fading

COLLEGE PARK, Ga. — The Sparks inched closer to playoff elimination on Friday night.

Rhyne Howard tied the WNBA record with nine 3-pointers and finished with 37 points, Atlanta tied the team record with 19 3s and the Dream beat the Sparks 104-85.

Howard had three attempts at the record, which she already shared with Kelsey Mitchell (2019), Jewell Loyd (2023) and Arike Ogunbowale (2024). She is the first two accomplish the feat twice, both this season.

Atlanta (28-14), which clinched home-court advantage for the first round of the playoffs, tied the team record on Jordin Canada’s shot with 1:44 to play. New York hit 19 3-pointers twice this season and Las Vegas had 23 3s in a playoff game.

The Sparks’ Dearica Hamby shoots the ball under pressure from the Dream’s Brittney Griner during the second quarter at Gateway Center Arena in College Park, Ga., on Friday.

(Paras Griffin / Getty Images)

Maya Caldwell hit five 3s and scored 19 points for Atlanta and Brionna Jones added 12. The Dream were 19 for 39 from the arc. Howard was 9 for 17 and Caldwell 5 for 7.

Dearica Hamby scored 26 points on 11-for-15 shooting for the Sparks (19-22), who are 2 1/2 games behind Indiana in seventh place in the standings and Seattle in eighth. The Fever and Storm have an easier remaining schedules as they push to become one of the league’s eight playoff teams.

Kelsey Plum added 20 points and Rickea Jackson 17 for the Sparks.

The Sparks tied the score at 64 on Hamby’s layup in the middle of the third quarter but then the Dream reeled off 13 straight, which included back-to-back 3s by Caldwell and Howard’s eighth 3.

Howard’s record-tying 3, with 28.7 seconds left, made it 85-71. Caldwell had 11 points in the third quarter and Atlanta led 85-72.

Howard made five 3s in the first quarter, seven in the first half when she had 29 points and the Dream led 56-52.

The Sparks are home against Dallas on Sunday.

When Vogue tastemaker Anna Wintour announced late last month that she would be stepping down as editor in chief after 37 years, the news sent shock waves through the media business and fashion world.

Wintour, who will remain chief content officer for Condé Nast and global editorial director for Vogue, is a grand symbol of a magazine empire that includes Wired and Vanity Fair: a demanding, glamorous longtime chair of the Met Gala who has set fashion trends and made world-famous designers, some of whom she helped create, bow and tremble. She covers news, she creates news, she is news. Predictably enough, word of her changing status ignited frenzied speculation about who might take on the newly created role of U.S. head of editorial content for Vogue and eventually succeed her.

Condé Nast, which publishes enough other glossy magazines to fill a newsstand (if any still exist), remains very much alive, and it’s the subject of Michael M. Grynbaum’s new book “Empire of the Elite: Inside Condé Nast, the Media Dynasty That Reshaped America.” But as Grynbaum makes clear in his book, the Condé sway isn’t quite what it used to be. The company’s most powerful editors, including Graydon Carter (Vanity Fair) and Tina Brown (Vanity Fair and then the New Yorker), have stepped aside. More importantly, the rise of TikTok, Instagram and the like have created a world where almost anyone with an opportunist’s instinct can be an influencer.

“The means of glamour production were brought to the masses,” Grynbaum tells The Times in an interview taking place after Wintour’s announcement. “If you look at TikTok and Instagram, a lot of people are re-creating the status fantasies that Condé Nast was notorious for: the real estate tours of somebody’s mansion that are right out of Architectural Digest, or the fit check and outfit of the day that ascended from GQ, Vogue and Glamour.”

The man most responsible for the Condé Nast that readers know today was Samuel Irving “S.I.” Newhouse Jr., better known as Si. The son of a first-generation American who built a massively successful newspaper chain and purchased Condé Nast in 1959, Si took the family’s rather sleepy and traditional magazine business and injected a shot of sex, celebrity and pizzazz. The Newhouses were for many years seen as arrivistes and interlopers, a perception tinged with antisemitism; New Yorker institution A.J. Liebling, himself Jewish, labeled the elder Newhouse a “journalist chiffonier” — a rag picker.

When Si took over as chairman of Condé Nast in 1975 — and then bought the New Yorker in 1985 — he set about to become a sort of outsider’s insider, obsessed with status and the good life and determined to shape a collection of magazines that represented aspirational living. And he insisted that his most valuable employees walk the walk. To work at the company at its peak was to live extravagantly by a journalist’s standards.

Grynbaum, who writes about media, politics and culture for the New York Times and grew up reading Condé Nast magazines, was struck hard by that extravagance. “I was writing about magazine editors who had 24-hour town car service, limousines that would drive them around to their appointments, wait outside at the sidewalk while they ate a giant lunch at the Four Seasons restaurant, and it all got expensed back to Condé Nast,” he says. “Empire of the Elite” is laden with comical examples of privilege. One of my favorites: the Vogue editor who “charged her assistant with the less than exalted task of removing the blueberries from her morning muffin; the editor preferred the essence of blueberries, she explained, but not the berries themselves.”

Author Michael M. Grynbaum, who writes about media for the New York Times, was struck by extravagant expense account spending at Condé Nast.

(Gary He)

The Condé Nast glory era really kicked off in the 1980s, as conspicuous consumption swept through the land. “The idealism of the 1960s was yielding to the materialism of the 1980s, a new preoccupation with the navel-gazing, ego-stroking life,” Grynbaum writes. But much of Newhouse’s approach now seems like standard operating procedure. When he bought the New Yorker, a set-in-its-ways magazine with a limited readership and articles that could take up half an issue, it had largely turned up its nose at the idea of soliciting new subscribers. He tapped Tina Brown, a brash Brit then serving as Vanity Fair editor, to run the magazine in 1992. This set off culture clashes that resonated throughout the industry — and yielded some piquant anecdotes.

For example: Some at the magazine were aghast when Brown assigned Jeffrey Toobin to cover the O.J. Simpson murder trial, a subject they saw as beneath the magazine’s standards. Critic George W.S. Trow actually resigned, accusing Brown of kissing “the ass of celebrity culture.” Brown responded that she was distraught, “but since you never actually write anything, I should say I am notionally distraught.”

Newhouse, who died in 2017, made FOMO fun. It should be noted that he also helped create Donald Trump. GQ featured him on its cover when he was, as Grynbaum writes, “a provincial curiosity”; of more consequence, Newhouse, as the owner of Random House, came up with the idea for “The Art of the Deal,” the 1987 Trump business manifesto ghostwritten by magazine journalist Tony Schwartz.

Wintour has been a powerful force in the Condé Nast machine; her turning over the daily reins of U.S. Vogue signals even more change for a company that has seen plenty of it. “I think it is an acknowledgment on her part that she won’t be around forever, and that there needs to be some kind of succession plan in place,” Grynbaum says. “It’s amazing how much the influence and power of Vogue is predicated on this one individual and her relationships and her sway.”

Condé Nast isn’t what it used to be, because print isn’t what it used to be. Like so many legacy media companies, it hemorrhaged money as it proved slow to adjust to the digital revolution. At times “Empire of the Elite” reads like an ode to the sensuous experience of reading a high-quality glossy magazine, and wondering who might be on next month’s cover and what (or who) they’ll be wearing. Condé Nast still means quality. But the age of empire is mostly over.

WAILUKU, Hawaii — A Rams–Jalen Ramsey reunion might not be in the offing.

Coach Sean McVay on Tuesday reiterated his respect for the star cornerback who helped the Rams win Super Bowl LVI, but for the first time he indicated that there might be too many “obstacles” to making a trade with the Miami Dolphins for the three-time All-Pro.

Ramsey is due to earn $24.3 million this season, and his salary-cap number will increase substantially over the next few seasons, according to Overthecap.com.

“Usually, those are scenarios and situations that you have to have plans in place prior to executing some of the decisions that have occurred,” McVay said, perhaps referencing the contract adjustment quarterback Matthew Stafford received and the signing of free-agent receiver Davante Adams. “Definitely don’t want to rule anything out… but there would be some obstacles that are real that are in the place of maybe preventing that from occurring.”

The Rams are set to open the season with a cornerback group that includes returning starters Darious Williams and Ahkello Witherspoon, with Cobie Durant, Emmanuel Forbes Jr., Josh Wallace and Derion Kendrick also competing for playing time.

The Rams recently waived Kendrick, who was due to earn $3.4 million in the final year of his rookie contract, but re-signed him Tuesday, probably for a one-year veteran minimum contract.

Kendrick is in Maui for the Rams minicamp, which featured a 30-minute jog through Tuesday.

“It was really just kind of a financial business deal,” McVay said, adding that he, general manager Les Snead and defensive backs coach Aubrey Pleasant had communicated with Kendrick their desire to keep him in the fold before he was waived.

McVay did indicate that talks with running back Kyren Williams’ agent regarding a possible extension were progressing.

“We’re getting closer to hopefully finding a conclusion to this,” McVay said. “Now, until that’s actually agreed upon from both sides, we’re really in the same boat. … So, we’re trying to be able to solve that, and if we’re able to land that we’ll be excited about that.”

Neither left tackle Alaric Jackson nor newly signed tackle D.J. Humphries are with the team in Maui.

The Rams signed Humphries last week because Jackson is dealing with blood-clot issues for the second time in his pro career. In March, Jackson signed a three-year contract that includes $35 million in guarantees.

“He was able to communicate that he was feeling some things in his lower leg, and he ends up going and getting a scan and it revealed that was the case,” McVay said. “You pray for him to be able to have a healthy, safe recovery, and we’re really just taking it a day at a time with him.

“What we did want to be able to do in the meantime was be proactive about a contingency plan. … D.J.’s a guy that we’ve got a lot of respect for. Obviously, familiarity with him just playing against him and he’s a veteran. Felt like that was definitely the right move for our team in the meantime.”

Etc.

The Rams conclude their minicamp Wednesday with a public workout at War Memorial Stadium … Rams veterans on Tuesday helped coach in a flag football camp for high school students. Rookies worked with Habitat for Humanity to rebuild homes in Lahaina that were lost to wildfires in 2023.