fan

Remember when soccer was being touted as the next big sport in the U.S.? Well, it looks like that moment has finally arrived.

Or not. It all depends on who you ask and how you interpret what they tell you.

On one hand, there’s the recent Harris Poll that found 72% of Americans profess an interest in soccer, a 17% increase from 2020. A quarter of those are “dedicated” fans and 1 in 5 say they are “obsessed” with the sport.

On the other hand, there’s the stark decline in attendance and TV viewership for the country’s top two domestic leagues, MLS and the NWSL, and the underwhelming crowds that showed up last summer for the FIFA Club World Cup and the CONCACAF Gold Cup.

LAFC fans lift up a banner honoring Carlos Vela during a ceremony to honor him before a match against Real Salt Lake at BMO Stadium on Sept. 21.

(Kevork Djansezian / Getty Images)

These contrary findings — a growing fanbase at the same time attendance and viewership numbers are falling off a cliff — come at an important inflection point for soccer in the U.S., with the largest, most ambitious World Cup kicking off at SoFi Stadium in fewer than 200 days.

“The short answer is yes, the World Cup will be a watershed moment for soccer in America. However, it’s unlikely to immediately lead to a significant increase in ticket sales for MLS and NWSL. Soccer fandom in America develops differently from that of other sports,” said Darin W. White, executive director of the Sports Industry Program and the Center for Sports Analytics at Samford University, which next year will launch a major five-year study to explore how soccer can become mainstream in the U.S.

“The World Cup will bring millions of new Americans into the pipeline. Over the next few years we expect these new fans to progress through the pipeline, giving soccer a substantial enough fan base to tip the scales and help make soccer part of the ongoing mainstream sports conversation. I am confident that the World Cup will enable soccer to reach that critical mass.”

Steven A. Bank, a professor of business law at UCLA who has written and lectured extensively on the economics of soccer, isn’t as optimistic.

“The risk isn’t that U.S. soccer will be in the same place in 10 years, but that it will have regressed,” he said.

“For the World Cup to benefit domestic leagues’ attendance, ratings, and revenue, as well as youth and adult participation rates in playing soccer, it will have to be the catalyst for more domestic investment in the game. The question isn’t whether the World Cup will convince enough people to become fans or to move from casual to dedicated or obsessive fans. It’s whether it will convince enough wealthy people and companies to risk the kind of money necessary to compete with the top leagues for the top talent.”

U.S. captain Christian Pulisic drives the ball during an international friendly against Ecuador at Q2 Stadium on Oct. 10 in Austin, Texas.

(Omar Vega / Getty Images)

That investment could be a boost to both first-tier domestic leagues, which saw their attendance and TV rating fall dramatically this year. After setting records in both 2023 and ‘24, MLS watched its average attendance fall 5.4% — to 21,988 fans per match — this season. According to Soccer America, 19 of the 29 teams that played in 2024 saw their attendance drop; more than half saw declines of 10% or more.

The TV audience also appears to be relatively small, although the fact Apple TV, the league’s main broadcast partner, rarely releases viewer data has hampered efforts to draw any firm conclusions. MLS said last month that its games attracted 3.7 million global aggregate viewers a week on all its streaming and linear platforms, an average of about 246,000 a game on a full weekend. While that’s up nearly 29% from last year, the average viewership figure is about 100,000 smaller than what the league drew for single games on ESPN alone in 2022, the last season before Apple’s 10-year $2.5-billion took effect.

NWSL also saw overall league attendance fall more than 5%, with eight of the 13 teams that played in 2024 experiencing declines. And TV viewership in the second year of the league’s four-season $240 million broadcast deal was down 8% before the midseason July break, according to the Sports Business Journal.

That follows a summer in which both the expanded Club World Cup and the Gold Cup struggled to find an audience. Although the 63-match Club World Cup drew an average of 39,547 fans per game, 14 matches had crowds of fewer than 20,000. The Gold Cup averaged 25,129 for its 31 games — a drop of more than 7,000 from 2023. And five matches drew less than 7,800 people.

“There’s a danger of taking this year’s decline out of context,” said Stefan Szymanski, a professor of sports management at the University of Michigan and author of several books on soccer including “Money and Soccer” and “Soccernomics” (with Simon Kuper). “Last year was a record year. It’s really about the diminishment of the Messi effect.

“I wouldn’t say it’s a moment of crisis. And the way MLS is looking at this strikes me that they’re entirely focused on a post-World Cup [bump], which they think they’re going to get. I’d be skeptical myself about that. I don’t think it will do that much for them.”

Szymanski said the World Cup could hurt the league by underscoring the huge difference in the quality of play between elite international soccer and MLS.

“Americans are not dumb,” he said. “They know what’s good quality sport [and] not good quality sport. And they know that MLS is low level. The only way, in a global marketplace, you can get the top talent to have a truly competitive league is to pay the salaries.”

Which brings us back to Bank’s conclusion that fixing soccer in the U.S. isn’t about the soccer, it’s about the money being spent on the sport. For next summer’s World Cup to have a lasting impact, the “bump” will have to come not just from an increase in attendance and TV viewership but in investment as well. And, as Szymanski argues, that means additional investment in players as well.

“If all it does is attract eyeballs for this competition,” Bank said “I’m not sure it does more than the Olympics does every four years when it temporarily raises the profile of a few sports for some people who were not casual fans before.”

LIAM GALLAGHER let rip in fury yesterday at a fan who fired a flare into the crowd during an Oasis concert.

The band were kicking off the Australian leg of their world tour, at Melbourne’s Marvel Stadium in front of a 55,000-strong audience, when the incident happened.

The flaming missile landed on a packed moshpit as Oasis belted out 1996 hit Champagne Supernova.

Liam continued singing but later called out the disruptive act from the stage, wagging his finger at the crowd and telling fans:  “That was naughty — naughty, naughty, naughty.”

Brother Noel is also reported to have been not at all best pleased — looking “concerned”.

The band were then fuming backstage, as Liam took to X yesterday and blasted: “To the massive C* who launched that flare into the crowd last night at the gig in Melbourne, you are one seriously f**d up individual and you will get yours, trust me.”

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‘A bit intense’

One member of the crowd revealed: “People were scared as they didn’t know what was going on.

“No one expects to see flames in the crowd at a gig.

“It was all a bit intense for a few split seconds.”

A venue spokesman said: “Security acted quickly, but the patron involved in throwing the flare wasn’t found. Thankfully no one has ended up getting injured.”

Earlier on in the evening, Liam was in high spirits as he told an anecdote about a kangaroo that had the audience laughing.

Meanwhile, Liam’s sons Lennon and Gene had been enjoying the Asian leg of the tour last month.

A source tells me: “When they were in Japan last week they went all out and did a tea ceremony, they went to a temple and got blessed by a monk, and they had Samurai lessons.

“They are living the dream.”

With their dad laying low after a few too many parties on tour,  I’m glad his lads are having fun.

JACOB’S COFFEE DATE

HUNKY actor Jacob Elordi is wasting no time after splitting from his glamorous YouTuber girlfriend after four years.

The Aussie, who stars in new Netflix film Frankenstein, was spotted grabbing coffee with model Kristen Kiehnle after the movie’s premiere in Los Angeles.

Kristen, who has 83,000 Instagram followers, is often seen flaunting her svelte physique on her holidays.

A source said: “Jacob and Kristen have been hanging out in LA. His romance with Olivia Jade has fizzled out and Jacob is concentrating on the film.”

Jacob and Olivia, were first linked in 2021, but called it quits after rekindling their relationship two months ago.

Olivia, the daughter of actress Lori Loughlin supported Jacob at the Toronto International Film Festival for the premiere of Frankenstein in September.

He may be playing Frankenstein’s monster, but it sounds like Jacob won’t be single for long.

BRIT OF LUCK FOR LILY

SHE’S already announced a 13-date UK tour next year, but I can reveal Lily Allen could be gracing us with a live performance before then.

I hear that the star, whose record West End Girl came out last month, is on the most wanted list to sing at the Brit Awards in February.

A well-placed music source tells me: “Lily’s album has gone stratospheric.

“Not only will she be a shoo-in for a gaggle of nominations, but bosses think she’d be ideal as a centre-piece for the performers on the night.

“She epitomises British talent and deserves to be on that stage being celebrated.

“It’s early days, but planning has already begun.”

Lily last performed at the Brits – which take place at the Co-op Live in Manchester for the first time next year – in 2010.

Back then, she belted out chart-topper The Fear.

Over the years, the star has been nominated for nine Brit Awards, but has only taken one home.

I’m sure that will change, though, with her latest musical offering detailing the breakdown of her marriage to Stranger Things actor David Harbour.

Despite the exposing compilation, Lily – who dressed up as kids’ book character Madeline for Halloween in a nod to the name she gave David’s alleged mistress on the album – says she doesn’t want “revenge”.

She told Interview magazine she now feels “differently” about their marriage breakdown, adding: “I wrote this record in ten days in December, and I feel very differently about the situation now.

“We all go through breakups, and it’s always f***ing brutal.

“But I don’t think it’s that often that you feel inclined to write about it while you’re in it.”

I think Lily crooning Pussy Palace on stage at the Brits would be iconic British behaviour . . .

IT’S NOUGHTIES BUT NICE, LADS

THE BUSTED vs McFly tour served up a dose of Noughties nostalgia as it hit London’s O2 arena.

The two groups are going head to head on a shared series of gigs around the UK, in a battle of the bands to finally settle their rock rivalry.

McFly – Tom Fletcher, Danny Jones, Harry Judd and Dougie Poynter – opened the London show with Where Did All The Guitars Go? before they had the whole room swaying with 2005 hit All About You.

Next, it was time to welcome their older brothers, in the form of Busted’s Matt Willis and Charlie Simson.

The pair paid tribute to bandmate James Bourne who has quit the tour for health reasons.

Matt said: “James Bourne, our best friend, is not with us right now – it sucks, we miss him and we love him. James is really fing sick so we are playing without him. It has been so fing weird but thank you for supporting us.”

After Busted reeled off their hits Crashed The Wedding and What I Go To School For, they belted out Year 3000 – joined by McFly. That song may be about the future, but I was happy to be back in the Noughties.

HE may pocket £500,000 as host of This Morning, but Ben Shephard has got a nifty side hustle on the go.

The presenter, who co-hosts the ITV daytime show with Cat Deeley, has set up an enterprising firm called Sweet Spot, which matches celebs with commercial opportunities.

Featured celebs include Joel Dommett, Gemma Atkinson and Love Island stars Will Young and Jessie Wynter.

Sweet Spot is actively looking for investors to help celebs create their own brands.

A source said: “Ben saw a gap in the market and doesn’t want to rely on telly work forever.”

Clever clogs.

ARGGH MAYA HEARTIES

CELEBS love to dress up for the cameras and Halloween gave them the perfect excuse.

Olivia Attwood went as Toy Story’s Jessie the cowgirl to a bash hosted by Heidi Klum, who was in full scare mode as Medusa.

In Manchester, Maya Jama and her footballer boyfriend Ruben Dias dressed up as characters from Pirates Of The Caribbean, while his Man City team-mate Erling Haaland appeared as The Joker.

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Paris Hilton sprinkled some Tinker Bell magic, while Sabrina Carpenter opted for a Fred Flintstone look.

Mariah Carey threw on a long pink wig, Hailey Bieber dressed as one of The Incredibles and Simon le Bon sang on stage with Duran Duran as a zombie.

Jake LaRavia is not a household name.

A first-round pick out of Wake Forest in 2022, the Lakers forward has played for three NBA teams without garnering too much attention — at least not until Wednesday night’s game against the Minnesota Timberwolves.

Starting in his second straight game for injury-depleted L.A., which has been without LeBron James all season and Luka Doncic the last three games, LaRavia scored 27 points on 10-of-11 shooting, including five of six from three-point range).

Even then, LaRavia seemed to be toiling in obscurity. A number of fans at Minneapolis’ Target Center started shouting, “Who is No. 12?” — a genuine question as to the identity of the sharpshooter torching their team.

LaRavia, who was born in Pasadena and grew up in Indianapolis, took notice of the puzzled fans and more than once gave them a smile and a slight wave in acknowledgment.

When one fan yelled “Who is No. 12?” early in the fourth quarter — after LaRavia hit a three-pointer to give the Lakers a 105-89 lead — it caught the attention of injured Minnesota star Anthony Edwards on the bench. Edwards responded by spreading his arms above his head and shouting “That’s what I’m saying! I don’t know!”

FanDuel Sports Network broadcast the interaction between Edwards and the fan, and video clips of it have been circulating on social media. Again, LaRavia rolled with it all, writing “lol” in the comments of one such clip and posting the video on his Instagram Story, along with the caption “Cap” (slang for when someone is lying) and two laughing emojis.

The Lakers won the game 116-115 on a last-second floater by Austin Reaves, who had a team-high 28 points and 16 assists. Afterward, LaRavia credited Reaves for setting up most of his shots.

“Yeah, I mean, Austin has 16 assists, so I think they all came from him,” LaRavia told reporters. “But yeah, I was knocking down shots and kind of just getting my rhythm and kept shooting. So when they’re falling, they’re falling.”

LaRavia previously played his best basketball late in the 2023-24 season with Memphis, scoring a career-high 32 points against Cleveland, 28 against the Lakers and 29 against Denver in the final three games of the season. He also scored 25 against the Lakers during a late-March game that season.

Sent to the Sacramento Kings at the trade deadline last season, LaRavia became a free agent after his option was not picked up this summer. He was a career 42.9% three-point shooter, averaging 6.9 points and 3.3 rebounds per game, when he was signed by the Lakers to be a complementary player to the team’s bigger names.

Necessity has given LaRavia a greater role. His first start for the Lakers, which came Monday in a 122-108 loss to Portland, didn’t go so well (three points on one-for-six shooting, 0-for-three from three-point range). LaRavia said a conversation with coach JJ Redick and general manager Rob Pelinka helped him get in the proper mindset for Wednesday’s game.

“They have just been wanting me to be more aggressive scoring,” LaRavia said, “especially with everyone that we have out…. Our conversation with both of them [was] to just come out here and kind of play how I play. I think I did just that.”

He added: “It’s pretty much just like having a scorer’s mentality. A lot of times, I feel like when I’m in the game, I’m looking for an AR or someone else to get off the ball to, like hitting [Deandre Ayton] or whoever it is, and then to just come out tonight and be like, ‘I’m going to go score. I’m gonna be more aggressive myself so that when I am making shots, I can collapse the defense and then kick it out and stuff like that.’ Just to go out there and kind of have that scorers mentality.”

In addition to his scoring against Minnesota, LaRavia also had eight rebounds, two assists, one steal and one block, although Redick said his contributions were even greater than the numbers show.

“For Jake as a Laker, this game now is a reference point,” Redick told reporters after the game. “Not only for the offense — again, two out of the last three games, he’s been phenomenal defensively. … He had six or seven deflections tonight. He ended up with one steal and a block, but that doesn’t really capture his level of activity defensively. And then just continuing to have confidence in his shot and belief in that was big.”

Times staff writers Broderick Turner and Thuc-Nhi Nguyen contributed to this report.

Former Vice President Kamala Harris has yet to decide if she’ll run for president in 2028. She’s also not going to dish on her former boss, Joe Biden. And her advice for a Brown-skinned person just getting into politics? There will be many situations when you walk into a meeting room and no one looks like you. Keep your chin up, your shoulders back and remember — all of us have your back.

“All of us” referred to the cheering, sold-out crowd at the Wiltern Theatre in Los Angeles on Tuesday evening who’d come to see the former Democratic presidential candidate speak about her new book, the election-campaign memoir “107 Days.” The chanted “Kamala!” “Kamala!” as she walked on stage. The outbursts of adoration continued for the next hour in eruptions of applause and supportive shout-outs (“We love you!”) as she spoke about everything from the need to pass Proposition 50 to how she coped with the devastating loss to Donald Trump in the 2024 election.

Moderated by actor Kerry Washington, “A Conversation With Kamala Harris” was one of nearly 20 stops on a tour that’s already seen Harris speak in New York, London and at the Wiltern last month. Zealous attendees paid anywhere from $55 to $190 on tickets to see Harris again following “one of the wildest and most consequential campaigns in American history” (the latter is an official descriptor for her book). The memoir details her historically short run for president, the whirlwind 107 days between the time Biden withdrew from the race and Harris become the Democratic nominee to her devastating loss on Nov. 5.

Harris fans flock to the Wiltern to see Kamala speak about her book, “107 Days.”

(Jason Armond / Los Angeles Times)

Were there any great revelations or gotcha moments on stage Tuesday evening? Not really, but that’s not what this tour is about — at least for those who chose Harris over watching Game 4 of the World Series between the Los Angeles Dodgers and the Toronto Blue Jays. The former attorney general of California shared her thoughts about the current Department of Justice — a “thin-skinned president” is using it as his own personal tool of “vengeance.” She explained how her loyalties to Biden may have cost her votes, and called out the Washington Post and the L.A. Times, whose “billionaire owners pre-capitulated” to Trump when they pulled their respective editorial boards’ endorsements for Harris. She drew a big laugh when discussing the importance of parsing fact from fiction in today’s mediaverse, and made up her own example of misinformation: “Circumcisions are causing autism!” And on a more serious note, she detailed the emotional fallout she experienced after losing the election: “For months [she and her husband, Doug Emhoff] never even mentioned it.”

Criticisms of Harris’ book have centered around a frankly tired refrain that she should accept more personal accountability for the election loss as opposed to blaming the influence of outside forces. On Tuesday she appeared willing to explore those themes when she said she constantly interrogated herself on the campaign trail: Are you doing everything you can to win this election? But before she could go much deeper, Washington told her that she needed to know that we, the audience, understood she did everything she could. The crowd erupted in affirming shouts and applause.

Clearly, a book tour attended by The Converted is not going to produce headline-worthy grist, especially with an interviewer who is an admitted Harris friend and supporter. That’s what debates and media interviews are for, and this was a fan event.

And her base was thirsty. Since Harris has largely stayed out of the spotlight since last November, the audience appeared ready to relive some of the joy they felt in the brief time she was running for office, and perhaps find a glimmer of hope in dark times for those who see the current administration’s actions as anti-democratic, at best.

Before “The Conversation With Kamala Harris” kicked off at 7 p.m., attendees who spotted Harris’ husband, Emhoff, in the first few rows of the venue lined up to shake his hand and take selfies with the former second gentleman of the United States. The close access to SGOTUS was surprising, given the heightened security around political figures after violent events such as the home-invasion assassinations of Minnesota state representative Melissa Hortman and her husband in June, and the killing of conservative activist Charlie Kirk at a speaking event last month. Yet the atmosphere was casual and relaxed.

Despite heightened threats of politically-motivated violence, President Trump pulled Harris’ Secret Service detail, as he has done to many of those he sees as his enemies. But as a former state office holder, Harris’ security detail Tuesday was provided by the California Highway Patrol.

The conversation lasted a little over an hour, with a few prescreened questions at the end from audience members, such as the query from an attendee who identified himself as Ramon Chavoya, a proud Latino. He asked for Harris’ advice on getting into local politics. She was the first Black and first South Asian female candidate to be chosen by either party to run for the Oval Office. Her very presence was a reminder that the face of the nation is changing, despite a rise in xenophobic movements and legislation. She advised the aspiring young politician that he would likely stand out, but that he wasn’t alone. “We’re all in the room with you,” she said, a sentiment Harris’ supporters surely understood.

Pop star and recreational astronaut Katy Perry has found a new flame in former Canadian Prime Minister Justin Trudeau, in an unexpected romance that feels like a “Mad Libs” page come to life.

The “California Gurls” hitmaker and the longtime politician publicly debuted their relationship over the weekend, shutting down months of speculation. Perry, 41, and Trudeau, 53, were photographed holding hands during a date night in Paris on Saturday.

The singer, in a red body-hugging dress, and Trudeau in a black suit were seen exiting cabaret club Crazy Horse Paris, where they celebrated Perry’s birthday. Video shared by Backgrid shows Perry accepting a rose from a bystander and Trudeau placing his hand on her back as they walk to their SUV.

Perry and Trudeau first sparked relationship rumors in late July, when they were seen sharing a meal and some good conversation at an upscale restaurant in Montreal. They met up for their rendezvous, captured by TMZ, a month after Perry and “Pirates of the Caribbean” and “Lord of the Rings” star Orlando Bloom ended their engagement. The former couple welcomed a daughter in 2020 and continue to co-parent.

At the time, the split with Bloom was the latest blow to Perry’s public image. Prior to their separation, the Grammy-nominated singer’s album “143” faced backlash and scathing reviews, her participation in Blue Origin‘s flashy all-female crew flight was subject to scrutiny and her Lifetimes world tour proved divisive. Trudeau seemed to be all smiles at the latter in late July.

Fans spotted the former Canadian leader, who resigned in January after nearly a decade in power, dancing and singing at Perry’s tour stop in Montreal. Earlier this month paparazzi snapped pictures of the then-rumored couple packing on the PDA on the singer’s yacht off the coast of Santa Barbara, Perry’s hometown.

Trudeau began his romance with Perry after he and ex-wife Sophie Gregoire Trudeau announced their separation in 2023. The Trudeaus were married for 18 years and share three children. Though they are legally separated, their divorce is not yet final.

Neither Trudeau nor Perry has publicly addressed their relationship, save for one cheeky comment the singer made during a concert in London this month. When a fan tried shooting his shot and proposed to the singer, she responded, “You know you really should have asked me about 48 hours ago,” seemingly referring to her yacht outing with her new beau.

Perry continues the European leg of her Lifetimes tour Monday, performing at the MVM Dome in Budapest. Information about her remaining tour stops and future gigs can be found on her website.

Ouch, Canada.

The World Series wasn’t supposed to start like this. The Dodgers weren’t supposed to begin their inevitable championship march like this.

Even playing in their raucous Rogers Centre north of the border in the opener Friday, the cute little Toronto Blue Jays were supposed to be a far inferior team, eh?

Uhhhh…

For baseball’s burgeoning dynasty, there suddenly looms disaster. For the dominating Dodgers, this is now a World Serious.

The Blue Jays didn’t just win Game 1, they hammered the Dodgers into a maple-leafy pulp, 11-4, battering their ace and bruising their ego and sending a message.

It was delivered in the ninth inning, when the fans rained a chant down on Shohei Ohtani, who spurned the Blue Jays in his free agent sweepstakes two years ago and whose two-run homer meant nothing Friday night.

“We don’t need you… we don’t need you.”

When the game ended shortly and mercifully thereafter, another unspoken message had been sent.

You know where you can stick your broom…

Truly, the only thing getting swept in this series is the Dodgers’ aura of invincibility, as the Blue Jays did exactly what they needed to do by hitting them precisely where it hurts.

Welcome to the postseason, Dodger bullpen.

Now get lost.

Wearing down ace Blake Snell for 29 pitches in the first inning and 100 pitches by the sixth, the pesky Blue Jays hitter loaded the bases with none out when Snell left the game for the maligned and recently ignored Dodger relievers.

Rather predictably, all Hortons broke loose.

Emmet Sheehan lasted four hitters and allowed three baserunners. Ernie Clement singled in a run, Nathan Lukes walked to force in a run and Andrés Giménez singled in a run, and have you ever heard of any of those guys?

Enter Anthony Banda, and exit an Addison Barger fly ball into the right-field stands for the first pinch-hit grand slam in World Series history. Add an ensuing single by Vladimir Guerrero Jr. and a home run from Alejandro Kirk and you pretty much get the picture.

The Dodgers gave up nine runs in the sixth inning, more than twice as many runs as they gave up in the entire four-game National League Championship Series win against the Milwaukee Brewers.

Worse yet, they allowed, for the first time this postseason, some doubt.

Did the seven days off since the NLCS sweep ruin their timing as brief October vacations have done to Dodger teams in the past? After all, this is the fifth time in World Series history a team coming off a sweep played a team that was stretched to seven games, and in the previous four times, the team that was stretched won the series.

The Dodgers will roll out another ace, Yoshinobu Yamamoto, in Game 2 Saturday. He pitched a complete game in his last start, so maybe there’s no cause to worry.

Or maybe the Blue Jays just gave them 11 good reasons to worry.

After all, Toronto began the game as a heavy underdog, and for three good reasons, but none of their fears were realized.

They were starting Trey Yesavage, a rookie pitcher who began the season in the Class-A Florida State League pitching for the Dunedin Blue Jays in front of 328 fans against the Jupiter Hammerheads. The 22-year-old was the second-youngest starting pitcher in World Series opener history. He had made just six total major-league starts, and just last week was shelled for five runs in four innings by the Seattle Mariners in the ALCS.

”I don’t want to be out there on the mound thinking too much because for me, I’m at best when I’m just black dead out there and not thinking at all,” he said before the game.

He indeed seemed clueless, but he survived three walks and four hits in four innings by yielding just two runs.

Second, the Jays were starting Bo Bichette at second base even though he had not played the position in six years and never in the major league. The team’s standout shortstop, had also not played anywhere in 47 days since he was sidelined with a sprained knee.

“Yeah, it’s crazy,” said Bichette.

You know what’s crazier? He singled, walked, turned a double play, and made a great stop-and-throw on a grounder before being removed for a pinch-runner in the sixth

Third, the Blue Jays were also starting an outfield trio known only to family and close friends. Kudos to all those who had Myles Straw, Daulton Varsho and Davis Schneider on your bingo card.

Varsho homered. Enough said.

“I think that there’s a lot of firsts for a lot of these guys… I think that players are going to feel certain things that they haven’t felt before,” said Jays manager John Schneider beforehand.

Afterward, that applied to the suddenly shaken Dodgers.

When Dodgers Manager Dave Roberts was asked Friday afternoon about the pressure his team felt, he said, “None. None whatsoever.”

Check that.

KEANU Reeves’ security team slammed a fan to the ground after she attempted to get into the actor’s car.

A woman could be heard screaming for the star’s attention before attempting to get inside his vehicle.

The shock footage came just seconds after the actor graciously waved and smiled at waiting fans and photographers outside of his hotel.

At one point, the lady in question could be heard insisting she was his “divine wife” during the altercation.

Having waved to the crowds, Keanu can be seen calmly getting into his car.

Just seconds later, the woman appears to shove past his security details as she heads for his car door.

With the bodyguards attempting to hold her back, the woman screeches: “Let go of me.”

She then shouts at the window: “Keanu, it’s your divine wife!”

After repeatedly saying the star’s name, she runs around the vehicle to the other side before shouting: “Don’t let them hurt me.”

As the car attempts to drive away, the woman manages to reach the car door handle.

The bodyguards then manage to get to the woman and forcibly pull her away from the car.

Latching onto her, two men appear to pull at her before she stumbles and falls onto her back on the road.

She can be heard branding the men “a*****es” before managing to get back up.

One of the men shouts: “Get her out of here. Get her out of here.”

Someone else can be heard shouting: “You guys need a restraining order on this one.”

Keanu is currently appearing on-stage in a Broadway play.

The 61-year-old star has been performing in Jamie Lloyd’s adaptation of Samuel Beckett’s play Waiting For Godot.

The production has been entertaining guests at the Hudson Theater. 

Reuters

‘We never please everyone’

Israel Police

Police operationally independent

These are troubling times for West Ham off the pitch too.

There were a large number of empty seats at London Stadium on Monday as some fans staged a boycott, staying away in protest against the running of the club.

While this was the first boycott, supporters have previously called for chairman David Sullivan and vice-chair Karren Brady, who have been at West Ham since 2010, to step down.

Thousands of fans demonstrated before last month’s defeat by Crystal Palace and in response the club issued a lengthy statement,, external saying they were continuing “to listen to fan feedback”, have made “significant investment into the football operation” and “continue to do everything we can to improve the matchday experience”.

Payne was one of the fans who stayed away from the game for what he said was the first and the last time he will do so.

“There was a boycott but fans are not the problem, we are the solution waiting to be heard,” he said.

“It was a deliberate boycott to send a message to the owners that something has got to change.”

Payne said fan protests are solely aimed at the club’s owners, rather than the manager or players.

But Nuno’s decision to start with inverted full-backs against Brentford did raise some eyebrows.

“It’s unfair on Nuno and it’s unfair on the players as well,” Payne added.

“Nuno is a fantastic bloke, but I think he got his selections a bit skew-whiff last night by playing a young left-back – who has never played anywhere else – as right-back. Ollie Scarles, I felt sorry for him really.”

The village of Tintern in Monmouthshire, Wales, is a traveller favourite and is known for the majestic ruined abbey that sits in the centre of the village

Wales is renowned for its picturesque villages and breathtaking landscapes, but there’s one Welsh village that stands out from the rest.

Tintern, nestled in the heart of the stunning Wye Valley and hugging the west bank of the River Wye in Monmouthshire, is a sight to behold. The village is famed for its awe-inspiring ruined abbey, which sits majestically at its centre, making it a favourite among travellers.

The modern-day Tintern we see today is the result of two historically rich villages merging – Chapel Hill, forming the southern end, and Tintern Parva, making up the northern end. Since 1976, it has been a designated Conservation Area and underwent a name change in 2022 from Tintern to Wye Valley, along with some boundary alterations.

Despite its small size, Tintern holds immense historical significance. The star attraction is undoubtedly Tintern Abbey, a shining beacon in the celebrated Wye Valley.

Its stunning gothic architecture, complete with pointed arches, lancet windows, and ribbed vaults, leaves many visitors awestruck at first sight. Over the centuries, the magnificent ruins of this Cistercian monastery have enchanted visitors and inspired countless travellers, reports Wales Online.

Tintern, a village steeped in history and industrial heritage, has made its mark on the world in several significant ways. The Abbey Forge, nestled within this quaint village, is renowned as the birthplace of British brass production and was instrumental in pioneering wire manufacturing on an industrial scale.

Notably, it was here at Tintern’s Abbey Forge that the first transatlantic cable was crafted.

Today, Tintern serves as a popular destination for walkers and cycling enthusiasts, with numerous long-distance trails and circular routes either starting or passing through the village. A vast network of local footpaths crisscrosses the area, intersecting with two major long-distance paths: the Wye Valley Walk on the Welsh side and Offa’s Dyke path on the English side.

The charming St Mary the Virgin chapel on Chapel Hill is a favourite amongst tourists, and the village also boasts the award-winning Parva Farm Vineyard. Another must-visit spot in Tintern is the medieval church of St Michael in Tintern Parva.

Adding to the village’s attractions is the Tintern railway station, located just a mile’s walk above Tintern. Although passenger services ceased in 1959, the station remains operational as a bustling tourist centre.

As a dog-friendly village, visitors are welcome to bring their furry friends along when visiting any of Tintern’s numerous pubs and cafes, where they’re guaranteed a warm reception.

Getting to the village is straightforward, with the number 69 Wye Valley bus providing hourly services from both Monmouth and Chepstow.

Tintern Abbey

By the 18th century, Tintern Abbey had already become a must-see attraction as part of the Wye Tour along the river – and for good reason.

Most notably, Tintern Abbey inspired poems by literary giants such as William Wordsworth and Alfred Lord Tennyson, and was even the subject of breathtaking paintings by artist JMW Turner.

Tintern Abbey was first established on May 9, 1131, during the reign of King Henry I, by Walter de Clare alongside the river. The abbey was the second Cistercian foundation in Britain (following Waverley Abbey) and the first in Wales.

Initially, the abbey was simply a complex of timber buildings. However, between 1270 and 1301, it underwent reconstruction and was completely rebuilt.

The current remains at Tintern Abbey are a mix of architectural works spanning several centuries and its present-day remnants reflect this diverse architectural history. Once it was rebuilt, around four hundred monks, who originally came from a daughter house of Cîteaux in France, lived in the complex.

For four centuries, Tintern Abbey was a powerhouse in the local economy, with its land divided into farming units or granges. The locals worked the land and served the abbey and its many visitors, making it an integral part of Tintern village’s history and culture.

However, the abbey ceased operations following the Dissolution of the Monasteries in 1536. In a more recent development, Cadw took over the management of Tintern Abbey in 1984.

By the late 18th century, tourism had begun to flourish in the Wye Valley, with many visitors travelling along the river to see the abbey and other scenic spots in the famous region. The poet William Wordsworth was one such visitor in 1798, and he wrote the well-known Lines Written a Few Miles above Tintern Abbey during his visit.

The construction of the turnpike road (now known as the A466) through the valley in 1829, followed by the arrival of the Wye Valley Railway in the 1870s, led to a significant increase in visitor numbers. This established tourism as the bedrock of Tintern’s economy, a legacy that continues to this day.

Today, Tintern Abbey attracts approximately 70,000 visitors each year, who travel from near and far to marvel at the stunning beauty of the historic abbey.

LeBron James no longer has to worry about having to appear in small claims court over the hundreds of dollars a Lakers fan spent on tickets while under the impression that the superstar player was retiring at the end of the season.

Norwalk resident Andrew Garcia filed Monday with Los Angeles County Superior Court to dismiss without prejudice a claim he had filed earlier this month seeking to recoup his money after a big announcement teased by James on social media ended up having nothing to do with his NBA career, now going into its 23rd season, coming to an end.

Garcia said Monday he decided to drop the case after he accepted an offer from the PrizePicks fantasy sports app. The company has deposited promo funds in the amount of $865.66 — the full amount Garcia spent on two tickets to the Lakers’ game against the Cleveland Cavaliers on March 31, 2026 — into Garcia’s PrizePicks account, according to documentation viewed by The Times.

Garcia said will be able to cash out any winnings he receives off those transactions. In addition, he said, PrizePicks will be giving him tickets to a Lakers game of his choice and some other merchandise.

“I didn’t have to dismiss the case” in order to receive the deal from PrizePicks, Garcia said, “but I chose to, because I was like, you know, you guys are fully compensating me for my loss, and then some. There’s no reason for me to further pursue this, because then it would look like I’m double-dipping, you know?”

PrizePicks vice president of communications Elisa Richardson confirmed the deal in an email to The Times.

“We reached out to Andrew after seeing the news and finding out he was a PrizePicks player,” Richardson wrote. “We’re always looking for ways to surprise and delight our players.”

On Oct. 6, James posted on social media that he would announce “the decision of all decisions” the next day. The NBA’s all-time leading scorer also included a video clip teasing “The Second Decision,” a reference to 2010’s “The Decision,” in which James famously announced his intention to play for the Miami Heat.

Garcia wasn’t the only person who thought a retirement announcement was imminent — and he also wasn’t the only one who wanted to be sure to see James on his farewell tour. According to Victory Live, which analyzes verified ticket resale data across the secondary market, ticket sales for Lakers games jumped 25 times higher after James’ teaser post and the average price for those tickets increased from $280 to $399.

Ticket sales and prices returned to normal soon after it was revealed that “The Second Decision” was nothing more than a Hennessy ad. In his lawsuit, Garcia claimed James owed him the amount paid for the tickets because of “fraud, deception, misrepresentation, and any and all basis of legal recovery.”

Callum: This is becoming the worst disgrace in the history of Scottish football. When are the powers that be at Ibrox going to realise that if it is Thelwell and Stewart that continue to be the stumbling block then they have to be removed immediately? Three potential managers have turned us down in a little more than a week. Shocking and embarrassing.

Michael: Thelwell and Stewart want too much of an input into first-team affairs and this is what seems to be the breakdown. Both of them need to go. If Andrew Cavenagh and Paraag Marathe wanted Gerrard and Muscat then the deal should have happened – after all, they are the ‘bosses’.

Isobel: The club knew Muscat’s situation at the outset, so why go ahead at all if they were so desperate to get someone in ASAP? It is utter incompetence and breathtaking arrogance to believe they could get him in earlier given he was on the cusp of a second title. The whole management group including the Americans have dragged a proud club into the gutter in this continuing omnishambles. It is absolutely disgraceful and I actually feel for the players in all this, left leaderless, rudderless and hung out to dry.

Neil: It’s becoming clear that if the new manager wants control of recruitment then Thelwell is going to be the problem. Time for the owners to take control and show they are capable of running the club.

Stuart: I’ve supported this club since my late dad took me to my first game back in the late 1970s, spent thousands travelling across the UK and Europe to watch them and this is quite ‘simply the worst’ I’ve ever seen from top to bottom. Poor boardroom choices, poor management and poor recruitment. Thelwell and Stewart have to go as they’re simply filling their pockets whilst making a complete mockery of what was once a proud club.

Sonny: Sack the board. The Americans have somehow managed to turn the club into a bigger shambles than the previous administration, which I thought was impossible. We’re a laughing stock and there’s hardly an array of great candidates remaining. Embarrassing.

Brian: What a shambles and what an absolute shocker from those in charge – the blame must lie with Stewart and Thewell, who could not even make a double act as a pantomime horse. I am at a complete loss bordering on despair.

Alexander: The main problem appears to be Thelwell and Stewart. If these two are the reason we can’t get a deal finalised then get rid of them. Rangers are too big to be run in such a haphazard way. The supporters aren’t going to take much more of this nonsense, maybe an empty Ibrox and not renewing season tickets will wake the owners up.

Dianne Buswell has opened up about juggling her first pregnancy while appearing on BBC’s Strictly Come Dancing and how much her unborn son loves the live band

Pregnant Dianne Buswell says her unborn baby is already showing signs he’s going to follow in her footsteps. The mum-to-be took to the Strictly Come Dancing dance floor again last night with celebrity partner, Neighbours star Stefan Dennis.

Aussie Dianne – who is expecting a baby boy with YouTuber Joe Sugg early next year – says the baby is a big fan of the show. “There have been a few little Strictly kicks,” she beamed. “Especially when he’s listening to Dave Arch and the band.

“I don’t feel it when I dance. That’s probably rocking him to sleep. He will be having a good old time there.” Dianne, 36, announced last month that she was expecting a baby boy with her 2018 Strictly partner Joe, 34.

The first pro to compete while pregnant on the BBC show, she’s faced lots of support but also a barrage of opinions. Dianne brushed off any negativity, saying: “I have got some lovely messages. I want to be an advocate for mums who can stay active.

“I feel really good thanks. I feel pretty much the same as I felt last year. I feel better dancing. I felt worse when I had the time off last week, weirdly, so that was an interesting observation.”

Dianne was forced to miss out on last week’s movie week after Stefan was struck down by illness. They were back last night to perform Charleston to Dance Monkey by Tones and I.

Dianne said she’s loving dancing while pregnant. “So far so good,” she said. “I haven’t had to adapt anything at all. I’ve just continued doing exactly what I would normally do.

“We couldn’t be doing crazy lifts anyway because Stefan is the oldest competitor in the competition and you always choreograph dances that suit your partner. People who do these big lifts will be very different in height and size but me and Stefan are not like that so we go for what suits us better.

“I adapt not because I’m pregnant but because of my partner.” Actor Stefan, 66, said his week off gave him the chance to “rest and re-evaluate”.

“I came from the other side of the world and was thrown into a massive machine I didn’t really know anything about. Being sick gave me a chance to sit back and see what you do. The hardest thing has been learning how to dance and getting over the fear of I can’t dance. My subconscious thoughts are that I have two left feet. I don’t know how to move my body. I can’t do this. So the hardest thing is getting over that.”

Hoping to progress to next weekend’s show, Halloween week, Stefan says he’s already had to miss out on one spooky opportunity. “Before this my plan was to finish Neighbours,” he explained. “I was going to do a film and then I was going to go travelling with my wife and kids.

“It’s a shame I didn’t do the film because I was going to play a head vampire in a horror film which couldn’t be further from Paul Robinson but unfortunately I had to say no to the film because of Strictly.”

Little Mix singer Leigh-Anne Pinnock performs on tonight’s results show. Watch at 7.15pm on BBC One.

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F1 races are exclusively coming to Apple TV next year as part of a five-year deal announced Friday between the tech giant and Formula 1.

Apple TV subscribers in the U.S. will have access to practice, qualifying, Sprint sessions and Grands Prix footage, as well as F1 TV Premium, Formula 1’s subscription service.

Some races and practice sessions may be free for viewing on the Apple TV app. The Apple Sports app will show live updates on each Grand Prix, including real-time leaderboards, Apple said.

“2026 marks a transformative new era for Formula 1, from new teams to new regulations and cars with the best drivers in the world, and we look forward to delivering premium and innovative fan-first coverage to our customers in a way that only Apple can,” Eddy Cue, Apple’s senior vice president of services, said in a statement.

Stefano Domenicali, Formula 1’s president and CEO, said the partnership will help maximize Formula 1’s growth potential in the U.S. His company worked with Apple on “F1 The Movie,” starring Brad Pitt, which was released last summer. It was Apple’s first box office hit.

“We have a shared vision to bring this amazing sport to our fans in the U.S. and entice new fans through live broadcasts, engaging content, and a year-round approach to keep them hooked,” Domenicali said in a statement.

Apple paid roughly $140 million a year for the rights to show the races, according to a person familiar with the matter who was not authorized to speak publicly. The races have been airing on ESPN since 2018 in a deal that will end this year. ESPN paid roughly $85 million per year on average, the source said. The financial terms were first reported by CNBC.

Apple and Formula 1 did not immediately return a request for comment and ESPN declined to comment on the financial terms of the deal.

“We’re incredibly proud of what we and Formula 1 accomplished together in the United States and look forward to a strong finish in this final season,” ESPN said in a statement. “We wish F1 well in the future.”

Streaming services have increasingly been airing sports on their platforms to attract more viewers who gather for major events. In addition to F1, Apple has deals to air games from Major League Baseball and Major League Soccer.

Apple also recently announced a deal to bundle Apple TV with NBCUniversal’s streaming service Peacock.

The government has said it is “doing everything in our power” to overturn a ban on Maccabi Tel Aviv fans attending a football match in Birmingham and is exploring what additional resources could be required.

On Thursday, Aston Villa said the city’s Safety Advisory Group (SAG) decided that fans of the Israeli club should not be permitted to attend the Europa League fixture on 6 November over safety concerns.

Facing mounting pressure to resolve the situation, the government said it was working with police and exploring what additional resources are required.

A meeting of the SAG to discuss the match is expected next week, the Home Office said.

“No one should be stopped from watching a football game simply because of who they are,” a government spokesperson said.

They added the government was working with police and other bodies to ensure the game could “safely go ahead with all fans present”.

After it was announced on Thursday, Sir Keir Starmer called the move to block fans attending “wrong”, adding “we will “not tolerate antisemitism on our streets”, while there has also been criticism from other party leaders.

The SAG – which advises the council on whether to issue safety certificates – will review the decision if West Midlands Police changes its risk assessment for the match, Birmingham City Council said.

On Thursday, West Midlands Police said it had classified the fixture as “high risk” based on current intelligence and previous incidents, including “violent clashes and hate crime offences” between Ajax and Maccabi Tel Aviv fans before a match in Amsterdam in November 2024.

More than 60 people were arrested over the violence, which city officials described as a “toxic combination of antisemitism, hooliganism, and anger” over the war in Gaza, Israel and elsewhere in the Middle East.

The Home Office was briefed that restrictions on visiting fans might be imposed last week, but the BBC understands officials were not informed about the final decision until Thursday.

Conservative leader Kemi Badenoch said the revelation left the Home Secretary, Shabana Mahmood, with “serious questions to answer” about why her department did “nothing” to avert the ban.

She said: “This is a weak government that fails to act when required.”

A source close to Mahmood told the BBC that “this is categorically untrue”.

“The first time the home secretary knew that the fans were being banned was last night,” they added.

Ayoub Khan, an independent MP for Birmingham Perry Barr who campaigned on a pro-Gaza platform in last year’s general election, had pushed for the match to be cancelled due to safety concerns and welcomed Thursday’s decision.

Khan told BBC Newsnight “nobody should tolerate antisemitism” but added: “We cannot conflate antisemitism when we look at what some of these fans did in Amsterdam in 2024. The vile chants of racism and hatred, the chants that there are no schools left in Gaza because there are no children left in Gaza.”

Andrew Fox, honorary president of Aston Villa’s Jewish Villans supporters’ club, said he thought Khan’s comments on Amsterdam were “shameful”, describing what happened there as a “premeditated Jew hunt”.

What began as banter between fans during a contentious playoff game took a darker turn when a woman threatened to call ICE on a Southern California man during Tuesday’s National League Championship game between the Dodgers and the Milwaukee Brewers.

The exchange began when Dodgers fan Ricardo Fosado trash-talked nearby Brewers fans moments after third baseman Max Muncy clobbered a solo home run in the top of the sixth inning to give visiting Los Angeles a 3-1 lead.

Fosado repeatedly asked, “Why is everybody quiet?” to distraught Milwaukee fans in a social media clip that has since gone viral.

One fan, identified by Milwaukee media as an attorney named Shannon Kobylarczyk, responded by threatening to call U.S. Immigration and Customs Enforcement on Fosado.

“You know what?” she asked a nearby fan. “Let’s call ICE.”

Fosado, a former Bellflower City Council candidate, told Kobylarczyk to “call ICE.”

“ICE is not going to do anything to me,” said Fosado, who noted he was a war veteran and a U.S. citizen. “Good luck.”

On the video, the woman then uses a derogatory term to question Fosado’s masculinity, remarking, “real men drink beer.” Fosado was instead enjoying a fruity alcoholic beverage.

Fosado then told Kobylarczyk one last time to call ICE before calling her an idiot, punctuating the remark with an expletive.

An email to Fosado was not immediately returned Thursday.

Fosado told Milwaukee television station WISN 12 News that the incident “just shows the level where a person’s heart is and how she really feels as a human being.”

The station also confirmed that Kobylarczyk’s employment with the Milwaukee-based staffing firm Manpower had ended.

Kobylarczyk also reportedly stepped down from the board of Wisconsin’s Make-a-Wish chapter.

Fosado did not escape unscathed, however. He said he and a friend were ejected from the game shortly after the exchange.

The Dodgers ended up winning the game 5-1 and led the best-of-seven series, 2-0. The series now shifts to Dodger Stadium, with the first pitch of Game 3 is scheduled for 3:08 p.m. Thursday.

The top travel trends of 2026 have been revealed including “Fan Voyage”, “Hotel Hop” and “Salvaged Stays” according to a new report.

The Unpack ‘26 report, released by Expedia, Hotels.com and Vrbo, polled 24,000 respondents across 18 countries and found a growing number of people booking trips specifically to see local immersive experiences.

“Fan Voyage” journeys see travel combined with unique, regional sporting activities, according to Expedia, including Sumo Wrestling in Japan or curling in Canada.

While people on a “Salvaged Stay” aim to mix historical architecture with modern amenities, checking into upcycled retreats such as former schoolhouses, train stations, and banks.

As a result, Hotels.com has seen an increase in searches for these types of stay – for example, Bodmin Jail Hotel, in Cornwall, is up by 110 per cent.

And this part of the group also found 59 per cent of British millennial travellers are making every trip count by booking multiple hotels within a single destination.

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This emerging trend – dubbed Hotel Hop – is driven by travellers’ desire to explore different neighbourhoods (58 per cent) and keep trips varied (52 per cent).

Expedia also released its 2026 Destinations of the Year list powered by real-time data from millions of daily visitors to its site and app.

Six of these hotspots also meet the criteria for the brand’s new Smart Travel Health Check, a first-in-travel framework, inspired by the World Travel & Tourism Council (WTTC).

It recognises destinations that offer meaningful travel experiences and proactively manage tourism in a sustainable way, helping to ease the strain on the world’s most overvisited cities.

And the top spots included Big Sky in Montana, USA, Okinawa in Japan, Hobart in Australia and Savoie in France, which has seen a 51 per cent search increase.

Ariane Gorin, CEO of Expedia Group, said: “Some of my most unforgettable travel moments come from immersing myself in local cultures, supporting local economies, and exploring less-travelled destinations.

“We have a responsibility to shape the future of travel: one that’s smarter, more sustainable, and deeply respectful of the places we go.”

Christopher Imbsen, vice president policy at WTTC, added: “Expedia’s Smart Travel Health Check is an innovative initiative that reflects the urgent need to embrace responsible growth models that safeguard communities, protect cultural and natural heritage, and ensure the long-term resilience of destinations.”

Research conducted on behalf of the Vrbo arm of the company found trips in 2026 are fuelled by 91 per cent who are seeking getaways focused on reading, relaxation, and quality time with loved ones.

As #BookTok continues to dominate social media, interest in literary-themed travels, ‘Readaways’ is also surging with Pinterest searches for “book club retreat ideas” up 265 per cent.

And reading-related terms in the holiday let company’s guest reviews have nearly tripled.

The slow travel movement is gaining ground, with 84 per cent of travellers expressing interest in staying on or near a farm.

They are searching for starlit skies over busy city lights in 2026.

Set-Jetting is back – and bigger than ever – with interest in travelling to destinations inspired by TV shows and movies accelerating.

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And 53 per cent of global travellers say their desire to take a set-jetting trip has increased in the past year.

With The White Lotus’s next location in France still to be officially confirmed, the 2026 Set-Jetting Forecast reveals the next wave of cinematic escapes – including Tuscany, Italy inspired by Jay Kelly and Yorkshire, inspired by Wuthering Heights and Downton Abbey: The Grand Finale.

Tyrese Haliburton was once a Milwaukee Brewers fan.

Now he’s possibly their biggest troll.

On Saturday, the injured Indiana Pacers star sat on his team’s bench during a preseason game against the Oklahoma City Thunder wearing a Chicago Cubs jersey. It just so happened that the Cubs were playing the Brewers that day in Game 5 of their National League Division Series.

Two days later, Haliburton arrived at the Pacers’ preseason game against the San Antonio Spurs rocking a Dodgers jersey (reportedly that of L.A. superstar Shohei Ohtani). Again, certainly by pure coincidence, the two-time NBA All-Star was representing a team that was facing the Brewers in a high-stakes postseason game, this time Game 1 of the NL Championship Series.

The Brewers are playing for only the second World Series berth in team history, and a high-profile athlete who grew up less than two hours from Milwaukee in Oshkosh, Wis., is actively rooting against them.

The reason, it seems, is because of an alleged snub that took place in the summer of 2024. During an appearance on “The Pat McAfee Show” in April, Haliburton said he had been scheduled to throw out a ceremonial first pitch before a Brewers game last summer … until he and the Pacers eliminated the Milwaukee Bucks during the first round of the 2024 NBA playoffs.

Injured Pacers star Tyrese Haliburton wore Chicago Cubs gear during a preseason game against the Oklahoma City Thunder on Oct. 11.

(Andy Lyons / Getty Images)

“I was a Brewers fan,” he said, “and then I was supposed to throw the first pitch last summer, and they X’ed that after the playoff series. So I said, ‘You know what? I’m no longer a Brewers fan.’”

After that, Haliburton said, he became a “free agent” as a baseball fan.

Haliburton must have been thrilled with the result of Game 1 of the NLCS, a 2-1 Dodgers win, but he might want to track down jerseys for the Seattle Mariners and Toronto Blue Jays just in case — the Brewers are still just four wins away from facing one of those teams in the World Series.

British vloggers Dan Howell and Phil Lester — known for their gaming and comedic slice-of-life style videos — are taking ownership of their long-rumored romance after more than a decade of incessant fan “shipping” online.

The longtime collaborators revealed Monday that they have been dating for more than a decade, pretty much since they gained popularity in the late aughts. The YouTubers confirmed they have been an item in a 46-minute video titled “Are Dan and Phil in a Relationship?”

“We fell into it hard and fast in 2009,” Howell, 34, said. “And here we are almost 16 years later.”

Before Howell and Lester, 38, spoke about the origins of their couple-dom, the YouTubers— who both came out as gay in 2019 — talked extensively about why they waited go public with their relationship. First, they tackled some fans’ obsessive behavior.

Howell and Lester began appearing in each other’s YouTube videos in the late aughts and eventually, in 2014, launched their shared gaming channel — that page currently boasts 2.95 million subscribers. The pair documented their lives together, opening the door for fans to speculate on their relationship and foster a parasocial connection, Howell explained in the video. Among the most prominent internet personalities at the time, Howell and Lester often became the subject of fan fiction and fan edits on Tumblr.

“Some think that shipping real-life people is problematic. I think that humans cannot stop this natural tendency,” Howell said, later adding that “a line gets crossed” when fan speculation turns into investigation.

The pair recalled fans combing through their old social media posts, reaching out to their loved ones and filming them out in the real world. “If all this digging, investigating was small it could’ve been ignored,” Lester said.

“The problem is this became so big we could not ignore it,” Howell continued.

Howell and Lester also recalled fans dissecting their on-camera interactions and spreading the romance rumors during live events. Ultimately, the rumors became “too loud to ignore,” Lester said.

Howell said he was wary about how going public with Lester would impact their professional dynamic and spoke candidly about how his struggles with his sexuality affected their relationship.

“I had an extremely homophobic childhood,” Howell said, adding that the constant fan pressure to address the rumors took a toll on his mental health. He said that when he and Lester gained popularity he felt he “had to hide the relationship because I was still hiding who I was to my friends, family, myself.”

Online chatter didn’t help and “hit a nerve,” he said. Howell said Lester was “like a literal ray of light in my life back then” and committed to protecting their relationship.

“So when other people tried to grab it and drag it into the light, I felt completely violated,” Howell continued. “Having all of these people trying to out us and being so hostile to me when I tried to hide it was so triggering. Honestly, it could’ve killed me.”

Lester added: “It’s sad because those should’ve been the happiest times of our life. It was so amazing and we were having so much fun personally.”

Invasive fan behavior hung over their success “like a curse” and that led to anxiety and panic attacks, Howell said. Lester also recalled a “breaking point” in their relationship where a personal video leaked on YouTube and spread online, with re-posters refusing to take it down.

As they acknowledged the negative impact of some fans’ invasive behavior, the YouTubers said they don’t hold a grudge. Howell said the skeptics “were just young people that had absolutely no idea what the effects of their actions were.”

“In the same way that we all want people in our lives to give us patience and grace and benefit of the doubt if we ever make a mistake, I have to extend that to the world in regards to this story,” he added. “So I understand and I forgive.”

Howell and Lester, whose work also includes BBC Radio programming and several live tours, ended their video announcing the launch of a new podcast.

Madonna’s “MDNA.” Bruce Springsteen’s “The Rising.” Mariah Carey’s “Memoirs of an Imperfect Angel.”

According to the Recording Industry Assn. of America, none of these albums — each the 12th studio LP by its respective maker — has sold 4 million copies in the United States in the decade or more since it was released.

Yet that’s what Taylor Swift just did in a single week with her 12th album, “The Life of a Showgirl,” which Billboard reported Monday had moved 4.002 million copies in the seven days between Oct. 3 and 9.

That figure, which combines sales and streaming numbers, represents the biggest opening week for an album in modern history, breaking the record set by Adele 10 years ago when her “25” moved 3.482 million units in its first week.

Swift marked the achievement on Instagram on Monday with a note to her 281 million followers.

“I’ll never forget how excited I was in 2006 when my first album sold 40,000 copies in its first week,” she wrote. “I was 16 and couldn’t even fathom that that many people would care enough about my music to invest their time and energy into it. Since then I’ve tried to meet and thank as many people as I could who have given me the chance to chase this insane dream. Here we are all these years later and a hundred times that many people showed up for me this week.

“I have 4 million thank you’s I want to send to the fans,” she added, “and 4 million reasons to feel even more proud of this album than I already was.”

The speed with which Swift hit the 4-million mark is undeniably impressive. Morgan Wallen’s “I’m the Problem,” the biggest album of 2025 so far, has sold and streamed the equivalent of 4.2 million copies, according to the trade journal Hits. But “I’m the Problem” has been out since mid-May; “Showgirl” will almost certainly have surpassed Wallen’s LP by the end of this week (if it hasn’t already).

What’s more remarkable is where “Showgirl’s” blockbuster success comes in the arc of Swift’s career.

Madonna and Springsteen were both in their early 50s when they released their 12th LPs; Carey was 40 when “Imperfect Angel” came out. Swift, in contrast, is only 35 — one advantage of starting out professionally as a teenager.

Still, Swift has been a star for nearly two decades, a point at which many pop musicians have shifted the focus of their work to touring even as they continue to make new records generally ignored by all but their most devoted fans. In 2024, according to Pollstar, Madonna’s and Springsteen’s latest road shows — each drawn from a catalog packed with hit songs — were among the year’s 10 highest-grossing tours.

And indeed Swift has been amply rewarded on the road: At No. 1 on Pollstar’s list was her Eras tour, which sold more than $2 billion in tickets across 149 dates on five continents.

Yet unlike virtually every other veteran act in music, Swift’s recording business is growing along with her live business.

“Everything that’s happening here is historic and unprecedented,” said Hits’ editor in chief, Lenny Beer. “Maybe if the Beatles had stayed together, we’d have seen something like it.”

Also worth considering: Nobody seems to think “The Life of a Showgirl” is Swift’s best album. Reviews have been mixed, and even some fans have expressed disappointment with the record on social media — a once-unthinkable development among the fiercely loyal Swifties.

So how did the singer pull off such a feat?

First, a little math: Of “Showgirl’s” 4 million units, approximately 3.5 million were sales of either digital or physical versions of the album (including CDs, cassettes and vinyl LPs); the remaining half-million came from streams of the album’s songs on platforms like Spotify and Apple Music, which the data firm Luminate counts toward what it calls streaming equivalent albums.

“Showgirl’s” 12 songs racked up 681 million streams in all, Billboard said — the fourth-biggest streaming week of all time, behind Swift’s “The Tortured Poets Department” and Drake’s “Scorpion” and “Certified Lover Boy.” But the album’s sales number is the largest ever recorded since Luminate started tracking sales electronically in 1991.

Among Swift’s strategies to get to that number was selling more than three dozen editions of the album, each with its own artwork and bonus material designed to lure collectors. On vinyl alone, “Showgirl” came out in eight so-called variants, which helped drive the album’s first-week vinyl sales to a modern record of 1.3 million copies.

Offering something for sale doesn’t necessarily mean anyone will buy it, of course. Yet Swift was positioning “The Life of a Showgirl” as a juggernaut from the moment she announced it. Appearing with her fiancé, the NFL player Travis Kelce, on his “New Heights” podcast in August, the singer described the album as a return to the hit-making ways of albums like “Red” and “1989” after the relatively experimental “Folklore” and “Tortured Poets Department.”

To make “Showgirl,” she reteamed with the Swedish producers Max Martin and Shellback, with whom she’d collaborated on some of her biggest singles, including “Blank Space,” “Bad Blood” and “We Are Never Ever Getting Back Together.” On “New Heights” she and Kelce talked about the new album as a “180” from the moody confessions of “Tortured Poets,” whetting appetites for the kind of crisply hooky Taylor Swift songs that blanketed Top 40 radio in the mid-2010s.

Promised the football star: “12 bangers.”

Fans visit an activation for Taylor Swift’s “The Life of a Showgirl” at the Westfield Century City mall on Oct. 4.

(Christina House/Los Angeles Times)

Once “Showgirl” was out, Swift jumped into the promotional fray with more gusto than she’d summoned in years, sitting for numerous radio interviews and putting in appearances on Graham Norton’s, Jimmy Fallon’s and Seth Meyers’ late-night shows; the weekend after the album’s release, a glorified sizzle reel called “The Official Release Party of a Showgirl” played in AMC movie theaters across the country.

On Monday, Swift kept the conversation going with the announcement that two Eras-related projects are headed to Disney+ in December: a six-part behind-the-scenes docuseries and a concert film of the tour’s finale in Vancouver.

“One of the hardest parts of ensuring you have a record-setting first week is making sure that everyone who could possibly be interested in your album knows about it,” said Bill Werde, director of the Bandier Program for Recording and Entertainment Industries at Syracuse University. “I’m not sure anyone has ever covered that need the way Taylor did with this album cycle.”

Yet “The Life of a Showgirl” has not been greeted as enthusiastically as some of Swift’s earlier work.

Pitchfork said “her music’s never been less compelling,” while The Guardian called the album “dull razzle-dazzle from a star who seems frazzled.” Fans on TikTok have complained that Swift’s lyrics — which take up her romance with Kelce, the burdens of fame and an apparent beef with Charli XCX — are unusually shallow; some have even formulated a kind of tradwife critique of “Showgirl” in which Swift is seen as upholding regressive ideas about marriage and domesticity.

The album has also attracted criticism from people who say Swift’s songs recycle familiar elements from other pop tunes without giving credit: the Jackson 5’s “I Want You Back” in “Wood,” for instance, and the Jonas Brothers’ “Cool” in the LP’s closing title track.

“When every song is a derivative of another song, that’s an issue,” said one hit songwriter who asked not to be named in order to speak freely. “That one song is the Jonas Brothers song — the exact same melody. And here’s how lazy that is: It’s the same key and the same tempo.”

In Werde’s view, Swift’s place atop the pop hierarchy makes such carping inevitable. “Anytime an artist gets this big, there’s going to be backlash,” he said — a take with which Swift would likely agree.

“I welcome the chaos,” she said in an interview with Apple Music’s Zane Lowe. “The rule of show business is: If it’s the first week of my album release and you are saying either my name or my album title, you’re helping.”

Even so, the polarized reaction to “Showgirl” — Swift’s 15th album to debut at No. 1 on the Billboard 200 — raises questions about the breadth of Swift’s popularity as compared to its depth. Should the album’s gargantuan numbers be taken as a sign that she appeals to a wide spectrum of pop music lovers or to a committed group of hardcore Swifties willing to spend untold amounts of money to demonstrate their loyalty?

“Showgirl’s” second-week stats should provide the beginnings of an answer, given that they won’t be shaped by one-time sales of all those limited-edition variants.

Then again, another unprecedented chart achievement from the album’s first week is already shedding some light on the matter: “The Fate of Ophelia,” the album’s lead single, is the first song ever to debut inside the top 10 of Billboard’s Pop Airplay chart — an indication of the heavy Top 40 radio play it’s getting along with the millions of daily streams that have kept it atop Spotify’s U.S. Top 50 tally since the song came out.

That’s one banger certified, with more perhaps to come.