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Coronation Street’s Megan Walsh was interviewed by police on Thursday’s episode of the world’s longest-running TV soap and things are not looking good for the predatory teacher

Coronation Street aired a series of dark scenes on Thursday night as various truths about Megan Walsh began to emerge.

For months, the teacher, played by Beth Nixon, has been at the heart of a controversial storyline in which she has been carrying out an illicit relationship with her student Will Driscoll.

While all this has been going on, Megan, who was introduced as the teenager’s private athletics coach, has started up a fake relationship with Daniel Osbourne (Rob Mallard) although she is pregnant with Will’s baby. Will’s schoolmate Sam, who is in the year below, was the only one to have worked it out but when Megan started threatening him about, he turned to pills to cope and then experienced an overdose. Things were only made worse when Megan became a flatmate of Sam’s stepmum Leanne, worming her way into their lives further.

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Once Sam confessed all to Leanne (Jane Danson) the whole situation sent shockwaves around the entire family and Will’s dad Ben (Aaron McCusker) as well as his own stepmum Eva, Leanne’s sister, have tried to take action. The furious family informed the police immediately and as the world’s longest-running TV soap continued, Megan was in a police interview, once again pleading her innocence.

Coming out with the same old story, she said: “He is a teenage boy who has a crush on me. Probably not the first, probably not the last. Believe me, I haven’t done anything wrong. This is every teacher’s worst nightmare. I’m in complete shock, to be honest. Maybe I overstepped by getting too close to them.

“But that doesn’t mean that I’m grooming their son. I… I became a teacher to give something back, not to… I can’t even say it. It makes me feel sick….” Megan and her lawyer Adam Barlow pointed out that there was no evidence as yet, but DC Kit Green revealed that they had some footage of her and Will together in her flat. This was all a result of Sam’s ill-fated attempt to catch them on camera, only for Megan to realise and stage a performance to cover things up.

Kit warned: ” It’s not looking good, is it, Megan? I think the CPS will agree!” Later on, it became apparent that Megan had been released and she returned home only to find Leanne throwing her possessions out of the upstairs window. A furious Leanne yelled: “I’m putting the rubbish out!” But Megan pleaded: “Oh, Leanne, please, I don’t need this after the day I’ve just had. I’ve already been suspended from work.”

Leanne shot back: “Well, if it was to me, I’d suspend you from that lamppost!” She launched a suitcase out the window and Megan was left with no choice but to pack up her belongings after it bust open and its contents spilled out across the cobbles and Leanne slammed the window shut, effectively making her homeless.

That afternoon, Eva (Catherine Tyldesley) and Ben, who had worked out that Megan and Will had spent his sixteenth birthday together in bed at the Chariot Square, raced to the hotel to see if they could get CCTV footage of that date but, conveniently, the footage had been wiped at midnight, owing to an automatic 90-day setting.

It was then that Eva brought up she something she had been holding back – that Megan had supposedly had an abortion some months ago.

But Megan herself never confirmed this, and Leanne had just happened to come across some pregnancy vitamins in a bedside drawer, prompting the distraught family to realise that she could still be expecting. Realising they could be onto something, Eva said: “If she has lied, then all the evidence we need is growing right there in her belly.”

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X.

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SELMA, Ala. — Sixty-one years after state troopers attacked civil rights marchers on the Edmund Pettus Bridge in Selma, thousands gathered in the Alabama city this weekend amid new concerns about the future of the Voting Rights Act.

The March 7, 1965, violence that became known as “Bloody Sunday” shocked the nation and helped spur passage of the landmark legislation that dismantled barriers to voting for Black Americans in the Jim Crow South.

But this year’s anniversary celebrations — events ran all weekend, including a commemorative march across the bridge Sunday — come as the U.S. Supreme Court considers a case that could limit a provision of the Voting Rights Act that has helped ensure some congressional and local districts are drawn so minority voters have a chance to elect their candidate of choice.

“I’m concerned that all of the advances that we made for the last 61 years are going to be eradicated,” said Charles Mauldin, 78, one of the marchers who was beaten that day alongside civil rights icon John Lewis and others.

Justices are expected to rule soon on a Louisiana case regarding the role of race in drawing congressional districts. A ruling prohibiting or limiting that role could have sweeping consequences, potentially opening the door for Republican-controlled states to redistrict and roll back majority Black and Latino districts that tend to favor Democrats.

Democratic officeholders, civil rights leaders and others have descended on the Southern city to pay homage to the pivotal moment of the civil rights movement and to issue calls to action. Like the marchers 61 years ago, they must keep pressing forward, organizers said.

Former Alabama state Sen. Hank Sanders, who helped start the annual commemoration, said the 1965 events in Selma marked a turning point in the nation and helped push the United States closer to becoming a true democracy.

“The feeling is a profound fear that we will be taken back — a greater fear than at any time since 1965,” Sanders said.

U.S. Rep. Shomari Figures won election in 2024 to an Alabama district that was redrawn by the federal court. He said what happened in Selma and the subsequent passage of the Voting Rights Act were “monumental in shaping what America looks like and how America is represented in Congress.”

“I think coming to Selma is a refreshing reminder every single year that the progress that we got from the civil rights movement is not perpetual. It’s been under consistent attacks almost since we’ve gotten those rights,” said Figures, a Democrat.

In 1965, the Bloody Sunday marchers led by Lewis and Hosea Williams walked in pairs across the Selma bridge headed toward Montgomery. Mauldin, then 17, was part of the third pair behind Williams and Lewis.

At the apex of the bridge, they could see a sea of law enforcement officers, some on horseback, waiting for them. But they kept going. “Being fearful was not an option. And it wasn’t that we didn’t have fear, it’s that we chose courage over fear,” Mauldin recalled in a telephone interview.

“We were all hit. We were trampled. We were tear-gassed. And we were brutalized by the state of Alabama,” Mauldin said.

This story contains spoilers for the pilot of “Marshals.”

When the curtain came down on “Yellowstone” last year, Kayce Dutton had finally found his happily-ever-after.

The youngest son of wealthy rancher John Dutton (Kevin Costner) had secured a modest cabin in a mountainous region where he could reside in secluded peace with his beloved wife, Monica (Kelsey Asbille), and son, Tate (Brecken Merrill), far from the turbulent dysfunction of his family.

“Kayce found his little peace of heaven, getting everything he ever wanted and fought for,” said Luke Grimes, who plays the soft-spoken Dutton in “Yellowstone.”

Grimes reprises the role in CBS’ “Marshals,” which premiered Sunday. But in the new series, Kayce’s serenity has been brutally shattered, forcing him to find a new path forward after an unimaginable tragedy.

The drama is the first of several planned spinoffs of “Yellowstone,” which became TV’s hottest scripted series during its five-season run. And while some familiar faces return and events unfold against the magnificent backdrop of towering mountains and lush greenery, “Marshals” is definitely not “Yellowstone” 2.0.

Luke Grimes as Kayce Dutton in “Marshals,” which combines the gritty Western flavor of “Yellowstone” with the procedural genre.

(Sonja Flemming / CBS )

In “Marshals,” Kayce joins an elite squad of U.S. Marshals headed by his Navy SEAL teammate Pete Calvin (Logan Marshall-Green). The drama combines two distinct brands — the gritty Western flavor of “Yellowstone” with the procedural genre, a flagship of CBS’ prime-time slate.

During an interview at an exclusive club in downtown Los Angeles, Grimes expressed excitement about dusting off his cowboy hat and boots, though he admitted to having initial concerns about whether the project was a fit.

“I had never watched a procedural before, so I had to do some homework on what that was,” Grimes said hours before the gala premiere of “Marshals” at the Autry Museum of the American West in Griffith Park. “And I just couldn’t wrap my head around it at first. In the finale, Kayce had ridden off into the sunset. So I thought, ‘Let him be, let him go.’ ”

Those doubts eventually ebbed away.

“To be honest, there was a part of me that didn’t want to let Kayce go just yet,” Grimes said. “Saying goodbye to him was really hard, so the opportunity to keep this going was something I couldn’t pass up. We get to show his backstory and also this other side of him that we didn’t see in ‘Yellowstone.’ ”

But this Kayce is a man in crisis. “Yellowstone” devotees will likely be shocked by the “elephant in the room” — the revelation in the pilot episode that Monica has died of cancer. The couple’s sexy and loving chemistry was a key element in the series while also establishing Grimes as a heartthrob.

“I think fans will be upset — and they should be,” Grimes said as he looked downward. “Kayce is very upset. It’s the worst thing that could have happened to him. But as much as I’m really upset not to work with Kelsey, it’s a good idea for the show.”

He added, “His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce. A big part of the season is Kayce learning how to manage all these new things — new job, being a single father.”

“His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce,” said Luke Grimes about his character Kayce.

(Jay L. Clendenin / For The Times)

Executive producer and showrunner Spencer Hudnut (CBS’ “SEAL Team”) acknowledged in a separate interview that viewers may be stunned by the tragedy. “Real life intervenes for Kayce. Unfortunately it happens to so many of us.”

But he stressed that although Monica is physically gone, her presence will be heavily felt this season.

“She is guiding Kayce, and their relationship is moving forward,” Hudnut said. “His dealing with his inability to confront his grief is a big part of the season. It became clear that something horrible had to happen to put Kayce on a different path.”

As the development evolved, Grimes embraced the procedural concept: “This is a very different show and structure. This is an action show, very fast paced. I meet a lot of fans who say they really want to see Kayce go full Navy SEAL.”

Alumni from “Yellowstone” returning in “Marshals” include Gil Birmingham as tribal Chairman Thomas Rainwater and Mo Brings Plenty as his confidante Mo.

“Yellowstone” co-creator Taylor Sheridan, who had already spearheaded the prequels “1883” and “1923,” will further expand the “Yellowstone” universe later this month with “The Madison,” starring Michelle Pfeiffer and Kurt Russell, about a New York City family living in Montana’s Madison River territory. Later this year, Kelly Reilly and Cole Hauser will star in “Dutton Ranch,” reprising their respective “Yellowstone” roles as John Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler.

Hudnut said fans of “Yellowstone” will recognize themes that were central to that series: “The cost and consequences of violence, man versus nature, man versus man.”

“We’re trying to tap into what people loved about ‘Yellowstone’ but to tell the story in a different framework,” he said. “The procedural brand is obviously very successful for CBS. And nothing has been bigger than ‘Yellowstone.’ So the challenge is, how do you marry those things?”

Taking on the lead role prompted Grimes to reflect on how “Yellowstone” transformed his life after co-starring roles in films like “American Sniper” and “Fifty Shades of Grey” and playing a vampire in the TV series “True Blood.”

“‘Yellowstone’ changed my life in many, many ways,” he said. “The biggest change is that I now live where we shot the show in Montana. The first time I went there, I would have never thought I would ever live there.

“I would come back to the city after shooting. But a little bit more each year, I felt more out of place here, and more peace and at home there. I’m a big nature person — I never was a big city person, but I had to be here to do what I wanted. But after the third season, my wife and I decided to move there. We wanted to start a family.”

The topic of a Kayce spinoff kept coming up during the filming of the finale, but “meanwhile we were having a baby, so that was the biggest thing on my plate.”

“‘Yellowstone’ changed my life in many, many ways,” said Luke Grimes.

(Jay L. Clendenin/For The Times)

Grimes was also dealing with the off-screen drama that impacted production due to logistical and creative differences between Costner and Sheridan. Costner, who was the show’s biggest attraction, exited after filming the first part of the final season. His character was killed off.

Asked about the backstage tension, Grimes said, “I just tried to do my job to the best of my ability, and not get caught up in all that. It was sort of frustrating, but I felt lucky to have a job.”

He recalled getting a call from Sheridan about the plans for a spinoff: “He said, ‘I think you should talk to the guy who is going to be the showrunner. I’m not telling you to do it, and I’m not telling you not to do it. But Spencer is great and he has some good ideas.’ ”

Hudnut said Kayce “was always my favorite character. Also, Luke is not Kayce. Kayce is an amazing character, but Luke is really thoughtful and smart. He is a true artist and has an artist’s soul, while Kayce is kicking down doors and terrorizing people. And Luke has such a great presence. He can do so much with just a look to the camera. He is a true leading man.”

In addition to starring in “Marshals,” Grimes is also an executive producer. He pitched the opening sequence — a flashback showing Kayce in the battlefield. He also performs the song that plays over the final scene, in which he visits his wife’s grave. The ballad is from Grimes’ self-titled country album which was released last year.

“Luke’s creative fingerprints are all over the pilot,” Hudnut said.

Grimes said he does not feel pressure about being the first follow-up from “Yellowstone” to premiere.

“We’re not trying to make the same show, so no matter what happens, its a win-win,” he said. “I had a blast doing it.”