era

Algeria’s parliament has begun debating a draft law that would criminalise France’s colonial rule from 1830 to 1962. Al Jazeera’s Nada Qaddourah explains what we know about the bill.

Terence Crawford shook the boxing world on Tuesday by announcing his retirement, an unexpected decision that brings an end to one of the most dominant careers of the modern era.

At 38, the Omaha native decided to hang up his gloves at the top, undefeated and with a legacy that places him among the all-time greats.

Crawford bids farewell with a perfect record of 42 wins, 31 of them by knockout, after more than 17 years as a professional. With his unexpected retirement, Crawford leaves behind four titles in the 168-pound weight class.

“I’m retiring from competition, not because I’ve stopped fighting, but because I’ve won another kind of battle,” Crawford said in a YouTube video. “The battle where you retire on your own terms.”

Among the most decisive moments of his career was his victory over Errol Spence Jr., which established him as the undisputed welterweight champion, and the triumph that ultimately defined his legacy: his super middleweight victory over Saúl “Canelo” Álvarez.

In September, Crawford moved up a weight class to face the Mexican and defeated him by unanimous decision in Las Vegas. That fight against Álvarez not only confirmed his sporting greatness, but also led him to win the undisputed super welterweight championship, an achievement that few considered possible.

“Every boxer knows this moment will come, we just never know when,” Crawford said.

After that historic fight, speculation began about new challenges and a possible rematch, but Crawford chose a different path. In his farewell message, he made it clear that his decision was not due to a lack of physical or competitive ability, but rather to the conviction that he had pushed himself to the limit and had nothing left to prove in the ring.

“I’ve spent my whole life chasing something,” Crawford said. “Not belts, not money, not headlines. But that feeling, the feeling you get when the world doubts you, but you keep going and prove everyone wrong.”

Since his debut in 2008, he has built a career marked by versatility, tactical intelligence and an uncommon ability to adapt to any opponent and circumstance in the ring. Left-handed or right-handed as the fight demanded, his technical mastery was a constant throughout his career.

“I fought for my family. I fought for my city. I fought for the kid I used to be, the one who had nothing but a dream and a pair of gloves. And I did it my way. I gave this sport every last breath I had,” he said.

Over the years, Crawford won world titles in multiple divisions and established himself as one of the pound-for-pound greats of contemporary boxing.

His name went down in history when he became the undisputed champion in three different categories during the era of four belts, a feat that set him apart even among elite champions. With each weight class move, he faced skepticism and responded with compelling performances.

“I’m leaving like a great,” Crawford said.

This article first appeared in Spanish via Times en Español.

Taylor Swift, The End of An Era – Disney+

★★★★★

“I WANTED to exceed fans’ expectations with this tour,” Taylor Swift says during the opening episode of her The End of An Era six-part documentary series.

It’s not even up for debate that she did just that with the global trek, but I’m happy to report she also achieves this with her new Disney+ series.

Disclaimer, I am a huge Swiftie, but before the first two episodes dropped I did have my concerns.

I feared the documentary would just be the same old footage of Taylor picking her outfits that we’ve now all seen a thousand times and fluffy backstories about her life on the road.

Of course, these types of moments are in there, but episode one alone pulls back the curtain on the most talked about tour of all time in ways other behind the scenes specials simply don’t.

The 43-minute long episode focuses on the heinous Southport attack, as well as the foiled terror plot at Taylor’s Vienna gigs, and lifts the lid on what went on behind the scenes.

TAYLOR’S TEARS

Taylor Swift breaks down as she opens up on Southport attack for first time

‘WHO IS THAT?!’

50 Cent and Jason Momoa look totally unrecognizable after drastic makeovers

For the first time we see how much the trauma rocked Taylor, with her breaking down in tears on multiple occasions.

Rather than feeling staged or performative, it shows the true artist behind the phenomenon and proves she is just as human as the rest of us.

During a chat with pal Ed Sheeran she admits she feels almost dehumanised by fame.

In another scene she’s filmed trying to calm herself down with an audio book of 2024 thriller The God of The Woods.

In the weeks that followed the incidents in Southport and Vienna, Taylor found herself wrecked with anxiety to the point she was physically shaking.

Not that Taylor is moaning about her life – in fact at one point she openly accepts her reality isn’t normal.

Though as she sings on The Life of A Showgirl track Elizabeth Taylor, “Oftentimes it doesn’t feel so glamorous to be me”.

People were quick to join an online pile-on against Taylor over summer ’24 after she kept silent following the incident in Southport.

But those behind the wrath of masked crusaders may be feeling more than a little silly after the doc.

Episode 1 reveals rather than turning a blind eye behind and pulling up her drawbridge, away from the spotlight Taylor was determined to make a difference.

Before each of the five remaining Wembley shows Taylor met with the families of those affected by the horrific incident.

And while I’ve obviously not spoken to any of those families in question, I would be willing to bet my flat that her decision to personally meet them has made a positive difference, far beyond that she gives herself credit for.

And it would be worth far more than a short Instagram story statement ever could.

In private Taylor was clearly struggling with the run of incidents, but on stage she never faltered.

While never brushing them under the carpet ignoring them, she was determined not to let events overshadow or dampen the magic she had created for the 10 million ticket holders on the 149 date trek.

I was lucky enough to attend three of the gigs in the capital – two of which took place after Vienna and Southport.

Both with those shows – and indeed with the new docuseries – the magic and escapism of Taylor’s world is very much alive and well.

A feat I doubt, even in decades to come, will ever change.

Taylor Swift’s Eras Tour ran from 2023 to 2024 and became a record breaking sensation

Taylor Swift’s highly anticipated new documentary, The End of an Era has finally landed on Disney Plus.

The six episode series, which will see two episodes released every week, gives an intimate look on the huge phenomenon that is the Eras Tour as it made headlines and excited fans around the world.

Disney teases: “In addition, the series features Gracie Abrams, Sabrina Carpenter, Travis Kelce, Ed Sheeran, and Florence Welch, along with her band, dancers, crew, and family members – offering never-before-seen insight into what it took to create a phenomenon.”

As well as the documentary, The Final Show also debuts today (December 12) which is the full concert film from the final show in Vancouver, featuring for the first ever time the entire set of The Tortured Poets Department.

As fans delve into the latest instalments of the brand new documentary, we have taken a look at some of the things that made the Eras Tour so huge.

Over 100 shows and 400 hours performed

The Eras tour ran from 2023 to 2024 meaning that Taylor and her crew performed a record breaking 149 shows.

Originally, the Eras Tour was announced back in 2022 with significantly less dates, but with such high demand, she added more to the diary and it quickly became a huge phenomenon.

The tour first kicked off in Arizona in March 2023 and came to an end in December 2024. In total, it is said the star spent over 480 hours on stage, which is the equivalent to just under three weeks.

As each show varied in length and was dependant on an array of things like the weather, each night was around three hours, making it a huge ambition that was successfully carried out.

According to reports, with 44 songs on her setlist, eventually increasing to 46 after her new album was released in 2024, Taylor also performed songs not on her setlist as part of a special acoustic performance.

The Eras Tour 100th show

Taylor’s 100th show was actually performed here in the UK, in Liverpool. Taking to Instagram, the star said: “So many dreamy memories from Liverpool!! We played our 100th show on The Eras Tour (which feels truly deranged to say because this show feels new to me every time we play it).”

She continued to thank everyone involved, adding the crowds were “expressive, generous and endlessly fun.”

What made the Eras Tour so popular?

The Eras Tour was a huge moment in Taylor’s career, celebrating all of the music through the decades, every era. Taylor took her music everywhere across the world, visiting over 20 countries.

It was a record breaking tour, bringing in over $2billion in sales making it the highest earning concert run. Taylor Swift Touring also confirmed over 10 billion people attended during the course of the tour.

And when it came to breaking records, reports suggest another record was broken when Ticketmaster sold the most tickets sold by an artist in a single day – many Swifties can remember the painstaking wait they endured for tickets.

There are many reasons the tour became a huge phenomenon, being timed post pandemic, but the main reason being it brought together fans of all ages, celebrating her entire career, being described as a huge cultural event.

Earthquake?

You may have seen reports at the time that Taylor Swift concerts generated seismic activity. In 2023 in Seattle, a seismologist said activity was recorded equivalent to a 2.3 magnitude earthquake.

Also in Edinburgh in 2024, reports suggest earthquake readings were again detected.

Friendship bracelets

Taylor Swift friendship bracelets are colourful, beaded bracelets that were made by fans for the Eras Tour, often traded in. Inspired by the song You’re On Your Own Kid, some fans ended up wearing dozens on their wrists, even hoping to give them to Taylor and her mum.

Food bank donations

While on tour, Taylor Swift donated to local food banks and charities when she visited a place.

According to ITV, the singer made a “generous donation” to around 1,400 food banks and community organisations in Edinburgh, Liverpool, Cardiff, and London.

Taylor Swift’s the End of an Era documentary is now available to stream on Disney Plus.

Hi and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. Looks like the Dodgers found a new closer for Christmas.

The new closer

Well, the Dodgers did what many did not expect: give another long-term, big-money deal to a closer. They have agreed to a deal with former Mets closer Edwin Díaz on a three-year, $69-million deal. There will be $4.5 million deferred each year and the value of the contract as tabulated for luxury tax purposes will be $21 million per year. It’s a record for annual value for a reliever, breaking the record held by….. Díaz.

Díaz was considered by most to be the top reliever on the market. Last season with the Mets, he was 6-3 with a 1.63 ERA and 28 saves. In 66.1 innings, he gave up 37 hits and walked 21 while striking out 98. He turns 32 in March. He had three blown saves and allowed six of 15 inherited runners to score.

If there is a red flag here, it is that his fastball velocity has dropped from an average of 99 mph in 2023 to 97 mph last season. Which is still pretty fast of course.

You’ll forgive me for not doing somersaults over the deal yet. It could turn out to be an amazing signing. However, as we saw last season with Tanner Scott, relievers are like a box of chocolates: You never know what you are going to get. Díaz has a much better record of success than Scott did. But we’ve seen over the last few seasons what can happen with a signing (Scott, Kirby Yates), decline in form (Blake Treinen) or injuries (Evan Phillips, Michael Kopech, Brusdar Graterol).

But the Dodgers did need bullpen help, and they signed the best reliever on the market, so it’s hard to find fault in that.

You can read more on the signing in this story by Jack Harris.

And an analysis, which includes discussion of a possible salary cap, from Bill Shaikin here.

Fernando misses the Hall

The Contemporary Baseball Era Committee for the Baseball Hall of Fame met Sunday. It was a 16-member committee, and there were eight candidates to consider: Barry Bonds, Roger Clemens, Carlos Delgado, Jeff Kent, Don Mattingly, Dale Murphy, Gary Sheffield and Fernando Valenzuela.

The only person elected: Kent, wh was named on 14 ballots (you had to be on 12 for election).

The others:

Nine votes
Carlos Delgado

Six
Don Mattingly
Dale Murphy

Fewer than five
Barry Bonds
Roger Clemens
Gary Sheffield
Fernando Valenzuela

The committee made a big mistake in not electing Fernando, and really embarrassed itself by not giving him even five votes.

When you look at the numbers, Fernando is at best a borderline candidate. He won a Cy Young and Rookie of the Year award, but won only 173 games in his career.

However, when you consider what he meant for the sport in addition to his accomplishments as a player, he qualifies. The three players who created more baseball fans than any other are Babe Ruth, Jackie Robinson and Fernando. The fact the Dodgers have a massive Latino following can be traced back to Fernando. He created fans in other cities. He opened MLB to an almost entirely untapped market.

But, some people look only at the numbers. Fernando should be in the Hall. So should Maury Wills. Unfortunately, it’s looking increasingly unlikely that either will make it.

And congratulation to Jeff Kent, who played for the Dodgers but will go into the Hall as a Giant. So, not that big of a congratulations. His election enhances the candidacy of another former Dodger: Chase Utley.

New book

Last week I told you about a new book by Ross Porter, the longtime Dodger announcer who used to do the “Ask Ross Porter” feature in this newsletter. The book, “The Ross Porter Chronicles — Volume 1: The Dodger Years,” is a compendium of interviews he has done over the years with Dodgers, including Steve Garvey, Davey Lopes, Bill Russell, Ron Cey and Sandy Koufax.

Reaction was overwhelming, and as a result, they sold out of signed books. However, if you still want a signed copy to give to someone as a Christmas present (it would make a great gift for a Dodger fan), you have an alternative. You can order the book at Amazon. Make sure you have it shipped to you before Dec. 21. Ross will be signing books in person on Dec. 21 from 1-3 p.m. at Northridge Sports & Memorabilia, 9514 Reseda Blvd,, Unit 14.

Anyone who buys the book on Amazon can bring it to the signing, and Ross will sign it for free. He’ll also sign any Dodger items you bring.

It’s a great chance for you to meet a Dodger icon. Ross is 87. The icons from our Dodger childhood won’t be there forever. If you have a chance to go out there, I highly recommend it.

In case you missed it

Analysis: Could Dodgers’ Edwin Díaz signing portend more big moves later this offseason?

Starz picks up drama on gambling scandal involving Shohei Ohtani’s former interpreter

Shaikin: Dodgers signing of Edwin Díaz shows they aren’t going to worry about a potential salary cap

Dodgers and Edwin Díaz agree to terms in blockbuster move to shore up bullpen

Former Dodgers, Giants slugger and noted curmudgeon Jeff Kent voted into the Hall of Fame

Fernando Valenzuela falls short of induction into National Baseball Hall of Fame

Metro votes to approve Dodger Stadium gondola project despite protests

And finally

Fernando Valenzuela pitches a no-hitter. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

When French President Emmanuel Macron inaugurated France’s Space Command in Toulouse on 12 November 2025 and declared that “space is no longer a sanctuary; it has become a battlefield,” few expected such swift validation. Two weeks later, at the ESA Ministerial Council in Bremen on 26–27 November, member states delivered the largest budget in the agency’s history—€22.1 billion for 2026–2028, a 30% increase over the previous cycle—with an unprecedented focus on security, defense, and strategic autonomy. The Bremen decision has transformed Macron’s stark warning from rhetoric into funded reality and confirmed that Europe is finally awakening to the fact that the next decisive domain of great-power competition lies far above the Earth’s atmosphere.

Paris is preparing to invest about €4.2 billion in military space activities from 2026 to 2030 and around €16 billion in civilian and dual-use programs by the end of the decade. The ambition is to strengthen Europe’s resilience in orbit, reduce dependence on non-European systems, and create an industrial base capable of supporting long-term security objectives.

French planners are betting on a new generation of proximity‑inspection satellites to anchor this strategy, with demonstration flights envisaged in the second half of the decade and operational testing to follow. These satellites can approach, observe, and, if required, interdict suspicious objects in orbit. France is also exploring non‑kinetic tools—lasers and electromagnetic systems among them—designed to disrupt hostile platforms without creating debris. Paris has rejected destructive anti-satellite testing and argues that Europe must enhance space security without undermining international norms.

The European Union is entering this field late. Russia and China have already developed advanced inspection and interference capabilities. In September 2025, German Defence Minister Boris Pistorius revealed that two Russian Luch or Olymp satellites were shadowing Intelsat platforms used by the Bundeswehr. The episode underscored Europe’s lack of awareness and defensive capacity in orbit.

In Brussels, officials are floating the idea of a “European Space Shield”—a more integrated architecture to protect satellites and align EU and NATO postures. Success will depend on the willingness of member states to coordinate procurement, share data, and harmonize strategic objectives. Europe’s current system remains fragmented and is often slowed by national industrial preferences.

Macron has also called for reform of the European Space Agency’s geographic return rule, which distributes contracts according to member-state contributions rather than technical merit. The French position is that this rule limits innovation and prevents Europe from responding quickly to fast-moving threats in orbit.

There are challenges. Even non-kinetic defenses can be misinterpreted as escalatory. The orbital environment is crowded, vulnerable to miscalculation, and poorly regulated. France has therefore paired its military investments with calls for new rules of behavior and a European proposal for an orbital code of conduct. Such a framework would help prevent misunderstandings and promote transparency.

The ESA Ministerial Council that concluded in Bremen on 27 November delivered what many had doubted was possible: a €22.1 billion envelope for 2026–2028 that explicitly prioritizes space security, resilient navigation (FutureNAV), Earth-observation continuity, and dual-use technologies. Germany increased its contribution by nearly a third despite domestic fiscal constraints, while the package includes more than €1 billion for programs directly supporting defense and sovereignty. Crucially, ministers opened the door to greater flexibility on the controversial “geographic return” rule for critical security projects—a French demand that had been resisted for years. Bremen did not create a fully unified European space-defense policy overnight, but it transformed Macron’s Toulouse rhetoric into funded reality and gave the proposed European Space Shield its first serious financial and political tailwind.

Satellites underpin critical EU functions, including climate monitoring, secure communications, trade logistics, and border management. Rivals are developing tools that can dazzle, jam, or disable them. Europe cannot assume that these systems will remain safe without deliberate action.

Macron’s announcement in Toulouse should be seen as a strategic warning. Europe has the capacity to protect its interests in orbit, but only if it acts with coherence and political determination. The challenge for the European Union is not technological. It is the ability to work collectively and with a sense of urgency. In an era in which conflict begins long before military forces deploy, the EU’s strategic autonomy may depend on decisions made far above the atmosphere.