falls

The ONS says net migration fell to 171,000 in the ⁠12 months to the end of December from 331,000 a year earlier.

Long-term net migration to the United Kingdom nearly halved ⁠in 2025, falling to levels last seen before the post-Brexit immigration system was introduced, as tougher government measures enacted in recent years restricted arrivals.

The Office for National Statistics (ONS) said on Thursday that net migration fell to 171,000 in the ⁠12 months to the end of December from 331,000 a year earlier, extending a sharp decline from a record peak of 944,000 in 2023.

Immigration – both legal and illegal – has dominated political debate in the for more than a decade, with successive governments imposing stricter visa rules and higher salary thresholds. The current government has pledged to go further.

The British Future think tank ‌said the country was “experiencing one of the sharpest falls in net migration on record”, but that most people believed the opposite, according to its research.

Interior Minister Shabana Mahmood welcomed the progress from tighter policies, but said that there was still work to do.

“We will always welcome those who contribute to this country and wish to build a better life here. But we must restore order and control to our borders,” she said, adding that the government’s new skills-based migration would reward contribution and end reliance on “cheap overseas workers”.

On Saturday, far-right activist Tommy Robinson drew tens of thousands of people in London to attend his “unite the kingdom” march. Islamophobic and ethnonationalist hate flyers were reportedly distributed to the crowds. “In a country saturated with degenerates, grifters and imported political enemies … We are a brotherhood of White Europeans who share the same values,” read one leaflet.

Meanwhile, employers and economists ⁠have raised concerns about labour shortages, particularly in sectors such as care and hospitality.

The ONS said long-term net migration was ⁠now close to its level before the new immigration system was introduced at the start of 2021, when the UK transitioned out of European Union membership, and when COVID restrictions ⁠were still in place.

The drop reflects policy changes implemented from 2024, ⁠when the previous Conservative government banned most international students from bringing dependents and raised salary thresholds for skilled worker visas.

The current Labour government has tightened policies further as it seeks to counter Nigel Farage’s populist Reform UK party, which campaigns on an anti-migration platform and holds a double-digit lead in opinion ‌polls.

To that end, the government last year moved to end overseas recruitment of care workers, the single biggest driver of work migration in recent years, and raised the salary threshold for skilled worker visas further. It has since announced ‌more ‌sweeping reforms, including plans to speed up deportations of those arriving illegally and double the qualifying period for some workers to obtain settled status to 10 years, as well as making refugee status temporary.

SAN DIEGO — The Dodgers entered the late innings Monday in an unenviable position: trailing the Padres, whose biggest strength is their bullpen.

“When they have a lead they don’t relinquish it too often,” manager Dave Roberts said after the Dodgers’ 1-0 loss Monday. “You know the numbers — when they’re ahead in the seventh inning they don’t lose. You do have to be a little more aggressive and capitalize when you do get those chances.”

Including Monday, the Padres are 20-2 when leading after six innings, 21-1 when leading after seven, and they have a perfect 22-0 record when leading after eight.

Even when Padres closer Mason Miller got off to an uncharacteristically wild start in the ninth inning Monday, the Dodgers failed to capitalize.

He walked Freddie Freeman and Kyle Tucker on nine pitches. And the next three batters — Will Smith, Max Muncy and Andy Pages — all have proven their ability to do damage in clutch moments.

But it was Miller on the mound, a rare reliever who could actually challenge for the Cy Young Award.

“In this kind of series, you know you’re going to have close games,” Freeman said after the game. “And we just couldn’t get it done.”

Miller got out of the jam with a fly out, strikeout and ground ball, and notched his league-leading 15th save.

Shohei Ohtani dives back to first base in the fourth inning.

(Tony Ding / Ap Photo/tony Ding)

“We still had really good at-bats,” Freeman said. “There’s a silver lining to it. Scoring off Mason is going to be really hard to do. It’s going to take one of those kinds of innings where you can maybe walk a couple of guys and get a bloop. Not much squaring up going on against him.

“But we had an opportunity, maybe with him throwing a lot of pitches might make him be down next game. You just try to have little wins.”

The Dodgers could also avoid him by claiming a lead. On Monday, Dodgers starter Yoshinobu Yamamoto held the Padres to three hits and one run — Miguel Andujar’s first-inning homer.

But the Dodgers’ offense, which scored 31 runs in a three-game series against the Angels, only managed four hits off Padres starting pitcher Michael King, and only one in the first five innings.

“You’re trying to cover realistically 30 inches,” Freeman said. “Because you have ball-to-strike pitches — you’ve got backdoor sliders that are starting as balls coming back, you’ve got front-door sinkers for lefties. So it’s not just the whole plate you’re worried about; you’re going to worry about a whole lot of different things. … He had all of it working tonight.”

The Dodgers finally strung some hits together in the sixth. With two outs and Hyeseong Kim on first, Shohei Ohtani beat out a swinging bunt, and the throw from Padres catcher Rodolfo Duran zipped past first base.

Kim, who took off from first on contact, rounded third hard but slammed on the brakes when third base coach Dino Ebel held up the stop sign.

“It’s kind of the timing of it, where [Fernando] Tatis [Jr.] came up with the ball, and Dino’s got to make the decision,” Roberts said. “You don’t know that he’s not going to come up with it clean. At that point in time, to be quite honest, Dino had the best view of the runner coming in, Kim, and where they were at on the field. So it’s one of those things, I’m definitely not going to second guess it.”

Kim was stranded there.

Then in the eighth, he again made it to third on a single from Ohtani with two outs. And again, he got stuck 90 feet away from tying the score.

May 13 (Asia Today) — South Korea’s employment rate fell for the first time in 16 months in April as hiring growth slowed amid higher oil prices, weaker consumer sentiment and continued external uncertainty tied to the Middle East war.

The number of employed people aged 15 and older stood at 28.96 million in April, up 74,000 from a year earlier, according to employment data released Wednesday by Statistics Korea.

The increase was the smallest since December 2024 and the first time this year that job growth fell below 100,000.

The employment rate fell 0.2 percentage point from a year earlier to 63.0%, marking its first decline in 16 months.

Youth employment remained weak. The number of employed people aged 15 to 29 fell by 194,000 from a year earlier to 3.42 million, extending its decline for a 42nd consecutive month since November 2022.

The youth employment rate dropped 1.6 percentage points from a year earlier, marking its 24th straight month of decline.

By industry, wholesale and retail jobs fell by 52,000 from a year earlier, while accommodation and food service jobs declined by 29,000. Manufacturing employment dropped by 55,000.

Officials attributed the slowdown to weaker consumer sentiment and continued external uncertainty related to the prolonged Middle East war. Transportation and warehousing jobs, which are sensitive to oil prices, rose by 18,000, but the pace of growth slowed.

Agriculture, forestry and fisheries employment fell by 92,000 amid population aging, while professional, scientific and technical services dropped by 115,000 because of a high base from last year.

Health and social welfare service jobs increased by 261,000, supported by rising care demand and government-backed direct job programs for older people.

“Employment gains were led by health and welfare services, arts, sports and leisure, and real estate,” said Bin Hyun-joon, head of social statistics at Statistics Korea. “By age group, employment increased among people aged 60 and older and those in their 30s, but the pace of growth slowed from the previous month.”

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260513010003376

Dudinha had a goal and an assist to lead the San Diego Wave to a 2-1 victory over rival Angel City on Saturday at BMO Stadium.

Dudinha beat multiple Angel City defenders before firing a shot that was deflected off defender Sarah Gorden for the opening goal in the 49th minute.

Angel City’s Emily Sams scored in the 54th minute to even the score.

San Diego (6-0-3) took the lead for good when Dudinha’s cross found the head of rookie defender Mimi Van Zanten in the 81st minute. Dudinha’s fourth assist tied her for the league lead with Portland’s Olivia Moultrie.

Angel City (3-0-4) started the 2026 season with three straight wins but it has lost its last four games.

Former Angel City head coach and current Wave assistant Becki Tweed led the club with Jonas Eidevall suspended because of a red card in last week’s 1-0 home loss to Bay FC.

I am a journalist; storytelling is my craft.

Words are the tools I turn to, again and again, to make sense of events and shape them into narratives that do them justice. And yet, when it comes to the genocide in Gaza, my birthplace, language feels wholly inadequate.

There is a limit to what words can say. At a certain point, the instinct to describe, to explain and to make sense of what has unfolded begins to break down under the sheer scale of devastation and pain.

One scene from the start of the war has lingered in my mind: A bulldozer burying 111 unidentified bodies, wrapped in bright blue bags, in a mass grave. It appeared briefly in the endless scroll of social media before it disappeared again, replaced by yet another shocking scene. And another.

A hundred and eleven souls about whom we knew nothing; not their names, not their dreams or what their final moments were. A New York Times headline read: More Than 100 Bodies Are Delivered to a Mass Grave in Southern Gaza. Omission of the perpetrator aside, could that possibly capture the magnitude of such an event?

Every attempt to describe in words what Israel has inflicted on Gaza and its people has felt reductive, compressing something vast, ongoing and staggeringly lethal into language that cannot possibly hold it. What remains is a tension at the heart of the act of telling itself; knowing no account will ever be enough, how do you tell stories of such unspeakable horrors?

This tension lies at the heart of the Gaza Genocide Tapestry, which I am co-curating and which will be displayed at this year’s Venice Biennale. It is an art project that brings together Palestinian women in occupied Palestine and refugee camps in Lebanon and Jordan to document Gaza’s destruction in real time. They tell these stories in the way they know best: Needle and thread.

Through 100 embroidered panels, each composed of 55,000 stitches, these women have created a testimonial that refuses to let the world forget what has been done and to whom.

Each panel tells a fragment of what has happened: A journalist weeping over his child’s dead body; young girls with empty pots being crushed at a soup kitchen; a child crying as her world crumbles around her.

Some of these images forced themselves into the public consciousness, if only for a moment; Khalid Nabhan hugging his dead granddaughter, the “soul of his soul”, for the last time before joining her a year later, or Dr Hussam Abu Safia walking towards a tank on the orders of Israeli soldiers, to then never be seen again.

But most images from Gaza are not granted that pause. They pass without names, context or farewell.

The tapestry defies this. To embroider is to decide something is worth the effort – hours, days and weeks of labour. This is to insist it is not lost to the sheer volume of images that pass briefly before our eyes.

A national archive in thread

The Gaza Genocide Tapestry is a new chapter of the award-winning Palestine History Tapestry Project, which I co-chair alongside Gaza-born designer Ibrahim Muhtadi. Following in the tradition of the famous Bayeux Tapestry and the Great Tapestry of Scotland, it is the largest body of Palestinian embroidery narrating the history of Palestine and its people.

The tapestry was started in 2011 in Oxford by Jan Chalmers, a British nurse who lived and worked in Gaza for two years in the 1960s. An avid embroiderer, Jan was previously involved with the Keiskamma History Tapestry, which chronicles the history of South Africa’s Xhosa people and now hangs in the South African parliament.

Recognising the centuries-old embroidery tradition of Palestinians, tatreez, Jan believed a Palestinian history tapestry was in order. I met Jan in 2013 in Oxford during my postgraduate studies. That is when I first joined this invaluable effort.

Tatreez, recognised by UNESCO in 2021, has long expressed Palestinian heritage and belonging. Its motifs encoded identity, place and social status. After the 1948 Nakba, it became a means of preserving Palestinian culture in the face of attempted erasure. Today it is something else again: Testimony.

Not long after Israel unleashed its devastating military assault on Gaza in 2023, the tapestry found new momentum by merging with the Palestine Museum US, an independent institution founded and led by Palestinian American entrepreneur Faisal Saleh. The tapestry is now housed at the museum in Woodbridge, Connecticut, and travels from there for exhibits worldwide.

It was within this expanded framework that the Gaza Genocide Tapestry took shape. Jan, Ibrahim, Faisal, and I came together to discuss how best to document the genocide. We initially created two panels to mark this dark moment in Palestinian history – Gaza on Fire and The Palestinian Phoenix. Faisal then proposed we do 100 panels focused solely on Gaza.

The challenge of producing in a single year what had previously taken a decade was formidable, but it was an urgency dictated by an unfolding genocide and made possible by the scale, visibility and global reach the museum provided.

United in pain

Women in Gaza were initially among the most active contributors to the Palestine History Tapestry. Their work was vibrant and meticulous, and offered them a means of support. But as bombardment intensified, most became unreachable, often displaced multiple times. Materials could not enter Gaza, and finished panels could not leave.

Gaza’s women became the subjects of the story, rather than its narrators.

But the tapestry, at its core, is a kind of “lam shamel” (Arabic for family reunion), as one embroiderer put it. Despite borders and forced displacement, the labour of Palestinian women everywhere converges into a single visual record of the Palestinian experience.

For Iman Shehabi, Basma Natour and the dozen women in Ein el-Hilweh refugee camp, embroidery is how they make a living. But the tapestry project, they said, “restored” a part of their “dignity”.

“It was a space where heritage pulsed, and where our needles stitched both our pains and our hopes,” they wrote to us in a letter upon completion of their panels.

And it is not only the embroiderers who contributed. One of the panels in the Gaza Genocide Tapestry, embroidered by Shahla Mahareeq in Ramallah, was based on an image of Hind Rajab illustrated by London-based artist Khadija Said.

A panel of blindfolded men, arbitrarily detained by Israeli soldiers in Gaza, was painted by Haifa-based lawyer and rights activist Janan Abdu, a Palestinian citizen of Israel. It was embroidered by Bothaina Youssef in Lebanon’s Ein el-Hilweh refugee camp.

Another artwork by Gaza-based artist Mohammed Alhaj, depicting displacement in Gaza, was also embroidered in Lebanon by Kifah Kurdieh, before a million people in southern Lebanon were themselves displaced.

The process of putting together the Gaza Genocide Tapestry has been painstaking. For more than a year, Faisal, Jan, Ibrahim and I held weekly meetings to research and select representative panels across various themes and coordinate the work. Each panel had to be translated by Ibrahim into a format that could be embroidered, then sent to a woman to stitch through field coordinators in each location.

There were constant questions, both ethical and practical. What do we choose to include, and what is left out? What does it mean to translate suffering into a stitched pattern?

At the Venice Biennale

Starting May 9, the Gaza Genocide Tapestry will be exhibited publicly at Palazzo Mora under the title:
“- – – – – – – – – – -” *
*Gaza – No Words – See The Exhibit

It will be available for viewing through November.

When we were informed in November last year that our biennale submission was selected, I felt a complicated kind of recognition. On one hand, it is an honour and a chance for this work, and the women behind it, to be seen on one of the world’s most prominent cultural stages.

On the other hand, it captured the paradox of a world increasingly willing to name what is happening in Gaza, to look it in the eye, call it a genocide, and yet remain unable or unwilling to stop it. What does it say about humanity when art becomes a primary site of real-time testimony because political systems have failed?

I have no simple answer. What I know is this: Palestinian women continue to tell these stories and demand accountability. Theirs is a collective response to my late mentor Refaat Alareer’s final instruction before he was killed: “If I must die, you must live to tell my story.”

Captain Paige Cronin delivered a pinpoint cross onto Cloé Lacasse’s head for the game’s only goal in the 32nd minute, giving Utah (4-2-1) a win over Angel City at BMO Stadium. It was the Royals’ fourth straight victory.

In first half stoppage time, Maiara Niehues received a direct red card for violent conduct towards Lacasse. It was the first red card in club history for Angel City FC, who played down a player the entirety of the second half.

Royals goalkeeper Mandy McGlynn started her first match of the 2026 season and earned the clean sheet with four saves.

After starting the season with three consecutive wins, Angel City FC (3-3-0) have now lost three straight.

SPIRIT Airlines has confirmed it has officially shut down after all last-minutes attempts to save the company fell through.

Donald Trump on Friday had said he had offered a final proposal for a federal bailout.

But a deal was not made after talks hit a wall over a $500million rescue package.

American, United and Frontier Airlines have all offered to support any passengers left stranded by the closure.

It comes after the airline filed for bankruptcy for a second time.

“It is with great disappointment that on May 2, 2026, Spirit Airlines started an orderly wind-down of our operations, effective immediately,” the airline said in a statement on Saturday.

“All Spirit flights have been cancelled, and Spirit Guests should not go to the airport.

“We are proud of the impact of our ultra-low-cost model on the industry over the last 34 years and had hoped to serve our guests for many years to come.”

Spirit, like many other airlines, has been plagued with skyrocketing fuel costs as the Iran war continues, with some carriers raising fares and increasing checked bag fees.

“Unfortunately, despite the Company’s efforts, the recent material increase in oil prices and other pressures on the business have significantly impacted Spirit’s financial outlook,” it said.

Some other budget-friendly airlines have asked the government for help as they face jet fuel price spikes.

Spirit’s collapse just a day after it was still selling tickets to travelers has left thousands stranded as all flights have been canceled.

In addition to this, 17,000 workers are now out of work including 14,000 airline employees and thousands of contractors.

Passengers with Spirit tickets will be getting automatic refunds if they booked directly with the airline using a debit or credit card.

Those who have tickets from travel agents must “contact the travel agent directly to request a refund.”

The airline added that it will not be able to help passengers re-book their flights with another airline.

However, rival carriers have offered help, with JetBlue offering passengers $99 one-way fares for those who have proof of a Spirit itinerary for the same route of travel until May 6.

The airline has urged stranded passengers to call 1-800-JETBLUE for help getting where they need to go.

In addition to this, JetBlue has capped basic fares at $299 or less on certain non-stop routes.

Similar moves are being made by United, Delta, and Southewest, the Department of Transportation confirmed.

“The Trump Administration is committed to taking care of you and your family when you fly,” said US Transportation Secretary Sean Duffy.

“In a matter of hours, we’ve activated our airline partners to ensure passengers are not stranded, communities maintain route access, fares do not skyrocket, and Spirit’s workforce is connected to new job opportunities.”

The department has outlined the ways that it and fellow airlines are assisting those affected by Spirit’s collapse from capped and reduced fares to refund advice and employee support.

Duffy has largely blamed former President Joe Biden for the airline’s collapse.

This is because a proposed merger between Spirit and JetBlue was blocked under the Biden administration in 2024 which Duffy called “a massive mistake” in a press conference on Saturday morning.

He added that President Trump was “like a dog with a bone” trying to find a deal to keep Spirit afloat but noted that the airline “was in dire straights long before the war in Iran.”

And it’s not just Spirit struggling financially, with The Association of Value Airlines seeking $2.5billion in federal help to keep discount airlines like Breeze and Frontier running amid high fuel prices.

Duffy has already rejected this level of funding and in his press conference, accused low-budget airlines of trying to piggyback on the generosity the Trump administration showed to save Spirit in trying to save it.

The United States has fallen to a “historic low” in the Reporters Sans Frontieres (RSF), or Reporters Without Borders, annual press freedom tracker, continuing a decade-long decline, the organisation has said.

The report on Thursday recorded a global drop in press freedom indicators in 2025, with, for the first time, more than half of the world’s countries labelled as “difficult” or “very serious”.

While the US, during the first year of US President Donald Trump’s second term, remained in the “problematic” category, it dropped seven spaces from 57th in the world to 64th. Norway led the list, with Eritrea ranked lowest among 180 countries.

In a statement, Clayton Weimers, executive director of RSF’s North America office, said the US was experiencing a “press freedom crisis”.

“Trump and his administration have carried out a coordinated war on press freedom since the day he took office, and we will live with the consequences for years to come,” he said in a statement.

“Our message is clear: Protect legal rights, ensure accountability for attacks on media professionals, and support independent media to restore American press freedom.”

The report pointed to both Trump administration policies and the wider consolidation of media companies in the US, which critics say opens the door to stifling certain points of view.

That has included Skydance Media’s acquisition of Paramount Global, which includes CBS News. Skydance is owned by David Ellison, whose father, Larry Ellison, is a confidant of Trump’s.

Paramount Skydance is also currently acquiring Warner Bros, which owns CNN.

All told, just six companies control most US media: Comcast, Walt Disney, Warner Bros Discovery, Paramount Skydance, Sony, and Amazon.

While Trump has long had an adversarial relationship with journalists, press freedom observers say the head of the Federal Communications Commission (FCC) has accelerated pressure on media figures and journalists during the president’s second term.

In March, FCC chair Brendan Carr said he would revoke the licences of broadcasters that are “running hoaxes and news distortions”, and that do not “operate in the public interest” in their reporting on the US-Israel war with Iran. Trump said he was “thrilled” by Carr’s statements.

Carr has also threatened to revoke the licenses of broadcasters for their coverage of Trump’s immigration policies, which critics say can have a chilling effect on local news organisations.

The effort has extended to television talk show hosts, who have been threatened by the FCC over jokes.

Most recently, Carr announced an investigation into several ABC channels.

That came days after the network’s flagship late-night host, Jimmy Kimmel, made a joke about the White House Correspondents Dinner (WHCD).

Kimmel had quipped that First Lady Melania Trump had the “glow of an expectant widow” before the event.

Days later, a gunman attempted to storm the WHCD in Washington, DC, which Trump was attending for the first time. The Trumps later connected Kimmel’s joke to the attack, calling for Kimmel’s firing.

Kimmel has said the joke was about the 79-year-old president and the 56-year-old first lady’s “age difference” and not a call for violence.

Critics of the FCC’s move included Republican Senator Ted Cruz, who said he does “not believe the FCC should operate as the speech police”.

The White House has repeatedly called Trump the most “transparent” president in US history, pointing to his regular news conferences.

Freedom of the press around the world has fallen to its lowest level in a quarter of a century, according to the leading Paris-based press freedom NGO, Reporters Sans Frontieres (RSF), or Reporters Without Borders.

Every year, RSF publishes a World Press Freedom Index used to compare the level of freedom enjoyed by journalists and media outlets in 180 countries. Its ranking uses a five-point scale to assess a country’s level of press freedom, ranging from “very serious” to “good”.

For the first time since RSF started producing the index in 2002, more than half of the world’s countries fall into the “difficult” or “very serious” categories for press freedom – “a clear sign that journalism is increasingly criminalised worldwide”.

Only seven mostly Nordic countries are ranked with “good” press freedom, with Norway, the Netherlands and Estonia in the top three. France ranks 25th with a “satisfactory” score, while the United States ranks 64th with a “problematic” score, falling seven places since President Donald Trump took office.

RSF reports that Trump “has turned his repeated attacks on the press and journalists into a systematic policy”, citing the detention of Salvadoran journalist Mario Guevara, who was later deported, while he was documenting a protest against immigration raids, as well as the suspension of several notable public media institutions.

In Latin America, RSF highlighted the dramatic fall of Javier Milei’s Argentina (98th, -11) and of El Salvador (143rd), which has dropped 105 places since 2014 following the launch of a war against the Maras criminal gangs.

The press freedom NGO said that “Eastern Europe and the Middle East are the two most dangerous regions for journalists in the world, as they have been for 25 years”, notably putting Russia (172nd) and Iran (177th) in the bottom 10.

It added that wars and restrictions on access to information are some of the driving factors for the decline in press freedom. It cited Israel’s attacks on journalists in Gaza, the occupied West Bank and Lebanon as an example of this, ranking Israel 116th.

“Since October 2023, more than 220 journalists have been killed in Gaza by the Israeli army, including at least 70 who were slain while carrying out their work,” it said.

Broadly speaking, RSF reported that “the criminalisation of journalism, which is rooted in circumventing press law and misusing emergency legislation and common law, is proving to be a global phenomenon”.

It reported that more than 60 percent of countries – 110 out of 180 – have criminalised media workers in various ways, notably citing India (157th), Egypt (169th), Georgia (135th), Turkiye (163rd) and Hong Kong (140th) as prime examples of state-imposed crackdowns.

“Although attacks on the right to information are more diverse and sophisticated, their perpetrators are now operating in plain sight,” Anne Bocande, RSF’s Editorial Director said.

She cited “authoritarian states, complicit or incompetent political powers, predatory economic actors and under-regulated online platforms” as the main causes “for the global decline in press freedom”.

Bocande called on democratic governments and citizens to do more to end this global criminalisation of journalists, particularly through “firm guarantees and meaningful sanctions”.

“Current protection mechanisms are not strong enough; international law is being undermined and impunity is rife,” she said. “Inaction is a form of endorsement,” while concluding that “the spread of authoritarianism isn’t inevitable”.

Tehran, Iran – Iran’s national currency has plunged to new lows as authorities mobilise to dampen the impact of the naval blockade enforced by the United States.

The Iranian rial shot above 1.81 million to the US dollar on the open market by early afternoon on Wednesday before partially recovering. The embattled currency changed hands for about 1.54 million earlier this week, and its rate was about 811,000 per US dollar a year ago.

The rial had remained relatively stable over the past two months after experiencing an earlier drop as US forces amassed in the lead-up to the US-Israeli war on Iran, which began at the end of February.

The latest freefall follows on from unchecked inflation, which has been increasingly plaguing the Iranian economy as a result of mismanagement and sanctions, and continues to ravage households. Washington now has three aircraft carriers in the region and is bringing in more troops and equipment as Israel expresses readiness to restart fighting, three weeks after a ceasefire began.

Iran’s authorities this week projected a hardened stance on negotiations with Washington, and pledged to fight the naval blockade of Iran’s southern waters, which the US Central Command insisted on Tuesday had “cut off economic trade going into and coming out of” the country.

Amid threats by US President Donald Trump, the Iranian government has also tried to empower its own border provinces to import essential goods by reducing red tape. It has also allocated $1bn from the sovereign wealth fund to buy food, and made a partial policy U-turn to restart offering a preferential subsidised exchange rate with the goal of reducing prices, despite concerns about corruption.

Non-oil trade takes hit

According to customs data released by state media, Iran’s non-oil trade has been negatively affected after commercial ties were disrupted or cut off as a result of the war, and critical infrastructure was bombed.

Iran’s customs authority put the total value of non-oil trade in the Iranian calendar year that ended on March 20 at close to $110bn, with $58bn going to imports. The figure was about 16 percent lower than the year before.

The volume of non-oil trade was valued at approximately $9bn for the 11th month of the calendar year ending on February 19, and $6.46bn in the final month, indicating a drop of about 29 percent in connection with the war, which started on February 28. The final month was also about 50 percent lower than the more than $13bn estimated value for last year’s corresponding month.

Part of the drop is linked with the fact that shipping has been significantly disrupted through the Strait of Hormuz as Iran and the US spar over control of the strategic waterway. The US and Israel also directed some of their thousands of strikes against ports, naval facilities, airports, and railway networks across the country.

Iran’s top steel and petrochemical producers were also extensively bombed, as were oil and gas facilities, power stations, and major industrial zones. The US and Israel have threatened to take Iran “back to the Stone Age” through systematic bombing of civilian infrastructure like power plants.

To manage the impact and preserve domestic supply, Iranian authorities have imposed temporary restrictions on exports of steel, petrochemicals, polymers and other chemicals.

Oil exports in the crosshairs

The US is using its military capabilities and economic chokeholds to drive down Iran’s oil exports, a goal that it has also pursued over recent years through sanctions.

Since mid-April, the US military has been deploying its soldiers to take over or inspect ships transiting through waterways near Iran, in addition to targeting what is known as a shadow fleet of tankers used by Iran to circumvent sanctions and ship its oil.

Warships and thousands of troops could still launch a ground invasion or destructive aerial attacks against Iran’s Kharg and other critical islands, and the Trump administration expects increased pressure on Iran’s oil sector due to hampered access to export routes and supertankers keeping the oil stored on the water.

The US Treasury has been blacklisting refineries in China, the biggest buyers of Iranian crude oil, and going after the banking and cryptocurrency channels alleged to be facilitating Tehran’s oil trade, and having links to the IRGC – which Washington considers a “terrorist” organisation.

“We will follow the money that Tehran is desperately attempting to move outside of the country and target all financial lifelines tied to the regime,” said US Treasury Secretary Scott Bessent on social media.

Chinese refineries buy roughly 90 percent of Iran’s oil shipments, and imported a record 1.8 million barrels per day ⁠in March, according to Vortexa Analytics data cited by the Reuters news agency, which also said purchases were expected to slow due to worsening domestic refining and processing margins.

According to figures released by the General Administration of Customs of China, the volume of the country’s bilateral trade with Iran during the first quarter of 2026 stood at $1.55bn, down 50 percent year-on-year.

In March, the first month of the war, trade stood at $184m, which was nearly 80 percent lower than the year before and 64 percent lower than the month before. China’s imports from Iran and exports to the country were both considerably reduced as a result of the war.

The removal of the United Arab Emirates as a major trade partner and import market for Iran has also significantly affected the country’s economy, increasing its reliance on land neighbours like Turkiye and Iraq to the west and Pakistan to the east.

The UAE, a big part of the Trump-led Abraham Accords that saw multiple countries normalise relations with Israel, was heavily targeted by ballistic missiles and drones launched by Iran.

The UAE has closed down numerous Iranian institutions on its soil over the past two months, including financial facilitators, instructed Iranian citizens to leave, and has said it will take years to restore bilateral relations to previous levels.

SYDNEY Sweeney left very little to the imagination as she almost fell out of a blue corset dress at Stagecoach.

Stunning Sydney, 28, made a surprising appearance on stage at Diplo’s Honkytonk during the 2026 Stagecoach Festival.

The Euphoria star looked sensational as she handed out knickers while on stage.

Sydney’s baby blue corset dress looked as though it was held up by luck alone as she appeared on stage.

Fans were so shocked by Sydney’s appearance at the festival, with many overjoyed to see her on stage.

After handing out panties from her SYRN lingerie line, she and Diplo took part in a fun karaoke session

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Olivia Dunne wows as she poses for Sydney Sweeney’s skimpy lingerie brand SYRN

A video of Sweeney and Diplo was posted via the underwear brand’s Instagram stories on Saturday evening, with the caption: “@diplo Thanks for stopping by!!!”.

Fans rushed to the comments of the main post shared on SYRN’s Instagram reels, which showcased all of the famous guests who stopped by.

One fan said: “This whole look, I am in love.”

While another added: “The people’s princess.”

And a third wrote: “She’s too hot, it’s almost uncomfortable.”

Meanwhile, since the footage of Sydney made its way onto X, one person on the platform penned: “Love it. Love how she doesn’t give 2 sh*t’s about her haters and living her absolute best life with no apologies needed!!!”

“I love her so much,” said a second.

“She owns the damn place. She can do whatever the F she wants,” wrote a third.

“She looks stunning and she also looks happy and free. Haters gonna hate,” chimed a fourth.

While a fifth said: “Sydney is an ALL AMERICAN BADDIE!!”

“I love sydneys outfit,” swooned a sixth.

And a seventh gushed: “Sydney Sweeney is literally perfect.”

This comes as Sydney continues to enrage fans with her portrayal of Cassie in Euphoria.

Sydney plays the role of Cassie Howard in one of TV’s steamiest shows, with fans left angered by the level of raciness in its third season.

Cassie’s controversial new career choice as an OnlyFans model with a montage of raunchy photoshoots.

In one compromising position, Cassie licks a melting ice cream cone as it drips down her entire naked body – including on her bare chest.

Another shot showed Cassie, butt naked in nothing but a backwards baseball hat on her head and her hand covering her modesty.

These have not been the only controversial scenes in Euphoria season three thus far.

Sydney is dressed as a baby with a pacifier in her mouth in episode one.

Posing in a suggestive way with her legs open, fans were left fuming over the NSFW display.

April 24 (UPI) — A bill to legalize assisted-dying in England and Wales was Friday set to run out of time to complete all the necessary stages for it to become law in the current session of parliament, 10 months after MPs passed the legislation.

The Terminally Ill Adults (End of Life) Bill has been stalled in its committee stage in the House of Lords since June but with Friday set to be the final debate in the upper chamber before the 2024-2026 session ends in early May, it has run out of road.

“Detailed line-by-line scrutiny of the Terminally Ill Adults (End of Life) Bill continues,” The Lords said Friday in its order of business for the day.

Members have used up all 14 committee-stage days allotted for the bill as they attempted to grapple with more than 1,000 amendments covering everything from blocking overseas patients from accessing the treatment and the inclusion of people injured serving in the military or in industrial accidents to making patients aware of non-lethal treatment options.

Only around halfway through the stages required before it can receive “Royal Assent” from King Charles and finally become law, the bill can no longer proceed and cannot be carried over to the 2026-2027 session.

Supporters vowed not to give up on the bill, which would give terminally ill adults with less than six months to live the legal right to end their lives with the help of medical professionals, saying they would try to reintroduce it when the new parliament convenes on May 13.

The bill’s sponsor, Labour MP Kim Leadbeater, said she had a group of backers who had agreed to try to bring back the bill immediately following the state opening of parliament.

To do so, they need to prevail in a ballot in which MPs compete for 25 slots to introduce legislation they have authored to the House of Commons, so-called private members’ bills.

The next private members’ bill ballot is scheduled for May 21.

Leadbeater said she was disappointed, upset and angry at the outcome.

She said that terminally ill patients and their families she had been speaking with felt “a real sense of feeling let down by our democratic system.”

“This is not over. The issue is not going to go away just because of an undemocratic filibuster in the Lords. We will keep pushing for a safer, more compassionate law until parliament reaches a final decision.”

Opponents were concerned over the watering down of key safeguards in the original bill introduced in the House of Commons in November 2024, including dropping the requirement for a High Court judge to review every case.

“If we’re going to do this, we have to have safeguards and I really don’t think there are anywhere near enough safeguards in it,” said Baroness Grey-Thompson, adding that it was the job of peers to go through every line in legislation.

She told the BBC that when bills failed it because it was usually because they were poorly drafted, rather than because of the number of amendments tabled.

“It was written in haste and there are so many gaps in it that a number of peers are really uncomfortable with this particular bill, even though they may be in favor of the principle,” she said.

Leadbeater said she hoped the Commons would pass the bill again and an accommodation could be agreed with members of the upper house over amendments.

She did not rule out invoking a very rarely used procedural maneuver, a theoretical nuclear option that dates back more than a century in which the Lords is rendered powerless to stop a bill that the House of Commons has passed more than once from becoming law — but said she hoped that would not be necessary.

SHAKIRA has been slammed by fans for her ice cold reaction after one of her cameramen fell over in front of her during a live performance.

A video of the awkward moment is currently circulating on X, with the Colombian pop star, 49, seen stepping around the fallen production member on the ground.

In the clip, the cameraman is filming Shakira as she makes her way through a walkway between the crowd, but trips over equipment during the moment.

Shakira side steps around the cameraman, who is on the floor, to continue her journey to the stage and move on with her performance.

Sharing the clip to X, one user wrote: “The camera operator filming Shakira falls, and she doesn’t make the slightest attempt to help him.”

Another said: “Lack of empathy, period. Bet if it were her who trips, they’d pause the show for a few minutes, right? …

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“Anyway, it’s the world we live in today, nothing to be done.”

While some branded the move cold, others defended Shakira, noting that the show follows strict timings, and others were there to help him.

One fan said: “The show timings are timed, if she stopped to help the cameraman she probably would have ruined part of the choreography.”

Another agreed: “There are more people there who can help him. She runs off because if she wasn’t on stage on time, it delays the show.

“It’s a live show.”

The circulating moment comes just a few months after Shakira suffered a nasty fall herself on stage.

During a performance in San Salvador in February, Shakira was singing her hit song Si Te Vas when her right ankle suddenly twisted.

She then completely toppled to her side, falling onto her elbow as she brought her microphone stand down with her.

During the moment, Shakira stopped singing as gasps could be heard amongst the audience.

But ever the professional, she quickly got herself back up and managed to continue the song – with the star’s band continuing as her guitarist cheered her on.

The star is currently on her massive Las Mujeres Ya No Lloran World Tour, which translates to “Women No Longer Cry”.

Her next performance will take place on May 2, when Shakira will perform in Rio De Janeiro, before she heads to the USA.