exploration

Dataland, L.A.’s museum of AI arts: Opening date and first look images

AI is driving the stock market to record highs, dominating countless debates about the value of human labor, and radically rewiring the way schools approach education. It’s also causing a stir in the art world, with media artist Refik Anadol poised to open Dataland, the world’s first museum of AI arts, inside the Frank Gehry-designed Grand L.A. complex in downtown Los Angeles next spring.

Red swirls and green concentric circles fill the Infinity Room.

A first-look at the Infinity Room gallery at Dataland.

(Dataland)

The 25,000-square-foot museum was originally scheduled to open this year, but Anadol announced Thursday that the opening has been pushed back to spring 2026. Anadol also unveiled a sneak peak at the Infinity Room, one of the museum’s five discrete galleries. The immersive room features Anadol’s distinct swirling colors and images and will be infused with AI-generated scents, creating a multisensory experience powered by its very own AI model, called the Large Nature Model.

The Infinity Room design dates back to 2014 when Anadol created his first immersive data sculpture at UCLA. He described it as an exploration into the future of the Light and Space movement. It was essentially a 12-by-12-foot cube, with mirrored walls, ceiling and floors. Projectors emitted pulses of black-and-white imagery that used data as a pigment. To date, the Infinity Room has toured 35 cities and been viewed by more than 10 million people.

Green and red swirls fill the Infinity Room.

Another look at the Infinity Room, which has been viewed by 10 million people on tour.

(Dataland)

“The work emerged from my exploration of the idea that information can become a narrative material capable of transforming architectural space into a living canvas. The question driving me was simple but profound: What happens if there is no corner, no floor, no ceiling, no gravity?” Anadol wrote about his concept for the Infinity Room in a blog post on his website. “At DATALAND, Infinity Room enters a new era. This iteration embodies the technical and conceptual leaps our studio has made over the past decade. Where the original used generative algorithms, this new incarnation incorporates our decade-long research into what I call “machine hallucinations” — the dreamlike, surreal realities an AI can generate from vast datasets.”

Purple swirls fill the Infinity Room.

The Infinity Room is meant to be a multisensory experience.

(Dataland)

In an interview last year, Anadol said “ethical AI” is essential to his practice. Unlike most large AI models, Anadol secured permission to use all of his sourced material, and said all of the studio’s AI research was performed on Google servers in Oregon that use only renewable energy.

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L.A.’s exploration of police-free traffic enforcement hits more delays

A proposal to explore removing Los Angeles police officers from traffic enforcement is stuck in gridlock. Again.

The initiative to take the job of pulling over bad drivers away from cops is months behind schedule, frustrating reform advocates and some city leaders who argue that Los Angeles is missing an on-ramp toward the future of road safety.

Local officials first raised the prospect during the national reckoning on racial injustice that followed the police killing of George Floyd in 2020, but the plan has progressed in sluggish fits and starts since then. Backers thought that they had scored an important victory with the release in May 2023 of a long-promised study mapping out how most enforcement could be done by unarmed civilian workers.

Last summer, the City Council requested follow-up reports from various city departments to figure out how to do that and gave a three-month deadline. But more than year later, most of the promised feasibility studies have yet to materialize.

“I’m very upset about the delay,” said Council President Marqueece Harris-Dawson, one of the proposal’s early champions. “Generally speaking, when you try to do a big reform like this, at least some portion of the people who want to do the work are very motivated to change the status quo — and I don’t think we have that here.”

He said there was blame to go around for the continued delays, but that he’s encouraged by his conversations with officials from the involved departments that studies will be completed — a precursor to legislation that would allow for re-imagining traffic safety.

At the same time, he said that he still saw a role for armed police in certain traffic situations.

“I don’t even think we need to be pulling people over at all for vehicle violations, especially for those that don’t pose any public safety risks,” he said, before adding: “If somebody’s going 90 miles an hour down Crenshaw Boulevard, that person does need to be stopped immediately and they do need to be stopped by somebody with a gun.”

In a unanimous vote in June 2024, the council directed city transportation staff and other departments to come back within 90 days with feasibility reports about the cost and logistics of numerous proposals, including creating unarmed civilian teams to respond to certain traffic issues and investigate accidents. Also under exploration were ideas to limit fines in poorer communities and end stops for minor infractions, such as expired tags or air fresheners hanging from the rearview mirror.

Of the dozen or so requests made by the council, only two reports by the city’s transportation department have been completed so far, officials said.

Both of the studies — one assessing parking and traffic fines, and the other looking at how so-called “self-enforcing infrastructure” such as adding more speed bumps, roundabouts and other street modifications could help reduce speeding and unsafe driving — are “pending” before an ad hoc council committee focused on unarmed alternatives to police, according to an LADOT spokesman. The committee will need to approve the reports before they can be acted on by the full council, he said in a brief statement.

Chief Legislative Analyst Sharon Tso, the council’s top policy advisor, said she understands frustration over the delays. She said the protracted timeline was also at least partly caused by difficulties in obtaining reliable data from some of the participating departments, but declined to point any fingers. Two additional reports are in the final stages of being finalized and should be released by the end of the year, she said.

Although top LAPD officials have in the past signaled a willingness to relinquish certain traffic duties, others inside the department have dismissed similar proposals as fanciful and argued the city needs to crack down harder on reckless driving at a time when traffic fatalities have outpaced homicides citywide.

Privately, some police supervisors and officers complain about what they see as left-leaning politicians and activists taking away an effective tool for helping to get guns and drugs off the streets. They argue that traffic stops — if conducted properly and constitutionally — are also a deterrent for erratic driving.

A recently passed state law allowed the use of use of automated speeding cameras on a pilot basis in L.A. and a handful of other California cities.

Some advocates, however, are leery of relying on technology and punitive fines that can continue historical harms, particularly for communities of color.

“It’s been just a big bureaucratic slog,” said Chauncee Smith, of Catalyst California, which is part of a broader coalition of reform advocacy groups pushing for an end to all equipment and moving violation stops.

While L.A. has spent more than a year finishing a “study of a study,” he said, places such as Virginia, Connecticut and Philadelphia have taken meaningful action to transform traffic enforcement by passing bans on certain types of low-level police stops.

He cited mounting research in other cities that showed road improvements along high-injury street corridors were more effective at changing driver behaviors, ultimately reducing the number of traffic-related deaths and serious injuries more than the threat of being ticketed. But he also acknowledged the difficulty of making such changes in L.A.’s notoriously fragmented approach to planning and delivering infrastructure projects.

Smith and other advocates have also argued for an outright ban on so-called pretextual stops, in which police use a minor violation as justification to stop someone in order to investigate whether a more serious crime has occurred.

The LAPD has reined in the practice in recent years under intense public pressure but never abandoned it. Further changes could require legislation and are likely to face stiff opposition from police unions such as the Los Angeles Police Protective League, which has been highly vocal in its criticism of the pretext policy change.

Leslie Johnson, chief culture officer for Community Coalition, a South L.A.-based nonprofit , said that despite the delays the organization plans to press ahead with efforts to reimagine public safety and to keep pressure on public officials to ensure the study results don’t get buried like past efforts. She said that there is renewed urgency to push through the changes after a recent U.S. Supreme Court decision that critics says has opened the door to widespread racial profiling.

“Even though we’re a sanctuary city, we’re concerned that these prextexual stops could be leveraged” by federal immigration authorities, she said.

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Exclusive: First look at ‘Star Trek’s’ 2026 Rose Parade float

The voyages of the starship Enterprise will include a 5½-mile stretch in Pasadena on New Year’s Day.

The iconic “Star Trek” flagship will be prominently featured on the franchise’s 2026 Rose Parade float, which celebrates the 60th anniversary of the storied sci-fi franchise. The design for the Star Trek 60 “Space for Everybody” entry was revealed on Monday.

In addition to the USS Enterprise and its bridge — where yet-to-be-announced actors will be stationed — the float will feature an homage to Vasquez Rocks, the local landmark where “Star Trek” has filmed, as well as the franchise’s future version of San Francisco, where Starfleet is headquartered. The design also incorporates planets and transporters.

As previously announced, the float’s design is meant to reflect values that “Star Trek” champions: hope, inclusivity, exploration and unity. It was designed by artist John Ramirez and will be built by the team at Artistic Entertainment Services.

The float will also promote the upcoming Paramount+ series “Star Trek: Starfleet Academy,” which stars Holly Hunter as a starship captain and chancellor leading the academy’s first new crop of cadets in more than 100 years. The show will premiere next year.

The theme for the 2026 Rose Parade is “The Magic in Teamwork,” which is meant to celebrate “the sense of accomplishment in knowing that by working together, we can collectively achieve outcomes so much richer than we can ever experience as individuals,” according to the Tournament of Roses website.

The Rose Parade float will kick off “Star Trek’s” yearlong celebration of its 60th anniversary, which will also include additional new shows, Lego sets and even a cruise.

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