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SELMA, Ala. — Sixty-one years after state troopers attacked civil rights marchers on the Edmund Pettus Bridge in Selma, thousands gathered in the Alabama city this weekend amid new concerns about the future of the Voting Rights Act.

The March 7, 1965, violence that became known as “Bloody Sunday” shocked the nation and helped spur passage of the landmark legislation that dismantled barriers to voting for Black Americans in the Jim Crow South.

But this year’s anniversary celebrations — events ran all weekend, including a commemorative march across the bridge Sunday — come as the U.S. Supreme Court considers a case that could limit a provision of the Voting Rights Act that has helped ensure some congressional and local districts are drawn so minority voters have a chance to elect their candidate of choice.

“I’m concerned that all of the advances that we made for the last 61 years are going to be eradicated,” said Charles Mauldin, 78, one of the marchers who was beaten that day alongside civil rights icon John Lewis and others.

Justices are expected to rule soon on a Louisiana case regarding the role of race in drawing congressional districts. A ruling prohibiting or limiting that role could have sweeping consequences, potentially opening the door for Republican-controlled states to redistrict and roll back majority Black and Latino districts that tend to favor Democrats.

Democratic officeholders, civil rights leaders and others have descended on the Southern city to pay homage to the pivotal moment of the civil rights movement and to issue calls to action. Like the marchers 61 years ago, they must keep pressing forward, organizers said.

Former Alabama state Sen. Hank Sanders, who helped start the annual commemoration, said the 1965 events in Selma marked a turning point in the nation and helped push the United States closer to becoming a true democracy.

“The feeling is a profound fear that we will be taken back — a greater fear than at any time since 1965,” Sanders said.

U.S. Rep. Shomari Figures won election in 2024 to an Alabama district that was redrawn by the federal court. He said what happened in Selma and the subsequent passage of the Voting Rights Act were “monumental in shaping what America looks like and how America is represented in Congress.”

“I think coming to Selma is a refreshing reminder every single year that the progress that we got from the civil rights movement is not perpetual. It’s been under consistent attacks almost since we’ve gotten those rights,” said Figures, a Democrat.

In 1965, the Bloody Sunday marchers led by Lewis and Hosea Williams walked in pairs across the Selma bridge headed toward Montgomery. Mauldin, then 17, was part of the third pair behind Williams and Lewis.

At the apex of the bridge, they could see a sea of law enforcement officers, some on horseback, waiting for them. But they kept going. “Being fearful was not an option. And it wasn’t that we didn’t have fear, it’s that we chose courage over fear,” Mauldin recalled in a telephone interview.

“We were all hit. We were trampled. We were tear-gassed. And we were brutalized by the state of Alabama,” Mauldin said.

This story contains spoilers for the pilot of “Marshals.”

When the curtain came down on “Yellowstone” last year, Kayce Dutton had finally found his happily-ever-after.

The youngest son of wealthy rancher John Dutton (Kevin Costner) had secured a modest cabin in a mountainous region where he could reside in secluded peace with his beloved wife, Monica (Kelsey Asbille), and son, Tate (Brecken Merrill), far from the turbulent dysfunction of his family.

“Kayce found his little peace of heaven, getting everything he ever wanted and fought for,” said Luke Grimes, who plays the soft-spoken Dutton in “Yellowstone.”

Grimes reprises the role in CBS’ “Marshals,” which premiered Sunday. But in the new series, Kayce’s serenity has been brutally shattered, forcing him to find a new path forward after an unimaginable tragedy.

The drama is the first of several planned spinoffs of “Yellowstone,” which became TV’s hottest scripted series during its five-season run. And while some familiar faces return and events unfold against the magnificent backdrop of towering mountains and lush greenery, “Marshals” is definitely not “Yellowstone” 2.0.

Luke Grimes as Kayce Dutton in “Marshals,” which combines the gritty Western flavor of “Yellowstone” with the procedural genre.

(Sonja Flemming / CBS )

In “Marshals,” Kayce joins an elite squad of U.S. Marshals headed by his Navy SEAL teammate Pete Calvin (Logan Marshall-Green). The drama combines two distinct brands — the gritty Western flavor of “Yellowstone” with the procedural genre, a flagship of CBS’ prime-time slate.

During an interview at an exclusive club in downtown Los Angeles, Grimes expressed excitement about dusting off his cowboy hat and boots, though he admitted to having initial concerns about whether the project was a fit.

“I had never watched a procedural before, so I had to do some homework on what that was,” Grimes said hours before the gala premiere of “Marshals” at the Autry Museum of the American West in Griffith Park. “And I just couldn’t wrap my head around it at first. In the finale, Kayce had ridden off into the sunset. So I thought, ‘Let him be, let him go.’ ”

Those doubts eventually ebbed away.

“To be honest, there was a part of me that didn’t want to let Kayce go just yet,” Grimes said. “Saying goodbye to him was really hard, so the opportunity to keep this going was something I couldn’t pass up. We get to show his backstory and also this other side of him that we didn’t see in ‘Yellowstone.’ ”

But this Kayce is a man in crisis. “Yellowstone” devotees will likely be shocked by the “elephant in the room” — the revelation in the pilot episode that Monica has died of cancer. The couple’s sexy and loving chemistry was a key element in the series while also establishing Grimes as a heartthrob.

“I think fans will be upset — and they should be,” Grimes said as he looked downward. “Kayce is very upset. It’s the worst thing that could have happened to him. But as much as I’m really upset not to work with Kelsey, it’s a good idea for the show.”

He added, “His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce. A big part of the season is Kayce learning how to manage all these new things — new job, being a single father.”

“His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce,” said Luke Grimes about his character Kayce.

(Jay L. Clendenin / For The Times)

Executive producer and showrunner Spencer Hudnut (CBS’ “SEAL Team”) acknowledged in a separate interview that viewers may be stunned by the tragedy. “Real life intervenes for Kayce. Unfortunately it happens to so many of us.”

But he stressed that although Monica is physically gone, her presence will be heavily felt this season.

“She is guiding Kayce, and their relationship is moving forward,” Hudnut said. “His dealing with his inability to confront his grief is a big part of the season. It became clear that something horrible had to happen to put Kayce on a different path.”

As the development evolved, Grimes embraced the procedural concept: “This is a very different show and structure. This is an action show, very fast paced. I meet a lot of fans who say they really want to see Kayce go full Navy SEAL.”

Alumni from “Yellowstone” returning in “Marshals” include Gil Birmingham as tribal Chairman Thomas Rainwater and Mo Brings Plenty as his confidante Mo.

“Yellowstone” co-creator Taylor Sheridan, who had already spearheaded the prequels “1883” and “1923,” will further expand the “Yellowstone” universe later this month with “The Madison,” starring Michelle Pfeiffer and Kurt Russell, about a New York City family living in Montana’s Madison River territory. Later this year, Kelly Reilly and Cole Hauser will star in “Dutton Ranch,” reprising their respective “Yellowstone” roles as John Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler.

Hudnut said fans of “Yellowstone” will recognize themes that were central to that series: “The cost and consequences of violence, man versus nature, man versus man.”

“We’re trying to tap into what people loved about ‘Yellowstone’ but to tell the story in a different framework,” he said. “The procedural brand is obviously very successful for CBS. And nothing has been bigger than ‘Yellowstone.’ So the challenge is, how do you marry those things?”

Taking on the lead role prompted Grimes to reflect on how “Yellowstone” transformed his life after co-starring roles in films like “American Sniper” and “Fifty Shades of Grey” and playing a vampire in the TV series “True Blood.”

“‘Yellowstone’ changed my life in many, many ways,” he said. “The biggest change is that I now live where we shot the show in Montana. The first time I went there, I would have never thought I would ever live there.

“I would come back to the city after shooting. But a little bit more each year, I felt more out of place here, and more peace and at home there. I’m a big nature person — I never was a big city person, but I had to be here to do what I wanted. But after the third season, my wife and I decided to move there. We wanted to start a family.”

The topic of a Kayce spinoff kept coming up during the filming of the finale, but “meanwhile we were having a baby, so that was the biggest thing on my plate.”

“‘Yellowstone’ changed my life in many, many ways,” said Luke Grimes.

(Jay L. Clendenin/For The Times)

Grimes was also dealing with the off-screen drama that impacted production due to logistical and creative differences between Costner and Sheridan. Costner, who was the show’s biggest attraction, exited after filming the first part of the final season. His character was killed off.

Asked about the backstage tension, Grimes said, “I just tried to do my job to the best of my ability, and not get caught up in all that. It was sort of frustrating, but I felt lucky to have a job.”

He recalled getting a call from Sheridan about the plans for a spinoff: “He said, ‘I think you should talk to the guy who is going to be the showrunner. I’m not telling you to do it, and I’m not telling you not to do it. But Spencer is great and he has some good ideas.’ ”

Hudnut said Kayce “was always my favorite character. Also, Luke is not Kayce. Kayce is an amazing character, but Luke is really thoughtful and smart. He is a true artist and has an artist’s soul, while Kayce is kicking down doors and terrorizing people. And Luke has such a great presence. He can do so much with just a look to the camera. He is a true leading man.”

In addition to starring in “Marshals,” Grimes is also an executive producer. He pitched the opening sequence — a flashback showing Kayce in the battlefield. He also performs the song that plays over the final scene, in which he visits his wife’s grave. The ballad is from Grimes’ self-titled country album which was released last year.

“Luke’s creative fingerprints are all over the pilot,” Hudnut said.

Grimes said he does not feel pressure about being the first follow-up from “Yellowstone” to premiere.

“We’re not trying to make the same show, so no matter what happens, its a win-win,” he said. “I had a blast doing it.”

It looks as though BBC viewers will be saying farewell to one beloved character on Call the Midwife.

Emotions were at an all-time high on Sunday night as BBC viewers learnt the fate of Sister Monica Joan (Judy Parfitt).

Recently, Call the Midwife viewers learnt that the beloved character had kidney failure, as Dr. Patrick Turner (Stephen McGann) noted that additional tests would provide further information.

Tragically, those results were revealed during the latest instalment of the show.

As Dr Turner, Sister Julienne (Jenny Agutter) and Nurse Phyllis Crane (Linda Bassett) sat down to go over the results, Dr Turner said: “I was hoping it was something that could be treated, but chronic kidney disease is just-“

Cutting in, Sister Julienne commented: “Something that takes old people gently, but kindly.”

As Dr Turner emphasised that regardless of the matter, the disease still ‘takes’ people, Nurse Phyllis questioned how long Sister Monica Joan had been ill with the disease.

He replied: “I suspect not long.”

When asked how long she has left to live, he confessed: “The same, unless we can persuade her to accept what treatment there is, she’ll progress to end-stage renal failure fairly quickly.”

Although all seemed heartbroken by the severity of her illness, nurse Phyllis replied: “Till that day comes, we’ll just have to love her as we always have, but a bit more carefully.”

It wasn’t long before people took to X to share their thoughts on the imminent death of Sister Monica Joan as one person said: “Are they actually going to kill of sister Monica Joan? Just end Call The Midwife there!”

Someone else commented: “No, Sister Monica Joan is immortal…she can’t die.” While another added: “SISTER MONICA JOAN. Sobbing.”

Another viewer wrote: “Absolutely devastated hearing the news that Sister Monica Joan has kidney failure and may not have long left, if we lose her, it will be like losing a much-loved family member. I’d be completely heartbroken.”

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website ‘.

One person shared: “Don’t you dare let anything happen to Sister Monica Joan.” While another said: “#callthemidwife Oh no, surely it can’t be the demise,of Sister Monica Joan? On the other hand could it be the end on Nonnatus? What a fantastic drama this is @CallTheMidwife1 #SundayMood.”

Sister Monica Joan has been part of the beloved period drama since it began back in 2012. However, as the show marks its 15th series, it’s been reported that the final will see birth, a wedding and a funeral.

Call the Midwife continues Sundays on BBC One from 8pm