legal issues.

Last year, while Lola’s biggest hit was climbing up the charts, she was checked into a rehab facility for an addiction to cocaine.

It’s thought she was admitted last November and the drug addiction swamped the singer for “a long time”, she said in an interview with The Guardian.

She also revealed she ‘hated’ her body after trolls flooded her social media accounts with cruel comments.

Meanwhile, when she was 17, she was diagnosed with schizoaffective disorder.

The condition is a mix of schizophrenia symptoms, such as hallucinations and delusions, according to the NHS.

Writing on Instagram in 2022, Lola explained: “I have struggled immensely learning to accept this part of myself, and I am still learning.”

IT was the year when those noisy Mancunian brothers brought the Britpop Nineties back to packed stadiums everywhere.

It was the year when Pulp made a charming first album in 24 years, with Jarvis Cocker singing about getting older with a wry smile on his face.

But I contest that one band from the era has been the most forward-facing, the most creative and the most kick-ass – Suede.

Which is why their vibrant, visceral, unflinching and wildly adventurous Antidepressants is our Album Of The Year.

Back in September to mark its release, frontman Brett Anderson told me: “We’ve fallen in love with being a rock band again.” And this week I caught up with him again to impart some good news . . . 

Congratulations! Antidepressants is the SFTW Album Of The Year. Does that make you happy?

Thank you. Very!

In all the years of Suede, where does 2025 rank?

Right up there. Somewhere between 2024 and 2026.

What have been the highlights of the year for you?

The South Bank takeover gigs in September were great – playing those new songs live for the first time was special.

I particularly enjoyed the Clore Ballroom show where we just did post-reformation stuff.

I thought that was an exciting and fairly unique thing to do for a band of our generation.

Also, I just love the South Bank. Walking over the footbridge from Embankment tube and looking at the skyline always gives me a sense of awe, a feeling of London being this big, beautiful, living thing.

Which of the new songs have you enjoyed singing live the most?

June Rain has a nice dynamic and slow sense of build which works great live. Plus the first half is spoken-word so I get to sit down a bit.

I personally think the album’s opening song Disintegrate should be the Christmas No.1 . . . do you agree?

Ha! Yes, love it. A kind of resolutely unseasonal Christmas song full of dread and fear.

Which album, aside from Suede’s, has been your favourite this year and why?

I liked Sprints’ All That Is Over. It was sharp and shouty and brainy and brash. (Sprints are an Irish garage punk band).

You told me that Suede are “the anti-nostalgia band”. What keeps you facing forwards rather than reflecting on the past (unlike some of your peers)?

Hmmm, huge question. I’ve always thought the point of any artist was to create rather than to repeat and consolidate.

That search for the next great song, the next great album, the next great moment has always been the carrot I’ve chased.

I come from a fiscally poor but culturally rich family background. My mum was an artist and a dressmaker and my dad was a classical music-obsessed taxi driver who made our furniture.

When I was a kid, we didn’t have any money, so if you wanted something you made it yourself.

I’m much less interested in what I wrote 30 years ago than in what I’m going to write next.

Have you started work on the third album of Suede’s “black and white” trilogy, following Autofiction and Antidepressants?

Yes, we’ve written a handful of songs already. I want it to be harder and more extreme than Antidepressants, a relentless onslaught, incessant and uncompromising and very rhythmic.

I already have a title which I’m keeping secret.

You also spoke to me of the importance of family relationships. Does that mean Christmas is a special time for you?

My family and my band are of course so, so important to me and in many ways they feed into each other. It’s hard to write about family without coming across as schmaltzy but luckily I can find the cloud in any silver lining.

Among my favourite songs I’ve ever written are Life Is Golden and She Still Leads Me On which have both been inspired by fatherhood and family.

And yes, Christmas is especially great when you have kids.

Happily though, now my son is older, there’s less pressure for me to dress up in a Santa suit.

What are your hopes for 2026 – for you, your family, the band, and for humankind?

For the band to write a great follow-up to Antidepressants and for humankind to stop scrolling. My hope for myself is always the same – to be a good husband and father.

2. ROSALIA

Lux

THE Spanish star known for her reinvention of ­folk and flamenco turned her attention to more bombastic, classical genres on this fourth album.

Backed by the London Symphony Orchestra it was a lavish production sung in a variety of languages. Bonkers but brilliant. JS 

People Watching

WITH its widescreen ambition, driving intensity and visceral lyrics, songs about “the human experience” couldn’t fail to draw comparisons with Fender’s “biggest hero”, Bruce Springsteen.

But it also marked the Geordie’s coming of age as a major artist in his own right. SC 

4. ROBERT PLANT with SUZI DIAN

Saving Grace

FOR six years, Led Zeppelin legend Plant has surrounded himself with acoustic musicians who live near his Worcestershire home, singer Dian among them.

Together, they gave us a ravishing mix of trad and contemporary covers. Rarely has he sounded so sublime. SC 

5. BIFFY CLYRO 

Futique 

A REFLECTIVE album shaped by friendship, family and loss, it captured Biffy Clyro at their most emotionally open.

Goodbye explored mental health, while A Thousand And One and Two People In Love delivered some of the most moving moments. JS 

6. MARGO PRICE 

Hard Headed Woman

FURTHER proof that Price tells it like it is. This was a stirring return to her country roots, following the trippy rock textures of Strays.

It drew comparisons with her beloved debut, Midwest Farmer’s Daughter, but was inspired by another decade of life experience. SC 

7. TURNSTILE

Never Enough

THIS fourth album from the hardcore punks from Baltimore, known for their energetic live shows, crossed into the mainstream.

The title track had a catchy chorus and melodic guitar breaks while at its heart there was still an uncompromising mandate to rock out. JS 

8. THE DIVINE COMEDY

Rainy Sunday Afternoon

WE’VE long been intrigued by Neil Hannon – not just because he once wrote a song called Something For The Weekend.

These 11 tracks assumed a reflective tone, with love and loss prominent themes, and featured some of Hannon’s most sumptuous tunes. SC 

9. YUNGBLUD

Idols

THIS album sees Yungblud questioning hero worship and identity after a life-changing encounter with a fan.

Inspired by Britpop, it’s his most confident work yet, opening with a nine-minute rock opera and driven by limitless self-belief and ambition. JS 

10. LADY GAGA

Mayhem 

GAGA proved why we loved her in the first place, returning to her dance-pop roots.

She recalled the vibe of her 2008 debut The Fame yet delivered an album for the here and now.

It was marked out by strong singles Abracadabra and Disease. SC 

11. GEESE

Getting Killed

THIS was a case of do believe the hype. With mesmerising singer Cameron Winter at the helm, Brooklyn’s indie rock saviours might channel The Strokes, The Stones, or even Nirvana, but they’re too weird and original to be slaves to their influences.

On the brink of greatness. SC 

12. JACOB ALON

In Limerence

FEW debuts arrived so perfectly formed as this one featuring the tender storytelling of Scottish singer Alon.

With an impossibly pure voice which sat somewhere between Bon Iver and Thom Yorke, it was full of fragile hope.

Vulnerable and haunting ambient soundscapes. JS 

13. PULP

More

JARVIS and Co’s first album in 24 years was dedicated to dear departed bassist Steve Mackey – and it summoned the old mischief. “I am not ageing.

No, I’m just ripening,” cried the singer on Grown Ups, a song filled with lyrical twists and turns. SC 

14. CMAT

Euro-Country

WITH songs about Teslas and Jamie Oliver, there was a quirky, kitsch element to Ciara Mary-Alice Thompson’s third album.

It also plumbed deeper depths of emotional pain but was allied to soft pop melodies.

Issues tackled included social media and objectification. JS 

15. MATT BERNINGER

Get Sunk

TALL, elegant, blessed with a sumptuous baritone, The National’s frontman and lyricist is an, er, National treasure.

But he managed to save wonderfully evocative songs for his second solo outing, including the intoxicating ebb and flow of opener Inland Ocean. SC 

16. DAVE

The Boy Who Played The Harp

HIS first album in four years found Dave drawing on the power of his biblical namesake King David to explore vulnerability and masculinity.

With James Blake’s ghostly production on Selfish and Chapter 16 (ft. Kano), it struck a reflective mood. JS 

17. JASON ISBELL

Foxes In The Snow

THE Alabama-born artist recorded his latest offering without his ace band, the 400 Unit, but with an old acoustic guitar for company.

“This is the first time I’ve done an album with just me and a guitar,” he told SFTW of the exquisite, stripped-back song cycle. SC  

18. BILLY NOMATES 

Metalhorse 

METALHORSE emerged from a personal, tumultuous period for Tor Maries.

A loose concept album set in a dilapidated funfair it featured radio hit The Test, while Strange Gift offered hope.

Closing song Moon Explodes was especially moving, written after Maries’ MS diagnosis. JS 

19. BIG THIEF

Double Infinity

FEW vocalists could handle the word “incomprehensible” like Adrianne Lenker on this LP’s fuzzy joy of an opening track.

Though the indie darlings have contracted to a three piece, there was nothing shrinking about their fearless, exilharating sonic adventure .SC  

20. OLIVIA DEAN

The Art Of Loving

MELLOW and sumptuous, the second album from the stylish Londoner was smooth soul to relax into.

Tracks such as Nice To Each Other and Lady Lady were warm and all-enveloping, exploring affairs of the heart with a particular emphasis on self-care. JS 

21. LILY ALLEN

West End Girl

LILY’S fifth album, the first in seven years, was also her most vulnerable and intensely personal.

It came after her split from actor husband David Harbour and the songs laid it all out in heartbreakingly painful detail.

Infidelity and betrayal were constant themes. JS 

22. BON IVER

Sable, Fable

DIVIDED into two distinct halves, the first was an understated return to the folky stylings of Justin Vernon’s wintery debut album, For Emma, Forever Ago.

The second blossomed into more upbeat territory, primed for glorious spring sunshine. SC  

23. THE WATERBOYS

Life, Death And Dennis Hopper

MIKE Scott took us on a wild ride with this 25-track album celebrating “one of the great American lives”, actor and hellraiser Dennis Hopper.

He summoned a blizzard of musical styles and included cameos from Bruce Springsteen, Steve Earle and Fiona Apple. SC  

24. AFRICA EXPRESS 

Bahidora 

EVEN before Blur completed their reunion gigs, Damon Albarn headed to the Mexican jungle with a dizzying array of 70-plus artists from four continents.

The result? A thrilling mash-up of African rhythms, electronic textures, Latin soul, rock, hip hop – everything! SC  

25. MAVIS STAPLES

Sad And Beautiful World

SHE bears one of the greatest living voices . . .  and it remained in towering form.

Well into her Eighties, Staples tackled our uncertain world with unerring compassion.

Guests included Buddy Guy, Bonnie Raitt, Wilco’s Jeff Tweedy and Bon Iver’s Justin Vernon. SC  

26. BRANDI CARLILE

Returning To Myself 

THIS record found Brandi in an introspective, stripped-back mood after a landmark year.

Working with Aaron Dessner, Andrew Watt and Justin Vernon, the album reconnected her with loneliness, self-belief and politics, from the reflective title track to the powerful Church & State. JS  

27. WOLF ALICE

The Clearing

THE fourth album from the Brit award winners was a grandiose affair, a bold and confident leap forward.

Tracks like Bloom Baby Bloom incorporated all their strengths with bombastic choruses and lush melodies, showcasing Ellie Rowsell’s exceptional rock vocal range. JS 

28. STEREOLAB

Instant Holograms On Metal Film

A STRONG return after 15 years from the much-loved Anglo-French combo.

Led, as ever, by Tim Gane and Laetitia Sadier, the album revisited their distinctive blend of art-pop and motorik beats, really hitting the mark on the effervescent Electrified Teenybop! SC  

29. RICHARD ASHCROFT

Lovin’ You

ASHCROFT’S first album of new music since 2018 arrived after he supported Oasis on tour.

From the Joan Armatrading-sampled Lover to the title track, which sampled Mason Williams’ 1968 Classical Gas, it was a vocally focused, emotionally wide record. JS 

30. WET LEG

Moisturizer

MORPHING from duo to fully-fledged band, the follow-up to their debut album was still as oddball as ever, but it came with a tighter focus.

Tracks like Davina McCall and Jennifer’s Body were heartfelt, kooky love songs backed by ragged, punky basslines. JS  

31. SOMBR

I Barely Know Her

A SPECIAL debut full of heartbreak from the bedroom pop star who quit school to make music.

His melancholy voice accompanied by his own guitar, bass and keyboards and drums, made this magical, with Dime and disco-tinged 12 To 12 emerging as standouts. JS 

32. MOLLY TUTTLE

So Long Little Miss Sunshine

THE Grammy-winning singer forged her reputation at the forefront of the bluegrass revival.

Now she has spread her wings with this ravishing work of myriad styles. It also provided her with the confidence to be open about her alopecia. SC  

33. TOM GRENNAN

Everywhere I Went, Led Me To Where I Didn’t Want To Be

THE down-to-earth singer from Bedford laid his feelings bare on this reflective fourth album shaped by growth, friendship and vulnerability.

It balanced anthemic pop with emotional depth, from Shadowboxing to Boys Don’t Cry. JS 

34. TAYLOR SWIFT

The Life Of A Showgirl

RECORDED in stolen moments during the record-shattering Eras tour, it found Swift reflecting on love and life in the spotlight after falling for NFL star Travis Kelce.

Working with Max Martin and Shellback, it was polished, theatrical pop with self-aware glamour and emotional insight. JS 

35. JOHN FOGERTY

Legacy: The Creedence Clearwater Revival Years

FOGERTY celebrated the recent end of his decades-long fight to get his publishing rights back.

It meant he could belt out timeless hits Proud Mary, Born On The Bayou, Bad Moon Rising and Up Around The Bend with unbridled joy rather than lingering bitterness. SC  

36. MIDLAKE

A Bridge To Far

BEST remembered for their second record, 2006’s The Trials Of Van Occupanther, these enduring Texans rekindled their love of melody-rich folk rock. Two decades on, A Bridge To Far might just have been their best since that hallowed album. SC 

37. TATE MCRAE

So Close To What

THE Canadian singer’s third album was slick and polished futuristic pop and highlighted her journey from teenage dancer to arena-selling pop princess.

Tracks like Purple Lace Bra were multilayered with beats, synths and strings, and created a sultry, sizzling mood. JS 

38. BEIRUT

A Study Of Losses

FOLLOWING Zach Condon’s sortie to the Arctic Circle for 2023’s exquisite Hadsel came this work of unerring beauty.

The 11 songs and seven instrumentals, spanning nearly an hour, struck a melancholy tone but they left a lasting and profound impression. SC 

39. ALISON KRAUSS & UNION STATION

Arcadia

TO Robert Plant’s duet pal Krauss, her latest project was “like stepping into an old pair of shoes”.

Her first album with her virtuoso bluegrass band since 2011 evoked bygone times, while still connecting with 21st Century listeners. SC

40. TOM SMITH

There Is Nothing In The Dark That Isn’t There In The Light

AFTER 20 years fronting Editors and two records with Andy Burrows, Tom Smith stepped out on his own.

His first solo album stripped everything back to the core of his songwriting, capturing the honesty, anxiety and hope that shaped this new chapter. JS 

41. FKA TWIGS 

Eusexua 

THE album title was a made-up word taken from euphoria and sexual to describe “a feeling so intense it transcended the human form”. 

And it lived up to its name.

On the arty, left field side of electronica, this third record was her most complete and satisfying. JS 

42. THE DELINES

Mr Luck & Ms Doom

WHEN ex-Richmond Fontaine frontman Willy Vlautin (lyricist/guitarist in this band) is involved, you tend to get songs with disturbing narratives about people from the wrong side of the tracks.

This firmly ticked that box – and then there was Amy Boone’s enriching, expressive vocals. SC 

43. DAVID BYRNE

Who Is The Sky?

THE world may be going to hell in a handcart, but at least Talking Heads legend Byrne kept a smile on his face.

That was the vibe you get from his latest effort, most notably on rousing opening track Everybody Laughs, which came with a cameo from longtime collaborator St Vincent. SC 

44. BLOOD ORANGE

Essex Honey

ECLECTIC and imbued with an aching sense of loss and nostalgia, Dev Hynes’ fifth album as Blood Orange was an exploration of his upbringing in London.

A collection of memories recalled through spindly indie, jazz, chunky beats and evocative soundscapes. JS 

45. DAMIANO DAVID

Funny Little Fears

FOR Maneskin’s Damiano David, this felt the right moment for a solo album, revealing a more personal, previously hidden side.

It was less rocky than Maneskin, confronting fear and identity through piano-led pop inspired by Keane, The Killers, and Elton John. JS 

46. RON SEXSMITH

Hangover Terrace

THE Canadian has assembled a fine body of work, marked out by sumptuous melodies and perceptive lyrics.

He returned with one of his strongest collections.

Recorded in London, the album visited his childhood, his current concerns and much more in between. SC 

47. MY MORNING JACKET

Is

SINGER Jim James hoped the band’s genre-hopping tenth album would help people “navigate the chaos in the world”. 

If the overall vibe was psychedelic rock with plenty of reverb, MMJ employed elements of pop, country, soul, reggae, you name it. SC 

48. ETHEL CAIN

Willoughby Tucker, I’ll Always Love You

FEW artists have been able to express the intimate, sometimes painful, feelings about first love as well as the singer from Florida.

Evoking a haunting, Southern gothic atmosphere, her ambient rock sound-scapes framed a raw, heartfelt song cycle. SC 

49. CAR SEAT HEADREST

The Scholars

THE career trajectory of Will Toledo is nothing short of breathtaking.

He started out making lo-fi DIY albums in his parents’ car and now, as frontman of a fully fledged band, he made this crazily ambitious rock opera in the vein of Tommy or Ziggy Stardust. SC 

50. ADDISON RAE

Addison

THE debut album from the former TikTok star, who rose to popularity with her dance videos, broke the code.

Stepping confidently beyond influencer fame, she moved into sleek, self-aware pop.

Playful hooks and glossy production balanced vulnerability and attitude. JS 

A HUGE Noughties boyband has sparked speculation of a 2026 tour after all ten members recently reunited.

The unexpected get-together has sent fans into a frenzy begging the question of whether a full-scale comeback could finally be on the cards.

Blazin’ Squad shot to fame in 2002 and are best known for their top three hits Crossroads, We Just Be Dreamin’ and Flip Reverse.

Blazin’ Squad was made up of James MacKenzie (Kenzie), Ollie Georgiou (Freek), Marcel Somerville (Rocky B), Chris McKeckney (Melo-D), Stuart Baker (Reepa), Lee Bailey (Krazy), Sam Foulkes (Spike-E), James Murray (Flava), Tom Beasley (Tommy-B), and Mustafa Omer (Strider) when they shot to fame.

The group officially split in 2005 and over the years the band members have gone in different directions.

Marcel Somerville enjoyed success on Love Island, having been on the show in 2017, before having another go in January on the All Stars spin-off.

All ten members have since reunited for the festive season, it being the first time since Marcel’s first stint on the ITV2 dating show.

Rapper James Kenzie, who’s had his own reality stint appearing on Celebrity Big Brother in 2005, took to Instagram to share brand new snaps of the band.

The photos show the group beaming ear to ear as they came together at the bar Flight Club in London.

James uploaded a series of pics of the band alongside a nostalgic throwback from the 2000’s, showing the group decked out head-to-toe in red.

He captioned the post: “The Original Squad,” adding a number one medal emoji.

Fans flooded the comments, gushing over the pics and speculating about whether this could hint at a future tour.

One user said: “Please tell me talks of a tour was in conversation? (side eye emoji).”

Another added: “Aged like a fine wine (heart eye emoji)”

“Blazin’ squad reunion incoming plz,” penned a third, whilst a fourth commented: “Need a new Blazin’ Squad Album.”

“So good to see Blazin’ Squad as a 10 piece again now that is the Blazin’ Squad I grew up with,” chimed another.

The group’s various attempts to get all members back together have been stalled.

Marcel Somerville, Stuart Baker, Sam Foulkes and Chris McKeckney reunited in 2006, but later split again.

Three years later a slim-lined Blazin’ Squad returned as a five-piece featuring Mustafa Omer, James Murray, James McKenzie, Lee Bailey and Marcel.

And now the band consists of Sam, Marcel, Chris and Ollie Georgiou.

But, what fans really want to see is all ten members come back together on stage again.

Previously speaking to The Sun about a potential reunion and tour, Marcel said: “Obviously there are ten of us, it makes it a little bit harder, because that’s more people we have to bring back to the camp.

“Do you know what? I feel like if we could get all ten of us back together, I reckon we could definitely do the O2.

“Back in the day, before we split, we’d played Wembley, and had two nights in Manchester, two nights in Newcastle, and two nights in Birmingham.

“We were playing all the arenas, so it’s like, if we could get everyone back.

“Last year was the 22nd anniversary, so I think the 25th anniversary is probably the sweet spot. So maybe in three years’ time, 25th anniversary, I might start a whole campaign for it now, to bring the Squad back together.”

THE Rolling Stones have called off plans for a UK and European tour next summer.

It would have been their first string of live dates since their huge Hackney Diamonds tour in the US in 2024 – which sold almost one million tickets.

It’s understood the band – who’ve sold over 250 million records worldwide – were looking at plans to play huge stadiums across Europe and the UK after pulling the plug on dates in 2025.

An American music critic said Keith Richards, who turns 82 on Thursday, told his bandmates Mick Jagger, 82, and Ronnie Wood, 78, he couldn’t commit to the trek at this time.

They added: “The Rolling Stones had all the big promoters throwing loads of ideas and dates at them for next summer.

“But when they properly sat down to discuss the tour, Keith said he didn’t think he could commit and wasn’t keen on a big stadium tour for over four months.”

A spokesperson said at the time: “The band were looking to tour earlier this year but couldn’t make it work either.

“It’s hard for their fans but The Stones will get back onstage when they’re good and ready.”

In September, Ronnie confirmed to The Sun that he was waiting on the nod on the 2026 tour dates.

He also confirmed they had been working on their next album, which was recorded at Metropolis Studios in Chiswick, west London.

Ronnie said: “You will be getting new music from the Rolling Stones with an album next year. It is almost done. ”

Their last album, Hackney Diamonds, came out in 2023 and was their first record of original material in 18 years.

The album went straight to No1 in the album charts and spawned hits including Angry, which had Sydney Sweeney in the official music video.

HE held back tears in his Netflix documentary when he heard about the tragic death of One Direction star Liam Payne.

And I can reveal that, as a mark of respect, Simon Cowell sent the emotional footage from The Next Act to Liam’s family and his ex Cheryl Tweedy before it aired this week.

The six-parter sees Simon searching for the next big boyband after the record-breaking success of 1D on the X Factor in 2010.

After the series dropped on Wednesday, the music mogul said he felt he “had to tell” Liam’s loved ones his passing was acknowledged on the show.

Simon said: “In the middle, there was that moment with Liam, which was just horrific. That really threw us. I was very close to him and that was hard. We almost stopped filming. I had to go away, clear my head.

“We took a break for about two weeks. Before that it had been almost every day. I sent [parts of episode three] to Liam’s parents and Cheryl to see, for obvious reasons, and I said, ‘Look, I don’t want you to just see it when it airs’.

‘Made a promise’

“And so the production company sent it to them and they were fine with it. It was respectful, I think.”

The Next Act had been filming almost daily since December 2023, allowing cameras access to Simon’s talent hunt.

But he paused to consider if they should continue after Liam’s death in Buenos Aires, Argentina in October last year.

Liam and Cheryl, who were together for two years, share a son Bear, eight.

Simon said of Liam in the episode: “He was just so normal and down to earth, he always had a sparkle in his eye.

“Everyone adored him. You don’t know how you feel about someone until you lose them. I am going to genuinely miss him.”

After the two-week break, Simon said he realised he had made the show hopefuls “a promise”, so filming resumed.

The group, DECEMBER 10, have just signed a deal with EMI/Universal.

I was lucky enough to watch John, Cruz, Nicolas, Sean, Josh, Danny and Hendrik at a top-secret playback in London on Wednesday.

From what I saw, these boys will do Simon proud.

Lily’s Vic and Bob

LILY COLLINS has had a Posh makeover for the fifth series of Netflix’s Emily In Paris.

The actress has channelled Victoria Beckham’s Spice Girl alter ego for the series, which kicks off on Thursday.

Director Andy Fleming told Biz on Sunday: “There is for sure a Posh Spice vibe going on this season. I noticed it straight away. I mean, her bob. Hello?”

It comes after Lily was stunned to meet her idol Victoria on the set of The Tonight Show Starring Jimmy Fallon.

Looks like this season will be full of girl power.

Grinch must be feeling Jaded

JADE THIRLWALL doesn’t do fancy dress by halves.

The former Little Mix singer is one of the most costume-committed celebs – rivalled only by Heidi Klum on Halloween.

But even Heidi would have been green with envy when she saw what Jade wore on a night out in London on Friday.

The singer, who turns 33 on Boxing Day, went all out and dressed up as the female Grinch character.

She even persuaded her boyfriend, Rizzle Kicks rapper Jordan Stephens, to go with the green theme.

Their bed sheets must have been a nightmare to clean  . . . 

Taylor hands mega bonuses to crew

HER record-breaking Eras Tour propelled Taylor Swift to billionaire status.

And after making fans’ dreams come true with her dazzling show, the US superstar did the same for her tour crew.

The Shake It Off hitmaker is believed to have handed out $197million – around £148million – in bonuses to every person who helped with her shows.

Taylor thanked each crew member with a handwritten letter, sealed with a wax stamp, and a bonus – with each of her truck drivers understood to have received cheques for $100,000 (£75,000).

One insider, who worked in catering, said they were able to pay off their student loan and still have thousands of dollars left over.

And in her new Disney+ documentary, The End Of An Era, Taylor is seen handing out the huge cheques to her dancers.

She said: “It took me a couple of weeks – but it is fun to write the notes.

“It is fun to think about everyone’s lives that they are going to go back to and the time off they are going to have. And the kids they haven’t seen because they have been away for months and making that worthwhile for them.

“It feels like Christmas morning when you finally get to say thank you.”

Speaking to her dancers, Taylor said: “The tour has done really well thanks to all of our hard work so if you would kindly read this message . . . ”

Handing the letter to dancer Kam Saunders, he read: “Dearest Kam, we have travelled the world like we set out to do.

“We have dazzled the crowds but we have missed family too.

“My full gratitude doesn’t come from the bank – but here’s (bleeped out) just to say thanks. Love, Taylor.”

The dancers were seen hugging and crying after receiving the life-changing bonuses.

One dancer even clutched an inhaler after opening her letter.

I imagine I would have hyperventilated as well.

Oasis bank fortune for reunion tour

THE drinks are on the Gallagher brothers this Christmas after the Oasis Live ’25 comeback tour raked in an incredible £303million.

New stats by US music mag Pollstar have revealed Britpop pioneers Noel and Liam made $405,428,435, sold 2,228,471 tickets to their long-awaited reunion gigs, with a nightly revenue of $11,261,901 – £8,430,546.47.

Their 41-date trek spanned five continents and 13 countries between July and November.

And the siblings played to an average of 61,902 people per night.

Meanwhile, the average fan is believed to have spent £136 on a ticket.

I revealed last week that Noel, who has an estimated net worth of £53million, was whisking his family off to the Maldives for a festive getaway after five months on the road.

Oasis ranked No2 in the biggest-grossing tours of 2025 – with US superstar Beyonce holding the top spot .

The Texas Hold ’Em hitmaker saw her Cowboy Carter Tour gross $407,600,113, (around £305million), with an average ticket price of £191.

Coldplay were third, followed by Kendrick Lamar/SZA.

But Shakira, The Weeknd and Lady Gaga all had to settle for spots further down the Top Ten.

Some might say Noel and Liam nailed it . . . 

Rushing back into Big Time

THEY rose to fame as teenagers on a US TV series about a boy band – and 16 years later Big Time Rush have revealed they have a whole new generation of fans, thanks to Netflix.

The streaming giant gave a new lease of life to the original series of the sitcom, which first aired in the States from 2009 to 2013 and featured the group playing a fictionalised version of themselves.

Biz on Sunday’s Emily chatted to band members Kendall Schmidt, James Maslow, Carlos Penavega and Logan Henderson backstage ahead of their final tour date at London’s Ovo Arena Wembley on Thursday.

Kendall said: “We got lucky during Covid because Netflix picked up the show. Everybody was at home just binge watching stuff, so this whole new generation of kids started watching it.”

Carlos added: “It’s weird seeing my kids come to the show because they didn’t even exist back then.”

Asked how touring compares now they are in their 30s, Kendall replied: “We all definitely went out a lot more in our 20s – but now I truly enjoy getting up early and getting to see different aspects of the city.”

Logan added: “When we were younger, things were moving so fast we didn’t really get a chance to breathe and really soak it in.”

From what I saw on Thursday night, the boys are still on their A-game.

• Check out Big Time Rush on our TikTok channel where the boys reveal their Sunday Setlist. Scan left.

This week who would I…

Snog

Marry

Avoid

Taylor Swift, The End of An Era – Disney+

★★★★★

“I WANTED to exceed fans’ expectations with this tour,” Taylor Swift says during the opening episode of her The End of An Era six-part documentary series.

It’s not even up for debate that she did just that with the global trek, but I’m happy to report she also achieves this with her new Disney+ series.

Disclaimer, I am a huge Swiftie, but before the first two episodes dropped I did have my concerns.

I feared the documentary would just be the same old footage of Taylor picking her outfits that we’ve now all seen a thousand times and fluffy backstories about her life on the road.

Of course, these types of moments are in there, but episode one alone pulls back the curtain on the most talked about tour of all time in ways other behind the scenes specials simply don’t.

The 43-minute long episode focuses on the heinous Southport attack, as well as the foiled terror plot at Taylor’s Vienna gigs, and lifts the lid on what went on behind the scenes.

For the first time we see how much the trauma rocked Taylor, with her breaking down in tears on multiple occasions.

Rather than feeling staged or performative, it shows the true artist behind the phenomenon and proves she is just as human as the rest of us.

During a chat with pal Ed Sheeran she admits she feels almost dehumanised by fame.

In another scene she’s filmed trying to calm herself down with an audio book of 2024 thriller The God of The Woods.

In the weeks that followed the incidents in Southport and Vienna, Taylor found herself wrecked with anxiety to the point she was physically shaking.

Not that Taylor is moaning about her life – in fact at one point she openly accepts her reality isn’t normal.

Though as she sings on The Life of A Showgirl track Elizabeth Taylor, “Oftentimes it doesn’t feel so glamorous to be me”.

People were quick to join an online pile-on against Taylor over summer ’24 after she kept silent following the incident in Southport.

But those behind the wrath of masked crusaders may be feeling more than a little silly after the doc.

Episode 1 reveals rather than turning a blind eye behind and pulling up her drawbridge, away from the spotlight Taylor was determined to make a difference.

Before each of the five remaining Wembley shows Taylor met with the families of those affected by the horrific incident.

And while I’ve obviously not spoken to any of those families in question, I would be willing to bet my flat that her decision to personally meet them has made a positive difference, far beyond that she gives herself credit for.

And it would be worth far more than a short Instagram story statement ever could.

In private Taylor was clearly struggling with the run of incidents, but on stage she never faltered.

While never brushing them under the carpet ignoring them, she was determined not to let events overshadow or dampen the magic she had created for the 10 million ticket holders on the 149 date trek.

I was lucky enough to attend three of the gigs in the capital – two of which took place after Vienna and Southport.

Both with those shows – and indeed with the new docuseries – the magic and escapism of Taylor’s world is very much alive and well.

A feat I doubt, even in decades to come, will ever change.

SHE’s the ultimate Queen of Christmas, best known for her soulful pop tunes, but I can reveal Mariah Carey’s next record will surprise fans.

After years of speculation, I’m told the Hero singer will release her long lost GRUNGE album next year.

While the exact date is still being worked out by the label, I hear it will drop in the second half of 2026.

The record, which is called Someone’s Ugly Daughter, was secretly recorded by Mariah back in the Nineties.

A source said: “Ever since she let slip about the existence of the record, fans have been desperate for it to be officially released and put on streaming.

“After years of casual talks about what to do, everyone has now agreed the album will be released in the second half of 2026.

“It’s been a long time coming, but hopefully fans think it’s worth the wait.

“It’s certainly Mariah as you’ve never heard her before.”

The first anyone knew of the record was when Mariah let slip about it in 2020 memoir, The Meaning Of Mariah Carey.

She said: “I think this unearthed version will become, yes, something we should hear. I’m working on a version of something where there’ll be another artist working on this with me as well.”

‘So carefree’

Mariah says the reason she made the album was to push back at being over-controlled by her record label, adding: “I had no freedom during that time. That was my freedom, making that record.”

In the book, she said: “I was playing with the style of the breezy-grunge, punk-light white female singers who were popular at the time. You know, the ones who seemed to be so carefree with their feelings and their image.

“I honestly wanted to put the record out back then under, you know, the same pseudonym, just put it out and be like, you know whatever, let them discover that it’s me.

“But that idea was kind of stomped and squashed.”

I wait with bated breath . . . 

Hardworking Rita worth even m-Ora

EVEN if you’re not a fan of her music, it’s impossible to deny that Rita Ora is a hustler.

The I Will Never Let You Down singer is busy landing jobs doing everything from acting and presenting to modelling and working as a charity ambassador.

Which is why it comes as no surprise to us that the latest accounts for Ora Live and Ora Multi Services reveal she’s topped up her fortune with £4.8 million in profits.

It’s a sure sign Rita is going nowhere anytime soon as the figure is more than double the £2.3 million she made the year before.

Her companies manage her various income streams and reflect her broad career beyond singing.

Multi-talented Rita has also served as a judge on The X Factor and The Masked Singer and even had a film role in the Fifty Shades movie series.

Rita’s takings – which work out at £13,000 per day over the year to April – has helped to increase her net worth to £31 million.

It’s not a bad life, eh?

Kath: LA life not for me

CANADIAN comedian Katherine Ryan has ruled out moving to Hollywood after admitting she hates everything about Tinsel Town.

Letting rip, she said: “I would love some opportunities to do some comedy acting but I will never move to Hollywood because people seem quite sick there . . . in the head.

“I like England. I like people who aren’t positive all the time.

“I like the British way of telling the truth. I like a bit of taking the mick out of one another without getting offended.”

Not stopping there, Kath added: “Hollywood to me seems too sanitised. I would not be welcome.

“I’ve already not been welcome. I had a glass of vino in the morning when my daughter was swimming, they were like, ‘Maam, orange juice?’.

“I was like, ‘No, alcohol’. They nearly called the police.”

Taylor in her stride

TAYLOR SWIFT has hit back at critics who say she should take time out from the industry to give other artists space to shine.

The superstar seemingly breaks every possible record with each new track, causing some music fans to get Taylor-fatigue.

Appearing on The Late Show with Stephen Colbert, Taylor said: “There are corners that are like, ‘Give someone else a turn! Can’t you just go away so we can talk about how good you were?’.

“And like . . . ‘I don’t want to’.”

This morning, the first two episodes dropped of The End Of An Era – a six- part Disney+ docuseries that goes behind the scenes of her record-breaking Eras Tour.

You can bet come next week the show will have broken a few more records.

Tate: Why I can be a pop girl

TATE McRAE has opened up about her on-stage alter-ego Tatiana.

The Canadian star explained: “I started to black out onstage and become this person that I couldn’t explain, nor could my family or my friends, and I needed a reason for it.

“And I think it helps me grasp the strange theory of why I’m not nervous in front of 15,000 people, and why I can be nervous at a dinner party with four people.”

She added to Rolling Stone magazine: “Tate is this very introspective, very sensitive, very introverted, awkward Canadian.

“Maybe more on the shy side. I’m observant, and I feel very internal, all the time.

“And then, this persona that I’ve created is my way of being this confident pop girl.”

Sam: Stay with me, Ed

SAM SMITH made sure the final of their To Be Free: New York City residency went off with a bang.

The Stay With Me singer was joined on stage at Warsaw in Brooklyn by Ed Sheeran and Brandi Carlile.

Brandi and Sam duetted on her song Party Of One, while Sam and Ed gave a rendition of Who We Love – a track on Sam’s 2023 album Gloria.

The show was watched by American Vogue’s ice-queen former editor-in-chief Anna Wintour.

In February, Sam’s residency will move to San Francisco and will play at the historic Castro Theatre for eight nights.

While nothing has even been hinted at, I wouldn’t be surprised if a run of shows in London is announced in the New Year.

Liam’s trackie record

HIS dress sense is similar to my own, so I was shocked to see Liam Gallagher named in Vogue’s inaugural 50 best dressed list.

The Oasis rocker was mentioned in the Dedicated Dressers category alongside Iris Law, Miquita Oliver and Amal Clooney.

Meanwhile, my favourite pop star Dua Lipa was in the Music Makers category alongside a line-up of stellar talent including Skepta, Central Cee, Lily Allen and Charli XCX.

Even those with a slightly eclectic taste were catered for, with The Traitors host Claudia Winkleman, and actors Cynthia Erivo, Richard E Grant and Emma Corrin all getting a nod.

I never knew my Adidas tracksuit and tatty old Parka were so cool.

Xmas hit battle

THE official race for Christmas No1 kicks off today – with a new single from Kylie Minogue and WHAM!’s Last Christmas tipped as the front-runners.

Kylie’s song Xmas, which is on track to become her highest entry in the UK charts since 2010’s All The Lovers, leads the pack, while Denise Welch’s Slayyy Bells and Tom Fletcher’s One Of Us, from Paddington The Musical, are also in the running.

Classics including Shakin’ Stevens’ Merry Christmas Everyone, The Pogues’ Fairytale Of New York, and Kelly Clarkson’s Underneath The Tree are also expected to climb the chart.

There are a load of non-festive tunes vying for a shot too, with Raye’s Where Is My Husband, Cynthia Erivo and Ariana Grande’s For Good and Labrinth’s Where Love Lives.

Once again Mariah Carey’s All I Want For Christmas Is You is tipped to finish in the top five.

The winner of the Christmas No1 will be revealed live on Radio 1 next Friday.

SINGER Sabrina Carpenter is so Espress-ive as she steps out in New York City.

The Taste star wore an oversized sweatshirt and tights as she left filming of US chat show Late Night with Seth Meyers.

During the recording 26-year-old Sabrina wore a retro black-and-white ­layered dress.

The outfit appeared in designer Chantal Thomass’ 1994 Fall collection during Paris Fashion Week and was modelled on the runway by Claudia Schiffer.

Sabrina enjoys the sweet smell of success as one of the most streamed artists in the UK this year.

But no British stars made the annual Spotify Top Ten as fans turned their backs on homegrown music.

US singer Sabrina was the third most played artist among millions of UK Spotify users — while her 2024 album Short n’ Sweet, featuring hit Espresso, was the most streamed.

Sabrina, who has just launched her new Sweet Tooth range of perfumes, was beaten by US pop superstar Taylor Swift and the Canadian rapper Drake.

Oasis were a surprise omission after 1.5 million fans saw their reunion gigs this summer.

South London’s Lola Young, 24, was the only Brit with a song in the UK Top Ten.

Messy, which hit No1 in November 2024, was the third most streamed track.

Tunes from American singer-songwriters took the first and second spots: the emotional track Ordinary by Alex Warren and the break-up song That’s So True by Gracie Abrams.

Globally, Puerto Rican rapper Bad Bunny topped the streaming chart with 19.8 billion, followed by Taylor Swift.

The most streamed song of the year worldwide was Die With a Smile by Lady Gaga and Bruno Mars, with 1.7 billion streams.

MEASURING more than 19,000 miles, Britain’s beautiful coastline has a host of attractions and reasons to visit.

Nigel Thompson unveils our pick of what’s happening around our shoreline next year, with options for every traveller’s budget.

Scarborough leads the way for 2026 as the “Queen of the Yorkshire Coast”, celebrating its 400th anniversary as a spa resort.

ANNIVERSARIES

SCARBOROUGH’S journey to becoming the nation’s first seaside spa resort began in 1626, with the accidental discovery of mineral waters.

Mrs Thomasin Farrer noticed natural springs bubbling beneath a cliff.

These were subsequently said to cure minor ailments.

Celebrations throughout next year to mark the centenary include heritage and art installations and a 10-day festival in mid-July.

Across the Pennines, Morecambe is marking what would have been comic legend Eric Morecambe’s 100th birthday (May 14).

The town he was born in, and named himself after, will offer a series of events and activities that are sure to bring some sunshine!

Italianate village Portmeirion in North Wales will celebrate the centenary of its completion with events, exhibitions and tours.

It’s also 60 years since cult TV series The Prisoner — which starred Patrick McGoohan as a former secret agent dubbed Number Six — was filmed at Portmeirion.

There will be a convention weekend on April 24-26, featuring parades, human chess and immersive experiences.

Fans will surely want to stay in hotel room number six!

The Jurassic Coast will be even more roar-some as it celebrates the 25th anniversary of its Unesco listing.

Highlights along the 95-mile geological route in Dorset and East Devon include dinosaur fossil hunting in Lyme Regis, picture perfect Durdle Door and the 180billion pebbles that make up Chesil Beach.

WALKING

NEXT year will see the completion of the King Charles III England Coast Path. At 2,795 miles it will be the world’s longest continuous coastal trail.

The newest 42-mile section now links the Scottish border to Lincolnshire and a summer celebratory event will be announced.

Other coastal walking celebrations include Dorset’s WALX Festival (September 17-20) with Jurassic Coast hikes and workshops and the Isle of Wight’s Spring and Autumn Walking Festivals (May 9-17 and October 3-11), focussing on its landscape, wildlife and heritage.

ACCOMMODATION

BLACKPOOL’S Royal Carlton Hotel is getting a multi-million-pound makeover.

The 38-room art deco property, between Central and South Pier, will reopen in the spring and feature a new pergola with extensive greenery.

The luxury Kithmore Hotel in “home of golf” St Andrews, Fife, will debut in the summer with a major transformation.

The former Ardgowan Hotel will have 44 rooms, a bar/restaurant and an expanded terrace.

A mixed-use cultural, creative attraction with a 31-room hotel is under construction at Old College on the promenade at Aberystwyth, Ceredigion.

The restoration project is due to finish by the end of 2026.

FOOD

FOOD lovers have a busy calendar starting with value-focused Whitby Restaurant Week (March 2-8), Yorkshire produce at Filey Food Festival (April 4-5) and street eats at Southsea Food Festival (July 4-5).

Isle of Wight Garlic Festival runs from August 15-16 and Essex foodies will flock to the Maldon Food & Drink Festival (August 29-30).

CULTURE

HULL Maritime Museum will reopen in the summer after a £27.5million restoration.

New exhibits covering 800 years of history will range from ship models and seafaring art to a 40ft whale skeleton.

Redcar, on the North Yorkshire coast, will welcome a £25million multi-purpose cultural and family entertainment venue near the Esplanade.

The Edge in Cumbria, on Whitehaven harbour, is a unique new building. It has a cafe and bar area and there are 16 en-suite bedrooms.

A £12million development will transform Isle of Barra Distillery in the Outer Hebrides with a visitor centre and café.

Due to open in October, you can try out seaweed botanicals and honey vodka.

FESTIVALS

THE south coast of England has a variety of events for next year, including kites massing for Let’s Go Fly in Dorchester on June 6, Portsmouth’s Country on the Coast Festival on April 17-19 and hydrofoil competitors speeding across the water at the World E-Foiling “iQFOiL” Championships in Weymouth and Portland from September 21-26.

NATURE

WORLD Saltmarsh Day will be held at WWT Steart Marshes in Somerset on June 11, aimed at connecting people with coastal nature via new audio trails, community art and viewing platforms.

In Hampshire, the Southsea Coastal Scheme will double the size of the shingle beach between the Pyramids and Eastney for 2026, to enhance the visitor experience and bolster climate resilience, helping to reduce local flooding.

More info at englandscoast.com/en, visitscotland.com, visitwales.com