experiences

Nico Iamaleava became a household name among college football fans.

Not because of his five-star, blue-chip status, leaving Warren High as the second-ranked prospect in the 2023 class and top-ranked recruit out of California.

Not for leading Tennessee to its first-ever College Football Playoff appearance and a 10-3 record — tying for the Volunteers’ second-best finish since 2001.

Instead, Iamaleava is remembered for his tumultuous exit from Knoxville, a parting characterized by head coach Josh Heupel that the program would move on without its starting signal-caller, leading the Long Beach product to UCLA.

More than one year removed after his departure, Iamaleava reflected at preseason media day on his time with the Volunteers, the effect last season had on his mental health and his mindset heading into 2026.

“In Tennessee, I was in a rough mental state as far as being far from home, but that’s what came with me growing and maturing,” Iamaleava said Wednesday. “So coming back home has been a great transition, and I can’t wait to play this year.”

While returning to Southern California brought the Bruins’ starting quarterback closer to his roots and family, the social media ridicule chased him cross-country, targeting not just him, but his parents too.

To combat the animosity centered on his family, Iamaleava focused on his support system, leaning on those around him and strengthening relationships with the people that he loved.

“Mental health is huge, and having a great support system with you definitely helps. I’ve had that with my parents, going to them whenever I need something,” Iamaleava said. “I have brothers that I can go and rely on, and coming back home to my family has been easy. I don’t really focus on the outside noise.”

While the majority of Iamaleava’s criticism stemmed from his departure from Knoxville, it reignited after UCLA started out the season 0-4 and finished the 2025 campaign 3-9 — a program worst since 2018.

Iamaleava could have allowed the disparagement to compound, but the starting signal-caller is using it as fuel for a 2026 season where many have the Bruins painted as a potential dark horse.

“Everybody counted us out. Last year wasn’t a great year for us, so we’re not on anybody’s radar,” Iamaleava said. “That fuels us, and really playing for each other is going to be the main thing.”

Being one of the few returning starters, Iamaleava has embraced a “vet” role, and has subsequently taken the mantle and burden of being the team’s leader.

And despite all of the negative sentiment surrounding Iamaleava and his time at Tennessee, it was with the Volunteers when he learned how to effectively lead and cultivate camaraderie.

“I learned a lot of that in Tennessee. I had a great vet in Joe Milton. He was a great quarterback,” Iamaleava said. “He’s at the Cowboys now, so learning under him, and then my whole O-line from Tennessee, I love them boys, and they helped me a lot too.”

Iamaleava is building on everything — the good and the bad — he learned from his time in Knoxville and his first year in Westwood entering the new season.

And as he enters his senior season with professional football aspirations on the horizon, Iamaleava has learned to not let external voices interfere with his internal confidence.

“I like to let people assume. Not a lot of people know me on a personal level, so it’s kind of hard to really focus on what they have to say,” Iamaleava said. “Those who know me in this locker room, those who know me in the building, those are the people I care about.”

In his first address to the Disney faithful as chief executive, Josh D’Amaro pledged that Walt Disney Co. would create new stories and experiences at the D23 fan event Wednesday night in Anaheim.

D’Amaro was greeted like a rock star during the Burbank media giant’s film and TV presentation as the assembled crowd of more than 12,000 Disney super fans at the Honda Center gave him a rousing round of applause and cheers. He beamed at the audience, while clasping his hands together in front of him.

“I believe that in order to lead this company, you have to understand what it actually feels like to be a fan,” he said onstage. “And, I do. ”

D’Amaro is no stranger to the D23 stage; in his past role as parks chief, he would give updates on the latest news for the experiences division.

But now, as CEO, he said the company would deepen its connection with fans by continuing to develop fresh stories and new experiences.

“We are not here waiting for the future,” he said. “We’re building it … we’re actually building it right now.”

While Disney unveiled several upcoming original stories, including an animated supernatural flick from Pixar called “Ghost Market” set for release in spring 2028 and “Clay,” a Disney Animation film coming later that year about a mentor-mentee relationship, many of its projects are related to existing franchises.

The company unveiled details about Pixar’s “Coco 2” and “Incredibles 3,” both of which got huge applause from the audience, as well as a live-action “Lilo & Stitch 2.” Fans cheered for the return of the Jonas Brothers reprising their original Disney roles in “Camp Rock 3.” Even a teaser from “The Bluey Movie” elicited screams from the largely adult audience.

Earlier in the day, Disney executives revealed additional plans about its streaming strategy during a series of panels.

The company plans to lean more on creators with its new Verts vertical video feed on Disney+, a new feature designed to increase engagement. So far, it has grown in popularity among users, said Erin Teague, executive vice president of product management at Disney Entertainment and ESPN.

“What we’re seeing is as users are engaging with their vertical video experience, they are actually engaging in the overall product experience, double the amount of time,” she said onstage. “That means that we’re meeting users where we are.”

The company also plans to invest more in local international content to help grow the Disney+ service around the world. Disney has seen its local Korean shows perform well in Asia, as well as Brazil, executives said. And shows that do well in one country can often be remade in other regions.

Over the next three years, Disney plans to roughly triple the number of local original series on Disney+.

Aug. 12 (UPI) — Some 15.2 million people across the world — mostly Europe — live in the path of totality of Wednesday’s solar eclipse.

It marked the first total solar eclipse viewable from Europe since 1999, Space.com reported.

A solar eclipse happens when the moon passes between Earth and the sun, casting a shadow on Earth as it blocks the sun’s rays. In some areas, the phenomenon will be what’s known as a total solar eclipse, in which all but the very outer edges of the sun will be blocked by the moon.

About 12% of the world’s population, or 980 million people, live in areas where they were be able to view the solar eclipse. A much smaller portion, about. 0.2% or 15.2 million people, live in the path of totality.

The vast majority of the world was able to view the eclipse, though, so NASA set up a live stream of the view from multiple cameras in the path of the event.

The eclipse, which got underway around 11:30 a.m. EDT, was expected to be viewable across a chunk of the Northern Hemisphere, including most of western Europe, the very northern reaches of Russia, northwestern Africa, all of Greenland, Iceland and Canada, and the northeastern United States. The path of totality is expected to stretch in an arc from northern Russia, across the North Pole, down the east coast of Greenland and through Iceland, before passing across northern Spain and ending in the Mediterranean Sea.

Other than “The Odyssey,” the biggest news in Los Angeles film circles last week was the return of the Cinerama Dome.

The iconic theater, which has been closed since March 2020, will be restored and reopened by Sony Pictures Entertainment and its Alamo Drafthouse theater chain. As my colleague Cerys Davies reported, renovations begin next month and will continue until early 2028.

For more than 60 years, the dome has been a landmark on Sunset Boulevard. With its 86-foot-wide curved screen, it has premiered such iconic Hollywood films as 1977’s “Close Encounters of the Third Kind,” and made a cameo of its own in 2019’s “Once Upon a Time … in Hollywood.”

Ever since the dome closed at the start of the COVID-19 pandemic, there have been questions about whether it would return. Filmmakers like “Anora” director Sean Baker and “Baby Driver” director Edgar Wright publicly called for its reopening, while a “Save Your Cinema” preservation campaign led by Benjamin Steinberg kept the geodesic icon in the public eye.

“It was definitely the capital of, like, the movie-going experience in L.A.,” Steinberg told my colleague, adding that he plans to visit the theater two to three times a week when it reopens. “I can’t wait to go back inside the Cinerama Dome and watch movies.”

The theater will be operated by Alamo Drafthouse, though Sony says it plans to keep the “Cinerama” name and exterior branding, as well as the dome’s “traditional concession experience” — meaning you won’t be able to order food and drinks to your seat. (Cinephiles recently have criticized the chain for changing its in-seat ordering system to require use of mobile phones in the theater.)

Alongside traditional theatrical showings, the dome also will include some Alamo Drafthouse specials, including repertory screenings, premieres, events and filmmaker series.

Adjacent to the dome, the 14-screen former ArcLight Cinemas will reopen as an Alamo Drafthouse, Sony said, offering dine-in food and beverages, as well as karaoke rooms and “fan celebrations.”

Sony was interested in the dome even before the Culver City-based studio acquired Alamo Drafthouse in 2024.

“It’s such a great location,” Ravi Ahuja, chief executive and chairman of Sony Pictures, told me. “It’s historic, people love it and the theater was successful before it closed. It’s one of a kind, which is the kind of experience we’re after.”

The move also highlights the opportunity Sony sees in the experiences business — an increasingly important strategy for Hollywood.

The Alamo Drafthouse acquisition was part of this, as was the studio’s recent $100-million investment and minority stake in Cosm, a virtual reality venue operator that has a location at Inglewood’s Hollywood Park.

The studio also has “Wheel of Fortune Live!,” a touring version of the popular game show, “Jeopardy! Bar League,” which was incubated at Alamo Drafthouse, and events for its streaming service Crunchyroll at anime conventions.

“It’s another leg of the franchise stool,” Ahuja said. “Fans want to engage in person with each other. It’s part of a human need when you have deep fandom around something.”

As the theatrical market waxes and wanes and the television business has become more unpredictable, it makes sense that studios like Sony increasingly look to diversify and attract fans in new ways.

After all, people have a lot of things they can do with their time and money. And after a period of slow returns since the pandemic, they’ve increasingly been coming back to in-person activities. To keep loyal fans in the fold, studios need to give them more ways to interact with the stories and entertainment they love, or they’ll move on.

Betting on the experiences business isn’t new. Walt Disney Co. makes the majority of its operating income not from its theatrical movies or streaming service, but from its theme parks and cruise line division. Last year, Universal opened Epic Universe, a major investment in its Orlando theme park resort that indicates the importance of this business for the company and owner Comcast.

But not every company wants or needs to start a theme park business. For one, it’s expensive. And for a studio like Sony, which doesn’t have a lot of kid-focused franchises, it doesn’t really make sense.

As a result, some are getting into the experiences space in more specific and limited ways, such as studio tours or branded attractions.

For Sony, that’s meant building a business around these in-person offerings that align more with its adult-leaning audiences. Lionsgate has a “John Wick Experience” in Las Vegas, while Warner Bros., among other things, recently debuted “Harry Potter: A Hogwarts Express Adventure” train event at the Southern California Railway Museum in Perris. (Universal licenses Harry Potter from Warner Bros. for inclusion in its parks.)

For most studios without a major theme park presence, this kind of location-based entertainment is still likely a relatively small part of their corporate revenue, potentially less than 1%, said Dennis Spiegel, founder and chief executive of the International Theme Park Services, Inc. consulting firm. But what these experiences do is help lengthen the life of a franchise by keeping licensing revenue flowing and keeping brands relevant between film releases, he said.

“Hollywood increasingly sees it as an essential part of maximizing the lifetime value of its intellectual property,” he wrote in an email. “In many ways, we have seen how these experiences have become as much of a marketing engine as they are a profit center.”

As for the Cinerama Dome, don’t take it as a sign that Sony is looking to build out an exhibition empire. The studio is looking for only special and selective deals like the dome, Ahuja said, and there are no plans to add more L.A. exhibition locations.

Stuff We Wrote

Film shoots

Number of the week

Christopher Nolan’s “The Odyssey” continued its dominance at the box office in its second outing with a three-day domestic haul of $90 million, down only 27% from its debut weekend.

Internationally, the Universal Pictures film raked in $137.6 million for a worldwide total of $652 million.

The big box office performance came as an unauthorized copy of the film leaked online over the weekend. The studio said it “immediately initiated takedown protocols” once it became aware of theillegal posting on X and “will pursue all appropriate remedies to protect our content and intellectual property rights.” The post was viewed more than 2.1 million times before a takedown notice replaced the copy of the film.

What I’m watching

I did not expect Amazon MGM Studios’ “The Sheep Detectives” to deliver a profound message on death and grieving when I sat down to watch it with a friend, but those talking ovine sleuths really got to me.

A HUGE new multi-million-pound attraction is set to transform one of London’s trending destinations.

Stratford Junction will become a major events hub when the development is complete.

Over a decade on from the transformation of Stratford for the 2012 Olympics, another transformation is on the cards.

The proposed development will be called Stratford Junction, and will be on the site of a former coach park, which was used during the Olympics.

It is enclosed, surrounded by railway tracks and now, new designs have been revealed by Hallmark Property Group.

The development has taken inspiration from areas like The Barbican and Spitalfields Market in London.

ISLE GO

Why Maldives holidays are cheaper than EVER – with crazy bargains from £1,437pp

SAVE BIG

UK theme parks and attractions offering FREE return visits and 89p kids tickets

If approved, Stratford Junction will have 1,700sqm of new public space, including green areas and a bustling piazza.

It is set to be home to outdoor exhibitions, art trails, and over 100 public art installations.

Some artists involved include Tamp Two, Captain Kris and Tom Blackford.

On the site will be two performance venues that could accommodate as many as 4,300 people.

There will also be 20,000sqm of space for immersive experiences.

With so much going on and so many visitors, there will also be a hotel with as many as 1,600 rooms.

Like most places in London, the site will also be getting taller with three towering skyscrapers set to be built.

These will range between 31 to 47 storeys high.

When it comes to visiting, Stratford Junction will have plenty of transport links thanks to being so close to Stratford and Stratford International Station.

Stratford Junction is still in the development stage, with the public being asked to reveal their opinion in drop-in sessions.

By December of 2023, Paul Preston realized that his girlfriend Susan Huckle was a big fan of road trips and lists. So for Christmas, he gave her L.A. Times’ ”101 Best California Experiences” zine, a traveler’s bucket list highlighting my top destinations throughout my four decades of traveling the state.

The gift, I’m delighted to hear, was a hit.

Preston and Huckle went through it and checked off locations they’d seen already. Then they hit the road.

And now, after two and a half years of roaming the state between work assignments, they’re back to report that they’ve covered all 101 locations on that list. Though the two have also traveled beyond state lines, the quest to cover California “totally informed our lives for the last two or three years,” said Huckle, who sent me a note of thanks after ticking the last box.

After the note arrived, I was eager to call them and learn more. I caught the couple, of course, in the middle of a day trip.

Susan Huckle and Paul Preston set out to visit every spot on the L.A. Times’ 2023 list of “101 Best California Experiences.” Along the way, they got married in Yosemite Valley.

(Nick Wuthrich)

“We’re out exploring,” Preston said. “So you’re getting what we’re about.”

They’re also now married. That happened last July in Yosemite Valley, which, yes, was on the list.

Huckle, 41, an actress, a host on “L.A. This Week” on Channel 35, a Universal Studios performer and an author, grew up in Santa Maria on California’s Central Coast.

Preston, 56, is also an actor. He leads movie location tours and hosts podcasts, movie trivia nights and special events. He grew up and went to college on the East Coast, so he had fewer California miles under his belt when the couple met in 2020.

Their California 101 travels began in early 2024 with a trip to Paso Robles, where they saw the green slopes along Highway 46, Morro Rock and the elephant seals at Piedras Blancas near Hearst Castle.

“And then,” Preston said, “we just kept going.”

Some of their most satisfying stops, the two agreed, were places they hadn’t heard of, such as Orange Works in the Central Valley town of Strathmore and Angel Island State Park, sometimes known as the Ellis Island of the West. Huckle called Angel Island “a marriage of natural beauty with great, powerful, historic information.”

By early this year, there were only a few destinations left to check.

In April, they did the Indian Canyons and Sunnylands estate near Palm Springs, the Integratron near Joshua Tree and the Cheech Marin Center for Chicano Art & Culture in Riverside. In June, they rafted the South Fork of the American River, along with stops in Old Sacramento and, last of all, Columbia State Historic Park. Then they made their own favorites lists.

Susan Huckle’s top 10:

Yosemite Valley
Badwater Basin
Mammoth Mountain
Angel Island State Park
Cheech Marin Center
Joshua Tree National Park
American River South Fork
The Marshall Store on Tomales Bay
Santa Cruz Island
Sunnylands

Paul Preston’s top 10:

Yosemite Valley
Hollywood Bowl
Griffith Observatory
Catalina
Mammoth Mountain
American River South Fork
Erick Schats’ Bakery in Bishop
Huntington Library and Gardens
Palm Springs Aerial Tramway
Balboa Park, San Diego

Now that they’ve seen so much of the state, I had questions. For one, which spots not on the list would they have included?

Alcatraz, they agreed. Also, as an admirer of redwoods, Preston liked Calaveras Big Trees State Park. As an avid cyclist, Huckle liked the 22-mile Marvin Braude Bike Trail from Torrance to Pacific Palisades.

And was anything on the list a disappointment?

“The Carmel Mission,” Huckle said quickly. “It’s beautiful and the missions are an important part of California history.” But she said the mission’s account of its own history seemed “whitewashed,” saying little about the Native loss and trauma that historians are increasingly recognizing in accounts of the missions.

Said Huckle: “I was like, ‘C’mon guys, nobody really thinks this any more, right?’”

Now that they’re done with the Times’ “101 Best California Experiences,” what what will shape their next trips?

They have a list for that. Huckle picked up an L.A. guide, Danny Jensen’s “Secret Los Angeles,” and the couple plans to start where the book does, with the Triforium, a many-colored sculpture that went up outside City Hall in 1975 (and once featured music).

After that? Maybe the Faces of Elysian Valley, a traffic circle sculpture that Huckle said “looks like Easter Island in the middle of Cypress Park.”

That will leave only about 138 more destinations in the book to cover.

If anybody can do it, it’s these two.

Los Angeles is the best food city in the United States. When considering breadth and scope, quality of ingredients and cooking, diversity and innovation, and sheer volume, it just can’t be beat. There’s no beginning and no end to its wonders.

But it’s more than that. Although our city can feel chronically fractured, our foods and restaurants may be the only possible glue that binds us. So we asked our Food writers, what are the local dining experiences that define living in our city?

This is our answer. The following are not the definitive “best” restaurants or meals in L.A. — we have a proper critics’ list for that each year. Instead, these experiences are the foundation for understanding what it means to love L.A. through its foods.

Tell us if you disagree, or if there’s anything you think we missed. Whether you’re a hard-boiled native or a first-time visitor with a big appetite, we’re confident that any combination of these 50 dining experiences will make your heart sing with love for L.A.’s invincible food scene. — Daniel Hernandez

Perched just above the Strand in downtown Manhattan Beach, this cozy studio has sliding doors that open up to a full, unobstructed view of the pier, beach and ocean only a few hundred yards away. The sound of sea waves infuses the room with nature’s original white noise, adding a sense of marine tranquility to every class.

“Because of our proximity to the ocean, we’re very connected to nature,” says owner Justin Randolph. “To be able to hear the waves and connect to that rhythm, especially during corpse pose — it’s a little slice of calm.”

In fact, calm is something of a specialty at this studio, which focuses less on high-intensity aerobic classes than on restorative, therapeutic methods. Soothing Yin classes are offered nearly every day, and Chair Yoga sessions are tailored for students who are nursing injuries — or just prefer a slower, deeper practice.

To keep your visit stress-free, it’s best to plan in advance for the challenges of beachfront parking. If you’re lucky, you might be able to snag a nearby metered space or a spot in one of the lower pier lots. Otherwise, your safest bet is the large parking structure at Metlox Plaza, about five minutes away by foot.

Single class: $30
New student offer: $59 for 21 days of unlimited in-studio, outdoor and livestream classes
Unlimited monthly membership: $149

From: The 27 best yoga studios in L.A. for stretching, sweating and spiritual awakenings

If you’re planning a trip to Japan, don’t just go to the big cities, instead head to another island which has golden sands and an unbeatable experience you’ll never forget

A stunning island just three hours away from Tokyo must be added to your Japan bucket list, because it was one of my favourite days of our five-week trip.

The little-known island is about 15 minutes by boat from Ishigaki, off Okinawa, and we actually flew from Osaka and were meant to fly direct to Ishigaki. However, our flight was cancelled without our knowing, so we ended up having to fly to Okinawa, and then catching a (very tight) connection to Ishigaki. However, flight drama aside, when we decided to go to Taketomi, we didn’t think there would be much to do or that we’d want to spend very long there. But we were so wrong…

Taketomi is within the Yaeyama District of Okinawa Prefecture, Japan. Taketomi is one of the Yaeyama Islands, which are a tropical archipelago in southwestern Okinawa Prefecture, Japan, known as the nation’s southernmost and westernmost inhabited islands.

They feature coral reefs, lush jungles, and a laid-back, rural atmosphere, serving as a popular destination for snorkelling, diving, and experiencing traditional Ryukyu culture.

When we went, we immediately got a minibus to where we could catch a ride on water buffalo carts. It is an iconic 30-minute guided tour through the traditional Ryukyu village, featuring red-tile roofs and sandy streets.

It was absolutely amazing, an experience we’ll never forget, and our tour guide even played traditional Okinawan music on a sanshin, which is a stringed instrument. I felt like I was in a movie! It was certainly an experience that I won’t forget in a hurry.

Then, once we bought the professional photo (we had to), we headed to get some lunch. It’s worth remembering that an estimated 300 to 360 people live on Taketomi, so don’t expect any chain restaurants or anything you’re probably used to if you’re from the UK.

But the total change of pace to even big Japanese cities was amazing, and it was nice to spend time doing a variety of things while we were in Japan.

After, we went to the beach, where I was gobsmacked by the golden sands and the clear sea. Ishigaki was the first proper tropical island I’d ever been to, and Taketomi had all the same fantastic features. I’m now enamoured.

We had a little paddle in the sea, and I was gobsmacked to find that it was actually so warm, and while you’d have to go quite far out into the sea to actually be able to swim, it was definitely worth paddling.

If you’re going to Japan, make sure you add Okinawa or Ishigaki to your list of places to visit. I’d highly recommend Ishigaki, but I’m definitely biased. I think that Okinawa is a lot more touristy now, so Ishigaki suited us perfectly, especially as my partner is a scuba diver.

We loved it so much that we hope to go back to another of the Yaeyama Islands in the future. It is worth noting, however, that Ishigaki is located in an earthquake-prone area; tsunami awareness is essential year-round. Typhoon season runs from June to November, with the highest risk occurring from July to October.