fame

CANTON, Ohio — Drew Brees stood on stage next to his bronze bust, in front of Who Dat Nation, and took his place in the Pro Football Hall of Fame.

Getting benched three times in the NFL helped him get there.

“Marty Schottenheimer, one of the greatest coaches and motivators to ever coach this game and who belongs here in Canton,” Brees said Saturday. “Marty was my biggest fan. He would tell me all the time, even as he benched me three times and made me fight for my job every year with two greats, Doug Flutie and Philip Rivers.

“The first two times I got benched, I deserved it. The third time, I still don’t think I deserved it, Coach. But nonetheless, it lit more than a fire. It forced me to access a place in my mind and heart that I had not yet been. The adversity was not expected, but very necessary. I would never have reached the heights I did without it. I knew I needed to play better, but more importantly, I knew he believed I would play better.”

Brees eventually left the San Diego Chargers and joined the New Orleans Saints, where he won a Super Bowl playing for coach Sean Payton and became one of the most prolific passers in NFL history, to the delight of fans who filled the Superdome with chants of “Who dat?”

Payton took time off from coaching Denver to introduce Brees on stage.

Brees got emotional thanking Payton.

“You always had a plan and vision for every player you coached,” Brees said. “I’m not sure if this is how you envisioned my journey or how big a role you would play in it, but I love you for it.”

Brees has the second-most yards passing (80,358) and touchdown passes (571) in league history, behind only Tom Brady. He was a first-ballot selection and joined a class that includes Larry Fitzgerald, Luke Kuechly, Adam Vinatieri and Roger Craig.

“I often ask myself how in the world did I play 20 years in the NFL,” Brees said. “Yes, it was for the love of the game. Yes, it was a relentless attempt to master my craft. Yes, it was the grind and challenge of preparation and the thrill of game day. But you want to know what it really was: for the love of my teammates. I would wake up every day with a burning desire to commit, sacrifice and command in a way that would give them everything they deserved.”

Roger Craig

Craig, who revealed in a video speech that he has vascular dementia, became the first player in NFL history to have 1,000 yards rushing and 1,000 yards receiving in a season. Only Marshall Faulk and Christian McCaffrey have done it since.

“You spend your whole life trying to prove you belong and one day you’re told you’re one of the all-time greats. Man, it’s overwhelming,” Craig said.

Larry Fitzgerald

Fitzgerald was the first player to have his bronze bust revealed on stage Saturday at Tom Benson Stadium.

The 11-time Pro Bowl wide receiver, who played his entire 17-year career for the Cardinals, was introduced by the oldest of his three sons, Devin.

He finished his speech with a message to his boys that’s applicable to everyone.

“Don’t just pursue excellence for yourself,” Fitzgerald said. “Help other people pursue it, too. That’s the part of this story that matters the most. Not the likes. Not the fame. But the people you travel with. The values you uphold. In the end, it’s not just about the excellence. It’s about the people who help get you there.”

Being drafted No. 3 overall in 2004 by Cardinals coach Dennis Green reunited Fitzgerald with the man who was Minnesota’s coach when he was a ball boy for the Vikings.

“When coach Green hired me as a ball boy, I grew up watching legends being built right in front of me,” Fitzgerald said. “Hall of Fame players like John Randle, Chris Doleman, Randall McDaniel and Warren Moon, who taught me what it means to demand more of yourself than anyone else ever would. Plus, they saw me.”

Fitzgerald thanked Hall of Fame receivers Cris Carter and Randy Moss for their influence on his career during his time working for the Vikings as a kid. He singled out former Cardinals teammates Emmitt Smith and Kurt Warner for showing him how to be a professional.

“Kurt, when you demanded that I elevate my preparation, consistency and accountability, you dragged me to the winner’s circle,” Fitzgerald said. “The timing couldn’t have been better for an impressionable kid, and I continue to aspire to be the kind of man you are.”

Fitzgerald is second on the NFL’s career list in receptions (1,432) and receiving yards (17,492). His 121 touchdown catches are sixth.

Adam Vinatieri

Vinatieri became only the third full-time placekicker to be inducted into the Hall, joining Jan Stenerud and Morten Andersen.

He may have a new career in comedy.

Vinatieri drew plenty of laughs and cheers with jokes about Bill Belichick, Peyton Manning and Tom Brady.

“And Peyton, thank you for generously donating your forehead for today’s teleprompter,” Vinatieri cracked. “A gigantic forehead means big brain and your football IQ is unmatched.”

Manning nodded his head with a smile from his seat among the Hall of Famers.

Vinatieri retired with NFL records of 2,673 career points and 599 field goals. Only George Blanda (26) and Andersen (25) had longer NFL careers than Vinatieri’s 24 seasons.

“When people hear the word greatness, they usually think about the biggest names on the biggest stages,” Vinatieri said. “But greatness isn’t created under bright lights. Greatness is built on empty practice fields when it’s below zero. Greatness is sacrificing temporary fun for meaningful outcomes. Greatness is turning doubt into belief. Preparation matters. Character matters.

“And to all the doubters, thank you. Your criticism became fuel. Your doubt became motivation. You helped make me better.”

Colts owner Carlie Irsay-Gordon introduced Vinatieri, who won his fourth Super Bowl with Indianapolis after earning three championship rings in New England.

Luke Kuechly

At 35, Kuechly became the second-youngest player inducted into the Hall. Chicago Bears running back Gale Sayers was 34 when he was inducted in 1977.

Introduced by his father, Tom, Kuechly was inducted on the same field where he led St. Xavier High School to a state championship in 2007.

Known for his intense study habits, Kuechly was a five-time All-Pro linebacker, the 2012 AP Defensive Rookie of the Year and 2013 AP Defensive Player of the Year during his eight-year career with the Carolina Panthers. Kuechly decided to retire in part to preserve his brain health after suffering several concussions.

“This game teaches you a lot if you’re willing to observe and listen,” Kuechly said. “It’s taught me resilience, consistency, toughness, the value of communication, how to find common ground, and most importantly how to enjoy it along the way cause oftentimes the best moments are the ones you are in.”

Maaddi writes for the Associated Press.

Haynes King is an NFL star.

That is, the Carolina Panthers undrafted rookie quarterback is an NFL star in early August after exactly one preseason game.

Sure, Thursday’s Pro Football Hall of Fame game between the Panthers and Arizona Cardinals was nothing more than a meaningless exhibition in which few, if any, actual starters played.

But NFL fans have been starving for any kind of action for almost six months, and King provided plenty of that during Carolina’s thrilling 33-30 victory in Canton, Ohio — especially on the final play of the game.

Even if his NFL career ends up going nowhere (more on that in a minute), the reigning Atlantic Coast Conference player of the year out of Georgia Tech will always have this spectacular, game-winning run for his highlight reel:

After former USC quarterback Kedon Slovis connected with receiver Bryson Green for a one-yard touchdown pass to give Arizona a 30-27 lead, King had 1 minute, 55 seconds remaining in regulation to lead the Panthers to a comeback win.

He completed four passes for 24 yards and also scrambled for 26 yards to help Carolina get to the Arizona five-yard line with two seconds left on the clock. Haynes took the shotgun snap at the 10 and dropped back to the 14 before shooting up the middle, pump faking around the seven and diving into the end zone for the game-winning score.

A massive end zone celebration ensued.

“I’ll tell you what, I couldn’t breathe,” King said afterward. “But it was amazing, just going out there and being able to celebrate with the guys that you’ve been OTAs, all training camp with, and busting your butt, and to finally go out there and celebrate with them and just showcase your talent is very fun.”

Franchise quarterback Bryce Young did not play. Veteran backup Kenny Pickett started the game and played three series before King took over. The 25-year-old rookie completed 21 of 34 passes for 180 yards with two touchdowns and no interceptions. He also ran for 39 yards with one touchdown on three carries.

“Haynes did a fantastic job,” Panthers coach Dave Canales said after the game, “just keeping the play alive, doing whatever he had to do, run it, throw it.”

After playing sparingly for three years at Texas A&M, King established himself as a dual threat at Georgia Tech over the last three seasons. During that time, King completed 67.6% of his passes for 7,907 yards with 55 touchdowns and 24 interceptions (including 16 during his first season with the Yellow Jackets). He also rushed for 2,277 yards and 36 touchdowns.

King performed well at the NFL scouting combine earlier this year, running the 40-yard dash in a blistering 4.46 seconds. Questions about his age and passing ability may have led teams to skip King during the draft in April, but the Panthers snatched him up in free agency immediately afterward.

Kurt Warner and Warren Moon were undrafted quarterbacks who eventually landed in the Hall of Fame. Tony Romo and Jeff Garcia did pretty well for themselves as well. Will King be able to beat the odds like those guys?

His chances of making Carolina’s 53-man roster improved greatly last month when veteran backup quarterback Will Grier announced his retirement, which bumped King up to No. 3 on the depth chart.

More performances like he had Thursday night certainly won’t hurt King’s cause either. Take a look at his run during the final drive:

Again, it’s only preseason … but, man, he was awesome.

Dory Funk Jr., a pro wrestling icon and one of three members of the Funk family to be inducted into the WWE Hall of Fame, has died at age 85.

Marti Funk, Funk’s wife of 40 years, told Florida’s Ocala Gazette that her husband died Tuesday while in hospice care. No further details were given.

Born on Feb. 3, 1941, in Hammond, Ind., Funk was the oldest of Dory and Dorothy Funk’s two sons. Spending most of his childhood in Amarillo, Texas, Funk grew up admiring his father, a professional wrestler and promoter who once wrestled in Canada as a heel named the Outlaw who hailed from the fictitious location Double Cross Ranch. As wrestlers, Funk and his brother, Terry, often were billed as being from there as well.

“As a kid, I used to dream I could do all the things my father could do,” Funk said during a 2007 interview for World Wrestling Entertainment. “I wanted to be just like him.”

Funk played offensive and defensive line on the West Texas State University football team (now West Texas A&M) from 1959 to 1962 — he was inducted into the university’s athletics Hall of Fame in 1990 — and went straight into professional wrestling. His 50-plus years in the business included stints in a number of associations across the U.S. and Japan.

He was the National Wrestling Alliance heavyweight champion for more than four years uninterrupted (February 1969 to May 24, 1973). In 1986, Funk and his brother joined WWE (then known as WWF) as a team and defeated Tito Santana and Junkyard Dog at WrestleMania 2.

Funk’s involvement in wrestling also expanded into promotion. In addition, he and Marti owned and operated the Funking Conservatory, a wrestling school where he trained a number of future WWE superstars including Kurt Angle, Christian, Edge, the Hardy Boyz, Mark Henry and Mickie James.

“He was such a good guy,” Marti told the Ocala Gazette, “such a good guy!”

The Funk brothers were inducted into the WWE Hall of Fame in 2009. Dory Funk Sr., who died in 1973 at age 54, was inducted posthumously to the hall’s Legacy Wing in 2025. Terry Funk died in 2023 at age 79.

WWE chief content officer Triple H announced Funk’s death Tuesday afternoon on social media.

“From the Double Cross Ranch to the @WWE Hall of Fame, Dory’s style inspired countless performers in our industry” Triple H wrote. “Whether it was at WrestleMania 2, WCW, ECW, or the dozens of NWA-affiliated promotions, his travels across North America and Asia were a part of the early blueprint that helped build this business into a global phenomena.

“A hard-nosed and fierce competitor, his rugged in-ring style was only eclipsed by the decades he spent training athletes to perform in the squared circle he loved so much. My thoughts and those of the entire @WWE Universe are with his loved ones during this difficult time.”

COOPERSTOWN, N.Y. — Dusty Baker could sense a portion of his life as he entered the National Baseball Hall of Fame’s Plaque Gallery on Saturday night. He couldn’t help but notice that some of his contemporaries from when he played with the Braves and Dodgers were walking slower, in some cases with the help of a cane or an assistant.

“I’m glad to see everybody,” said Baker, 77. “But you know, we’re getting old. I see guys in walkers who used to run fast, (and) their kids that are grown. You kind of see your life flash before your eyes.”

A record 60 Baseball Hall of Famers were in Cooperstown as Jeff Kent, Carlos Beltran and Andruw Jones were inducted Sunday. Baker traveled with the San Francisco Giants’ contingent to celebrate Kent, who credits Baker with helping transform him into the National League MVP, All-Star and eventually a Hall of Famer.

As much as Baker tried to keep his focus on Kent, however, many kept telling him that this visit was a prelude to his induction next summer. They reminded him that he’s expected to be on the Hall’s Era Committee ballot in December.

If Baker receives at least 12 votes from the 16-member committee, he’ll become the first Black manager elected into the Hall.

“I know the history,” Baker said. “I was fortunate enough to be around Hank (Aaron) in the beginning.”

Baker grew up idolizing Jackie Robinson, who broke baseball’s color barrier on April 15, 1947, 26 months before Johnnie B. “Dusty” Baker was born in Riverside.

Through 1953 National League Rookie of the Year Jim Gilliam, who spent three seasons with the Baltimore Elite Giants of the Negro Leagues before joining the Brooklyn Dodgers, Baker met several Negro League greats.

Gilliam once took Baker to eat lunch at Negro League legend Cool Papa Bell’s home in St. Louis. He also spent time with Satchel Paige and Ted “Double Duty” Radcliffe. Because of his friendship with Aaron, his Braves mentor, and his time with the Dodgers, he met Hall of Famer Roy Campanella and Don Newcombe, who spent time in the Negro Leagues before joining the Brooklyn Dodgers.

Bell, Paige and Campanella were all inducted into the Hall. Paige was the first Negro Leaguer inducted into the Hall of Fame in 1971, five years after Ted Williams used his induction speech to advocate for Negro Leaguers.

“Baseball gives every American boy a chance to excel, not just to be as good as someone else, but to be better than someone else,” Williams said on July 25, 1966. “This is the nature of man and the name of the game, and I’ve always been a very lucky guy to have worn a baseball uniform, to have struck out or hit a tape-measure home run.

“And I hope that someday the names of Satchell Page and Josh Gibson in some way can be added as a symbol of the great Negro players that are not here, only because they were not given a chance.”

Robinson became the first Black player elected into the Hall by the Baseball Writers’ Association of America in 1962. Negro Leaguers weren’t considered for the Hall until Paige was elected into the 1971 class. A year later, Gibson was inducted.

Baker first visited the Hall of Fame to play an exhibition in 1974. He made his third trip to Cooperstown this weekend, which marked his first visit for an induction weekend.

Exactly 60 years after Williams induction speech on the steps of the Hall of Fame, Baker walked into the Hall and was greeted by the loud roars of another Boston Red Sox legend, David Ortiz. Baker smiled widely, nodded his head, greeted Ortiz in Spanish, chuckled and walked over to Ortiz and Vladimir Guerrero, giving each of them hugs and pats on the back.

A few seconds later, Dave Winfield joined the trio for a picture before Baker and his wife began to mingle with other Hall of Famers and guests.

Later that night at a party the Giants held in Kent’s honor, Kent paid tribute to his family, Baker and a few teammates during a short speech.

Then Kent predicted that Baker will return next year to take his place among baseball’s immortals. Baker won a World Series title and three pennants as a manager while leading a record five teams to the playoffs over 26 seasons as a manager.

He’s eighth on baseball’s all-time managerial wins list with 2,183 as the only Black manager in baseball history with 2,000 victories.

While sipping on his coffee and munching on extra crispy bacon and blueberry pancakes Sunday morning, Baker sat at the Otesaga Resort where the Hall of Famers stay during induction weekend. He looked out at Otsego Lake while several Hall of Famer stopped to say hello.

Chipper Jones stopped by and said, “You dusting off that chair for next year, Dusty?”

Baker laughed and shook his head before calling Chipper by his first name, Larry.

“There ain’t no guarantees, so why am I going to look forward if there ain’t no guarantees?” Baker said. “I’m serious. People think I’m kidding when I’m saying that. When Bill Belichick did not get in the (Pro Football) Hall of Fame anybody has a chance to not get in the Hall of Fame.

“Am I right? That’s how I look at it. I was shocked. They can talk about Deflategate, they can talk about the media. What about the other six (Super Bowls) he won?”

Nonetheless, Baker appreciates what it would mean for a Black manager to finally be elected to the Hall.

“But most of my life had been full of ‘First Black Guy stories, Black man stories’ from the time I was in high school,” he said. “The two blacks at my high school were me and my brother in my last year of high school.

“That’s some of the reasons I went into the wine business. There’s not many Blacks in the wine business. One reason why I started but stopped in the energy business was because there’s not many Blacks in the energy business.”

There have been 354 inductees into the Baseball Hall of Fame, 23 of them as managers.

Baker will likely be the first Black manager next summer.

“I was taught pride from my mom and dad in culture about being Black,” he said. “My mom was really big (on Black history) because she was a Black Studies teacher, so we had books that I read. …

“I’m hoping I can motivate other young brothers and sisters to achieve some things that don’t seem achievable. It’s a little bit disheartening when I see regression of Black coaches, Black players, Blacks in baseball.”

CARDI B is about to let everyone in on the story of her rollercoaster life — including working as a stripper.

I can reveal the rapper is the subject of a major new documentary from the same team behind programmes on Victoria Beckham, Pamela Anderson and Coleen Rooney.

Production company Dorothy Street Pictures is secretly working on the special, in which she will speak about her rags to riches story.

Cardi, who wore this eye-popping pink catsuit and matching hat for a performance in New York on Sunday, has quite a backstory, so I’m sure it will be riveting viewing.

She started off her working life as a stripper, and would entice men to hotel rooms and steal their money.

Her fortunes changed when she became a viral sensation a decade ago on apps such as Vine and Instagram, and eventually got signed to a label and scored hit songs including Wap and I Like It.

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Cardi has not been short of controversy during her time in the showbiz spotlight, famously throwing a shoe at rival Nicki Minanj during a spat in 2018.

She has also had a difficult love life, getting married to Migos rapper Offset in 2017, and having four kids with him before they separating in 2023.

A source said: “Cardi is one of the most in-demand rappers in the world and is also one of the most interesting.

“She has lived her life in the public eye to some degree. But there’s a lot that she’s never opened up about, and this is her chance.

“Next year will mark a decade since she released her major-label debut single Bodak Yellow and so there’s a documentary in the works which will mark that.

“There’s a lot to talk about and she wants the public to see who she really is, because she often feels misunderstood.

“It’s expected to air on a big streaming service like Netflix, but the deal is still being hatched out.”

Cardi released her long-awaited second album Am I The Drama? last year and then went on a tour across North America.

And I won’t be surprised if we see her back on stage at British festivals next summer.

KOJO: LADIES RULE

Kojo Funds has worked with acts ranging from Wizkid and Tion Wayne to Kano and Bugzy Malone since bursting on to the music scene a decade ago.

But the British singer has saluted the work ethic of top women in the industry and says they have inspired him.

His biggest chart hit to date is 2017 collaboration Finders Keepers with Mabel, and has also worked with Raye on a 2018 track called Check.

Kojo said in an exclusive interview: “Female artists who are operating at that level take their craft seriously. Put effort into what you’re doing, don’t do it anyhow.

“They’re very hard-working, I respect them for that. The work ethic… that’s the kind of thing I took from them.”

Kojo’s new single How Many will be on his EP Hello It’s Me Again, which is out on August 21.

And one person who’s bound to be giving it a spin is Cardi B.

Recalling how the US rapper discovered his music, he said: “Her first time in London, she went to a club and they were playing my music.

“Dun Talkin’ came on and she saw how people were hyping her up while she was moving to it.

“The next morning, she’s on Instagram singing it, with her hair messy, a little bit tipsy.”

They’ve since performed together and hung out, so I’m hoping a collaboration with her is on the cards next.

DANCING On Ice beauty Vanessa Bauer has been tipped for a career in Hollywood by Football Factory and The Business actor Tamer Hassan.

She has re-trained after the ITV show was axed, and plays Tamer’s girlfriend in new film Rise Of The Footsoldier: Retribution.

On how great she was playing Isabella Chaika opposite his character, Colonel Sullivan, he told me: “Vanessa has a future in films, 100 per cent.

She looks great, she carries herself well.

“She’s definitely got some chops to be an actress.”

Vanessa joined Dancing On Ice in 2018 when the show was revived.

She won with Jake Quickenden, and was a runner-up several times with celebs including Diversity’s Perri Kiely and Towie’s Joey Essex.

But the show ended again in 2025 and now she is exploring new paths, having also appeared in Netflix’s The Thursday Murder Club.

THE race for No1 is hotting up.

Shakira’s Dai Dai now is just 118 copies ahead of Sam Fender and Olivia Dean’s Rein Me In – closing the gap from 609 copies the previous day.

The World Cup anthem will be her third chart-topper if she can hang on to the lead until Friday.

But if Rein Me In can clinch it, it will become the longest-running No1 of all time, with 19 weeks at the top.

ROMCOM TOO TOUGH FOR CHRIS

OSCAR-winning director Christopher Nolan says there’s one genre that’s too hard for him to tackle – the romcom.

The man behind movies such as Oppenheimer, Interstellar and The Dark Knight would be “terrified” at the prospect of making one.

The Brit whose new epic The Odyssey is No1 at the box office, explained: “I think doing a romcom would be incredibly difficult.

I love watching those movies. But no, I think people who direct comedy, people who do comedy . . .  that’s one of the hardest things in the world, to make people laugh that way.

“If I show a film to people and maybe they don’t respond to bits of it, I’m like, ‘Ah, they don’t get it. Whatever’. There’s no hiding behind that when you do comedy, so I would be terrified.”

TYLA POPS TO UK ON TOUR

TYLA is hitting the road for a 34-date global tour following the release last week of her second album A*POP.

The Chanel singer has announced she will open the tour in Paris on October 12 before shows at London’s O2 Academy Brixton on October 15 the O2 Apollo Manchester on October 19 and O2 Academy Glasgow on October 18.

Tickets will go on sale at 10am this Friday through tylaworld.com.

Zara’s latest feet

THERE was no chance of Zara Larsson getting cold feet about her latest brand deal with these slippers.

She wore the funky footwear – designed as giant feet in flip flops – while reclining on a sofa as part of a campaign for re-sale site Depop.

Zara put 30 pieces of clothing from her own wardrobe up for sale, and they sold out almost straight away.

She said: “I’m not particularly sad about releasing anything of mine into the world because I know I’m gonna get many more beautiful things back. Fashion is fun in that way.”

Given all the designer brands desperate for her to wear their clothes, I am sure she has plenty of options.

LIFE OF RILEY FOR RAY AND DANNY

DANNY DYER and Ray Winstone are teaming up again, two decades after appearing in TV film All In The Game.

The hardmen, pictured together in 2006, have been cast in UK crime thriller Going Under, which is due to hit cinemas next spring.

Production on the film has just been completed, after being shot in secret.

It will follow Ray’s gangster character Riley and his right-hand man Don, played by Danny, trying to pull off one final deal.

Charli’s bra-t summer

CHARLI XCX is ready for our fourth heatwave of the summer – and has stripped off to prepare.

She shared this photo of her wearing a bra and sunglasses on Instagram, just as it was revealed there will be a picture of the singer going on display at the National Portrait Gallery in London.

A 2024 photo of Charli in a white crop top, which was taken by Harley Weir and used to promote her album Brat, has been added to the gallery’s collection and will be in its History Makers Now space.

Senior curator Brandei Estes said: “We are delighted to acquire this striking portrait of Charli XCX, which captures one of the defining cultural figures of her generation.”

WILD Child actress Emma Roberts has tied the knot to afellow screen star Cody John.

Emma, who appeared in American Horror Story and is the niece of Hollywood A-lister Julia Roberts, wore a Monique Lhuillier dress, and told Vogue: “I’ve been married in a movie before, and I tried out wedding dresses for that, which feels so weird. Now, it’s the real deal.

“I wanted it to feel very vintage-inspired.”

The couple started dating in 2022.

LIZ & BILLY LOVE BIRDWATCHING

LIZ HURLEY has revealed the secret to her romance with Billy Ray Cyrus is a shared love of birdwatching.

She said: “We’ve been together nearly 18 months, but we spend the vast majority of our time in the countryside, whether it’s in England or Tennessee.

“We like doing the same things, which some people would think is a little odd. We like bird watching. We’ve got binoculars, we’ve got long lenses.”

The relationship has been especially good for her son, filmmaker Damian, who has been able to meet Billy’s superstar daughter Miley.

Liz added on SiriusXM’s Andy Cohen Live in the US: “When he was a young teen, he used to love all her music. I used to have to watch her music videos like Wrecking Ball a zillion times with him, so we were very familiar with who she was, and I knew I was going to like her, and I do like her.”

Last things first: Eve Babitz is a major minor L.A. writer who died five years ago at age 78. She spent nearly a quarter-century as a recluse, having suffered in 1997 a shocking and disfiguring accident while striking a match to light her Tiparillo. Her thin Indian skirt caught fire searing her panty hose into her flesh, leaving her with third-degree burns over more than half her body. She never published again, though many championed her gifts, including me. At the time of her misfortune, I was book editor of the Los Angeles Times. I had long admired her, especially the rollicking and indispensable “Slow Days, Fast Company,” first published in 1977, a charming and insightful series of stories bursting with pluck and sass. I recommended to John Carroll, the then-editor of the paper, that he make her a columnist and urged Babitz to write him directly. She did, and that letter from October 2000 is the last included in “Too L.A.: Letters Never Sent (But Some Were),” a book of letters expertly edited and chosen by Lili Anolik. Babitz tells Carroll that “what the paper needs is some writers that cause such an uproar, people will have to read it in order to stay abreast of the edge.” Babitz knew what she was talking about. She’d been living on that edge since she was a teenager at Hollywood High in the late 1950s.

The posthumous resurrection of Babitz’s writings is most welcome. Yet there is a risk of overpraising her merits. She was an unabashed booster of the glossy L.A. that became synonymous with a rising creative elite whose élan and narcissism she found irresistible.

Lili Anolik makes the case in her perfervid introduction: “The letters are everything you could want” and often “profound” and “frequently brilliant, invariably amusing.” She says they deserve to be put on the short shelf next to Virginia Woolf’s imperishable “A Room of One’s Own” for they are “every bit as candid, every bit as lucid, every bit as brutal, every bit as delicate as Virginia Woolf’s celebrated manifesto.”

If only.

“Too L.A.: Letters Never Sent (But Some Were)” by Eve Babitz

(New York Review Books)

Regrettably, Anolik, who is almost singlehandedly responsible for Babitz’s literary exhumation, has so fallen in love with her subject as to almost blind her to Babitz’s defects, both with respect to her writing and to the life. With two previous books — “Hollywood’s Eve” (2019) and “Didion and Babitz” (2024) — prompted by Anolik’s riveting March 2014 Vanity Fair profile, Anolik has become Babitz’s greatest champion. Now with “Too L.A.,” a title taken from Babitz’s own over-oxygenated writing, she has gathered and edited a trove of letters. They brilliantly reveal Babitz’s eye for the deep shallow as well as explore the porous boundary between the largely self-inflicted injuries of her private life and the glittering sheen of her public persona. Babitz herself, on the strength of these 197 letters, only 30 of which she ever mailed, understood in a way Anolik doesn’t the limitations of her talents, even as she strives to slip the shackles of a mansplaining culture which at almost every turn tried to blunt her ambitions, both artistic and writerly, even as her editors and admirers sought (often with her ardent encouragement) to slip between her sheets.

Eve Babitz was born in 1943 to Hollywood neo-royalty. Her Brooklyn-born father, Sol, was first violinist for both the Los Angeles Philharmonic Symphony and then the 20th Century Fox Studio Orchestra. Sol would ultimately marry Lily Mae Laviolette, a beautiful Cajun Catholic shiksa willing to convert to Judaism. Eve’s godfather was Sol’s good friend Igor Stravinsky. When puberty burst upon her at age 14, Babitz’s blossoming made her a prime candidate for induction by the fast-track girls at Hollywood High who called themselves the Thunderbird Girls and cruised the Sunset Strip in their cool cars, looking for the main chance.

From left, Sol Babitz, Mae Babitz, Mirandi Babitz and author Eve Babitz gather at a launch party for her book “Slow Days, Fast Company” in 1977.

(Photograph by Paul Ruscha; courtesy of Mirandi Babitz / The Huntington Library)

At 20, Babitz posed nude playing chess with the fully clothed Marcel Duchamp to promote Duchamp’s retrospective exhibition at the Pasadena Art Museum. At the time, Babitz was having an affair with the museum’s 32-year-old married director, Walter Hopps, which perhaps explains Babitz’s reluctance to have her face photographed so as not to give the game away to Mrs. Hopps, who attended the opening. A month later, Babitz confides in an (unsent) letter: “Everything’s so fabulous for me now I can’t believe it. There’s nothing like two boyfriends to do it for you every time. There are such fabulous boys around and they take you out on dates and to movies and I feel just like a teenager. (I’m recapturing my lost youth.) I get to get dressed up and I flirt outrageously and put people on and I do things like look soulfully out the window and man it’s just too hoozie for words. … If only all of this could last forever — not that it will, but I can.”

She spent the rest of her life torn between the excitements of everyday life — cruising the hangouts du jour (Barney’s Beanery in the early 1960s where she met many of L.A.’s up-and-coming artists — Ed Kienholz, Billy Al Bengston, Laddie Dill, Peter Alexander, and the Ruscha brothers, Ed and Paul, both of whom she’d bed, Paul becoming an on-again, off-again boyfriend whose bisexuality made for a sometimes tenuous connection; and after seducing Jim Morrison before he became famous and later the Troubadour in the late 1960s which was a happy hunting ground — Steve Martin, Glenn Frey, Don Henley, J.D. Souther, Country Joe Mcdonald, Jackson Browne, to name only a few, and then Ports restaurant where she anchored a corner table) — and the seductions of drugs — uppers, acid (which she seemed to ingest with an alarming frequency), pot, of course, and then by the mid-1970s, tragically, an Everest of cocaine. She had entered what she aptly called the era of “squalid overboogie.”

Eve Babitz and her frequent companion Paul Ruscha celebrate the 1977 release of Babitz’s seminal “Slow Days, Fast Company.”

(Photograph courtesy of Mirandi Babitz / The Huntington Library)

The name-dropping is relentless and if, like me, you have an insatiable appetite for hoovering them up, this volume will not disappoint. Still, there are many pages of vapid jottings — “I cleaned the house, did the laundry, and vowed to quit smoking” — that suggest why Babitz was a failure as a novelist (see her dud “Sex and Rage”) and a superb writer of short stories and essays that stylishly plumbed the depths of her own sensibility precisely in the degree to which she was uninterested in other people.

Nearly 30 years after she stripped to please her married lover and startle the unsuspecting Duchamp, the father of Dada, and eight years after she joined AA in 1982 — the year her beloved father died of Huntington’s disease at age 70 which ultimately would also kill her — and gave up drugs and alcohol and (almost entirely) writing as well, which had always been seen by her as enabled by dope of one kind or another, she boasted that, looking back, “Everybody wanted to be me — they looked at me with yearning faces, and said, ‘Boy, you sure had fun.’ ” She was not entirely wrong. She had struck many admirers both then and now, as the quintessential California girl, a daughter of Dionysus, whose devotion to pleasure was free of misgiving or regret. She detested the East Coast avatars of apocalypse, like Nathanael West, who saw only doom and gloom in sunny L.A. Babitz, by contrast, saw things sunny side up. If Joan Didion was unsettled and made anxious by the hot Santa Anas that regularly kicked up, Babitz luxuriated in them, recalling how she and her sister would as young girls rush to embrace them, spinning madly round and round. In a 1977 unsent letter to Joseph Heller, who had championed her work when she had sent him an unsolicited fan letter after having read “Catch-22” when it was first published and she was barely 20, she declares proudly: “I’m a gossip storyteller who likes L.A. rather than hates it.” She refers to her “shallow nature,” writing that “I feel like an upstream salmon, determined to reach the shallow water, no matter how fast the river is running the other way.”

Eve Babitz, the ultimate Hollywood reveler, on Sunset Boulevard in 1980.

(Los Angeles Times)

On the evidence of these letters, she had two great loves: Ahmet Ertegun, a principal founder of Atlantic Records, and Tom Dowd, renown recording engineer and producer who worked for Ertegun. Of the two, Ertegun had the edge, if for no other reason than he came with buckets of dough, making possible assignations at his regular bungalow at the Beverly Hills Hotel with limo pickup and dropoff services, and the best champagne and other assorted stimulants. Ertegun was effortlessly elegant and erudite, and there was no one he didn’t know and who wouldn’t return his calls. He was married, age 45, 20 years older than Babitz, when they fell for each other in 1969. She began sleeping with him even as she agreed to profile him for Jann Wenner’s newly launched Rolling Stone. The writing didn’t go well. Wenner wanted a tougher piece than she was willing to write. Ultimately, she abandoned the assignment, claiming (not unreasonably) that she didn’t see how she could write objectively about a man she loved.

Babitz courted danger with heedless bravado and exemplary recklessness. She once had the moxie to rid herself of a would-be rapist: When told not to scream, she said with unimaginable sangfroid: “Why not?” The man bolted. It might be said of Babitz, as Oscar Wilde said of his life, that she spent her talent on her writing and reserved her genius for her life. Sculpting her natural gifts of wit and brazenness into a living artwork dazzled all who came within her orbit. Her lust for life was palpable. The letters are proof. She came at people without fear. She left them without apology. She was the boss of herself. She was the girl who seemed to have it all. The only thing she lacked was inexperience.

Wasserman, a former book editor of the Los Angeles Times, is publisher of Heyday Books, a nonprofit, independent publishing house founded in 1974 in Berkeley. He is the author of “Tell Me Something, Tell Me Anything, Even if It’s a Lie: A Memoir in Essays.”

Aaron Rodgers recently shared photos of himself with his parents and one of his brothers on social media.

While that’s something that a lot of people do, the Pittsburgh Steelers quarterback is a very private person who has never even posted a photo of his wife online.

Rodgers also has been estranged from his parents and brothers for quite some time now.

Those relationships appear to be on the mend, however, after the 22-year NFL veteran took to Instagram on Monday and posted several seemingly recent family pictures — including one of him with his arm around his father Ed, another with his arm around his mother Darla and others of him interacting with older brother Luke.

“Another bonding week,” Rodgers wrote, adding the hashtag #fam.

It was only his fourth Instagram post in more than two years. Luke Rodgers responded in the comment section with two heart emojis.

Rodgers spent 18 seasons with the Green Bay Packers, winning Super Bowl and four league MVP awards before playing two seasons with the New York Jets. The upcoming season will be his second with the Steelers and, he has said, his final one in the NFL.

The rift with his family members was made public in 2016 when younger brother Jordan Rodgers was a contestant on “The Bachlorette.” On one episode, Jordan Rodgers told his now-wife JoJo Fletcher that his famous brother has chosen to live his life in a certain way, “I chose to stay close with my family and my parents and my [other] brother.”

On another episode featuring other members of the Rodgers family (with a conspicuous absence), Luke Rodgers said: “It pains both of us, like, not to have that relationship [with Aaron] — we miss our brother. I trust that God brings things full circle and that everything would just get back to us being a family.”

Weeks later at Packers training camp, Rodgers was asked about the subject.

“I’ve always found that it’s a little inappropriate to talk publicly about some family matters, so I’m just —I’m not going to speak on those things,” Rodgers said, “but I wish him well in the competition.”

He added: “I haven’t seen the show, to be honest with you, so it hasn’t really affected me a whole lot.”

Ed Rodgers confirmed to the New York Times in 2017 that Rodgers hadn’t spoken to his family since late 2014, soon after the quarterback started dating actress Olivia Munn (the couple broke up in 2017).

In the 2024 Netflix docuseries “Aaron Rodgers: Enigma,” the 10-time Pro Bowl selection said he had never been “super duper close” with anyone in his family, except for Jordan Rodgers earlier on. He attributed the rift to a number of things, including his parents’ religious beliefs, sibling rivalries and his family’s reaction to his fame.

“I don’t wish any ill will on them at all,” Rodgers said. “It’s more like this, we’re just different steps in the timeline of our own journeys.”

The ice seemed to have started to thaw between the family members in recent years. According to the 2024 biography “Out of the Darkness: The Mystery of Aaron Rodgers” by Ian O’Connor, Ed Rodgers bought a ticket to a 2023 celebrity golf tournament in Lake Tahoe with the hope of possibly coming face to face with his son, who was a participant in the event, for the first time in nine years.

Rodgers saw his father in the crowd and tracked him down. The two of them embraced and said, “I love you.”

“That was a special moment,” Aaron told O’Connor.

O’Connor wrote Tuesday on X that Rodgers invited his parents to his Pleasant Valley High (Chico) Hall of Fame induction in April, then introduced them to the crowd and thanked them for their support.

Inductees into the National Baseball Hall of Fame by definition have plenty of marvelous memories when reflecting on the career accomplishments that led them to Cooperstown.

Bumps in the road were inevitable as well.

One big bump for Jeff Kent and Andruw Jones came with the Dodgers in 2008, Kent’s last of 17 MLB seasons and Jones’ first following 12 years with the Atlanta Braves.

Suffice to say neither will enter the Hall of Fame wearing a Dodgers cap.

Kent signed with the Dodgers ahead of the 2005 season fresh off a National League Championship Series Game 7 loss with the Houston Astros. Already recognized as perhaps the top power-hitting second baseman of all-time, he yearned for a championship ring to make his career complete.

Jones, a center fielder from the Caribbean island of Curaçao, signed a two-year, $36-million contract with the Dodgers at age 31 only three years removed from leading the National League with 51 home runs and 128 runs batted in. Already the winner of 10 Gold Gloves, he also was chasing a title after losing twice in the Fall Classic.

“It’s one of those things where we didn’t sign to make the Hall of Fame, we played this game because we love it and because we wanted to win championships,” Jones said Friday.

The Dodgers had high expectations in 2008. Joe Torre, with four World Series championships as manager of the New York Yankees on his resume, was in his first year in L.A. The roster was a blend of accomplished veterans (Nomar Garciaparra, Greg Maddux, Derek Lowe and midseason pickup Manny Ramirez) and budding stars (Matt Kemp, Russell Martin, Andre Ethier, James Loney and midseason call-up Clayton Kershaw).

Kent was the resident no-nonsense, old-school veteran whose bat remained potent at age 40. Near the end of the previous season he had gone public with his frustrations about the approach of some of the young players.

“A lot of kids in here, they don’t understand that … you hate to waste an opportunity, even if it’s one and even if it’s your first time,” he said at the time. “It’s hard to get them to understand that because they haven’t been there.”

By spring training in what he acknowledged would be his final season, Kent had gotten over it and was ready for a last try.

“So much is made of the idea that we should be hugging, that we should all go out to dinner, but more important is the translation of talent and knowledge, with the older guys showing what they know and the younger ones asking for it,” he said.

Jones was expected to lock down center field and provide leadership. But a poor start and a midseason knee injury torpedoed his performance. He batted .158 with three home runs and 14 RBIs in 75 games and suffered torn cartilage in his right knee that required surgery and landed him on the disabled list for the first time in his career.

Kent, as always, was consistent at the plate, batting .280, but he also sustained a knee injury that required arthroscopic surgery and sidelined him for all of September.

In what could have been a legit postseason opportunity, Jones did not play and Kent came off the bench to go 0 for 9 during an NLDS sweep of the Cubs and five-game loss to the Phillies in the NLCS.

Kent will wear a Giants cap into Cooperstown. His six seasons playing alongside Barry Bonds vaulted him into the conversation as the best-hitting second baseman of all-time. He drove in more than 100 runs eight times, was NL MVP in 2000 and finished his career with 55.4 wins above replacement (WAR).

In a video call with reporters Wednesday, Kent made it clear that his heart belongs not to San Francisco or L.A., but to Austin, Texas, where he lives on a ranch.

“I’m a boring guy,” he said. “I chase grandkids and chase cows and ride motorcycles. When I retired I kind of went into my hole in Austin and I like living in my hole.”

Jones will don a Braves cap. He made his debut at 19 in 1996 and hit 25 or more home runs in 10 consecutive seasons beginning in 1998, finishing his career with 434 homers and 62.7 WAR.

“When I came [to Atlanta] at the young age of 19, they welcomed me in,” he said. “I never moved from here. I made Atlanta my home.”

The Hall of Fame induction ceremony takes place Sunday, July 26 at 10:30 a.m. PDT. Outfielder Carlos Beltrán will be inducted along with Kent and Jones.

“It’s a bigger emotional deal than I ever thought it would be, absolutely,” Kent said. “I still tear up talking about it.”

Added Jones: “Thinking that this kid from Curaçao who came here chasing a dream, gets a chance to play a sport he loves and ends up in Cooperstown, is wild.”

Four former Kings elected to our Hall of Fame

The next ballot we sent out for the L.A. Times Sports Report Hall of Fame was the Kings/Ducks ballot, with 20 names appearing. People were able to vote for up to 10 candidates.

Reminder: Whoever is named on at least 75% of the ballots will be elected. The five people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired to appear on the ballot.

There were 4,183 ballots cast in the Kings/Ducks voting, and four candidates received at least 75% of the vote.

Inductees

Wayne Gretzky, 90.4%

Marcel Dionne, 87.5%

Luc Robitaille, 83.7%

Anze Kopitar, 76.1%

Didn’t make it, but will remain on ballot

Jonathan Quick, 70.2%
Rogie Vachon, 69.7%
Bob Miller, 66.5%
Teemu Selanne, 53.3%
Dave Taylor, 50.2%
Rob Blake, 48.2%
Paul Kariya, 41.4%
Dustin Brown, 39.9%
Ryan Getzlaf, 21%
Bernie Nicholls, 19.7%
Darryl Sutter, 18.4%

Bottom five, dropped from ballot for two years

Scott Niedermayer, 15.4%
Jean-Sebastien Giguere, 13.1%
Charlie Simmer, 12.9%
Nick Nickson, 12.8%
Randy Carlyle, 1.8%

Thanks to everyone who voted! There is still time to vote in our other active categories.

To vote in the other colleges ballot, click here.

To vote in the other sports/teams ballot, click here.

Inductees so far

Dodgers/Angels
Don Drysdale
Clayton Kershaw
Sandy Koufax
Vin Scully
Fernando Valenzuela

Lakers/Clippers
Kareem Abdul-Jabbar
Elgin Baylor
Kobe Bryant
Chick Hearn
Magic Johnson
Jerry West

Rams/Chargers/Raiders
Eric Dickerson
Deacon Jones
Merlin Olsen

UCLA
Lew Alcindor
Arthur Ashe
Ann Meyers
Jackie Robinson
Bill Walton
John Wooden

USC
Marcus Allen
Cheryl Miller

Kings/Ducks
Marcel Dionne
Wayne Gretzky
Anze Kopitar
Luc Robitaille

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

The Sports Report Hall of Fame, other sports edition

Those of you who read the Dodgers Dugout newsletter know that for the last few years, we have done a Dodgers Dugout Hall of Fame, asking readers to vote for former Dodgers whom they believe should be in this more fan-oriented Hall of Fame. Clayton Kershaw was the most recent inductee.

Which got me thinking (always a dangerous thing), what if we had a Sports Report Hall of Fame, as selected by the readers, of people who made a huge impact on the local sports scene?

This week, the category is the other sports, mainly MLS and WNBA. Is it a perfect category? No, and there will probably be a separate category for soccer next year, with the Sparks moving over to a pro basketball category. You can vote for up to five people. You don’t have to vote for five, you can vote for any number up to and including five. Your vote should depend on what the person did on and off the field only as a member of their local team. The rest of their career doesn’t count.

If there’s a name not on here that you think should be, please send me an email so that person can be included in next year’s ballot.

Any records mentioned are at the time that person retired.

Whoever is named on at least 75% of the ballots will be elected. The three people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired as a player to appear on the ballot.

How do you vote? For this week’s ballot, click here. Results will be announced every Tuesday.

So, without further ado, here is the ballot for the other sports/colleges category.

David Beckham—Six-year tenure with the Galaxy (2007–2012) revolutionized American soccer. Arriving as the league’s first Designated Player, Beckham’s tenure ultimately yielded two consecutive MLS Cup titles in 2011 and 2012 before he departed for Paris Saint-Germain.

George Best—Best joined soccer’s L.A. Aztecs in 1976 after a stellar career with Manchester United. He scored 15 goals in 24 appearances in his first season, but declined after that.

Mauricio Cienfuegos—Playmaker for the Galaxy from 1996 to 2003, making 206 regular-season appearances, scoring 35 goals and 80 assists. Helped the club win the 2002 MLS Cup, the 2001 U.S. Open Cup, and the 2000 CONCACAF Champions Cup.

Johann Cruyff—Joined the Aztecs for just one season in 1979, but scored 13 goals in 25 games and won the most valuable player award.

Landon Donovan—Had a highly decorated career with the Galaxy, making 247 appearances, scoring 112 goals and leading the team to four MLS Cups.

Zlatan Ibrahimovic—played for the Galaxy and in just 58 appearances, he dominated the league, scoring 53 goals and 15 assists. His was named MLS newcomer of the year and had a record-breaking 31-goal season.

Cobi Jones—Spent his entire 12-season Major League Soccer career with the Galaxy. Midfielder made 306 regular-season appearances, scored 70 goals, and provided 91 assists, helping the club secure two MLS Cups and two U.S. Open Cups.

Robbie Keane—Scored 104 goals in 165 matches with the Galaxy and was a key member behind the early 2010s dynasty, earning the 2014 MLS MVP award.

Lisa Leslie—The best player in Sparks history. A three-time WNBA MVP, two-time Finals MVP, and eight-time First Team All-WNBA selection. She led the team to championships in 2001 and 2002.

Mwadi Mabika—Fifth in points scored in Sparks history and a key member of the 2001 and 2002 titles teams.

DeLisha Milton-Jones—A forward who played a major role on the Sparks’ 2001 and 2002 championship teams. Known for her clutch play and is fourth all-time in points scored in team history.

Candace Parker—Drafted first overall by the Sparks in 2008, Parker won the rookie of the year and MVP awards in her debut season. One of the best players in WNBA history, she was the Finals MVP during the Sparks’ 2016 championship run.

Laffit Pincay Jr.—Winningest jockey in Santa Anita history.

Bill Shoemaker—One of the best jockeys in Santa Anita history.

Carlos Vela—LAFC’s first-ever Designated Player. In 2019, he scored a record-breaking 34 goals to lead the Black & Gold to the Supporters’ Shield and was named the MLS MVP. Captained LAFC to its first MLS Cup title in 2022. Retired as the team’s all-time leader in matches played (152), goals (78) and assists (59).

You can vote here. You can vote for up to five people.

Voting is still open in these categories:

To vote in the other colleges ballot, click here.

To vote in the USC ballot, click here.

To vote in the NHL ballot, click here.

The inductees so far:

MLB
Don Drysdale
Clayton Kershaw
Sandy Koufax
Vin Scully
Fernando Valenzuela

NBA
Kareem Abdul-Jabbar
Elgin Baylor
Kobe Bryant
Chick Hearn
Magic Johnson
Jerry West

NFL
Eric Dickerson
Deacon Jones
Merlin Olsen

UCLA
Lew Alcindor
Arthur Ashe
Ann Meyers
Jackie Robinson
Bill Walton
John Wooden

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

The now-influencer appeared on BBC’s Song Marry Avoid when she was just 19-years-old

A woman who appeared on a popular BBC show says she had no choice but to turn down some major opportunities.

Sophie Bow received a dramatic ‘makeunder’ on BBC’s Snog Marry Avoid, which featured the sassy robotic style guru POD (Personal Overhaul Device).

Rather than being given a makeover, those who appeared on the show were given a ‘makeunder’ as they were persuaded less is more.

The show was a huge hit with fans in the late 00s with singer Jenny Frost followed by comedian and Strictly Come Dancing star Ellie Taylor as the host. The BBC Three show aired from 2008 until its sixth and final series in December 2013.

Sophie was just 19 when she first appeared on our TV screens, when she encountered POD as a teenager who loved lots of fake tan, heavy makeup and eye-catching outfits covered in sequins and glitter.

At the time, viewers fell in love with the teen and show bosses were keen to get her back on our TV screens for other projects.

Now 33, she has become a popular social media content creator but revealed that she was forced to turn down a number of TV opportunities because of her anxiety.

Looking back on her journey since appearing on Snog Marry Avoid, she took to TikTok and gave fans an update on her life today.

She started off by saying: “I would say appearing on telly back in the day definitely helped my career.

“Back then it was a very popular show but it disappeared off the face of the earth and no one knows why or where it went but it would be so good if they brought it back.”

She revealed: “After being on that show, I did actually get casted for the first ever Love Island but I was in a relationship. I’ve always been in a relationship so I never went on the show. “

However her relationship wasn’t the only thing holding her back as she explained: “But there have been so many opportunities that I actually did miss out on – throughout my life because I do have anxiety – I suffer badly with anxiety.

“I don’t really know what triggered it but I do get quite back anxiety. Even to this day I get asked on brand trips or anything outside my comfort zone, if I’m not going with somebody I can’t.”

The influencer added: “I really need to push myself to do more. I have a little boy and he is the best thing ever so I did take a little break from social media for a little while but then I did go back into social media.

“I did lose quite a lot of following from having the break then I started a TikTok account and here I am.”

The Sports Report Hall of Fame, other colleges edition

Those of you who read the Dodgers Dugout newsletter know that for the last few years, we have done a Dodgers Dugout Hall of Fame, asking readers to vote for former Dodgers whom they believe should be in this more fan-oriented Hall of Fame. Clayton Kershaw was the most recent inductee.

Which got me thinking (always a dangerous thing), what if we had a Sports Report Hall of Fame, as selected by the readers, of people who made a huge impact on the local sports scene?

The way it works: Each Thursday over the next few weeks, you will see a list of candidates. A different category each week.

This week, the category is the other colleges. You can vote for up to 15 people. You don’t have to vote for 15, you can vote for any number up to and including 15. Your vote should depend on what the person did on and off the field only as a member of their school. The rest of their career doesn’t count.

If there’s a name not on here that you think should be, please send me an email so that person can be included in next year’s ballot.

Any records mentioned are at the time that person retired.

Whoever is named on at least 75% of the ballots will be elected. The 10 people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired as a player to appear on the ballot.

How do you vote? For this week’s ballot, click here. Results will be announced every Tuesday.

So, without further ado, here is the ballot for the other sports/colleges category.

Abe Alvarez—One of the greatest pitchers in Long Beach State history. The all-time winningest left-hander in school history who won back-to-back Big West Pitcher of the Year awards in 2002 and 2003.

Damon Allen—A four-year quarterback (1981-84) and three-year pitcher (1983-85) at Cal State Fullerton. He led the football team to its only two conference (Pacific Coast Athletic Assn.) championships in 1983 and 1984.

Dain Blanton—At Pepperdine, lettered for four seasons (1991-94) as an outside hitter. Blanton was a key member of the 1992 NCAA championship team. Still holds the Pepperdine record for digs per game (2.30), and previously held the career record for total digs (707).

Lynn Biyendolo—The first Pepperdine Wave to represent Team USA on the international stage, Biyendolo was the 2011 West Coast Conference Freshman of the Year and eventually became a three-time All-West Region and WCC First Team selection. As a senior, Biyendolo put together an All-American season and helped the Waves reach the NCAA Round of 16 for just the third time in program history.

Doug Christie—A men’s basketball player at Pepperdine, Christie earned All-American honorable mention honors in his junior and senior seasons, and was named the West Coast Conference’s Player of the Year in both 1991 and 1992. He led the team in scoring, assists and steals both seasons and Pepperdine won both WCC regular-season and tournament titles and advanced to the NCAA tournament.

Tara Cross-Battle—A four-time All-American in women’s volleyball, Cross-Battle was the NCAA Player of the Year in 1988 and 1989. When she graduated, she had recorded more kills (2,767) than any man or woman in NCAA history and is or was the holder of nearly every Long Beach State record.

Bob Ctvrtlik—Though he played men’s volleyball at Pepperdine for just one season (1985), Ctvrtlik was the National Player of the Year and led the Waves to the national title. Ctvrtlik led the 1985 squad with 424 kills, 103 digs and 27 service aces and was named MVP of the NCAA tournament.

John Fishel—Holds NCAA records for the most career games played (295) and at-bats (1,114). He was the Most Outstanding Player of the 1984 College World Series.

Jeff Fryer—A key member of Loyola Marymount’s run to the Elite Eight in 1990. Averaged 22.7 points per game in 1990 and finished his career averaging 17.2 points, hitting 363 three-pointers.

Augie Garrido—While at Cal State Fullerton, Garrido’s baseball teams won three national championships, made seven College World Series appearances and 16 conference championships including 11 in a row (1974-84). Four times he won national coach of the year honors.

Hank Gathers—While at Loyola Marymount, Gathers led the nation in scoring (32.7) and rebounding (13.7 RPG) as a junior, only the second player at the time to lead the NCAA in both categories in the same season. LMU’s all-time leading scorer with 2,490 points.

Ashley Gonzales—Long Beach State’s career goals scored leader with 36, Gonzales was a dangerous striker for women’s soccer who led the school to three NCAA tournaments in her four seasons.

Dan Haren—As a pitcher at Pepperdine, Haren won Freshman All-American honors in 1999 from Baseball America and Collegiate Baseball. He was also the West Coast Conference’s Freshman of the Year. In 2001, he earned All-American second team honors and was named conference player of the year after going 11-3 with a 2.22 ERA and hitting .308 with five home runs and 47 runs batted in. Pepperdine advanced to NCAA Regional play in both 1999 and 2001.

Bo Kimble—Led Loyola Marymount to the Elite Eight in 1990 and led the nation in scoring with 35.5 points per game. Only player in school history to score 50 points in a game and he did it four times.

Billie Jean King—While her collegiate career was interrupted repeatedly by national and international competition, she won the Ojai Tennis Tournament intercollegiate singles title while playing for Cal State L.A.

Shayna Kimbrough—An outstanding shortstop for Long Beach State, and one of just two players in Big West history to be named the Big West Offensive and Defensive Player of the Year.

Mark Kotsay—Won the 1995 Golden Spikes Award while at Cal State Fullerton as the nation’s best college baseball player and is an inductee into the College Baseball Hall of Fame.

Evan Longoria—Spent two seasons at Long Beach State, hitting .336 with 16 home runs with 73 RBIs. The Big West Co-Player of the Year in 2006, Longoria was a Golden Spikes Award finalist.

Kevin Magee—A two-time All-American in the early 1980s while playing basketball at UC Irvine, Magee was also the PCAA Player of the Year in 1980–81 and 1981–82. In those two seasons, he averaged 26.3 points and 12.3 rebounds per game. Was a first-team All-American in 1981, when he became the first player in NCAA history to finish in the top four in three statistical categories, finishing third in the country in scoring (27.5), second in field-goal percentage (67.1) and fourth in rebounding (12.5).

Misty May-Treanor—Led the Long Beach State women’s volleyball team to an undefeated 34-0 national championship season in 1998.

Phil Nevin—Led Cal State Fullerton to the College Baseball World Series title game in 1992 and won the Golden Spikes Award.

Christian Okoye—The most celebrated athlete in Azusa Pacific history. Was a nine-time NAIA champion in track and field and a two-time NAIA All-American first team pick in football. On the track, Okoye led Azusa Pacific to four straight NAIA Outdoor Track and Field national championship titles (1983-86). He was the first person in NAIA history to win the discus four years, setting the NAIA record in the process with a heave of 208-4 in 1985. When Okoye was not selected for the Nigerian Olympic team of the 1984 Los Angeles Summer Games, he turned his attention for the first time ever to football and became one of the greatest running backs in small college football history, setting 14 school records and, in 1986, leading all of college football by averaging 186.7 rushing yards a game.

Mark O’Meara—As junior men’s golfer at Long Beach State in 1987, O’Meara won the U.S., California and Mexican amateur championships.

Mark Pringle—Despite playing just two seasons at Cal State Fullerton, he became the program leader in rushing touchdowns, and is second in rushing yards and scoring. In 1989, he set the single season all-purpose yards record with 2,690. Pringle also shared the NCAA single-game rushing record at one point with 357 yards against New Mexico State.

John Rambo—He led the Long Beach State basketball team in scoring in 1965 (20.3 points per game) and dominated in track. He was a two-time national champion in the high jump and, in 1964, jumped 7-1 to earn a bronze medal at the Tokyo Olympics.

Ed Ratleff—A two-time consensus All-American at a time when only 12 players in NCAA history had done so, Ratleff led Long Beach State to conference titles and NCAA tournament appearances in 1971, 1972 and 1973. He finished his three-year career as the school’s all-time scoring, rebounding and assist leader.

Sam Robinson—Jerry Tarkanian’s first recruit to Long Beach, Robinson led the 49ers to a pair of conference titles. He averaged 19.7 points and 10.3 rebounds a game during the 1969-70 season when Long Beach went 24-5 and earned its first invitation to the NCAA tournament. In 1970, Robinson became the first 49er taken in a pro basketball draft.

TJ Robinson—Still the only Long Beach State player to grab over 1,000 rebounds in his career, with 1,208. Fifth in career scoring with 1,718 points, Robinson was part of Long Beach State’s “Fab Four,” starting as freshman and winning back-to-back Big West titles before leading them to the 2011-12 NCAA tournament.

Terry Schroeder—Played men’s water polo for four seasons at Pepperdine and was the head coach for 20 seasons. As a player, earned three All-American awards and set school records for goals in a career (392) and season (138 in 1978). As head coach, he posted a career record of 340-220 and took Pepperdine to the NCAA championships eight times, including the program’s only national championship in 1997.

Steve Scott—Still holds the UC Irvine record in the 1,500 meters. The UC Irvine Steve Scott Invitational is named after him. Won the 1977 NCAA Men’s Outdoor Track and Field Division I championships 1,500-meter title after winning the 1,500 twice and the mile once at three previous NCAA Division II meets.

Jim Snyder—Played tennis for UC Irvine and was the first in school history to be named Big West Men’s Tennis Player of the Year in 1981, then won it again in 1982 and 1983. Won three straight Big West individual singles and doubles titles. First Anteater to qualify for the NCAA Division I tournament in singles. Compiled a 132-53 record and is still UC Irvine’s all-time singles wins leader.

Dwight Stones—Dominated the high jump while at Long Beach State. Set a world record on June 5, 1976 when Stones jumped 7-7 to win the NCAA championship.

Andy Sythe—Retired after 35 years as coach of the Cal State Long Beach track and field team. Over his tenure, he was named Big West Track and Field Coach of the Year 11 times.

Jerry Tarkanian—Compiling a 121-20 mark in his five years coaching Long Beach State men’s basketball. During that span, his teams won one California Collegiate and four Pacific Coach Athletic Assn. championships. Tarkanian’s last four 49er teams qualified for the NCAA Tournament and his 1971 team came within inches of the Final Four, losing to UCLA, 57-55.

Penny Toler—Key member of two Long Beach State Final Four teams in 1987 and 1988, Toler was a two-time All-American and a two-time Pacific Coast Athletic Assn. Player of the Year.

Jenny Topping—One of the most decorated players in softball history. She won an Olympic gold medal with Team USA at the 2004 Summer Olympics in Athens and was inducted into the Cal State Fullerton Athletics Hall of Fame.

Troy Tulowitzki—Started at shortstop for three years for Long Beach State. A second-team All-Big West selection as a freshman, Tulowitzki then made two first-team All-Big West teams while also earning All-America honors as a junior. Hit .310 over his career with 20 home runs, Tulowitzki then became the highest draft pick in school history, drafted No. 7 overall by the Colorado Rockies.

Tim Wallach—Won the 1979 Golden Spikes Award while at Cal State Fullerton.

Jered Weaver—Won seven different national player of the year awards after the 2004 season, during which Weaver led the nation in wins (15) and strikeouts (213), finishing the season with a 1.62 ERA and a 15-1 record over 144 innings. That capped a career that saw Weaver post a 37-9 overall record with a 2.43 ERA and 431 strikeouts with 73 walks. He holds the Long Beach State and Big West career records in wins and strikeouts, and also leads the school record books in innings pitched (370), starts (55), and consecutive wins (14).

Randy Wolf—Went 25-8 overall at Pepperdine and posted a 1.97 earned-run average with 328 strikeouts in 315 innings pitched. On Pepperdine’s all-time lists, he finished his career first in strikeouts and shutouts, second in ERA, fifth in innings pitched and seventh in wins. Wolf’s Pepperdine team won the 1995 WCC championship and advanced to the 1995 NCAA West Regional. During his time at Pepperdine, he pitched for the U.S. National Team in 1995 and 1996 and posted a 6-0 record.

Leon Wood—While at Cal State Fullerton, he led the United States’ men’s basketball team to gold in 1984, playing point guard. Earlier that year he earned first-team All-American honors.

You can vote here. You can vote for up to 15 people.

Voting is still open in these categories:

To vote in the UCLA ballot, click here.

To vote in the USC ballot, click here.

To vote in the NHL ballot, click here.

The inductees so far:

MLB
Don Drysdale
Clayton Kershaw
Sandy Koufax
Vin Scully
Fernando Valenzuela

NBA
Kareem Abdul-Jabbar
Elgin Baylor
Kobe Bryant
Chick Hearn
Magic Johnson
Jerry West

NFL
Deacon Jones
Merlin Olsen
Eric Dickerson

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Comedy director James Burrows, the 11-time Emmy-winning director who co-created “Cheers” and helped turn such long-running sitcoms as “Taxi,” “Friends,” “Will & Grace” and “The Big Bang Theory” into fan favorites, has died, his family confirmed to People. He was 85.

“We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family,” his family said in a statement to People. “For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”

A master of the multi-camera sitcom, Burrows started his career shooting episodes of “The Mary Tyler Moore Show” in 1974 and “The Bob Newhart Show” in 1975. He soon joined the quality-oriented production company, MTM, which counted James L. Brooks, Steven Bochco and Gary David Goldberg among its alumni.

“They were smart enough to know that it’s better to have a director who can talk to actors rather than a director who can move cameras. You can’t really learn how to make something funny, but you can learn to move the cameras,” Burrows said in a 1995 interview with The Times.

Burrows was born in Los Angeles and later moved to New York with his family where he attended the High School of Music & Art. He graduated from Oberlin College and completed a graduate program at the Yale School of Drama. He worked years as a stage manager with his father, a playwright and director, assisting on shows such as “Breakfast at Tiffany’s” starring Moore and Richard Chamberlain.

He solidified his name in television with “Cheers,” co-creating the lively Boston travern “where everybody knows your name” with Glen and Les Charles. Over its 11 seasons on the air, Burrows directed 237 of its 275 episodes, emerging as a behind-the-scenes comedy legend.

“You bring ‘em in, you sit ‘em down and they talk. That’s all ‘Cheers’ was,” Burrows told The Times. “The word is more important than the goofiness. It was all about the words — which is how I was trained, how my father was trained, how anybody who reads books is trained. It’s the word.”

His father, Abe Burrows, was a Pulitzer Prize-winning playwright, screenwriter and director who performed in radio comedies and co-wrote the books for the Broadway musicals “Guys and Dolls” and “How to Succeed in Business Without Really Trying.” The younger Burrows said that growing up on radio comedies helped him hone his ear for humor.

“I know what’s funny, and I probably know the best way to deliver the joke. Whether it’s walking out of a room, facing that way, facing this way,” Burrows said in a 2010 interview with The Times. “I just have a sense of that.”

Another skill he learned from his dad? was working on his feet.

“He’d run the scenes over and over. He created this wonderful camaraderie, which I always try to do. I love to do ensemble shows because that’s where you get the camaraderie.”

Burrows, often considered a fatherly manager, tried to bridge the gap between actors and writers and notably took the cast of “Friends” on a trip to Las Vegas before directing 15 episodes of the blockbuster comedy. He also threw a party for the “Mike & Molly” cast to build rapport because he believed when everyone liked each other, it showed onscreen.

Actors would know when a joke landed when they would hear Burrows giggle as the scene unfolded.

“I’m the guy that wants you to walk the comic plank for me,” he said. “Take it as far out as you want to take it and I’ll bring it back. Sometimes I’ll take it further. But trust me.”

With his slate of hits — he’s credited for directing several shows in NBC’s primetime “Must See TV” lineup of the 1990s — Burrows amassed sizable wealth and, from an early age, was in constant demand by those seeking his magic touch for their show. However, he also saw his fair share of flops: Henry Winkler’s “Monty, “Cafe Americain” with Valerie Bertinelli and a slew of promising pilots that never got off the ground. He also felt that ABC’s “The Associates” and “The Class” on CBS were canceled too soon.

From 1998 to 2006, Burrows helmed every episode of “Will & Grace,” the Emmy-nominated sitcom about a woman and her gay best friend that aired on NBC for eight seasons during its original run. To Burrows, it was the funniest show he ever worked on. He was also behind the camera for the comedy’s 2017 revival, which brought the envelope-pushing antics of Will, Grace, Jack and Karen back for three more seasons.

“It was a fairytale literally and figuratively,” he said in a 2016 Hypable interview. “It was not of the real world in a strange kind of way. These were exaggerated characters. Although they were grounded with Will and Grace, there was this exaggeration that made the stuff you could do and get away with on that show so extraordinary.”

He won his 11th Emmy Award serving as an executive producer on 2019’s all-star re-staging of “Live in front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’” A year earlier, he was nominated for directing the “‘All in the Family’ and ‘The Jeffersons’” TV special.

James Burrows behind the scenes.

(Chris Pizzello / Invision / Associated Press)

Throughout his career Burrows had a penchant for directing pilots because it meant “you’re better than an episodic director” and could create something new in the writer-driven medium of television. He was also drawn to “more uptown, the more urbane, the more sophisticated” comedies. He tried doing cinema once — 1981’s “Partners” with Ryan O’Neal and John Hurt — and said the result confirmed his belief that he was built for television.

“I’m not a cinematic guy. I’m a theater guy. For what I do, I need a live audience,” he said in a 2016 interview with the Television Academy.

Among his favorite TV moments were the pilots for “Frasier” and “Third Rock From the Sun,” the long-awaited kiss between Sam (Ted Danson) and Diane (Shelley Long) and Woody’s (Woody Harrelson) wedding on “Cheers,” Rev. Jim (Christopher Lloyd) taking his driving test in “Taxi,” Ross (David Schwimmer) being attacked by a cat in “Friends” and Will, Grace, Jack and Karen getting in the shower together on “Will & Grace.”

Late into his career, Burrows continued to work in the multi-camera sitcom format, which is shot in a studio, usually before a live audience. In 2013, he was honored by the Television Academy, and, in 2016, he celebrated directing his 1,000th episode of television programming, crossing the milestone with an episode of “Crowded.” NBC marked the milestone with “Must See TV: An All-Star Tribute” special. According to critics, the show — billed by several outlets as the elusive “Friends” reunion and came off as a living eulogy to Burrows — fell short and did not do the legendary director justice.

In all, Burrows was nominated for 45 Emmy Awards and 17 Directors Guild of America Awards.

TEDDY SWIMS says he is glad he was 30 years old before achieving global success – otherwise he could have gone off the rails.

The US star, whose single Lose Control sent his profile rocketing in 2023, said he doesn’t understand how younger stars like Benson Boone have coped with their early fame.

Teddy explained: “He’s crushing it at, like, 23. If they would have gave me that at 23, I would have sent that straight up my nose.

“Thank God it happened to me at the time it did and I’m capable of understanding this and taking it seriously.

“I’d have probably been so terrible about it. I’d have spun out immediately if I’d been given that at such a young age.”

Since then though, Teddy’s had further hits with The Door and Bad Dreams, but doesn’t let success get to his head.

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He said: “I try not to hang up my diamond or platinum records in my house, because I feel like I’ll just be looking at them and be like, ‘My best days are behind me,’ or something.

“So I try just to keep my head down and keep rocking.”

Asked if they’re in storage, he confessed: “A lot of them I’ve given to my family on Christmas. It saves me a little money there too.

“You know, my aunt’s got The Door gold record from a year ago.”

A real beauty spot, Maya

MAYA JAMA is clearly feline fine as she turns up the heat in a skimpy leopard-print mini dress.

The Love Island host sizzled as she fronted the dating show’s ITV2 spin-off Aftersun in the slinky number.

Maya, who previously dated grime star Stormzy, split from her Manchester City footballer boyfriend Ruben Dias in April after 18 months together.

But she clearly isn’t moping around, and has been on holiday in Ibiza, where she flaunted her curves in a tiny bikini.

Maya said of the break-up: “I’m an all-or-nothing girl, I don’t casually date, so yes, I will love loudly or not at all – and if it ends, it ends. I decided a long time ago not to base my life decisions on public opinions.”

Sounds like she’s got the dating game sussed.

JACK WHITEHALL has apologised to Becky Hill for calling her a “Wetherspoons Whitney”, claiming the pair “had a chuckle” about his dig – despite her writing diss track Daddy’s Range Rover about him.

I revealed last month how Becky has penned the song all about him making her the butt of a joke while he hosted the 2024 Brits.

Jack says: “I think my biggest surprise is it’s taken so long for some- one to write a diss track about me. I apologised when I saw her.”

Becky doesn’t sound like she sees the funny side, however – blasting the “privately educated nepo baby”.

Jesy’s hol of a look

LITTLE MIX singer Jesy Nelson celebrated her 35th birthday pondering what is coming next for her.

Holidaying with friends, she mused: “Whatever will chapter 35 bring?”

Well, it is unlikely to bring a reunion with her estranged former bandmates.

Jesy was not a guest at Perrie Edwards’ wedding to Alex Oxlade-Chamberlain in Portugal over the weekend, after Perrie said Jesy made her “blood boil” by claiming she felt unsupported during a mental health crisis.

Whatever comes next, it’s going to be a page-turner.

LEAH LETS LOOSE IN IBIZA

ENGLAND women’s football captain Leah Williamson made the most of her break from the game by enjoying a wild girls’ trip to Ibiza.

I’m told the Arsenal player let her hair down at the White Isle’s most legendary club Pikes last week.

Then on Friday night she let loose at Calvin Harris’ residency at superclub Ushuaia, where she partied with pals and her model girlfriend Elle Smith.

One onlooker told me: “Leah was ­having a great time doing shots with her mates – she was really ­living her best life.”

A calf injury meant she was ruled out of the last Lionesses squad, and it sounds like she is still feeling the effects as Leah wasn’t dancing as much as her mates.

But I reckon a blow-out in Ibiza might be just what she needs before getting her head back in the game.

FRESH off a collaboration with Ed Sheeran, Martin Garrix has teamed up with Madonna.

The Dutch DJ debuted Bizarre, one of the tracks from Madge’s highly anticipated Confessions II album, during a New York party.

From the clip I’ve heard, it sounds like an absolute beast.

ASTON: MY BOY’S READY TO HAVE BITE AT POP STARDOM

JLS star Aston Merrygold reckons he could have the next Justin Bieber on his hands in the form of his talented eldest son.

He revealed that eight-year-old Grayson Jax is already showing serious star potential.

The Beat Again singer said: “My oldest is full-on – he’s ready, he wants to do everything. He’s so much better than I ever was. Little Justin Bieber on the way.”

While fans wait to see if another Merrygold is about to hit the charts, Aston is juggling life as a musician with being a hands-on dad to his three children and setting a good example.

The singer has teamed up with Bupa Dental Care to launch the kids’ story and audiobook The ­Dentist’s Apprentice, aimed at ­helping youngsters overcome fears over check-ups on their teeth.

Aston said: “The whole premise is about trying to get rid of dental anxiety that young people have.

“Having all that pent-up anxious energy is not healthy for anyone. The dentist is about check-ups, it’s about prevention.”

Aston will soon be back on the road with JLS for their UK tour.

They are playing eight more shows, ending in Derby on August 29.

DAVID Beckham can’t keep away from his Hollywood Walk of Fame star, proving to be is own biggest fan.

It has been a monumentous week for David, 51, who got honoured with the coveted star on the iconic walkway on Friday.

And it seems that Sir David still can’t get over the exciting honour.

He was seen posing with it the day after it was unveiled at a formal event attended by his famous family.

Crouching down to see it while donning casual clothes, the sporting legend looked proud as punch as she took a selfie with the star.

His wife Victoria then snapped a photo of her husband as he took the selfie, with her sitting several feet away from him.

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She then uploaded the snap to her own Instagram story and wrote: “Spotted. @davidbeckham fan.”

David’s wife Victoria Beckham and three of their children, Harper Seven, Cruz and Romeo were all in attendance at the formal event that saw the iconic star unveiled on Friday.

David’s eldest child Brooklyn failed to show up to the very special event, despite living down the road from the Los Angeles location that the unveiling took place.

As David gave his speech before unveiling the star, he mentioned his children – but did not name them individually.

“My beautiful children who are the reason I get out of bed in the morning,” he said while choking back tears.

“Kids, I hope you bring my grandchildren here one day and tell them about a boy who dreamed big,” he added.

After the star’s unveiling, the Beckham’s youngest child Harper visited eldest sibling Brooklyn’s Los Angeles home.

The 14-year-old, who was in the US to see footballer dad get his star on the Hollywood Walk of Fame, was seen arriving at the plush Beverly Hills pad in a SUV.

According to claims in Page Six, Harper arrived “unannounced” and “left seconds later without seeing him”.

A source then told the publication how the budding chef, married to actress Nicola Peltz, was out of town with his wife.

Earlier this year, David and Victoria Beckham‘s eldest son let rip at his parents in a brutal social media takedown – and said he has no wish to reconcile.

In a scathing statement, Brooklyn told how he grew up with “overwhelming anxiety” having been “controlled” by his parents most of his life.

His initial statement read: “I have been silent for years and made every effort to keep these matters private.

“Unfortunately my parents and their team have continued to go to the press, leaving me with no choice but to speak for myself and tell the truth about only some of the lies that have been printed.

“I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

He then went on to recall the night of his wedding and how his mother danced in an “inappropriate way”.

Brooklyn also sent his parents David and Victoria a legal notice warning they can now contact him only via lawyers.

The extraordinary “desist” letter also instructed them not to “tag” him on social media.

THE Ibiza Final boss has confirmed he’s SPLIT from his girlfriend amid reunion rumours as his viral fame ends the romance.

Newcastle lad Jack Kay’s life changed forever after he became an overnight viral sensation.

The 26-year-old was spotted boozing and grooving while holidaying on the Spanish island of Ibiza.

A clip of the former builder was viewed over 20 million times last August and fans became obsessed as they felt his distinctive look perfectly encapsulated the party isle’s clientele.

Jack became known for his bowel haircut, oversized chain, vest top and square shades and it wasn’t long before his girlfriend, Alisha Cook, decided to stake her claim.

But it has now been confirmed the pair have gone their separate ways.

Read more on Ibiza Final Boss

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Jack told The Sun he was single and doesn’t see a Mrs Final Boss on the horizon for quite some time.

Although the Misfits boxer did hint that he could find the one over on the party isle.

He said: “I might do.

“But I haven’t found Mrs Ibiza Final Boss yet, but probably a couple of years for that.”

It seems Jack’s partying days are not yet behind him as he admitted he’ll be making his way back to Ibiza this summer.

His pals told us last year that his stunning ex Alisha drew a line under their relationship after she became sick of him living it up with the lads.

The debt collector, from Durham, was furious and pulled the plug before he jetted off.

However, it was then rumoured they’d reconciled but he was “skating on thin ice.”

When Alisha was approached for comment, she confessed she “loved him” and they were “back together.”

Jack spent weeks enjoying his sudden fame in Ibiza and it seems the pair couldn’t navigate him being in the spotlight.

Ahead of his Misfits boxing match on Saturday he admitted he won’t be returning to his day job as a builder.

Jack said there’s “definitely not” anything to miss from working in construction.

He added: “This life’s the easy life.”

The Ibiza Final Boss will face off against Manchester rapper Jordan McCann in the ring after two months of being sober.

Bill Cody, the Grand Ole Opry and longtime WSM Radio host who woke up listeners with his velvet voice and country music lore, has died. He was 67.

The Tennessee radio station confirmed Cody’s death on social media on Tuesday, writing, “It is with heavy hearts that we share the passing of our dear friend and beloved WSM voice, Bill Cody.

“A singular presence on WSM-AM Nashville for more than three decades, Bill welcomed listeners each morning on Coffee, Country & Cody with a broad smile, a conversational ease, and an unerring ability to make both artists and audiences feel at home. He joined WSM in 1994 and had Charlie Daniels as his first in-studio guest. He built more than a morning show; he created a gathering place rooted in his deep love for country music and the people behind it.”

In late May, Cody’s daughter Hannah Davis shared that the radio host had been admitted to the intensive care unit with heart and kidney failure. “After weeks of being on a roller coaster of emotions, tests, dialysis, medications, steps forwards and steps backwards, it was determined earlier this week that his only option for survival would be a double transplant, heart and kidney,” she wrote on Facebook. “We need a miracle and we know God is able.”

On Tuesday, she wrote that Cody had died peacefully surrounded by family and “was welcomed into heaven as thunder bellowed outside, and we laughed because we knew it was a band of angels rejoicing.”

With nearly 50 years on the airwaves across syndicated radio, television and film, Cody was honored with a star on the Music City Walk of Fame in the fall of 2024. His credits included the film “American Saturday Night: Live From the Grand Ole Opry,” the television show “Tennessee’s Wild Side” on PBS, “Ray Stevens’ Nashville” on RFD-TV, and GAC TV’s “Master Series.”

In 2008, the beloved Nashville host was inducted into the Country Radio Hall of Fame, and across his career, he earned multiple nominations from the Country Music Assn., the Academy of Country Music and Billboard for his contributions to broadcasting.

Born Trent Clutts on Dec. 16, 1958, in Huntsville, Ala., Cody was inspired to pursue a career in broadcasting during visits to a Kentucky radio station with his dad. His father was a Southern Baptist minister, and his Sunday morning sermons were broadcast on the radio in the afternoons. Cody couldn’t get enough of the goings-on at the station when the two would stop by to drop off cassettes.

In 1971, when the radio host was 17, he was hired as a night deejay at WVLK in Lexington, Ky., but the program director didn’t think “Trent Clutts” had the right ring for radio. Cody named himself after “Buffalo Bill,” one of the most famous showmen of the American Old West, and used the moniker for the rest of his career.

As a teenager, Cody noticed a girl named Rebecca during study hall and, according to Davis, winked at her from across the room. The wink sealed the deal and the two spent more than 50 years as a couple, welcomed three children — Luke, Hannah, and Levi, who died in 2025 — and eventually grandchildren, who called him PoPo. The family lived in Cross Plains, Tenn.

“Like so many of us at the Opry, Bill Cody lived out his dreams on the Opry stage. More times than I could count he and I would look at each other as if to say, ‘Can you believe we get to do this?’” Dan Rogers, executive producer at the Grand Ole Opry, wrote on social media.

“Even better, he made Opry audiences tuned in from around the world feel like they were here too, themselves a part of country music’s most famous show. Then, he’d get up early the next morning and — with that signature smile in his voice — tell everybody about it on his show.

“He was the best of friends to country music and to everyone who was a part of it. We’re sure going to miss him.”

The second ballot we sent out for the L.A. Times Sports Report Hall of Fame was the NBA ballot, with 24 names appearing. People were able to vote for up to 10 candidates.

Reminder: Whoever is named on at least 75% of the ballots will be elected. The five people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired to appear on the ballot.

There were 12,725 ballots cast in the NBA voting, and six candidates received at least 75% of the vote, and a worthy six they are.

Inductees

Kareem Abdul-Jabbar, appeared on 99.3% of ballots

Magic Johnson, 96.2%

Jerry West, 94.7%

Kobe Bryant, 90.1%

Elgin Baylor, 76.2%

Chick Hearn, 75.8%

Didn’t make it, but will remain on ballot

Shaquille O’Neal, 72.8%
Wilt Chamberlain, 59.9%
Pat Riley, 58.4%
Jerry Buss, 53.3%
James Worthy, 49.5%
Phil Jackson, 41.6%
Gail Goodrich, 24.4%
Jamaal Wilkes, 12%
Michael Cooper, 10%
Pau Gasol, 8.1%
Jack Kent Cooke, 7%
Blake Griffin, 5.2%
Ralph Lawler, 4.4%

Bottom five, dropped from ballot for two years

Chris Paul, 4.1%
Derek Fisher, 3.8%
Byron Scott, 3%
Elton Brand, 2.5%
Stu Lantz, 1.9%

Thanks to everyone who voted! There is still time to vote in our other active categories. The next ballot will be released Thursday morning.

To vote in the Rams/Chargers/Raiders ballot, click here.

To vote in the UCLA ballot, click here.

To vote in the USC ballot, click here.

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

In this week’s episode of The Envelope podcast, “Love Story” stars Paul Anthony Kelly and Sarah Pidgeon open up about inhabiting John F. Kennedy Jr. and Carolyn Bessette — and creating a cultural moment of their own.

Kelvin Washington: Welcome to the next episode of The Envelope, Kelvin Washington alongside Yvonne Villarreal; we got Mark Olsen as usual. And so you, my friend, had a chance to speak with stars of “Love Story” — Ryan Murphy, of course, tackling love with this. So it got me thinking, give me some real-life love stories that you’d like to see portrayed, maybe next season. Some love stories you always found interesting.

Villarreal: This one doesn’t have a tragic ending, and that’s why I want it. And that is Ina and Jeffrey Garten. “Barefoot Contessa”!

Olsen: I didn’t know that there was a great romance in her life.

Villarreal: Mark. You’ve never heard of Jeffrey? You don’t know Ina and Jeffrey. OK, this is why we need it. That man adores Ina and anything that she makes. Chicken, anything. This is a love story I need to see get the full display. I’ve read it in her book, but I need —

Olsen: So like “Julie & Julia.” Julia Child and her husband.

Villarreal: But cuter, sweeter, more adoring.

Washington: Loving the food theme here.

Villarreal: She’ll make anything and he thinks it’s delicious, and she laughs at everything he says, and I just want more of it, and I’m very curious what a Ryan Murphy take on Ina and Jeffrey would be.

Olsen: But see, that’s the thing. A Ryan Murphy take on that would ruin it for you.

Washington: That would be dramatic and spicy. Salacious.

Villarreal: Nothing could ruin it for me.

Washington: You got one?

Villarreal: Yeah, what’s yours?

Olsen: Well, I have two. One is because the sort of the ’90s vibes of “Love Story.” So you would obviously do Kurt Cobain and Courtney Love. And that one would be very exciting and dramatic and very ’90s-ish. But I think for more of a torn-from-the-headlines [version], Taylor Swift and Travis Kelce.

Villarreal: It’s too current.

Olsen: That’s why though.

Villarreal: How about you?

Washington: So I’m gonna stay with your ’90s. Instead of the pop grunge. I’m going to go R&B pop. I’m going to go Bobby and Whitney.

Olsen: I mean, that’s gold right there.

Washington: I’m just saying. You got love, you got fame, you got tragedy. You’ve got stuff that we didn’t know about behind the scenes.

Villarreal: Maybe he could hire us as head writers for each of these seasons and we can all have our say.

Washington: We can all have our own season. So as I mentioned, Yvonne, you had a chance to sit down with Paul Anthony Kelly and Sarah Pidgeon of “Love Story.” How’d that chat go?

Villarreal: They play John F. Kennedy Jr. and Carolyn Bessette, respectively, and it sort of looks at this seven-year tumultuous relationship and what they both endured navigating the spotlight and what that did to them, how they each felt about it. So it was interesting to get the take from Paul and Sarah about how they’re also navigating the spotlight, because I feel like social media fame is quite different than what John and Carolyn were navigating back then. And I was curious to see what it was like for them. So yeah, it was an interesting conversation.

Washington: All right, let’s get into that conversation now.

Sarah Pidgeon and Paul Anthony Kelly, the breakout stars of FX’s “Love Story.”

(Jason Armond / Los Angeles Times)

Villarreal: I imagine doing this series has been a sort of singular experience. What do you want to remember about this moment that you’re in?

Kelly: All of it’s so fun, it’s exciting. It’s definitely, for me, a new muscle that I’m learning to use and explore and stretch and flex. And I get to hang out with her a little bit more. It was wonderful.

Pidgeon: I think it’s just really hard to contextualize what this [is] — [to Kelly] I don’t know if you feel this way too — because there hasn’t been a ton of space from even the show having all the episodes come out. I don’t think I totally understand how this fits into the story of my life. I recognize that we’re experiencing something very exciting. And I think I speak for both of us that we feel really grateful and so honored to have taken on these roles and that it’s resonated and has excited people. But being out and about in New York and someone stops you and says, like, “Are you that girl from that show?” … When you’re making something, it can feel so insular. I remember when I started, I had a freak out sort of midway through like, “Oh, this is actually going to come out. It’s not just about the making of it. People will see it.” I had a huge heat rash. [To Kelly] Remember when we were in Hyannis Port? I just haven’t totally had that perspective. It’s just been very full-on in the most exciting, lovely, happy way.

Kelly: It’s all unfolded in succession. There’s been no period of time to really process. I can’t believe I did it, still. It’s out and it’s exactly the same thing … people are like, “Hey, you’re the guy in that thing, right?” I’m like, “Yeah.”

Villarreal: Has it happened in an awkward way?

Kelly: No, no, it’s all been overwhelmingly positive. I guess that’s best-case scenario, but I still try to walk around with a mustache and glasses and a hat and they’re still like, “Hey …!”

Villarreal: You didn’t try to go to the [JFK Jr.] look-alike contest in New York?

Kelly: Oh, my gosh, no.

Pidgeon: He would have won. That wouldn’t have been fair.

Kelly: It’s too many people. I got the show, so I think I already won.

Villarreal: A big theme of the series is exploring the heavy ramifications of fame on privacy. And aside from the great opportunities that come with doing the press or other things that come along with this, what has it been like adjusting your life to this experience?

Pidgeon: That idea was on both of our minds when we were filming. And we were filming in New York, so apart from the scenes and subject material we were exploring, we actually experienced it in real life as well. You have even more characters in a scene when you’re shooting on the streets of Tribeca and people stop and watch. And there was a lot of interest from the public while we were filming. I’ve been marinating on that idea. Maybe not marinating, but meditating. [Or] a little bit of both. Through our characterization of Carolyn and John, I think we felt those extremes. I haven’t felt anywhere close to that. But I don’t know about you [Kelly], but I feel like I’ve been quite busy going different places, coming on podcasts and things like that where my downtime hasn’t really been spent walking the streets so much. It’s been kind of going home and taking a shower and going to sleep.

Kelly: Same. I haven’t really had much time to go out and just be in the public, which I think has been kind of a gift. I recently had a child, so I have no time between the show and being dad. It’s been really great to live within that little privacy bubble I have at the moment. I’m going to New York for the first time in a little while tomorrow.

Villarreal: Has living in their story made you more conscious of what types of boundaries you do want to set?

Kelly: Absolutely. That was a really great gift of the show. And exploring the exponential setting of what privacy means to people, certainly those two individuals. But now I’ve adopted that within my own life, and it’s like, “OK, yeah, I like to be a private person.”

Villarreal: What about you, Sarah?

Pidgeon: So much, at least for Carolyn, was she was constantly battling this sense of how she was being perceived. And I really admire her ability, whether or not she felt the pressure [to do so] — she never spoke on the record and never had to correct the record despite, in my mind, a lot of those allegations being false in the stories about her. That sense of sort of self-possession is quite admirable and, again, this is so new for the both of us. Being able to embody her, that approach and attitude towards it, is something that’s quite interesting to me. And I mean, it definitely has a lot of self-restraint attached to it, so who knows if I possess that as well.

Villarreal: The love story between John and Carolyn, as well as their fateful flight, generated a lot of media attention. And I know you, Sarah, were a toddler, at the time of their deaths; and you, Paul, were a young boy — and you’re a Canadian. What was your image of them in terms of the lore that surrounded them before making the series?

Kelly: Growing up in Canada, I was familiar with who he was. I became even more familiar with them after living in the States for a while. I was a model before, and I had been told I looked like him, so after being told that, you kind of do a little bit of research. Who is this guy? And I was like, “I don’t look anything like JFK.” But then I realized [they meant] JFK Jr. “OK, maybe; yeah, I do look like him a little bit.” So I became more aware of them after that. But growing up, it definitely wasn’t in my cultural zeitgeist, whatever you want to call it.

Pidgeon: I knew that Carolyn worked at Calvin Klein. I knew they were married. I knew their story. I was such a young child when they passed, but they remained so in the cultural conversation because, especially in 1999, they represented such hope in politics. And they’re such a modern couple, sort of breaking the rules of what those norms are, especially coming from such a storied family that has such legacy in the States.

Villarreal: There’s an overwhelming amount of source material from the Kennedy side, but less so on Carolyn. What proved to be most useful to you? What were the things that you turned to to study or figure out who she was?

Pidgeon: That was such a mystery. [I was] taking these still photographs, mainly paparazzi images — and now that I’ve had a few photos taken of myself, you hold yourself differently when you know someone’s taking a photo of you that you also don’t know. That plus videos of her, very few in which she was speaking. And some of the candid photos, mainly from when she was younger. I sort of laid those on top of each other and then used as many books that I could find and interviews that people would give who knew her. But there’s scarcity in terms of that information. That at times felt arresting, but at other times … there’s a lot of freedom in that. And I think that’s what was so interesting about playing this character that is so well known and yet very enigmatic. Finding her walk and thinking about how that changes over the course of nine episodes and six-and-a-half, seven years. How this woman with so much freedom and anonymity — 26 years old, living in New York City, barreling down these streets in the East Village — then changes when she’s the most photographed woman in America. How that perception changes you physically.

Villarreal: Her walk was very striking for me, because I’m like, I can’t move that way.

Pidgeon: Yes you can. You can get a pair of Manolos.

Villarreal: It won’t look as elegant as you, Sarah, but talk to me about finding that walk because, like you said, it shifts from when the onslaught happens. Did you work with a movement coach? Was that all you?

Pidgeon: Julia Crockett is so incredible. There’s not enough hours in the day to sing her praises. We started with a lot of what I just mentioned, the quotes that people said of how she moved. She spoke with her hands. She could be a fast walker — most people who live in New York are. If there was a video of what I was doing in these hotel rooms, they’d think I was absolutely crazy. Rolling around on the floor, isolating different parts of my body, making it as dramatic as possible, and working it into a circle of attention that felt real. And understanding we were both 5-10, which helps. I think tall women carry themselves in a certain way. But understanding that my body is still my body, and our production I don’t think was particularly interested in doing huge physical transformations in terms of prosthetics or things like that. But getting the shoes, walking around in my spare time in New York in heels, which Carolyn does in the show and Sarah Pidgeon does not. That really changes you and it changes how you feel. And just always having that through line of, “What were the touchstones of Carolyn as a young woman, and where did I want her to end up physically?” You can see it through so many different versions in these different photographs — her hair changes, how she dresses changes, the red lip. I [was] always remembering that there was a journey that I was going on: “How can the world close in on her? What does that feel like?” Also, not only putting it into my body first, but feeling it in my body, imagining that. And what are the images that come up? We thought about [her as a] mossy ball; very tactile, just rolling down these hallways in the Roosevelt Hotel in Hollywood.

Villarreal: Paul, you had about three weeks from when you got cast and when production started. And there’s ample stuff to sift through. How did you figure your way out through the noise? What was the thing that really helped you lock in to who he was?

Kelly: He narrates his father’s book, “Profiles in Courage,” and that for me was a great asset. I had to learn how to use my tongue in a different way than I’ve ever spoken before. His speech patterns are different. I worked with a dialect coach. I would listen to that all day, every day — amongst ’90s alt music, some Nine Inch Nails and stuff because that’s what John would do.

Villarreal: Was that what he was into?

Kelly: I think so. One of my favorite photos of him is a candid photo, and he’s wearing a Nine Inch Nails shirt. I’m like, “My guy! Here we go. I can relate.” I watched a lot of his interviews just to see how he kept his cool and composure. He was a very relaxed individual under extreme stress situations. The Larry King interview was a great one; I relied on [it] a lot. I also looked at a lot of images and saw how he moved through the world. I was a model before so I’m pretty good at understanding how my body moves and how to move it; I also worked with Julia pretty briefly, but she gave me some really great tips and I took those throughout the entire duration of filming and just ran with it.

Villarreal: Are you someone that takes bike as your transportation often?

Kelly: Oh yeah. Four wheels moves the body, two wheels moves the soul.

Villarreal: How is it doing it with the suit on?

Kelly: It’s hot.

Pidgeon: Yeah, you did a lot of that in July during a heat wave.

Kelly: Oh, my gosh, when we started filming, the first scene where John is introduced on the bicycle, we shot that on a Sunday and it was like 103 degrees outside and I’m in a ’90s wool suit. It was great … And a hat. And a backpack. There’s a photo where there’s several hands coming at me with fans and spritzer.

Villarreal: How about finding John and Carolyn together? What did that look like for the two of you, figuring out who they were as a couple?

Kelly: I feel like it happened organically. We had like this unspoken bond and trust with each other from the moment we met and it was just like, “OK, we both understand the assignment.” Then we get to step into these shoes and we understand what that was like, I guess, but just going through it together [helped]. It’s also so well written and it is easy to fall into that. It’s very easy to fall in love with this one every day and then fight.

Pidgeon: Oh, you flatter me.

Villarreal: Because you both were so young at the time that they were a couple, were there modern-day couples of your generation that you looked to in terms of how they dealt with the spotlight? Was there someone you were looking to, to help you understand it?

Pidgeon: I think they were pretty singular, especially considering so much of how we view them as a couple was the time in which they existed. I don’t think I can really point to a couple … obviously there’s a comparison with [Princess] Diana, but I can’t really I put my finger on a couple that had the same essence of John and Carolyn, or the same challenges and obstacles of being a couple in public life. [To Kelly] Can you think of anyone?

Kelly: Not really, no.

Pidgeon: It was also that we were coming in on this advent of paparazzi. Obviously coming from such an important family, there was — and I want to speak for you [Kelly] in terms of how you felt about your characterization of JFK Jr. — but there was so much investment in them as a couple because America, and really the world, had watched him grow up. So of course there is this heightened interest in who America’s son marries. And again, that hope that they were this modern couple, one that we’ve never seen before, and what will they become in this new millennium? In terms of finding them together, what was so wonderful about the writing of the show was they were — granted, it happened in about three or four episodes [for the show’s purposes] — but as we were getting to know each other, so were Carolyn and John. They were falling in love with each other and figuring out what that dynamic was and having those misfirings and miscommunications and moments of intensity and questioning. The amount of times I’ve used the word “meta” while talking about the experience of making this show, that sort of mirrored life in a way. I was able to just absolutely give over to Paul and trust him and be excited working with him every single day and be so curious about who John and Carolyn were that day on set. No one better than Paul Anthony Kelly.

Kelly: Oh, you flatter me.

Villarreal: There are a lot of scenes that are stuff that we’ll never know whether they actually happened. But then there are the moments that were played out in tabloids — one of them is the Bryant Park episode. What can you tell me about what that was like shooting on the streets of New York? What do you remember about that experience?

Kelly: What was it, the Nextdoor app called?

Pidgeon: Citizen.

Kelly: The Citizen app. They called it [a] “domestic dispute” … so we were obviously doing our job correctly. It was interesting. Shooting in New York is a very interesting experience because you have all these outliers just watching and gawking. Everyone’s got phones and cameras and what have you. And we’re so in it and doing it and then to have like this blowup argument over and over and again, take after take, angle after angle.

Pidgeon: I wonder if someone reported us just to be like, “Make it stop!”

Kelly: Yeah, exactly. Nobody tried to save you in the moment. Maybe that was them trying to save you [by posting it in the app].

Pidgeon: That was always something to contend with or accept, really, at a certain point. This is an expectation of working in the city. And what I really liked about that scene was that — considering there was such little videography of her, especially because that was a private moment that was unfortunately caught on tape — they both had less inhibitions. I found it [to be] a really amazing exercise as an actor to finally be able to really take something and mimic it exactly and find how the words that Connor [Hines] had written [aligned with it]; it felt like such a great sign when it felt the writing really matched what I physically knew to be true. Because our interest in the story is what happens behind closed doors, as you said. But in those few moments that we did re-create, the real-life [moments], it felt very reassuring as an actor to feel like the words that we were speaking matched the physical footage. I just found it such an exciting way to go about it, to have it really be this outside-in approach. You take this physicality and vocal pattern that I had developed as Carolyn, but then really have some proof for that to be the jumping-off point. I love that we had that scene; we had when they take their first photo after their wedding; we had, in Episode 9, the [Newman’s Own/George Awards] event. Remember that clip that we watched? We’re in the exact same outfits, and I think it’s the Newman’s Own event. I always appreciated those moments. It felt like a different way in to a character that I had really started to get to know at that point.

Villarreal: Whenever I watch something based on a true story or people that were like historical figures, I can’t help but Google to see if something really happened. Is there something you Googled in the process of making the show where you were like, “Did this really happen?”

Pidgeon: There’s a bit of speculation as to how they met. There’s a couple of different stories. Considering this couple was so well known, the fact that there’s still a mystery into how they even met for the first time I think is quite interesting.

Villarreal: I Googled — and I will say I clearly am not the only one that thought this because there was a whole story of it — “Did they really eat KFC chicken?”

Pidgeon: They did.

Kelly: Fine dining.

Pidgeon: You didn’t eat any chicken.

Kelly: Noooo. I got secondhand chicken. That chicken, oh my gosh.

Pidgeon: They did warm it up a bit, but it was pretty cold, you know.

Villarreal: We can’t talk about this show without talking about the wardrobe, the costumes. It’s such a key piece to the storytelling here. Tell me about that collaboration and what the clothes said to you about who Carolyn is and then who John is.

Pidgeon: Yes, clothes are incredibly important to the story and to how most of the public knows and remembers Carolyn. Working with Rudy Mance was so incredible. What he was able to source, while we’re not necessarily sure if they were pieces that Carolyn herself wore, they were the exact pieces of the exact same collection. The very few pieces we weren’t able to source, they were impeccably re-created. Just the attention to detail, I had never really experienced something like that. It was just really watching a master at work, and the rest of our crew as well; not a detail was ever overlooked. The mystery that we really tried to solve in the beginning was: Wow, there’s so many photos of her [from] ’95, ’96 and beyond; there are far fewer photos of what she looked like when she was working at Calvin Klein. And we’re in that space and that time for quite a while. From the photos that we do have of her living in this time in her life, and then how we know she will dress, what are the through lines? What are the pieces she repeats? I don’t think I wore much Prada in the first two, three episodes, which makes sense, because she was just starting out at Calvin Klein. We [had her wear] a lot of Calvin pieces. What was so insightful to playing her was her sartorial choices and her understanding of how, especially since she never spoke on the record, [and] what she can communicate through fashion and how in those initial fittings, even before I really spoke the words of those episodes, how it immediately changed how I held myself as Carolyn was growing and getting older. I keep referencing this quote about Yohji Yamamoto, a designer whom she wore frequently. He liked making the association with his clothing to armor. I just thought that was such a great way into her sort of mental state and how she approached clothing. It was very her, she wore the clothes. That was something that I had to remember, that if I was going to try and embody her, I had [to] feel like I was wearing the clothes because that’s what really stuck out. You always saw her first, despite her wearing some incredibly beautiful clothing. Carolyn was No. 1.

Kelly: John had such great style. Sometimes it was pretty kooky. I also loved that too because it just is such a sense of him. Working with Rudy was a dream. He and his team were incredible. They were able to source so many things. And if they couldn’t find it, it was a direct re-creation, like exact copy of what it was. I remember even just like those shorts with the Knicks logo that he wears playing football. I remember seeing a comment, “John would never wear those.” [Sighs.] “OK, sure.” There’s something about getting into those outfits that it just was this whole other transporting layer of becoming. You hold yourself differently in these things and it just made it feel more real and you’re like, “OK, cool,” and you just live in it and it feels good and you get slouchy and whatever. It was really nice.

Villarreal: How does your style compare? Did they influence your style now?

Kelly: Honestly, it’s a little different, but it’s not that far off. I feel pretty good in a suit. I like to wear suits a lot. I’m the suited heavy metal guy.

Pidgeon: You also have that cool factor about you too. I think there’s something in that with John. He looked great in a suit, he looked great in a tux, but then there was a bit of an edge to him. There was bit of a realness, I think, that you guys share.

Villarreal: Everyone’s trying to emulate it. So many TikToks of people trying to re-create it. Sarah, do you feel like you can never go back to brunette now? Like this is your thing now? You have to stick with it?

Pidgeon: The blond seems to be working. I like being a different hair color. I don’t think I’ll be blond forever. Simply too much time [involved]. It’s so much work. My colorist is amazing — Kari Hill. Cannot sing her praises enough. And Alex Pardoe, who does extensions. It’s been really interesting to find how I [am as a blond] — so much of my time being blond was embodying Carolyn. [Paul and I] would both sleep on the weekends. We wouldn’t do anything while we were shooting. So I didn’t really get a chance to take a walk in this new hair. And when I started dressing again, to go out, I would put on my favorite clothes from when I was brunette. It’s like, “Oh, it just doesn’t hit.” It’s been cool to see how I present and how color theory is crazy. But we’ll see, I guess it depends on how much time I have on my hands.

Villarreal: The series really grapples with the media invasion that swirled around them. What do you say to the critics that feel that a show like this either reignites that craze or contributes to it? What do you want the takeaway of a show like this to be?

Pidgeon: Thinking about one of the first questions you asked — how are we now dealing with with being potentially recognized — I think the intensity of interest in famous people, famous couples, celebrity, actors, musicians, you name it, artists, it’s changed shape, but it has never gone away. Our intention in making this show was, again, what we know about their lived reality, but what can we infer might have happened behind those closed doors. To the general public, [they were] sort of two-dimensional … I knew very little about Carolyn, but I ingested so many photos of her far before this project was ever on my radar. While I recognize this may have contributed to reigniting interest in them, I hope that that interest feels like there’s a more intimate understanding of these people; that they weren’t just figures, that they were people with very full lives, feelings, a profound sense of privacy, intense relation to each other, very, very human. I guess that would be my answer to that. I hope that this is also a bit of a lens or a mirror that, again, if that intensity hasn’t changed, how might we [change it] in the future?

90s movie actress Ashley Judd looks worlds away from her Hollywood days as she rings in her birthday and sings into a hairbush.

The iconic star celebrated her 58th birthday in May and took to Instagram to share a note with her fans.

She was one of the most popular actresses in the 90s and has a strong filmography of work to prove it.

Ashley shared a video of herself singing into a hairbrush as she danced away in her garden with loved ones on her special day.

She popped her grey locks into ponytails as wore a navy plaid dress and went make-up free.

The actress also posted snaps of herself sat in front of a birthday cake as well as being serenaded by a group of musicians who played their instruments for her.

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She penned: “On my 58th birthday, my inner 12-year-old was ready to receive love, care, attunement, delight, protection, and provision.

“Have you ever considered, from your adult perspective, restaging for your sweet inner child an experience she either never had at all?

“Or an experience that did not unfold with the safety and attention it should have?

“I deeply enjoy doing this from a loving inner-parent perspective for my inner family.”

Ashley went on to open up about her childhood and her relationship with birthdays as her fans wished her well on her special day.

The movie star began her career back in 1991 with a guest role in the television series, Star Trek: The Next Generation.

Over her three-decade long career, she’s starred in movies including thriller Double Jeopardy, crime drama Heat and in The Divergent Series.

Her last acting role was in thriller film Lazareth, which released in 2024.

She’s worked with the who’s who of Hollywood, including Robert Deniro, Al Pacino, Tommy Lee Jones, Samuel L Jackson and Jim Carrey.

These days Ashley spends her time working as an activist and humanitarian and is an ambassador for UNFPA (United Nations Population Fund), which is a sexual and reproductive health agency.

She isn’t the only famous person in her family as she’s the daughter of country music singer Naomi Judd.

Her half sister Wynonna also forayed into the country music world.

The Sports Report Hall of Fame, NFL edition

Those of you who read the Dodgers Dugout newsletter know that for the last few years, we have done a Dodgers Dugout Hall of Fame, asking readers to vote for former Dodgers who they believe should be in this more fan-oriented Hall of Fame. Clayton Kershaw was the most recent inductee, bringing the total to 17 Hall of Famers.

Which got me thinking (always a dangerous thing), what if we had a Sports Report Hall of Fame, as selected by the readers?

The way it works: Each Thursday over the next few weeks, you will see a list of candidates. A different category each week.

This week, the category is L.A. Rams/Chargers/Raiders. You can vote for up to eight players. You don’t have to vote for eight, you can vote for any number up to and including eight. Your vote should depend on what the person did on and off the field only as a member of the L.A. Rams, Chargers or Raiders. The rest of his career doesn’t count. And remember this is a Los Angeles-based Hall of Fame, so there might be some people considerably worthy of being in the Sports Report Hall of Fame who fall short of the actual Hall of Fame for their sport.

Whoever is named on at least 75% of the ballots will be elected. The five people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired to appear on the ballot. And since this is L.A. based, people who spent the majority of their career with the St. Louis Rams or San Diego Chargers or Oakland/Vegas Raiders aren’t eligible. Sorry, Kurt Warner.

How do you vote? For this week’s ballot, click here. Results will be announced soon after balloting in all caregories has concluded.

I’m sure there’s a person or two you think should have been on the ballot. Send that player’s name to me and they might be included in next year’s ballot.

So, without further ado, here is the ballot of the Rams/Chargers/Raiders category

Marcus Allen—We are only counting his time with the Raiders here. He will also appear on the USC ballot. A key member of the L.A. Raiders Super Bowl team and a great running back.

Al Davis—Former owner of the Raiders.

Eric Dickerson—Greatest running back in Rams history. Set the season rushing yards record.

Aaron Donald—One of the greatest defensive players in history, leading L.A. Rams to only Super Bowl win. Retired in his prime.

Tom Fears—Split end for the Rams from 1948-1956. First Mexican-born player to be selected in the NFL draft. Integral part of the Rams’ first NFL championship since moving to L.A. Once had the season receptions record for the NFL.

Tom Flores—Coached the L.A. Raiders to their only Super Bowl title. Was 56-32 with the L.A. Raiders.

Georgia Frontiere—One of the only female majority owners in NFL history. Moved the Rams to St. Louis.

Mike Haynes—One of the greatest cornerbacks of all time, starred in the L.A. Raiders’ Super Bowl victory with one interception, two pass breakups and one tackle.

Elroy “Crazylegs” Hirsch—Great receiver, set the then-NFL record with 1,495 receiving yards in 1951, when the Rams won the NFL title. Later was Rams GM and drafted Roman Gabriel, Deacon Jones and Merlin Olsen.

Deacon Jones—Greatest defensive player in NFL history? Finished with an unofficial 173.5 sacks which would still be third all-time.

Chuck Knox—Coached the Rams to five straight NFC West titles, but could never reach the Super Bowl. Resigned after the fifth straight division title season. Came back to coach again from 1992-94 but wasn’t as successful.

Howie Long—Was with the team during their entire tenure in L.A. Defensive end was a key member of L.A. Raiders’ Super Bowl title team.

Merlin Olsen—Don’t let his acting career as Jonathan Garvey and Father Murphy fool you, Olsen was a valued member of the “Fearsome Foursome.” Olsen played for the Rams from 1962 to 1976. He missed only two games in his 15-season career, was named the NFL’s Rookie of the Year in 1962 and was first-team All-Pro in 1964, and 1966 through 1970.

Jim Plunkett—In 1983, Plunkett went from backup to starting quarterback and led the Raiders to a Super Bowl victory. He and Eli Manning are the only eligible quarterbacks with two Super Bowl wins as a starter not to be inducted into the Pro Football Hall of Fame.

Carroll Rosenbloom—Longtime Rams owner. Team won seven straight NFL West titles while he was owner. Moved the team from L.A. to Anaheim, though the move didn’t happen until after his death in 1979.

Jackie Slater—Played his entire 20-season career with the Rams, 19 of those seasons in L.A. He was considered one of the most consistent members of the best offensive line in the NFL and was recognized for his “work ethic and leadership skills” when he was inducted to the Hall of Fame. Named offensive lineman of the year four times.

Norm Van Brocklin—Platooned at quarterback with Bob Waterfield in the early 1950s. The 1950 Rams averaged 38.8 per game, which is still a record. Van Brocklin and Waterfield finished 1–2 in passer rating as well. They were co-quarterback on the 1951 NFL title team as well. In the opening game of the 1951 season, Waterfield was injured, and Van Brocklin passed for an NFL record 554 yards, which is still the NFL record, 75 years later.

Bob Waterfield—You can read Van Brocklin’s note and apply it to Waterfield as well. Except, Waterfield also played defense and had 20 interceptions with the Rams. He also was a kicker, with 315 extra points and 60 field goals and averaged 42.4 yards as a punter. Other than that, he didn’t do much.

Jack Youngblood—Played in the Super Bowl with a broken leg. Holds Rams records for: most consecutive games played (201); most career sacks in the playoffs (8 1/2); most playoff starts (17); most career safeties (two); second in career sacks (151 1/2); second in most career blocked kicks (eight).

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I have reopened balloting for the other two categories we have presented so far.

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Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.