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ABSOLUTE Radio DJ Andy Bush has revealed heartless scammers have stolen his elderly parents’ life savings.

In total, the devastated couple, both 78, were swindled out of £16,000 in an elaborate scheme that used Money Saving Expert Martin Lewis‘s trusted name to entice them.

A ‘broker’ going by the name of ‘John’ gained Andy’s dad’s trust after he clicked into an online link promising to maximise his savings. In reality, Good Morning Britain star Martin had no affiliation with the advert at all.

Andy, who hosts Hometime with Bush & Richie, told The Sun: “They’re really humiliated.

“My dad’s an ex-computer programmer, systems analyst. So he feels someone like him, who’s had a job like that, shouldn’t be falling for a scam like this. So they feel very, very humiliated.

“I feel like a lot of their kind of plans and dreams have kind of gone up in smoke a little bit because that little nest egg that they had to go and do nice retirement stuff is now suddenly completely gone.”

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Andy’s dad has memory issues, which his son believes made him more susceptible to the scam. Neither Andy, nor his brother, had any idea his parents were moving around large sums of money, and he believes they were coerced by ‘John’ not to tell anyone.

Once his dad had clicked the dodgy link, a portal opened to ‘John’ who was then on the phone to them “non-stop”.

Andy likened it to a romance scam and said his parents told him they would speak to ‘John’ on the phone two or three times a day.

“Even when it all came to light that it was a scam, my mum still wouldn’t believe that John, lovely John, would do this to them. So, they really bought into him as a person,” said Andy.

‘John’ set up a Revolut account on Andy’s parents behalf and began transferring large chunks of money from their TSB savings account.

He coached them on what to say to TSB agents when they queried the transfers — though Andy is upset that the bank didn’t do more to clamp down on the out of character money movements.

“Every time they transferred a chunk of £5,000, £6,000 or whatever, TSB would phone up and go, ‘just making sure you’re not transferring this to whatever’. And they would say, ‘no, no, it’s for this, that or whatever’,” he said.

‘John’ then instructed them to put an app on each of their phones, which allowed him to have full access to all their details and to see what they were doing on their devices.

He also installed a fake crypto exchange that showed their money rising at an impressive rate when in reality it had all but disappeared.

Eventually, Andy found out something was amiss when his mum asked if she could borrow £4,000 in order to deposit it into her account to pass an ‘anti-money laundering check’.

Alarm bells immediately rang and Andy asked her to show him the email from ‘John’. Upon seeing it, he said he knew “straight away” that it was fraudulent.

In the meantime, ‘John’ had arranged a £4,000 loan with M&S Bank, which led to Andy’s parents having to cancel their cards after multiple payments began to be made on them.

Andy’s intervention didn’t immediately put an end to the scamming.

Two days later, his parents received an email from a fake cryptocurrency loss recovery company that claimed it could recover their stolen money.

The fresh scam asked for forms to be submitted and a £3,000 payment paid. Andy said he believed the original scammers were behind it.

Even though, his parents’ phones have been wiped, he said there are still concerns the scammers have access.

Andy and his parents have now instructed CEL Solicitors who specialise in recouping money lost to fraud and have contacted the police.

CEL told him that they deal with 500 such cases a month and some £500m is stolen from people each year in total.

He said: “I’ve had so many messages from people who have not just had their parents scammed like this, but a woman in her 30s was scammed out of money when her baby was seven days old because she wasn’t concentrating properly and just pressed the button. You know, young people, old people.

“My mum and dad don’t know who to trust now.

“It’s brought up some really horrible conversations. My mum and dad have always been very outgoing and doing different things, and they’ve always got plans and all that kind of stuff. Now they have to run pretty much everything past me and my brother just to double-check that they’re not being scammed again.”

DIANNE Buswell has shown off her blossoming baby bump after being forced to shut down rumours she’d secretly given birth.

Strictly star Dianne and long-term partner Joe Sugg jokingly shut down the rumours after an AI photograph of them cradling a baby was spread online.

The photograph was so realistic that family and friends had reached out to them to “congratulate them”, albeit confused they hadn’t been told.

Today, Dianne showed off her classic jokey charm with a TikTok video set to a sound clip from Friends.

In the video, Dianne pushes a baby stroller in front of the camera, while wearing a bright green jacket.

She then whips it back to reveal her bare baby bump in a sports bra and leggings and declares: “That’s right, still no baby!”

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Dianne then covers the bump back up with the jacket and struts out of shot.

This isn’t the first time Dianne has combatted the internet with a comedic take, previously hitting back at trolls who questioned why her baby bump is always on-show.

She shared a TikTok video over the top of which she’d written one of the remarks: “But why do you always have your belly out?”

She had KC and the Sunshine Band’s That’s the Way (I Like It) playing in the background, as she captioned the video: “Because that’s the way I like it!”

Joe and Dianne announced they were expecting their first baby last September, shortly before Dianne returned to the dancefloor for Strictly Come Dancing 2026.

The returning champion dancer was partnered with Neighbours actors Stefan Dennis, however unfortunately the pair were forced to withdraw in week four because he sustained an injury.

Her participation made Strictly history as she was the first pro to compete while pregnant.

Dianne and Joe met thanks to the BBC competition, as they were partnered together on the sixteenth series of the show back in 2018.

They proved to be an impressive partnership as they managed to make it all the way to the final before falling at the final hurdle and losing out to Stacey Dooley and Kevin Clifton.

They confirmed their relationship shortly after, with Joe declaring in an Instagram post that he’d “got something better than the glitterball”.

By day, you’d be forgiven for walking past the newest theater in downtown L.A.

It isn’t hidden in an alley or obscured via a nameless door. No, this performance space is essentially a theater in disguise, as it’s designed to look like an electrical box — a fabrication so real that when artist S.C. Mero was installing it in the Arts District, police stopped her, concerned she was ripping out its copper wire. (There is no copper wire inside this wooden nook.)

Open the door to the theater, and discover a place of urban enchantment, where a red velvet door and crimson wallpaper beckon guests to come closer and sit inside. That is, if they can fit.

With a mirror on its side and a clock in its back, Mero’s creation, about 6 feet tall and 3 feet deep yet smaller on its interior, looks something akin to an intimate, private boudoir — the sort of dressing room that wouldn’t be out of place in one of Broadway’s historic downtown theaters. That’s by design, says Mero, who cites the ornately romanticized vibe and color palette of the Los Angeles Theatre as prime inspiration. Mero, a longtime street artist whose guerrilla art regularly dots the downtown landscape, likes to inject whimsy into her work: a drainage pipe that gives birth, a ball pit for rats or the transformation of a dilapidated building into a “castle.” But there’s just as often some hidden social commentary.

With her Electrical Box Theatre, situated across from the historic American Hotel and sausage restaurant and bar Wurstküche, Mero set out to create an impromptu performance space for the sort of experimental artists who no longer have an outlet in downtown’s galleries or more refined stages. The American Hotel, for instance, subject of 2018 documentary “Tales of the American” and once home to the anything-goes punk rock ethos of Al’s Bar, still stands, but it isn’t lost on Mero that most of the neighborhood’s artist platforms today are softer around the edges.

Ethan Marks inside S.C. Mero’s theater inside a fake electrical box. The guerrilla art piece is near the American Hotel.

“A lot of galleries are for what can sell,” Mero says. “Usually that’s paintings and wall art.”

She dreamed, however, of an anti-establishment place that could feel inviting and erase boundaries between audience and perfomer. “People may be intimidated to get up on a stage or at a coffee shop, but here it’s right on street level.”

It’s already working as intended, says Mero. I visited the box early last week when Mero invited a pair of experimental musicians to perform. Shortly after trumpeter Ethan Marks took to the sidewalk, one of the American Hotel’s current residents leaned out his window and began vocally and jovially mimicking the fragmented and angular notes coming from the instrument. In this moment, “the box,” as Mero casually refers to it, became a true communal stage, a participatory call-and-response pulpit for the neighborhood.

Clown Lars Adams, 38, peers out of S.C. Mero’s theater inside a fake electrical box. Mero modeled the space off of Broadway’s historic theaters.

A few days prior, a rideshare driver noticed a crowd and pulled over to read his poetry. He told Mero it was his first time. The unscripted occurrence, she says, was “one of the best moments I’ve ever experienced in making art.”

“That’s literally what this space is,” Mero says. “It’s for people to try something new or to experiment.”

Marks jumped at the chance to perform for free inside the theater, his brassy freewheeling equally complementing and contrasting the sounds of the intersection. “I was delighted,” he says, when Mero told him about the stage. “There’s so much unexpectedness to it that as an improviser, it really keeps you in the moment.”

A downtown resident for more than a decade, Mero has become something of an advocate for the neighborhood. The area arguably hasn’t returned to its pre-pandemic heights, as many office floors sit empty and a string of high-profile restaurant closures struck the community. Mero’s own gallery at the corner of Spring and Seventh streets shuttered in 2024. Downtown also saw its perception take a hit last year when ICE descended on the city center and national media incorrectly portrayed the hood as a hub of chaos.

Artist S.C. Mero looks into her latest project, a fake electrical box in the Arts District. Mero has long been associated with street art in the neighborhood.

“A lot has changed in the 13 years when I first got down here,” Mero says. “Everybody felt like it was magic, like we were going to be part of this renaissance and L.A. was going to have this epicenter again. Then it descended. A lot of my friends left. But I still see the same beauty in it. The architecture. The history. Downtown is the most populous neighborhood in all of L.A. because it belongs to everybody. It’s everybody’s downtown, whether they love it or not. And I feel we are part of history.”

Art today in downtown ranges from high-end galleries such as Hauser & Wirth to the graffiti-covered towers of Oceanwide Plaza. Gritty spaces, such as Superchief Gallery, have been vocal about struggles to stay afloat. Mero’s art, meanwhile, remains a source of optimism throughout downtown’s streets.

At Pershing Square, for instance, sits her “Spike Cafe,” a mini tropical hideaway atop a parking garage sign where umbrellas and finger food props have become a prettier nesting spot for pigeons. Seen potentially as a vision for beautification, a contrast, for instance, from the nature intrusive barbs that aim to deter wildlife, “Spike Cafe” has become a statement of harmony.

Elsewhere, on the corner of Broadway and Fourth streets, Mero has commandeered a once historic building that’s been burned and left to rot. Mero, in collaboration with fellow street artist Wild Life, has turned the blighted space into a fantastical haven with a knight, a dragon and more — a decaying castle from a bygone era.

“A lot of times people are like, ‘I can’t believe you get away with that!’ But most people haven’t tried to do it, you know?” Mero says. “It can be moved easily. It’s not impeding on anyone. I don’t feel I do anything bad. Not having a permit is just a technicality. I believe what I’m doing is right.”

Musician Jeonghyeon Joo, 31, plays the haegeum outside of S.C. Mero’s latest art project, a theater in a faux electrical box.

After initially posting her electrical box on her social media, Mero says she almost instantly received more than 20 requests to perform at the venue. Two combination locks keep it closed, and Mero will give out the code to those she trusts. “Some people want to come and play their accordion. Another is a tour guide,” Mero says.

Ultimately, it’s an idea, she says, that she’s had for about a decade. “Everything has to come together, right? You have to have enough funds to buy the supplies, and then the skills to to have it come together.”

And while it isn’t designed to be forever, it is bolted to the sidewalk. As for why now was the right time to unleash it, Mero is direct: “I needed the space,” she says.

There are concerns. Perhaps, Mero speculates, someone will change the lock combination, knocking her out of her own creation. And the more attention brought to the box via media interviews means more scrutiny may be placed on it, risking its confiscation by city authorities.

As a street artist, however, Mero has had to embrace impermanence, although she acknowledges it can be a bummer when a piece disappears in a day or two. And unlike a gallerist, she feels an obligation to tweak her work once it’s out in the world. Though her “Spike Cafe” is about a year old, she says she has to “continue to babysit it,” as pigeons aren’t exactly known for their tidiness.

But Mero hopes the box has a life of its own, and considers it a conversation between her, local artists and downtown itself. “I still think we’re part of something special,” Mero says of living and working downtown.

And, at least for now, it’s the neighborhood with arguably the city’s most unique performance venue.