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Gov. Newsom proposes $1-billion cap for film and TV tax incentive

Gov. Gavin Newsom on Monday called for a significant expansion of the state’s film and TV tax incentives in the face of mounting evidence that producers are fleeing California in search of cheaper locales.

Newsom said in a statement Monday that he favors expanding California’s current Film and Television Tax Credit Program from $750 million to at least $1 billion annually.

Notably, Newsom’s proposal would include credits for actors and other above-the-line talent and extend the tax credit through 2040, according to the statement. That would make California’s program more competitive with those of other states such as Georgia and New York that allow tax credits to offset the cost of actors’ salaries.

If approved by the state Legislature, the credit would be the country’s largest capped film and TV tax credit, Newsom’s office said.

“We’re the capital of entertainment and we’re going to keep it here,” Newsom said in the statement. “Through this expansion, we will maintain the momentum and success of our historic expansion last year.”

Newsom’s announcement comes as the outgoing California governor and possible presidential candidate is looking to burnish his image as a champion of Hollywood as the state is increasingly losing production to other hubs in the U.S. and abroad, where tax incentives are higher and production costs lower.

The proposal puts pressure on fellow Democrat Xavier Becerra, who is widely expected to be California’s next governor, to take up the mantle of helping Hollywood at a time when the state faces rising financial pressures.

Newsom expanded the program last year, when the annual credit was raised from $330 million to $750 million through 2030. Since then, the credit has generated more than $8 billion in direct production spending and over 43,000 jobs, according to the governor’s office.

Newsom also recently signed California’s first stand-alone postproduction credit to bring back jobs for the industry’s editors, sound mixers, composers and visual effects artists.

With a budget of $10 million, the program will allow a 35% to 50% credit on qualified expenses related specifically to postproduction work done in California, even for productions that don’t shoot in the state.

Despite the expanded incentives, local film and TV production in the Los Angeles area continues on a downward trend.

On-location shoot days in the Los Angeles area fell nearly 5% between July and September from the same period a year earlier, and were 29% below the five-year average, according to FilmLA, the nonprofit group that handles film permits for city and county.

Newsom said the expanded credits would address some of California’s limitations.

For example, the new incentives would allow companies that commit to shooting two different productions in California to get a 5% boost in credits. Independent productions would be eligible for $100 million in annual funding, up from $26 million.

Steve Kang, president and chief film liaison for the city’s Board of Public Works, welcomed the proposed enhancements.

“This is a huge win because the current expanded program is helpful, but there were a lot of exceptions and caveats, which limited its full potential,” Kang said.

Others welcomed Newsom’s proposal as “a good start,” but said more was needed to keep the industry in Southern California.

Many productions that shoot locally still face logistical and operational problems with permitting and specific shoot requirements, said Cale Thomas, policy legislative director for Stay in L.A., a grassroots coalition.

“We just need to make it cheaper and easier to shoot here,” Thomas said. “A multifaceted problem takes multifaceted solutions.”

Scott Budnick, a producer of the successful “The Hangover” franchise who lobbied for the state’s enhanced film tax credits last year, also praised Newsom’s proposal, but said the state needs to remove a cap on funding that has created significant hurdles for filmmakers.

“I feel very strongly that the biggest problem with the current credit is because we have a cap,” Budnick said. “It makes every piece of the credit 10 times harder.”

The effort in California comes after congressional leaders introduced the Motion Picture, Television and Entertainment Revitalization Act in September. The bill would establish a 20% federal tax credit on U.S. labor for eligible film and TV productions, including postproduction and visual effects work.

If the federal incentive passes, the hope is for U.S. productions to stack incentives and make the U.S. more attractive for major studio shoots. The federal incentive, however, also is likely to raise the competitive stakes for California as other states compete for Hollywood’s business.

“This is about protecting the future of an industry that has helped define California for generations,” Assemblymember Rick Chavez Zbur (D-Los Angeles) said in response to Newsom’s proposal. It would ensure “the next generation of creative workers and small business owners can raise their families right here at home,” he said.

Newsom has faced tense relations with Hollywood. Many in the industry remain angry with Newsom over his role in the Paramount acquisition of Warner Bros. Discovery. Newsom was instrumental in behind-the-scenes lobbying to get state Atty. Gen. Rob Bonta to abandon the court fight challenging Paramount-Skydance’s takeover of the legacy studio, which is expected to lead to widespread layoffs.

Newsom’s support for the deal came after Paramount threatened to move operations to Tennessee or Texas, placing more pressure on Bonta to come to an agreement and blunt efforts to lose California’s signature industry.

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Big Brother fans say same thing about never-seen-before house feature

Big Brother has returned to screens on ITV2 for another drama-filled series

Big Brother fans were left stunned after spotting a never-before-seen house feature.

The show returned to screens last month for a brand new series, originally welcoming 16 contestants into the famous house. And it’s fair to say the show – hosted by AJ Odudu and Will Best – has delivered on the drama.

Recently though, eagle-eyed ITV viewers had their jaws on the floor after they noticed one of the bathrooms has a “luxury toilet and bidet” inside of it.

Rushing over to X, fans shared their shock, with one person writing: “sorry, they have a massage toilet????” Another person penned: “All the budget went for the special toilet then.”

A third chimed in: “THEY HAVE A JAPANESE SELF-CLEANING TOILET???” Someone else wrote: “They’ve got a luxury toilet seat & bidet!???”

It comes after an argument took place inside the Big Brother house between an unlikely duo recently. The House of Power kicked off during Sunday’s (October 11) episode and it didn’t take long before a row broke out between Phillip and Rochelle.

During a conversation with house guest Gemma Collins, Phillip and Rochelle opened up about Twinks moving into the house as one of the new arrivals alongside Catrin.

Phillip explained: “I said her [Twinks] ‘you’ve come into our house, our house’. I said ‘don’t you f****** forget it’. However, Rochelle disagreed saying: “You didn’t f****** say it like that’.”

A furious Phillip hit back, saying : “Don’t call me a liar” before adding “You’ve got too much to f***ing say for yourself, you f****** nosey t*** and you can f*** off away from me”. However, Rochelle insisted: “I haven’t called you a liar.”

The row didn’t last long and they quickly made up much to the amusement of their fellow housemates but some fans have been left wondering if Phillip is “turning on” Rochelle because he heard the crowd chanting “Get Rochelle out” during Friday’s (October 9) live eviction which saw Pauline forced to the leave the house.

Taking to X, formerly known as Twitter, one fan penned: “Phillip turning on Rochelle after he heard the get Rochelle out chants. More faces than a town clock that one.” Another added: “I think Phillip heard the ‘get Rochelle’ out chants.”

Watch Big Brother on ITV2 at 9pm.

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I stayed in the viral Instagram ‘bubble tents’ with an amazing feature by the bed

Cromore Retreat in Northern Ireland’s Portstewart has just opened a series of the kind of bubble domes that have been setting Instagram and TikTok alight this year

If you’ve been on Instagram or TikTok this past year and your algorithm has a travel slant, there’s a very good chance you’ve seen the bubble tents.

There are countless wanderlusty clips of people twirling around in large inflatable dome tents that look as if they’ve been blown out by a giant with an oversized pot of bubbles. They are striking, beautiful structures, standing three or four metres high, often on top of rolling hills or in the middle of woodland.

But to my eyes, there is also something a little insubstantial, let alone gimmicky, about the translucent tents that had left me wondering if they were more Temu yurt than Glastonbury tipi. So when I visited Portstewart in Northern Ireland at the beginning of this week, and was given the opportunity to stay in a bubble of my own, I was intrigued and a little skeptical.

The bubbles in question are set up on the grounds of the Cromore House, built by the town’s founder John Cromie back in 1776. From the outside at least, the considerable property appears to be empty today, having recently ceased operating as a care home. If anything, the lack of movement at the grand house was a benefit. For the duration of my trip, I didn’t see a soul, which left me feeling cut off from the world in exactly the right way.

Do you have a travel story to share? Email webtravel@reachplc.com

The outside

With the lockbox keys, I let myself into a private, wood-fenced area with trees lining the perimeter and a dome in the centre. “Won’t they see you naked?” my wife had asked when I explained that the accommodation walls were completely see-through. Happily, ‘they’ may as well not have existed, so private and snugly tucked away are the bubbles.

The location is perfect. A 40-minute walk out through the woods takes you to the highly rated Portstewart Arms, where perfect pints of Guinness go for £5, or you can stay on-site and enjoy a steam in the communal sauna.

The inside

Inside the bubbles is where the action really is. On a brisk October day, I was relieved to find the dome warmed to a very snug 22 °C thanks to a ground-source heat pump. My particular accommodation, the McDonnell Suite (named after a former estate owner), consisted of three domes squashed together.

One is occupied by the shower and toilet, which are wisely hidden from the rest of the dome by a partition wall and from the outside world by some tastefully opaque section of dome. It comes complete with an information-rich smart tablet and a high-tech touchscreen mirror.

The central bubble stands in for the living room. A low coffee table sits between two armchairs, a comfortable spot for reading. There’s also a tea and coffee area with a Nespresso machine and a fridge stocked with a breakfast hamper from Chestnutt’s Farm in Portrush. As in Covid, there is a joy in the isolation that comes with bubbles. Instead of trooping over to a breakfast buffet, Cromore Retreat guests are given everything they need for a solitary and delicious start to the day: soda bread, strawberry jam, granola, absurdly creamy butter, and a little bottle of particularly thick milk.

Hungry after an afternoon’s surfing, I ripped this open a good 14 hours early and tucked in, in the third and final wing, the bedroom. Here you will find a wide four-posted bed with curtains around the side but no roof, allowing you to wall yourself in and watch the stars twinkling through the tree canopy above.

At the end of the bed is a large standalone tub in which I ate my way through the breakfast box while enjoying a long, needlessly indulgent soak.

The final feature, and arguably the stand-out, is the private hot tub that sits outside the dome. To my shame, I did not bubble in it, forgoing the ultimate indulgence of a solo jacuzzi on a Monday evening in favour of a second bath and then a quite flawless night’s sleep.

The verdict

I was entirely wrong. There is nothing gimmicky or insubstantial about these see-through domes. They are pure, indulgent, slightly silly fun, right until you check out and step into the bubble-bursting Northern Irish drizzle.

Book it

Stays cost from £235 a night, with breakfast hampers costing an additional £20. Go to cromoreretreat.com/book

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