Welcome back to the Times of Troy newsletter, where the new year has gotten off to somewhat of a rocky start at USC. The defensive coordinator search drags on. The Trojans’ five-star quarterback is in the transfer portal. The women’s basketball team lost consecutive games for the first time in two years. The men’s team got pummeled on its trip through Michigan.
I talked to Eric Musselman two days after the Trojans lost to Michigan State by 29. The team was already in Minneapolis, the third leg of a brutal, three-game road swing. It was a stop I knew would mean a lot to Musselman. Minnesota, after all, was where his father, Bill Musselman, got his big break as a basketball coach. He coached in Minneapolis for four seasons and, in 1972, brought the Golden Gophers their first Big Ten title in 53 years.
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“The building was sold out,” Musselman recalled proudly last week. “And then the hockey arena was sold out because of the extra people that wanted to come to games. They’d have to watch it on closed-circuit TV.”
Musselman saw it all up close at a young age — the highs, the lows of being a college coach. I think he’d agree that that time spent watching those Golden Gopher teams would ultimately serve as the foundation for his own career coaching basketball. Today, 25 years after his father died, it still feels that way to Musselman, whose career has followed an eerily similar path to his late father.
“I don’t think he did a very good job teaching me anything other than [basketball],” Musselman joked.
Every day, he finds himself asking what his dad would have done. He thinks of him most when adversity strikes, like it did last week. His Trojans, after an impressive 12-1 start, were in a tenuous spot after its first two games of the new year, reeling from two blowout losses and stuck on the road for 10 days. Musselman wondered, as they practiced that morning in Minneapolis, what his father might say to help them snap the team out of its slump.
“I felt his presence this morning, before we went to practice, telling me what he would do in this situation,” Musselman told me.
Whatever it was, it worked. USC ended its losing streak by escaping Minneapolis with a win.
His dad never saw him reach the dream they’d both been striving for. His father died less than two years before he was named the head coach of the Golden State Warriors. His absence was crushing to Musselman, who considered him his “best friend.”
In his new office, just before he was introduced as coach, Musselman broke down in tears.
“I felt like my dad had been mentoring me to do this as a baby,” Musselman told Dan Le Batard in 2025. “It was his thought that this could happen. The fact that he wasn’t going to be there for it, it hurt.”
When I heard Musselman tell that story last year, it hit me particularly hard. I lost my own dad about a year and a half ago. He died suddenly of a heart attack, and his absence has felt like a gaping hole in those mile-marker moments — such as when my son took his first steps or went to his first football game. That’s when it becomes painfully clear how long he’s been gone.
Musselman has spent his coaching career surrounded by those reminders of his father. I told him I couldn’t imagine being constantly reminded of my dad’s absence whenever I went to work.
“I would say it’s harder that way,” Musselman told me. “But also, I feel closer to him. Even though he’s not here. I wouldn’t feel like that if he’d been a dentist.”
I still find myself struggling to find that silver lining. But talking to Musselman, I found it reassuring to hear how often he still feels his father’s presence. That’s not something I ever would’ve understood before losing my dad.
On Friday, in Minneapolis, Musselman was back in the building that meant so much to him and his dad. Everywhere there were reminders of their past life, happy reminders of how much his father had meant to him — and to. so many others.
Transfer portal notes, Week 2
Husan Longstreet
(Luke Hales / Getty Images)
—Five-star quarterback Husan Longstreet is in the transfer portal. USC made its case to keep Longstreet. But he wanted to start somewhere as a redshirt freshman, ideally at a contender, and USC couldn’t give him that. There’s a small chance Longstreet could look around and decide there’s no better opportunity than the one he has in L.A. But Longstreet already visited Louisiana State. USC plans to forge on with incoming freshman Jonas Williams as its future under center.
—USC found its punter for 2026, and he’s an Aussie. Lachlan Carrigan spent last season at Memphis, averaging 43.2 yards per punt as a freshman. For what it’s worth, that’s better than USC’s punter last season, Sam Johnson, who averaged 42.1 yards per punt.
—Don’t be surprised if USC doesn’t make many more waves in the transfer window. The Trojans have added six players so far, five of which are joining the defense. New wideout Terrell Anderson is going to play a big part on offense. I like defensive tackle Alex VanSumeren as an experienced option on the interior, and cornerback Jontez Williams seems like a clear upgrade. But this portal class isn’t going to blow anyone away. The plan had always been to deemphasize transfers this season.
Chad Baker-Mazara slams two points home against Minnesota.
(David Berding / Getty Images)
—USC intends to keep its defensive staff intact. Could that affect a coordinator hire? My understanding is that USC is currently expecting to retain its defensive staff. Defensive line coach Shaun Nua was at one point brought up as a coordinator candidate at Brigham Young, his alma mater. But a hire was made. Eric Henderson was floated as a possibility at Georgia Tech, his alma mater. They chose a different coordinator Saturday. As USC searches for its own coordinator, the hope has been to find someone who would fit in alongside its current staff. Could that limit the pool of coaches considering the job? Potentially, yeah. But Lincoln Riley has made it clear ever since he came to USC that he values continuity and loyalty. That’s also been reflected in his assistants’ contracts, which would cost USC a pretty penny to buy out, if it came to that. Plans are always subject to change, depending on the candidate that comes along or how the carousel works out. But the goal right now is to keep the gang together.
—As anxious as it might make you, it’s better that USC takes its time in finding a defensive coordinator. Before USC announced the hire of Chad Bowden as general manager, fans were losing their minds at how long it was taking to bring someone in. But those same fans would probably argue now that the wait ended up being worth it. There’s no reason to think the same couldn’t be true at defensive coordinator. It’s been two weeks since Lynn left for Penn State, and there have been ongoing conversations with candidates. Don’t be surprised if the search continues on without conclusion through the next week as well.
—Star freshman Alijah Arenas’ debut will wait at least another week. The hope has always been to have the five-star freshman back by mid-January, but it’s looking more like that timeline could be pushed back a bit. Having seen him practice, it’s clear his explosiveness is intact after such a long layoff. The big question, as is often the case with knee injuries, is whether Arenas will be able to move as well on the defensive end. He should start off playing a healthy amount of minutes right away … assuming the plan stays the same.
—Chad Baker-Mazara bounced back in a big way Friday. Can he keep it up? After a brutal stretch in the state of Michigan in which the Trojans’ leading scorer shot just five of 17, Baker-Mazara scored 29 points, with eight assists. Without him, USC wouldn’t have been able to hang on in overtime against Minnesota. But relying on Baker-Mazara to be the top option could continue to produce roller-coaster results this season. Arenas could help take the pressure off, especially as the stakes are raised in the coming weeks.
—Blue chip Aussie freshman Sitaya Fagan could technically play this season for the USC women. But no matter how much the Trojans may need the 6-foot-4 standout’s size and athleticism in the paint, I’m told USC will stick to its plan to have Fagan sit and learn the rest of this season, in order to hit the ground running for the 2026-27 slate. Fagan is still just 17, and the intent of her coming stateside now was to give her time to acclimate. That long-game approach is ultimately a good thing, even if USC is struggling in the frontcourt right now and could use a new face.
Olympic sports spotlight
A few days before the men’s volleyball season kicked off Saturday, USC announced a contract extension for coach Jeff Nygaard through 2028. This season marks Nygaard’s 11th as coach, and while his career record of 123-136 might not seem all that impressive on paper, competing in indoor men’s volleyball is actually more difficult than you might think at USC.
Nygaard previously only had 4 ½ scholarships to split among his team, and with the cost of attendance at USC higher than most anywhere else in college volleyball, it made for a smaller pool of players available in an otherwise talent-rich region. But the advent of revenue sharing and roster limits removed the cap on those scholarships, meaning USC can pay more of the way for men’s volleyball players if it chooses.
Of course, men’s volleyball isn’t the only Olympic sports program asking for that investment. But while USC has other major sports programs it must pour money into, other small schools are now finding themselves in a unique position of power. For a program such as Long Beach State, one that doesn’t have to support football, why not pour money into building a men’s volleyball powerhouse?
It’s more of an uphill climb in that sense for USC and Nygaard, which is part of the reason why the school offered him an extension. There’s been an effort to maintain continuity with the programs that face those similar challenges.
“It validates a number of different things we’re trying to do and how we’re doing our business,” Nygaard told me. “The continuity piece is huge for just the bedrock of the program, just to trust that they get, day after day, they don’t have to deal with massive change.”
USC was 21-7 last season and finished second in the MPSF. That was a breakthrough that Nygaard is hoping to build on. It started Saturday with a sweep of St. Thomas Aquinas.
“We’re working towards taking our good to great,” Nygaard said.
The team from “The Traitors” after winning at last year’s Emmy Awards.
(Richard Shotwell / Richard Shotwell/invision/ap)
One of the best competition reality shows on television is back on Peacock. “The Traitors” has never failed me in any season, and the first three episodes of this one have already delivered. You can always count on this show to reinvent itself, and this season adds an interesting twist to the traitor dynamic.
If you haven’t already tried “The Traitors” before, now is the time to get on board.
Until next time …
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.
This article contains spoilers for the first three episodes of “The Night Manager” Season 2.
It wasn’t inevitable that “The Night Manager,” an adaptation of John le Carré’s 1993 spy novel, would have a sequel. Le Carré didn’t write one and the six-episode series, which aired in 2016, had a definitive ending.
But after the show’s debut, fans clambered for more. They loved Tom Hiddleston’s brooding, charismatic Jonathan Pine, a hotel manager wrangled into the spy game by British intelligence officer Angela Burr (Olivia Colman). And at the heart of the series was the parasitic dynamic between Pine and his delightfully malicious foe, an arms dealer named Richard Onslow Roper (Hugh Laurie).
The show was so good that even the story’s author wanted it to continue. After the premiere of Season 1 at the Berlin International Film Festival, Le Carré sat across from Hiddleston, a twinkle in his eye, and said, “Perhaps there should be some more.”
“That was the first I’d heard of it or thought about it,” Hiddleston says, speaking over Zoom alongside the show’s director, Georgi Banks-Davies, from New York a few days before the U.S. premiere of “The Night Manager” Season 2 on Prime Video, which arrived Sunday with three episodes, 10 years after the first season. “But it was so extraordinary and inspiring to come from the man himself. That’s when I knew there might be an opportunity.”
Time passed because no one wanted a sequel of less quality. Le Carré died in 2020, leaving his creative works in the care of his sons, who helm the production company the Ink Factory. That same year, screenwriter David Farr, who had penned the first series, had a vision.
“We didn’t want to rush into doing something that was all style and no substance that didn’t honor the truth of it,” Farr says, speaking separately over Zoom from London. “There was this big gap of time. But I had this very clear idea. I saw a black car crossing the Colombian hills in the past towards a boy. I knew who was in the car and I knew who the boy was.”
That image transformed into a scene in the second episode of Season 2 where a young Teddy Dos Santos (Diego Calva) is waiting for his father, who turns out to be none other than Roper. From there, Farr fleshed out the rest of the season, as well as the already-announced third season. He was interested in the relationship between fathers and sons, an obsession of Le Carré’s, and in how Jonathan and Roper would be entangled all these years later.
Teddy Dos Santos (Diego Calva) is revealed to be Roper’s son.
(Des Willie / Prime Video)
“Teddy crystallized very quickly in my head,” Farr says. “All of the plot came later — arms smuggling and covert plans for coups in South America. But the emotional architecture, as I tend to call it, came to me quite quickly. That narrative of fathers and sons, betrayal and love is what marks Le Carré from more conventional espionage.”
“There was enormous depth in his idea,” Hiddleston adds. “It was a happy accident of 10 years having passed. They were 10 immeasurably complex years in the world, which can only have been more complex for Jonathan Pine with all his experience, all his curiosity, all his pain, all his trauma and all his courage.”
Farr sent scripts to Hiddleston in 2023 and planning for Season 2 began in earnest. The team brought Banks-Davies on in early 2024, impressed with her vision for the episodes. Hiddleston was especially attracted to her desire to highlight the vulnerability of the characters, all of whom present an exterior that is vastly different than their interior life.
“Every character’s heart is on fire in some way, and they all have different masks to conceal that,” Hiddleston says. “But Georgi kept wanting to get underneath it, to excavate it. Explore the fire, explore the trauma. She came in and said, ‘This show is about identity.’ ”
“I’m fascinated with how the line of identity and where you sit in the world is very fragile,” Banks-Davies says. “I’m fascinated by the strain on that line. In the heart of the show, that was so clearly there. I’m also always searching for what brings us together in a time, particularly in the last 10 years, that’s ever more divisive. These characters are all at war with each other. They’re all lying to each other. They’re deceiving each other for what they want. But what brings them together … instead of pushes them apart?”
The new season opens four years after the events of Season 1 as Jonathan and Angela meet in Syria. There, she identifies the dead body of Roper — a reveal that suggests his character won’t really be part of Season 2. After his death, Pine settles into a requisite life in London as Alex Goodwin, a member of an unexciting intelligence unit called the Night Owls.
Angela (Olivia Colman) and Jonathan (Tom Hiddleston) meet in Syria, four years after the events of Season 1.
(Des Willie / Prime Video)
“He’s half asleep and he lacks clarity and definition,” Hiddleston says. “His meaning and purpose have been blunted and dulled. He is only alive at his greatest peril, and the closer his feet are to the fire, the more he feels like himself. He’s addicted to risk, but also courageous in chasing down the truth.”
That first episode is a clever fake-out. Soon, Jonathan is on the trail of a conspiracy in Colombia, where the British government appears to be involved in an arms deal with Teddy. It quickly becomes the globe-trotting, thrill-seeking show that captivated fans in Season 1. There are new characters, including Sally (Hayley Squires), Jonathan’s Night Owls’ partner, and Roxana Bolaños (Camila Morrone), a young shipping magnate in league with Teddy, and vibrant locations. Jonathan infiltrates Teddy’s organization, posing as a cavalier, rich businessman named Matthew Ellis. He believes Teddy is the real threat. But in the final moments of Episode 3 there’s another gut-punching fake-out: Roper lives.
“The idea was: We must do the classic thing that stories do, which is to lose the father in order that he must appear again,” Farr says. He confirms there was never an intention to make “The Night Manager” Season 2 without Laurie. “What makes it work is this feeling that you are off on something completely new,” Farr says. “But that’s not what I want this show to be.”
Hiddleston compares it to the tale of St. George and the dragon. “They define each other,” he says. “At the end of the first series, Jonathan Pine delivers the dragon of Richard Roper to his captors. But after that, he is lost. The dragon slayer is lost without the presence of the dragon to define him. And, similarly, Roper is obsessed with Pine.”
Jonathan realizes the truth as he sneaks up to a hilltop restaurant to listen in on a meeting. Banks-Davies opted to shoot the entire series on location, and she kept a taut, quick pace during filming because she wanted the cast to feel the tension all the way through. She and Hiddleston had a shared motto on set: “There’s no time for unreal.” Thanks to her careful scene-setting, Roper’s arrival and Jonathan’s reaction were shot in only 10 minutes.
“I felt everything we talked about for months and everything we’d shot up until that point and everything we’d been through was in that moment,” Banks-Davies says. “There are so many emotions going on, so much being expressed, and it’s just delivered like that. But it was hard to get us there.”
Farr adds, “It is the most important moment in the show in terms of everything that then follows on from that.” He wrote into the script that Roper’s voice would be heard before Laurie was seen on camera. “It’s more frightening when something is not instantly fully understood and seen,” he says. “You hear it and you think, ‘Oh, God, I know that [voice].’ ”
Hiddleston wanted to play a range of emotions in seconds. He describes it as a “moment of total vitality.” Right before the cameras rolled, Banks-Davies told Hiddleston, “The dragon is alive.”
“After all the work, that’s all I needed to hear,” he says. “This moment will be memorable to him and he’ll be able to recall it in his mind for the rest of his life. He is wide awake, and reality is re-forming around him. His sense of the last 10 years, his sense of what he can trust and who he can trust, the way he’s tried to evolve his own identity — the sky is falling. There is a mixture of shock, grief, disenchantment, disillusionment, surprise and perhaps even relief.”
As soon as Jonathan arrives in Colombia and meets Teddy, a calculating live-wire dealing with his own sense of isolation, he becomes more himself. Hiddleston expresses him as a character desperate to feel the edge. Despite his layered duplicity, Jonathan understands and defines himself by courting risk.
Teddy (Diego Calva), Jonathan (Tom Hiddleston) and Roxana (Camila Marrone) get close. “This is a character who pushes his body to the limit and sacrifices enormous parts of himself at great personal cost to his body and soul,” Hiddleston says of Jonathan.(Des Willie/Prime Video)
“This is a character who pushes his body to the limit and sacrifices enormous parts of himself at great personal cost to his body and soul,” Hiddleston says. “He goes through a lot of pain, but also there’s great courage and resilience and enormous vulnerability. That’s what I relish the most, these are heightened scenarios that don’t arise as readily and in my ordinary life.”
“I could feel that shooting moments like this,” Banks-Davies adds. “Like, ‘It’s right there. Are we going to get it?’ Our whole show exists in that space between safety and death.”
Roper’s presence sends a ripple effect across the remaining three episodes. As much as Jonathan and Teddy are in opposition, they are parallel spirits, both with complicated relationships to Roper. Hiddleston describes them as “a mirror to each other,” although they can’t quite figure out what to be to each other. And neither knows who the other person really is.
“It is interesting, isn’t it, that my first image of him was 7 years old and that stays in him all the way through,” Farr says. “This sense of this boy who is seeking something — an affirmation, a place in the world. And he’s done terrible things, as he says to Pine in Episode 3. All of that was present in that first image I had.”
Hiddleston adds, “There is a competition, too, because Roper is the father figure, and they both need him in very different ways. Teddy is a new kind of adversary because he’s a contemporary. He’s got this resourcefulness and this ruthlessness, but also this very open vulnerability, which he uses as a weapon. They recognize each other and see each other.”
The characters’ dynamic is at the root of what drew Banks-Davies to the series. “It’s not about where they were born, it’s not about their economic status or their religion or their cultural identity,” she says. “It’s about two men who are lost and alone and solitary, and see a kinship in that. They are pulled together on this journey.”
Season 2, which will release episodes weekly after the first drop, will lead directly into Season 3, although no one involved will spill on when it can be expected. Hopefully they will arrive in less than a decade.
“It won’t be as long, I promise,” Farr says. “I can’t tell you exactly when, because I don’t know. But definitely nowhere as long.”
“That was the thrill for us, of knowing that when we began to tell this story, we knew we had 12 episodes to tell it inside, rather than just six,” Hiddleston says. “So we can be slightly braver and more rebellious and more complex in the architecture of that narrative. And not everything has to be tied up neatly in a bow. There’s still miles to go before we sleep, to borrow from Robert Frost, and that’s exciting. It’s exciting for how this season ends, and it’s exciting for where we go next.”
Freshman point guard Phillip Reed Jr. of Palisades entered high school ready to sink or swim going against varsity players who were stronger and more experienced.
“I wanted to jump into the water head first,” he said.
His progress is similar to that of other freshmen given opportunities to produce immediately. The early days of adjustment and uncertainty have been left behind. With each game confidence grows and signs of real potential can be seen like the sun rising in the morning.
“Pressure is a privilege. That’s how I look at it,” Reed said. “It’s not really pressure. It’s a challenge.”
He’s been preparing for this moment since he was 4. He lives in Compton and takes online classes to attend Palisades, using extra time during the day to work out with his father, a former high school football player at Inglewood. His mother also was an athlete at West Virginia Tech.
In the early games for Palisades, Reed saw the challenges. “Everybody is pretty much stronger than me, so it was using my IQ,” he said. “It’s a little more physical.”
The 6-foot-3 Reed can do everything a point guard is expected to do — dribble, make shots from anywhere on the court, be a distributor when needed. He’s averaging 16 points and 10 rebounds.
The Southland is filled with promising freshman guards, and they know each other, having played with or against each other for years.
“Everybody in this freshman class is pushing each other to be better,” Reed said.
Some other freshman guards making an immediate impact:
Freshman guard Will Conroy Jr. of Village Christian.
(Craig Weston)
Will Conroy Jr., Village Christian: He’s had a high game of 41 points. His father is an assistant at USC, so he’s had coaching and plenty of examples on how to move forward. He came into Friday averaging 27 points. He’s probably the No. 1 freshman in California.
Conroy delivered a victory over Crespi early in the season by calmly sinking a shot in the final seconds. His ability to handle pressure has been impressive.
Freshman guard Quali Giran of Long Beach Millikan.
(Steve Galluzzo)
Quali Giran, Long Beach Millikan: From the very first game he has lived up to the hype of a freshman ready to contribute immediately. He’s averaging 24 points.
Zach Arnold, San Gabriel Academy: On a team with a 6-11 center, it has been Arnold’s contributions against top opponents that have been most impressive. He helped his team beat No. 2-ranked Redondo Union.
Tariq Johnson, Servite: There was no hesitation handing the ball to Johnson from the first practice and making him the leader on the court. He’s averaging 17 points.
Darrellreon Morris, St. Pius X-St. Matthias: Just watch him show off his maturity setting up star guard Kayleb Kearse for shots.
Braylon Sherwood, Chaminade: The 6-6 Sherwood is averaging 13 points and helped Chaminade win 18 of its first 19 games.
Travis Walton Jr., Eastvale Roosevelt: Coming off the bench, Walton has had several impressive games and still is adjusting to the physicality of playing against top opponents. He’s the son of a former Michigan State standout and a gym rat who coach Johnny Dukes said “will be a heck of a player when it’s all said and done.”’
JoJo Mariless, Damien: He’s moved into the starting lineup for 17-4 Damien. He can shoot and is showing unselfishness with his passing skills.
The son of a storied Republican president, Michael Reagan, who recently died, was memorialized as a stalwart supporter of his father’s legacy. But in his home state of California, Reagan was remembered as much for his community involvement — which was at times so low-key that some didn’t even realize his father was Ronald Reagan.
“The cool thing about Michael is you never would have known that he was the son of a president,” said Victor Franco, a Democratic strategist who met Reagan more than a decade ago while Franco’s kids were students at St. Mel’s Catholic school in Woodland Hills, where Reagan’s daughter was a teacher. “He was an everyday guy chatting up with the dads.”
Though Reagan would speak at career days and donate tours of the Reagan ranch near Santa Barbara for school fundraisers, Franco recalls Reagan’s presence during the fathers club’s annual chili cook-offs and barbecue competitions.
“We referred to him as our taste tester. He was always, ‘Hey, I need to taste that brisket, or I need to taste the chicken and make sure that it’s good,’” Franco said. “Even though he had the pedigree of, you know, a dad who was president, he was a regular guy to all of us, and just a really sweet, nice person.”
After battling cancer, Reagan died Sunday, according to statements released on Tuesday by organizations affiliated with former President Reagan.
Michael Reagan was lauded by former state GOP leaders not only for his work in leading the conservative movement through his nationally syndicated radio show, but also his willingness to engage in California politics.
He was “a thoughtful and compassionate conservative leader. Clearly his father’s son, he nonetheless forged his own distinct and influential voice within the conservative movement,” said former California Republican Party Chairman Ron Nehring. “Through his long career in radio, Michael was a tireless advocate for the everyday American who felt ignored or left behind by politics.”
Jim Brulte, a former state GOP chairman and powerful legislative leader, said Reagan was always available to aid the state party.
“He was a good man with a big heart who loved America,” Brulte said. “And he was a crowd favorite. He knew how to connect with everyone in the room.”
Conservative strategist Jon Fleischman, a former executive director of the state party, added that Reagan was as comfortable in informal settings as in the more privileged environs he grew up in as the son of the president.
Fleischman recalled going to dinner with Reagan at Wolfgang Puck’s restaurant in Beverly Hills, and the celebrity chef — upon hearing that the former president’s son was dining at his establishment — greeting them.
“So Michael started doing his impressions of his dad. And I don’t know if it’s normally that easy to make Wolfgang Puck laugh, but it was a very funny moment watching him,” Fleischman said. “He basically said, ‘You sound just like your old man.’”
The move was on brand, said Fleischman, who first met Reagan in 1989 and regularly interacted with him when Reagan was hosting a talk radio show and Fleischman had started a powerful conservative website.
“This is a guy who could speak to the ballroom at the Century Plaza Hotel back in the day, and then the next day speak to six activists at a California Republican Assembly meeting at a Denny’s,” Fleischman said, recalling that whenever Reagan called, a picture of Michael and Ronald together would appear on his phone’s screen.
“He just loved people, and he loved to try to make a difference,” Fleischman said. “And I think he spent a lot of time in the latter years of his life just trying to be someone that his dad would look up to. His dad loomed, obviously, very large in his life.”
Franco, the Democratic strategist, recalled similarly fond memories about his interactions with Reagan despite their political differences, such as when he spoke about the Secret Service being alarmed that the elder Reagan was driving an old pick-up truck to ferry VIP guests around his ranch or riding horses with them.
“Michael was great to grab a cocktail with at a casino night and talk,” Franco said.
“We are here fulfilling our duties until you return.” The son of abducted Venezuelan leader Nicolas Maduro delivered a message to his father from the floor of the country’s congress, where he also serves as a lawmaker. He also mentioned his mother, Cilia, who is also in US custody.
After the eye strain, the greatest occupational hazard of being a TV critic is people asking what’s good on television. It’s a question I typically find impossible to answer on the spur of the moment, as a show will run out of my head as soon as a review is filed in order to make room for the next one. (I buy time by responding, “What do you like?”) It is only at this reflective season of the year that I can stop, look back and list them.
Our picks for this year’s best in arts and entertainment.
Every year, television has its ups and downs, its ebb and flow, depending on a host of reasons I will only ever vaguely understand. I will take this opportunity to say that there are way too many psychological thrillers on way too many platforms nowadays, but there are always more than enough shows to praise — and as always, I include only series that are new this year. Some are here because they deliver real surprises — not just plot twists and sudden revelations, but new directions and original formats. Others are here by dint of good old-fashioned storytelling, memorable characters and terrific performances — or just because they made me laugh.
Here they are, in no special order.
‘Hal & Harper’ (Mubi)
Lili Reinhart and Cooper Raiff in Mubi’s “Hal & Harper.”
(Mubi)
Writer-director Cooper Raiff’s delicate drama looks at a brother and a sister — played by Raiff and Lili Reinhart both as adults and children, with no sacrifice of reality — made close by the early loss of their mother and the grief of their father (Mark Ruffalo, identified only as Dad). The sale of their old house and the prospect of a new sibling — Dad’s girlfriend (Betty Gilpin, going from strength to strength) — sets things in motion. The dialogue avoids exposition, the silences say much. (Read the review.)
‘The Lowdown’ (FX)
Ethan Hawke and Ryan Kiera Armstrong in FX’s “The Lowdown.”
(Shane Brown / FX)
In Sterlin Harjo’s shaggy dog follow-up to “Reservation Dogs,” the ever-evolving Ethan Hawke plays Lee Raybon, a raggedy Tulsa “truthstorian,” citizen journalist and used-book dealer, looking into the apparent suicide of the oddball member of a powerful family. The series pays homage to noir film and fiction, even as it’s too bright, mischievous and full of love to qualify as noir itself (though Lee does get beat up a lot). Politicians, land developers, white supremacists and Natives collide. The cast also includes Kyle MacLachlan, Jeanne Tripplehorn, Peter Dinklage, Keith David, Kaniehtiio Horn (the Deer Lady in “Reservation Dogs”) as Ray’s ex-wife and the marvelous Ryan Kiera Armstrong as his teenage daughter and eager accomplice. Look for X’s John Doe as a purveyor of bootleg caviar. (Read the review.)
‘Women Wearing Shoulder Pads’ (Adult Swim), ‘Common Side Effects’ (Adult Swim), ‘Oh My God … Yes!’ (Adult Swim), ‘Long Story Short’ (Netflix)
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1.“Women Wearing Shoulder Pads” on Adult Swim.(Warner Bros)2.“Common Side Effects” on Adult Swim.(Adult Swim)3.“Oh My God … Yes!” on Adult Swim.(Warner Bros. Discovery)4.“Long Story Short” on Netflix.(Netflix)
Animation! “Women Wearing Shoulder Pads” is a queer Spanish-language stop-motion comedy melodrama, set in the aesthetic world of a 1980s Pedro Almodóvar film, involving the fate of the cuy, a South American guinea pig (pets? food?), and a struggle between two powerful women. (Read the review.)
“Common Side Effects” is a semicomical thriller with heart, centered on a mushroom with curative properties and pitting its discoverer against the pharmaceutical-industrial complex; Martha Kelly fans will be happy to find her here as a DEA agent. (Read the review.)
“Oh My God … Yes!” is an Afro-futurist, surrealist, girlfriends-in-the-city superhero comedy — like the Powerpuff Girls, grown up, earthy and Black — featuring humanoid robots, anthropomorphic animals and gayliens (the preferred term for gay aliens). (Read the review.)
And “Long Story Short,” from “Bojack Horseman” creator Raphael Bob-Waksberg is the sweet, melancholy, satirical, silly, poignant, hopeful, sometimes slapstick cartoon tale of a normal middle-class Jewish family; the world it portrays is (mostly) ordinary, but the drawings make it extra-special. (Read the review.)
‘Demascus’ (Tubi)
Okieriete Onaodowan in Tubi’s “Demascus.”
(Jace Downs / AMC Networks)
In this Black science-fiction comedy about the search for identity and purpose, Okieriete Onaodowan plays the title character, propelled into alternative visions of his life and self by an experimental virtual reality gizmo that “follows the path of your conscious and subconscious impulses.” The settings change along with him — into a relationship reality show, a “sad Thanksgiving” domestic comedy, a setting out of “One Flew Over the Cuckoo’s Nest” — as supporting actors (Martin Lawrence among them) become different people around him. (Read the review.)
‘Pluribus’ (Apple TV)
Rhea Seehorn in Apple TV’s “Pluribus.”
(Anna Kooris / Apple TV)
I find Vince Gilligan’s take on “The Invasion of the Body Snatchers,” in which a virus from outer space turns nearly all of humanity into one giant, contented, cultish hive mind, more interesting than compelling, but it’s interesting enough, and comes with a great performance by Rhea Seehorn as one of a dozen earthlings immune to the bug — jealous of her discontent, standing up for her right to be angry. This is a slow series, yet never a boring one, and Seehorn, in a kind of one-woman-versus-everyone show, is electric even when nothing much is happening. (Read the review.)
‘The Studio’ (Apple TV)
Clockwise from left: Ike Barinholtz, Kathryn Hahn, Chase Sui Wonders and Seth Rogen in Apple TV’s “The Studio.”
(Apple TV+)
Seth Rogen and Evan Goldberg’s breakneck farcical ode to the motion picture business (in which they do very well). Rogen stars as a new studio head, promoted from below, dealing with bad ideas (a Kool-Aid movie), big egos, and his own insecurities and need to feel appreciated. Episodes take place at the Golden Globes, a fundraising dinner and a Las Vegas trade show, with Ike Barinholtz and Kathryn Hahn on his team, Bryan Cranston as his boss — reminding you he was on “Seinfeld” and “Malcolm in the Middle” before he became Walter White — and Catherine O’Hara (brilliant, naturally) as the woman Rogen replaced. (Read the review.)
‘North of North’ (Netflix)
Anna Lambe in Netflix’s “North of North.”
(Netflix)
A sweet small-town romantic comedy, set (and filmed) in Canada’s northernmost territory among the Indigenous Inuit people. A luminous Anna Lambe stars as the 26-year-old mother of a rambunctious 7-year-old, tied to a narcissistic husband and resentful of her mother, a reformed alcoholic and former bad girl; she dreams of something more, even if it just means hauling large items to the dump. Mary Lynn Rajskub plays the cheerful, credit-grabbing town manager whose assistant she becomes. Love and a family secret will arrive from the south. The beaded parkas are gorgeous. (Read the review.)
‘The Pitt’ (HBO Max), ‘Adolescence’ (Netflix)
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1.Noah Wyle and Tracy Ifeachor in HBO Max’s “The Pitt.”(John Johnson/HBO)2.Owen Cooper and Stephen Graham in Netflix’s “Adolescence.”(Netflix)
These two series do their work in real time, making space for naturalistic acting and a special kind of pressure. “The Pitt,” whose 15 episodes are set in a hectic Pittsburgh ER over a 15-hour shift puts Noah Wyle back in scrubs, herding (with Tracy Ifeachor) a large cast of doctors, nurses and student doctors. Cases include electrocution, drowning, overdose, scurvy, sickle cell anemia, a nail in the chest, a fastball in the eye and gallstones, with all the personal drama one expects from a hospital show. (Read the review.)
The tightly focused, brutally intimate “Adolescence,” surrounding the arrest of a 13-year-old boy (Owen Cooper) for murder, unveils its unconventional mystery in four discrete episodes, each executed in a single tracking shot. A field day for actors, it earned Emmys for Cooper, co-creator Stephen Graham as his father and Erin Doherty as a child psychologist. (Read the review.)
‘Dope Thief’ (Apple TV), ‘Deli Boys’ (Hulu)
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1.Brian Tyree Henry, left, and Wagner Moura in Apple TV’s “Dope Thief.”(Apple)2.Saagar Shaikh, left, and Asif Ali in Hulu’s “Deli Boys.”(James Washington/Disney)
Drugs are bad, but they fuel a lot of television. (I mean the plots; I wouldn’t know about the productions.) These two very different series feature heroes in over their heads, caught between cops and a cartel. “Dope Thief” gives Brian Tyree Henry (Paper Boi on “Atlanta”), as a man robbing low-level drug dealers dressed as a DEA agent, his first starring role, which would be sufficient for me to recommend it sight unseen — but it is excellent, seen. (Read the review.)
In “Deli Boys,” an old-fashioned comedy of Idiots in Danger, Asif Ali and Saagar Shaikh play temperamentally opposite Pakistani American brothers who inherit what they believed to be a chain of convenience stores but turn out to be the front for their father’s cocaine empire. Poorna Jagannathan is marvelous as their beloved, fearsome Lucky Auntie, who knows the score. (Read the review.)
‘Ludwig’ (Britbox)
David Mitchell in Britbox’s “Ludwig.”
(Colin Hutton)
In this Cambridge-set dramatic comedy-mystery, irascible David Mitchell, of “Peep Show,” “Upstart Crow” and “Would I Lie to You?” fame, plays an awkward, isolated genius with little practical experience of the world, drawn right into it when he winds up impersonating his missing twin brother, a police detective. A professional puzzle-maker, he’ll turn out to be good at the job, though he calls a medical examiner’s report a “how-did-they-die test,” and, moving in with his sister-in-law, he’ll learn something about the benefits of family. Properly moving, and very funny. (Read the review.)
OXNARD — A father who has become the sole caretaker for his two young children after his wife was deported. A school district seeing absenteeism similar to what it experienced during the pandemic. Businesses struggling because customers are scared to go outside.
These are just a sampling of how this part of Ventura County is reckoning with the aftermath of federal immigration raids on Glass House cannabis farms six months ago, when hundreds of workers were detained and families split apart. In some instances, there is still uncertainty about what happened to minors left behind after one or both parents were deported. Now, while Latino households gather for the holidays, businesses and restaurants are largely quiet as anxiety about more Immigration and Customs Enforcement raids lingers.
“There’s a lot of fear that the community is living,” said Alicia Flores, executive director of La Hermandad Hank Lacayo Youth and Family Center. This time of year, clients usually ask her about her holiday plans, but now no one asks. Families are divided by the U.S. border or have loved ones in immigration detainment. “They were ready for Christmas, to make tamales, to make pozole, to make something and celebrate with the family. And now, nothing.”
At the time, the immigration raids on Glass House Farms in Camarillo and Carpinteria were some of the largest of their kind nationwide, resulting in chaotic scenes, confusion and violence. At least 361 undocumented immigrants were detained, many of them third-party contractors for Glass House. One of those contractors, Jaime Alanis Garcia, died after he fell from a greenhouse rooftop in the July 10 raid.
Jacqueline Rodriguez, in mirror, works on a customer’s hair as Silvia Lopez, left, owner of Divine Hair Design, waits for customers in downtown Oxnard on Dec. 19, 2025.
(Genaro Molina/Los Angeles Times)
The raids catalyzed mass protests along the Central Coast and sent a chill through Oxnard, a tight-knit community where many families work in the surrounding fields and live in multigenerational homes far more modest than many on the Ventura coast. It also reignited fears about how farmworker communities — often among the most low-paid and vulnerable parts of the labor pool — would be targeted during the Trump administration’s intense deportation campaign.
In California, undocumented workers represent nearly 60% of the agricultural workforce, and many of them live in mixed-immigration-status households or households where none are citizens, said Ana Padilla, executive director of the UC Merced Community and Labor Center. After the Glass House raid, Padilla and UC Merced associate professor Edward Flores identified economic trends similar to the Great Recession, when private-sector jobs fell. Although undocumented workers contribute to state and federal taxes, they don’t qualify for unemployment benefits that could lessen the blow of job loss after a family member gets detained.
“These are households that have been more affected by the economic consequences than any other group,” Padilla said. She added that California should consider distributing “replacement funds” for workers and families that have lost income because of immigration enforcement activity.
An Oxnard store owner who sells quinceañera and baptism dresses — and who asked that her name not be used — says she has lost 60% of her business since the immigrant raids this year at Glass House farms.
(Genaro Molina/Los Angeles Times)
Local businesses are feeling the effects as well. Silvia Lopez, who has run Divine Hair Design in downtown Oxnard for 16 years, said she’s lost as much as 75% of business after the July raid. The salon usually saw 40 clients a day, she said, but on the day after the raid, it had only two clients — and four stylists who were stunned. Already, she said, other salon owners have had to close, and she cut back her own hours to help her remaining stylists make enough each month.
“Everything changed for everyone,” she said.
In another part of town, a store owner who sells quinceañera and baptism dresses said her sales have dropped by 60% every month since August, and clients have postponed shopping. A car shop owner, who declined to be identified because he fears government retribution, said he supported President Trump because of his campaign pledge to help small-business owners like himself. But federal loans have been difficult to access, he said, and he feels betrayed by the president’s deportation campaign that has targeted communities such as Oxnard.
“There’s a lot of fear that the community is living,” said Alicia Flores, executive director of La Hermandad Hank Lacayo Youth and Family Center in downtown Oxnard, on Dec. 19, 2025.
(Genaro Molina/Los Angeles Times)
“Glass House had a big impact,” he said. “It made people realize, ‘Oh s—, they’re hitting us hard.’ ”
The raid’s domino effect has raised concerns about the welfare of children in affected households. Immigration enforcement actions can have detrimental effects on young children, according to the American Immigration Council, and they can be at risk of experiencing severe psychological distress.
Olivia Lopez, a community organizer at Central Coast Alliance United for a Sustainable Economy, highlighted the predicament of one father. He became the sole caretaker of his infant and 4-year-old son after his wife was deported, and can’t afford child care. He is considering sending the children across the border to his wife in Mexico, who misses her kids.
In a separate situation, Lopez said, an 18-year-old has been suddenly thrust into caring for two siblings after her mother, a single parent, was deported.
Additionally, she said she has heard stories of children left behind, including a 16-year-old who does not want to leave the U.S. and reunite with her mother who was deported after the Glass House raid. She said she suspects that at least 50 families — and as many as 100 children — lost both or their only parent in the raid.
“I have questions after hearing all the stories: Where are the children, in cases where two parents, those responsible for the children, were deported? Where are those children?” she said. “How did we get to this point?”
Robin Godfrey, public information officer for the Ventura County Human Services Agency, which is responsible for overseeing child welfare in the county, said she could not answer specific questions about whether the agency has become aware of minors left behind after parents were detained.
“Federal and state laws prevent us from confirming or denying if children from Glass House Farms families came into the child welfare system,” she said in a statement.
The raid has been jarring in the Oxnard School District, which was closed for summer vacation but reopened on July 10 to contact families and ensure their well-being, Supt. Ana DeGenna said. Her staff called all 13,000 families in the district to ask whether they needed resources and whether they wanted access to virtual classes for the upcoming school year.
Even before the July 10 raid, DeGenna and her staff were preparing. In January, after Trump was inaugurated, the district sped up installing doorbells at every school site in case immigration agents attempted to enter. They referred families to organizations that would help them draft affidavits so their U.S.-born children could have legal guardians, in case the parents were deported. They asked parents to submit not just one or two, but as many as 10 emergency contacts in case they don’t show up to pick up their children.
Rodrigo is considering moving back to Mexico after living in the U.S. for 42 years.
(Genaro Molina/Los Angeles Times)
With a district that is 92% Latino, she said, nearly everyone is fearful, whether they are directly or indirectly affected, regardless if they have citizenship. Some families have self-deported, leaving the country, while children have changed households to continue their schooling. Nearly every morning, as raids continue in the region, she fields calls about sightings of ICE vehicles near schools. When that happens, she said, she knows attendance will be depressed to near COVID-19 levels for those surrounding schools, with parents afraid to send their children back to the classroom.
But unlike the pandemic, there is no relief in knowing they’ve experienced the worst, such as the Glass House raid, which saw hundreds of families affected in just a day, she said. The need for mental health counselors and support has only grown.
“We have to be there to protect them and take care of them, but we have to acknowledge it’s a reality they’re living through,” she said. “We can’t stop the learning, we can’t stop the education, because we also know that is the most important thing that’s going to help them in the future to potentially avoid being victimized in any way.”
Jasmine Cruz, 21, launched a GoFundMe page after her father was taken during the Glass House raid. He remains in detention in Arizona, and the family hired an immigration attorney in hopes of getting him released.
Each month, she said, it gets harder to pay off their rent and utility bills. She managed to raise about $2,700 through GoFundMe, which didn’t fully cover a month of rent. Her mother is considering moving the family back to Mexico if her father is deported, Cruz said.
“I tried telling my mom we should stay here,” she said. “But she said it’s too much for us without our dad.”
Many of the families torn apart by the Glass House raid did not have plans in place, said Lopez, the community organizer, and some families were resistant because they believed they wouldn’t be affected. But after the raid, she received calls from several families who wanted to know whether they could get family affidavit forms notarized. One notary, she said, spent 10 hours working with families for free, including some former Glass House workers who evaded the raid.
“The way I always explain it is, look, everything that is being done by this government agency, you can’t control,” she said. “But what you can control is having peace of mind knowing you did something to protect your children and you didn’t leave them unprotected.”
For many undocumented immigrants, the choices are few.
Rodrigo, who is undocumented and worries about ICE reprisals, has made his living with his guitar, which he has been playing since he was 17.
While taking a break outside a downtown Oxnard restaurant, he looked tired, wiping his forehead after serenading a pair, a couple and a group at a Mexican restaurant. He has been in the U.S. for 42 years, but since the summer raid, business has been slow. Now, people no longer want to hire for house parties.
The 77-year-old said he wants to retire but has to continue working. But he fears getting picked up at random, based on how abusive agents have been. He’s thinking about the new year, and returning to Mexico on his own accord.
“Before they take away my guitar,” he said, “I better go.”
The holidays bring good cheer — an opportunity to reflect but also, most likely, the anxiety of family. Jim Jarmusch’s latest film isn’t set during the season, although the faint flickers of awkwardness, resentment and guilt that pass across its characters’ faces may be painfully familiar to audiences who have an uneasy relationship with their parents. “Father Mother Sister Brother” is here to commiserate, but because the veteran indie auteur remains a sharp chronicler of the quotidian, he has no patience for sentimentality or pat resolutions. The movie glides by so unassumingly, you may be stunned how moved you are by the end.
“Father Mother Sister Brother” is divided into three chapters, each examining a separate family. In the first segment, set somewhere in the Northeast, siblings Jeff (Adam Driver) and Emily (Mayim Bialik) visit their unnamed father (Tom Waits). The second tale shifts to Dublin, where sisters Timothea (Cate Blanchett) and Lilith (Vicky Krieps) arrive at the home of their mother (Charlotte Rampling) for their annual tea party. And in the final chapter, twins Skye (Indya Moore) and Billy (Luka Sabbat) reunite in Paris to close up the apartment owned by their parents, who recently died in a small-plane crash.
Jarmusch has occasionally sliced his narratives into pieces: His films “Night on Earth” and “Coffee and Cigarettes” were anthologies tied together conceptually. Initially, “Father Mother Sister Brother” appears to be similar, but there’s a cumulative power to the movie, which won the Golden Lion at the Venice Film Festival, that reveals a subtle but profound thematic undercurrent.
The first clue comes in the “Father” chapter, which begins with Jeff and Emily in the car. There’s a stilted quality to the conversation as they discuss their eccentric, inscrutable dad. The visit has the heavy air of obligation — they don’t see Dad very often — and when he clumsily welcomes them into his ramshackle house, pregnant pauses and pursed lips ensue. Nothing much happens, until the segment’s finale introduces a twist that suggests the yawning chasm between what we think we know about our parents and what the truth of their lives is.
Once we move to the “Mother” sequence, we’ve started to acclimate to the movie’s discomfiting rhythms — which is good considering that, if anything, Timothea and Lilith’s relationship with their mom is even frostier. Their mother’s polite, excessively formal demeanor cannot mask her befuddlement regarding how to relate to her children. Decked out in an unflattering haircut and eyeglasses, Blanchett plays Timothea as terminally mousy, still craving her aloof mom’s approval. By comparison, Krieps’ Lilith is more assertive, proudly showing off her pink-dyed hair and bragging about a Lexus she doesn’t actually have. Rampling crackles as a matriarch who can sniff out her kids’ lies and insecurities but has the good manners not to say anything. Or maybe it’s not kindness at all but, rather, a way to reassure herself that she will always have the upper hand.
The film’s persistent brittleness may make some viewers antsy. That’s partly the point, but hopefully, they’ll soon be swept away by the movie’s melancholy undertow. Working with a minimalist keyboard score he co-wrote, Jarmusch fills the silences with an ineffable despair. You can feel it in the way Emily looks out her father’s window to the lake beyond, the wintery tableau both tranquil and poignant. You sense it when Timothea quietly inspects herself in a bathroom mirror, wishing her life was more than it is.
Such moments could make you cry. But Jarmusch’s deadpan approach often chases that sadness with a wry chuckle during instances of unfiltered honesty. Krieps relishes portraying her character, a big-talking phony hoping to wow her mother and sister. (At one point, Lilith announces, “I almost hate to say it, but my life’s been like a dream.” Blanchett’s reaction is delicious.) Eventually, we learn to look past Jarmusch’s deceptively mundane surfaces to see the fraught, unresolved issues within these guarded families. The characters occasionally expose their true selves, then just as quickly retreat, fearful of touching on real conflict.
Which brings “Father Mother Sister Brother” to its most affecting sequence. It would be a spoiler to disclose anything about Skye and Billy’s intimate saga, but what becomes clear is that Jarmusch has fashioned the “Father” and “Mother” installments in such a way that the final “Sister Brother” segment hits differently. Just as importantly, Moore and Sabbat’s lovely performances slyly alter our impressions of those previous chapters, building to some of the tenderest moments of Jarmusch’s career.
Turning 73 in January, Jarmusch has lost none of his edge or preternatural cool, but the depth of feeling in recent works like 2016’s “Paterson” becomes, here, a bittersweet meditation on the anguish of trying to unlock the mystery of our aging parents. In “Father Mother Sister Brother,” family can be hell, but the only thing worse is when they’re no longer with us.
If your dog has missed out on the festive fun so far, there’s still time to book them into Paws in the Park at LEGOLAND Windsor. There’s even the chance for them to give Santa their wish list
Pups can finally enjoy a festive day out at LEGOLAND(Image: LEGOLAND)
If you’re looking for a festive family day out that includes your four-legged friend, then LEGOLAND Windsor is offering a day that dogs will love. On December 21 and 28, the iconic theme park will host Paws in the Park, a special event that allows dogs to accompany their owners to the attraction’s Christmas celebrations.
While most dogs don’t have much interest in LEGO, beyond chewing any stray pieces found on the floor, they’ll no doubt love the festive atmosphere of the park and a new place for walkies. Dogs can sniff their way around the park while owners enjoy over 20 rides, Christmas shows, and the Elf Training Academy.
And if your dog is on the nice list this year, why not treat them to a visit to see Santa himself? After 5pm, Santa’s Grotto in the Christmas Kingdom is open to doggos who are hoping for a visit from Santa Paws this year.
Owners who want to bring their dog to the park will need to pay for a £10 Pet Pass in addition to tickets for any humans visiting, and there are a few rules to follow. Dogs need to be kept on a lead, and you must bring any dog food and snacks with you, although there will be water points throughout the park.
Paws in the Park is part of Christmas at LEGOLAND, the theme park’s festive offering which describes itself as ‘the ultimate Christmas day out’. Until January 4, the park will be decked out in Christmas décor, turning it into a brick-shaped winter wonderland.
A number of rides are still open over Christmas, including The Dragon rollercoaster and the ever-popular LEGO City Driving School. Little kids will especially love the DUPLO Dino Coaster, based on the beloved toddler toys, and the LEGOLAND Express train which takes you on a tour of the park.
You can meet Santa and his elves in LEGO form, before dropping into the grotto to meet Father Christmas himself and give him your Christmas wishes. Visitors get a special LEGO gift to remember their trip.
LEGOLAND’s Christmas attractions also include the Festival of Flurries show, a musical where the audience are encouraged to dance and sing along in a lively yuletide show. As you walk through the park, you may also spot the Nutcracker’s Marching Band, a group playing brass band versions of your favourite Christmas songs.
And of course, there are plenty of opportunities to play with the beloved brick toys, including Build to Give. For every LEGO heart built in the workshop, a LEGO set will be donated.
In addition to LEGOLAND Windsor, there are three European LEGO-themed parks, perhaps the most famous being in Billund, Denmark, the home of LEGO. Recently, LEGOLAND Deutschland in Germany announced they’d be adding a new Harry Potter land to their list of attractions, which will include Wizarding World-themed rides and accommodation. The park plans to release more information on this new land in the next 12 months.
Have a story you want to share? Email us at webtravel@reachplc.com
Hollywood filmmaker Rob Reiner and his wife Michele Singer Reiner were found dead in their Los Angeles home on Sunday. The police and investigators believe the couple suffered fatal stab wounds.
On Monday, police arrested the legendary director’s 32-year-old son, Nick Reiner, in connection with the deaths.
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Rob Reiner directed several United States movie classics, including When Harry Met Sally and The Princess Bride. He was also a devoted activist for liberal causes and a frequent critic of US President Donald Trump.
So, what do we know about Nick Reiner, and what was his alleged involvement in his parents’ killing?
Who killed Rob Reiner and his wife?
Nick was revealed to be in Los Angeles police custody on Monday after the bodies of his parents were discovered inside their home in the upscale Brentwood neighbourhood.
The Los Angeles Fire Department said it responded to a medical aid request shortly after 3:30pm on Sunday [02:30 GMT Monday], and found a man and woman dead inside.
Rob Reiner’s daughter was the first to find the bodies of her parents and called the authorities, according to multiple reports.
In a statement, the Los Angeles Police Department said it was treating the deaths as homicides. Police have not released a full official timeline of how the killings occurred or the motivation behind them.
Nick Reiner remains in custody without bail. On Monday, Los Angeles Police chief Jim McDonnell said Nick Reiner was “booked for murder”.
Prosecutors will receive the case on Tuesday as they weigh whether to file formal charges against him.
Who is Nick Reiner?
Nick Reiner is the middle child of Rob and Michele Singer Reiner. They have two other children, Jake and Romy.
Nick’s struggles with substance abuse were longstanding, about which he had publicly spoken.
Rob Reiner, in a 2016 interview, said his son’s heroin addiction began about age 15, leading him into a cycle of dependency that persisted for years.
He underwent multiple rehabilitation stays, at least 17, by some accounts, and experienced periods of homelessness as a result of his addiction and the difficulties he faced in recovery.
His addiction issues inspired the 2015 semi-autobiographical movie Being Charlie, co-written by the father and son duo, and directed by Rob Reiner, about the struggles of a famous father and an addicted son.
The film was seen as an attempt to explore and heal aspects of their relationship, reflecting how deeply addiction had affected their family.
“It forced us to understand ourselves better than we had,” Rob Reiner told the AP news agency in 2016. During a YouTube interview series when the film was released, Nick Reiner reflected on his upbringing with his father, stating, “We didn’t bond a lot,” and acknowledged that collaborating on the film helped them “feel closer”.
Who was Rob Reiner?
Rob Reiner was a highly influential figure in US film and television. He was the son of comedy legend Carl Reiner, who died in 2020 at the age 98.
The Emmy-winning actor first gained fame as Michael “Meathead” Stivic in the 1970s TV sitcom, All in the Family. Rob Reiner went on to become a celebrated director, responsible for such classics as This Is Spinal Tap, Stand by Me, The Princess Bride, and A Few Good Men.
Legendary actress and Oscar winner Kathy Bates, who won the coveted award as the star of Rob Reiner’s 1990 film, Misery, said she “loved Rob”.
“He was brilliant and kind, a man who made films of every genre to challenge himself as an artist,” she said in a statement. “He changed the course of my life. Michele was a gifted photographer.”
Beyond filmmaking, Rob Reiner was an active political and social voice, often engaging in public debates on issues ranging from civil rights to public policy. He was a fierce critic of US President Trump.
During Trump’s first term, Reiner repeatedly described the president as “mentally unfit” and “unqualified” to serve in office.
What was Trump’s reaction?
On Monday, Trump made a social media post in which he described Reiner as “tortured and struggling” and claimed that both he and his wife had died, “reportedly due to the anger he caused” by opposing Trump during his presidency.
“He was known to have driven people CRAZY by his raging obsession of President Donald J. Trump,” he wrote on Truth Social.
Trump, who is known for aggressively targeting critics and commending allies, did not present any proof that Rob Reiner’s political stance was linked to the couple’s deaths.
The post was met with sharp condemnation from politicians across the political spectrum, including both Democrats and Republicans.
