fame

The second ballot we sent out for the L.A. Times Sports Report Hall of Fame was the NBA ballot, with 24 names appearing. People were able to vote for up to 10 candidates.

Reminder: Whoever is named on at least 75% of the ballots will be elected. The five people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired to appear on the ballot.

There were 12,725 ballots cast in the NBA voting, and six candidates received at least 75% of the vote, and a worthy six they are.

Inductees

Kareem Abdul-Jabbar, appeared on 99.3% of ballots

Magic Johnson, 96.2%

Jerry West, 94.7%

Kobe Bryant, 90.1%

Elgin Baylor, 76.2%

Chick Hearn, 75.8%

Didn’t make it, but will remain on ballot

Shaquille O’Neal, 72.8%
Wilt Chamberlain, 59.9%
Pat Riley, 58.4%
Jerry Buss, 53.3%
James Worthy, 49.5%
Phil Jackson, 41.6%
Gail Goodrich, 24.4%
Jamaal Wilkes, 12%
Michael Cooper, 10%
Pau Gasol, 8.1%
Jack Kent Cooke, 7%
Blake Griffin, 5.2%
Ralph Lawler, 4.4%

Bottom five, dropped from ballot for two years

Chris Paul, 4.1%
Derek Fisher, 3.8%
Byron Scott, 3%
Elton Brand, 2.5%
Stu Lantz, 1.9%

Thanks to everyone who voted! There is still time to vote in our other active categories. The next ballot will be released Thursday morning.

To vote in the Rams/Chargers/Raiders ballot, click here.

To vote in the UCLA ballot, click here.

To vote in the USC ballot, click here.

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

In this week’s episode of The Envelope podcast, “Love Story” stars Paul Anthony Kelly and Sarah Pidgeon open up about inhabiting John F. Kennedy Jr. and Carolyn Bessette — and creating a cultural moment of their own.

Kelvin Washington: Welcome to the next episode of The Envelope, Kelvin Washington alongside Yvonne Villarreal; we got Mark Olsen as usual. And so you, my friend, had a chance to speak with stars of “Love Story” — Ryan Murphy, of course, tackling love with this. So it got me thinking, give me some real-life love stories that you’d like to see portrayed, maybe next season. Some love stories you always found interesting.

Villarreal: This one doesn’t have a tragic ending, and that’s why I want it. And that is Ina and Jeffrey Garten. “Barefoot Contessa”!

Olsen: I didn’t know that there was a great romance in her life.

Villarreal: Mark. You’ve never heard of Jeffrey? You don’t know Ina and Jeffrey. OK, this is why we need it. That man adores Ina and anything that she makes. Chicken, anything. This is a love story I need to see get the full display. I’ve read it in her book, but I need —

Olsen: So like “Julie & Julia.” Julia Child and her husband.

Villarreal: But cuter, sweeter, more adoring.

Washington: Loving the food theme here.

Villarreal: She’ll make anything and he thinks it’s delicious, and she laughs at everything he says, and I just want more of it, and I’m very curious what a Ryan Murphy take on Ina and Jeffrey would be.

Olsen: But see, that’s the thing. A Ryan Murphy take on that would ruin it for you.

Washington: That would be dramatic and spicy. Salacious.

Villarreal: Nothing could ruin it for me.

Washington: You got one?

Villarreal: Yeah, what’s yours?

Olsen: Well, I have two. One is because the sort of the ’90s vibes of “Love Story.” So you would obviously do Kurt Cobain and Courtney Love. And that one would be very exciting and dramatic and very ’90s-ish. But I think for more of a torn-from-the-headlines [version], Taylor Swift and Travis Kelce.

Villarreal: It’s too current.

Olsen: That’s why though.

Villarreal: How about you?

Washington: So I’m gonna stay with your ’90s. Instead of the pop grunge. I’m going to go R&B pop. I’m going to go Bobby and Whitney.

Olsen: I mean, that’s gold right there.

Washington: I’m just saying. You got love, you got fame, you got tragedy. You’ve got stuff that we didn’t know about behind the scenes.

Villarreal: Maybe he could hire us as head writers for each of these seasons and we can all have our say.

Washington: We can all have our own season. So as I mentioned, Yvonne, you had a chance to sit down with Paul Anthony Kelly and Sarah Pidgeon of “Love Story.” How’d that chat go?

Villarreal: They play John F. Kennedy Jr. and Carolyn Bessette, respectively, and it sort of looks at this seven-year tumultuous relationship and what they both endured navigating the spotlight and what that did to them, how they each felt about it. So it was interesting to get the take from Paul and Sarah about how they’re also navigating the spotlight, because I feel like social media fame is quite different than what John and Carolyn were navigating back then. And I was curious to see what it was like for them. So yeah, it was an interesting conversation.

Washington: All right, let’s get into that conversation now.

Sarah Pidgeon and Paul Anthony Kelly, the breakout stars of FX’s “Love Story.”

(Jason Armond / Los Angeles Times)

Villarreal: I imagine doing this series has been a sort of singular experience. What do you want to remember about this moment that you’re in?

Kelly: All of it’s so fun, it’s exciting. It’s definitely, for me, a new muscle that I’m learning to use and explore and stretch and flex. And I get to hang out with her a little bit more. It was wonderful.

Pidgeon: I think it’s just really hard to contextualize what this [is] — [to Kelly] I don’t know if you feel this way too — because there hasn’t been a ton of space from even the show having all the episodes come out. I don’t think I totally understand how this fits into the story of my life. I recognize that we’re experiencing something very exciting. And I think I speak for both of us that we feel really grateful and so honored to have taken on these roles and that it’s resonated and has excited people. But being out and about in New York and someone stops you and says, like, “Are you that girl from that show?” … When you’re making something, it can feel so insular. I remember when I started, I had a freak out sort of midway through like, “Oh, this is actually going to come out. It’s not just about the making of it. People will see it.” I had a huge heat rash. [To Kelly] Remember when we were in Hyannis Port? I just haven’t totally had that perspective. It’s just been very full-on in the most exciting, lovely, happy way.

Kelly: It’s all unfolded in succession. There’s been no period of time to really process. I can’t believe I did it, still. It’s out and it’s exactly the same thing … people are like, “Hey, you’re the guy in that thing, right?” I’m like, “Yeah.”

Villarreal: Has it happened in an awkward way?

Kelly: No, no, it’s all been overwhelmingly positive. I guess that’s best-case scenario, but I still try to walk around with a mustache and glasses and a hat and they’re still like, “Hey …!”

Villarreal: You didn’t try to go to the [JFK Jr.] look-alike contest in New York?

Kelly: Oh, my gosh, no.

Pidgeon: He would have won. That wouldn’t have been fair.

Kelly: It’s too many people. I got the show, so I think I already won.

Villarreal: A big theme of the series is exploring the heavy ramifications of fame on privacy. And aside from the great opportunities that come with doing the press or other things that come along with this, what has it been like adjusting your life to this experience?

Pidgeon: That idea was on both of our minds when we were filming. And we were filming in New York, so apart from the scenes and subject material we were exploring, we actually experienced it in real life as well. You have even more characters in a scene when you’re shooting on the streets of Tribeca and people stop and watch. And there was a lot of interest from the public while we were filming. I’ve been marinating on that idea. Maybe not marinating, but meditating. [Or] a little bit of both. Through our characterization of Carolyn and John, I think we felt those extremes. I haven’t felt anywhere close to that. But I don’t know about you [Kelly], but I feel like I’ve been quite busy going different places, coming on podcasts and things like that where my downtime hasn’t really been spent walking the streets so much. It’s been kind of going home and taking a shower and going to sleep.

Kelly: Same. I haven’t really had much time to go out and just be in the public, which I think has been kind of a gift. I recently had a child, so I have no time between the show and being dad. It’s been really great to live within that little privacy bubble I have at the moment. I’m going to New York for the first time in a little while tomorrow.

Villarreal: Has living in their story made you more conscious of what types of boundaries you do want to set?

Kelly: Absolutely. That was a really great gift of the show. And exploring the exponential setting of what privacy means to people, certainly those two individuals. But now I’ve adopted that within my own life, and it’s like, “OK, yeah, I like to be a private person.”

Villarreal: What about you, Sarah?

Pidgeon: So much, at least for Carolyn, was she was constantly battling this sense of how she was being perceived. And I really admire her ability, whether or not she felt the pressure [to do so] — she never spoke on the record and never had to correct the record despite, in my mind, a lot of those allegations being false in the stories about her. That sense of sort of self-possession is quite admirable and, again, this is so new for the both of us. Being able to embody her, that approach and attitude towards it, is something that’s quite interesting to me. And I mean, it definitely has a lot of self-restraint attached to it, so who knows if I possess that as well.

Villarreal: The love story between John and Carolyn, as well as their fateful flight, generated a lot of media attention. And I know you, Sarah, were a toddler, at the time of their deaths; and you, Paul, were a young boy — and you’re a Canadian. What was your image of them in terms of the lore that surrounded them before making the series?

Kelly: Growing up in Canada, I was familiar with who he was. I became even more familiar with them after living in the States for a while. I was a model before, and I had been told I looked like him, so after being told that, you kind of do a little bit of research. Who is this guy? And I was like, “I don’t look anything like JFK.” But then I realized [they meant] JFK Jr. “OK, maybe; yeah, I do look like him a little bit.” So I became more aware of them after that. But growing up, it definitely wasn’t in my cultural zeitgeist, whatever you want to call it.

Pidgeon: I knew that Carolyn worked at Calvin Klein. I knew they were married. I knew their story. I was such a young child when they passed, but they remained so in the cultural conversation because, especially in 1999, they represented such hope in politics. And they’re such a modern couple, sort of breaking the rules of what those norms are, especially coming from such a storied family that has such legacy in the States.

Villarreal: There’s an overwhelming amount of source material from the Kennedy side, but less so on Carolyn. What proved to be most useful to you? What were the things that you turned to to study or figure out who she was?

Pidgeon: That was such a mystery. [I was] taking these still photographs, mainly paparazzi images — and now that I’ve had a few photos taken of myself, you hold yourself differently when you know someone’s taking a photo of you that you also don’t know. That plus videos of her, very few in which she was speaking. And some of the candid photos, mainly from when she was younger. I sort of laid those on top of each other and then used as many books that I could find and interviews that people would give who knew her. But there’s scarcity in terms of that information. That at times felt arresting, but at other times … there’s a lot of freedom in that. And I think that’s what was so interesting about playing this character that is so well known and yet very enigmatic. Finding her walk and thinking about how that changes over the course of nine episodes and six-and-a-half, seven years. How this woman with so much freedom and anonymity — 26 years old, living in New York City, barreling down these streets in the East Village — then changes when she’s the most photographed woman in America. How that perception changes you physically.

Villarreal: Her walk was very striking for me, because I’m like, I can’t move that way.

Pidgeon: Yes you can. You can get a pair of Manolos.

Villarreal: It won’t look as elegant as you, Sarah, but talk to me about finding that walk because, like you said, it shifts from when the onslaught happens. Did you work with a movement coach? Was that all you?

Pidgeon: Julia Crockett is so incredible. There’s not enough hours in the day to sing her praises. We started with a lot of what I just mentioned, the quotes that people said of how she moved. She spoke with her hands. She could be a fast walker — most people who live in New York are. If there was a video of what I was doing in these hotel rooms, they’d think I was absolutely crazy. Rolling around on the floor, isolating different parts of my body, making it as dramatic as possible, and working it into a circle of attention that felt real. And understanding we were both 5-10, which helps. I think tall women carry themselves in a certain way. But understanding that my body is still my body, and our production I don’t think was particularly interested in doing huge physical transformations in terms of prosthetics or things like that. But getting the shoes, walking around in my spare time in New York in heels, which Carolyn does in the show and Sarah Pidgeon does not. That really changes you and it changes how you feel. And just always having that through line of, “What were the touchstones of Carolyn as a young woman, and where did I want her to end up physically?” You can see it through so many different versions in these different photographs — her hair changes, how she dresses changes, the red lip. I [was] always remembering that there was a journey that I was going on: “How can the world close in on her? What does that feel like?” Also, not only putting it into my body first, but feeling it in my body, imagining that. And what are the images that come up? We thought about [her as a] mossy ball; very tactile, just rolling down these hallways in the Roosevelt Hotel in Hollywood.

Villarreal: Paul, you had about three weeks from when you got cast and when production started. And there’s ample stuff to sift through. How did you figure your way out through the noise? What was the thing that really helped you lock in to who he was?

Kelly: He narrates his father’s book, “Profiles in Courage,” and that for me was a great asset. I had to learn how to use my tongue in a different way than I’ve ever spoken before. His speech patterns are different. I worked with a dialect coach. I would listen to that all day, every day — amongst ’90s alt music, some Nine Inch Nails and stuff because that’s what John would do.

Villarreal: Was that what he was into?

Kelly: I think so. One of my favorite photos of him is a candid photo, and he’s wearing a Nine Inch Nails shirt. I’m like, “My guy! Here we go. I can relate.” I watched a lot of his interviews just to see how he kept his cool and composure. He was a very relaxed individual under extreme stress situations. The Larry King interview was a great one; I relied on [it] a lot. I also looked at a lot of images and saw how he moved through the world. I was a model before so I’m pretty good at understanding how my body moves and how to move it; I also worked with Julia pretty briefly, but she gave me some really great tips and I took those throughout the entire duration of filming and just ran with it.

Villarreal: Are you someone that takes bike as your transportation often?

Kelly: Oh yeah. Four wheels moves the body, two wheels moves the soul.

Villarreal: How is it doing it with the suit on?

Kelly: It’s hot.

Pidgeon: Yeah, you did a lot of that in July during a heat wave.

Kelly: Oh, my gosh, when we started filming, the first scene where John is introduced on the bicycle, we shot that on a Sunday and it was like 103 degrees outside and I’m in a ’90s wool suit. It was great … And a hat. And a backpack. There’s a photo where there’s several hands coming at me with fans and spritzer.

Villarreal: How about finding John and Carolyn together? What did that look like for the two of you, figuring out who they were as a couple?

Kelly: I feel like it happened organically. We had like this unspoken bond and trust with each other from the moment we met and it was just like, “OK, we both understand the assignment.” Then we get to step into these shoes and we understand what that was like, I guess, but just going through it together [helped]. It’s also so well written and it is easy to fall into that. It’s very easy to fall in love with this one every day and then fight.

Pidgeon: Oh, you flatter me.

Villarreal: Because you both were so young at the time that they were a couple, were there modern-day couples of your generation that you looked to in terms of how they dealt with the spotlight? Was there someone you were looking to, to help you understand it?

Pidgeon: I think they were pretty singular, especially considering so much of how we view them as a couple was the time in which they existed. I don’t think I can really point to a couple … obviously there’s a comparison with [Princess] Diana, but I can’t really I put my finger on a couple that had the same essence of John and Carolyn, or the same challenges and obstacles of being a couple in public life. [To Kelly] Can you think of anyone?

Kelly: Not really, no.

Pidgeon: It was also that we were coming in on this advent of paparazzi. Obviously coming from such an important family, there was — and I want to speak for you [Kelly] in terms of how you felt about your characterization of JFK Jr. — but there was so much investment in them as a couple because America, and really the world, had watched him grow up. So of course there is this heightened interest in who America’s son marries. And again, that hope that they were this modern couple, one that we’ve never seen before, and what will they become in this new millennium? In terms of finding them together, what was so wonderful about the writing of the show was they were — granted, it happened in about three or four episodes [for the show’s purposes] — but as we were getting to know each other, so were Carolyn and John. They were falling in love with each other and figuring out what that dynamic was and having those misfirings and miscommunications and moments of intensity and questioning. The amount of times I’ve used the word “meta” while talking about the experience of making this show, that sort of mirrored life in a way. I was able to just absolutely give over to Paul and trust him and be excited working with him every single day and be so curious about who John and Carolyn were that day on set. No one better than Paul Anthony Kelly.

Kelly: Oh, you flatter me.

Villarreal: There are a lot of scenes that are stuff that we’ll never know whether they actually happened. But then there are the moments that were played out in tabloids — one of them is the Bryant Park episode. What can you tell me about what that was like shooting on the streets of New York? What do you remember about that experience?

Kelly: What was it, the Nextdoor app called?

Pidgeon: Citizen.

Kelly: The Citizen app. They called it [a] “domestic dispute” … so we were obviously doing our job correctly. It was interesting. Shooting in New York is a very interesting experience because you have all these outliers just watching and gawking. Everyone’s got phones and cameras and what have you. And we’re so in it and doing it and then to have like this blowup argument over and over and again, take after take, angle after angle.

Pidgeon: I wonder if someone reported us just to be like, “Make it stop!”

Kelly: Yeah, exactly. Nobody tried to save you in the moment. Maybe that was them trying to save you [by posting it in the app].

Pidgeon: That was always something to contend with or accept, really, at a certain point. This is an expectation of working in the city. And what I really liked about that scene was that — considering there was such little videography of her, especially because that was a private moment that was unfortunately caught on tape — they both had less inhibitions. I found it [to be] a really amazing exercise as an actor to finally be able to really take something and mimic it exactly and find how the words that Connor [Hines] had written [aligned with it]; it felt like such a great sign when it felt the writing really matched what I physically knew to be true. Because our interest in the story is what happens behind closed doors, as you said. But in those few moments that we did re-create, the real-life [moments], it felt very reassuring as an actor to feel like the words that we were speaking matched the physical footage. I just found it such an exciting way to go about it, to have it really be this outside-in approach. You take this physicality and vocal pattern that I had developed as Carolyn, but then really have some proof for that to be the jumping-off point. I love that we had that scene; we had when they take their first photo after their wedding; we had, in Episode 9, the [Newman’s Own/George Awards] event. Remember that clip that we watched? We’re in the exact same outfits, and I think it’s the Newman’s Own event. I always appreciated those moments. It felt like a different way in to a character that I had really started to get to know at that point.

Villarreal: Whenever I watch something based on a true story or people that were like historical figures, I can’t help but Google to see if something really happened. Is there something you Googled in the process of making the show where you were like, “Did this really happen?”

Pidgeon: There’s a bit of speculation as to how they met. There’s a couple of different stories. Considering this couple was so well known, the fact that there’s still a mystery into how they even met for the first time I think is quite interesting.

Villarreal: I Googled — and I will say I clearly am not the only one that thought this because there was a whole story of it — “Did they really eat KFC chicken?”

Pidgeon: They did.

Kelly: Fine dining.

Pidgeon: You didn’t eat any chicken.

Kelly: Noooo. I got secondhand chicken. That chicken, oh my gosh.

Pidgeon: They did warm it up a bit, but it was pretty cold, you know.

Villarreal: We can’t talk about this show without talking about the wardrobe, the costumes. It’s such a key piece to the storytelling here. Tell me about that collaboration and what the clothes said to you about who Carolyn is and then who John is.

Pidgeon: Yes, clothes are incredibly important to the story and to how most of the public knows and remembers Carolyn. Working with Rudy Mance was so incredible. What he was able to source, while we’re not necessarily sure if they were pieces that Carolyn herself wore, they were the exact pieces of the exact same collection. The very few pieces we weren’t able to source, they were impeccably re-created. Just the attention to detail, I had never really experienced something like that. It was just really watching a master at work, and the rest of our crew as well; not a detail was ever overlooked. The mystery that we really tried to solve in the beginning was: Wow, there’s so many photos of her [from] ’95, ’96 and beyond; there are far fewer photos of what she looked like when she was working at Calvin Klein. And we’re in that space and that time for quite a while. From the photos that we do have of her living in this time in her life, and then how we know she will dress, what are the through lines? What are the pieces she repeats? I don’t think I wore much Prada in the first two, three episodes, which makes sense, because she was just starting out at Calvin Klein. We [had her wear] a lot of Calvin pieces. What was so insightful to playing her was her sartorial choices and her understanding of how, especially since she never spoke on the record, [and] what she can communicate through fashion and how in those initial fittings, even before I really spoke the words of those episodes, how it immediately changed how I held myself as Carolyn was growing and getting older. I keep referencing this quote about Yohji Yamamoto, a designer whom she wore frequently. He liked making the association with his clothing to armor. I just thought that was such a great way into her sort of mental state and how she approached clothing. It was very her, she wore the clothes. That was something that I had to remember, that if I was going to try and embody her, I had [to] feel like I was wearing the clothes because that’s what really stuck out. You always saw her first, despite her wearing some incredibly beautiful clothing. Carolyn was No. 1.

Kelly: John had such great style. Sometimes it was pretty kooky. I also loved that too because it just is such a sense of him. Working with Rudy was a dream. He and his team were incredible. They were able to source so many things. And if they couldn’t find it, it was a direct re-creation, like exact copy of what it was. I remember even just like those shorts with the Knicks logo that he wears playing football. I remember seeing a comment, “John would never wear those.” [Sighs.] “OK, sure.” There’s something about getting into those outfits that it just was this whole other transporting layer of becoming. You hold yourself differently in these things and it just made it feel more real and you’re like, “OK, cool,” and you just live in it and it feels good and you get slouchy and whatever. It was really nice.

Villarreal: How does your style compare? Did they influence your style now?

Kelly: Honestly, it’s a little different, but it’s not that far off. I feel pretty good in a suit. I like to wear suits a lot. I’m the suited heavy metal guy.

Pidgeon: You also have that cool factor about you too. I think there’s something in that with John. He looked great in a suit, he looked great in a tux, but then there was a bit of an edge to him. There was bit of a realness, I think, that you guys share.

Villarreal: Everyone’s trying to emulate it. So many TikToks of people trying to re-create it. Sarah, do you feel like you can never go back to brunette now? Like this is your thing now? You have to stick with it?

Pidgeon: The blond seems to be working. I like being a different hair color. I don’t think I’ll be blond forever. Simply too much time [involved]. It’s so much work. My colorist is amazing — Kari Hill. Cannot sing her praises enough. And Alex Pardoe, who does extensions. It’s been really interesting to find how I [am as a blond] — so much of my time being blond was embodying Carolyn. [Paul and I] would both sleep on the weekends. We wouldn’t do anything while we were shooting. So I didn’t really get a chance to take a walk in this new hair. And when I started dressing again, to go out, I would put on my favorite clothes from when I was brunette. It’s like, “Oh, it just doesn’t hit.” It’s been cool to see how I present and how color theory is crazy. But we’ll see, I guess it depends on how much time I have on my hands.

Villarreal: The series really grapples with the media invasion that swirled around them. What do you say to the critics that feel that a show like this either reignites that craze or contributes to it? What do you want the takeaway of a show like this to be?

Pidgeon: Thinking about one of the first questions you asked — how are we now dealing with with being potentially recognized — I think the intensity of interest in famous people, famous couples, celebrity, actors, musicians, you name it, artists, it’s changed shape, but it has never gone away. Our intention in making this show was, again, what we know about their lived reality, but what can we infer might have happened behind those closed doors. To the general public, [they were] sort of two-dimensional … I knew very little about Carolyn, but I ingested so many photos of her far before this project was ever on my radar. While I recognize this may have contributed to reigniting interest in them, I hope that that interest feels like there’s a more intimate understanding of these people; that they weren’t just figures, that they were people with very full lives, feelings, a profound sense of privacy, intense relation to each other, very, very human. I guess that would be my answer to that. I hope that this is also a bit of a lens or a mirror that, again, if that intensity hasn’t changed, how might we [change it] in the future?

90s movie actress Ashley Judd looks worlds away from her Hollywood days as she rings in her birthday and sings into a hairbush.

The iconic star celebrated her 58th birthday in May and took to Instagram to share a note with her fans.

She was one of the most popular actresses in the 90s and has a strong filmography of work to prove it.

Ashley shared a video of herself singing into a hairbrush as she danced away in her garden with loved ones on her special day.

She popped her grey locks into ponytails as wore a navy plaid dress and went make-up free.

The actress also posted snaps of herself sat in front of a birthday cake as well as being serenaded by a group of musicians who played their instruments for her.

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She penned: “On my 58th birthday, my inner 12-year-old was ready to receive love, care, attunement, delight, protection, and provision.

“Have you ever considered, from your adult perspective, restaging for your sweet inner child an experience she either never had at all?

“Or an experience that did not unfold with the safety and attention it should have?

“I deeply enjoy doing this from a loving inner-parent perspective for my inner family.”

Ashley went on to open up about her childhood and her relationship with birthdays as her fans wished her well on her special day.

The movie star began her career back in 1991 with a guest role in the television series, Star Trek: The Next Generation.

Over her three-decade long career, she’s starred in movies including thriller Double Jeopardy, crime drama Heat and in The Divergent Series.

Her last acting role was in thriller film Lazareth, which released in 2024.

She’s worked with the who’s who of Hollywood, including Robert Deniro, Al Pacino, Tommy Lee Jones, Samuel L Jackson and Jim Carrey.

These days Ashley spends her time working as an activist and humanitarian and is an ambassador for UNFPA (United Nations Population Fund), which is a sexual and reproductive health agency.

She isn’t the only famous person in her family as she’s the daughter of country music singer Naomi Judd.

Her half sister Wynonna also forayed into the country music world.

The Sports Report Hall of Fame, NFL edition

Those of you who read the Dodgers Dugout newsletter know that for the last few years, we have done a Dodgers Dugout Hall of Fame, asking readers to vote for former Dodgers who they believe should be in this more fan-oriented Hall of Fame. Clayton Kershaw was the most recent inductee, bringing the total to 17 Hall of Famers.

Which got me thinking (always a dangerous thing), what if we had a Sports Report Hall of Fame, as selected by the readers?

The way it works: Each Thursday over the next few weeks, you will see a list of candidates. A different category each week.

This week, the category is L.A. Rams/Chargers/Raiders. You can vote for up to eight players. You don’t have to vote for eight, you can vote for any number up to and including eight. Your vote should depend on what the person did on and off the field only as a member of the L.A. Rams, Chargers or Raiders. The rest of his career doesn’t count. And remember this is a Los Angeles-based Hall of Fame, so there might be some people considerably worthy of being in the Sports Report Hall of Fame who fall short of the actual Hall of Fame for their sport.

Whoever is named on at least 75% of the ballots will be elected. The five people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired to appear on the ballot. And since this is L.A. based, people who spent the majority of their career with the St. Louis Rams or San Diego Chargers or Oakland/Vegas Raiders aren’t eligible. Sorry, Kurt Warner.

How do you vote? For this week’s ballot, click here. Results will be announced soon after balloting in all caregories has concluded.

I’m sure there’s a person or two you think should have been on the ballot. Send that player’s name to me and they might be included in next year’s ballot.

So, without further ado, here is the ballot of the Rams/Chargers/Raiders category

Marcus Allen—We are only counting his time with the Raiders here. He will also appear on the USC ballot. A key member of the L.A. Raiders Super Bowl team and a great running back.

Al Davis—Former owner of the Raiders.

Eric Dickerson—Greatest running back in Rams history. Set the season rushing yards record.

Aaron Donald—One of the greatest defensive players in history, leading L.A. Rams to only Super Bowl win. Retired in his prime.

Tom Fears—Split end for the Rams from 1948-1956. First Mexican-born player to be selected in the NFL draft. Integral part of the Rams’ first NFL championship since moving to L.A. Once had the season receptions record for the NFL.

Tom Flores—Coached the L.A. Raiders to their only Super Bowl title. Was 56-32 with the L.A. Raiders.

Georgia Frontiere—One of the only female majority owners in NFL history. Moved the Rams to St. Louis.

Mike Haynes—One of the greatest cornerbacks of all time, starred in the L.A. Raiders’ Super Bowl victory with one interception, two pass breakups and one tackle.

Elroy “Crazylegs” Hirsch—Great receiver, set the then-NFL record with 1,495 receiving yards in 1951, when the Rams won the NFL title. Later was Rams GM and drafted Roman Gabriel, Deacon Jones and Merlin Olsen.

Deacon Jones—Greatest defensive player in NFL history? Finished with an unofficial 173.5 sacks which would still be third all-time.

Chuck Knox—Coached the Rams to five straight NFC West titles, but could never reach the Super Bowl. Resigned after the fifth straight division title season. Came back to coach again from 1992-94 but wasn’t as successful.

Howie Long—Was with the team during their entire tenure in L.A. Defensive end was a key member of L.A. Raiders’ Super Bowl title team.

Merlin Olsen—Don’t let his acting career as Jonathan Garvey and Father Murphy fool you, Olsen was a valued member of the “Fearsome Foursome.” Olsen played for the Rams from 1962 to 1976. He missed only two games in his 15-season career, was named the NFL’s Rookie of the Year in 1962 and was first-team All-Pro in 1964, and 1966 through 1970.

Jim Plunkett—In 1983, Plunkett went from backup to starting quarterback and led the Raiders to a Super Bowl victory. He and Eli Manning are the only eligible quarterbacks with two Super Bowl wins as a starter not to be inducted into the Pro Football Hall of Fame.

Carroll Rosenbloom—Longtime Rams owner. Team won seven straight NFL West titles while he was owner. Moved the team from L.A. to Anaheim, though the move didn’t happen until after his death in 1979.

Jackie Slater—Played his entire 20-season career with the Rams, 19 of those seasons in L.A. He was considered one of the most consistent members of the best offensive line in the NFL and was recognized for his “work ethic and leadership skills” when he was inducted to the Hall of Fame. Named offensive lineman of the year four times.

Norm Van Brocklin—Platooned at quarterback with Bob Waterfield in the early 1950s. The 1950 Rams averaged 38.8 per game, which is still a record. Van Brocklin and Waterfield finished 1–2 in passer rating as well. They were co-quarterback on the 1951 NFL title team as well. In the opening game of the 1951 season, Waterfield was injured, and Van Brocklin passed for an NFL record 554 yards, which is still the NFL record, 75 years later.

Bob Waterfield—You can read Van Brocklin’s note and apply it to Waterfield as well. Except, Waterfield also played defense and had 20 interceptions with the Rams. He also was a kicker, with 315 extra points and 60 field goals and averaged 42.4 yards as a punter. Other than that, he didn’t do much.

Jack Youngblood—Played in the Super Bowl with a broken leg. Holds Rams records for: most consecutive games played (201); most career sacks in the playoffs (8 1/2); most playoff starts (17); most career safeties (two); second in career sacks (151 1/2); second in most career blocked kicks (eight).

To vote, click here. You can vote for up to eight. Those named on at least 75% of ballots are elected.

I have reopened balloting for the other two categories we have presented so far.

To vote in the baseball ballot, click here.

To vote in the basketball ballot, click here.

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

PLUCKED from obscurity and then dropped when fans lose interest, men in reality TV shows often fare worse than their female counterparts.

While women regularly earn a fortune from brand endorsements, the guys can find themselves struggling after they are no longer on our TV screens.

Now the untimely deaths of The Only Way Is Essex cast members Jake Hall and Jordan Wright within a few months of each other has raised fears that ITV is failing in its duty of care for former reality TV stars.

Jake, 35, died last week in a Spanish villa following a night of partying while Jordan, 33 was found dead in a ditch in Thailand in March.

A TV insider told The Sun: “The tragic deaths of Jake and Jordan have raised some serious red flags.

“No one is blaming ITV but there is definitely a pattern which emerges time and time again on all reality shows.

“Measures were put in place a number of years ago but it doesn’t seem to be enough.”

Artist and designer Jake, who joined Towie in 2015, had been living in Spain.

He was found dead in a pool of blood in a villa in Majorca last Wednesday morning after he seemingly crashed through a window.

A police source said witnesses described Jake as “agitated”, possibly from “alcohol and other substances he may have consumed”.

He had a number of struggles in recent years, from losing his fashion brand Prevu to being hit with a restraining order by ex-girlfriend Misse Beqiri, a model and the mother of his eight-year-old daughter River.

Yet right from the start of his telly career, Jake was open about being uncomfortable with fame.

Shortly after his debut on Towie, Jake said on This Morning: “The privacy part has been quite difficult because everyone knows your life within days of being on the show.”

Jordan, from Basildon, Essex, also admitted he struggled with life in the spotlight.

The former firefighter said: “I had an enjoyable career for six years before I resigned to pursue a life in the limelight of reality TV — a choice that left me hugely unfulfilled, stagnant and lost.

“People think it’s glitz and glamour but the truth is very far from public perception.

“I really struggled.

“When I left I lost a huge part of myself and my sense of purpose.”

Jordan returned to firefighting in 2023 but he struggled to settle and in December moved to Thailand where he was looking forward to a “very exciting year ahead”.

He shared his new life with his 21,500 Instagram followers, but in March was found dead face down in a drainage canal on the island of Phuket.

CCTV footage appeared to show Jordan pacing erratically outside a hotel before bolting out of the complex shortly before his body was found.

Unfortunately, the two deaths were not Towie’s first.

In January 2021, Mick Norcross took his own life, aged 57.

The Sugar Hut owner and businessman had joined the show with his son Kirk, who now runs a waste removal business.

Addiction has also taken hold of a number of cast members, including James Argent, who suffered two near-fatal overdoses at home.

Arg’s drug binges cost him his relationship with co-star Lydia Bright, his job on Towie and other high- profile TV work.

Last year he was in trouble after pushing his former Miss Sweden partner Nicoline Artursson down some steps on holiday in Spain.

He admitted an offence of gender violence and was given a six-month prison sentence, suspended for two years.

Jake and Jordan’s deaths sent shockwaves through fans of Towie and its stars.

Charlie King, who was on the show in 2012 and 2013, has faced his own demons since he left the programme but believes his fellow cast members must “take responsibility”.

He told The Sun: “Reality stars in general are seeking something — whether it’s fame, attention or validation.

“It’s a two-way street — stars want to appear on the shows for that lifestyle and experience, and shows need the participants.

“I can’t say Towie gave me the best support when I finished on the show.

“I remember feeling lost and redundant, trying to navigate a life post the show and still having eyes on me.

“It was hard.

“I missed the show deeply and all that came with it.

“I think access to a counsellor or therapy in those first months or years after appearing is always a good idea.

“But I also don’t think it’s fair to point the finger at these shows for how individuals live their lives after — we have to take responsibility.”

Charlie added that producers offer much better support for their on-screen talent these days and that ITV “isn’t afraid to pull out cast members if they think it’s getting too much or they need a breather, which is great to see”.

Following his stint on Towie, Charlie was diagnosed with body dysmorphia and had a botched nose job.

Other lads from the show have also gone under the knife in a quest for perfection.

Bobby Norris is now almost unrecognisable after having a full deep plane facelift, neck lift and lower eyelid surgery.

James Lock has also battled body dysmorphia and says he has spent around £100,000 on getting work done.

On rival ITV show Love Island, telly bosses brought in a revised set of welfare measures in 2021, including “comprehensive” psychological support, after former stars Sophie Gradon and Mike Thalassitis took their own lives.

Their relatives blamed a lack of support from the show for contributing to their mental anguish.

Love Islanders are offered a minimum of eight therapy sessions when they return home.

They also get advice on coping with their finances.

But unlike Love Island, Towie cast members often appear on the show for years at a time.

A number of its former stars, including Yazmin Oukhellou and Tommy Mallet, have praised the support they have received while on the show — but what happens when the cameras stop rolling?

A telly insider revealed: “When women finish on a reality show, brand deals, an influencing career and other avenues are open to them — but it’s very different for men.

“They can get club PAs but that involves late nights and lots of booze.

“Some people like Jake or Tommy launch a career in fashion, but many struggle to achieve the dizzy heights they once enjoyed.”

Women, meanwhile, have made millions off the back of Towie, thanks to very successful business models.

Former glamour model Sam Faiers owns global collagen brand Revive and is worth £9million, and Gemma Collins is now a huge TV star with £7million in the bank.

Lucy Mecklenburgh — famed for throwing drinks on cheating Mario Falcone — now owns a thriving fitness brand and shows off her happy life on social media.

But there have also been a number of male Towie successes too.

Mark Wright landed I’m A Celebrity and Strictly at a time when Z-listers were reportedly banned, as well as enjoying a stint on US TV.

Now a radio DJ, he is married to actress Michelle Keegan, and the couple live in a £3.5million Essex mansion with one-year-old daughter Palma.

Joey Essex also became a huge breakout star.

These days he is worth at least £10millon thanks to a lucrative reality TV career, savvy personal branding and business ventures.

Another success story is Tommy Mallet, who launched luxury footwear and apparel brand Mallet London and more recently Ctrne trainers.

Tommy, Joey and Mark are living up to Towie’s theme tune The Only Way Is Up — and fans will hope there will be more men from the show who enjoy similar success.

ITV was approached for comment but declined.

A NOUGHTIES pop star has hinted he’s quitting fame after 25 years in the spotlight as furiously ranted online.

The 42-year-old took to his Instagram to share some hard truths about the industry and told how he’d rather live a simpler live.

Lee Ryan, a star of the 90s boyband Blue, explained that he’s “been through hell and back” and said he now “hates the public eye.”

The singer found fame in the early 2000s after the band achieved massive success with their debut album All Rise in 2001.

Blue, who have three UK Number 1 Platinum-selling albums, are still going strong, with tours lined up for the rest of this year and next.

Alongside Antony Costa, Duncan James and Simon Webbe, Lee has been taking to the stage but it seems he’s not entirely happy.

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He posted a picture of himself singing at a concert on Instagram and captioned it with the statement: “As much as I love my career I’ve had for 25 years singing in Blue, sometimes I just want to go home to be a husband and father to my baby’s.

“There’s no place I feel more at peace than with them. This industry sucks you in and spits you out the other end… I’ve been through hell and back in the public eye and I actually hate it now.”

Lee continued: “I don’t like the fame part of this job anymore, it’s fake and quite toxic. People use you and abuse you and use your success as a weapon.”

“Don’t get me wrong I love singing and being creative making music and seeing the fans at shows,” said Lee.

“The rest I could leave behind and never step foot into that space again happily… I have no interest in the industry bs anymore…. Rather be home being a dad and a husband x”

Fans took to the comments to support Lee while some felt annoyed that they had brought tickets and could see he “didn’t want to do it anymore.”

One fan wrote: “I love blue, I still do. But at the concert I feel like I could see that you don’t really want it anymore. It‘s sad because people pay money to see the absolute best of you…”

Another fan said: “Thank you for carrying on and bless us with your beautiful voice. There is no place like home and I am sure your family is forever proud of you.”

A third fan added: “You would be missed, your voice, stage presence and banter is truly in a small minority BUT you have to do what’s best for you.”

Lee’s wife Verity also rushed to support her man. She said: “You get to do both!!! Be a pop star and come back to reality and live on the farm in the sunshine!!! We love you Mr, keep going nearly home time xxx”

The couple, who married in Gibraltar in 2022, share four children together.

Blue took a hiatus in 2004 but later reformed with the original bandmembers in 2011.

ATLANTA — Bobby Cox, the folksy manager of the Atlanta Braves whose teams ruled the National League during the 1990s and gave the city its first major title as well as World Series trips that fell short, died Saturday. He was 84.

Cox died in Marietta, Ga., according to the Atlanta Braves. He had a stroke in 2019 and heart issues that complicated his recovery.

“Bobby was the best manager to ever wear a Braves uniform. He led our team to 14 straight division titles, five National League pennants, and the unforgettable World Series title in 1995. His Braves managerial legacy will never be matched,” the Braves said in a statement.

Cox took over a last-place team in June 1990 and led the Braves to a worst-to-first finish in 1991, losing the World Series to the Minnesota Twins in seven games. That was the start of what was to become a record 14 consecutive division titles, a feat no professional team in any sport had accomplished.

He managed the Braves for 25 years and led Atlanta to its first World Series title in 1995, retired after the 2010 season and was inducted into the Hall of Fame in 2014.

“Bobby was a favorite among all in the baseball community, especially those who played for him. His wealth of knowledge on player development and the intricacies of managing the game were rewarded with the sport’s ultimate prize in 2014 — enshrinement into the Baseball Hall of Fame,” the Braves said.

Braves Bobby Cox, right, and Blue Jays manager Cito Gaston look over Camden Yards during All-Star workouts in 1993.

(Carlos Osorio / Associated Press)

As of Saturday, Cox ranks fourth all-time with 2,504 wins, fifth with 4,508 games, first with 15 division titles including a record 14 in a row, first with 16 playoff appearances and fourth with 67 playoff victories.

Only Connie Mack, John McGraw and Tony La Russa had more regular-season wins than Cox. His 158 regular-season ejections also was the most among managers.

“He is the Atlanta Braves,” catcher Brian McCann said in 2019. “He’s the best.”

McCann described Cox as an “icon” and “one of the best human beings any of us have ever met.”

The Braves retired Cox’s No. 6 jersey in 2011, when he joined the team’s Hall of Fame.

Cox spent 29 seasons as a major league manager, including four with Toronto. He managed 16 postseason teams. He brought an old-school approach to the dugout. He always wore spikes and stirrups, and his fatherly demeanor inspired loyalty from his players.

Odum writes for the Associated Press.

The former reality star has traded celebrity life to start a rubbish collection business

One of Towie’s most recognisable faces has turned his back on fame and taken up waste collection.

Kirk Norcross first burst onto our screens on the ITV2 reality show as one of its original cast members. Back then, he was living the high life as a ‘rich party boy’, spotted behind the wheel of luxury motors, jetting off on extravagant holidays and throwing parties at his late father Mick Norcross’ legendary nightclub Sugar Hut.

Despite being a firm favourite with fans, he chose to walk away from the show after just two years, before going on to appear in several other television programmes. Kirk featured on Celebrity Big Brother and the 2015 series of MTV’s Ex On The Beach.

Now, years on, Kirk leads a thoroughly ‘normal’ life having opted to ditch the spotlight entirely – even previously turning down the opportunity to appear in the 10-year TOWIE anniversary reunion show.

The 38-year-old now runs County Clear Waste, a same-day rubbish collection service operating throughout Norfolk and Suffolk. The firm handles household, commercial and industrial waste, while also providing a ‘wait and load service’.

The company appears to have launched in January this year, making it a relatively new venture. Promoting his business, Kirk shared a snap of himself on Instagram, pictured sporting a branded hi-vis jacket.

Alongside the post he wrote: “Hi, I’m Kirk Norcross, proud owner of County Clear Waste.

“I provide reliable, fully insured and licensed rubbish clearance across Norfolk and Suffolk. From garden clearances and house clearances to all types of waste and rubbish removal.

“I’ve got you covered. Professional, trustworthy service you can depend on. Get in touch today.”

However, this isn’t Kirk’s first venture into entrepreneurship. The former reality star previously operated his own jet-washing business based in Essex.

He ran KN Jet Services, a jet-washing and drain-cleaning enterprise, which represented his initial foray into a traditional career path after leaving television. Beyond his professional endeavours, Kirk is a dedicated father to his two children.

Kirk has previously spoken candidly about the devastating impact his television career had on his mental wellbeing.

In 2019, he made the heartbreaking revelation that he attempted to take his own life after his time in the public eye left him struggling with severe anxiety and depression.

His late father Mick tragically died by suicide at his Bulphan home in January 2021. An inquest disclosed how Mick felt ‘unable to cope’ with financial concerns before his death.

TOWIE returns on Sunday, April 26 at 9pm on ITV2 and ITVX and the show will air every Sunday and Monday

Samaritans is there for anyone who wants to talk. You can contact Samaritans 24 hours a day, 365 days a year by calling 116 123 (free from any phone) or the Samaritans Welsh Language Line on 0808 164 0123 (7pm–11pm every day).

Russell Brand, the British comedian and actor who has been accused by multiple women of rape and sexual assault, said his sexual flings amid the height of his fame in the early aughts included sleeping with a 16-year-old girl.

Brand confirmed the relationship to Megyn Kelly on the the latest episode of her eponymous podcast and YouTube show published Wednesday. “I did sleep with a 16-year-old when I was 30,” he said, “but when I was 30 I was a different person. I was a lot younger and I was an immature 30-year-old.”

The “Get Him to the Greek” actor, 50, emphasized that the age of consent in the United Kingdom is 16 and reflected on his behavior at the time, adding that he thinks having consensual sex as a famous person “involved exploitation.” He said he felt fame and addiction paved the way for “opportunity for endless consent which led me to be a hedonist and a fool and exploiter of women.”

“That is wrong and that is something that needs to be redeemed and addressed and atoned for,” he added.

Brand’s relationship with a 16-year-old girl became public in 2023 when the Times of London and Britain’s Channel 4 published a joint investigation detailing allegations of rape, sexual assault and other abusive behavior against the once-in-demand actor. One of the women who raised allegations against Brand said she became involved with the former actor when she was 16 and he was 31, and that he referred to her as “the child” in their relationship. According to the woman, Brand reportedly forced his penis down her throat, making it difficult to breathe, and she fought him off by punching him in the stomach. Brand denied the claims at the time.

The investigation centered on alleged incidents that occurred between 2006 and 2013 — the peak of Brand’s Hollywood fame — and laid the groundwork for additional complaints against the raunchy comedian to come to light.

In April 2025, the Metropolitan Police Service charged Brand with single counts of rape, indecent assault, oral rape and two counts of sexual assault connected to alleged attacks on multiple women between 1999 and 2005. U.K. authorities pressed additional rape and sexual assault charges against the “Forgetting Sarah Marshall” actor in December. He will stand trail in October.

Brand, ex-husband to pop star Katy Perry (who is facing her own sexual assault scandal),fell mostly out of public favor within the past decade and pivoted his focus to religious and “free-thinking” content. Last year he appeared at Turning Point USA’s AmericaFest 2025.

At the beginning of the podcast episode, Kelly said that after learning about allegations against Brand she “felt anger for a couple years” toward the actor. However, Kelly said she grew open to speaking with him after some time and an “enormous amount of open-mindedness to [Brand] being railroaded and attacked by people.”

Notably, Kelly in November offered a flimsy definition of pedophilia when it came to late convicted sex offender Jeffrey Epstein. Citing “somebody very close” to Epstein’s case, Kelly said Epstein “ was into the barely legal type, like, he liked 15-year-old girls,” Kelly continued.

“I’m not trying to make an excuse for this, I’m just giving you facts — that he wasn’t into, like, 8-year-olds,” she added at the time. “But he liked the very young teen types that could pass for even younger than they were, but would look legal to a passer-by.”

Times staff writer Meredith Blake contributed to this report.

As a player, Stoney lifted 12 major trophies – including two league titles and four FA Cups – during her time at Chelsea, Arsenal, Charlton Athletic, Lincoln Ladies and Liverpool.

She won 130 England caps and skippered her country, appearing in three World Cups. She also captained Great Britain in the 2012 London Olympics.

Stoney retired from playing at the age of 35 in February 2018.

“Destined for a career in management, she became the first ever head coach of Manchester United eight years ago, leading the club to promotion to the top flight in her first season in charge before consolidating their position in the league’s upper echelons,” said the WSL.

“Now heading up the Canadian women’s national team after a spell at San Diego Wave, Stoney’s impact on the game – particularly during its formative years – was profound, while her position as a trailblazer managerially has ensured that her name is firmly embedded in the history books.”

Harrop made her WSL debut for Birmingham City in 2011 and won the FA Cup with them in 2012.

She made 135 appearances for her hometown club before joining Tottenham Hotspur in 2020 and retired in 2023.

The WSL said Harrop was “a player who played the entirety of her 12-year career in the Barclays WSL and once held the title of being the division’s record appearance holder … earning legendary status during her time with the Midlands outfit [Birmingham City] and establishing herself as one of the game’s pioneers”.

HE was a 90s heartthrob in one of the decade’s biggest British boybands.

With a bad boy image and bundles of energy, John Hendy, 55, and East 17 stood out from other, more clean cut, acts like Take That and Boyzone.

But even at the height of the group’s fame, they saw little of the money generated by hits like their huge Christmas number one Stay Another Day.

In the early days, the group’s members were only pocketing £125 a week each, proving the pop dream wasn’t all it was cracked up to be.

The boys had differing fortunes after splintering in 1997 following controversial comments band member Brian Harvey made about taking ecstasy.

Band leader and songwriter Tony Mortimer continues to receive an estimated £97,000 each year for the popular Christmas hit.

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But bandmates John, Terry Coldwell and Brian Harvey aren’t included in the royalties.

John continued with the next iteration of the group, E-17, and was part of various line-ups over the years.

In 2018 though, enough was enough, and he decided to leave after falling out with Terry Coldwell and new arrival Robbie Craig.

It wasn’t long afterwards that he fell on hard times when the coronavirus pandemic shook the world. He was forced to move into a hostel with his family for 18 months, which he found particularly tough.

But in recent years things have taken a positive turn and John is successfully plying his trade as a roofer, the job he held before his pop career began.

He shares his trade on TikTok and his latest job saw him working on a tall property in Lewisham.

Though he was praised for his work ethic, fans feel he should have made enough from music to retire.

One person commented: “No hate, but how is this guy still working when he sold the records he did. He should be retired and living it up somewhere hot. Great resurrection album E17.”

Another said: “Nothing but respect for this man – royalties and fair distribution should see him retired and taking life easy – very unfair but what a lovely guy – humble.”

John previously reflected on how shortchanged his group was in an interview with the Mail Online.

He said: “I haven’t even got a house and people think you’re millionaires and that, and I’m thinking, I don’t even got an house out of it.

“We should have all come out with a house, at least.”

However, John admitted that, despite hanging out with “rich friends”, he is content with his work van and regularly discusses the highs and lows of having money with his pals.

He recalled: “When I turn up to a party and my rich friends are coming in their Porsche’s and Range Rovers and I’m pulling up in my roofing van and I’m like ‘oh mate, it makes me feel sick coming to your parties’.

“And then they put it in perspective to me. They are like ‘John, mate, it’s money, it doesn’t mean nothing, mate’.

“One friend said to me ‘I’d rather give this all up and then just go out for one week and experience what you’ve done’, you know what I mean? Because what an experience that is.”

Garret Anderson was a Hall of Fame-caliber major league baseball player who never made the Hall of Fame. Baseball is a numbers game, and GA didn’t have enough of them.

When he finished his career and was eligible for the vote in 2016, he got just one vote. That represented 0.2% of the total. It also meant that he wasn’t even on the ballot the next year.

So, when he died Friday, way too soon at age 53, it presented an interesting twist. Had he lived into his 80s or 90s, there would have been few still around to remember anything about him but statistics. Now, the memory of his underrated greatness remains. What he did and how he did it is still in the frontal lobe of those who watched and those who wrote and broadcast about him.

He was the quiet man who played for various versions of the Angels for 15 seasons — the California Angels, the Anaheim Angels and the Los Angeles Angels. Right there, you have a Hall of Fame problem. A team struggling so hard to find its own identity does not attract the deep and passionate interest of the bulk of the writers/voters who live in time zones whose bed time is the same as game time in Anaheim.

It should have mattered that GA delivered the most important hit in Angels’ history, the game-winner in the 2002 World Series. It was Game 7, it was at Angel Stadium and the opponent was the San Francisco Giants, who had superstar slugger Barry Bonds and his line drives that created dents in outfield fences, except when they flew over them, which was often.

Anderson came to the plate in the third inning. The bases were loaded and Anderson took a shoulder-high fastball, slapped it down the right-field line and three runs came home. The Angels won 4-1 and haven’t come close to a World Series title, much less a World Series, since then. That at least got Anderson into the Angels Hall of Fame in 2016.

Mike Scioscia was the manager then and the most effective the team has had. He is the one who, Saturday, called Anderson’s Game 7 hit the greatest in team history.

“I remember looking out there when he went to the plate with the bases loaded,” Scioscia said, “and thinking he is exactly the guy I want there right now.”

Scioscia called Anderson’s death “a punch in the gut.” He said the player everybody called GA, didn’t have to be managed. “He was a resource for me,” Scioscia said. “He had an incredible inner drive. He was one of the most talented players I have been around. I’d call him a superstar.”

Scioscia, reminded that his “superstar” didn’t make baseball’s Hall of Fame, said, “Sometimes, great players slip through the cracks.”

Anderson’s not-quite-Hall-of-Fame performances included three All-Star game appearances. He was the game’s MVP in 2003 and also won the home run derby that year. He beat out Albert Pujols, then of the Cardinals. His career batting average was .293, he hit 287 home runs and had 1,365 runs batted in. He went to the plate to hit, not to watch. He never drew more than 38 walks in a season and never struck out more than 100 times.

Yet the statistic he felt gave him the best chance for the Hall of Fame was number of hits. Getting 3,000 hits would make him almost an automatic choice. He ended with 2,529, and near the end of his career with the Angels, he sat down with a reporter to discuss just that, plus one other thing.

Garret Anderson, left, talks with Jackie Autry, widow of Angels team owner Gene Autry, as he is inducted into the Angels Hall of Fame on Aug. 20, 2016.

(Reed Saxon / Associated Press)

It was uncharacteristic for Anderson to have this sort of conversation with anybody outside of his teammates, or maybe his family. It was lunch at Zov’s in Tustin and the question was how this voting system works and could maybe 200 more hits get him in. Could 2,750 do it? He wasn’t a big ego guy by any stretch of the imagination, but the Hall of Fame seemed to be dangling there and any baseball player who could see that for himself in the distance had to be intrigued.

There was no discussion of the intangibles, no consideration of the Angels being the Angels and what effect that will always have. Do voters even look much at other stats, such as his 24 walks and 35 home runs in the same season? The reporter wasn’t a great help. He wasn’t even a voter. Anderson wasn’t really stressed out over the Hall of Fame premise, just kind of fascinated. The reporter was probably more encouraging than realistic. Zov’s food was good, the company great.

Eventually, Anderson got to the second issue that had prompted the lunch: How to deal with Times columnist TJ Simers. He asked because the reporter was once Simers’ boss. Simers tended to probe and kid and seek to stir up things, but Anderson also recognized that he could be highly accurate, perceptive and even fun. Anderson, as a team star, was bracing for frequent visits. How should he handle it?

The answer was simple: Don’t lie to him. Don’t hide from him. If he is being a jerk, tell him so. He will accept that. If he is wrong, tell him that and tell him how. If he insults you, insult him back. He loves that.

Tim Mead, former director of public relations, when asked for his thoughts on Anderson, said that his perspective or quotes would not be as telling or as meaningful as simply watching the tape of Anderson’s three-run double that won the 2002 World Series for the Angels.

“Just watch it, just watch his reaction when he gets to second base,” Mead said Saturday.

And so we did. Anderson slaps his hit down the right field line, just fair. Angel Stadium goes crazy. Anderson stops at second base, claps his hands four times, then stands there quietly. Little emotion. Little hoopla. No contortions for “SportsCenter.” He has done his job. He has done what was expected of him. There are six more innings left. Let’s celebrate when it is truly over.

That was Garret Anderson, GA to his friends, a Hall of Fame player in all the ways that numbers don’t show.

It’s time to reveal memories, laughs and crazy times from Randy Rosenbloom’s 55 years as a TV/radio broadcaster in Los Angeles. He’s hopping in a car next Sunday with his wife, saying goodbye to a North Hollywood house that’s been in his family since 1952 and driving 3,300 miles to his new home in Greenville, S.C.

“When I walk out, I’ll probably break down,” he said.

He graduated from North Hollywood High in 1969. He got his first paid job in 1971 calling Hart basketball games for NBC Cable Newhall for $10 a game. It began an adventure of a lifetime.

“I never knew if I overachieved or underachieved. I just did what I loved,” he said.

Randy Rosenbloom (left) used to work with former UCLA coach John Wooden for TV games.

(Randy Rosenbloom)

John Wooden, Jerry Tarkanian and Jim Harrick were among his expert commentators when he did play by play for college basketball games. He called volleyball at the 1992 and 1996 Olympic Games for NBC and rowing in 2004. He’s worked more than 100 championship high school events. He did play by play for the first and only Reebok Bowl at Angel Stadium in 1994 won by Bishop Amat over Sylmar, 35-14.

“There were about 5,000, 6,000 people there and I remember thinking nobody watched the game. We ended up with a 5.7 TV rating on Channel 13 in Los Angeles, which is higher than most Lakers games.”

He conducted interviews with NFL Hall of Famers Gale Sayers and Johnny Unitas and boxing greats Robert Duran, Thomas Hearn and Sugar Ray Leonard. He’s worked with baseball greats Steve Garvey and Doug DeCinces. He called games with former USC coach Rod Dedeaux. He was in the radio booth for Bret Saberhagen’s 1982 no-hitter in the City Section championship game at Dodger Stadium. He was a nightly sportscaster for KADY in Ventura.

Randy Rosenbloom, left, with his volleyball broadcast partners, Kirk Kilgour and Bill Walton.

(Randy Rosenbloom)

He was the voice of Fresno State football and basketball. He also did Nevada Las Vegas football and basketball games. He called bowl games and Little League games. He was a public address announcer for basketball at the 1984 Olympic Games with Michael Jordan the star and did the P.A. for Toluca Little League.

Nothing was too small or too big for him.

“I loved everything,” he said.

He called at least 10 East L.A. Classic football games between Garfield and Roosevelt. He was there when Narbonne and San Pedro tied 21-21 in the 2008 City championship game at the Coliseum on a San Pedro touchdown with one second left.

Probably his most notable tale came when he was doing radio play-by-play at a 1998 college bowl game in Montgomery, Ala.

“I look down and a giant tarantula is crawling up my pants,” he said. “My color man took all the press notes, wadded them up and hit the tarantula like swinging a bat.”

Did Rosenbloom tell the audience what was happening?

“I stayed calm,” he said.

Then there was the time he was in the press box at Sam Boyd Stadium and a bat flew in and attached itself to the wooden press box right next to him before flying away after he said, “UNLV wins.”

Recently, he’s been putting together high school TV packages for LA36 and calling travel ball basketball games. He’ll still keep doing a radio gambling show from his new home, but he’s cutting ties to Los Angeles to move closer to grandchildren.

“I’m retiring from Los Angeles. I’m leaving the market,” he said.

Hopefully he’ll continue via Zoom to do a weekly podcast with me for The Times.

He’s a true professional who’s versatility and work ethic made him a reliable hire from the age of 18 through his current age of 74.

He’s a member of the City Section Hall of Fame and the Southern California Jewish Sports Hall of Fame. He once threw the shot put 51 feet, 7 1/2 inches, which is his claim to fame at North Hollywood High.

One time an ESPN graphic before a show spelled his name “Rosenbloom” then changed it to “Rosenblum” for postgame. It was worth a good laugh.

He always adjusts, improvises and ad-libs. He expects to enjoy his time in South Carolina, but he better watch out for tarantulas. They seem to like him.

Alex Palou’s 2025 season was the best for an IndyCar driver in nearly 20 years.

He won a career-high eight races, including the Indianapolis 500. He won his third straight series title and his fourth championship overall. He made the podium 13 times in 17 races.

Yet if you ask Palou, he’ll tell you he’s going into Saturday’s qualifying for Sunday’s Grand Prix of Long Beach needing to prove himself all over again.

“Who cares about what we did last year?” he said. “It’s cool to have four championships, but the only important year is 2026. Everybody started with zero points on the board and we need to do it all over again.”

That’s far easier said than done, although Palou is off to a fast start in his quest for a fifth championship having won two of the first four races on the IndyCar schedule to stand second in the driver standings, two points behind defending Long Beach champion Kyle Kirkwood.

“Last year was magical,” said Palou, who has captured 10 of the last 21 checkered flags, dating to 2024. “As an athlete you always want to keep on improving, but I need to be realistic and understand that to win eight races in IndyCar in the same year, it’s pretty tough to beat.

“So although I want to achieve that, we just need to take 2026 separately and just try our best, try to win as many races as possible and then obviously fight for the [Indy] 500 and the championship.”

Winning Long Beach, one of the few prizes on the IndyCar circuit that has eluded him, would be a big step in that drive for five. But that won’t be easy since passing on the tight 1.968-mile street course, with its 11 turns, is difficult. That makes track position important, putting a premium on Saturday’s qualifying and on pit stops in Sunday’s race.

“It’s always super tough to be competitive there,” Palou said of Long Beach, where he finished second last April, giving him three straight podium finishes. “One of the only bad things about street racing [is] that it’s really tough for us to overtake with how tight the tracks are and all the bumps.

“It just makes it super challenging.”

Alex Palou competes during the Grand Prix of St. Petersburg in Florida on March 1.

(David Jensen / Getty Images)

Not as challenging as the race Palou, the most successful Spanish driver in IndyCar history, had to run just to get into a race car.

As a boy growing up in the tiny Catalan village of Sant Antoni de Vilamajor, Palou started kart racing about the same time he started grade school. He was 15 when he finished second in the 2012 European karting championship yet he didn’t see much of a future beyond that.

Lewis Hamilton had finished in the same spot 13 years earlier, then went on to become the most successful Formula One driver in history. But England has a long-established history with open-wheel racing and Spain did not.

“He came from nothing, showing up at a carting track and then having these big dreams and aspirations. And here he is,” said Barry Wanser, the senior manager of IndyCar operations for Chip Ganassi Racing.

“I know he’s very proud he’s the first Spaniard to win the Indianapolis 500. That’s just absolutely incredible.”

But that was never the goal.

“Honestly,” Palou said, “my goal was just to have fun. When we started, I never wanted to be a race car driver for a living. I never thought that it would be possible.”

Before Palou, Fernando Alonso, a two-time F1 champion, was Spain’s most successful open-wheel driver. After Alonso is Carlos Sainz Jr., who has won four F1 races; Pedro de la Rosa, who made more than 100 F1 starts but climbed the podium just once; and Oriol Servià, who ran 79 IndyCar races in nine years but never placed higher than fourth before retiring in 2019, one year before Palou made his debut in the series.

Aside from Alonso, those drivers were good but not great, leaving the road from Spain to success in open-wheel racing a narrow one. That’s a path Palou is now widening.

“I would say that for sure it’s helping future generations that I’m here and that I had success,” he said, “just because they can know that with a normal European background you can come to the U.S. and fight for wins and championships.”

Alex Palou celebrates after winning the Grand Prix of St. Petersburg on March 1.

(David Jensen / Getty Images)

Wanser said what makes Palou so good is his feel for both the car and the track and his ability to communicate with his team.

“He has a very unique ability to understand what he needs the car to do to maximize performance on the tires,” said Wanser, the race strategist for Ganassi’s No. 10 car who has sometimes been called Palou’s indispensable partner. “You’re talking about road courses, street courses, for the primary [tires] — the hards and the softs — and understanding what he needs for qualifying and also what the car needs for reducing tire deg[redation] during the race.”

For now Palou, who turned 29 earlier this month, appears content with mastering those skills in IndyCar rather that following the natural progression into an F1 ride.

He said he went “all in” to win an F1 seat following his first IndyCar title in 2021, but doubts about whether he’d be given a competitive car led him to back out. Rumors linking him to Red Bull’s F1 team surfaced after last year’s Indy 500, but Palou shot those down too, saying he was staying with Ganassi.

Wanser, obviously, is happy with that decision and hopes it will pay off Sunday in Long Beach.

“Alex is very young, right?” he said. “IndyCar is so competitive that we could never, ever think about being complacent. If we start heading down that road, we will get beat and get beat often.

“It’s nonstop trying to constantly improve, knowing every weekend we show up to the racetrack it’s going to be difficult to win.”