fall

Development financing to Southeast Asia is expected to fall by more than $2bn in 2026 due to recent cutbacks by Western governments, according to a major Australian think tank.

The Sydney-based Lowy Institute predicted in a new report on Sunday that development assistance to Southeast Asia will drop to $26.5bn next year from $29bn in 2023.

The figures are billions of dollars below the pre-pandemic average of $33bn.

Bilateral funding is also expected to fall by 20 percent from about $11bn in 2023 to $9bn in 2026, the report said.

The cuts will hit poorer countries in the regions hardest, and “social sector priorities such as health, education, and civil society support that rely on bilateral aid funding are likely to lose out the most”, the report said.

Fewer alternatives

Cuts by Europe and the United Kingdom have been made to redirect funds as NATO members plan to raise defence spending to 5 percent of gross domestic product (GDP) in the shadow of Russia’s war on Ukraine.

The European Union and seven European governments will cut foreign aid by $17.2bn between 2025 and 2029, while this year, the UK announced it will cut foreign aid spending by $7.6bn annually, the report said.

The greatest upset has come from the United States, where earlier this year, President Donald Trump shut down the US Agency for International Development (USAID) and slashed nearly $60bn in foreign assistance. More recently, the US Senate took steps to claw back another $8bn in spending.

The Lowy Institute said governments closer to home, like China, will play an increasingly important role in the development landscape.

“The centre of gravity in Southeast Asia’s development finance landscape looks set to drift East, notably to Beijing but also Tokyo and Seoul,” the report said. “Combined with potentially weakening trade ties with the United States, Southeast Asian countries risk finding themselves with fewer alternatives to support their development.”

After experiencing a sharp decline during the COVID-19 pandemic, Chinese overseas development assistance has started to bounce back, reaching $4.9bn in 2023, according to the report.

Its spending, however, focuses more on infrastructure projects, like railways and ports, rather than social sector issues, the report said. Beijing’s preference for non-concessional loans given at commercial rates benefits Southeast Asia’s middle- and high-income countries, but is less helpful for its poorest, like Cambodia, Myanmar, Laos and East Timor.

As China and institutions like the World Bank and the Asian Development Bank play a more prominent role in Southeast Asia, less clear is how Japan and South Korea can fill in the blanks, according to experts.

Japan, South Korea

Grace Stanhope, a Lowy Institute research associate and one of the report’s authors, told Al Jazeera that both countries have expanded their development assistance to include civil society projects.

“[While] Japanese and Korean development support is often less overtly ‘values-based’ than traditional Western aid, we’ve been seeing Japan especially move into the governance and civil society sectors, with projects in 2023 that are explicitly focused on democracy and protection of vulnerable migrants, for example,” she said.

“The same is true of [South] Korea, which has recently supported projects for improving the transparency of Vietnamese courts and protection of women from gender-based violence, so the approach of the Japanese and Korean development programmes is evolving beyond just infrastructure.”

Tokyo and Seoul, however, are facing similar pressures as Europe from the Trump administration to increase their defence budgets, cutting into their development assistance.

Shiga Hiroaki, a professor at the Graduate School of International Social Sciences at Yokohama National University, said he was more “pessimistic” that Japan could step in to fill the gaps left by the West.

He said cuts could even be made as Tokyo ramps up defence spending to a historic high, and a “Japanese-first” right-wing party pressures the government to redirect funds back home.

“Considering Japan’s huge fiscal deficit and public opposition to tax increases, it is highly likely that the aid budget will be sacrificed to fund defence spending,” he said.

WASHINGTON — The Trump administration will release an estimated $1.3 billion in previously withheld grant money for schools nationwide, but has warned states that it will rescind funding not spent for “allowable activities.”

About $5 billion to $6 billion remains in limbo. In typical years, this funding would have begun reaching states and school districts starting on July 1. California joined about two dozen states this week in suing for the release of the funds, calling the Trump administration action “unconstitutional, unlawful and arbitrary.”

In filing their lawsuit, California officials estimated that they were due close to a billion dollars. The California Department of Education said it received word Friday that the partial release represented about $158 million of that total.

The partial release came after 10 Republican senators on Wednesday sent a letter imploring the Trump administration to allow frozen education money to be sent to states.

The senators said the withheld money supported programs that had longstanding bipartisan support and were critical to local communities. The money had been appropriated by Congress in a bill that was signed by President Trump.

“We share your concern about taxpayer money going to fund radical left-wing programs,” the senators wrote to the Office of Management and Budget. “However, we do not believe that is happening with these funds.”

The Trump administration has argued otherwise, alleging that funding has been used to undermine policy goals that include having all classes conducted in English. The administration also accused agencies of using funds to advocate for immigrants who lack legal status in the country.

The notification to states about the release includes a long list of laws that states are warned not to violate including the U.S. Constitution, the Civil Rights Act of 1964 and Title IX of the Education Amendments of 1972, which bans discrimination based on sex.

“To the extent that a grantee uses grant funds for such unallowable activities,” which the notice does not define specifically, “the [Education] Department intends to take appropriate enforcement action … which may include the recovery of funds.”

In separate actions, the Trump administration already has threatened California with pulling all federal funding for violations of Trump administration policy. This threat was made recently in connection with the state allowing trans athletes to compete in girls’ and women’s sports and government officials designating their jurisdictions as sanctuaries for immigrants.

What the money pays for

The withheld money paid for after-school and summer programs, adult literacy, English language instruction, teacher training and migrant education supports. The Office of Management and Budget said it held back the funds as part of a review to align spending with White House priorities.

The funds released Friday were partly intended to support many summer school programs, some of which shut down across the country due to the hold-back. This funding also supports after-school programming during the regular school year.

Without the money, school districts and nonprofits such as the YMCA and Boys and Girls Clubs of America had said they would have to close or scale back educational offerings this fall.

The money released Friday also pays for child care so low-income parents can work. In these programs, children also receive reading and math help, along with enrichment in science and the arts.

Despite the money’s release Friday, schools and nonprofits have already been disrupted by two weeks of uncertainty. Some programs have made plans to close, and others have fallen behind on hiring and contracting for the fall.

“While we are thrilled the funds will be made available,” said Jodi Grant, executive director of the Afterschool Alliance, “the administration’s inexplicable delay in disbursing them caused massive chaos and harm.” Many after-school programs had canceled plans to open in the fall, she said.

David Schuler, executive director of AASA, an association of school superintendents, praised the release of after-school money but said that the remaining education funding should not be withheld.

“Districts should not be in this impossible position where the Administration is denying funds that had already been appropriated to our public schools, by Congress,” Schuler said in a statement. “The remaining funds must be released immediately — America’s children are counting on it.”

Republican Sen. Shelley Moore Capito (R-W.Va.), who chairs the Senate Appropriations subcommittee that oversees education spending, was among the senators who signed the letter, which called for the full release of funds, including for adult education and teaching English as a second language.

“The decision to withhold this funding is contrary to President Trump’s goal of returning K-12 education to the states,” the senators wrote. “This funding goes directly to states and local school districts, where local leaders decide how this funding is spent.”

Sen. Patty Murray (D-Wash.) called on the White House to release the rest of the money.

“At this very moment, schools nationwide are crunching the numbers to figure out how many teachers they will need to lay off as Trump continues to hold up billions in funding,” Murray said Friday in a statement. “Every penny of this funding must flow immediately.”

Ma writes for the Associated Press.

The Mayan, a popular music venue and nightclub in downtown L.A., announced Monday morning that it will be closing under its current management after a 35-year run.

“It is with heavy yet grateful hearts that we announce The Mayan will be closing its doors at the end of September, after 35 unforgettable years,” read a statement from the venue’s Instagram page. “To our loyal patrons, community and friends: thank you for your unwavering support, your trust and the countless memories we’ve created together. You made every night truly special.”

The announcement also called on longtime and potentially new patrons to celebrate the club’s final months in fashion, with weekly Saturday dance nights through Sept. 13.

It is currently unknown what, if anything, the historic venue will be used for after the Mayan shutters.

The Mayan did not immediately respond to The Times’ request for information.

The Mayan Theater — located at 1038 S. Hill St., next door to the Belasco — first opened Aug. 15, 1927, with a performance of George Gershwin’s Broadway musical “Oh Kay.” As its name alludes to, the theater is one of the best known examples of the Mayan Revival architectural movement that took place in the U.S. during the 1920s and 1930s, which drew inspiration from pre-Columbian Mesoamerican structures.

As The Times reported in 1989, the giant bas-relief figures on the venue’s exterior are of the Maya god Huitzilopochtli seated on a symbolic earth monster. The three-tiered chandelier in the theater — rigged for red, blue and amber lights — is a replica of the Aztec calendar stone found near Mexico City. The design of tapered pillars was inspired by the Palace of the Governors at Uxmal, a Maya ruin on Yucatán Peninsula dating from AD 800.

Mexican anthropologist and sculptor Francisco Cornejo assisted the architects to craft a building that was based on authentic designs of pre-Columbian American societies.

During the Great Depression, the theater was rented out to the Works Projects Administration, which operated it as an Actors Workshop theater. In 1944, Black producer, director and entrepreneur Leon Norman Hefflin Sr., staged a production of the popular and well-reviewed musical “Sweet ‘N Hot,” which starred Black film and stage icon Dorothy Dandridge.

The Fouce family gained ownership of the theater in 1947 and shifted the venue’s programming toward Spanish-language film screenings and performers. By the early 1970s, Peruvian-born filmmaker and actor Carlos Tobalina gained ownership of the theater and changed the programming to focus on pornographic and X-rated films.

In 1990, the Mayan was brought under new management and inhabited its current form as a nightclub and music venue. The city has since declared the building as an official L.A. Historic-Cultural Monument.

The Mayan has been used as a shooting location for many film productions, including the 1992 box-office smash “The Bodyguard,” starring Kevin Costner and Whitney Houston; the 1998 skit-to-feature film “A Night at the Roxbury;” the 1979 Ramones-led musical comedy “Rock ‘n’ Roll High School;” and, most recently, the Netflix wrestling-themed series “GLOW.”

In recent years, the Mayan has played host to the cheeky lucha libre and burlesque show called Lucha VaVoom de La Liz and has held concerts by acts such as Jack White, M.I.A. and Prophets of Rage.

SAN FRANCISCO — The Dodgers finally looked like the Dodgers again on Friday night.

Too bad it didn’t happen until they were already down six runs.

For the first time in a week, the highest-scoring offense in baseball finally rediscovered its high-flying form, handing San Francisco Giants ace Logan Webb his worst start all season while sending shivers up the spine of the orange-clad contingent at Oracle Park.

But by the time it happened, the club had already dug a hole too deep for even its star-studded lineup to climb out of, unable to completely erase an early six-run deficit in a 8-7 loss to their division rivals — sending the Dodgers to a seven-game losing streak that marks their longest skid since September 2017.

“I like the fight. I thought one through nine, there were good at-bats in there, scored some runs, had a chance to win again,” manager Dave Roberts said. “And unfortunately, on the pitching side, we just couldn’t prevent enough.”

Friday, of course, never figured to favor the Dodgers given the difference in caliber of the starting pitching matchup.

On one side stood Webb, the crafty and relentless All-Star right-hander who has largely dominated the Dodgers in his seven-year career.

On the other was Dustin May, the once-promising Dodgers right-hander who has yet to realize his tantalizing potential in what has been his first fully healthy big-league season so far.

Still, for a little while on a cold night along the San Francisco Bay, little separated the two sinker-ball specialists, the Dodgers and Giants locked in the kind of close contest that has been the hallmark of this rivalry in recent years.

In the top of the third, Shohei Ohtani even put the Dodgers in front, splashing his NL-leading 32nd home run of the season into McCovey Cove beyond right field for only the eighth splash-down home run by a Dodger player in Oracle Park history.

Dodgers star Shohei Ohtani tosses his bat after hitting a two-run home run in the third inning against the Giants on Friday.

(David Barreda / Los Angeles Times)

But eventually, May came unglued, giving up seven runs in less than five innings as the Giants surged to an 8-2 lead. And though the Dodgers (56-39) eventually got to within one, tagging Webb with a season-high six runs, they came up empty in their final couple trips to the plate, wasting plenty of positive subplots in another losing story.

“Today we were able to string some hits together, put some innings together,” shortstop Mookie Betts said. “But we just come up short.”

After starting his night with increased fastball velocity and ruthless assault of the strike zone, May lost his command in the fourth inning.

Dodgers pitcher Dustin May delivers against the Giants on Friday.

(David Barreda / Los Angeles Times)

Rafael Devers walked on four pitches to start the inning. Matt Chapman received another free pass despite a mid-at-bat mound visit from catcher Will Smith. And with one out, Jung Hoo Lee laced a two-run triple over the outstretched glove of Teoscar Hernández, who returned to the lineup after missing the last four games with a foot contusion but still seemed hobbled while trying to track the ball down in the right-field gap.

“Just got a little bit out of sync, couldn’t time things back up,” May said of his delivery, which has teetered between flashes of dominance and stretches of frustration during his return from a second career elbow surgery.

“During my warm-up throws in the fourth, it felt a little off. Trying to get my foot down a little earlier didn’t really help. That’s been a cue. But yeah, it just went bad.”

Things got worse in the fifth, when the Giants (52-43) plated five more while sending 10 batters to the plate.

Dominic Smith led the inning off with a homer. May then gave up a single and two walks to load the bases. The Dodgers missed their chance to escape the inning, when Hyeseong Kim failed to turn a difficult but potential inning-ending double play quickly enough at second base.

May was replaced by Anthony Banda, who was greeted with another two-run triple by Willy Adames (who had already homered to open the scoring in the second inning) and a run-scoring infield single from Lee, who outraced Banda to first base to punctuate a painfully long inning.

“To win a big-league ballgame is tough, but you’ve still got to pitch well, you’ve got to catch it and you’ve got to take good at-bats,” Roberts said. “If all three of those things don’t line up in one night, it’s hard to get a win.”

Mookie Betts grimaces in pain after being hit by a pitch in the sixth inning against the Giants on Friday night.

(David Barreda / Los Angeles Times)

It was at that point, coming off a six-game stretch in which they’d scored 10 total runs, that the Dodgers’ bats finally came to life.

In the top of the sixth, Hernández launched a two-run double that Lee couldn’t quite corral on the run at the warning track, before Michael Conforto followed with a two-run homer that chased Webb and cut the deficit to two.

In the seventh, the Dodgers struck again, when Betts slid into third after hitting another ball just beyond Lee’s reach in center and later scored on Smith’s RBI single.

“It’s definitely more encouraging,” said Betts, who has been among the coldest hitters in the Dodgers lineup lately. “I can’t speak for everyone. But I haven’t done anything this whole time … Just to get us going, get some hits there, that’s the positive that you can take out of it.”

That, however, was as close as the Dodgers got. Smith was left stranded to end the seventh. Kim’s two-out double in the eighth was squandered. And, in the most frustrating of endings, a two-on, one-out opportunity in the ninth went by the wayside when Smith rolled into a double play.

The division lead is down to four.

And as the Dodgers continue to stumble toward the All-Star break, moral victories remain the only wins in sight.

“I know it sucks, but you have to try to take some positive out of it,” Betts said. “At least we battled back.”

For nearly four magical minutes in the first quarter, an upset of the WNBA’s best team seemed scarily possible.

What seemed scarier, perhaps, was that the team doing the damage spent most of the season fighting to crawl out of the league’s cellar.

For those 3 minutes and 59 seconds, the Sparks rattled off 16 consecutive points as Crypto.com Arena transformed into both a basketball spectacle and animated musical. The children in nearly every section of the Sparks’ home smacked their thundersticks like war drums as tiny voices belted out lyrics to songs from “SpongeBob SquarePant,s” “Moana” and “Frozen.”

It was a mini-Disneyland inside the Sparks’ building on Kids Day, the entire bowl pulsating with shrieks, slaps and sugar highs. For a fleeting stretch, it felt like an exhilarating return to the mid-2010s.

Yet just as quickly as the magic appeared, it vanished. So suddenly, and so drastically, the newest “happiest place on earth” lost its shimmer, replaced by cross-court turnovers, limited looks at the rim and the deflation of momentum as the Lynx (18-3) steamrolled to a 91-82 victory over the Sparks (6-14) on Thursday afternoon.

“You give the best team in the league just easy run-out layups,” guard Kelsey Plum said, in regard to the Lynx gathering 22 more shot attempts than the Sparks, “It was tough. We dug ourselves a hole.”

What had been a 16-0 run to build an 18-7 lead in the first quarter turned out to be the only bright spot amid an otherwise sore 36 minutes. Not just for the players, but for the children with their thundersticks that had less and less reason to make noise.

Lynx guard Alanna Smith drifted into open space at the top of the key to score first with a three for the Lynx. Following a Napheesa Collier walk-in floater, Smith propelled her team to an early 7-2 lead after collecting a sharp entry pass and spinning into a floater on the block.

Smith’s early pace and precision hinted at why the Lynx have only three losses all season. But the control they held in those opening moments evaporated, the momentum being painted purple and yellow.

The 16-point show began in unexpected territory. Plum lit the fuse from beyond the arc. Guard Julie Allemand followed suit on the next trip down. Then forward Rickea Jackson made a wide-open baseline look. And it was threes in three straight possessions for a team that doesn’t make a living from distance.

“The ball was moving, it had some zip on it in that first quarter,” Sparks coach Lynne Roberts said. “Thirteen threes at 48% — Vanloo [guard Julie Vanloo] really helps with that. We’ve been missing that kind of shooter — the kickout and off the dribble,” she added, referring to Vanloo’s five three-pointers.

Yet the lopsided score halfway through the opening quarter had a short lifespan.

What looked like a cushion turned into a trap. After their 16-0 run, the Sparks eased up and the Lynx pounced. Minnesota feasted on sloppy cross-court passes, turning top-of-the-key giveaways into easy transition layups, and worked their way to get back to within four by quarter’s end.

The Lynx erased “deficit” from their dictionary — and just about everything from the Sparks’ playbook. Fueled by nine L.A. turnovers in the second quarter, Minnesota made 11 baskets — nearly as many as the Sparks had shot attempts for a 50-40 halftime lead.

“[Missing] shots that you’re normally not thinking about missing — it can just put a lot of pressure on your offense when you do get an execution,” Roberts said. “But we’ve got to be better defensively, giving up 91 — but they’re really good at whatever it is you do, making it wrong.”

Four minutes in the driver’s seat gave way to the wheels detaching entirely through the remaining two periods. Turnovers mounted, and layups followed as more than a quarter of Minnesota’s points came off miscues.

The Lynx ran away in the third quarter, piling up 30 points — 11 more than the Sparks — to stretch their lead to 80-59. The Sparks threw punches in the fourth and Vanloo caught fire, but the damage was too much for recovery.

Plum finished with 17 points and a game-high 12 assists to lead the Sparks. Jackson added 14 points while Dearica Hamby contributed 12 points and a team-high seven rebounds.

Natisha Hiedeman came off the bench to lead the Lynx with 18 points, while Collier finished with 17 points and a team-high eight rebounds. Courtney Williams had 16 points and a team-high seven assists while Smith scored 15.

MILWAUKEE — The game plan, manager Dave Roberts said Tuesday afternoon, was simple.

As the Dodgers prepared to face Milwaukee Brewers phenom Jacob Misiorowski, a hard-throwing and supremely talented right-hander making just his fifth career MLB start, the club’s manager repeated one key multiple times during his pregame address with reporters:

“Stress him as much as we can.”

Given Misiorowski’s inexperience, the idea was to work long at-bats, drive up his pitch count and “be mindful of [making] quick outs,” Roberts said.

The Brewers’ Jacob Misiorowski shouts during the sixth inning of a game against the Dodgers Tuesday in Milwaukee.

(Aaron Gash / Associated Press)

“If he’s got to keep repeating pitches, there might be a way for some base hits, some walks,” he added. “Again, create stress, and hopefully get a couple big hits.”

A big hit came early, with Shohei Ohtani leading off the game with his 31st home run of the season. But after that, the only stress evident at American Family Field on Tuesday came from the Dodgers’ lineup, which struck out 12 times against Misiorowski during a 3-1 loss to the Brewers. It was the Dodgers’ fifth straight loss.

The Ks came quickly following Ohtani’s early blast (his ninth leadoff home run of the season, and one that set a new Dodgers record for total home runs before the All-Star break).

Mookie Betts fanned on a slider in the next at-bat. Freddie Freeman whiffed on a curveball after him. Andy Pages froze on a 100.8 mph fastball, one of 21 triple-digit pitches Misiorowski uncorked from his wiry 6-foot-7, 197-pound frame.

Misiorowski struck out three more batters in the second to strand a two-out Dalton Rushing single. He worked around Miguel Rojas’ leadoff double in the third with two more punchouts, getting Ohtani with a curveball this time and Freeman with the same pitch after a generous strike call got the count full.

From there, the Dodgers didn’t stress Misorowski again until the sixth, when Ohtani drew a leadoff walk and Betts slapped a single through the infield. With one out, however, Ohtani was thrown at the plate trying to score from third on Pages’ chopper up the line. Then Michael Conforto grounded out to first to retire the side, sending Misorowski skipping back to the dugout with a few thumps of his chest at the end of a six-inning, one-run start that saw all 12 strikeouts come the first five frames (tying the most strikeouts by any MLB pitcher in the first five innings of a game since 2008).

Opposite Misiorowski, Dodgers veteran Clayton Kershaw produced a solid six-inning, two-run start in a vastly different way. With his fastball still topping out at 90 mph, and the 37-year-old managing only three strikeouts in his first start since joining the 3,000 club last week, Kershaw instead navigated the Brewers with a string of soft contact.

The only problem: The Brewers still found a way to build a rally in the bottom of the fourth.

After singling on a swinging bunt up the third-base line his first time up, Milwaukee catcher William Contreras did the same thing to lead off the inning. Then Jackson Chourio beat the shift on a ground ball the other way.

That set up Andrew Vaughn for a line-drive RBI single to center, tying the score. In the next at-bat, Isaac Collins also found a hole in the infield, sneaking another ground-ball single between Betts and Rojas on the left side of the infield to give Milwaukee a 2-1 lead.

Even after Misiorowski departed, a shorthanded Dodgers lineup (which was once again without injured veterans Teoscar Hernández and Tommy Edman, as well as primary catcher Will Smith on a scheduled off day) couldn’t claw its way back.

The Brewers’ bullpen retired all nine batters it faced. Sal Frelick took Kirby Yates deep for an insurance run in the eighth. And on a day the Dodgers intended to create stress, they were instead dealing with the headache of a season-long five-game losing streak.

Brigitte Knightley’s debut novel, “The Irresistible Urge to Fall for Your Enemy,” has everything fans of enemies-to-lovers romance are looking for: disagreement that becomes flirtatious banter, ethical quandaries, forced proximity, and characters who can overcome their prejudices to see a human beneath a label. Featuring a brutal assassin and a magical healer forced to work together while trying — desperately — not to fall in love, the heat of this romantasy novel is perfect for warm summer nights.

Osric Mordaunt, considered a dark magic user, is part of an order of assassins hated and dismissed by Aurienne Fairhrim’s light magic order of healers. When Osric seeks medical treatment for a degenerative condition, he gets roped into helping Aurienne’s order cure an outbreak of pox that is killing children in droves. The pair traipses around seeking healing under romantic full moons and become involved in spycraft that reveals evidence that the outbreak is not what it seems. They begin to see each other beyond their individual allegiances, but it happens slowly, prejudices unraveling at a crawling pace. The author’s bio declares that she puts the unresolved back in “unresolved sexual tension,” and it’s true: Knightley is a master of the slow burn.

There is plenty of fun along the way: Getting to know both magical orders, their fortes and foibles, is a squelching, bodily fluid-filled delight: The only thing sharper than their wit is the divide that separates their lives. The magic system has an almost science-fiction element to it, with lots of medical talk about magical maladies and a well-rendered in-line breakdown of how “Outlander”-esque menhir travel works. Aurienne is as much a scientist as a witch, which is a treat in a genre overrun by wand-waving laziness. The novel is set in the 19th century, but in a version of England where the Norman Conquest of 1066 failed. Instead of a unified empire, the smaller kingdoms of the Heptarchy still dominate, their various dangerous machinations providing the raison d’être for the differing orders.

“Irresistible” might be set in the period we know as the Victorian era, and there are royals and attendant paraphernalia, but lovers of polite courtly romances might want to steer clear. With more dick jokes than a Deadpool movie, Knightley’s novel is dirty. Sexual attraction is not hidden behind genteel metaphors; Aurienne and Osric want. They’re not blushing virgins on their way to an altar, but adults who have loved and lost, who each bring a trolley’s worth of emotional baggage and sexual preferences to their relationship. Their self-awareness is part of the charm; they might wield magic like us mortals wield butter knives, but they’re relatable.

Readers plugged into the world of fan fiction may recognize the author’s name, which is a pseudonym. Writing under a previous nom de plume, isthisselfcare, Knightley gained an enormous fan base dedicated to “Draco Malfoy and The Mortifying Ordeal of Being in Love,” her 199,000-word Dramione — short for Hermione Granger/Draco Malfoy — on a popular fan-fiction site. With a Jane Austen-influenced voice, it was ironic, sarcastic and delightful. Knightley’s new novel is like a grown-up version of “Mortifying” — more mature, more grounded and more voicey than ever. Fans will be pleased to see how she’s grown.

People love to denigrate fan-fiction writers, though some of today’s most popular authors started as fan-fiction writers: Cassandra Clare, Naomi Novik and Andy Weir, to name just three. Novels like “Irresistible” are proof positive that writing fan fiction is an excellent training ground for building a novel. To write truly great fan fiction, a writer must identify what makes the source material sparkle and then replicate it. It’s not enough to graft existing characters into new situations. The most effective fan fiction shows readers how characters can continue to grow beyond the bounds of the original work while remaining consistent with the source material. That exercise in maintaining consistency and internal logic is excellent practice for creating original worlds.

In some cases, that also means identifying elements about characters that original authors themselves might not see. This was especially true of the explosion of Draco/Hermione fic after the Harry Potter series ended. Where author J.K. Rowling saw an irredeemable villain in Draco Malfoy, thousands of people saw an abused child who had grown up in a dangerous household and was trying to survive. Fan fiction allowed writers to transform Draco into a good person who falls in love with his childhood enemy; this gave readers the redemption arc Rowling set up but didn’t follow through on. There are tens of thousands of fics that explore this arc.

Literary-minded sociologists could probably study how millennial women never fully recovered from Draco’s lost redemption. The preponderance of platinum blond bad boys with chances at redemption has only grown as the girls who grew up reading Harry Potter became authors themselves: Coriolanus Snow in Hunger Games trilogy prequel “Ballad of Songbirds and Snakes,” Sebastian Morgenstern in “City of Glass,” Cardan in “The Cruel Prince.” (“Buffy’s” Spike is a clear predecessor.)

With Knightley’s debut, we can add Osric Mordaunt to the list. He is a tragic figure, doomed to a life filled with violence after an abusive childhood. He’s shaken out of this destiny by meeting the STEMinist figure Aurienne, who accepts no excuses for his bad behavior.

Though Osric seems to have Malfoy DNA at his heart, the rest of the cast is original and well-developed. That said, Aurienne does toe the line between aloof and arrogantly unlikable. We get the hint that she has a dark backstory, that her snark is a shield, but we’ll have to wait for Book 2 to find out. Until then, “Irresistible” will probably inspire fan fiction of its own, training a new generation of authors.

Castellanos Clark, a writer and historian in Los Angeles, is the author of “Unruly Figures: Twenty Tales of Rebels, Rulebreakers, and Revolutionaries You’ve (Probably) Never Heard Of.”

The outbreak triggered a health warning from the General Directorate of Public Health with tortillas being blamed

More than 160 festival-goers have been struck down with illness after attending a music and food event in Spain. A total of 162 individuals have contracted Salmonella, believed to be from food consumed at the Trasan Fest held on June 27 and 28 in Oza Cesuras (A Coruña), with 22 requiring hospital treatment.

The outbreak triggered a health warning from the General Directorate of Public Health of the Sergas (Galician Health Service). Preliminary investigations are pointing towards a food stall selling tortillas, a traditional Spanish dish made with eggs and potatoes, as the potential source of the infection.

Health officials are now conducting epidemiological surveys among those affected to pinpoint the exact origin of the outbreak.

In an official statement, the festival organisers expressed their deep regret over the incident. “We are collaborating with the authorities to locate the source of the incident, likely linked to a raw material supplied by one of our suppliers,” they stated.

Consumer group FACUA Galicia is urging the Galician Ministry of Health to carry out inspections of all establishments, food trucks, or mobile food vendors at venues hosting music festivals or other cultural events, in a bid to prevent such food poisoning incidents in the future.

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FACUA has also advised that those affected by the Salmonella outbreak are entitled to claim compensation for the days during which their health was compromised. Evidence of the type of injury sustained, supported by the appropriate medical report, is required. It would also be beneficial to have proof of consumption of the suspected food.

In 2023, Salmonella was the most commonly identified cause of outbreaks, with 350 instances. This also led to the highest number of patients associated with an outbreak at 2,747, along with 356 hospitalisations and four fatalities.

The largest Salmonella outbreak impacted 159 individuals. A number of these outbreaks were linked to the consumption of eggs and egg products.

As if the Garfield vs. Roosevelt sports rivalry needed any more incentive to excite its fans, both schools are preparing to unveil their new football stadiums and fields this fall after having no home games last season while construction took place.

Final work could be finished by the end of this month. The Los Angeles Unified School District paid for improvements as part of campus modernization projects paid for by bonds.

Roosevelt has been finishing a $200 million school modernization project that included a new gym and new performing arts center.

The vew of Roosevelt’s new football stadium and grass field.

(Crystal Powell)

The stadium has new bleachers, press box, concession stands, scoreboard, all-weather track and grass field.

“To all the seniors, it’s going to be a blessing to play at home,” coach Ernesto Ceja said.

Roosevelt got an a new stadium, with new bleachers, press box, scoreboard, concession stands and grass field.

(Crystal Powell)

Roosevelt is scheduled to have five home football games and open the stadium against Lawndale on Aug. 28.

The new Garfield scoreboard.

(Garfield HS)

Garfield’s $8 million stadium project includes a new all-weather field, track, scoreboard, goal posts and concrete home bleachers.

Garfield had some memorable mud games on its dirt and grass field through the years. The first home game will be against Bakersfield on Aug. 28.

Despite the new fields, the annual Garfield vs. Roosevelt football game that usually draws the largest crowd in the Southland will once again be played at a neutral site on Oct. 24. Last year’s game was at SoFi Stadium. This year’s game site has yet to be decided. It’s been played at East L.A. College for years.

Hamilton also has a new stadium set to be unveiled this fall with a new press box and bleachers.

BBC

Family handout

Gemma Gray

‘Consider the health impacts’

There once was a time the City Section had the best quarterbacks, the days of John Elway (Granada Hills), Tom Ramsey (Kennedy) and Jay Schroeder (Palisades) all playing against each other.

This fall, the City Section has lots of quality returning quarterbacks, making it possible for them to get some attention at a time the talent level has been dwindling overall.

Let’s start with Diego Montes of Kennedy. He’s 5 feet 11, 160 pounds, an A student and certified baller. All he did as a junior was pass for 2,508 yards and 24 touchdowns and rush for 1,400 yards and 25 touchdowns. He had a 91-yard run.

“I have more stamina,” he said after a spring of running track. “We run tempo offense, so being able to get up on the line right after you bust a 20-yard run or chip away at the defense, you’re in better condition. I’m not scared of putting my shoulder down.”

Liam Pasten of Eagle Rock had 3,602 yards passing as a junior and has his own hair-cutting business, so defenders be nice because he can make you look good in other ways.

Chris Fields of Carson, Jack Thomas of Palisades, Seth Solorio of San Pedro and Elijah McDaniel of Dorsey are the rarest of the rare — they left Southern Section schools to join the City Section, coming from Lawndale, Loyola, St. John Bosco and Warren, respectively. Each has a chance to lift and provide big-time contributions this fall.

One of the top freshmen quarterbacks in Southern California should be Thaddeu Breaux of Hamilton. At least he’s expected to have the opportunity to pass and pass. Coach Elijah Asante is projecting 50 pass attempts a game.

There’s returning quarterbacks at Cleveland, Taft, South Gate, Birmingham and elsewhere, so that’s a good sign the offenses in the City Section should be in good position to roll from the opening games on Aug. 22.

They should remember there’s NFL Hall of Famers from the City Section who once wore jerseys they are wearing. The names of Elway, Bob Waterfield (Van Nuys) and Warren Moon (Hamilton) come to mind.

Official practice begins at the end of next month.

When Candace Parker was on the court, the Sparks were dominant. On the afternoon her jersey was retired, they had a chance to channel that energy — but the Sparks were anything but overpowering.

In a matchup between the two franchises Parker led to WNBA titles — the Sparks and Chicago Sky — her hometown team played spoiler, earning a 92-85 victory at Crypto.com Arena.

Angel Reese, the self-proclaimed queen of “Mebounds,” proved too much for L.A. to handle — for the second time in five days.

Reese finished with 16 rebounds, including four on the offensive glass. Her impact extended beyond the boards, with Reese adding 24 points and seven assists.

Entering the game, Sparks coach Lynne Roberts praised Reese as “elite,” underscoring her high motor and physicality, adding that the Sparks would need to be the aggressors to slow her down.

But they were out-hustled and out-muscled down the final stretch of the game.

“We just got to be tougher,” Roberts said. “Sustain runs, handle adversity, performance issues, bad calls — whatever.”

For the Sparks, it was a must-win game — not only to build on their recent 85–75 win over the Indiana Fever, but also to avoid spoiling Parker’s retirement celebration.

“We would have loved [to have won],” Roberts added. “I think we all wanted that win for her, so it’s disappointing — it’s kind of extra disappointing.”

Sparks guard Kelsey Plum (10) draws a foul while driving in front of Chicago Sky forward Angel Reese Sunday at Crytpo.com Arena.

(Jessie Alcheh / Associated Press)

While the Sparks (5-12) struggled against Reese for most of the game, forward Emma Cannon gave L.A. a surge off the bench. Undersized Cannon made life difficult for Reese during key stretches, drawing a technical foul during a tense third-quarter exchange in the post.

Cannon’s second-half performance briefly turned the tide. With the Sparks trailing by 12 — their largest deficit of the game — Cannon helped fuel a 24–5 run that put L.A. ahead 60–53. She finished with a season-high 15 points in four minutes.

But the Sky didn’t go away. By the end of the third, the Sparks led just 62–61 — and in the fourth, Chicago closed strong. Behind Reese, the Sky ballooned the lead back to double digits — 82–72 — too much for the Sparks to overcome.

“We have to learn how to finish games, and it’s not necessarily what the other team does,” Cannon said. “It’s just about us actually digging in and buying in and finishing it.”

A rally in the final minutes, led by Kelsey Plum, Azurá Stevens and Dearica Hamby, fell short.

Plum (22 points), Stevens (17 points) and Hamby (20 points) accounted for the bulk of the Sparks’ offense, combining for 59 of the team’s 85 points.

“It’s a choice when you’re hit with adversity or you lose, when you don’t perform the way you want to,” Roberts said on learning lessons from losses. “It’s a choice as to how you approach it, and there is no magic formula.”

Parker honored

The game was a tribute to Parker. At the arena entrance, fans were greeted by a purple and gold floral arrangement shaped like the No. 3. Video messages from Lakers legends, including Magic Johnson and Michael Cooper, played throughout the festivities.

Before Parker received a thunderous ovation as her No. 3 jersey was revealed in the rafters, she addressed the fans.

“They say athletes have two deaths — one being when your career ends — but I look at it as two lives,” Parker said during her halftime speech. “It’s never easy to put the ball down and move from your first love. That’s something I learned throughout my career here through basketball, and I’m going to carry it into the next phase of life.”

Former Sparks star Candace Parker waves while standing beside her family during her jersey retirement ceremony Sunday at Crypto.com Arena.

(Jessie Alcheh / Associated Press)

Before the game, she also reflected on the full-circle moment — standing in the same arena where she won her first WNBA championship, fittingly against her hometown team, the Chicago Sky. She won a title with the Sky in 2021 and will see her jersey retired by the franchise this August.

“Seeing the No. 3 in the rafters where I first picked up the ball, and where is home now, is incredible,” Parker said. “It’s about dreams and opportunity. … So I hope that that inspires those little girls out there.”

Her jersey is just the third retired in Sparks history, joining former teammate Leslie’s No. 9 and longtime general manager Penny Toler’s No. 11.

“When it was time for me to say goodbye, I knew when I handed the keys to Candace Parker,” said Leslie, who introduced Parker during the halftime jersey retirement ceremony. “She not only took the key to the building — but she ran with it.”

KANSAS CITY, Mo.  — Three batters into his third start of the year on Saturday, Shohei Ohtani showed some brief frustration.

With one out in the first inning — on a day he was trying to pitch into the second for the first time this year — Ohtani gave up a line drive single to Kansas City Royals star Bobby Witt Jr. Then, he walked Maikel Garcia on five pitches in the next at-bat, pulling four straight throws low and to the glove side to put two aboard.

As Ohtani received the ball back from catcher Dalton Rushing, he wore a stoic look, seemingly displeased with his lack of execution.

But he climbed back atop the mound, stared down the plate as Vinnie Pasquantino dug in, and absolutely bullied the Royals first baseman with three straight pitches.

A 99.2-mph fastball on the inside corner for strike one.

A 100.2-mph fastball on the inside black for strike two.

And then, a blistering 101.7-mph fastball — the hardest-thrown pitch of Ohtani’s MLB career — that Pasquantino took a helpless hack at, grounding into a tailor-made, inning-ending double-play.

Just like that, Ohtani was locked back in.

Though the Dodgers lost 9-5 to the Royals on Saturday, Ohtani turned in his best pitching performance yet. After escaping the first-inning jam, he retired the side in the second. Over 27 pitches, he threw 20 strikes and got three swings-and-misses, including on a 100-mph fastball and late-biting slider to strike out Jac Caglianone in the second.

Even over another small sample size, with Ohtani’s workload still limited as he works his way back from a second Tommy John surgery, the right-hander flashed the dominant potential of his stuff, both lighting up the radar gun and unleashing a flurry of unhittable off-speed offerings in his most complete performance yet since resuming his two-way role.

Things did not go well for the Dodgers (52-32) after Ohtani left the mound. Bulk man Ben Casparius gave up six runs in four innings, and now has a 7.82 ERA in his three outings piggybacking with Ohtani over the last three weeks.

He didn’t get much help from his defense, either. In the third inning, Teoscar Hernández failed to get to a flare down the right-field line with two outs, extending the inning ahead of a two-run double from Garcia in the next at-bat. Andy Pages also booted a ball in center field during a four-run rally from the Royals (39-44) in the fifth, an inning that was punctuated by a three-run, two-out homer from Pasquantino to center.

The Dodgers’ offense, meanwhile, never figured out crafty right-hander Seth Lugo, stranding all nine hitters who reached base against him (four hits and five walks) while striking out eight times.

Even though Freddie Freeman broke out of an extended slump with three hits, including a solo homer in the seventh inning, and two walks, the Dodgers never truly threatened to chip away at the lead until a four-run rally in the ninth, squandering a five-game winning streak to set up a series rubber match on Sunday.

All of that, however, paled in comparison to the impressiveness of Ohtani’s outing on the mound.

In his four innings so far this year, the 30-year-old has given up just one run and three hits. His fastball has routinely eclipsed 100 mph while his array of breaking stuff has kept opponents off balance.

The Dodgers are still being careful with Ohtani’s buildup, uncertain of when — or if — he will be fully stretched out for normal-length starts. But for now, the few innings he has contributed have been encouraging, quickly erasing any doubts about how his arm would respond from the second reconstructive elbow surgery of his career.

Pitching injury updates

It’ll be a little while longer before the Dodgers get more pitching reinforcements from triple-A Oklahoma City.

On Friday night, Tyler Glasnow gave up five runs on seven hits in his second rehab outing, but more consequentially managed only 2 ⅓ innings, well short of the four-inning goal the Dodgers had targeted for his start. Because of that, Roberts said Glasnow will likely need at least two more rehab starts before returning to the majors. He has been out since April because of a shoulder problem.

Emmet Sheehan’s next start will come in triple A, Roberts said, even after the right-hander pitched six perfect innings with 13 strikeouts earlier this week. Sheehan returned from Tommy John surgery earlier this month with a solid four-inning start for the Dodgers, but was optioned ahead of this road trip to continue building up in Oklahoma City. Sheehan will be a candidate to return to the majors after his next outing, perhaps near the end of the Dodgers’ upcoming homestand.

Back in Los Angeles, Blake Snell (shoulder) and Blake Treinen (forearm) continued their progression of bullpen sessions on Saturday, and are getting closer to throwing live sessions against hitters. Roki Sasaki (shoulder) has also continued to play catch and, according to Roberts, is finally “feeling really good” almost two months into his IL stint.

Seales and Joseph take nine wickets before Australia stage mini recovery by restricting West Indies to 57-4 at stumps.

In a performance reminiscent of West Indies’ fearsome bowling attacks of old, Jayden Seales and Shamar Joseph tore through the Australia batting lineup, toppling them for a meagre 180 on day one of the first Test at the Kensington Oval in Barbados.

Mitchell Starc, skipper Pat Cummins, and Josh Hazlewood saved Australia’s blushes, taking four wickets between them to send the West Indies in at stumps at 57 for four, trailing the tourists by 123 runs to leave the match delicately poised on Wednesday.

With Seales claiming a magnificent five-wicket haul and Joseph unleashing thunderbolts that left Australia’s batsmen floundering, the visitors never recovered from a catastrophic start that saw them reeling at 22 for three on a lively pitch.

“This one was pretty special for me,” Seales said.

“I have played against [Australia] once, and was injured. To play against them and get five on the first day was pretty special.

“With the new ball, the plan was to bowl fuller. We knew the batters would come hard if we gave them width, and the plan was to bowl full and as much at the stumps as possible.

“A little slower than what the Australians would have expected, and that made them play a lot more.

“Shamar was special today … He has a love for Australia. He got through the top order and made it easy for us in the middle and at the end.”

Australia, already vulnerable with Steve Smith sidelined by injury and Marnus Labuschagne axed, watched in dismay as their re-jigged top order wilted under relentless pressure from the Caribbean quicks.

Joseph got the Bridgetown carnival started in the fourth over when he trapped teenage debutant Sam Konstas leg before wicket after a review.

The 25-year-old then delivered a scorching delivery that all-rounder Cameron Green could only edge to Justin Greaves at second slip.

Seales then joined the party, coaxing a thick top edge from Josh Inglis that sent him trudging back to the pavilion for five, completing Australia’s horror start.

Veteran Usman Khawaja and Travis Head briefly stemmed the tide with an 89-run partnership, but Joseph struck again at the perfect moment, removing Khawaja for 47 – agonisingly short of his half-century – and extinguishing Australian hopes of a recovery.

The middle order offered little resistance, with Beau Webster (11) and Alex Carey (8) falling cheaply before Greaves claimed the prize scalp of Head for 59, caught behind.

Captain Pat Cummins (28) provided the only lower-order resistance before Seales returned to sweep through the tail, completing his five-wicket masterclass and leaving Australia to contemplate the wreckage of their innings.

West Indies would have fancied their chances at that point, but Starc had other plans, snapping up the wickets of Kraigg Brathwaite and John Campbell in an action-packed opening spell.

Cummins then had Keacy Carty caught behind on 20 before Hazlewood bowled nightwatchman Jomel Warrican out for a duck, as the Barbadian sun set on an exhilarating day of Test cricket dominated by pace.

CHICAGO — Kamilia Cardoso scored a career-high 27 points, Angel Reese had a double-double and the Chicago Sky beat the Sparks 97-86 on Tuesday night.

Reese finished with 18 points and 17 rebounds. Ariel Atkins scored 13 points for the Sky (4-10).

Chicago took its first lead, 74-72, at 7:23 of the fourth quarter on a driving layup by Cardoso and outscored the Sparks 30-17 in the final period.

Azura Stevens scored 21 points and Kelsey Plum had 20 for the Sparks (4-11), who lost their fourth straight. Dearica Hamby had 15 points and Rickea Jackson 11.

Cardoso followed her tiebreaking basket with a short jump shot, and moments later added a free throw to make it 77-72, and Chicago’s lead increased from there.

Cardoso will miss the next four games playing for her Brazilian national team at a tournament in Chile. The Sky also announced veteran point guard Courtney Vandersloot had successful ACL surgery on her right knee.

The Sparks took control early, jumping out to a 10-2 lead in less than 90 seconds and had a 27-17 advantage after one quarter. Chicago cut the deficit to 31-28 early in the second quarter before the Sparks surged again, going up 44-32 . The Sky rallied again, getting to within 48-42 at halftime.

In the closing minutes of the third quarter, Rebecca Allen made a three-pointer and a runner, tying the score at 65-65 and 67-67, but the Sky never led. Plum’s basket in the last minute of the third gave the Sparks a 69-67 lead heading into the fourth.

Mauricio Dubón scored the winning run on a wild pitch in the 10th inning, Jeremy Peña and Isaac Paredes opened the game with home runs, and the Houston Astros beat the Angels 3-2 on Friday night.

Peña led off the 10th with a single that advanced automatic runner Dubón to third. Dubón scored when Hunter Strickland, who hadn’t allowed a run in 14⅔ innings of his first 13 appearances with the Angels, threw a pitch behind the back of Paredes.

Houston closer Josh Hader (5-1) retired the side in order in the ninth and Bennett Sousa retired three straight batters in the 10th for his second save.

Angels starter Yusei Kikuchi gave up home runs to Pena and Paredes for a 2-0 Astros lead in the held the Astros to four hits, striking out nine and walking none, for the rest of his seven-inning start.

Jo Adell trimmed Houston’s lead to 2-1 in the fourth with a 426-foot homer off Astros starter Hunter Brown. Angels rookie Christian Moore, a first-round pick out of Tennessee in 2024, tied it 2-2 with his first major league homer to open the seventh.

Tempers flared in the third when Brown hit Angels shortstop Zach Neto in the elbow with a 95-mph sinker. Both benches and bullpens emptied, but no punches were thrown, and order was quickly restored.

Key moment: Astros center fielder Jake Meyers raced to the gap in left-center to make a spectacular, full-extension diving catch of Adell’s drive with a runner on first base and one out in the bottom of the eighth to preserve a 2-2 tie.

Key stat: The home runs by Peña and Paredes marked the first time in three years the Astros have opened a game with two homers. Jose Altuve and Peña last accomplished the feat on July 24, 2022, at Seattle.

Up next: Astros LHP Brandon Walter (0-0, 1.53 ERA) opposes Angels RHP José Soriano (4-5, 3.54) on Saturday night.

Kuwait City is one of the hottest places on Earth and the scorching heat is causing chaos for both humans and wildlife as our planet continues to face the realities of climate change

Kuwait City, once known as a blissful “Marseilles of the Gulf”, is now witnessing heat so extreme that animals are being cooked alive.

The Middle Eastern metropolis has become a clear indicator of the harrowing effects of climate change, with birds dropping dead from the scorching heavens and fish boiling in the water.

Back in the halcyon days, Kuwait City thrived as a bustling hub with a flourishing fishing industry and idyllic beaches that lured in basking holidaymakers. But now, it’s gripped by an overwhelming problem of potentially uninhabitable temperatures.

A staggering 54C (129F) was recorded on 21 July 2016 at Mitribah weather station, placing Kuwait third in the solar frying stakes with one of the globe’s most torrid temperatures. Even Europe’s former Cerberus Heatwave pales in comparison, trailing behind Kuwait’s zenith by a whole 10 degrees Celsius.

READ MORE: Pretty UK village once home to Harry Styles with top ice cream parlour and mini zoo

An ominous forecast looms as climate experts project that this desert country may blaze ahead with a temperature increase of up to 5.5C (10F) by century’s end relative to figures from the early 2000s. In 2023, the mercury spiked past 50C (122F) on nineteen occasions, a tally that’s feared might just be a starting point.

Urban development has transformed Kuwait City into a sweltering expanse of relentless concrete and asphalt, regions that are fast turning too fiery for safe habitation come summertime.

In further alarm, scientific records trace a downturn in annual precipitation, amplifying fierce dust storms that whip through the increasingly arid nation. The scorching heatwave has led to harrowing scenes with birds dropping dead from the sky and seahorses cooked alive in the bay, as even robust pigeons seek respite from the sun’s relentless blaze.

With temperatures soaring to a life-threatening 50C, which is a staggering 13C above human body temperature, the risks of heat-related illnesses such as heat exhaustion and cardiac complications escalate dramatically.

In an unprecedented move, Kuwait has permitted nocturnal funerals due to the unbearable heat, while the wealthy retreat into their air-conditioned sanctuaries, be it homes, offices, or malls.

This extreme weather has spurred the creation of futuristic structures like an indoor shopping avenue, complete with palm trees and European-style boutiques, offering shoppers an escape from the brutal climate.

A 2020 study revealed that a massive two-thirds of domestic electricity consumption is attributed to the relentless use of air conditioning.

Writing for ExpatsExchange, Joshua Wood praised Kuwait for its “high quality of life” in a “modern, luxurious and safe” environment but cautioned about the intense heat, describing it as “very hot from May through September” and reaching “insanely hot” levels during the peak summer months of June to August.

Despite the sweltering heat, the streets are far from deserted. Migrant workers, predominantly from Arab, South and South East Asian nations, constitute about 70% of the country’s population.

Many people are enticed to move to Kuwait and work in sectors like construction or household services. These workers populate the steaming public buses of the capital city and crowd the streets.

Research conducted in 2023 by the Institute of Physics indicated that migrant workers can be particularly vulnerable to adverse health effects due to exposure to severe temperatures. The study suggests that by the end of the century, climate change could lead to a rise in heat-related deaths by 5.1% to 11.7% across the entire population, and even up to 15% among non-Kuwaiti individuals.

Warnings about the planet are often overlooked, yet in Kuwait where the devastating effects of climate change are already evident – the carbon footprint is enormous – only Bahrain and Qatar’s is higher.

While neighbouring countries have committed to significant reductions in emissions, Kuwait’s pledges seem insignificant in comparison. At COP26, the country announced it would only reduce emissions slightly (7.4%) by 2035.

Kuwaiti government officials predict that energy demand will triple by 2030. This is largely due to the anticipated increase in the use of indoor cooling systems.

The government footing a large portion of the electricity bill has led to a lack of incentive for people to curb their usage. Water consumption follows a similar pattern due to energy-intensive processes.

Environmental expert Salman Zafar highlighted the potential consequences of global warming for Kuwait, stating: “Kuwait could be potentially facing serious impacts of global warming in the form of floods, droughts, depletion of aquifers, inundation of coastal areas, frequent sandstorms, loss of biodiversity, significant damage to ecosystem, threat to agricultural production and outbreak of diseases.”

Sabrina Claudio is not the same person she was a year ago — much less eight years ago, when she first introduced herself with a shimmering neo-soul EP, titled “Confidently Lost.”

Now, having amassed millions of fans with sultry, golden-hour slow jams and trips down melancholy lane, she’s presenting her most earnest songwriting yet in her newest album, “Fall In Love With Her,” released June 9 on San Francisco indie label Empire.

“I think in the past couple years, people in my life that I love have helped me get out of my shell and shown me how important vulnerability is,” she says. “Now I’m like, you know what? I’m gonna tell y’all everything, how about that?”

For her fifth studio LP, Claudio steered her R&B sound into a less-traveled, alternative direction that showcases her deft pen and ethereal vocals in a novel guise. Her longtime producer, Ajay “Stint” Bhattacharyya, cited shoegaze bands like Cocteau Twins and Slowdive as influences that came up during recording sessions. For Claudio, wading into those uncharted waters became part of a larger shift in her career.

Until recently, the Cuban and Puerto Rican singer-songwriter — who in 2023, earned a Grammy for traditional R&B performance as a songwriter on Beyoncé’s slick “Renaissance” cut, “Plastic Off the Sofa” — preferred to toil in privacy, channeling her expression into songwriting more than social media. But this year, she’s inviting the outside world to experience her personality with a new interview series on YouTube titled “Fall In Love With…”

To hear her tell it, she’s eager for the effort to help fans and listeners see the person she is behind the music. “I hope that people can listen to [the album] knowing that, yes, [I’m singing about what] I experienced, but I just pray that they are able to interpret it and relate it to their own life however they possibly can,” she says.

Sabrina Claudio presents her most earnest songwriting yet in her newest album, released June 9.

(Baylee Kiesselbach)

Come July, she’ll embark on a U.S. tour with rappers Russ and Big Sean; soon after, she’ll make her acting debut in a short film directed by filmmaker and best friend Jazmin Garcia-Larracuente, who was inspired by early drafts of songs off “Fall In Love With Her” to write a script. “I’m very proud of myself,” Claudio says. “I think I killed it, and I’m excited for everybody to see it.”

In her latest interview with The Times, she spoke of the intimacy required in songwriting with others, the possibility of an all-Spanish EP and her approach to storytelling.

This interview has been edited and condensed for length and clarity.

After releasing your last album, 2022’s “Based on a Feeling,” you focused on writing for other artists. Is that usually how it goes between albums for you?
Typically [after] I finish an album, I always go through the phase [when] I need to take a break because creatively I’m worn out. I wouldn’t do anything, which actually only emphasized the lack of motivation to continue and make more music. But this time around, I wanted to remain creative, and the best way to do that was to get in rooms with other creatives to help them get into their world, rather than always having to focus on mine.

I thought it was going to be difficult for me, because I’m not a natural collaborator. Before I was very anti-having songwriters in my room. It was a whole ego thing for me … but I loved it so much that I ended up doing it for much longer than I was anticipating. I find so much inspiration being in rooms with artists for other projects.

On this album you worked on some of the tracks with a songwriter, Nasri Atweh. I’m curious if there was hesitation to share your own process with someone else?
There was a time in my life when I [felt] obligated to have writers in my room. My guard was up. It’s not because I don’t think that these songwriters were amazing, because they were. Some of my favorite songs I wrote with another person, like “Problem With You” off [my album] “Truth Is.” But for some reason, my brain would say if I didn’t do it 100%, then it’s not mine. And that’s so not the reality of making art.

With Nasri, he’s my manager’s brother. I met Nasri 10 years ago. I’m glad that it happened when it did. Being the songwriter in the room for other people put things into perspective, because I realized how important collaboration was. Nasri was able to eject things from me that I didn’t even know existed. I’m on a different wavelength now.

Working with a songwriter is like an intimate therapy session.
I’m an extremely private person. I think the past couple years, people in my life have helped me to get out of my shell and have shown me how important vulnerability is. I didn’t even want to expose myself, which is why I tend to write from experiences that I technically didn’t experience, or from conversations with others, or movies. It was a protective layer. But now I’m like, you know what? I’m gonna tell y’all everything, how about that? [laughs] And it’s worked out!

You’ve said that when it comes to songwriting, you usually let yourself be led by the music, then the lyrics. Can you tell me more about “One Word” and how that track came to be? It’s one of the most powerful songs on the album.
I wrote that during a heartbreak. I wanted to talk about an experience I had with a person I felt very deeply for, [who] essentially didn’t fight for me to stay. But it was the biggest act of love that he could have done for me.

I worked with my producer Stint, [who] I work with all the time, and Heavy Mellow. He was heavy on this project, no pun intended. I was venting,; I was really heartbroken. I was finding comfort in these men that I’ve known and trying to get their perspective on things.

Another song is “Worse Than Me,” which sounds completely different from the rest of the tracks. It’s a little more assertive and seductive, with trip-hop-inspired drums. How did that come to be?
Before I discovered the new sound [of] the album, I still was gravitating towards my typical R&B, neo-soul-type vibes. I was just trying to get back in the groove of Sabrina Claudio, quote-unquote, because I was just coming out of writing for everybody else. I was trying to tap back into my own world.

And I think I needed one sassy song. [laughs] That’s kind of what I’m known for: the sass, the crying, or the sexy. And I just felt like if I didn’t have the sexy, I at least needed to have the sassy.

This is the first time you’ve really worked with a more alternative sound — did you find yourself accessing parts of yourself that the traditional R&B sound didn’t?
Oh, absolutely! I love working with Stint and all of my producers because they have such a wide palette when it comes to music. Genres I never grew up listening to — all these sounds are new. It pulls different things out of me that I wouldn’t be able to get if it was my traditional R&B sound. And naturally, I’m always going to do that because that’s just how I am, but it was interesting to hear where my R&B and soul brain goes over these more alternative rock/indie vibes.

“My fans are able to see who I am as a person and how deeply I love, how loyal I am,” Claudio said of her interview series, “Fall in Love With…”

(Baylee Kiesselbach)

For example, “Detoxing” — I wrote that song with Nasri, but we didn’t have the outro. So I took it to Stint, and he pulled up all these references of bands [like Radiohead], and he was teaching me so much. And then he [said], “You know what, at the end I want to do something really big and really rock. I want to break it down. But then I want people to be shocked. I want you to belt, and I want you to say something, and I want you to purge, and I want you to take the concept of the song and really just yell it like you’re just trying to get rid of something.” I listened back, and I’m even shocked at some of the things that I was able to tap into. I don’t belt! [laughs] I didn’t even know I could do that!

You have the song “Mi Luz” on the album, which is the first time you’ve included a Spanish song in an LP. What made you feel this was the right time to finally do that?
First of all, I don’t understand why I’ve never added a Spanish record to any of my albums. I listen to a lot of Spanish music in my daily life, a lot of reggaetón. You’d be surprised, my music is so calm and emotional … and then I’m twerking in my car listening to reggaetón. [laughs] So I felt in the sense of wanting to evolve, I feel now’s the time. And the process is really interesting, because my brain doesn’t actually think in Spanish, especially when it comes to songwriting.

Any Spanish record [of mine] you’ve heard, I’ve done with Alejandra Alberti, who is also Cuban. She’s from Miami, she’s a Virgo, so we connected on all those things. I tell her what I want to say, and she just computes it in her brain and she translates it in a way that has taught me. “Mi Luz” [was] the first time I contributed lyrically in Spanish. And it was always something that I was afraid of doing, because I’m always afraid of sounding dumb. I don’t know why, but I have that fear. But I felt very comfortable, very safe with Ale.

Would you release an EP of Spanish tracks?
I think I would! If I have Ale, I think we could probably knock out an EP very quickly. I’d be down.

You said in your recent Genius video that you really want reciprocal love because there’s only so much self-love you can give yourself. Is there any difference in your work depending on how your personal life is going, or do you manage to block out the noise?
I get very consumed by whatever I’m most passionate about in the moment. When I’m talking to somebody or I’m dating somebody, I do have the tendency to revolve my world around whatever we’re building. So when I’m dealing with that, I do find that I put my career second. Because I crave love very badly — which is toxic for me — I’m willing to nurture.

I’m pretty confident in my career. It’s the one thing I have control over. Everything’s amazing, and I get to make music whenever I want. But I don’t necessarily have control over the relationship that I’m trying to build, so I get very consumed and I put that first. But I’m hoping that if I get into something else that’s much healthier and not destroying our mental health, then I can do both at the same time! I just have to find that person first.

You’ve acknowledged that you’re a private artist, but I really like what I’ve seen so far from your new interview series, “Fall In Love With…” Can you tell me how the idea of doing that came about?
I have to say I was anti-miniseries, but my manager, Alyce, told me in the beginning stages of [making] this album, “The music, as vulnerable as it is — nobody’s going to relate to it or feel the depth of it if they don’t know who you are as a human.” She said, “Nobody knows that you’re funny; nobody knows that you’re outgoing. You’re not this mysterious person that you think you are, and you need to show people that.”

So at first, it annoyed me, because I was like, ugh, not me having to do things online. [laughs] I think doing this type of content was uncomfortable for me. I said, “If you guys want me to do this, I don’t want to be doing 20 episodes. I want four episodes, and I want it to be with people I know and I love and I will be comfortable with.”

And it turned into “Fall In Love With…” and I just thought it was special. I love to give credit to the people who have loved me through every stage of my life. And in the midst of it, my fans are able to see who I am as a person and how deeply I love, how loyal I am. And that opened the door to just so many other things. I just became so much more open-minded.

If one word sums up the Sparks’ season so far, it’s hardship. Injuries continue to mount, and Kelsey Plum, their primary scorer and star, has joined the growing list of sidelined players.

Plum’s absence was sorely felt as what began as a valiant effort by the Sparks — keeping pace with the visiting Storm through the first half — quickly unraveled into a 98-67 blowout loss Tuesday at Crypto.com Arena.

Already down two key starters — Plum and Odyssey Sims — the Sparks were forced to piece together a new starting lineup on short notice. Dearica Hamby, Rickea Jackson, Azurá Stevens, Sarah Ashlee Barker and newly acquired Shey Peddy marked the Sparks’ fifth different starting five this season.

“We obviously missed [Plum],” coach Lynne Roberts said. “We missed Odyssey. We missed Julie [Allemand]. Those are our three lead guards, and none of them are here.”

Plum was out with a leg injury, Sims for personal reasons and Allemand is with the Belgium national team for the European basketball championship. Plum’s absence was the most felt — she is averaging career highs in points (20.9), assists (5.6), rebounds (2.9) and steals (1.7) so far this season.

Peddy, signed to a hardship contract, joined the team just before Saturday’s loss to the Minnesota Lynx. Since then, she has had just one practice under her belt before stepping in to replace Plum at point guard.

Also signed under a hardship exception, Grace Berger flew in late Monday and joined the team just hours before the game. Berger went scoreless in16 minutes.

“I thought Shey and Grace did a good job,” Roberts said. “They did what they could, but it’s hard to execute stuff that they’ve had little time to digest. It’s not anyone’s fault. That’s just the reality.”

Running the offense through their anchor, Hamby, the Sparks (4-9) held their own through the first 20 minutes, refusing to waver. They trailed 47-37 by halftime.

Hamby finished with a season-low eight points and grabbed seven rebounds.

But the resilience was short-lived. As the game wore on, cracks in the offense widened. Careless passes led to a flurry of turnovers.

Seattle’s Gabby Williams set the tone early with six steals in the first half. She finished with eight, along with 11 points and seven assists. The Storm scored 31 points off 24 Sparks turnovers, with 24 of those points coming on fast breaks.

A 14–5 run — led by former Sparks star Nneka Ogwumike — gave Seattle (7-5) a 62–42 lead with 5:37 left in the third. Ogwumike scored 10 of her 26 points in the quarter.

“In the second half, we couldn’t get a stop,” Roberts said. “We’ve got to be able to defend. We can’t give up 98 points and expect to beat anybody.”

Stevens echoed her coach’s sentiment: “Obviously, we have key people out, but we have enough to still execute and get things done. And it starts defensively.”

Several Sparks starters — including Hamby, Jackson and Stevens — remained in the game late into the fourth, but the deficit had long grown insurmountable, with the team trailing by as many as 30 points. Jackson led the Sparks with 17 points, while Stevens finished with 16 points and 10 rebounds.

The news of Plum’s absence came as a surprise just after practice on Monday, with the Sparks ruling her out because of a lower leg injury.

Dominique Malonga, the 2025 first-round draft pick subsequently chosen as part of the three-team trade for Plum, finished with seven points in 12 minutes for Seattle.

It’s still unclear when Plum sustained the injury, though it presumably happened during Saturday’s loss to the Lynx. She underwent imaging the next day, but the team says the results offered little clarity.

Even more uncertain is her return timeline. It’s unclear if she will play Saturday against Minnesota. Roberts said Plum is “tuned in to her body — she’ll know when she’s ready to go.”

Through the first 12 games of the season, only Atlanta Dream star Rhyne Howard is averaging more minutes per game than Plum’s 36.

“I still believe strongly in this group, and we’re not even close to full strength,” Roberts said. “We have Kelsey Plum, Odyssey Sims, Julie Allemand, Rae Burrell and Cameron Brink all out. And when we’re going into the season, we’re thinking, Plum, Sims, Allemand, Burrell and Brink are all going to be huge parts. So we cannot lose perspective.”

But a prolonged absence for Plum could spell serious trouble for a team already reeling.