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Cameron Crowe’s charming new memoir is an elegy for a lost time and place, when rock ‘n’ roll culture was still a secret handshake and the music press wasn’t just another publicity tentacle for giant corporations to shill their product (excepting the fine writers at the Los Angeles Times, of course). In fact, the “music press” as a concept is vestigial at best now, the internet having snuffed it out, but when Crowe was writing his features in the 1970s, primarily for Rolling Stone, only a handful of print publications allowed fans to glean any insight about the musicians they admired or to even see photos of them.

Crowe was one of those fans. He spent his adolescence in Palm Springs, a town with “a thousand swimming pools and the constant hum of air conditioners,” in a basement apartment near the freeway. A loner and a nerd raised by a former Army commanding officer and a strong-willed, whip-smart mother who had firm ideas about how young Cameron should conduct himself. Any humiliations Crowe might have suffered as an uncertain teen were for his mother merely speed bumps on the journey to self-actualization, ideally as a lawyer. She had a wealth of Dale Carnegie-esque aphorisms to pump up her young charge, such as “put on your magic shoes,” or “Mind is in every cell of the body. Thoughts are everything.”

“She hated rock and roll,” Crowe writes. “Rock was inelegant, and worse, obsessed with base issues like sex and drugs.”

(Avid Reader Press / Simon & Schuster)

As we have seen in the 2000 film “Almost Famous,” Crowe’s autobiographical account of his early years, young Cameron cared little about sex or drugs, music being his only lodestar. When his family relocated to San Diego, Crowe found himself in a conservative town with virtually no outlets for music except the local sports arena, where he witnessed his first big-time rock show accompanied by his mom: a post-comeback Elvis, knee deep in Vegas schmaltz, bounding onstage “in a glittering white jumpsuit …. striking karate poses.” A week later, mom and son witnessed Eric Clapton, full of fire with his band Derek and the Dominos. “I understand your music,” Alice Crowe finally conceded. “It’s better than ours.”

San Diego had little pockets of cultural insurrection that Crowe sought out like a moth to flame. When his sister Cindy nabbed a job with the local underground paper called the Door, Crowe wedged his way in, not because he had any interest in radical politics: his hero Lester Bangs, the iconoclastic rock critic whom he had read in Rolling Stone and Creem, had contributed work there.

As he does so often in this book, Crowe pulls the reader in with his keenly observant eye that would serve him so well in his second career as a filmmaker. The Door’s editor Bill Maguire “had a healthy girth, an open shirt with a silver pendant, and rippling brown hair. The kind of character Richard Harris used to play, most of the time with a goblet in his hand.” Maguire and his staff are hippie idealists, wary of sullying their political mission with trivialities like record reviews. But Crowe talks Maguire into letting him weigh in on a James Taylor record, and Crowe’s career is launched. He is 14.

Cameron Crowe, who started his music journalism career as a teen, pulls the reader in with his keenly observant eye that would serve him so well in his second career as a filmmaker.

(Neal Preston)

Crowe would encounter no such resistance as he worked his way into Rolling Stone, whose owner Jann Wenner gladly accepted record company advertising to keep his counterculture publication afloat. Crowe had found his professional home, filing long, admiring features with some of the era’s most important acts.

Crowe’s Dec. 6, 1973, cover story on the Allman Brothers was meant to atone for an earlier profile on the band written for the magazine by Grover Lewis, a brutally honest and often unsavory portrait. Crowe’s do-over feature, in contrast, is anodyne and respectful; the band is even given room to refute some of the facts Lewis included in his story.

Far more interesting is the stuff Crowe left out of that piece that he has now put into his memoir. To wit: Shortly after their perfectly lovely afternoon together, Gregg Allman, clearly in a drug-induced psychotic state, calls Crowe to his hotel room and demands that Crowe physically hand over the tapes of their interview, or else face legal consequences. “How do I know you aren’t with the FBI?” Allman asked Crowe. “You’ve been talking to everybody. Taking notes with your eyes.” It’s hard to imagine Crowe’s mentor Bangs not leading with that scene.

Crowe was covering rock music at a time when publicists had not become the human guardrails they are today, insulating their clients from anything that doesn’t celebrate them. There were no record company representatives present when Crowe sat in the lobby of an El Torito restaurant in Mission Hills with Kris Kristofferson, whose wife Rita Coolidge was waiting for the singer with her family in the bar (underage Crowe wasn’t allowed inside). Or when Crowe went long with David Bowie, interviewing him on and off for a year and a half while Bowie was making his 1976 album “Station to Station.”

Camped out with his wife Angie in a Beverly Hills mansion on North Doheny Drive, Bowie is affable and candid, despite subsisting on a diet of red peppers, milk and cocaine. “Over the months, I became acclimated to the normality within his insulated lifestyle,” Crowe writes. “Oh, sometimes there might be a hexagon drawn on the curtains in his bedroom or a bottle of urine on the windowsill.” While showing Crowe the indoor swimming pool, Bowie remarks that the only problem with the house “is that Satan lives in that swimming pool.”

Such weird scenes inside this once-mysterious world have been totally effaced, now that every musician can curate his own image on social media. Reading “The Uncool,” which touches on Crowe’s Hollywood career without delving too deep into it, reminds us of what has been lost, the myths and mystique that fueled our rock star fantasies and gave the music an aura of magic.

Weingarten is the author of “Thirsty: William Mulholland, California Water, and the Real Chinatown.”

AS A born-and-bred Devonian, I’ve always considered Dartmoor National Park to be a magical place, and it turns out I’m in good company.

Because the park is now being used as a new filming spot for HBO’s Harry Potter TV series.

Dartmoor spans 368 square miles in total, meaning the park has an abundance of different spots to explore, but Harry Potter fans will want to head to Lustleigh, a small village where filming crews have been spotted.

In a video on Instagram, one fan used public footpaths to access the village during filming and spotted several items relating to Harry Potter – including a ‘Celebrate Halloween at Godric’s Hollow’ poster.

He also saw some older cars parked up outside a cottage and a Godric’s Hollow post office sign.

In a second video, ‘@sirwizardingworld’ speaks to a woman who points to a building that is her home, but has been transformed into ‘The Lions Heart’ pub for the series.

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The village of Lustleigh is small and home to only 600 people, yet it is full of thatched cottages and in the centre, an old church.

Sitting on the edge of Dartmoor National Park, the village is around a 40-minute drive from Exeter.

The village makes a scenic stop on the way into the national park, where visitors can go on a number of hikes and see towering tors, with ancient tales.

One popular spot I would recommend is Haytor, which is roughly a two-hour walk from the village of Lustleigh or a 16 minute drive.

The granite tor towers to 1,499 feet and offers breathtaking views across the moors.

For those who don’t fancy a long walk, there is a visitor centre with a car park at the base of the tor – it then takes about 20 minutes walking to reach the top from there.

In the autumn I particularly love seeing the colour of the gorse and bracken change to a dozen shades of brown and orange.

And in the winter, snow on the moors makes me feel more like being in the Alps.

From Haytor, I usually head along the Haytor tramway, which is a stone-railed line that was built in 1820 to transport granite from Haytor Quarry down to Stover Canal.

Now known as the Templer Way heritage path, visitors can still see the tramway today poking out of the ground.

If you follow it, you will then reach Haytor Quarry which was used until 1860.

Today, many signs of the quarry works remain, including marks in the granite where dynamite was used to break it into pieces.

And there is even some abandoned machinery dotted around the edge of the pond that has filled the quarry.

Not many trees grow on a lot of the moors due to the harsh weather conditions, but in the sheltered quarry there are several – and during autumn, they turn into a large blur of yellows, browns and oranges.

But it isn’t just Haytor that is worth exploring.

Dartmoor is also home to lots of sites with remains of years gone by including Bronze Age settlements – think small versions of Stonehenge.

Like at Hound Tor, there is a deserted village and in Fenworthy, near a sprawling forest, is a large stone circle.

On the other side of Dartmoor, you could head to Ditsworthy Warren House, a ruined cottage which was used as a filming location in the movie adaptation of Michael Morpurgo’s War Horse.

And of course, littered at the edges of the national park are a number of villages and towns worth exploring.

For example, Princetown is home to the notorious Dartmoor Prison – a building that still scares me every time I drive past it.

If heading to the town, definitely visit the prison museum.

Or head on a tour to learn about crazy legends including the ‘Hairy Hands’ of Dartmoor that takes over the steering of cars in the area – the ideal Halloween activity.

Dartmeet is another top spot, popular with walkers, nature lovers and even cold water swimmers.

The location has a Clapper Bridge, that has five granite stones and crosses the East Dart River – which many people like to take a dip in.

Here you will also find Badgers Holt – an 18th century fishing cottage that has operated as a tearoom for the past century.

Wherever you go on the moors, you will find some amazing spots to explore.

Narrow roads wind across the entire national park, and small car parks can be found at most scenic spots, making it super accessible as well.

Even the smell of the moors is something special (it is a bit like peat mixed with crisp straw).

I’m even becoming nostalgic thinking about it…

I honestly think, Dartmoor and all of its cosy villages are just as nice as the Cotswolds.

HBO‘s Harry Potter series is due to launch in 2027, in seven parts.

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Earlier this year, there was a huge announcement for wild camping lovers as Brits were told they can use one of UK’s best-loved national parks in blow for millionaire nimbys.

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Inside a historic aircraft hangar in Playa Vista, crowds of people gathered on Thursday to browse the latest fashions from handbags to clothing and shoes as they prepared for the holiday shopping season.

These weren’t shoppers or retailer buyers browsing for the latest products. Instead, they were YouTube video creators who were being courted by brands from Lowe’s to Shark Beauty to encourage online audiences to buy their products.

Aaron Ramirez, a 22-year-old influencer who focuses on men’s fashion and lifestyle, stood in front of racks of carefully curated shelves of backpacks as he decided which items he would endorse for his 234,000 YouTube subscribers.

“I can make a video about anything that improves my quality of life and add a link to it,” said Ramirez. “I only recommend products that I really use and really like.”

The San Diego resident was among about 300 creators participating in YouTube’s annual benefit for creators dubbed “Holiday House” that helps internet personalities get ready to sell goods during the busy holiday shopping season.

The event — held at the cavernous converted Google offices that once housed Howard Hughes’ famous Spruce Goose plane — underscores YouTube’s desire to be a bigger player in online shopping by leveraging its relationship with creators to promote products in much the same way that rival TikTok does.

In August, YouTube introduced new tools to help its creators better promote products they plug in their videos. One feature uses AI to identify the optimal place on the screen to put a shopping link when an influencer mentions a product. If a customer clicks on that link and makes a purchase, the creator gets a commission.

Brands that were once skeptical about influencers have embraced them over time as sales-tracking tools have improved and the fan base of video creators has mushroomed.

“It’s like the people that you saw on television and before that the people that you listened to on radio who became the trusted personalities in your life,” Earnest Pettie, a trends insight lead at YouTube, said in an interview. “Oprah’s Favorite Things was a phenomenon because of how trusted Oprah was, so it really is that same phenomenon, just diffused across the creator ecosystem.”

Despite economic uncertainty and tariffs imposed by the Trump administration, shoppers in the U.S. are expected to spend $253.4 billion online this holiday season, up 5.3% from a year ago, according to data firm Adobe Analytics.

Social media platforms have helped drive some of that growth. The market share of online revenue in purchases guided by social media affiliates and partners, including influencers, is expected to grow 14%, according to Adobe Analytics.

Cost-conscious consumers are doing more research on how they spend their money, including watching influencer recommendations. In fact, nearly 60% of 14- to 24-year-olds who go online say their personal style have been influenced by content they’ve seen on the internet, according to YouTube.

“It’s more about discovery, understanding where the best deals are, where the best options are,” said Vivek Pandya, director at Adobe Digital Insights. “Many of these users are getting that guidance from their influencers.”

YouTube is one of the top streaming platforms, harnessing 13.1% of viewing time in August on U.S. TV sets, more than rivals Netflix and Amazon Prime Video, according to Nielsen. And shopping-related videos are especially popular among its viewers, with more than 35 billion hours watched each year, according to YouTube.

With YouTube’s shopping feature, viewers can see products, add them to a cart and make purchases directly from the video they’re watching.

Promoting and enabling one-click e-commerce from video has been huge in China, triggering a wave across Asia and the world of livestreaming and recorded shopping videos. Live commerce, also known as live shopping or livestreaming e-commerce, is a potent mix of streaming, chatting and shopping.

The temptation to shop is turbocharged with algorithms like that of TikTok Shop, enticing people to try more channels and products.

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1. YouTube content creators Diana Extein, left, and Candice Waltrip, right, film clothing try-ons during YouTube’s Holiday House shopping event at Google Spruce Goose on Thursday, Oct. 16, 2025 in Playa Vista, CA. 2. YouTube content creator Peja Anne, 15, makes a video with beauty products as her mom Kristin Roeder films during YouTube’s Holiday House shopping event at Google Spruce Goose on Thursday, Oct. 16, 2025 in Playa Vista, CA.

A YouTube content creator who declined to give her name browses YouTube’s Holiday House shopping event at Google Spruce Goose on Thursday in Playa Vista, Calif.

YouTube content creator Cheraye Lewis’ channel focuses on lifestyle and fragrance, and a brand deal with Fenty Beauty helped launch her content to larger audiences.

More than 500,000 video creators as of July have signed up to be a part of YouTube Shopping, the company said.

Creators who promote products can make money through ads and brand deals, as well as commissions.

YouTube already shares advertising and subscription revenue with its creators and currently does not take a cut from its shopping tools, said Travis Katz, YouTube Shopping vice president.

“For us, it’s really about connecting the dots,” Katz said. “At YouTube we are first and foremost very focused on, how do we make sure that our creators are successful? This gives a new way for creators to monetize.”

Companies like Austin-based BK Beauty, which was founded by YouTube creator Lisa J, said YouTubers have helped drive sales for their products.

“They’ve built these long-term audiences,” said Sophia Monetti, BK Beauty’s senior manager of social commerce and influencer marketing. “A lot of these creators have established channels. They’ve been around for a decade and have just a really engaged community.”

To be sure, YouTube faces a formidable rival in TikTok, which is a leader in the live shopping space (its parent company, Byte Dance, is being sold to an American investor group so that the hugely popular app can keep operating in the U.S.).

Two years ago, the social video company launched TikTok Shop, working with creators and brands on live shopping shows that encourage viewers to buy products. TikTok had 8 million hours of live shopping sessions in 2024.

YouTube says its size and technology create advantages, along with the loyalty its creators build with fans when it comes to product recommendations.

Bridget Dolan, a director of YouTube Shopping Partnerships, said “shopping has been in YouTube’s DNA from Day One” and that the company has been integrating shopping features into its viewing experience.

YouTube content creators peruse products and film content during YouTube’s Holiday House shopping event at Google Spruce Goose on Thursday in Playa Vista, Calif.

Santa Clarita-based YouTube creator Cheraye Lewis said that YouTube Shopping helped her gain traction and earn a trusting audience through quality recommendations. Lewis, who has 109,000 subscribers on YouTube, makes videos about items such as fragrances and skincare products.

Lewis has been a video creator for eight years and has worked with such companies as Rihanna’s beauty brand Fenty.

“I try to inspire women and men to feel bold and confident through the fragrances that they’re wearing,” Lewis said at the event Thursday. “I give my audience real talk, real authenticity.”

SACRAMENTO — Gun rights organizations filed a lawsuit Tuesday challenging a new California law that bans certain types of Glock-style semiautomatic firearms.

The law, signed by Gov. Gavin Newsom last week, prohibits the sale of semiautomatic pistols with a “cruciform trigger bar” — a feature that allows gun owners to attach a device, commonly called a switch, that boosts the weapon’s firepower and converts it into a machine gun capable of spraying dozens of bullets in a fraction of a second.

“Newsom and his gang of progressive politicians in California are continuing their crusade against constitutional rights,” John Commerford, executive director of the National Rifle Association Institute for Legislative Action, said in a statement. “They are attempting to violate landmark Supreme Court decisions and disarm law-abiding citizens by banning some of the most commonly owned handguns in America.”

The lawsuit, filed in the U.S. District Court for the Southern District of California, alleges the law violates the 2nd Amendment. Plaintiffs include the NRA, Firearms Policy Coalition, and the Second Amendment Foundation, as well as some individuals and smaller businesses.

The legal action alleges that California’s new law essentially bans the sale of certain Glock-brand handguns and others with similar features that allow modification by owners.

“A law that bans the sale of — and correspondingly prevents citizens from acquiring — a weapon in common use violates the Second Amendment,” the lawsuit states. “Semiautomatic handguns with cruciform trigger bars are not different from any other type of semiautomatic handgun in a constitutionally relevant way. The Supreme Court has already held that handguns are in common use and cannot be banned.”

The lawsuit states the only justification for banning a firearm is when the weapon is “dangerous and unusual” and argues that semiautomatic pistols are neither.

“They are also unquestionably in common use for lawful purposes,” the lawsuit states. “In fact, they are among the most popular handguns in the nation.”

Assemblymember Jesse Gabriel, who introduced Assembly Bill 1127, said his bill was intended to help protect communities from gun violence.

“Automatic weapons are exceptionally lethal and capable of firing hundreds of rounds per minute; they are illegal in California,” he told the Senate Public Safety Committee in July. “Unfortunately, some semiautomatic firearms feature a dangerous design element allowing them to be converted to automatic weapons through the attachment of an easy-to-use device known as a switch.”

Over the last few years, handguns retrofitted with switches were used in several prominent shootings in California, including the 2022 mass shooting in downtown Sacramento that left six people dead and a dozen injured.

Machine gun conversion switches are illegal in the United States and are mostly manufactured overseas. They also can be built at home using 3D printers. Instructions for installing one on a firearm can be found online and require little to no technical expertise.

The Bureau of Alcohol, Tobacco, Firearms and Explosives reported a 570% increase in the number of conversion devices collected by police departments between 2017 and 2021, according to the Associated Press.

Here in the UK, many of our towns and cities are connected by an impressive network of trains. A Brit who used Australian transport system for the first time was wowed by one feature

A British woman on a working holiday in Sydney, Australia was pleasantly surprised after getting on a train and spotting a “cool” feature – but many people were quick to point out it may not be as unique as she thinks. Despite both the UK and Australia sharing the same native language, there are many differences and culture clashes between the countries.

It can be an incredibly enriching and enlightening experience to live abroad, even in destinations that still speak the same tongue. Many people choose to go travelling around the world, or take jobs that offer them the opportunity to live in a different country, getting first hand experience of contrasting cultures and other ways of life.

This appears to be the case for Megan, a British woman who’s moved to the Bondi area near Sydney in Australia, on a working holiday. Working holiday visas are typically for younger people – usually aged 18-35 for UK citizens – and allows them to live and work in the country, on a flexible basis, for up to a year.

Like lots of others, Megan has taken to documenting her experiences on social media, regularly offering snapshots of her new life on TikTok.

In one particularly popular video, Megan shared her awe over the Sydney trains, which feature adjustable seats that can be flipped so they face forwards, backwards, or sideways. This then allows passengers to sit facing others.

Over the top of the footage, captured from her point of view and showing how to easily adjust the train seat, Megan penned: “As a Brit in Australia, this has baffled me…”

In the caption accompanying the clip, she simply added: “Their trains are so much cooler here lol!!”

The video has so far racked up more than 4.6 million views. In the comments section, people were keen to share their thoughts – with many adamant this was a feature here in the UK.

One person said: “This is very old technology. We used to have seating like this on trams over a hundred years ago. I know because I’ve been to Critch Museum.”

Another agreed: “Trains used to be like this in England”.

A third said: “British trams 100s of years ago did this” while a fourth echoed this: “Trams had this over 100 years ago in Scotland.”

One TikTok user simply said: “Blackpool trams were like this.”

Another shared: “I was on a literal steam engine built in the early 1900s last summer and they had this lol”.

Another joked: “When does this update drop in the UK?”

A local said: “As an Australian this has baffled me too because this is just a Sydney thing”.

Another local was surprised and commented: “TRAINS CAN DO THAT HERE..?”

Someone else observed: “Wait this is so cool”.

Another shared: “I (a Brit) once discovered this on a train in New York by accident and got the whole train of Americans doing it after hahaha”.

And another added: “As an American, I thought all trains did this”.