Fame

Blake Griffin, Candace Parker, Jamal Crawford, the 1996 U.S. Olympic women’s basketball team, Bruce Pearl and Kelvin Sampson were among the first-time nominees announced Friday that will be considered for enshrinement into the Naismith Memorial Basketball Hall of Fame next year.

Also among the notable first-time nominees: Elena Delle Donne and Joe Johnson as players, and Mike D’Antoni as a contributor.

Nearly 200 players and teams were on the list unveiled by the Hall, including some finalists that fell short of enshrinement in the 2025 class — Jennifer Azzi, who was a member of that 1996 U.S. women’s team that won gold at the Atlanta Games. Azzi is a nominee again as an individual this year.

“The candidates for the Class of 2026 have each left an indelible impact on the game of basketball,” said John L. Doleva, president and CEO of the Naismith Memorial Basketball Hall of Fame. “Through defining performances, influential leadership, and achievements that helped elevate the sport on the national and international stage, this year’s ballot recognizes those whose legacy continues to shape how the game is played, coached, and celebrated.”

Finalists are typically announced at NBA All-Star weekend in February. The 2026 class will be unveiled April 4 at the NCAA Final Four, with enshrinement weekend Aug. 14 and 15 at the Mohegan Sun in Uncasville, Conn., and at Symphony Hall in Springfield, Mass.

Other finalists a year ago who are back on the ballot include Gonzaga coach Mark Few; NBA legends Marques Johnson and Buck Williams; and Jerry Welsh — who coached Potsdam in upstate New York to NCAA Division III titles in 1981 and 1986.

Molly Bolin, the first player signed by the Women’s Professional Basketball League, is back as well, as is former Serbian professional player and longtime coach Dusan Ivkovic — already a FIBA Hall of Famer.

Doc Rivers, the only NBA coach with more than 1,000 wins who isn’t yet in the Hall of Fame, is a nominee again, as are Amar’e Stoudemire and legendary broadcaster Marv Albert.

Some teams that will also be considered include the 1936, 1972 and 1976 U.S. Olympic men’s teams; the 1982 Cheyney State team coached by C. Vivian Stringer that lost to Louisiana Tech in the inaugural NCAA Division I women’s national championship game; the Kentucky Wesleyan men’s teams that won three Division II national titles in a four-year span during the late 1960s; and the 1963 Loyola Chicago men’s team that won the NCAA title and broke racial barriers in the sport by using as many as four Black starters.

Long Beach City College’s performing arts center is officially being named after Long Beach legend and LBCC alumna Jenni Rivera.

Last week LBCC’s Board of Trustees unanimously voted to name the new facility the Jenni Rivera Performing Arts Center.

“This naming recognizes not just an extraordinary performer, but a daughter of Long Beach whose voice and spirit transcended borders,” said Uduak-Joe Ntuk, president of LBCC’s board of trustees in a press statement. “Jenni Rivera inspired millions through her music, resilience, and advocacy. We are proud that future generations of artists will learn and create in a space that bears her name.”

Jenni Rivera Enterprises will donate $2 million over the next 10 years to the LBCC Foundation, with the bulk of the funds going toward scholarships and education programs, the Long Beach Post reported.

“Our family is deeply honored that Long Beach City College has chosen to memorialize Jenni in this extraordinary way,” said Jacqie Rivera, Rivera’s daughter and CEO of Jenni Rivera Enterprises, in a press release. “Long Beach shaped who Jenni was — as an artist, a mother, and a woman — committed to her community. Knowing that young performers will grow, train, and find their creative voice in a center that carries her name is profoundly meaningful to us.”

The performing arts center, which is scheduled to open in spring 2026, is the second honor the “Inolvidable” singer has received from LBCC. Earlier this year, Rivera was inducted into the LBCC Hall of Fame alongside actor/activist Jennifer Kumiyama and attorney Norm Rasmussen.

Rivera was born and raised in Long Beach, attending Long Beach Poly High School in the 1980s, where she got pregnant as a sophomore. She later graduated from Reid Continuation High School as class valedictorian. She went on to attend LBCC before transferring to Cal State Long Beach to get a bachelor’s degree in business administration.

She immediately put that degree to use as a real estate agent, while simultaneously working at her father’s recording studio and record label.

Her father, Pedro Rivera, was a noted singer of corridos. In the 1980s he launched the record label Cintas Acuario. It began as a swap-meet booth and grew into an influential and taste-making independent outfit, fueling the careers of artists such as Chálino Sanchez. Jenni Rivera’s four brothers were associated with the music industry; her brother Lupillo, in particular, is a huge star in his own right.

She released her first album, “Somos Rivera,” in 1992, launching a prolific career that was tragically cut short when Rivera and six others were killed in a plane crash in Mexico on Dec. 9, 2012.

The self-proclaimed “Diva de la Banda” was a self-made star with a veritable rags-to-riches story. She was a true trailblazer, a U.S.-born woman who took up plenty of space in the male-dominated world of música mexicana.

In 2015, Long Beach city officials honored the singer’s legacy by bestowing her name on a park in Long Beach. On display along a brick wall at the Jenni Rivera Memorial Park is a 125-foot-long mural honoring Rivera’s life and heritage.

The Hollywood Walk of Fame also honored Rivera with a star in 2024, which her five children accepted on her behalf.

“One of my mom’s favorite exes used to work in this vicinity. We would come and check in on him and she always dreamt — I remember sitting in the car, in her Mercedes, and she always dreamt, ‘I’m gonna have my star here one day,’” Rivera’s daughter Jenicka Lopez said at the star unveiling ceremony.

“I thought it was impossible after she passed away, but God has a beautiful way of proving people wrong.”

WASHINGTON — President Trump has affixed partisan plaques to the portraits of all U.S. commanders in chief, himself included, on his Presidential Walk of Fame at the White House, describing Joe Biden as “sleepy,” Barack Obama as “divisive” and Ronald Reagan as a fan of a young Trump.

The additions, first seen publicly Wednesday, mark Trump’s latest effort to remake the White House in his own image, while flouting the protocols of how presidents treat their predecessors and doubling down on his determination to reshape how U.S. history is told.

“The plaques are eloquently written descriptions of each President and the legacy they left behind,” White House press secretary Karoline Leavitt said in a statement describing the installation in the colonnade that runs from the West Wing to the residence. “As a student of history, many were written directly by the President himself.”

Indeed, the Trumpian flourishes include the president’s typical bombastic language and haphazard capitalization. They also highlight Trump’s fraught relationships with his more recent predecessors.

An introductory plaque tells passersby that the exhibit was “conceived, built, and dedicated by President Donald J. Trump as a tribute to past Presidents, good, bad, and somewhere in the middle.”

Besides the Walk of Fame and its new plaques, Trump has adorned the Oval Office in gold and razed the East Wing in preparation for a massive ballroom. Separately, his administration has pushed for an examination of how Smithsonian exhibits present the nation’s history, and he is playing a strong hand in how the federal government will recognize the nation’s 250th anniversary in 2026.

Here’s a look at how Trump’s colonnade exhibit tells the presidential story.

Joe Biden

Joe Biden is still the only president in the display not to be recognized with a gilded portrait. Instead, Trump chose an autopen, reflecting his mockery of Biden’s age and assertions that Biden was not up to the job.

Biden, who defeated Trump in the 2020 election and dropped out of the 2024 election before their pending rematch, is introduced as “Sleepy Joe” and “by far, the worst President in American History” who “brought our Nation to the brink of destruction.”

Two plaques blast Biden for inflation and his energy and immigration policy, among other things. The text also blames Biden for Russian President Vladimir Putin’s invasion of Ukraine and asserts falsely that Biden was elected fraudulently.

Biden’s post-White House office had no comment on his plaque.

Barack Obama

The 44th president is described as “a community organizer, one term Senator from Illinois, and one of the most divisive political figures in American History.”

The plaque calls Obama’s signature domestic achievement “the highly ineffective ‘Unaffordable Care Act.”

And it notes that Trump nixed other major Obama achievements: “the terrible Iran Nuclear Deal … and ”the one-side Paris Climate Accords.”

An aide to Obama also declined comment.

George W. Bush

George W. Bush, who notably did not speak to Trump when they were last together at former President Jimmy Carter’s funeral, appears to win approval for creating the Department of Homeland Security and leading the nation after the terrorist attacks of Sept. 11, 2001.

But the plaque decries that Bush “started wars in Afghanistan and Iraq, both of which should not have happened.”

An aide to Bush didn’t return a message seeking comment.

Bill Clinton

The 42nd president, once a friend of Trump’s, gets faint praise for major crime legislation, an overhaul of the social safety net and balanced budgets.

But his plaque notes Clinton secured those achievements with a Republican Congress, the help of the 1990s “tech boom” and “despite the scandals that plagued his Presidency.”

Clinton’s recognition describes the North American Free Trade Agreement, another of his major achievements, as “bad for the United States” and something Trump would “terminate” during his first presidency. (Trump actually renegotiated some terms with Mexico and Canada but did not scrap the fundamental deal.)

His plaque ends with the line: “In 2016, President Clinton’s wife, Hillary, lost the Presidency to President Donald J. Trump!”

An aide to Clinton did not return a message seeking comment.

Other notable plaques

The broadsides dissipate the further back into history the plaques go.

Republican George H.W. Bush, who died during Trump’s first term, is recognized for his lengthy resume before becoming president, along with legislation including the Clean Air Act and Americans With Disabilities Act — despite Trump’s administration relaxing enforcement of both. The elder Bush’s plaque does not note that he, not Clinton, first pushed the major trade law that became NAFTA.

Lyndon Johnson’s plaque credits the Texas Democrat for securing the Civil Rights Act of 1964 and Voting Rights Act of 1965 (seminal laws that Trump’s administration interprets differently than previous administrations). It correctly notes that discontent over Vietnam led to LBJ not seeking reelection in 1968.

Democrat John F. Kennedy, the uncle of Trump’s health secretary, Robert F. Kennedy Jr., is credited as a World War II “war hero” who later used “stirring rhetoric” as president in opposition to communism.

Republican Richard Nixon’s plaque states plainly that the Watergate scandal led to his resignation.

While Trump spared most deceased presidents of harsh criticism, he jabbed at one of his regular targets, the media — this time across multiple centuries: Andrew Jackson’s plaque says the seventh president was “unjustifiably treated unfairly by the Press, but not as viciously and unfairly as President Abraham Lincoln and President Donald J. Trump would, in the future, be.”

Donald Trump

With two presidencies, Trump gets two displays. Each is full of praise and superlatives — “the Greatest Economy in the History of the World.” He calls his 2016 Electoral College margin of 304-227 a “landslide.”

Trump’s second-term plaque notes his popular vote victory — something he did not achieve in 2016 — and concludes with “THE BEST IS YET TO COME.”

Meanwhile, the introductory plaque presumes Trump’s addition will be a White House fixture once he is no longer president: “The Presidential Walk of Fame will long live as a testament and tribute to the Greatness of America.”

Brown and Barrow write for the Associated Press. Barrow reported from Atlanta.

Simon Cowell is making a second series of his boyband documentary to follow December 10 as they try to make it big.

It means the group’s brand new fans will have a front row seat to everything that’s happened since cameras stopped rolling on The Next Act.

The six-part series followed Simon through auditions and recording studio bootcamp as he selected seven boys for the group.

The second run will pick up where it left off and show December 10 heading to Nashville to record new music, prepare for launch and take their first steps towards fame.

Simon Cowell: The Next Act has dominated the top three on Netflix since its launch last Wednesday.

A source said: “There was a quiet hope that a show about finding a boyband would be as popular now as it was back in the days of The X Factor, but everyone has been thrilled by the reception because of course the whole world of entertainment has totally changed since then.

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“Following December 10 for a second series is a no brainer.

“They’re rocketing online and already have a strong fan base, and a camera crew has been following them pretty much since series one wrapped.”

The lads officially began their journey today (mon) when they launched a new music video on YouTube – their cover of N*Sync’s Bye Bye Bye.

The group are Cruz, 19, Danny, 16, Hendrick, 19, John 17, Josh, 17, Nicolas, 16 and Sean, 19.

But there’s been another big character behind The Next Act’s success with viewers – the newly-minted Mrs Cowell.

Fans have loved seeing Lauren Silverman’s personality shine as part of the fly-on-the-wall scenes at home with Simon and their son Eric.

The source added: “The whole show has been a real boost for the whole family really, Simon is back doing what he loves and he’s been happy to reveal a little more about who he really is behind closed doors.

“Production firm Box To Box are back shooting the content for series two and it’s hoped Netflix will be on board to stream the next chapter of The Next Act.”

It comes after Simon told The Sun last week that he’s confident the boys will be a success.

Simon revealed December 10 had chosen the name themselves because it was the release date of the documentary

Iris eyes easy life

No wonder top model Iris Law is enjoying a lie down after a stellar year on the catwalk.

She has walked in Victoria’s Secret’s fashion show and fronted campaigns for Marc Jacobs, Knwls and Zara.

But Iris, the daughter of Sadie Frost and Jude Law, isn’t just taking it easy, she was reclining on the sofa for a shoot for Los Angeles-based fashion brand Casablanca.

She is one of the most in-demand women in fashion, so I’m sure we will see a lot more of her in 2026.

Thor-t I’d be actor

THOR superhero Chris Hemsworth became “obsessed” with being an actor at a young age. 

On the On Purpose with Jay Shetty podcast he said: “Once I locked into the idea that I was going to become an actor, it was an absolute obsession.  

“There was no doubt that was what I was going to do. There was a naivety about the reality of how difficult that was going to be.  

“But I guess it was sort of an escapism.” 

If you’re bored of the same old festive tunes, check out Christina Aguilera’s brand new festive album Christmas In Paris.

It was created in the French capital this year and celebrates the 25th anniversary of her album My Kind Of Christmas.

Lead single Someday At Christmas was recorded at the Eiffel Tower and the album is out now.

Judi hero Jagger rolls up

With a stellar acting career and a little black book packed with some of the biggest names in showbiz, it’s amazing to see Dame Judi Dench still gets starstruck.

Her friend Gyles Brandreth organised for Sir Mick Jagger to come on stage to surprise her as she was interviewed about her career, inset, at London’s Sondheim Theatre.

The former Bond actress was stunned by her idol’s appearance.

Sharing snaps of the moment online, Gyles said: “I’ve been working in the theatre for nearly 60 years and I’ve never known a moment quite like it.

“As a surprise, I invited Sir Mick Jagger on to the stage. Dame Judi Dench told me it was her dream to meet him.

“He was amazing: she was overwhelmed. Yesss.”

He added of the legendary Rolling Stones frontman: “He kindly made her dream come true. What a night.”

Huge congratulations to Essex lad Sam King who has just completed 79 marathons in 79 days for brain injury charity Headway UK.

I told you about Sam’s challenge last month after one of his pals got in touch to tell me about his feat.

And after adding five extra marathons on to his challenge, Sam has now set a new world record for the most consecutive ultramarathons run by a male – completing 79 in 79 days.

Sam took on the challenge to raise money for Headway UK, after they supported his mum when she suffered a life-changing bleed on her brain.

He’s now just short of his £74,000 fundraising target so if you want to get involved and donate, check out his Instagram @fatboysking.

Madge ‘n Guy reunite for Rocco

MADONNA and Guy Ritchie put aside their differences for the sake of their son Rocco.  

The former couple, who were last pictured together in 2008 – when they divorced – were proud as punch to support Rocco’s art exhibition in London. 

Rob Reiner was known to millions as a TV actor and film director.

But the Brentwood resident, known for the classic films “Stand by Me” and “When Harry Met Sally,” was also a political force, an outspoken supporter of progressive causes and a Democratic Party activist who went beyond the typical role of celebrities who host glitzy fundraisers.

Reiner was deeply involved in issues that he cared about, such as early childhood education and the legalization of gay marriage.

Reiner, 78, and his wife, Michelle Singer Reiner, were found dead inside his home Sunday, sparking an outpouring of grief from those who worked with him on a variety of causes.

Ace Smith — a veteran Democratic strategist to former Vice President Kamala Harris, Gov. Gavin Newsom, former Gov. Jerry Brown and presidential candidate Hillary Clinton — had known Reiner for decades. Reiner, he said, approached politics differently than most celebrities.

“Here’s this unique human being who really did make the leap between entertainment and politics,” Smith said. “And he really spent the time to understand policy, really, in its true depth, and to make a huge impact in California.”

Reiner was a co-founder of the American Foundation for Equal Rights, the organization that successfully led the fight to overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage. He was active in children’s issues through the years, having led the campaign to pass Proposition 10, the California Children and Families Initiative, which created an ambitious program of early childhood development services.

Proposition 10 was considered landmark policy. Reiner enlisted help in that effort from Steven Spielberg, Robin Williams, and his own father, comedy legend Carl Reiner.

“He wanted to make a difference. And he did, and he did profoundly,” Smith said.

Reiner was also a leading backer of Proposition 82, an unsuccessful measure that would have taxed the wealthy to create universal preschool in California.

Former Los Angeles Mayor Antonio Villaraigosa, who had known Reiner since he was a state lawmaker in the 1990s, worked with him on Proposition 10 and was impressed with how Reiner embraced the cause.

“He was a man with a good answer. It wasn’t politics as much as he was always focused on the humanity among us,” Villaraigosa said. ‘When he got behind an issue, he knew everything about it.”

“Just a really special man. A terrible day,” the former mayor said.

Mayor Karen Bass said in a statement that she was “heartbroken” by the day’s events, saying Reiner “always used his gifts in service of others.”

“Rob Reiner’s contributions reverberate throughout American culture and society, and he has improved countless lives through his creative work and advocacy fighting for social and economic justice,” the mayor said.

“I’m holding all who loved Rob and Michele in my heart,” Bass said.

Newsom added, “Rob was a passionate advocate for children and for civil rights — from taking on Big Tobacco, fighting for marriage equality, to serving as a powerful voice in early education. He made California a better place through his good works.”

“Rob will be remembered for his remarkable filmography and for his extraordinary contribution to humanity,” the governor said.

Jennifer Shah, a former star on “The Real Housewives of Salt Lake City,” has been moved from a federal prison into a community confinement program after serving less than half of her sentence for defrauding thousands of people.

A Bureau of Prisons spokesperson confirmed that Shah was transferred Wednesday morning from the Federal Prison Camp in Bryan, Texas, to the program overseen by the Phoenix Residential Reentry Management Office. The transfer means that Shah is either being held in home confinement or in a halfway house. Her projected release date is Aug. 30.

“For privacy, safety, and security reasons, we do not discuss the conditions of confinement for any individual, including reasons for transfers or release plans, nor do we specify an individual’s specific location while in community confinement,” BOP spokesperson Emery Nelson wrote in an email to the Associated Press.

Shah, 52, was sentenced in 2023 to six and a half years in prison for defrauding people in a telemarketing scam that stretched nearly a decade. At the time, Assistant U.S. Atty. Robert Sobelman said she was the most culpable of more than 30 defendants accused of participating in the nationwide fraud targeting people who were often vulnerable, older or unsophisticated electronically. The fraud involved bogus services that were promoted as enabling people to make substantial amounts of money through online businesses.

Shah pleaded guilty to a conspiracy charge in July 2022, and during her sentencing she apologized to the “innocent people” she said she’d hurt and pledged to pay $6.5 million in restitution and forfeiture once she is released from prison.

Prosecutors said she used profits from the fraud on luxuries that included living in a nearly 10,000-square-foot mansion in Utah dubbed “Shah Ski Chalet,” an apartment in midtown Manhattan and leasing a Porsche Panamera. The government said she also seemed to mock the charges against her by claiming that the “only thing I’m guilty of is being Shah-mazing” and then she profited from it by marketing “Justice for Jen” merchandise after her arrest.

At the sentencing, Shah apologized and said the proceeds from the merchandise would go toward victims.

“I alone am responsible for my terrible decisions. It was all my fault and all my wrongdoing,” Shah said, later continuing, “I wish I could have stood outside myself and seen the harm I was causing and changed course. I am profoundly and deeply sorry.”

A picturesque Peak District village in Derbyshire, gained worldwide fame when its railway station appeared on Oasis’s ‘Some Might Say’ single cover – the band’s first number one hit

A quaint Derbyshire village nestled at the edge of the Peak District may seem like a typical old hamlet, but upon closer inspection, it’s more familiar than you might realise.

Historically, this place is renowned for its role in the industrial revolution, with Sir Richard Arkwright establishing the world’s first water-powered cotton mill there. From 1771 onwards, Cromford emerged as a trailblazer for factory systems, fostering an entire community of industrialisation that remains accessible for exploration today. However, it’s not this history that makes the now-defunct railway station in the village centre recognisable to many. Oasis fans worldwide will identify this building as the train station featured on the cover of the band’s first number one hit, Some Might Say.

The album cover depicts famous brothers Noel and Liam Gallagher standing at Cromford railway station, situated right in the heart of the Derwent Valley in Derbyshire, during the winter months. Liam can be seen on the bridge, saluting the camera, while Noel is on the platform edge, holding a watering can.

But the burning question is, why did they select this station, so distant from their native Manchester and seemingly unrelated to the song? The answer lies in the station’s history – it fell victim to the cuts of the 1960s when it was part of a main line between London and Manchester, before its closure in 1968. This left the remainder of the line as a single-track railway, rendering their waiting room and platform completely derelict with no purpose. Consequently, it provided the ideal location for the Gallagher brothers’ photoshoot without any train disruptions.

Graphic designer and art director Brian Cannon, who helped create the cover, explained to the BBC that the entire artistic concept hinged on using a disused station. He said: “The idea was if you’re standing at a disused station waiting for a train, you’re in need of education, which is the next line of the song.”

The lyric he references is: “Cause I’ve been standing at the station, in need of education in the rain.” Alongside photographer Michael Spencer Jones, they dismissed numerous other stations before settling on Cromford.

The station remains standing today as a Grade II listed structure owned by Network Rail and overseen daily by East Midlands Railway. Tucked behind the waiting room sits a stunning house that was previously neglected but has since been purchased and transformed into a magnificent residence with quite spectacular views.

Beyond this, holidaymakers often flock to the renowned Cromford Mills, celebrated for their significant role in Britain’s industrial revolution. The site provides a guided tour that delves into the rich history of the building and the Midlands’ pioneering early days that had a profound influence globally.

The National Baseball Hall of Fame is peppered with players who finished long, distinguished careers by donning a Dodgers uniform, their performance dwindling as their age increased. Greg Maddux, Rickey Henderson, Juan Marichal and Eddie Murray are among those who leap to mind.

An exception was Jeff Kent, who Sunday received 14 of 16 possible votes by the Contemporary Baseball Era Committee, the only player among eight on the ballot with enough for induction into Cooperstown.

With unmatched power as a second baseman and an unrelenting approach to his craft, Kent was a Dodger for the last four seasons of his 17-year career, solidifying his Hall of Fame credentials statistically while also serving as a curmudgeonly leader on a roster crowded with young stars such as Matt Kemp, Russell Martin, Andre Ethier and James Loney.

“It’s a moment of satisfaction of the things I did right in my career, the things I consistently stuck to,” he told MLB Network. “The hard work, the gratification of playing the game the right way. I love the game.”

The son of a motorcycle police officer and a product of Huntington Beach Edison High, Kent became emotional during a news conference at the 2005 MLB Winter Meetings when it was announced that he’d signed a two-year, $17 million contract with the Dodgers.

“This is the third time I’ve tried to get with the Dodgers,” he said at the time. “I want to be on a team with the potential to win because I’m running out of time. This team has that mentality.”

The Dodgers never won a World Series during Kent’s tenure, but he quickly fell into the role of a veteran leader, making himself available to the media after tough losses to shield younger players from the glare.

He said what was on his mind, sometimes to a fault, once suggesting that legendary Dodgers broadcaster Vin Scully “talks too much.”

Maybe that’s why Kent getting the Hall of Fame nod from a list of candidates that included all-time home run leader Barry Bonds, 354-game winner Roger Clemens, 509-home run slugger Gary Sheffield, 1980s stars Don Mattingly and Dale Murphy, and Dodgers icon Fernando Valenzuela was unexpected.

Even Kent was surprised.

“The emotions are overwhelming — unbelievable,” Kent said. “I didn’t even expect it. For me, there were so many quality guys that the committee had to argue through and vote for. I’m grateful that they considered me and gave it a shot at putting me in.”

Valenzuela, Bonds, Clemens and Sheffield each had fewer than five votes, meaning they will not be eligible the next time their era is considered in 2031. They can be nominated once more at that time, but will not be eligible for consideration if they again fall short of five votes.

All of the candidates already had been spurned by the Baseball Writers Assn. of America. Seventy-five percent of the votes are necessary for induction, and Kent never received even 50% during his 10 years on the BBWAA ballot that ended in 2023.

“The time had gone by, and you just leave it alone, and I left it alone,” Kent said. “I loved the game, and everything I gave to the game I left there on the field. This moment today, over the last few days, I was absolutely unprepared. Emotionally unstable.”

Kent was named National League most valuable player in 2000 with the San Francisco Giants, the team with which his career is most associated. He batted a career-best .334 with 33 homers and 125 runs batted in that season and drove in more than 100 runs in each of his six seasons batting behind Bonds.

He said he plans to enter the Hall of Fame wearing a Giants cap.

“The turning point in my career was with Dusty Baker, the manager I got with in San Francisco,” said Kent, who played in college at California. “He motivated me to get the peak performance out of me.”

Kent finished with 377 career homers, 351 as a second baseman, the most ever for the position. He also is the only second baseman to collect more than 100 RBIs in eight seasons.

As a Dodger, he hit 75 homers and batted .290 in more than 2,000 plate appearances. His last manager with the Dodgers was Joe Torre, who described Kent’s impact on the franchise.

“He’s one of those players whose actions are supposed to make you understand what he thinks,” Torre said. “It’s the old pro thing.”

ORLANDO, Fla. — A Chavez Ravine dream was yet again dashed on Sunday.

Fernando Valenzuela was once more denied induction to the National Baseball Hall of Fame.

Fourteen months removed from his death at the age of 63 in October 2024, and 27 years removed from the end of a pitching career measured by more than just wins, losses and ERA, Valenzuela failed to be elected for the 2026 Hall of Fame class by the Contemporary Baseball Era Committee — a 16-person group that once every three years considers players from the 1980s or later who had not been elected to the Hall through the traditional media vote.

Needing 12 votes from that committee to attain Hall of Fame status, Valenzuela instead came up short by receiving fewer than five.

Because Valenzuela didn’t receive five votes, he will be ineligible to be back on the Contemporary Era Committee’s ballot in 2028. The next time the committee could review his case won’t be until 2031.

Until then, his name will remain among the most notable snubs from Hall of Fame induction.

In his first year of traditional Hall of Fame voting eligibility in 2003, Valenzuela received just 6.2% of the writers’ vote, far from the 75% threshold required for election. In 2004, his name fell off the ballot after garnering a vote total of just 3.8%.

The problem then was that Valenzuela did not boast typical Hall of Fame numbers. Though he was a six-time All-Star, a Cy Young and rookie of the year award winner in 1981, and World Series hero in the Dodgers’ championship run that season, the left-hander posted only a 3.54 ERA in his 17-year, 173-win, 2,074-strikeout career, and amassed only 37.3 wins above replacement according to Baseball Reference.

Of the other 90 pitchers in the Hall of Fame, only one fellow modern-era inductee (Jesse Haines) had a career WAR below 40.0 and a career ERA above 3.50 (excluding players from the Negro Leagues).

Valenzuela’s impact, however, was defined far more than by just production and statistics — seemingly epitomizing the Hall’s motto of “preserving history, honoring excellence, connecting generations” with a career that changed the popularity of both the Dodgers and the sport.

Ever since his historic “Fernandomania” rookie season in 1981 — which started with eight consecutive victories for the then-20-year-old southpaw, and ended with his Cy Young, rookie of the year and World Series honors — the Mexican-born hurler had been an enduring cultural icon.

Valenzuela’s success greatly expanded baseball’s reach in Mexico and Latin America. His celebrity fueled a boom in Dodgers fandom, especially among Los Angeles’ Hispanic base.

This winter, hopes of that legacy being recognized in Cooperstown were rekindled when Valenzuela was named as one of eight finalists to be considered by the Hall of Fame’s Contemporary Era Committee.

He joined a group that also had Barry Bonds, Roger Clemens, Carlos Delgado, Jeff Kent, Don Mattingly, Dale Murphy and Gary Sheffield — all of whom were evaluated by a 16-person panel made of former Hall of Fame inductees, former general managers, writers and a statistician, plus two current MLB owners (one of them, Arte Moreno of Angels).

In the end, only Kent (a former MVP and five-time All-Star who spent the final four years of his career with the Dodgers) received enough votes to earn a Hall of Fame election.

Bonds, Clemens and Sheffield joined Valenzuela among those to receive fewer than five votes.

Though Valenzuela never quite recaptured the heights of that singular 1981 campaign, he remained a celebrated and uniting figure over the rest of his 11-year Dodgers career, as well as in stops with the Angels and San Diego Padres, among others, over the back half of his playing days.

And since he first dropped off the traditional Hall of Fame ballot 21 years ago, there has been a persistent push from many in the baseball community — and especially the Dodgers’ fan base — to get Valenzuela into Cooperstown.

In 2023, the Dodgers even broke their unofficial rule of retiring only the numbers of the club’s Hall of Fame players, adding Valenzuela’s No. 34 to its ring of honor in a long-overdue celebration.

But for now, that will remain the most recognizable honor of Valenzuela’s contribution to the sport.

Once again, a doorway to Hall of Fame induction has been closed.