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Thousands of cheering fans surround the ice at the Honda Center. The arena is loud, packed with fans in Anaheim Ducks jerseys. As the puck drops and the action starts, players zoom back and forth until — boom! A shot, and the Ducks score. But when the music hits for the first goal of the game, it’s not the typical “We Will Rock You” by Queen. It’s “Come Out and Play” by local heroes, and one of Orange County’s most influential punk bands, the Offspring.

To celebrate the third annual Come Out and Play Night, the Ducks have once again collaborated with the band for an evening of hockey, music and special exclusive merchandise for fans. The event will take place Tuesday at the Honda Center against the Vancouver Canucks. The collaborative effort began in 2024, but at the time, no one knew if it would last, including the Offspring’s guitarist, Kevin “Noodles” Wasserman, who told The Times in a phone interview from Canada while on tour with Bad Religion that he and the band hoped it would be more than a one-time event. “This was the first time we’d ever teamed up with an organized sports team, and the fact that it’s an Orange County team, where we grew up, made it feel right,” Noodles said. “It’s been really fun, but we had no idea how long it would last. Now it’s three years later.”

Merrit Tully, senior vice president and chief marketing officer of the Ducks said that the concept for the collaboration between the club and the Offspring came organically as part of an evolution the organization was going through.

“We started putting a lot more emphasis on the in-arena experience a little over three years ago. That gave us the opportunity to rethink music, not just as something played between periods, but as something that could really elevate the experience for fans and players alike,” Tully said. “As this was happening, we approached our 30th season, and we were really leaning into our Orange County roots. We looked at collaborating with the Offspring, since they grew up just a few miles from here, and their rise happened at the same time our franchise was starting. This just felt authentically Orange County in a way that was hard to ignore.”

Ducks goalie Lukas Dostal and Noodles hold albums by the Offspring.

(Jordan Bathe)

For Ducks goalie Lukas Dostal, who was recently named NHL Third Star of the Week, having a collaboration with a band like the Offspring has special sentimental meaning. “I remember growing up hearing rock music a lot back in my home country, the Czech Republic,” Dostal said. “My parents would play punk rock and metal when they were driving me to the rink for practice, so hearing the Offspring now kind of brings me back to that.”

Dostal said that he loves many rock and alternative bands he remembers hearing back in his home country, such as Linkin Park. He also said that, as an athlete, music is part of his daily regimen, and it is the same with the Ducks. “We listen to music every day, before practice, before games. It’s a big part of how we get ready,” he said. “I grew up listening to this kind of music, so whenever I hear these songs, it just pumps me up.”

For fans who attended the two previous Come Out and Play Nights, people should expect lots of enthusiasm and high energy, mixing the intensity of a concert and a hockey game. “Those nights definitely had a different vibe. You can feel it from the ice,” Dostal said. “The fans are excited, the music is louder, and it just feels like something special for everyone in the building.”

Noodles said he agreed with Dostal and added that he thinks the collaboration makes sense because there are a lot of parallels between punk rock and sports like surfing, skating and ice hockey. “With surfing and skating, there’s always been that mix of flow and violence. You’re carving, you’re gliding, and then sometimes you take a wave on the head,” he said. “Hockey has that same thing. It can be really violent, but then there are moments where it’s all speed and movement.”

With a band having a successful career for over three decades, Noodles said there have been instances of being approached by professional athletes who are fans of the Offspring. “Over the years, we’ve had professional athletes come up to us as fans for sure. One time, Dennis Rodman came out onstage with us and did ‘Come Out and Play,’” he said. “Our producer, Bob Rock, is a huge hockey fan and really got us into going to the Ducks and Kings games.”

Members of the band the Offspring pose for a photo during a pre-game puck ceremony of the game between the Anaheim Ducks and the Vancouver Canucks on Feb. 27, 2025, at Honda Center.

(Debora Robinson / NHLI via Getty Images)

Noodles said he appreciates that a band like the Offspring has generations of fans and values how much the OC music scene is still thriving. “We’ve always had late teens and early 20s kids in the front row, but now we’re seeing younger kids and their parents, too. There’s a really wide age range at our shows now, and that’s been pretty cool to see,” he said. “The Orange County scene is still really alive. You see a mix of people from the old bands, but there are also a lot of younger bands coming up. I actually love going to see younger bands because nobody cares who I am. I can just stand in the pit and watch the show.”

This idea of generations of fans is also seen in the NHL, and Dostal agrees it can be seen with fans of the Ducks. He said this is one of the reasons he loves working with an OC band. “The Offspring are local, the Ducks represent Orange County, and I’m really happy I can be part of something that connects the two,” he said. Dostal also said that a custom collaborative design on a mask will be revealed at the Come Out and Play Night against the Canucks. “I worked with the guys in the Offspring, we threw around ideas together, and I told them they could basically do whatever they wanted. I’m really excited for fans to see it,” Dostal said.

Fans of the Ducks and the Offspring can expect a night to remember. It’s all about connection, and giving fans of the music and the team a chance to bring the worlds of sports and punk together for one special night. “Beyond ticket sales, we look at how fans respond in the building,” Tully said. “When we score and the arena reacts together to an Offspring song, that tells us the connection is real.”

Dostal agreed with the sentiment and said he is humbled by the collaborative event, which he said is fan emphasized. “The Offspring is a huge band all over the world, so being able to work with them and represent that on the ice is something I really appreciate.”

An anonymous pitcher whose entire life changed with four innings is standing in a crowded Dodger Stadium bullpen in the middle of winter when he hears a voice from the stands.

“Will, thank you so much!” shouts a fan, and underneath his thick beard, the pitcher blushes.

“This is something I’ve never had before,” said Will Klein.

And this is ruining baseball?

On a crowded concourse in the middle of a Saturday morning two months before the start of the season, fans are chugging beers, scarfing Dodger dogs, and even doing a line dance.

The queue at the elevator is endless. The screams from the crowd are constant. Blake Snell is walking along one of the barriers giving every nearby fan — every one — a fist bump.

And this is ruining baseball?

The Dodgers officially opened their doors for the 2026 season Saturday, holding an annual Dodgerfest that has sent a clear message to a landscape of whiners.

This is what winning looks like.

This is why winning is worth it.

The baseball owners will likely lock out the players after this season in hopes of installing a salary cap that will curb the sort of spending that has fueled the Dodgers’ consecutive championships.

They don’t get it. In hoarding their revenue-sharing money, the owners don’t realize the benefits of reinvesting that money in the players and, by extension, the fans.

The Dodgers do that more often, and more effectively, than anyone.

The result Saturday was a mid-winter party that felt different than any of their previous bashes. Some years they spent this day apologizing for their playoff collapses. Last year they spent the afternoon tentatively talking about going back-to-back.

Fans pack into Dodger Stadium for Dodgerfest on Saturday.

(Ronaldo Bolanos/Los Angeles Times)

This year the constraints were off, the party was on, and they all spoke freely of becoming the first time in National League history to win three consecutive World Series titles.

”I don’t mind the ‘three in the air’ as a carrot,” said manager Dave Roberts, adding, “There’s a challenge we’re not going to run from.”

And so the players showed up brandishing hope for this summer while sweetly admitting the emotion that still lingers from last fall.

Klein, who came out of nowhere to rescue the Dodgers with four scoreless innings in the marathon Game 3 of the World Series, was still pinching himself about being recognized in public.

“A guy told me I looked like me,” he said. “I said, ‘Thank you.’”

Then there was Miguel Rojas, finding deeper meaning in his ninth-inning homer that tied the World Series Game 7.

”The most important part is that everybody continues to say that is the best moment that they have in their life, the best moment of sports they watched,” said Rojas. “That makes me feel really good, because we were part of something bigger than just a home run.”

And Rojas said he hears that a lot.

“I waited 20 years in professional baseball to have that moment … something different happened to my life,” he said. “I’m walking around Rome, I’m seeing Dodger fans saying thank you for that home run. It’s crazy, it’s overwhelming.”

Equally overwhelmed was Freddie Freeman, who grew tearful on the stage when talking about hitting the winning homer in the 18th inning of the World Series Game 3 and the impact of winning two titles in his four years here.

“I’m home playing baseball in front of the best fans day in and day out,” he said. “I couldn’t even wrap my mind around coming back and signing here and being part of this. This has blown me away.”

Even the struggling players seemed thrilled to be here, Tanner Scott acting amazingly relaxed when asked for his 2026 goals.

“Not being as bad as last year,” he said. “I was terrible.”

OK, then.

Bottom line, on a midwinter day when most of this country’s major-league baseball stadiums were empty, Chavez Ravine was full of life and wonder and winning.

“Today we see a lot of fans and that really gets me going,” said Shohei Ohtani.

And this is ruining baseball?

“This organization is never ready to be done … they continue to add players, they continue to add talent, that is a good thing,” said Rojas. “We push ourselves … we believe we can always get better.”

Like he said, a good thing.

“I like winning,” said Klein. “People are always going to be jealous of teams that try to win when they feel like others aren’t. Everybody can go out and do the same thing.”

Spring is here, the haters are out, and the Dodgers are ready.

Seeing players here, seeing their energy, obviously seeing the energy of the fans, its certainly time,” said Roberts.

Three-peat, you’re up.

WASHINGTON — The “competitive edge” Lakers coach JJ Redick requested from his players showed itself right away in the form of dominance from Luka Doncic, more outstanding play from LeBron James and an impressive outing from center Deandre Ayton.

By the time Doncic, James and Ayton completed their night, they had combined for 85 points and 27 rebounds in helping the Lakers build a 38-point lead en route to a 142-111 victory over the Washington Wizards on Friday. The Lakers improved to 4-2 on their season-high eight-game trip.

And it centered around the brilliance of Doncic, his triple-double of 37 points, 13 assists and 11 rebounds the catalyst for the Lakers winning for the fifth time in their last seven games. He was efficient too, shooting 13 for 21 from the field and six for 13 from three-point range.

Ayton was a tower of strength with 28 points on 12-for-14 shooting, 13 rebounds, three blocked shots and three assists.

James had the crowd engaged all game with his play that led to 20 points and six assists.

The left ankle soreness that had Doncic listed as questionable was not an issue for the All-Star guard, his first half showing that he was playing at another level with a triple-double of 26 points, 11 assists and 10 rebounds in 19 minutes against the overmatched Wizards.

LeBron James passes the ball around Wizards guard Bub Carrington during the first half.

(Nick Wass / Associated Press)

Doncic dazzled with no-look and lob passes along with three-pointers that seemed to impress even him, considering he looked over to the Lakers’ bench after several spectacular threes.

The 41-year-old James put on a show, throwing down lobs for dunks, drawing cheers and applause from the fans inside Capital One Arena.

There was the lob from Ayton that James threw down left-handed, making teammates leap off their seats and fans gasp and cheer. For added emphasis, James stared at his left hand as he made his way down the court, a knowing look on his face.

There was the lob from Marcus Smart that James threw down for a reverse dunk, again bringing fans and teammates out of their seats.

There was the moment James drove by Washington’s Alex Sarr and threw down another dunk, causing teammates to jump out of their seats again and fans to cheer even louder.

The Lakers (29-18) lost their previous game in Cleveland on Wednesday night by 30 points, an embarrassing effort that they wanted to rebound from against the Wizards.

In building a 77-48 lead at the half, the Lakers demonstrated that they were listening to Redick’s orders. It was the third time this season the Lakers scored 77 or more in a half.

“Yeah, I think playing with a competitive edge and playing together on both ends of the floor,” Redick said. “We’ve talked a lot recently just about doing your job. If you’re supposed to be the low man, be the low man. These guys all have shown they can do it and I think the theme of our season has been the ups and downs and sort of the consistency that we’re searching for on a night-to-night basis.”

Etc.

Though Austin Reaves (left calf strain) was upgraded to questionable for the game, the Lakers guard did not play. He has missed 18 straight games since suffering the injury on Christmas against the Houston Rockets.

Reaves has been working out as he progresses toward a return. The Lakers play again Sunday at the New York Knicks.

“He continues to progress. He hasn’t had any setbacks,” Redick said. “Yesterday was five weeks from the injury. He’s right on schedule, if not a little bit ahead of schedule. So it’s just him being fully confident in his body. And he continues to get great work on the court.”

Actor John Leguizamo, a longtime vocal critic of President Trump and his administration, says he’s showing a section of his social media following the door amid the federal government’s relentless crackdown on immigration.

The “Romeo + Juliet” and “Moulin Rouge!” acting veteran, who is Latino, on Wednesday issued a brief and blunt Instagram video message to followers who also support the immigration agency. “If you follow ICE, unfollow me,” he said in his post.

“Don’t come to my shows, don’t watch my movies,” he added. Leguizamo, an Emmy winner, captioned his post: “Abolish ice!”

The actor-comedian, also known for the “Ice Age” films and cult classic “To Wong Foo, Thanks for Everything! Julie Newmar,” is among the Hollywood stars vehemently speaking out against U.S. Immigration and Customs Enforcement and other federal agents amid recent killings. An ICE agent fatally shot Renee Good earlier this month in Minneapolis, where Border Patrol agents on Jan. 24 shot and killed Alex Pretti. An off-duty federal immigration agent fatally shot Keith Porter Jr. in Northridge on Dec. 31. They are among the 20-plus people who have died in a wave of aggressive immigration operations launched by the Trump administration last year.

Fellow actors also using social media to speak out against ICE and other federal immigration agents are Pedro Pascal, Mark Ruffalo and Ayo Edebiri. Musicians including Olivia Rodrigo, Bruce Springsteen, Lady Gaga, Katy Perry, Billie Eilishand Tyler, the Creator have also condemned federal officers.

White House border policy advisor Tom Homan said Thursday during a press conference that street operations in Minneapolis would wind down if agents were allowed into local jails instead and asserted the federal government was not backing down on its aggressive immigration agenda.

“We are not surrendering our mission at all,” he said. “We are not surrendering the president’s mission of immigration enforcement: Let’s make that clear.”

Staff writers Malia Mendez and Jenny Jarvie contributed to this report.

Nicki Minaj, who revealed in 2018 that she was brought to the United States as an “illegal immigrant” from Trinidad and Tobago when she was 5 years old, flashed a Trump gold card Wednesday after an event formally launching the president’s IRA-style savings accounts for children. Her citizenship paperwork, she said on social media, was being finalized.

“Residency? Residency? The cope is coping. … Finalizing that citizenship paperwork as we speak as per MY wonderful, gracious, charming President,” the “Bang Bang” rapper, 43, wrote Wednesday on X, including a photo of the Chucky character flipping his middle finger. “Thanks to the petition. … I wouldn’t have done it without you. Oh CitizenNIKA you are thee moment. Gold Trump card free of charge.”

That post mentioning the card, which delivers citizenship in the United States for those who pay $1 million, may have referred to multiple petitions arguing that the rapper — real name Onika Tanya Maraj-Petty — should be deported to Trinidad and Tobago, where she was born before being raised in Queens, N.Y. A previous post contained a photo of the gold card and the single word “Welp …”

“I came to this country as an illegal immigrant @ 5 years old,” the rapper wrote on Facebook in 2018, posting a photo from the first Trump administration’s “zero tolerance” period of immigration enforcement when migrant children were being separated from their migrant parents at the country’s southern border.

The photo showed children on padded floor mats with silver Mylar thermal blankets, walled in by chain-link fencing. “I can’t imagine the horror of being in a strange place & having my parents stripped away from me at the age of 5. This is so scary to me. Please stop this. Can you try to imagine the terror & panic these kids feel right now?”

In 2020, she said in a Rolling Stone interview that she thought Trump was “funny as hell” on “Celebrity Apprentice” but was bothered by the images of children taken from their parents.

President Trump talks with rapper Nicki Minaj in Washington, D.C., on Wednesday at an event launching the Trump Accounts savings and investment program for children.

(Jose Luis Magana / Associated Press)

“I was one of those immigrant children coming to America to flee poverty,” Minaj told the outlet. “And I couldn’t imagine a little child going through all of that, trying to get to another country because they didn’t have money in their country, or whether you’re fleeing from war … and then being taken away from the one person that makes you feel comfort. That is what really raised my eyebrows.”

At the time, she said she would not “jump on the Donald Trump bandwagon.”

But Minaj has since come around to support the president in his second term, even calling herself his “No. 1 fan” in remarks Wednesday. “And that’s not going to change,” she said.

“The hate or what people have to say, it does not affect me at all. It actually motivates me to support him more, and it’s going to motivate all of us to support him more,” Minaj said. “We’re not going to let them get away with bullying him and the smear campaigns. It’s not going to work, OK? He has a lot of force behind him, and God is protecting him.”

The president introduced her as “the greatest and most successful female rapper in history,” a title that’s accurate going by record sales and overall presence on the Billboard Hot 100. (Of course, Missy Elliott and Ms. Lauryn Hill might want to have a conversation.)

“I didn’t know Nicki, and I’ve been hearing over the years she’s a big Trump supporter, Trump fan,” POTUS continued. “And she took a little heat on occasion because her community isn’t necessarily a Trump fan.”

Trump said Minaj was among those stepping up, along with people including Dell Computers Chief Executive Michael S. Dell, and donating “hundreds of thousands of dollars” of her money to the new accounts. In addition to her generosity, POTUS was definitely a fan of Minaj’s long, painted, pointy pink manicure. He chuckled as he told the audience, “I’m going to let my nails grow, because I love those nails. I’m going to let those nails grow.”

In December, before Christmas, the rapper also appeared onstage with conservative activist Erika Kirk, widow of Charlie Kirk, who was slain in September at Utah Valley University. Minaj took the opportunity at the Phoenix conference of Kirk’s organization, Turning Point USA, to praise Trump and mock California Gov. Gavin Newsom.

Minaj, a Christian, praised Trump at the time for standing up for Christians being persecuted in Nigeria and elsewhere.

“I have the utmost respect and admiration for our president,” Minaj said. “I don’t know if he even knows this but he has given so many people hope that there is a chance to beat the bad guys and to win and to do it with your head held high.”

She also declared onstage that there was “nothing wrong with being a boy.”

“How about that?” she continued. “How powerful is that? How profound is that? Boys will be boys, and there is nothing wrong with that.”

Then Minaj read aloud some of her social media posts mocking Newsom, calling him “Newscum” and “Gavie-poo” and criticizing his advocacy on behalf of “trans kids.”

It’s not as if the “Starships” rapper hid the ball about being harsh when she said in 2023 that she was willing to “be cussing out” certain people at certain times.

“When I hear the word mean, I think about the core of who the person is,” she told Vogue. “I always tell people that the difference between being mean and being a bitch is that bitch passes. Bitch comes and goes. Mean is who you are. I could be the biggest bitch, at the height of my bitch-ness, but if the person I may be cussing out at that time needs something from me, I’m going to give it to them. I have to be able to look in the mirror and be OK with myself.”

Trump accounts for children, a new type of IRA for U.S. citizens who are younger than 18 on Dec. 31 of the year an account is opened, are part of the “Big Beautiful Bill” of tax breaks and spending cuts that was signed into law last summer.

For children born during the second Trump administration, calendar years 2025 through 2028, the accounts will be seeded with $1,000 from the U.S. Treasury when a parent submits a form to the IRS to open the account. Additional pre-tax contributions of up to $5,000 a year are allowed but not required, and a parent is the custodian of the account until the child turns 18. Withdrawals for education, housing or business will be taxed as ordinary income.

Minaj is married to Kenneth Petty — who served four years in prison after being convicted of attempted rape in New York in 1995 — and the couple has one son. Nicknamed “Papa Bear,” the tot was born in 2020, about five years too soon to qualify for that $1,000.

A year ago, Colorado firefighters Rick Balentine and Tim Cottrell were driving trucks carrying donations from Aspen to Los Angeles for victims of the Eaton and Palisades fires.

As they headed west, they planned to stop in Las Vegas and, while there, made a spontaneous decision to see the Eagles’ residency at the Sphere. Balentine and Cottrell bought resale tickets on StubHub for around $400 each. Cottrell used his credit card and received a confirmation email. But once they arrived to the venue, they weren’t allowed in. The seller failed to send the tickets.

All Cottrell could find was an email that said his tickets had been canceled, moments before the concert was to start. Other than getting their money back, there was no further explanation.

“We knew they were aftermarket tickets,” Balentine said, “but never in a million years did I think that tickets could get canceled.”

“I was very disappointed. There needs to be more protection out there, both for consumers and for artists, so people aren’t getting ripped off all the time.”

The rising demand for tickets has spurred a growing marketplace for all kinds of high-profile live events, including music tours and sports series like the upcoming World Cup. Whenever fans are unable to secure tickets on the primary market, through sellers like Ticketmaster or AXS, many will turn to the secondary market for resale tickets. Those tickets are typically sold through platforms like StubHub, SeatGeek and Vivid Seats. Customers who bought their passes directly from Ticketmaster can also resell them on that platform.

The majority of secondary-market transactions can be easy, leaving both the reseller and the customer satisfied. But with the rise of speculative or fake tickets, like the ones Balentine and Cottrell bought, securing valid tickets from the resale market has become more challenging.

What are speculative tickets?

Speculative tickets are offered by resellers who list concert passes they don’t yet have in their possession, with the intention that they will ultimately acquire the tickets and deliver them to the buyer. According to 2025 data from Live Nation, one in three Americans has fallen victim to a ticketing scam. But under California’s bill, AB 1349, selling speculative tickets could be banned on all resale platforms in the state. On Monday, the bill passed in an assembly vote and is headed to the state Senate for review.

Thousands of fans enjoy Shakira’s performance at SoFi Stadium in August.

(Jason Armond/Los Angeles Times)

Speculative tickets usually pop up as soon as a major artist announces a tour. Most recently, K-pop boy band BTS announced a world tour that includes four stops at SoFi Stadium. Before the general sale began Jan. 24, some sellers on Vivid Seats had already started listing tickets for over $6,000. Listings like these usually create a greater sense of scarcity, which can drive up ticket prices even more.

If enacted, the proposed legislation in California would require sellers to have event tickets in their possession before offering them for sale. The listing must include the location of the seat and specific refund rights. It prohibits a person from using software that automatically purchases more tickets than the specified limit, and it would raise the maximum civil penalty for each violation from $2,500 to $10,000.

The live music industry is a vital part of the state’s economy, contributing over $51 billion to California’s GDP and supporting over 460,000 jobs, according to the database 50 States of Music.

Ticketing fraud tends to affect more than just the consumer. Whenever an unknowing fan shows up to a venue with a fake ticket, it often falls on the venue and its staff to deal with the situation. Stephen Parker, the executive director of the National Independent Venue Association, said that if speculative tickets are banned in California, venues could save up to $50,000 in staffing expenses.

Los Angeles’ SoFi Stadium, where many concerts and ticketed live events are held.

(Icon Sportswire/Icon Sportswire via Getty Images)

“They have to deal with fans who are crying, who are angry, who are upset because they thought they were going to go see their favorite artists that night, and they paid [over the] ticket’s face value only to not get a ticket that works or to not get a ticket at all,” said Parker.

Fighting ticket fraud and reining in a ticketing giant

There are currently dozens of legislative bills throughout the U.S. focused on event ticketing issues. Some states like Maryland, Minnesota and Maine have already passed restrictions on speculative tickets.

The action comes after both the Department of Justice and the Federal Trade Commission sued Ticketmaster and its parent company, Live Nation Entertainment, in 2024 and 2025. The DOJ’s lawsuit suggests breaking up the company, which it accuses of engaging in monopolistic practices. The complaint also alleges the company forces venues into exclusive ticketing contracts and influences artists to use only its services.

Founded in 1976, Ticketmaster has been the industry’s largest ticket distributor since 1995, with around 80% of live concerts sold through the site. The company merged with Live Nation in 2010.

Ticketmaster has also acquired a growing share of the resale market, under the platform Ticketmaster Resale. The site allows consumers to list, sell or find tickets to live events. The business functions similarly to other resale sites, but Ticketmaster does not allow speculative ticket sales on its platform.

The Federal Trade Commission is currently suing the company on accusations that it engaged in illegal ticket vendor practices for its resale business, like misleading artists and consumers with so-called “bait-and-switch pricing,” where advertised prices are lower than the actual total. Following the FTC’s complaint, the ticket seller made changes to its policies.

Additionally, Ticketmaster is no longer allowing users to have multiple accounts, which made it easier to purchase more tickets than the specified limit, and it is shutting down Trade Desk, the controversial software that helps resellers track and price tickets across several marketplaces.

Hundreds enjoy a performance by Banda Los Lagos during Jalisco Fest at the 2025 Santa Fe Springs Swap Meet.

(Genaro Molina/Los Angeles Times)

“The FTC case against us is very frustrating because we think they’re sort of blaming the victim here. We’re the ones that are dealing with millions and millions of bots attacking us every day,” said Dan Wall, Live Nation’s vice president of corporate and regulatory affairs. “We’re trying to convince the federal government and state governments to get on the same page of recognizing where the problem is, which is overwhelmingly in the resale industry, and trying to do something about it.”

“We’re a much more artist and consumer-focused company, and so we don’t engage in the different kinds of business practices that are sketchy and unfair to the fans. We try to be a much more honest, legitimate outlet for getting resale tickets,” said Wall.

Critics find that the surge of anti-speculative ticketing bills around the country is a way for Ticketmaster to divert attention from its own legal troubles and shift attention onto the resale market. Live Nation is a key supporter of the California bill. Diana Moss, the director of competition policy at the Progressive Policy Institute, called AB 1349 “overkill” when it comes to the provisions and restrictions it places on the secondary market.

Fans cheer Sexyy Red at the Rolling Loud concert at Hollywood Park in March.

(Michael Owen Baker/For The Times)

“A lot of these bills in the states are a vehicle to disable the resale markets and hinder how they operate. Resale markets are important to consumers,” said Moss. “If you disable the resale market, then fans have no place to go — but back to Ticketmaster. That’s the whole game, disable the resale markets with legislation and regulation, and then everybody has to go back and deal with Ticketmaster and pay their monopoly ticket fees.”

Provisions in AB 1349 deem a ticket a license. The question of whether a ticket is a right or a license is an ongoing controversy in the ticketing world. Opponents of the bill are fearful that this change would give more power to Live Nation, as they could impose restrictions on how the ticket can be used, such as whether you’re allowed to sell your ticket on other platforms or if you can transfer it at all. Meghan Callahan, from the Empower Fans Coalition, a group that opposes the bill, equates this licensing change to taking a lease out on the ticket.

“Ticketmaster’s goal is to create less competition. This bill imposes restrictions on everybody else but themselves,” said Callahan. “They are trying to use consumer-friendly concepts and sneak in these other provisions to embolden their monopoly.”

Wall at Ticketmaster said that nothing on the consumers’ end would change if this bill were to pass, adding that tickets are already licenses “from the venue for you to come on the property during the time of the show and sit in that seat.”

“Honesty doesn’t favor one person or another. That’s what this [bill] is about,” said Wall.