fame

The Sports Report Hall of Fame, other sports edition

Those of you who read the Dodgers Dugout newsletter know that for the last few years, we have done a Dodgers Dugout Hall of Fame, asking readers to vote for former Dodgers whom they believe should be in this more fan-oriented Hall of Fame. Clayton Kershaw was the most recent inductee.

Which got me thinking (always a dangerous thing), what if we had a Sports Report Hall of Fame, as selected by the readers, of people who made a huge impact on the local sports scene?

This week, the category is the other sports, mainly MLS and WNBA. Is it a perfect category? No, and there will probably be a separate category for soccer next year, with the Sparks moving over to a pro basketball category. You can vote for up to five people. You don’t have to vote for five, you can vote for any number up to and including five. Your vote should depend on what the person did on and off the field only as a member of their local team. The rest of their career doesn’t count.

If there’s a name not on here that you think should be, please send me an email so that person can be included in next year’s ballot.

Any records mentioned are at the time that person retired.

Whoever is named on at least 75% of the ballots will be elected. The three people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired as a player to appear on the ballot.

How do you vote? For this week’s ballot, click here. Results will be announced every Tuesday.

So, without further ado, here is the ballot for the other sports/colleges category.

David Beckham—Six-year tenure with the Galaxy (2007–2012) revolutionized American soccer. Arriving as the league’s first Designated Player, Beckham’s tenure ultimately yielded two consecutive MLS Cup titles in 2011 and 2012 before he departed for Paris Saint-Germain.

George Best—Best joined soccer’s L.A. Aztecs in 1976 after a stellar career with Manchester United. He scored 15 goals in 24 appearances in his first season, but declined after that.

Mauricio Cienfuegos—Playmaker for the Galaxy from 1996 to 2003, making 206 regular-season appearances, scoring 35 goals and 80 assists. Helped the club win the 2002 MLS Cup, the 2001 U.S. Open Cup, and the 2000 CONCACAF Champions Cup.

Johann Cruyff—Joined the Aztecs for just one season in 1979, but scored 13 goals in 25 games and won the most valuable player award.

Landon Donovan—Had a highly decorated career with the Galaxy, making 247 appearances, scoring 112 goals and leading the team to four MLS Cups.

Zlatan Ibrahimovic—played for the Galaxy and in just 58 appearances, he dominated the league, scoring 53 goals and 15 assists. His was named MLS newcomer of the year and had a record-breaking 31-goal season.

Cobi Jones—Spent his entire 12-season Major League Soccer career with the Galaxy. Midfielder made 306 regular-season appearances, scored 70 goals, and provided 91 assists, helping the club secure two MLS Cups and two U.S. Open Cups.

Robbie Keane—Scored 104 goals in 165 matches with the Galaxy and was a key member behind the early 2010s dynasty, earning the 2014 MLS MVP award.

Lisa Leslie—The best player in Sparks history. A three-time WNBA MVP, two-time Finals MVP, and eight-time First Team All-WNBA selection. She led the team to championships in 2001 and 2002.

Mwadi Mabika—Fifth in points scored in Sparks history and a key member of the 2001 and 2002 titles teams.

DeLisha Milton-Jones—A forward who played a major role on the Sparks’ 2001 and 2002 championship teams. Known for her clutch play and is fourth all-time in points scored in team history.

Candace Parker—Drafted first overall by the Sparks in 2008, Parker won the rookie of the year and MVP awards in her debut season. One of the best players in WNBA history, she was the Finals MVP during the Sparks’ 2016 championship run.

Laffit Pincay Jr.—Winningest jockey in Santa Anita history.

Bill Shoemaker—One of the best jockeys in Santa Anita history.

Carlos Vela—LAFC’s first-ever Designated Player. In 2019, he scored a record-breaking 34 goals to lead the Black & Gold to the Supporters’ Shield and was named the MLS MVP. Captained LAFC to its first MLS Cup title in 2022. Retired as the team’s all-time leader in matches played (152), goals (78) and assists (59).

You can vote here. You can vote for up to five people.

Voting is still open in these categories:

To vote in the other colleges ballot, click here.

To vote in the USC ballot, click here.

To vote in the NHL ballot, click here.

The inductees so far:

MLB
Don Drysdale
Clayton Kershaw
Sandy Koufax
Vin Scully
Fernando Valenzuela

NBA
Kareem Abdul-Jabbar
Elgin Baylor
Kobe Bryant
Chick Hearn
Magic Johnson
Jerry West

NFL
Eric Dickerson
Deacon Jones
Merlin Olsen

UCLA
Lew Alcindor
Arthur Ashe
Ann Meyers
Jackie Robinson
Bill Walton
John Wooden

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

The now-influencer appeared on BBC’s Song Marry Avoid when she was just 19-years-old

A woman who appeared on a popular BBC show says she had no choice but to turn down some major opportunities.

Sophie Bow received a dramatic ‘makeunder’ on BBC’s Snog Marry Avoid, which featured the sassy robotic style guru POD (Personal Overhaul Device).

Rather than being given a makeover, those who appeared on the show were given a ‘makeunder’ as they were persuaded less is more.

The show was a huge hit with fans in the late 00s with singer Jenny Frost followed by comedian and Strictly Come Dancing star Ellie Taylor as the host. The BBC Three show aired from 2008 until its sixth and final series in December 2013.

Sophie was just 19 when she first appeared on our TV screens, when she encountered POD as a teenager who loved lots of fake tan, heavy makeup and eye-catching outfits covered in sequins and glitter.

At the time, viewers fell in love with the teen and show bosses were keen to get her back on our TV screens for other projects.

Now 33, she has become a popular social media content creator but revealed that she was forced to turn down a number of TV opportunities because of her anxiety.

Looking back on her journey since appearing on Snog Marry Avoid, she took to TikTok and gave fans an update on her life today.

She started off by saying: “I would say appearing on telly back in the day definitely helped my career.

“Back then it was a very popular show but it disappeared off the face of the earth and no one knows why or where it went but it would be so good if they brought it back.”

She revealed: “After being on that show, I did actually get casted for the first ever Love Island but I was in a relationship. I’ve always been in a relationship so I never went on the show. “

However her relationship wasn’t the only thing holding her back as she explained: “But there have been so many opportunities that I actually did miss out on – throughout my life because I do have anxiety – I suffer badly with anxiety.

“I don’t really know what triggered it but I do get quite back anxiety. Even to this day I get asked on brand trips or anything outside my comfort zone, if I’m not going with somebody I can’t.”

The influencer added: “I really need to push myself to do more. I have a little boy and he is the best thing ever so I did take a little break from social media for a little while but then I did go back into social media.

“I did lose quite a lot of following from having the break then I started a TikTok account and here I am.”

The Sports Report Hall of Fame, other colleges edition

Those of you who read the Dodgers Dugout newsletter know that for the last few years, we have done a Dodgers Dugout Hall of Fame, asking readers to vote for former Dodgers whom they believe should be in this more fan-oriented Hall of Fame. Clayton Kershaw was the most recent inductee.

Which got me thinking (always a dangerous thing), what if we had a Sports Report Hall of Fame, as selected by the readers, of people who made a huge impact on the local sports scene?

The way it works: Each Thursday over the next few weeks, you will see a list of candidates. A different category each week.

This week, the category is the other colleges. You can vote for up to 15 people. You don’t have to vote for 15, you can vote for any number up to and including 15. Your vote should depend on what the person did on and off the field only as a member of their school. The rest of their career doesn’t count.

If there’s a name not on here that you think should be, please send me an email so that person can be included in next year’s ballot.

Any records mentioned are at the time that person retired.

Whoever is named on at least 75% of the ballots will be elected. The 10 people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired as a player to appear on the ballot.

How do you vote? For this week’s ballot, click here. Results will be announced every Tuesday.

So, without further ado, here is the ballot for the other sports/colleges category.

Abe Alvarez—One of the greatest pitchers in Long Beach State history. The all-time winningest left-hander in school history who won back-to-back Big West Pitcher of the Year awards in 2002 and 2003.

Damon Allen—A four-year quarterback (1981-84) and three-year pitcher (1983-85) at Cal State Fullerton. He led the football team to its only two conference (Pacific Coast Athletic Assn.) championships in 1983 and 1984.

Dain Blanton—At Pepperdine, lettered for four seasons (1991-94) as an outside hitter. Blanton was a key member of the 1992 NCAA championship team. Still holds the Pepperdine record for digs per game (2.30), and previously held the career record for total digs (707).

Lynn Biyendolo—The first Pepperdine Wave to represent Team USA on the international stage, Biyendolo was the 2011 West Coast Conference Freshman of the Year and eventually became a three-time All-West Region and WCC First Team selection. As a senior, Biyendolo put together an All-American season and helped the Waves reach the NCAA Round of 16 for just the third time in program history.

Doug Christie—A men’s basketball player at Pepperdine, Christie earned All-American honorable mention honors in his junior and senior seasons, and was named the West Coast Conference’s Player of the Year in both 1991 and 1992. He led the team in scoring, assists and steals both seasons and Pepperdine won both WCC regular-season and tournament titles and advanced to the NCAA tournament.

Tara Cross-Battle—A four-time All-American in women’s volleyball, Cross-Battle was the NCAA Player of the Year in 1988 and 1989. When she graduated, she had recorded more kills (2,767) than any man or woman in NCAA history and is or was the holder of nearly every Long Beach State record.

Bob Ctvrtlik—Though he played men’s volleyball at Pepperdine for just one season (1985), Ctvrtlik was the National Player of the Year and led the Waves to the national title. Ctvrtlik led the 1985 squad with 424 kills, 103 digs and 27 service aces and was named MVP of the NCAA tournament.

John Fishel—Holds NCAA records for the most career games played (295) and at-bats (1,114). He was the Most Outstanding Player of the 1984 College World Series.

Jeff Fryer—A key member of Loyola Marymount’s run to the Elite Eight in 1990. Averaged 22.7 points per game in 1990 and finished his career averaging 17.2 points, hitting 363 three-pointers.

Augie Garrido—While at Cal State Fullerton, Garrido’s baseball teams won three national championships, made seven College World Series appearances and 16 conference championships including 11 in a row (1974-84). Four times he won national coach of the year honors.

Hank Gathers—While at Loyola Marymount, Gathers led the nation in scoring (32.7) and rebounding (13.7 RPG) as a junior, only the second player at the time to lead the NCAA in both categories in the same season. LMU’s all-time leading scorer with 2,490 points.

Ashley Gonzales—Long Beach State’s career goals scored leader with 36, Gonzales was a dangerous striker for women’s soccer who led the school to three NCAA tournaments in her four seasons.

Dan Haren—As a pitcher at Pepperdine, Haren won Freshman All-American honors in 1999 from Baseball America and Collegiate Baseball. He was also the West Coast Conference’s Freshman of the Year. In 2001, he earned All-American second team honors and was named conference player of the year after going 11-3 with a 2.22 ERA and hitting .308 with five home runs and 47 runs batted in. Pepperdine advanced to NCAA Regional play in both 1999 and 2001.

Bo Kimble—Led Loyola Marymount to the Elite Eight in 1990 and led the nation in scoring with 35.5 points per game. Only player in school history to score 50 points in a game and he did it four times.

Billie Jean King—While her collegiate career was interrupted repeatedly by national and international competition, she won the Ojai Tennis Tournament intercollegiate singles title while playing for Cal State L.A.

Shayna Kimbrough—An outstanding shortstop for Long Beach State, and one of just two players in Big West history to be named the Big West Offensive and Defensive Player of the Year.

Mark Kotsay—Won the 1995 Golden Spikes Award while at Cal State Fullerton as the nation’s best college baseball player and is an inductee into the College Baseball Hall of Fame.

Evan Longoria—Spent two seasons at Long Beach State, hitting .336 with 16 home runs with 73 RBIs. The Big West Co-Player of the Year in 2006, Longoria was a Golden Spikes Award finalist.

Kevin Magee—A two-time All-American in the early 1980s while playing basketball at UC Irvine, Magee was also the PCAA Player of the Year in 1980–81 and 1981–82. In those two seasons, he averaged 26.3 points and 12.3 rebounds per game. Was a first-team All-American in 1981, when he became the first player in NCAA history to finish in the top four in three statistical categories, finishing third in the country in scoring (27.5), second in field-goal percentage (67.1) and fourth in rebounding (12.5).

Misty May-Treanor—Led the Long Beach State women’s volleyball team to an undefeated 34-0 national championship season in 1998.

Phil Nevin—Led Cal State Fullerton to the College Baseball World Series title game in 1992 and won the Golden Spikes Award.

Christian Okoye—The most celebrated athlete in Azusa Pacific history. Was a nine-time NAIA champion in track and field and a two-time NAIA All-American first team pick in football. On the track, Okoye led Azusa Pacific to four straight NAIA Outdoor Track and Field national championship titles (1983-86). He was the first person in NAIA history to win the discus four years, setting the NAIA record in the process with a heave of 208-4 in 1985. When Okoye was not selected for the Nigerian Olympic team of the 1984 Los Angeles Summer Games, he turned his attention for the first time ever to football and became one of the greatest running backs in small college football history, setting 14 school records and, in 1986, leading all of college football by averaging 186.7 rushing yards a game.

Mark O’Meara—As junior men’s golfer at Long Beach State in 1987, O’Meara won the U.S., California and Mexican amateur championships.

Mark Pringle—Despite playing just two seasons at Cal State Fullerton, he became the program leader in rushing touchdowns, and is second in rushing yards and scoring. In 1989, he set the single season all-purpose yards record with 2,690. Pringle also shared the NCAA single-game rushing record at one point with 357 yards against New Mexico State.

John Rambo—He led the Long Beach State basketball team in scoring in 1965 (20.3 points per game) and dominated in track. He was a two-time national champion in the high jump and, in 1964, jumped 7-1 to earn a bronze medal at the Tokyo Olympics.

Ed Ratleff—A two-time consensus All-American at a time when only 12 players in NCAA history had done so, Ratleff led Long Beach State to conference titles and NCAA tournament appearances in 1971, 1972 and 1973. He finished his three-year career as the school’s all-time scoring, rebounding and assist leader.

Sam Robinson—Jerry Tarkanian’s first recruit to Long Beach, Robinson led the 49ers to a pair of conference titles. He averaged 19.7 points and 10.3 rebounds a game during the 1969-70 season when Long Beach went 24-5 and earned its first invitation to the NCAA tournament. In 1970, Robinson became the first 49er taken in a pro basketball draft.

TJ Robinson—Still the only Long Beach State player to grab over 1,000 rebounds in his career, with 1,208. Fifth in career scoring with 1,718 points, Robinson was part of Long Beach State’s “Fab Four,” starting as freshman and winning back-to-back Big West titles before leading them to the 2011-12 NCAA tournament.

Terry Schroeder—Played men’s water polo for four seasons at Pepperdine and was the head coach for 20 seasons. As a player, earned three All-American awards and set school records for goals in a career (392) and season (138 in 1978). As head coach, he posted a career record of 340-220 and took Pepperdine to the NCAA championships eight times, including the program’s only national championship in 1997.

Steve Scott—Still holds the UC Irvine record in the 1,500 meters. The UC Irvine Steve Scott Invitational is named after him. Won the 1977 NCAA Men’s Outdoor Track and Field Division I championships 1,500-meter title after winning the 1,500 twice and the mile once at three previous NCAA Division II meets.

Jim Snyder—Played tennis for UC Irvine and was the first in school history to be named Big West Men’s Tennis Player of the Year in 1981, then won it again in 1982 and 1983. Won three straight Big West individual singles and doubles titles. First Anteater to qualify for the NCAA Division I tournament in singles. Compiled a 132-53 record and is still UC Irvine’s all-time singles wins leader.

Dwight Stones—Dominated the high jump while at Long Beach State. Set a world record on June 5, 1976 when Stones jumped 7-7 to win the NCAA championship.

Andy Sythe—Retired after 35 years as coach of the Cal State Long Beach track and field team. Over his tenure, he was named Big West Track and Field Coach of the Year 11 times.

Jerry Tarkanian—Compiling a 121-20 mark in his five years coaching Long Beach State men’s basketball. During that span, his teams won one California Collegiate and four Pacific Coach Athletic Assn. championships. Tarkanian’s last four 49er teams qualified for the NCAA Tournament and his 1971 team came within inches of the Final Four, losing to UCLA, 57-55.

Penny Toler—Key member of two Long Beach State Final Four teams in 1987 and 1988, Toler was a two-time All-American and a two-time Pacific Coast Athletic Assn. Player of the Year.

Jenny Topping—One of the most decorated players in softball history. She won an Olympic gold medal with Team USA at the 2004 Summer Olympics in Athens and was inducted into the Cal State Fullerton Athletics Hall of Fame.

Troy Tulowitzki—Started at shortstop for three years for Long Beach State. A second-team All-Big West selection as a freshman, Tulowitzki then made two first-team All-Big West teams while also earning All-America honors as a junior. Hit .310 over his career with 20 home runs, Tulowitzki then became the highest draft pick in school history, drafted No. 7 overall by the Colorado Rockies.

Tim Wallach—Won the 1979 Golden Spikes Award while at Cal State Fullerton.

Jered Weaver—Won seven different national player of the year awards after the 2004 season, during which Weaver led the nation in wins (15) and strikeouts (213), finishing the season with a 1.62 ERA and a 15-1 record over 144 innings. That capped a career that saw Weaver post a 37-9 overall record with a 2.43 ERA and 431 strikeouts with 73 walks. He holds the Long Beach State and Big West career records in wins and strikeouts, and also leads the school record books in innings pitched (370), starts (55), and consecutive wins (14).

Randy Wolf—Went 25-8 overall at Pepperdine and posted a 1.97 earned-run average with 328 strikeouts in 315 innings pitched. On Pepperdine’s all-time lists, he finished his career first in strikeouts and shutouts, second in ERA, fifth in innings pitched and seventh in wins. Wolf’s Pepperdine team won the 1995 WCC championship and advanced to the 1995 NCAA West Regional. During his time at Pepperdine, he pitched for the U.S. National Team in 1995 and 1996 and posted a 6-0 record.

Leon Wood—While at Cal State Fullerton, he led the United States’ men’s basketball team to gold in 1984, playing point guard. Earlier that year he earned first-team All-American honors.

You can vote here. You can vote for up to 15 people.

Voting is still open in these categories:

To vote in the UCLA ballot, click here.

To vote in the USC ballot, click here.

To vote in the NHL ballot, click here.

The inductees so far:

MLB
Don Drysdale
Clayton Kershaw
Sandy Koufax
Vin Scully
Fernando Valenzuela

NBA
Kareem Abdul-Jabbar
Elgin Baylor
Kobe Bryant
Chick Hearn
Magic Johnson
Jerry West

NFL
Deacon Jones
Merlin Olsen
Eric Dickerson

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Comedy director James Burrows, the 11-time Emmy-winning director who co-created “Cheers” and helped turn such long-running sitcoms as “Taxi,” “Friends,” “Will & Grace” and “The Big Bang Theory” into fan favorites, has died, his family confirmed to People. He was 85.

“We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family,” his family said in a statement to People. “For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”

A master of the multi-camera sitcom, Burrows started his career shooting episodes of “The Mary Tyler Moore Show” in 1974 and “The Bob Newhart Show” in 1975. He soon joined the quality-oriented production company, MTM, which counted James L. Brooks, Steven Bochco and Gary David Goldberg among its alumni.

“They were smart enough to know that it’s better to have a director who can talk to actors rather than a director who can move cameras. You can’t really learn how to make something funny, but you can learn to move the cameras,” Burrows said in a 1995 interview with The Times.

Burrows was born in Los Angeles and later moved to New York with his family where he attended the High School of Music & Art. He graduated from Oberlin College and completed a graduate program at the Yale School of Drama. He worked years as a stage manager with his father, a playwright and director, assisting on shows such as “Breakfast at Tiffany’s” starring Moore and Richard Chamberlain.

He solidified his name in television with “Cheers,” co-creating the lively Boston travern “where everybody knows your name” with Glen and Les Charles. Over its 11 seasons on the air, Burrows directed 237 of its 275 episodes, emerging as a behind-the-scenes comedy legend.

“You bring ‘em in, you sit ‘em down and they talk. That’s all ‘Cheers’ was,” Burrows told The Times. “The word is more important than the goofiness. It was all about the words — which is how I was trained, how my father was trained, how anybody who reads books is trained. It’s the word.”

His father, Abe Burrows, was a Pulitzer Prize-winning playwright, screenwriter and director who performed in radio comedies and co-wrote the books for the Broadway musicals “Guys and Dolls” and “How to Succeed in Business Without Really Trying.” The younger Burrows said that growing up on radio comedies helped him hone his ear for humor.

“I know what’s funny, and I probably know the best way to deliver the joke. Whether it’s walking out of a room, facing that way, facing this way,” Burrows said in a 2010 interview with The Times. “I just have a sense of that.”

Another skill he learned from his dad? was working on his feet.

“He’d run the scenes over and over. He created this wonderful camaraderie, which I always try to do. I love to do ensemble shows because that’s where you get the camaraderie.”

Burrows, often considered a fatherly manager, tried to bridge the gap between actors and writers and notably took the cast of “Friends” on a trip to Las Vegas before directing 15 episodes of the blockbuster comedy. He also threw a party for the “Mike & Molly” cast to build rapport because he believed when everyone liked each other, it showed onscreen.

Actors would know when a joke landed when they would hear Burrows giggle as the scene unfolded.

“I’m the guy that wants you to walk the comic plank for me,” he said. “Take it as far out as you want to take it and I’ll bring it back. Sometimes I’ll take it further. But trust me.”

With his slate of hits — he’s credited for directing several shows in NBC’s primetime “Must See TV” lineup of the 1990s — Burrows amassed sizable wealth and, from an early age, was in constant demand by those seeking his magic touch for their show. However, he also saw his fair share of flops: Henry Winkler’s “Monty, “Cafe Americain” with Valerie Bertinelli and a slew of promising pilots that never got off the ground. He also felt that ABC’s “The Associates” and “The Class” on CBS were canceled too soon.

From 1998 to 2006, Burrows helmed every episode of “Will & Grace,” the Emmy-nominated sitcom about a woman and her gay best friend that aired on NBC for eight seasons during its original run. To Burrows, it was the funniest show he ever worked on. He was also behind the camera for the comedy’s 2017 revival, which brought the envelope-pushing antics of Will, Grace, Jack and Karen back for three more seasons.

“It was a fairytale literally and figuratively,” he said in a 2016 Hypable interview. “It was not of the real world in a strange kind of way. These were exaggerated characters. Although they were grounded with Will and Grace, there was this exaggeration that made the stuff you could do and get away with on that show so extraordinary.”

He won his 11th Emmy Award serving as an executive producer on 2019’s all-star re-staging of “Live in front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’” A year earlier, he was nominated for directing the “‘All in the Family’ and ‘The Jeffersons’” TV special.

James Burrows behind the scenes.

(Chris Pizzello / Invision / Associated Press)

Throughout his career Burrows had a penchant for directing pilots because it meant “you’re better than an episodic director” and could create something new in the writer-driven medium of television. He was also drawn to “more uptown, the more urbane, the more sophisticated” comedies. He tried doing cinema once — 1981’s “Partners” with Ryan O’Neal and John Hurt — and said the result confirmed his belief that he was built for television.

“I’m not a cinematic guy. I’m a theater guy. For what I do, I need a live audience,” he said in a 2016 interview with the Television Academy.

Among his favorite TV moments were the pilots for “Frasier” and “Third Rock From the Sun,” the long-awaited kiss between Sam (Ted Danson) and Diane (Shelley Long) and Woody’s (Woody Harrelson) wedding on “Cheers,” Rev. Jim (Christopher Lloyd) taking his driving test in “Taxi,” Ross (David Schwimmer) being attacked by a cat in “Friends” and Will, Grace, Jack and Karen getting in the shower together on “Will & Grace.”

Late into his career, Burrows continued to work in the multi-camera sitcom format, which is shot in a studio, usually before a live audience. In 2013, he was honored by the Television Academy, and, in 2016, he celebrated directing his 1,000th episode of television programming, crossing the milestone with an episode of “Crowded.” NBC marked the milestone with “Must See TV: An All-Star Tribute” special. According to critics, the show — billed by several outlets as the elusive “Friends” reunion and came off as a living eulogy to Burrows — fell short and did not do the legendary director justice.

In all, Burrows was nominated for 45 Emmy Awards and 17 Directors Guild of America Awards.

TEDDY SWIMS says he is glad he was 30 years old before achieving global success – otherwise he could have gone off the rails.

The US star, whose single Lose Control sent his profile rocketing in 2023, said he doesn’t understand how younger stars like Benson Boone have coped with their early fame.

Teddy explained: “He’s crushing it at, like, 23. If they would have gave me that at 23, I would have sent that straight up my nose.

“Thank God it happened to me at the time it did and I’m capable of understanding this and taking it seriously.

“I’d have probably been so terrible about it. I’d have spun out immediately if I’d been given that at such a young age.”

Since then though, Teddy’s had further hits with The Door and Bad Dreams, but doesn’t let success get to his head.

AT WHAT PRICE?

Katie leaps into Lee’s arms after jail release… as she vows to question him

I’LL COPACABAN-YA

Moment fan rushes Barry Manilow on stage before wrestling with security

He said: “I try not to hang up my diamond or platinum records in my house, because I feel like I’ll just be looking at them and be like, ‘My best days are behind me,’ or something.

“So I try just to keep my head down and keep rocking.”

Asked if they’re in storage, he confessed: “A lot of them I’ve given to my family on Christmas. It saves me a little money there too.

“You know, my aunt’s got The Door gold record from a year ago.”

A real beauty spot, Maya

MAYA JAMA is clearly feline fine as she turns up the heat in a skimpy leopard-print mini dress.

The Love Island host sizzled as she fronted the dating show’s ITV2 spin-off Aftersun in the slinky number.

Maya, who previously dated grime star Stormzy, split from her Manchester City footballer boyfriend Ruben Dias in April after 18 months together.

But she clearly isn’t moping around, and has been on holiday in Ibiza, where she flaunted her curves in a tiny bikini.

Maya said of the break-up: “I’m an all-or-nothing girl, I don’t casually date, so yes, I will love loudly or not at all – and if it ends, it ends. I decided a long time ago not to base my life decisions on public opinions.”

Sounds like she’s got the dating game sussed.

JACK WHITEHALL has apologised to Becky Hill for calling her a “Wetherspoons Whitney”, claiming the pair “had a chuckle” about his dig – despite her writing diss track Daddy’s Range Rover about him.

I revealed last month how Becky has penned the song all about him making her the butt of a joke while he hosted the 2024 Brits.

Jack says: “I think my biggest surprise is it’s taken so long for some- one to write a diss track about me. I apologised when I saw her.”

Becky doesn’t sound like she sees the funny side, however – blasting the “privately educated nepo baby”.

Jesy’s hol of a look

LITTLE MIX singer Jesy Nelson celebrated her 35th birthday pondering what is coming next for her.

Holidaying with friends, she mused: “Whatever will chapter 35 bring?”

Well, it is unlikely to bring a reunion with her estranged former bandmates.

Jesy was not a guest at Perrie Edwards’ wedding to Alex Oxlade-Chamberlain in Portugal over the weekend, after Perrie said Jesy made her “blood boil” by claiming she felt unsupported during a mental health crisis.

Whatever comes next, it’s going to be a page-turner.

LEAH LETS LOOSE IN IBIZA

ENGLAND women’s football captain Leah Williamson made the most of her break from the game by enjoying a wild girls’ trip to Ibiza.

I’m told the Arsenal player let her hair down at the White Isle’s most legendary club Pikes last week.

Then on Friday night she let loose at Calvin Harris’ residency at superclub Ushuaia, where she partied with pals and her model girlfriend Elle Smith.

One onlooker told me: “Leah was ­having a great time doing shots with her mates – she was really ­living her best life.”

A calf injury meant she was ruled out of the last Lionesses squad, and it sounds like she is still feeling the effects as Leah wasn’t dancing as much as her mates.

But I reckon a blow-out in Ibiza might be just what she needs before getting her head back in the game.

FRESH off a collaboration with Ed Sheeran, Martin Garrix has teamed up with Madonna.

The Dutch DJ debuted Bizarre, one of the tracks from Madge’s highly anticipated Confessions II album, during a New York party.

From the clip I’ve heard, it sounds like an absolute beast.

ASTON: MY BOY’S READY TO HAVE BITE AT POP STARDOM

JLS star Aston Merrygold reckons he could have the next Justin Bieber on his hands in the form of his talented eldest son.

He revealed that eight-year-old Grayson Jax is already showing serious star potential.

The Beat Again singer said: “My oldest is full-on – he’s ready, he wants to do everything. He’s so much better than I ever was. Little Justin Bieber on the way.”

While fans wait to see if another Merrygold is about to hit the charts, Aston is juggling life as a musician with being a hands-on dad to his three children and setting a good example.

The singer has teamed up with Bupa Dental Care to launch the kids’ story and audiobook The ­Dentist’s Apprentice, aimed at ­helping youngsters overcome fears over check-ups on their teeth.

Aston said: “The whole premise is about trying to get rid of dental anxiety that young people have.

“Having all that pent-up anxious energy is not healthy for anyone. The dentist is about check-ups, it’s about prevention.”

Aston will soon be back on the road with JLS for their UK tour.

They are playing eight more shows, ending in Derby on August 29.

DAVID Beckham can’t keep away from his Hollywood Walk of Fame star, proving to be is own biggest fan.

It has been a monumentous week for David, 51, who got honoured with the coveted star on the iconic walkway on Friday.

And it seems that Sir David still can’t get over the exciting honour.

He was seen posing with it the day after it was unveiled at a formal event attended by his famous family.

Crouching down to see it while donning casual clothes, the sporting legend looked proud as punch as she took a selfie with the star.

His wife Victoria then snapped a photo of her husband as he took the selfie, with her sitting several feet away from him.

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She then uploaded the snap to her own Instagram story and wrote: “Spotted. @davidbeckham fan.”

David’s wife Victoria Beckham and three of their children, Harper Seven, Cruz and Romeo were all in attendance at the formal event that saw the iconic star unveiled on Friday.

David’s eldest child Brooklyn failed to show up to the very special event, despite living down the road from the Los Angeles location that the unveiling took place.

As David gave his speech before unveiling the star, he mentioned his children – but did not name them individually.

“My beautiful children who are the reason I get out of bed in the morning,” he said while choking back tears.

“Kids, I hope you bring my grandchildren here one day and tell them about a boy who dreamed big,” he added.

After the star’s unveiling, the Beckham’s youngest child Harper visited eldest sibling Brooklyn’s Los Angeles home.

The 14-year-old, who was in the US to see footballer dad get his star on the Hollywood Walk of Fame, was seen arriving at the plush Beverly Hills pad in a SUV.

According to claims in Page Six, Harper arrived “unannounced” and “left seconds later without seeing him”.

A source then told the publication how the budding chef, married to actress Nicola Peltz, was out of town with his wife.

Earlier this year, David and Victoria Beckham‘s eldest son let rip at his parents in a brutal social media takedown – and said he has no wish to reconcile.

In a scathing statement, Brooklyn told how he grew up with “overwhelming anxiety” having been “controlled” by his parents most of his life.

His initial statement read: “I have been silent for years and made every effort to keep these matters private.

“Unfortunately my parents and their team have continued to go to the press, leaving me with no choice but to speak for myself and tell the truth about only some of the lies that have been printed.

“I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

He then went on to recall the night of his wedding and how his mother danced in an “inappropriate way”.

Brooklyn also sent his parents David and Victoria a legal notice warning they can now contact him only via lawyers.

The extraordinary “desist” letter also instructed them not to “tag” him on social media.

THE Ibiza Final boss has confirmed he’s SPLIT from his girlfriend amid reunion rumours as his viral fame ends the romance.

Newcastle lad Jack Kay’s life changed forever after he became an overnight viral sensation.

The 26-year-old was spotted boozing and grooving while holidaying on the Spanish island of Ibiza.

A clip of the former builder was viewed over 20 million times last August and fans became obsessed as they felt his distinctive look perfectly encapsulated the party isle’s clientele.

Jack became known for his bowel haircut, oversized chain, vest top and square shades and it wasn’t long before his girlfriend, Alisha Cook, decided to stake her claim.

But it has now been confirmed the pair have gone their separate ways.

Read more on Ibiza Final Boss

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Jack told The Sun he was single and doesn’t see a Mrs Final Boss on the horizon for quite some time.

Although the Misfits boxer did hint that he could find the one over on the party isle.

He said: “I might do.

“But I haven’t found Mrs Ibiza Final Boss yet, but probably a couple of years for that.”

It seems Jack’s partying days are not yet behind him as he admitted he’ll be making his way back to Ibiza this summer.

His pals told us last year that his stunning ex Alisha drew a line under their relationship after she became sick of him living it up with the lads.

The debt collector, from Durham, was furious and pulled the plug before he jetted off.

However, it was then rumoured they’d reconciled but he was “skating on thin ice.”

When Alisha was approached for comment, she confessed she “loved him” and they were “back together.”

Jack spent weeks enjoying his sudden fame in Ibiza and it seems the pair couldn’t navigate him being in the spotlight.

Ahead of his Misfits boxing match on Saturday he admitted he won’t be returning to his day job as a builder.

Jack said there’s “definitely not” anything to miss from working in construction.

He added: “This life’s the easy life.”

The Ibiza Final Boss will face off against Manchester rapper Jordan McCann in the ring after two months of being sober.

Bill Cody, the Grand Ole Opry and longtime WSM Radio host who woke up listeners with his velvet voice and country music lore, has died. He was 67.

The Tennessee radio station confirmed Cody’s death on social media on Tuesday, writing, “It is with heavy hearts that we share the passing of our dear friend and beloved WSM voice, Bill Cody.

“A singular presence on WSM-AM Nashville for more than three decades, Bill welcomed listeners each morning on Coffee, Country & Cody with a broad smile, a conversational ease, and an unerring ability to make both artists and audiences feel at home. He joined WSM in 1994 and had Charlie Daniels as his first in-studio guest. He built more than a morning show; he created a gathering place rooted in his deep love for country music and the people behind it.”

In late May, Cody’s daughter Hannah Davis shared that the radio host had been admitted to the intensive care unit with heart and kidney failure. “After weeks of being on a roller coaster of emotions, tests, dialysis, medications, steps forwards and steps backwards, it was determined earlier this week that his only option for survival would be a double transplant, heart and kidney,” she wrote on Facebook. “We need a miracle and we know God is able.”

On Tuesday, she wrote that Cody had died peacefully surrounded by family and “was welcomed into heaven as thunder bellowed outside, and we laughed because we knew it was a band of angels rejoicing.”

With nearly 50 years on the airwaves across syndicated radio, television and film, Cody was honored with a star on the Music City Walk of Fame in the fall of 2024. His credits included the film “American Saturday Night: Live From the Grand Ole Opry,” the television show “Tennessee’s Wild Side” on PBS, “Ray Stevens’ Nashville” on RFD-TV, and GAC TV’s “Master Series.”

In 2008, the beloved Nashville host was inducted into the Country Radio Hall of Fame, and across his career, he earned multiple nominations from the Country Music Assn., the Academy of Country Music and Billboard for his contributions to broadcasting.

Born Trent Clutts on Dec. 16, 1958, in Huntsville, Ala., Cody was inspired to pursue a career in broadcasting during visits to a Kentucky radio station with his dad. His father was a Southern Baptist minister, and his Sunday morning sermons were broadcast on the radio in the afternoons. Cody couldn’t get enough of the goings-on at the station when the two would stop by to drop off cassettes.

In 1971, when the radio host was 17, he was hired as a night deejay at WVLK in Lexington, Ky., but the program director didn’t think “Trent Clutts” had the right ring for radio. Cody named himself after “Buffalo Bill,” one of the most famous showmen of the American Old West, and used the moniker for the rest of his career.

As a teenager, Cody noticed a girl named Rebecca during study hall and, according to Davis, winked at her from across the room. The wink sealed the deal and the two spent more than 50 years as a couple, welcomed three children — Luke, Hannah, and Levi, who died in 2025 — and eventually grandchildren, who called him PoPo. The family lived in Cross Plains, Tenn.

“Like so many of us at the Opry, Bill Cody lived out his dreams on the Opry stage. More times than I could count he and I would look at each other as if to say, ‘Can you believe we get to do this?’” Dan Rogers, executive producer at the Grand Ole Opry, wrote on social media.

“Even better, he made Opry audiences tuned in from around the world feel like they were here too, themselves a part of country music’s most famous show. Then, he’d get up early the next morning and — with that signature smile in his voice — tell everybody about it on his show.

“He was the best of friends to country music and to everyone who was a part of it. We’re sure going to miss him.”

The second ballot we sent out for the L.A. Times Sports Report Hall of Fame was the NBA ballot, with 24 names appearing. People were able to vote for up to 10 candidates.

Reminder: Whoever is named on at least 75% of the ballots will be elected. The five people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired to appear on the ballot.

There were 12,725 ballots cast in the NBA voting, and six candidates received at least 75% of the vote, and a worthy six they are.

Inductees

Kareem Abdul-Jabbar, appeared on 99.3% of ballots

Magic Johnson, 96.2%

Jerry West, 94.7%

Kobe Bryant, 90.1%

Elgin Baylor, 76.2%

Chick Hearn, 75.8%

Didn’t make it, but will remain on ballot

Shaquille O’Neal, 72.8%
Wilt Chamberlain, 59.9%
Pat Riley, 58.4%
Jerry Buss, 53.3%
James Worthy, 49.5%
Phil Jackson, 41.6%
Gail Goodrich, 24.4%
Jamaal Wilkes, 12%
Michael Cooper, 10%
Pau Gasol, 8.1%
Jack Kent Cooke, 7%
Blake Griffin, 5.2%
Ralph Lawler, 4.4%

Bottom five, dropped from ballot for two years

Chris Paul, 4.1%
Derek Fisher, 3.8%
Byron Scott, 3%
Elton Brand, 2.5%
Stu Lantz, 1.9%

Thanks to everyone who voted! There is still time to vote in our other active categories. The next ballot will be released Thursday morning.

To vote in the Rams/Chargers/Raiders ballot, click here.

To vote in the UCLA ballot, click here.

To vote in the USC ballot, click here.

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

In this week’s episode of The Envelope podcast, “Love Story” stars Paul Anthony Kelly and Sarah Pidgeon open up about inhabiting John F. Kennedy Jr. and Carolyn Bessette — and creating a cultural moment of their own.

Kelvin Washington: Welcome to the next episode of The Envelope, Kelvin Washington alongside Yvonne Villarreal; we got Mark Olsen as usual. And so you, my friend, had a chance to speak with stars of “Love Story” — Ryan Murphy, of course, tackling love with this. So it got me thinking, give me some real-life love stories that you’d like to see portrayed, maybe next season. Some love stories you always found interesting.

Villarreal: This one doesn’t have a tragic ending, and that’s why I want it. And that is Ina and Jeffrey Garten. “Barefoot Contessa”!

Olsen: I didn’t know that there was a great romance in her life.

Villarreal: Mark. You’ve never heard of Jeffrey? You don’t know Ina and Jeffrey. OK, this is why we need it. That man adores Ina and anything that she makes. Chicken, anything. This is a love story I need to see get the full display. I’ve read it in her book, but I need —

Olsen: So like “Julie & Julia.” Julia Child and her husband.

Villarreal: But cuter, sweeter, more adoring.

Washington: Loving the food theme here.

Villarreal: She’ll make anything and he thinks it’s delicious, and she laughs at everything he says, and I just want more of it, and I’m very curious what a Ryan Murphy take on Ina and Jeffrey would be.

Olsen: But see, that’s the thing. A Ryan Murphy take on that would ruin it for you.

Washington: That would be dramatic and spicy. Salacious.

Villarreal: Nothing could ruin it for me.

Washington: You got one?

Villarreal: Yeah, what’s yours?

Olsen: Well, I have two. One is because the sort of the ’90s vibes of “Love Story.” So you would obviously do Kurt Cobain and Courtney Love. And that one would be very exciting and dramatic and very ’90s-ish. But I think for more of a torn-from-the-headlines [version], Taylor Swift and Travis Kelce.

Villarreal: It’s too current.

Olsen: That’s why though.

Villarreal: How about you?

Washington: So I’m gonna stay with your ’90s. Instead of the pop grunge. I’m going to go R&B pop. I’m going to go Bobby and Whitney.

Olsen: I mean, that’s gold right there.

Washington: I’m just saying. You got love, you got fame, you got tragedy. You’ve got stuff that we didn’t know about behind the scenes.

Villarreal: Maybe he could hire us as head writers for each of these seasons and we can all have our say.

Washington: We can all have our own season. So as I mentioned, Yvonne, you had a chance to sit down with Paul Anthony Kelly and Sarah Pidgeon of “Love Story.” How’d that chat go?

Villarreal: They play John F. Kennedy Jr. and Carolyn Bessette, respectively, and it sort of looks at this seven-year tumultuous relationship and what they both endured navigating the spotlight and what that did to them, how they each felt about it. So it was interesting to get the take from Paul and Sarah about how they’re also navigating the spotlight, because I feel like social media fame is quite different than what John and Carolyn were navigating back then. And I was curious to see what it was like for them. So yeah, it was an interesting conversation.

Washington: All right, let’s get into that conversation now.

Sarah Pidgeon and Paul Anthony Kelly, the breakout stars of FX’s “Love Story.”

(Jason Armond / Los Angeles Times)

Villarreal: I imagine doing this series has been a sort of singular experience. What do you want to remember about this moment that you’re in?

Kelly: All of it’s so fun, it’s exciting. It’s definitely, for me, a new muscle that I’m learning to use and explore and stretch and flex. And I get to hang out with her a little bit more. It was wonderful.

Pidgeon: I think it’s just really hard to contextualize what this [is] — [to Kelly] I don’t know if you feel this way too — because there hasn’t been a ton of space from even the show having all the episodes come out. I don’t think I totally understand how this fits into the story of my life. I recognize that we’re experiencing something very exciting. And I think I speak for both of us that we feel really grateful and so honored to have taken on these roles and that it’s resonated and has excited people. But being out and about in New York and someone stops you and says, like, “Are you that girl from that show?” … When you’re making something, it can feel so insular. I remember when I started, I had a freak out sort of midway through like, “Oh, this is actually going to come out. It’s not just about the making of it. People will see it.” I had a huge heat rash. [To Kelly] Remember when we were in Hyannis Port? I just haven’t totally had that perspective. It’s just been very full-on in the most exciting, lovely, happy way.

Kelly: It’s all unfolded in succession. There’s been no period of time to really process. I can’t believe I did it, still. It’s out and it’s exactly the same thing … people are like, “Hey, you’re the guy in that thing, right?” I’m like, “Yeah.”

Villarreal: Has it happened in an awkward way?

Kelly: No, no, it’s all been overwhelmingly positive. I guess that’s best-case scenario, but I still try to walk around with a mustache and glasses and a hat and they’re still like, “Hey …!”

Villarreal: You didn’t try to go to the [JFK Jr.] look-alike contest in New York?

Kelly: Oh, my gosh, no.

Pidgeon: He would have won. That wouldn’t have been fair.

Kelly: It’s too many people. I got the show, so I think I already won.

Villarreal: A big theme of the series is exploring the heavy ramifications of fame on privacy. And aside from the great opportunities that come with doing the press or other things that come along with this, what has it been like adjusting your life to this experience?

Pidgeon: That idea was on both of our minds when we were filming. And we were filming in New York, so apart from the scenes and subject material we were exploring, we actually experienced it in real life as well. You have even more characters in a scene when you’re shooting on the streets of Tribeca and people stop and watch. And there was a lot of interest from the public while we were filming. I’ve been marinating on that idea. Maybe not marinating, but meditating. [Or] a little bit of both. Through our characterization of Carolyn and John, I think we felt those extremes. I haven’t felt anywhere close to that. But I don’t know about you [Kelly], but I feel like I’ve been quite busy going different places, coming on podcasts and things like that where my downtime hasn’t really been spent walking the streets so much. It’s been kind of going home and taking a shower and going to sleep.

Kelly: Same. I haven’t really had much time to go out and just be in the public, which I think has been kind of a gift. I recently had a child, so I have no time between the show and being dad. It’s been really great to live within that little privacy bubble I have at the moment. I’m going to New York for the first time in a little while tomorrow.

Villarreal: Has living in their story made you more conscious of what types of boundaries you do want to set?

Kelly: Absolutely. That was a really great gift of the show. And exploring the exponential setting of what privacy means to people, certainly those two individuals. But now I’ve adopted that within my own life, and it’s like, “OK, yeah, I like to be a private person.”

Villarreal: What about you, Sarah?

Pidgeon: So much, at least for Carolyn, was she was constantly battling this sense of how she was being perceived. And I really admire her ability, whether or not she felt the pressure [to do so] — she never spoke on the record and never had to correct the record despite, in my mind, a lot of those allegations being false in the stories about her. That sense of sort of self-possession is quite admirable and, again, this is so new for the both of us. Being able to embody her, that approach and attitude towards it, is something that’s quite interesting to me. And I mean, it definitely has a lot of self-restraint attached to it, so who knows if I possess that as well.

Villarreal: The love story between John and Carolyn, as well as their fateful flight, generated a lot of media attention. And I know you, Sarah, were a toddler, at the time of their deaths; and you, Paul, were a young boy — and you’re a Canadian. What was your image of them in terms of the lore that surrounded them before making the series?

Kelly: Growing up in Canada, I was familiar with who he was. I became even more familiar with them after living in the States for a while. I was a model before, and I had been told I looked like him, so after being told that, you kind of do a little bit of research. Who is this guy? And I was like, “I don’t look anything like JFK.” But then I realized [they meant] JFK Jr. “OK, maybe; yeah, I do look like him a little bit.” So I became more aware of them after that. But growing up, it definitely wasn’t in my cultural zeitgeist, whatever you want to call it.

Pidgeon: I knew that Carolyn worked at Calvin Klein. I knew they were married. I knew their story. I was such a young child when they passed, but they remained so in the cultural conversation because, especially in 1999, they represented such hope in politics. And they’re such a modern couple, sort of breaking the rules of what those norms are, especially coming from such a storied family that has such legacy in the States.

Villarreal: There’s an overwhelming amount of source material from the Kennedy side, but less so on Carolyn. What proved to be most useful to you? What were the things that you turned to to study or figure out who she was?

Pidgeon: That was such a mystery. [I was] taking these still photographs, mainly paparazzi images — and now that I’ve had a few photos taken of myself, you hold yourself differently when you know someone’s taking a photo of you that you also don’t know. That plus videos of her, very few in which she was speaking. And some of the candid photos, mainly from when she was younger. I sort of laid those on top of each other and then used as many books that I could find and interviews that people would give who knew her. But there’s scarcity in terms of that information. That at times felt arresting, but at other times … there’s a lot of freedom in that. And I think that’s what was so interesting about playing this character that is so well known and yet very enigmatic. Finding her walk and thinking about how that changes over the course of nine episodes and six-and-a-half, seven years. How this woman with so much freedom and anonymity — 26 years old, living in New York City, barreling down these streets in the East Village — then changes when she’s the most photographed woman in America. How that perception changes you physically.

Villarreal: Her walk was very striking for me, because I’m like, I can’t move that way.

Pidgeon: Yes you can. You can get a pair of Manolos.

Villarreal: It won’t look as elegant as you, Sarah, but talk to me about finding that walk because, like you said, it shifts from when the onslaught happens. Did you work with a movement coach? Was that all you?

Pidgeon: Julia Crockett is so incredible. There’s not enough hours in the day to sing her praises. We started with a lot of what I just mentioned, the quotes that people said of how she moved. She spoke with her hands. She could be a fast walker — most people who live in New York are. If there was a video of what I was doing in these hotel rooms, they’d think I was absolutely crazy. Rolling around on the floor, isolating different parts of my body, making it as dramatic as possible, and working it into a circle of attention that felt real. And understanding we were both 5-10, which helps. I think tall women carry themselves in a certain way. But understanding that my body is still my body, and our production I don’t think was particularly interested in doing huge physical transformations in terms of prosthetics or things like that. But getting the shoes, walking around in my spare time in New York in heels, which Carolyn does in the show and Sarah Pidgeon does not. That really changes you and it changes how you feel. And just always having that through line of, “What were the touchstones of Carolyn as a young woman, and where did I want her to end up physically?” You can see it through so many different versions in these different photographs — her hair changes, how she dresses changes, the red lip. I [was] always remembering that there was a journey that I was going on: “How can the world close in on her? What does that feel like?” Also, not only putting it into my body first, but feeling it in my body, imagining that. And what are the images that come up? We thought about [her as a] mossy ball; very tactile, just rolling down these hallways in the Roosevelt Hotel in Hollywood.

Villarreal: Paul, you had about three weeks from when you got cast and when production started. And there’s ample stuff to sift through. How did you figure your way out through the noise? What was the thing that really helped you lock in to who he was?

Kelly: He narrates his father’s book, “Profiles in Courage,” and that for me was a great asset. I had to learn how to use my tongue in a different way than I’ve ever spoken before. His speech patterns are different. I worked with a dialect coach. I would listen to that all day, every day — amongst ’90s alt music, some Nine Inch Nails and stuff because that’s what John would do.

Villarreal: Was that what he was into?

Kelly: I think so. One of my favorite photos of him is a candid photo, and he’s wearing a Nine Inch Nails shirt. I’m like, “My guy! Here we go. I can relate.” I watched a lot of his interviews just to see how he kept his cool and composure. He was a very relaxed individual under extreme stress situations. The Larry King interview was a great one; I relied on [it] a lot. I also looked at a lot of images and saw how he moved through the world. I was a model before so I’m pretty good at understanding how my body moves and how to move it; I also worked with Julia pretty briefly, but she gave me some really great tips and I took those throughout the entire duration of filming and just ran with it.

Villarreal: Are you someone that takes bike as your transportation often?

Kelly: Oh yeah. Four wheels moves the body, two wheels moves the soul.

Villarreal: How is it doing it with the suit on?

Kelly: It’s hot.

Pidgeon: Yeah, you did a lot of that in July during a heat wave.

Kelly: Oh, my gosh, when we started filming, the first scene where John is introduced on the bicycle, we shot that on a Sunday and it was like 103 degrees outside and I’m in a ’90s wool suit. It was great … And a hat. And a backpack. There’s a photo where there’s several hands coming at me with fans and spritzer.

Villarreal: How about finding John and Carolyn together? What did that look like for the two of you, figuring out who they were as a couple?

Kelly: I feel like it happened organically. We had like this unspoken bond and trust with each other from the moment we met and it was just like, “OK, we both understand the assignment.” Then we get to step into these shoes and we understand what that was like, I guess, but just going through it together [helped]. It’s also so well written and it is easy to fall into that. It’s very easy to fall in love with this one every day and then fight.

Pidgeon: Oh, you flatter me.

Villarreal: Because you both were so young at the time that they were a couple, were there modern-day couples of your generation that you looked to in terms of how they dealt with the spotlight? Was there someone you were looking to, to help you understand it?

Pidgeon: I think they were pretty singular, especially considering so much of how we view them as a couple was the time in which they existed. I don’t think I can really point to a couple … obviously there’s a comparison with [Princess] Diana, but I can’t really I put my finger on a couple that had the same essence of John and Carolyn, or the same challenges and obstacles of being a couple in public life. [To Kelly] Can you think of anyone?

Kelly: Not really, no.

Pidgeon: It was also that we were coming in on this advent of paparazzi. Obviously coming from such an important family, there was — and I want to speak for you [Kelly] in terms of how you felt about your characterization of JFK Jr. — but there was so much investment in them as a couple because America, and really the world, had watched him grow up. So of course there is this heightened interest in who America’s son marries. And again, that hope that they were this modern couple, one that we’ve never seen before, and what will they become in this new millennium? In terms of finding them together, what was so wonderful about the writing of the show was they were — granted, it happened in about three or four episodes [for the show’s purposes] — but as we were getting to know each other, so were Carolyn and John. They were falling in love with each other and figuring out what that dynamic was and having those misfirings and miscommunications and moments of intensity and questioning. The amount of times I’ve used the word “meta” while talking about the experience of making this show, that sort of mirrored life in a way. I was able to just absolutely give over to Paul and trust him and be excited working with him every single day and be so curious about who John and Carolyn were that day on set. No one better than Paul Anthony Kelly.

Kelly: Oh, you flatter me.

Villarreal: There are a lot of scenes that are stuff that we’ll never know whether they actually happened. But then there are the moments that were played out in tabloids — one of them is the Bryant Park episode. What can you tell me about what that was like shooting on the streets of New York? What do you remember about that experience?

Kelly: What was it, the Nextdoor app called?

Pidgeon: Citizen.

Kelly: The Citizen app. They called it [a] “domestic dispute” … so we were obviously doing our job correctly. It was interesting. Shooting in New York is a very interesting experience because you have all these outliers just watching and gawking. Everyone’s got phones and cameras and what have you. And we’re so in it and doing it and then to have like this blowup argument over and over and again, take after take, angle after angle.

Pidgeon: I wonder if someone reported us just to be like, “Make it stop!”

Kelly: Yeah, exactly. Nobody tried to save you in the moment. Maybe that was them trying to save you [by posting it in the app].

Pidgeon: That was always something to contend with or accept, really, at a certain point. This is an expectation of working in the city. And what I really liked about that scene was that — considering there was such little videography of her, especially because that was a private moment that was unfortunately caught on tape — they both had less inhibitions. I found it [to be] a really amazing exercise as an actor to finally be able to really take something and mimic it exactly and find how the words that Connor [Hines] had written [aligned with it]; it felt like such a great sign when it felt the writing really matched what I physically knew to be true. Because our interest in the story is what happens behind closed doors, as you said. But in those few moments that we did re-create, the real-life [moments], it felt very reassuring as an actor to feel like the words that we were speaking matched the physical footage. I just found it such an exciting way to go about it, to have it really be this outside-in approach. You take this physicality and vocal pattern that I had developed as Carolyn, but then really have some proof for that to be the jumping-off point. I love that we had that scene; we had when they take their first photo after their wedding; we had, in Episode 9, the [Newman’s Own/George Awards] event. Remember that clip that we watched? We’re in the exact same outfits, and I think it’s the Newman’s Own event. I always appreciated those moments. It felt like a different way in to a character that I had really started to get to know at that point.

Villarreal: Whenever I watch something based on a true story or people that were like historical figures, I can’t help but Google to see if something really happened. Is there something you Googled in the process of making the show where you were like, “Did this really happen?”

Pidgeon: There’s a bit of speculation as to how they met. There’s a couple of different stories. Considering this couple was so well known, the fact that there’s still a mystery into how they even met for the first time I think is quite interesting.

Villarreal: I Googled — and I will say I clearly am not the only one that thought this because there was a whole story of it — “Did they really eat KFC chicken?”

Pidgeon: They did.

Kelly: Fine dining.

Pidgeon: You didn’t eat any chicken.

Kelly: Noooo. I got secondhand chicken. That chicken, oh my gosh.

Pidgeon: They did warm it up a bit, but it was pretty cold, you know.

Villarreal: We can’t talk about this show without talking about the wardrobe, the costumes. It’s such a key piece to the storytelling here. Tell me about that collaboration and what the clothes said to you about who Carolyn is and then who John is.

Pidgeon: Yes, clothes are incredibly important to the story and to how most of the public knows and remembers Carolyn. Working with Rudy Mance was so incredible. What he was able to source, while we’re not necessarily sure if they were pieces that Carolyn herself wore, they were the exact pieces of the exact same collection. The very few pieces we weren’t able to source, they were impeccably re-created. Just the attention to detail, I had never really experienced something like that. It was just really watching a master at work, and the rest of our crew as well; not a detail was ever overlooked. The mystery that we really tried to solve in the beginning was: Wow, there’s so many photos of her [from] ’95, ’96 and beyond; there are far fewer photos of what she looked like when she was working at Calvin Klein. And we’re in that space and that time for quite a while. From the photos that we do have of her living in this time in her life, and then how we know she will dress, what are the through lines? What are the pieces she repeats? I don’t think I wore much Prada in the first two, three episodes, which makes sense, because she was just starting out at Calvin Klein. We [had her wear] a lot of Calvin pieces. What was so insightful to playing her was her sartorial choices and her understanding of how, especially since she never spoke on the record, [and] what she can communicate through fashion and how in those initial fittings, even before I really spoke the words of those episodes, how it immediately changed how I held myself as Carolyn was growing and getting older. I keep referencing this quote about Yohji Yamamoto, a designer whom she wore frequently. He liked making the association with his clothing to armor. I just thought that was such a great way into her sort of mental state and how she approached clothing. It was very her, she wore the clothes. That was something that I had to remember, that if I was going to try and embody her, I had [to] feel like I was wearing the clothes because that’s what really stuck out. You always saw her first, despite her wearing some incredibly beautiful clothing. Carolyn was No. 1.

Kelly: John had such great style. Sometimes it was pretty kooky. I also loved that too because it just is such a sense of him. Working with Rudy was a dream. He and his team were incredible. They were able to source so many things. And if they couldn’t find it, it was a direct re-creation, like exact copy of what it was. I remember even just like those shorts with the Knicks logo that he wears playing football. I remember seeing a comment, “John would never wear those.” [Sighs.] “OK, sure.” There’s something about getting into those outfits that it just was this whole other transporting layer of becoming. You hold yourself differently in these things and it just made it feel more real and you’re like, “OK, cool,” and you just live in it and it feels good and you get slouchy and whatever. It was really nice.

Villarreal: How does your style compare? Did they influence your style now?

Kelly: Honestly, it’s a little different, but it’s not that far off. I feel pretty good in a suit. I like to wear suits a lot. I’m the suited heavy metal guy.

Pidgeon: You also have that cool factor about you too. I think there’s something in that with John. He looked great in a suit, he looked great in a tux, but then there was a bit of an edge to him. There was bit of a realness, I think, that you guys share.

Villarreal: Everyone’s trying to emulate it. So many TikToks of people trying to re-create it. Sarah, do you feel like you can never go back to brunette now? Like this is your thing now? You have to stick with it?

Pidgeon: The blond seems to be working. I like being a different hair color. I don’t think I’ll be blond forever. Simply too much time [involved]. It’s so much work. My colorist is amazing — Kari Hill. Cannot sing her praises enough. And Alex Pardoe, who does extensions. It’s been really interesting to find how I [am as a blond] — so much of my time being blond was embodying Carolyn. [Paul and I] would both sleep on the weekends. We wouldn’t do anything while we were shooting. So I didn’t really get a chance to take a walk in this new hair. And when I started dressing again, to go out, I would put on my favorite clothes from when I was brunette. It’s like, “Oh, it just doesn’t hit.” It’s been cool to see how I present and how color theory is crazy. But we’ll see, I guess it depends on how much time I have on my hands.

Villarreal: The series really grapples with the media invasion that swirled around them. What do you say to the critics that feel that a show like this either reignites that craze or contributes to it? What do you want the takeaway of a show like this to be?

Pidgeon: Thinking about one of the first questions you asked — how are we now dealing with with being potentially recognized — I think the intensity of interest in famous people, famous couples, celebrity, actors, musicians, you name it, artists, it’s changed shape, but it has never gone away. Our intention in making this show was, again, what we know about their lived reality, but what can we infer might have happened behind those closed doors. To the general public, [they were] sort of two-dimensional … I knew very little about Carolyn, but I ingested so many photos of her far before this project was ever on my radar. While I recognize this may have contributed to reigniting interest in them, I hope that that interest feels like there’s a more intimate understanding of these people; that they weren’t just figures, that they were people with very full lives, feelings, a profound sense of privacy, intense relation to each other, very, very human. I guess that would be my answer to that. I hope that this is also a bit of a lens or a mirror that, again, if that intensity hasn’t changed, how might we [change it] in the future?

90s movie actress Ashley Judd looks worlds away from her Hollywood days as she rings in her birthday and sings into a hairbush.

The iconic star celebrated her 58th birthday in May and took to Instagram to share a note with her fans.

She was one of the most popular actresses in the 90s and has a strong filmography of work to prove it.

Ashley shared a video of herself singing into a hairbrush as she danced away in her garden with loved ones on her special day.

She popped her grey locks into ponytails as wore a navy plaid dress and went make-up free.

The actress also posted snaps of herself sat in front of a birthday cake as well as being serenaded by a group of musicians who played their instruments for her.

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She penned: “On my 58th birthday, my inner 12-year-old was ready to receive love, care, attunement, delight, protection, and provision.

“Have you ever considered, from your adult perspective, restaging for your sweet inner child an experience she either never had at all?

“Or an experience that did not unfold with the safety and attention it should have?

“I deeply enjoy doing this from a loving inner-parent perspective for my inner family.”

Ashley went on to open up about her childhood and her relationship with birthdays as her fans wished her well on her special day.

The movie star began her career back in 1991 with a guest role in the television series, Star Trek: The Next Generation.

Over her three-decade long career, she’s starred in movies including thriller Double Jeopardy, crime drama Heat and in The Divergent Series.

Her last acting role was in thriller film Lazareth, which released in 2024.

She’s worked with the who’s who of Hollywood, including Robert Deniro, Al Pacino, Tommy Lee Jones, Samuel L Jackson and Jim Carrey.

These days Ashley spends her time working as an activist and humanitarian and is an ambassador for UNFPA (United Nations Population Fund), which is a sexual and reproductive health agency.

She isn’t the only famous person in her family as she’s the daughter of country music singer Naomi Judd.

Her half sister Wynonna also forayed into the country music world.

The Sports Report Hall of Fame, NFL edition

Those of you who read the Dodgers Dugout newsletter know that for the last few years, we have done a Dodgers Dugout Hall of Fame, asking readers to vote for former Dodgers who they believe should be in this more fan-oriented Hall of Fame. Clayton Kershaw was the most recent inductee, bringing the total to 17 Hall of Famers.

Which got me thinking (always a dangerous thing), what if we had a Sports Report Hall of Fame, as selected by the readers?

The way it works: Each Thursday over the next few weeks, you will see a list of candidates. A different category each week.

This week, the category is L.A. Rams/Chargers/Raiders. You can vote for up to eight players. You don’t have to vote for eight, you can vote for any number up to and including eight. Your vote should depend on what the person did on and off the field only as a member of the L.A. Rams, Chargers or Raiders. The rest of his career doesn’t count. And remember this is a Los Angeles-based Hall of Fame, so there might be some people considerably worthy of being in the Sports Report Hall of Fame who fall short of the actual Hall of Fame for their sport.

Whoever is named on at least 75% of the ballots will be elected. The five people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired to appear on the ballot. And since this is L.A. based, people who spent the majority of their career with the St. Louis Rams or San Diego Chargers or Oakland/Vegas Raiders aren’t eligible. Sorry, Kurt Warner.

How do you vote? For this week’s ballot, click here. Results will be announced soon after balloting in all caregories has concluded.

I’m sure there’s a person or two you think should have been on the ballot. Send that player’s name to me and they might be included in next year’s ballot.

So, without further ado, here is the ballot of the Rams/Chargers/Raiders category

Marcus Allen—We are only counting his time with the Raiders here. He will also appear on the USC ballot. A key member of the L.A. Raiders Super Bowl team and a great running back.

Al Davis—Former owner of the Raiders.

Eric Dickerson—Greatest running back in Rams history. Set the season rushing yards record.

Aaron Donald—One of the greatest defensive players in history, leading L.A. Rams to only Super Bowl win. Retired in his prime.

Tom Fears—Split end for the Rams from 1948-1956. First Mexican-born player to be selected in the NFL draft. Integral part of the Rams’ first NFL championship since moving to L.A. Once had the season receptions record for the NFL.

Tom Flores—Coached the L.A. Raiders to their only Super Bowl title. Was 56-32 with the L.A. Raiders.

Georgia Frontiere—One of the only female majority owners in NFL history. Moved the Rams to St. Louis.

Mike Haynes—One of the greatest cornerbacks of all time, starred in the L.A. Raiders’ Super Bowl victory with one interception, two pass breakups and one tackle.

Elroy “Crazylegs” Hirsch—Great receiver, set the then-NFL record with 1,495 receiving yards in 1951, when the Rams won the NFL title. Later was Rams GM and drafted Roman Gabriel, Deacon Jones and Merlin Olsen.

Deacon Jones—Greatest defensive player in NFL history? Finished with an unofficial 173.5 sacks which would still be third all-time.

Chuck Knox—Coached the Rams to five straight NFC West titles, but could never reach the Super Bowl. Resigned after the fifth straight division title season. Came back to coach again from 1992-94 but wasn’t as successful.

Howie Long—Was with the team during their entire tenure in L.A. Defensive end was a key member of L.A. Raiders’ Super Bowl title team.

Merlin Olsen—Don’t let his acting career as Jonathan Garvey and Father Murphy fool you, Olsen was a valued member of the “Fearsome Foursome.” Olsen played for the Rams from 1962 to 1976. He missed only two games in his 15-season career, was named the NFL’s Rookie of the Year in 1962 and was first-team All-Pro in 1964, and 1966 through 1970.

Jim Plunkett—In 1983, Plunkett went from backup to starting quarterback and led the Raiders to a Super Bowl victory. He and Eli Manning are the only eligible quarterbacks with two Super Bowl wins as a starter not to be inducted into the Pro Football Hall of Fame.

Carroll Rosenbloom—Longtime Rams owner. Team won seven straight NFL West titles while he was owner. Moved the team from L.A. to Anaheim, though the move didn’t happen until after his death in 1979.

Jackie Slater—Played his entire 20-season career with the Rams, 19 of those seasons in L.A. He was considered one of the most consistent members of the best offensive line in the NFL and was recognized for his “work ethic and leadership skills” when he was inducted to the Hall of Fame. Named offensive lineman of the year four times.

Norm Van Brocklin—Platooned at quarterback with Bob Waterfield in the early 1950s. The 1950 Rams averaged 38.8 per game, which is still a record. Van Brocklin and Waterfield finished 1–2 in passer rating as well. They were co-quarterback on the 1951 NFL title team as well. In the opening game of the 1951 season, Waterfield was injured, and Van Brocklin passed for an NFL record 554 yards, which is still the NFL record, 75 years later.

Bob Waterfield—You can read Van Brocklin’s note and apply it to Waterfield as well. Except, Waterfield also played defense and had 20 interceptions with the Rams. He also was a kicker, with 315 extra points and 60 field goals and averaged 42.4 yards as a punter. Other than that, he didn’t do much.

Jack Youngblood—Played in the Super Bowl with a broken leg. Holds Rams records for: most consecutive games played (201); most career sacks in the playoffs (8 1/2); most playoff starts (17); most career safeties (two); second in career sacks (151 1/2); second in most career blocked kicks (eight).

To vote, click here. You can vote for up to eight. Those named on at least 75% of ballots are elected.

I have reopened balloting for the other two categories we have presented so far.

To vote in the baseball ballot, click here.

To vote in the basketball ballot, click here.

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

PLUCKED from obscurity and then dropped when fans lose interest, men in reality TV shows often fare worse than their female counterparts.

While women regularly earn a fortune from brand endorsements, the guys can find themselves struggling after they are no longer on our TV screens.

Now the untimely deaths of The Only Way Is Essex cast members Jake Hall and Jordan Wright within a few months of each other has raised fears that ITV is failing in its duty of care for former reality TV stars.

Jake, 35, died last week in a Spanish villa following a night of partying while Jordan, 33 was found dead in a ditch in Thailand in March.

A TV insider told The Sun: “The tragic deaths of Jake and Jordan have raised some serious red flags.

“No one is blaming ITV but there is definitely a pattern which emerges time and time again on all reality shows.

“Measures were put in place a number of years ago but it doesn’t seem to be enough.”

Artist and designer Jake, who joined Towie in 2015, had been living in Spain.

He was found dead in a pool of blood in a villa in Majorca last Wednesday morning after he seemingly crashed through a window.

A police source said witnesses described Jake as “agitated”, possibly from “alcohol and other substances he may have consumed”.

He had a number of struggles in recent years, from losing his fashion brand Prevu to being hit with a restraining order by ex-girlfriend Misse Beqiri, a model and the mother of his eight-year-old daughter River.

Yet right from the start of his telly career, Jake was open about being uncomfortable with fame.

Shortly after his debut on Towie, Jake said on This Morning: “The privacy part has been quite difficult because everyone knows your life within days of being on the show.”

Jordan, from Basildon, Essex, also admitted he struggled with life in the spotlight.

The former firefighter said: “I had an enjoyable career for six years before I resigned to pursue a life in the limelight of reality TV — a choice that left me hugely unfulfilled, stagnant and lost.

“People think it’s glitz and glamour but the truth is very far from public perception.

“I really struggled.

“When I left I lost a huge part of myself and my sense of purpose.”

Jordan returned to firefighting in 2023 but he struggled to settle and in December moved to Thailand where he was looking forward to a “very exciting year ahead”.

He shared his new life with his 21,500 Instagram followers, but in March was found dead face down in a drainage canal on the island of Phuket.

CCTV footage appeared to show Jordan pacing erratically outside a hotel before bolting out of the complex shortly before his body was found.

Unfortunately, the two deaths were not Towie’s first.

In January 2021, Mick Norcross took his own life, aged 57.

The Sugar Hut owner and businessman had joined the show with his son Kirk, who now runs a waste removal business.

Addiction has also taken hold of a number of cast members, including James Argent, who suffered two near-fatal overdoses at home.

Arg’s drug binges cost him his relationship with co-star Lydia Bright, his job on Towie and other high- profile TV work.

Last year he was in trouble after pushing his former Miss Sweden partner Nicoline Artursson down some steps on holiday in Spain.

He admitted an offence of gender violence and was given a six-month prison sentence, suspended for two years.

Jake and Jordan’s deaths sent shockwaves through fans of Towie and its stars.

Charlie King, who was on the show in 2012 and 2013, has faced his own demons since he left the programme but believes his fellow cast members must “take responsibility”.

He told The Sun: “Reality stars in general are seeking something — whether it’s fame, attention or validation.

“It’s a two-way street — stars want to appear on the shows for that lifestyle and experience, and shows need the participants.

“I can’t say Towie gave me the best support when I finished on the show.

“I remember feeling lost and redundant, trying to navigate a life post the show and still having eyes on me.

“It was hard.

“I missed the show deeply and all that came with it.

“I think access to a counsellor or therapy in those first months or years after appearing is always a good idea.

“But I also don’t think it’s fair to point the finger at these shows for how individuals live their lives after — we have to take responsibility.”

Charlie added that producers offer much better support for their on-screen talent these days and that ITV “isn’t afraid to pull out cast members if they think it’s getting too much or they need a breather, which is great to see”.

Following his stint on Towie, Charlie was diagnosed with body dysmorphia and had a botched nose job.

Other lads from the show have also gone under the knife in a quest for perfection.

Bobby Norris is now almost unrecognisable after having a full deep plane facelift, neck lift and lower eyelid surgery.

James Lock has also battled body dysmorphia and says he has spent around £100,000 on getting work done.

On rival ITV show Love Island, telly bosses brought in a revised set of welfare measures in 2021, including “comprehensive” psychological support, after former stars Sophie Gradon and Mike Thalassitis took their own lives.

Their relatives blamed a lack of support from the show for contributing to their mental anguish.

Love Islanders are offered a minimum of eight therapy sessions when they return home.

They also get advice on coping with their finances.

But unlike Love Island, Towie cast members often appear on the show for years at a time.

A number of its former stars, including Yazmin Oukhellou and Tommy Mallet, have praised the support they have received while on the show — but what happens when the cameras stop rolling?

A telly insider revealed: “When women finish on a reality show, brand deals, an influencing career and other avenues are open to them — but it’s very different for men.

“They can get club PAs but that involves late nights and lots of booze.

“Some people like Jake or Tommy launch a career in fashion, but many struggle to achieve the dizzy heights they once enjoyed.”

Women, meanwhile, have made millions off the back of Towie, thanks to very successful business models.

Former glamour model Sam Faiers owns global collagen brand Revive and is worth £9million, and Gemma Collins is now a huge TV star with £7million in the bank.

Lucy Mecklenburgh — famed for throwing drinks on cheating Mario Falcone — now owns a thriving fitness brand and shows off her happy life on social media.

But there have also been a number of male Towie successes too.

Mark Wright landed I’m A Celebrity and Strictly at a time when Z-listers were reportedly banned, as well as enjoying a stint on US TV.

Now a radio DJ, he is married to actress Michelle Keegan, and the couple live in a £3.5million Essex mansion with one-year-old daughter Palma.

Joey Essex also became a huge breakout star.

These days he is worth at least £10millon thanks to a lucrative reality TV career, savvy personal branding and business ventures.

Another success story is Tommy Mallet, who launched luxury footwear and apparel brand Mallet London and more recently Ctrne trainers.

Tommy, Joey and Mark are living up to Towie’s theme tune The Only Way Is Up — and fans will hope there will be more men from the show who enjoy similar success.

ITV was approached for comment but declined.

A NOUGHTIES pop star has hinted he’s quitting fame after 25 years in the spotlight as furiously ranted online.

The 42-year-old took to his Instagram to share some hard truths about the industry and told how he’d rather live a simpler live.

Lee Ryan, a star of the 90s boyband Blue, explained that he’s “been through hell and back” and said he now “hates the public eye.”

The singer found fame in the early 2000s after the band achieved massive success with their debut album All Rise in 2001.

Blue, who have three UK Number 1 Platinum-selling albums, are still going strong, with tours lined up for the rest of this year and next.

Alongside Antony Costa, Duncan James and Simon Webbe, Lee has been taking to the stage but it seems he’s not entirely happy.

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He posted a picture of himself singing at a concert on Instagram and captioned it with the statement: “As much as I love my career I’ve had for 25 years singing in Blue, sometimes I just want to go home to be a husband and father to my baby’s.

“There’s no place I feel more at peace than with them. This industry sucks you in and spits you out the other end… I’ve been through hell and back in the public eye and I actually hate it now.”

Lee continued: “I don’t like the fame part of this job anymore, it’s fake and quite toxic. People use you and abuse you and use your success as a weapon.”

“Don’t get me wrong I love singing and being creative making music and seeing the fans at shows,” said Lee.

“The rest I could leave behind and never step foot into that space again happily… I have no interest in the industry bs anymore…. Rather be home being a dad and a husband x”

Fans took to the comments to support Lee while some felt annoyed that they had brought tickets and could see he “didn’t want to do it anymore.”

One fan wrote: “I love blue, I still do. But at the concert I feel like I could see that you don’t really want it anymore. It‘s sad because people pay money to see the absolute best of you…”

Another fan said: “Thank you for carrying on and bless us with your beautiful voice. There is no place like home and I am sure your family is forever proud of you.”

A third fan added: “You would be missed, your voice, stage presence and banter is truly in a small minority BUT you have to do what’s best for you.”

Lee’s wife Verity also rushed to support her man. She said: “You get to do both!!! Be a pop star and come back to reality and live on the farm in the sunshine!!! We love you Mr, keep going nearly home time xxx”

The couple, who married in Gibraltar in 2022, share four children together.

Blue took a hiatus in 2004 but later reformed with the original bandmembers in 2011.

ATLANTA — Bobby Cox, the folksy manager of the Atlanta Braves whose teams ruled the National League during the 1990s and gave the city its first major title as well as World Series trips that fell short, died Saturday. He was 84.

Cox died in Marietta, Ga., according to the Atlanta Braves. He had a stroke in 2019 and heart issues that complicated his recovery.

“Bobby was the best manager to ever wear a Braves uniform. He led our team to 14 straight division titles, five National League pennants, and the unforgettable World Series title in 1995. His Braves managerial legacy will never be matched,” the Braves said in a statement.

Cox took over a last-place team in June 1990 and led the Braves to a worst-to-first finish in 1991, losing the World Series to the Minnesota Twins in seven games. That was the start of what was to become a record 14 consecutive division titles, a feat no professional team in any sport had accomplished.

He managed the Braves for 25 years and led Atlanta to its first World Series title in 1995, retired after the 2010 season and was inducted into the Hall of Fame in 2014.

“Bobby was a favorite among all in the baseball community, especially those who played for him. His wealth of knowledge on player development and the intricacies of managing the game were rewarded with the sport’s ultimate prize in 2014 — enshrinement into the Baseball Hall of Fame,” the Braves said.

Braves Bobby Cox, right, and Blue Jays manager Cito Gaston look over Camden Yards during All-Star workouts in 1993.

(Carlos Osorio / Associated Press)

As of Saturday, Cox ranks fourth all-time with 2,504 wins, fifth with 4,508 games, first with 15 division titles including a record 14 in a row, first with 16 playoff appearances and fourth with 67 playoff victories.

Only Connie Mack, John McGraw and Tony La Russa had more regular-season wins than Cox. His 158 regular-season ejections also was the most among managers.

“He is the Atlanta Braves,” catcher Brian McCann said in 2019. “He’s the best.”

McCann described Cox as an “icon” and “one of the best human beings any of us have ever met.”

The Braves retired Cox’s No. 6 jersey in 2011, when he joined the team’s Hall of Fame.

Cox spent 29 seasons as a major league manager, including four with Toronto. He managed 16 postseason teams. He brought an old-school approach to the dugout. He always wore spikes and stirrups, and his fatherly demeanor inspired loyalty from his players.

Odum writes for the Associated Press.

The former reality star has traded celebrity life to start a rubbish collection business

One of Towie’s most recognisable faces has turned his back on fame and taken up waste collection.

Kirk Norcross first burst onto our screens on the ITV2 reality show as one of its original cast members. Back then, he was living the high life as a ‘rich party boy’, spotted behind the wheel of luxury motors, jetting off on extravagant holidays and throwing parties at his late father Mick Norcross’ legendary nightclub Sugar Hut.

Despite being a firm favourite with fans, he chose to walk away from the show after just two years, before going on to appear in several other television programmes. Kirk featured on Celebrity Big Brother and the 2015 series of MTV’s Ex On The Beach.

Now, years on, Kirk leads a thoroughly ‘normal’ life having opted to ditch the spotlight entirely – even previously turning down the opportunity to appear in the 10-year TOWIE anniversary reunion show.

The 38-year-old now runs County Clear Waste, a same-day rubbish collection service operating throughout Norfolk and Suffolk. The firm handles household, commercial and industrial waste, while also providing a ‘wait and load service’.

The company appears to have launched in January this year, making it a relatively new venture. Promoting his business, Kirk shared a snap of himself on Instagram, pictured sporting a branded hi-vis jacket.

Alongside the post he wrote: “Hi, I’m Kirk Norcross, proud owner of County Clear Waste.

“I provide reliable, fully insured and licensed rubbish clearance across Norfolk and Suffolk. From garden clearances and house clearances to all types of waste and rubbish removal.

“I’ve got you covered. Professional, trustworthy service you can depend on. Get in touch today.”

However, this isn’t Kirk’s first venture into entrepreneurship. The former reality star previously operated his own jet-washing business based in Essex.

He ran KN Jet Services, a jet-washing and drain-cleaning enterprise, which represented his initial foray into a traditional career path after leaving television. Beyond his professional endeavours, Kirk is a dedicated father to his two children.

Kirk has previously spoken candidly about the devastating impact his television career had on his mental wellbeing.

In 2019, he made the heartbreaking revelation that he attempted to take his own life after his time in the public eye left him struggling with severe anxiety and depression.

His late father Mick tragically died by suicide at his Bulphan home in January 2021. An inquest disclosed how Mick felt ‘unable to cope’ with financial concerns before his death.

TOWIE returns on Sunday, April 26 at 9pm on ITV2 and ITVX and the show will air every Sunday and Monday

Samaritans is there for anyone who wants to talk. You can contact Samaritans 24 hours a day, 365 days a year by calling 116 123 (free from any phone) or the Samaritans Welsh Language Line on 0808 164 0123 (7pm–11pm every day).

Russell Brand, the British comedian and actor who has been accused by multiple women of rape and sexual assault, said his sexual flings amid the height of his fame in the early aughts included sleeping with a 16-year-old girl.

Brand confirmed the relationship to Megyn Kelly on the the latest episode of her eponymous podcast and YouTube show published Wednesday. “I did sleep with a 16-year-old when I was 30,” he said, “but when I was 30 I was a different person. I was a lot younger and I was an immature 30-year-old.”

The “Get Him to the Greek” actor, 50, emphasized that the age of consent in the United Kingdom is 16 and reflected on his behavior at the time, adding that he thinks having consensual sex as a famous person “involved exploitation.” He said he felt fame and addiction paved the way for “opportunity for endless consent which led me to be a hedonist and a fool and exploiter of women.”

“That is wrong and that is something that needs to be redeemed and addressed and atoned for,” he added.

Brand’s relationship with a 16-year-old girl became public in 2023 when the Times of London and Britain’s Channel 4 published a joint investigation detailing allegations of rape, sexual assault and other abusive behavior against the once-in-demand actor. One of the women who raised allegations against Brand said she became involved with the former actor when she was 16 and he was 31, and that he referred to her as “the child” in their relationship. According to the woman, Brand reportedly forced his penis down her throat, making it difficult to breathe, and she fought him off by punching him in the stomach. Brand denied the claims at the time.

The investigation centered on alleged incidents that occurred between 2006 and 2013 — the peak of Brand’s Hollywood fame — and laid the groundwork for additional complaints against the raunchy comedian to come to light.

In April 2025, the Metropolitan Police Service charged Brand with single counts of rape, indecent assault, oral rape and two counts of sexual assault connected to alleged attacks on multiple women between 1999 and 2005. U.K. authorities pressed additional rape and sexual assault charges against the “Forgetting Sarah Marshall” actor in December. He will stand trail in October.

Brand, ex-husband to pop star Katy Perry (who is facing her own sexual assault scandal),fell mostly out of public favor within the past decade and pivoted his focus to religious and “free-thinking” content. Last year he appeared at Turning Point USA’s AmericaFest 2025.

At the beginning of the podcast episode, Kelly said that after learning about allegations against Brand she “felt anger for a couple years” toward the actor. However, Kelly said she grew open to speaking with him after some time and an “enormous amount of open-mindedness to [Brand] being railroaded and attacked by people.”

Notably, Kelly in November offered a flimsy definition of pedophilia when it came to late convicted sex offender Jeffrey Epstein. Citing “somebody very close” to Epstein’s case, Kelly said Epstein “ was into the barely legal type, like, he liked 15-year-old girls,” Kelly continued.

“I’m not trying to make an excuse for this, I’m just giving you facts — that he wasn’t into, like, 8-year-olds,” she added at the time. “But he liked the very young teen types that could pass for even younger than they were, but would look legal to a passer-by.”

Times staff writer Meredith Blake contributed to this report.

As a player, Stoney lifted 12 major trophies – including two league titles and four FA Cups – during her time at Chelsea, Arsenal, Charlton Athletic, Lincoln Ladies and Liverpool.

She won 130 England caps and skippered her country, appearing in three World Cups. She also captained Great Britain in the 2012 London Olympics.

Stoney retired from playing at the age of 35 in February 2018.

“Destined for a career in management, she became the first ever head coach of Manchester United eight years ago, leading the club to promotion to the top flight in her first season in charge before consolidating their position in the league’s upper echelons,” said the WSL.

“Now heading up the Canadian women’s national team after a spell at San Diego Wave, Stoney’s impact on the game – particularly during its formative years – was profound, while her position as a trailblazer managerially has ensured that her name is firmly embedded in the history books.”

Harrop made her WSL debut for Birmingham City in 2011 and won the FA Cup with them in 2012.

She made 135 appearances for her hometown club before joining Tottenham Hotspur in 2020 and retired in 2023.

The WSL said Harrop was “a player who played the entirety of her 12-year career in the Barclays WSL and once held the title of being the division’s record appearance holder … earning legendary status during her time with the Midlands outfit [Birmingham City] and establishing herself as one of the game’s pioneers”.

HE was a 90s heartthrob in one of the decade’s biggest British boybands.

With a bad boy image and bundles of energy, John Hendy, 55, and East 17 stood out from other, more clean cut, acts like Take That and Boyzone.

But even at the height of the group’s fame, they saw little of the money generated by hits like their huge Christmas number one Stay Another Day.

In the early days, the group’s members were only pocketing £125 a week each, proving the pop dream wasn’t all it was cracked up to be.

The boys had differing fortunes after splintering in 1997 following controversial comments band member Brian Harvey made about taking ecstasy.

Band leader and songwriter Tony Mortimer continues to receive an estimated £97,000 each year for the popular Christmas hit.

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But bandmates John, Terry Coldwell and Brian Harvey aren’t included in the royalties.

John continued with the next iteration of the group, E-17, and was part of various line-ups over the years.

In 2018 though, enough was enough, and he decided to leave after falling out with Terry Coldwell and new arrival Robbie Craig.

It wasn’t long afterwards that he fell on hard times when the coronavirus pandemic shook the world. He was forced to move into a hostel with his family for 18 months, which he found particularly tough.

But in recent years things have taken a positive turn and John is successfully plying his trade as a roofer, the job he held before his pop career began.

He shares his trade on TikTok and his latest job saw him working on a tall property in Lewisham.

Though he was praised for his work ethic, fans feel he should have made enough from music to retire.

One person commented: “No hate, but how is this guy still working when he sold the records he did. He should be retired and living it up somewhere hot. Great resurrection album E17.”

Another said: “Nothing but respect for this man – royalties and fair distribution should see him retired and taking life easy – very unfair but what a lovely guy – humble.”

John previously reflected on how shortchanged his group was in an interview with the Mail Online.

He said: “I haven’t even got a house and people think you’re millionaires and that, and I’m thinking, I don’t even got an house out of it.

“We should have all come out with a house, at least.”

However, John admitted that, despite hanging out with “rich friends”, he is content with his work van and regularly discusses the highs and lows of having money with his pals.

He recalled: “When I turn up to a party and my rich friends are coming in their Porsche’s and Range Rovers and I’m pulling up in my roofing van and I’m like ‘oh mate, it makes me feel sick coming to your parties’.

“And then they put it in perspective to me. They are like ‘John, mate, it’s money, it doesn’t mean nothing, mate’.

“One friend said to me ‘I’d rather give this all up and then just go out for one week and experience what you’ve done’, you know what I mean? Because what an experience that is.”

Garret Anderson was a Hall of Fame-caliber major league baseball player who never made the Hall of Fame. Baseball is a numbers game, and GA didn’t have enough of them.

When he finished his career and was eligible for the vote in 2016, he got just one vote. That represented 0.2% of the total. It also meant that he wasn’t even on the ballot the next year.

So, when he died Friday, way too soon at age 53, it presented an interesting twist. Had he lived into his 80s or 90s, there would have been few still around to remember anything about him but statistics. Now, the memory of his underrated greatness remains. What he did and how he did it is still in the frontal lobe of those who watched and those who wrote and broadcast about him.

He was the quiet man who played for various versions of the Angels for 15 seasons — the California Angels, the Anaheim Angels and the Los Angeles Angels. Right there, you have a Hall of Fame problem. A team struggling so hard to find its own identity does not attract the deep and passionate interest of the bulk of the writers/voters who live in time zones whose bed time is the same as game time in Anaheim.

It should have mattered that GA delivered the most important hit in Angels’ history, the game-winner in the 2002 World Series. It was Game 7, it was at Angel Stadium and the opponent was the San Francisco Giants, who had superstar slugger Barry Bonds and his line drives that created dents in outfield fences, except when they flew over them, which was often.

Anderson came to the plate in the third inning. The bases were loaded and Anderson took a shoulder-high fastball, slapped it down the right-field line and three runs came home. The Angels won 4-1 and haven’t come close to a World Series title, much less a World Series, since then. That at least got Anderson into the Angels Hall of Fame in 2016.

Mike Scioscia was the manager then and the most effective the team has had. He is the one who, Saturday, called Anderson’s Game 7 hit the greatest in team history.

“I remember looking out there when he went to the plate with the bases loaded,” Scioscia said, “and thinking he is exactly the guy I want there right now.”

Scioscia called Anderson’s death “a punch in the gut.” He said the player everybody called GA, didn’t have to be managed. “He was a resource for me,” Scioscia said. “He had an incredible inner drive. He was one of the most talented players I have been around. I’d call him a superstar.”

Scioscia, reminded that his “superstar” didn’t make baseball’s Hall of Fame, said, “Sometimes, great players slip through the cracks.”

Anderson’s not-quite-Hall-of-Fame performances included three All-Star game appearances. He was the game’s MVP in 2003 and also won the home run derby that year. He beat out Albert Pujols, then of the Cardinals. His career batting average was .293, he hit 287 home runs and had 1,365 runs batted in. He went to the plate to hit, not to watch. He never drew more than 38 walks in a season and never struck out more than 100 times.

Yet the statistic he felt gave him the best chance for the Hall of Fame was number of hits. Getting 3,000 hits would make him almost an automatic choice. He ended with 2,529, and near the end of his career with the Angels, he sat down with a reporter to discuss just that, plus one other thing.

Garret Anderson, left, talks with Jackie Autry, widow of Angels team owner Gene Autry, as he is inducted into the Angels Hall of Fame on Aug. 20, 2016.

(Reed Saxon / Associated Press)

It was uncharacteristic for Anderson to have this sort of conversation with anybody outside of his teammates, or maybe his family. It was lunch at Zov’s in Tustin and the question was how this voting system works and could maybe 200 more hits get him in. Could 2,750 do it? He wasn’t a big ego guy by any stretch of the imagination, but the Hall of Fame seemed to be dangling there and any baseball player who could see that for himself in the distance had to be intrigued.

There was no discussion of the intangibles, no consideration of the Angels being the Angels and what effect that will always have. Do voters even look much at other stats, such as his 24 walks and 35 home runs in the same season? The reporter wasn’t a great help. He wasn’t even a voter. Anderson wasn’t really stressed out over the Hall of Fame premise, just kind of fascinated. The reporter was probably more encouraging than realistic. Zov’s food was good, the company great.

Eventually, Anderson got to the second issue that had prompted the lunch: How to deal with Times columnist TJ Simers. He asked because the reporter was once Simers’ boss. Simers tended to probe and kid and seek to stir up things, but Anderson also recognized that he could be highly accurate, perceptive and even fun. Anderson, as a team star, was bracing for frequent visits. How should he handle it?

The answer was simple: Don’t lie to him. Don’t hide from him. If he is being a jerk, tell him so. He will accept that. If he is wrong, tell him that and tell him how. If he insults you, insult him back. He loves that.

Tim Mead, former director of public relations, when asked for his thoughts on Anderson, said that his perspective or quotes would not be as telling or as meaningful as simply watching the tape of Anderson’s three-run double that won the 2002 World Series for the Angels.

“Just watch it, just watch his reaction when he gets to second base,” Mead said Saturday.

And so we did. Anderson slaps his hit down the right field line, just fair. Angel Stadium goes crazy. Anderson stops at second base, claps his hands four times, then stands there quietly. Little emotion. Little hoopla. No contortions for “SportsCenter.” He has done his job. He has done what was expected of him. There are six more innings left. Let’s celebrate when it is truly over.

That was Garret Anderson, GA to his friends, a Hall of Fame player in all the ways that numbers don’t show.

It’s time to reveal memories, laughs and crazy times from Randy Rosenbloom’s 55 years as a TV/radio broadcaster in Los Angeles. He’s hopping in a car next Sunday with his wife, saying goodbye to a North Hollywood house that’s been in his family since 1952 and driving 3,300 miles to his new home in Greenville, S.C.

“When I walk out, I’ll probably break down,” he said.

He graduated from North Hollywood High in 1969. He got his first paid job in 1971 calling Hart basketball games for NBC Cable Newhall for $10 a game. It began an adventure of a lifetime.

“I never knew if I overachieved or underachieved. I just did what I loved,” he said.

Randy Rosenbloom (left) used to work with former UCLA coach John Wooden for TV games.

(Randy Rosenbloom)

John Wooden, Jerry Tarkanian and Jim Harrick were among his expert commentators when he did play by play for college basketball games. He called volleyball at the 1992 and 1996 Olympic Games for NBC and rowing in 2004. He’s worked more than 100 championship high school events. He did play by play for the first and only Reebok Bowl at Angel Stadium in 1994 won by Bishop Amat over Sylmar, 35-14.

“There were about 5,000, 6,000 people there and I remember thinking nobody watched the game. We ended up with a 5.7 TV rating on Channel 13 in Los Angeles, which is higher than most Lakers games.”

He conducted interviews with NFL Hall of Famers Gale Sayers and Johnny Unitas and boxing greats Robert Duran, Thomas Hearn and Sugar Ray Leonard. He’s worked with baseball greats Steve Garvey and Doug DeCinces. He called games with former USC coach Rod Dedeaux. He was in the radio booth for Bret Saberhagen’s 1982 no-hitter in the City Section championship game at Dodger Stadium. He was a nightly sportscaster for KADY in Ventura.

Randy Rosenbloom, left, with his volleyball broadcast partners, Kirk Kilgour and Bill Walton.

(Randy Rosenbloom)

He was the voice of Fresno State football and basketball. He also did Nevada Las Vegas football and basketball games. He called bowl games and Little League games. He was a public address announcer for basketball at the 1984 Olympic Games with Michael Jordan the star and did the P.A. for Toluca Little League.

Nothing was too small or too big for him.

“I loved everything,” he said.

He called at least 10 East L.A. Classic football games between Garfield and Roosevelt. He was there when Narbonne and San Pedro tied 21-21 in the 2008 City championship game at the Coliseum on a San Pedro touchdown with one second left.

Probably his most notable tale came when he was doing radio play-by-play at a 1998 college bowl game in Montgomery, Ala.

“I look down and a giant tarantula is crawling up my pants,” he said. “My color man took all the press notes, wadded them up and hit the tarantula like swinging a bat.”

Did Rosenbloom tell the audience what was happening?

“I stayed calm,” he said.

Then there was the time he was in the press box at Sam Boyd Stadium and a bat flew in and attached itself to the wooden press box right next to him before flying away after he said, “UNLV wins.”

Recently, he’s been putting together high school TV packages for LA36 and calling travel ball basketball games. He’ll still keep doing a radio gambling show from his new home, but he’s cutting ties to Los Angeles to move closer to grandchildren.

“I’m retiring from Los Angeles. I’m leaving the market,” he said.

Hopefully he’ll continue via Zoom to do a weekly podcast with me for The Times.

He’s a true professional who’s versatility and work ethic made him a reliable hire from the age of 18 through his current age of 74.

He’s a member of the City Section Hall of Fame and the Southern California Jewish Sports Hall of Fame. He once threw the shot put 51 feet, 7 1/2 inches, which is his claim to fame at North Hollywood High.

One time an ESPN graphic before a show spelled his name “Rosenbloom” then changed it to “Rosenblum” for postgame. It was worth a good laugh.

He always adjusts, improvises and ad-libs. He expects to enjoy his time in South Carolina, but he better watch out for tarantulas. They seem to like him.