fathers

DAVID and Victoria Beckham put on brave faces as they celebrated their second Father’s Day without their estranged son Brooklyn. 

The pair were spotted heading to a London gastro-pub with their son Cruz, 21, and his girlfriend Jackie Apostel, 30. 

David, 51, and Victoria, 52, who were cut off by Brooklyn, 27, last year were also joined by their son Romeo and David’s mum Sandra, 77. 

On Father’s Day, David shared a photograph of all of their children, including daughter Harper, 14, and said: “Being a dad is my most important job… I love you all.” 

Brooklyn is understood to be “furious” with his parents once more after their Father’s Day posts.

David and Victoria both marked the annual event yesterday by sharing snaps of all of their children – including Brooklyn.

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He had previously instructed his parents not to tag him in online posts – something that they have continually ignored.

The feud has rumbled on for over a year with a source telling The Sun that Brooklyn has been left filled with rage following his mum and dad’s latest stunt.

An insider told The Sun: “He’s fuming about it.

“He’s asked them to leave him alone and they just keep posting him.

“It just brings the whole thing up all over again.

“He wishes they’d leave it and leave him alone.”

Brooklyn, who lives in Los Angeles with his American actress wife Nicola, 31, has been estranged from his family for over a year and has accused them of trying to “control” him. 

AMANDA Holden has slipped into a skin-tight gold catsuit for a very sexy Father’s Day date with her husband Chris Hughes.

Amanda, 55, took to Instagram to share snaps with her fans and captioned them: “The name’s Holden. Golden Holden. Licence to shimmer.”

She jokingly added: “Permission to be subtle: denied.”

Wearing a full‑body, metallic gold outfit, the BGT judge looked simply stunning as she posed for the cameras.

In the official shoot, Amanda is posed on all fours on a large, circular, cushioned platform.

In another, she was lying face‑down on a bed with her body angled slightly to one side.

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Amanda also wore matching gold high‑heeled shoes, which addded cinematic Bond vibes to the shoot as she stood beside her husband Chris.

The TV star also shared a video which showed her posing outdoors and having her make-up spritzed.

In full glam makeup and her blonde locks flowing loosely over her shoulders – Amanda also shimmied and danced in the clip.

Her followers flocked to comment and one wrote: “Straight out of a Bond movie.”

TV Presenter Lizzie Cundy wrote: “This is epic!” Towies Sam Faiers said: “The glam!”

Another fan wrote: “Love it! Channeling Shirley Eaton in Goldfinger.”

“Midas Touch,” wrote another.

While another said: “This is epic! Obsessed with your commitment to a theme.”

VICTORIA Beckham has extended the biggest olive branch to estranged son Brooklyn yet with a touching Father’s Day tribute to David. 

The fashion designer, 52, took to social media to share a snap of David, 51, with Brooklyn, 27,  Romeo, 23, Cruz, 21, and Harper, 14, in happier times. 

It showed proud dad David posing next to Brooklyn with their arms around each other – a stark contrast to the state of their relationship these days. 

Spice Girl Victoria wrote: “David you truly are the best daddy.

“Your greatest achievement has always been our beautiful children and we love you so much.Happy Father’s Day.”

Victoria’s post comes just days after the family feud took a bitter twist when Brooklyn mocked his strained relationship with his dad in a paid collaboration with Door Dash. 

QUIDS IN

Brooklyn Beckham ‘raked in £753k for World Cup ad that left his family fuming’

COPY CAT

Brooklyn Beckham rivals dad David with new ad – after family feud World Cup swipe

Brooklyn, who now lives in Los Angeles with wife Nicola Peltz, was seen in a clip saying: “You’re probably wondering why I’m watching the FIFA World Cup 2026 from home…”

Smirking Brooklyn then laughed: “It’s a long story.”

He went on to throw down his tickets onto the coffee table.

The advert then said: “It’s complicated. More soon.”

It’s now been claimed that the nepo baby was paid a whopping $1 million dollars, which equates to £753k, according to Mail Online.

Beloved England player Becks famously played in three FIFA World Cups in 1998, 2002 and 2006.

The ad came after Brooklyn failed to acknowledge his dad’s Hollywood Walk of Fame honour.

Instead, he took to Instagram to share a story of himself enjoying a run in the park while in New York.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Recently, I don’t exactly know why, I was overtaken by a concern that because of the impending merger of Paramount and Warner Bros., Olivier Assayas’ 2022 series adaption of his own film “Irma Vep” would be removed from the HBO Max streaming platform. With no official physical release, the series — starring Alicia Vikander as a Hollywood movie star making a project in Paris — could be effectively vanished from existence.

This is sadly inevitable, though some superfans have gone to extra-legal measures to ensure otherwise (not that we would ever endorse this). Most famously it’s happened with the original “Star Wars” trilogy. Billed as the “Grindhouse Edition,” these are discs of the first three “Star Wars” films sourced from scans of original film prints before the digital fixes and polish of the more recent official releases. Reengaging with these works in this way, scratches and all, is (I’m told) a strong reminder of why they hit so hard in the first place, similar to how it might be to reread a text in the original language instead of a more recent translation.

‘Indiana Jones’ marathon

Harrison Ford and Karen Allen on the set of 1981’s “Raiders of the Lost Ark.”

(Lucasfilm Ltd.)

The same deep understanding of genre filmmaking that went into the original “Star Wars” also went into “Raiders of the Lost Ark,” the first adventure of the character of Indiana Jones. Directed by Steven Spielberg from a script by Lawrence Kasdan and story by George Lucas and Philip Kaufman, the film is playful, thrilling and self-aware. It is made with such care, attention to detail and sense of fun that I remember how disappointed I was to discover not all movies would be like this.

There have of course been diminishing returns with the more recent run of Indiana Jones sequels, but the first three installments all have a real spark. And so the Secret Movie Club will present “Raiders,” 1984’s “Indiana Jones and the Temple of Doom” and 1989’s “Indiana Jones and the Last Crusade,” all on 35mm at the Million Dollar Theater in DTLA on Sunday in celebration of Father’s Day.

In her original review of the first film, Sheila Benson described that while watching it, she felt “a rush of gratitude which almost brought tears of contagious joy and — not to be corny about this — the strength of the film’s positive vision. If this is an era in which the heroic is lacking and the mediocre threatens us from every side, then ‘Raiders,’ which has no pretensions to importance, which is unabashedly wide-eyed and exaggerated and true blue but somehow cherishes the best in life and filmmaking — is a high-water mark.”

Plenty of jokes could be made about the movies having settled into what might be thought of as part of the dadcore canon: action-adventure movies that play well on TV and maybe you can take a short nap and not miss anything. So be it.

From one master to another

Cary Grant and Eva Marie Saint in Alfred Hitchcock’s 1959 thriller “North by Northwest.”

(Sunset Boulevard / Corbis via Getty Images)

Filmmaker Guillermo del Toro has been making waves of late for his strong public stance against the use of AI in feature filmmaking. But it is worth remembering that he is also a deep and incisive thinker about older movies, a true fan, which makes his upcoming appearances at the Academy Museum a special occasion.

Del Toro will present five films by Alfred Hitchcock — 1946’s “Notorious,” 1943’s ‘Shadow of a Doubt,” 1959’s “North by Northwest,” 1953’s “I Confess” and 1972’s “Frenzy” — along with delivering a lecture on each of them. To see one great filmmaker reflect with such depth into the work of another is just remarkable. This is some genuine only-in-L.A. type stuff.

Comedy + politics = good fun

A scene from the 1976 movie “Car Wash.”

(Margaret Herrick Library / Academy of Motion Picture Arts and Sciences)

A raucous comedy set around the location of the title, “Car Wash” is also a sharp, politically minded satire about labor and money. Directed by Michael Schultz from a screenplay by Joel Schumacher, the film has an extended ensemble cast that includes Richard Pryor, Franklyn Ajaye, George Carlin and many others.

In his original review Charles Champlin compared “Car Wash” to films such as “American Graffiti” and “Nashville” and called it “light but not foolish. … The experience is exhilarating.”

A 50th anniversary screening at the Academy Museum on Saturday of a new 4K restoration will include a panel with Schultz and actors Bill Duke, Antonio Fargas, Melanie Mayron, Garrett Morris and Pepe Serna.

Collision report

James Spader in the 1996 movie “Crash,” directed by David Cronenberg.

(Jonathan Wenk / Fine Line Features)

The controversy that surrounded David Cronenberg’s “Crash” when it premiered at Cannes in 1996 and received a U.S. release in 1997 tended to overwhelm the actual movie. Shockingly explicit, the film is about a secret underground world of people who create a sexual fetish out of car crashes. An adaptation of the novel by J.G. Ballard, Cronenberg’s movie explores the cinematic obsession with sex and violence.

Over time, “Crash” has been evolving from a seemingly cursed object dogged by scandal into something that audiences can come to appreciate and admire — even if it is not a movie you can ever exactly fully understand. Part of Cronenberg’s brilliance is how enigmatic and unknowable his work can be: strange, inviting and enveloping while refusing easy or direct analysis.

The movie is playing twice locally this week, on Saturday at Vidiots in partnership with the Cinegogue, with special giveaways and exclusive merch, and again on Monday at the Academy Museum in 4K. Who will be brave (or perverse) enough to go twice?

A different view of Rio

Milton Gonçalves, center, in the 1974 movie “The Devil Queen.”

(Kino Lorber)

A drag queen (Milton Gonçalves) rules the criminal underworld of Rio de Janeiro in Antonio Carlos da Fontoura’s 1974 gangster drama “The Devil Queen,” an unlikely mix of camp aesthetics and gritty violence. Among the film’s many fans is Kleber Mendonça Filho, the filmmaker behind the recent Brazilian hit “The Secret Agent,” who referred to “The Devil Queen” as “bloody, nasty and full of personality.”

The movie is playing in a new 4K restoration at the Lumiere Cinema in Beverly Hills.

A musical melodrama returns

Raul Julia, left, and Teri Garr in Francis Ford Coppola’s 1981 movie “One From the Heart.”

(Rialto Pictures / American Zoetrope)

We have talked before about Francis Ford Coppola’s “One From the Heart,” a movie of such delirious audacity that it nearly ruined the filmmaker‘s career. A throwback musical about two lovers who break up in search of more excitement, the film stars Teri Garr, Frederic Forrest, Nastassja Kinski and Raul Julia.

On Saturday the film will screen at the American Cinematheque’s Aero Theater in a 70mm print for the first time in L.A. since 1990. The event is being dedicated to Dean Tavoularis, Coppola’s longtime production designer, who died in April. For “One From the Heart,” Tavoularis re-created the Las Vegas Strip on a studio back lot.

New this week

• Amy Nicholson is not a fan of the new “Toy Story 5,” writing in her review, “Pixar has continued adding shades to the same plot outline like a child with a box of 128 crayons (or a company clinging to its billion-dollar idea).”
• Glenn Whipp cast back into the “Toy Story” universe for a highly personal ranking of his 10 favorite “Toy Story” toys.
• Two gay teenage boys attempt to survive a supernatural entity and conversion therapy in Adrian Chiarella’s debut feature “Leviticus.” Jen Yamato spoke to the filmmaking team.
• I spoke to writer-director Michael Sarnoski about his new “The Death of Robin Hood,” starring Hugh Jackman in a subversively revisionist telling of the last days of the medieval bandit.

FATHER’S DAY is just around the corner, but what to give the dad who’s had his fill of novelty socks?

Welcome to PalmerSport, the world’s best-kept secret for petrolheads.

Most driving experiences get you three laps in a leggy Lambo beside a terrified instructor telling you to change up early.

But there’s none of that at PalmerSport’s Experience Days, the ultimate all-inclusive racing theme park.

Set across 400 acres at Bedford Autodrome, it boasts four purpose-built circuits and more than five miles of track.

The dream of ex-F1 ace Jonathan Palmer, it’s been designed for speed and space so there are no grandstands or Armco to hit.

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And it’s a good job, too, as unlike any other gift experience you’ve ever been to, you will be pushed to your absolute limit.

I’m greeted by a hearty full English, before a safety briefing, and then it’s helmets on and straight to my first track session.

Everyone is placed in small teams, and all the sessions are professionally timed so you have a crack at a fastest-lap trophy.

The cars are staggering.

My favourites were the McLaren Artura GT4 and Ginetta G56 GTA – both full-blown race cars with slicks and roll cage.

But I never felt too intimidated once on track, thanks to the brilliant instructors.

They gave me immediate feedback over the helmet intercom, and there’s dual controls to help get you out of trouble.

You build up steadily and your last lap should always be your fastest, plus the 596bhp McLaren boasts in-car video and telemetry so I could analyse my quickest time.

We were hitting 135mph on the short back straight, with the instructor telling me precisely when to stamp on the brakes before slicing towards the apex.

The Ginetta felt like a touring car race, raucously good fun and forgiving.

But the real “heart in your mouth” stuff comes on the West Circuit.

The Palmer JP-LM is a sports prototype inspired by the 200mph racers at Le Mans.

It will pull 2.5g in the corners and sap tears from your eyes under braking.

Listen to your instructor carefully, though – as next time you’re out, it’s solo.

It’s truly mind-blowing to think that, in a land of health-and-safety trigger warnings these days, they will squeeze you into a Formula 3000 single-seater.

There’s no instructor, just pure driving in your own mini-Ayrton Senna nirvana.

You also get taster laps in a new 650bhp Hyundai IONIQ 5 N – that alone would be a £250 experience day.

And I still haven’t finished yet.

There’s a full off-road course, where I get to pilot a Defender 90 over obstacles I couldn’t walk up in crampons.

The all-inclusive day means breakfast, refreshments, lunch and afternoon tea – plus the driving experiences – are all part of the package.

I also get a photo taken alongside the McLaren, and in-car video of my fastest laps in the GT4 and F3000.

While it might not exactly be cheap, if you tried to replicate it independently it would cost you twice as much – and the driver coaching alone is priceless.

Perched just above the Strand in downtown Manhattan Beach, this cozy studio has sliding doors that open up to a full, unobstructed view of the pier, beach and ocean only a few hundred yards away. The sound of sea waves infuses the room with nature’s original white noise, adding a sense of marine tranquility to every class.

“Because of our proximity to the ocean, we’re very connected to nature,” says owner Justin Randolph. “To be able to hear the waves and connect to that rhythm, especially during corpse pose — it’s a little slice of calm.”

In fact, calm is something of a specialty at this studio, which focuses less on high-intensity aerobic classes than on restorative, therapeutic methods. Soothing Yin classes are offered nearly every day, and Chair Yoga sessions are tailored for students who are nursing injuries — or just prefer a slower, deeper practice.

To keep your visit stress-free, it’s best to plan in advance for the challenges of beachfront parking. If you’re lucky, you might be able to snag a nearby metered space or a spot in one of the lower pier lots. Otherwise, your safest bet is the large parking structure at Metlox Plaza, about five minutes away by foot.

Single class: $30
New student offer: $59 for 21 days of unlimited in-studio, outdoor and livestream classes
Unlimited monthly membership: $149

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The title of Violet Grohl’s debut album, “Be Sweet to Me,” started as an inside joke.

“‘Be Sweet to Me’ is a phrase that my best friend and I say to each other when we’re play-fighting,” says the rising singer. “It’s what we do to put an end to it. Like, ‘Oh, be sweet to me!’”

The phrase might also carry a double meaning, one Grohl is still parsing. At some point in the naming process, someone in her circle asked Grohl if she was making a plea. Remembering that moment, Grohl pauses to consider.

“I guess it can be seen as a pretext for the album. Just … be sweet,” she says. “But at the same time, it’s literally just what my best friend and I say to each other when we’re calling each other idiots.”

Intentional or not, no one could blame the 20-year-old for inserting an earnest request for audiences to proceed with kindness as she readies her debut album, which finally landed Friday.

The reasons are pretty self-explanatory: Grohl is the eldest child of modern rock icon Dave Grohl, the highly decorated founder and centerpiece of Foo Fighters and onetime drummer of Nirvana, and his wife, former model and TV producer Jordyn Blum. In an age of “nepo” accusations and internet dogpiles, it would be completely understandable for Grohl to feel anxious about her album’s reception.

But if she is, it doesn’t show. On a warm day in mid-May, Grohl appears relaxed and self-assured — but not arrogant — as she idles on a sofa in a cozy Studio City ADU owned by her publicist. Encased in a long, black sleeveless dress, she’s giving a mixture of off-duty rock star and summer goth. Her arms host an array of intricate tattoos; I spot a raven, a skull and a vintage lace fan. Next to her is a bulging Balenciaga mini bag, and a pair of oversized sunglasses on her head are perched atop a mop of jet black curls. The high contrast of her pale, makeup-less skin and swept back hair makes her round, gray-blue eyes appear even more pronounced.

“Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me.”

(Bella Newman)

Any time spent with her reveals that Grohl is the sort of person who is ultra-sensitive to the energy of places, people and even the long-deceased. In her free time, Grohl is an avid lover of anything paranormal. “The same time I got into horror movies, I started watching ‘Ghost Adventures’ on Travel Channel,” she says. “It totally sent me down this rabbit hole of the supernatural.”

When I ask if she’d ever made contact with any ghosts, Grohl nods emphatically before describing a trip to a hunting estate near the Scottish Highlands. “It is the most haunted place I’ve ever been in my whole life,” she says. “I walked into the house, and it was like a blast of cold air, chills everywhere. It’s this instinctual feeling of, I’m not alone here … I heard footsteps and disembodied voices, I saw shadows, I had crazy f–ing dreams. It’s so eye-opening, but it’s not evil or negative.”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories. From a sonic perspective, listeners will be thrilled to know that her debut does not just make for an entertaining listen — it’s a dedicated towpath to the very squealing heart of alternative rock, built by an artist who understands her music history on a granular level. Across a tight 11 tracks, “Be Sweet to Me” careens across late-’80s and ‘90s experimental genres, from ripping alt-rock on “Bug in the Cake” to hazy dream pop on “Mobile Star” to aggro Clinton-era alt metal on “Often Others,” and even a bit of chugging hardcore on “Cool Buzz.”

As many references as she brought to the recording process, led by producer Justin Raisen (a known collaborator of Charli XCX and Kim Gordon, who made the introduction), Grohl is not attempting to cosplay the grunge era. Instead of simply mirroring influences, she deftly puts her own spin on each arrangement with inventive, grabby arrangements, razor-sharp production and her versatile vocals, which can bellow like Courtney Love, murmur like PJ Harvey or turn ethereal like Elizabeth Fraser.

“Justin has a crew of musicians that he works with, and they’re all close friends of his,” Grohl explains of the album’s backing band, which Raisen assembled to mimic the Wrecking Crew, a loose collective of session players who appeared on some of the most beloved albums of the 1960s and ‘70s. “They’re the coolest, most talented, genuine music lovers, and seriously talented musicians … I’d never been in that kind of recording environment before. Everyone would throw out ideas or I would share a reference, and whatever it was about the song, [we’d ask] how we can build and make it a completely new, different thing.”

Growing up in Tarzana/Woodland Hills, Grohl says she’s been singing ever since she could speak. In a baby book, her mother wrote how Grohl, at 8 or 9 months, was “babbling and singing.” She took piano lessons with a teacher who taught her any Beatles song she wanted to learn. She later picked up the ukulele, and then a guitar. Now, it’s any piece of gear, from bass to drums to a lap dulcimer. “I just love messing around with different instruments and seeing all the different sounds I can make,” she says.

Grohl also had an ideal music-taste mentor in her father, who told his eldest all about Björk and acquiesced to playing Amy Winehouse’s “Rehab” on repeat. “I think I was 4 or 5, and I remember sitting in front of his computer, and he was talking about how she was from Iceland,” Grohl says of those days. “And I was like, ‘Oh, she’s the princess of Iceland. That was my idea of Björk from a young age. Björk’s ‘Hunter’ music video was a turning point for me.”

By adolescence, while on the road with the Foo Fighters, Grohl would make herself useful by assisting the band’s tour manager. She remembers: “I had a walkie-talkie, I would hand per diems out to people, I would run the envelopes around, and bring my dad a towel after the show, stuff like that.” The live-music atmosphere may have also sparked Grohl’s curiosity in songwriting, which she says began as a way of journaling. “I have cassette demos that I made with a tiny one-track recorder,” she remembers. “Then I started learning how to use Logic right before I turned 13, and that opened up this whole new world.”

One night in May 2018, on a break from the East Coast leg of the Foos’ Concrete and Gold tour, the elder Grohl headlined a benefit concert for the UCSF Benioff Children’s Hospital, where he encouraged his daughter, then only 12, to join him onstage to sing Adele’s “When We Were Young.” A few weeks later, back on tour, Grohl jumped onstage to help sing backup on a few tracks. “It wasn’t my first time singing on a stage, but it was my first time singing on a stage with that many people in [the audience],” she says of the second experience. “I was really scared, but once it was happening, and once it was over, I was like, ‘Oh, this is what I want to do. This is my purpose.’”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories.

(Bella Newman)

From there, Grohl became something of a live fixture — a beloved Foos adjunct performer. But clearly one with her own trajectory. In pre-pandemic 2020, Grohl joined the surviving members of Nirvana at the Art of Elysium Gala, where she sang “Heart-Shaped Box.” The next year, father and daughter recorded a duet of “Nausea” by L.A. classic punk favorites X. In 2022, Grohl opened the second tribute to late Foos drummer, Taylor Hawkins, with an aching rendition of Leonard Cohen’s “Hallelujah.”

It should definitely be said that Grohl is hardly pulling a Jakob Dylan as it relates to her parentage — a detail that actually makes her appear that much more self-actualized and approachable, simply because she isn’t trying to circumvent reality or engage in a furious round of name-dropping. She freely discusses the long evening car rides around Los Angeles she’d take with her dad and two younger sisters during the pandemic, the car becoming a music-recommendation feedback loop, with older and younger generations trading off DJ duties. “My sister and I introduced him to Jockstrap,” Grohl chuckles when I ask what bands she introduced her dad to during those rides. “I’d play him old jazz standards, hip-hop. It was a constant thing.”

During those evening rides, Grohl also drank up the city’s otherworldly, vaguely haunted visage. “There’s something special about L.A. that I can’t fully describe,” she says. “There’s inspiration everywhere, so many beautiful people and historic buildings. I love art about L.A. — when people reference L.A. in their music, movies, or books. I grew up here, and I’ve lived here my whole life. I just feel that deep connection to it all.”

Like any great artist, Grohl is a product of her surroundings, and that can’t help but include a very specific, unlikely upbringing. In her own matter-of-fact way, Grohl shrugs as she acknowledges the inescapable pressure of her last name. “Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me. You’re not gonna convince me to change. I’m doing this because I love music, and that’s all I’ve ever known. Everyone’s gonna want me to be something, and I’m not the person that will give in to that.”

It’s early in the morning, and Birmingham baseball coach Matt Mowry is at the supermarket looking through the flowers section before classes begin. He’s engaged in an unseen, often undervalued duty as a coach — providing comfort to players and their families.

One of his players, 16-year-old sophomore outfielder JJ Rodriguez, lost his father, Anthony, 53, on a Saturday morning last month when he died in his sleep at home. Mowry is looking for a bouquet of flowers to present to JJ’s mother, Nancy, before his first game back.

There are no easy answers how to help a family dealing with grief. Mowry went through his own tragedy in 2022 when his wife, Amy, died of cancer. He prays for her before each game, looking up to the sky while grasping his wife’s necklace, then kissing a ring that has her fingerprint tattooed on it.

The message Mowry told JJ: “Times are going to be tough There’s moments you’re going to break down. It’s OK. You don’t have to hide it.”

The reason No. 1-seeded Birmingham doesn’t open the City Section Open Division baseball playoffs until Thursday is because Anthony’s funeral is Wednesday, and players and coaches will be there to provide support.

Anthony Rodriguez, the father of Birmingham baseball player JJ Rodriguez, died last month.

(Eric Sondheimer / Los Angeles)

JJ missed a couple days of school and one game after his father’s death. He wanted to be alone and was skeptical about coming back any time soon.

“He would message me and tell me coming here and being around my teammates would make me more comfortable and get my mind off things,” JJ said of Mowry. “I wanted to be alone a little bit because my mind was not in the right place. But the day I came back, I learned these guys are my family.”

JJ has become an important part of his team, starting in left field while batting No. 9 in the order. The Patriots won their first West Valley League title in 20 years and are trying to win their sixth City title under Mowry.

JJ and his mother have appreciated the emotional support, allowing them to try to heal from their sorrow.

His mother told him, “Be strong for everyone else. Your dad will always be proud of you.”

There’s a candle in the room where his father was found.

“I sometimes go there and be alone at night and talk to myself,” he said.

Before games, JJ says a prayer and thinks of his father.

“Every game,” he said. “It’s for you, Dad.”

On May 23, the City final will take place at Dodger Stadium.

Imagine the thrill for players of the two teams who reach the final. They’ll get to walk the infield, put some grass in their pockets, look up into the stands, hang out in the dugout of the two-time defending world champions.

For JJ, his father won’t be able to watch him. Or maybe he will. Every day is a step forward to healing. It’s hard, but he’s got a coach watching over him.

“I talked to him about what my son went through in the same situation,” Mowry said. “I had him get back out with the guys and be there whether he practiced or played.”

JJ is back and thankful to his baseball family.

The Race Across the World star was left in tears during an emotional moment

Race Across The World’s Kush was reduced to tears after opening up about the death of his dad.

The 19-year-old contestant and his best friend Jo, 19, from Liverpool are the youngest competitors taking on the challenge of racing against one another across more than 12,000km from Sicily to Mongolia.

In pursuit of the £20,000 prize, the pair embarked on another leg of their journey during tonight’s (April 30) episode, which marks the halfway point of the race.

Together with their fellow competitors, they tackled the longest leg of the race, travelling through the world’s largest landlocked country, Kazakhstan, and onwards into Uzbekistan.

Midway through their journey, they seized the opportunity to visit a local gym and try their hand at judo, as Kush is a keen Muay Thai practitioner back home, reports the Liverpool Echo.

However, the experience stirred up memories of his late father, who tragically took his own life during lockdown.

Speaking directly to camera, he began: “Coming to this gym, it means a lot to me. It’s more than just throwing and hitting fighting. There’s a lot of meaning behind it.”

In a deeply personal moment, he revealed: “I think back to memories with my dad. I found it sick to do what your dad does. Being in the gym, I wonder what he’s thinking. He would be standing on the side with a particular sort of smirk on his face, watching me do judo throws.”

Clearly emotional, Kush recalled: “I remember the day he passed. It was locked down and it was a real big shock. He had really poor mental health and he took his own life. You never forget that shock factor.

“I still think about him all the time. Being on this journey has brought back little moments and I wish I could sort of show who I am now because when you’re 14, I didn’t know who I was and I was still a child.

“I made a lot of mistakes when I was younger and I feel like, if I could sort of show him what I’ve learn’t…” The 19 year old was unable to finish his sentence as he dissolved into tears.

Viewers watching from home were left deeply moved by the heartbreaking moment, taking to social media to share their reactions. One fan wrote: “Poor Kush. He’s a lovely lad, they both are. #RaceAcrossTheWorld.”

Another said: “Kush opening up on the loss of his father at just 1 year old-oh man #RaceAcrossTheWorld.” A third wrote: “kush is breaking my heart omg #raceacrosstheworld.”

Yet another commented: “Damn! Kush lost 2 dads at such a young age. I’m sure they’re proud of him #RaceAcrossTheWorld.” While another added: “Such a heartbreaking leg for Kush and Joe – what humble lads they are #RaceAcrossTheWorld.”

Race Across the World is available to stream on BBC iPlayer

The Repair Shop expert Steve Fletcher faced a challenging restoration on the BBC show.

Steve Fletcher, an expert on The Repair Shop since its launch in 2017, was left astounded by the item he was called upon to restore.

During the latest episode of the BBC programme (April 29), viewers watched Steve alongside Sonnaz Nooranvary examine the item that had been brought in.

Casting her eye over it on the table, Sonnaz remarked: “I’m no builder, but needless to say, this looks like it’s seen much better days.” Concurring, Steve responded: “Yeah, I’ve done up old buildings, and I don’t think any of them were as bad as this.”

Stepping into the barn was Dawn Shrives from West Sussex, who jokingly told the experts they were looking at “ruins” before revealing it was an extraordinary model watermill constructed by her late father in 1996.

She explained: “He put it all together to go in front of our family home to replicate the red brickwork of the house. Every little brick he made by hand, individually, he wanted it to be a working watermill. Obviously, the years of it sitting on the ground, outside, the weather had gotten to it.”

Dawn went on to describe how her father had planned to install an underground chamber to make the watermill turn. Tragically, he passed away in 2014, and her mother subsequently moved to a smaller property, reports the Manchester Evening News.

She noted that with her mother now living in a bungalow, there is nothing left to remind her of her beloved late husband, underlining just how precious the watermill model truly is. Dawn continued: “He’s touched, every single piece of this. He’s crafted this, and she looks out her front window and sees this deteriorating; it’s just so sad to see.”

She went on: “So to have it brought back to life for the family, for mum, would just be amazing. Just to see it put back together and whole again, I think, is almost- we can’t even think of that.” As Steve outlined his intentions to repair the model, it was evident he faced a considerable challenge.

Ultimately, after crafting bricks to substitute those Dawn’s father had originally made, Steve succeeded in restoring the dilapidated model and incorporated water to make the wheel rotate as her father had envisioned decades earlier.

When the moment arrived to reveal the completed restoration, Dawn brought her mother, Pam, along to view the model. The two women were immediately moved to tears upon seeing it unveiled, astounded by Steve’s achievement.

Pam promptly thanked Steve as Dawn exclaimed: “Look at that! Isn’t that lovely?” Pam remarked: “Gosh, that’s amazing. You’ve done all of these (roof tiles). Gosh, thank you.”

Upon noticing the water feature surrounding the house, Steve activated it for the first time, demonstrating the functioning watermill. She observed: “It’s just beyond anything that we could’ve thought would ever happen to it, thank you.”

Addressing the camera directly, Dawn said: “The watermill just sums up a legacy that will now stay in the family, be preserved, and dad would be so pleased to know that it’s working and it’s loved and it’s still loved.” Pam agreed, adding: “It’s just the best thing we could have done, isn’t it?”

The Repair Shop is available to watch on BBC iPlayer.