episode

‘I watched Top of The Pops episode from 1999 and 1 thing left me floored’

Journalist and Editor Samantha Bartlett happened to stumble upon an iconic 1999 episode of Top of the Pops recently, and one thing left her floored after watching it

I watched Top of The Pops episode from 1999 and 1 thing struck me

The weekly broadcast of Top of the Pops (TOTP) officially ended on 30 July 2006. The iconic British music show concluded its 42-year run with a special final edition, titled “The Final Countdown,” which featured a mix of archival performances and a final chart rundown.

However, despite not being around for a decade, repeats of the show are still shown on BBC Four on Friday nights. I was one of the people tuning in last Friday and happened to stumble upon an iconic 1999 episode of Top of the Pops presented by Gail Porter. Being a 90s baby, I love a bit of cheesy pop, but as they went through the chart countdown I was struck by how many absolute tunes and iconic bands were in there.

At number 12 was Backstreet Boys with ‘I Want It That Way’, followed by the very silly but iconic ‘Doodah!’ From Cartoons at 11.

Number 10 was The Chemical Brothers’ ‘Hey Boy, Hey Girl’, while number 9 was also boyband favourite – N-Sync’s ‘Tearin’ Up My Heart’.

At number 8 was Shanks + Bigfoot ‘Sweet Like Chocolate’, while at 7 was Baz Luhrmann’s ‘Everybody’s Free (To Wear Sunscreen)’.

Number 6 was another iconic tune, with Shania Twain’s ‘That Don’t Impress Me Much’, while the fifth position was taken by Adam Rickitt’s ‘I Breathe Again’.

Madonna’s ‘Beautiful Stranger’ was then at number 4, while Britney Spears took the third spot with ‘Sometimes’.

Just missing out on the top spot at number 2 was S Club 7s ‘Bring It All Back’, meanwhile at number 1 was one other than Vengaboys ‘Boom, Boom, Boom, Boom!!’, that no doubt all you fellow 90s babies jumped around to in your bedroom.

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I actually couldn’t believe how many iconic acts and tunes were just in those 12 slots. I mean, I know some of them are cheesy, however, many of those songs were massive UK hits where literally everyone, including your gran, would know all the words.

I was so struck by the clip I decided to share it to my TikTok,

I just find it quite sad that shows like Top Of The Pops were huge back then and listening to the chart with part of your weekly routine.

I remember I used to go round my nan’s with my dad and sister on a Sunday so me and my sister would always run out to the car and listen to the radio to find out what was number one. Now I don’t think anyone really cares apart from maybe the artist themselves and their record label.

It just feels like a lot of fun has gone out of today’s music and charts and there doesn’t seem many good pop bands around for kids, apart from all the K-Pop stuff that is big at the moment.

The only pop bands that seem to do well these days are those 90s ones that come back for a revival, such as Blue or Take That.

I’m not sure if it’s all to do with money and that labels just aren’t putting the money behind bands and acts anymore or what but I certainly miss the glory days and am glad I have all the memories from my favourite 90s acts.

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‘Gripping’ documentary airing dark side of NHS returns tonight with harrowing episode

5 Star’s gripping documentary series A+E After Dark returns for its seventh series at a time when new figures reveal a stark and troubling reality for frontline NHS workers

A&E After Dark: Doctors tend to car crash victim at Dublin hospital

Gripping documentary series A+E After Dark returns for its seventh series on Thursday night on 5 Star.

The new season is filmed inside the A+E departments of Norfolk and Norwich University Hospital, Newham Hospital in East London, and Royal Victoria Hospital in Belfast.

The show offers unprecedented access to the night shifts where staff pressure, violent attacks and life-or-death decisions collide.

The first episode shows shocking racist abuse towards an A+E nurse in Newham, attempts to save a stabbing victim and their attacker in Norwich and two injured young men involved in a 70mph collision during wet weather in Belfast

A synopsis for episode one reads: “At Norfolk and Norwich University Hospital, doctors race to save both victim and attacker after a shocking stabbing brings two critically injured men into A+E at the same time.

“In Belfast, a high-speed crash during extreme weather leaves multiple patients at risk of spinal injuries, while an elderly woman undergoes a painful procedure for a broken femur.

“Meanwhile in Newham, security intervene when a patient refuses to stop live streaming inside the department, and in Norwich, a team fights to restart a patient’s heart during a sudden cardiac arrest.”

In a chilling first look clip at the collision in Belfast, it sees four young men rushed into the department after a high impact car crash at 70mph.

It then sees Doctor Michael examining one of the front passengers, David, who is in serious pain. Speaking in a VT, Doctor Michael explains: “Obviously, the faster the car is going, the more severe injuries you will get.”

Looking over David, Doctor Michael says the patient will be sent for X-rays on his face, neck, lower back and knees to check there are no fractures or breaks.

It comes as NHS England sadly reports a three-year high in violence against staff. Almost 1 in 7 NHS workers (14.47%) were physically attacked by patients or the public last year, with a record number of staff subjected to unwanted sexual behaviour, rising sharply to nearly 1 in 3 ambulance workers (31%), while 9% reported experiencing discrimination – the highest level ever recorded, according to new data from NHS England.

A+E After Dark captures the relentless reality of night-time emergency care across the UK. The new series follows dedicated teams in Belfast, Newham and Norwich as they battle exhaustion, overcrowding and escalating violence to save lives.

**A+E After Dark airs on 5 Star at 9pm on Thursday 2 April and is available to stream on My5. You can follow the series on **Facebook** and **Instagram** and **TikTok.

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The Venezuelanalysis Podcast Episode 43: Venezuela in a New Stage of US Imperialism

The Venezuelanalysis Podcast is back. In our new season premiere, we tackle the fallout of the January 3rd military escalation against Caracas, an event that marks a volatile new chapter in the long history of US intervention in the region.

Join Venezuelanalysis Lead Editor Ricardo Vaz, Associate Editor Lucas Koerner, and VA Founder Greg Wilpert as they break down the geopolitical shift from “maximum pressure” to direct confrontation. This episode goes beyond the headlines to analyze the underlying causes and the global consequences of Washington’s renewed focus on “its” hemisphere.

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Disney’s $70-million bet on ‘Bachelorette’ star Taylor Frankie Paul

In the summer of 2025, Walt Disney Co. executives placed a big bet on a reality TV star prone to high drama: messy personal relationships and allegations of domestic violence.

Now, Disney’s ABC network could lose at least $70 million with a nearly finished season of “The Bachelorette” sitting on the shelf.

Last week, ABC yanked this season of “The Bachelorette,” which features 31-year-old Taylor Frankie Paul, just three days before the premiere episode was set to air Sunday night. Disney pulled the plug after the emergence of a three-year-old video that showed Paul — the protagonist of Hulu’s massive hit series, “The Secret Lives of Mormon Wives” — physically attacking her ex-partner.

Paul can be seen screaming and throwing metal chairs, one of which apparently struck one of her children who witnessed the altercation. Her onetime partner, Dakota Mortensen, recorded the video of the attack on his cellphone.

Trouble has been brewing around “The Bachelorette” for weeks as Paul was doing publicity for the show.

Draper City, Utah, police have separately confirmed an investigation into a subsequent domestic violence incident in February between Mortensen and Paul. As part of that inquiry, Paul, 31, has temporarily lost custody of the couple’s son, Ever, who turned 2 last week — the day the troubling video came out.

“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security. After years of silently suffering extensive mental and physical abuse as well as threats of retaliation, Taylor is finally gaining the strength to face her accuser and taking steps to ensure that she and her children are protected from any further harm,” said a spokesperson.

Representatives of Mortensen could not immediately be reached for comment. In a statement to People magazine, a representative for Mortensen said that “his number one priority here is protecting” his son, Ever.

Last month, Disney requested an investigation to sort out Paul’s and Mortensen’s differing accounts of the February incident, according to people close to the situation who were not authorized to speak publicly about the sensitive situation.

The scandal has become the first big test for Dana Walden, who last week was installed as Disney’s president and chief creative officer — the day before the video showing a violent Paul was leaked to TMZ.

The episode has raised uncomfortable questions about why Disney made Paul the face of one of ABC’s marquee franchises.

It also has shined a light on the decision-making of Walden’s newly anointed ABC team: Debra OConnell, the chair of Disney Entertainment Television; Disney Television Group President Craig Erwich; and Rob Mills, Disney TV’s executive vice president of unscripted and alternative entertainment.

Disney declined to comment.

The network has not said whether it plans to eventually air Paul’s season of “The Bachelorette.”

But the network made a huge investment, paying a license fee of about $5 million an episode for the season to Warner Bros., said sources familiar with the matter. The season includes nine episodes and other programming elements, including a special that ran immediately after ABC’s Oscar telecast this month, which attracted 5.5 million viewers, according to Nielsen.

A man in a plaid shirt and a pregnant woman in a brown jumpsuit sit on a couch smiling and leaning their heads together.

Dakota Mortensen, left, and Taylor Frankie Paul are stars of “The Secret Lives of Mormon Wives.”

(Fred Hayes / Disney)

ABC also orchestrated a huge marketing blitz — billboards for the show had sprouted around the country, social media channels were crackling and Paul appeared on ABC’s stalwart “Good Morning America,” where she discussed her role on “The Bachelorette,” where she dated nearly two dozen men in search of her soulmate.

She also acknowledged simultaneously facing domestic abuse allegations, which she called a “heavy time.”

“For me, dating as a mom of three is extremely difficult,” Paul told ABC anchor Lara Spencer. “I was like, I get to go out, get away from my toxic cycle here in Utah, go date, and also have my kids come out and visit me. That to me seemed like, why not?”

Advertisers, including Cinnabon, have also pulled back in light of the controversy.

Viewers have long been fascinated by Paul, who earned notoriety on TikTok and formed a community there called MomTok. Her combative relationships added to the intrigue.

Hulu’s “The Secret Lives of Mormon Wives” has been a massive hit, developing a loyal following and an alternative to the “Real Housewives” franchise on the rival network, Bravo. A clip from the show was included in a Disney video montage of movies, TV shows and other headlining attractions shown to investors last week.

Mills and other Disney executives who oversee ABC and Hulu programming had been looking for ways to reinvigorate “The Bachelor” franchise, and they had taken notice after fans latched on to a playful video that Paul had posted on TikTok, expressing her desire to join the long-running ABC show, which is produced by Warner Horizon.

Comments posted about Paul’s video were intriguing, particularly for viewers who said that they would return to watch “The Bachelorette,” if it featured her.

“I flew out to Utah and met with her and she was serious [about joining],” Mills told The Times two weeks before the controversy. “Then I sent her roses the next day and said, “Would you be ‘The Bachelorette’ and the rest is history.”

Disney recognized that Paul’s relationship with Mortensen was messy.

Disney executives were aware of the altercation in 2023 and briefly debated internally whether to move forward with Paul in a prominent role in “Mormon Wives,” according to a source close to the situation but not authorized to comment. Paul is an executive producer on that show.

The first episode of the first season of “Mormon Wives,” which debuted in September 2024, featured Utah police bodycam footage from the February 2023 fight that was the subject of the just-released video.

The final moments of the most recent season ended with Paul and Mortensen sleeping together again, the night before she was scheduled to fly to L.A. to begin filming “The Bachelorette.” She missed her initial flight, but took a later flight.

Disney also has paused filming on “Mormon Wives” during production of its fifth season.

Over the show’s four-season run, there have been tensions among the castmates, which accelerated as Paul and the other wives pursued fame in other venues, including on ABC’s “Dancing with the Stars.”

When the recent allegations of domestic violence surfaced, castmates expressed concerns about working with her, which contributed to the decision to hire an outside law firm to investigate.

The firm was hired, at Disney’s request, by the show’s production firm, Jeff Jenkins Productions, based in Sherman Oaks.

Times Staff Writer Yvonne Villarreal contributed to this report.

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‘The Faithful’ centers women of the Bible, reinterpreting their stories

A loving husband and wife desperately want to start a family but struggle with infertility. A mother bears the weight of twin sons who are destined to be at severe odds with one another. Two sisters fall in love with the same man.

These stories may sound like soapy twists in a Taylor Sheridan drama or cable TV movie, but they actually come straight from one of the bestselling books of all time — the Bible.

The sacred text is jam-packed with compelling and highly relatable stories, but Fox’s “The Faithful: Women of the Bible,” a three-part event series, aims the spotlight on the primary matriarchs of the Book of Genesis — Sarah, Hagar, Rebekah, Leah and Rachel. The first installment consists of two episodes airing Sunday, with subsequent double episodes airing over the next two weeks, and begins with the story of Sarah (Minnie Driver), who is regarded as the first matriarch for building the nation of Israel with her husband, Abraham (Jeffrey Donovan), the first patriarch.

“These are three generations of women who passed the baton of what was set in motion by Sarah and Abraham and the episodes are all in a way portraits of different types of marriages,” says René Echevarria, who wrote the first installment and is the series’ showrunner.

However, like the Bible’s many miracles, “The Faithful” coming together in the first place is divine considering executive producing partners Carol Mendelsohn and Julie Weitz were actually not planning to pitch it when they were in a meeting with Fox TV executives on one fateful day.

A woman in a blue head covering and blue dress in a field.

“The Faithful” begins with the story of Sarah (Minnie Driver) and Abraham.

(Moris Puccio / Fox)

“Julie gave me one instruction, ‘We can talk about all of our projects but do not talk about the Bible,’” recalls Mendelsohn. But then Fox President Michael Thorn asked Mendelsohn what her passion project was and “It was like I was hit by the burning bush!”

So “The Faithful” was pitched and a green light was given for the show. “I guess it was divinely ordered,” Mendelsohn says, laughing.

Crafting a Bible-based event series may initially seem like a stretch for Mendelsohn, known for producing the massively popular “CSI” crime drama franchise and, since partnering with Weitz over a decade ago, contemporary dramas where God wasn’t a part of the story. However, with “The Faithful,” the common thread with their previous projects was very clear. “Everything that we do together comes from characters that we fall deeply in love with and we love to do stories about women,” says Weitz. “We were thinking of doing something in this world when “The Chosen” [the Prime Video series about Jesus Christ] came out and became a huge hit.”

Mendelsohn and Weitz brought Echevarria on board and once they dug into the respective stories of these influential women, “it became clear that we should give two hours to each of these matriarchs and tell that story, which is the genesis of not just Judaism, but Islam and Christianity, the three largest, most prominent religions of mankind,” says Weitz, who is also grateful for Fox’s programming strategy for the episodes. “It worked nicely because they are giving us Sunday Nights leading right through Passover and into Easter so it just made sense to [Fox] too.”

For varying perspectives, the show utilized both Christian and Jewish scholars, which backed up their storytelling objectives, given that these age-old stories traditionally didn’t always flesh out women as much as men, so leaning into an interpretation of text was not taboo. “Our Jewish scholar mentioned, ‘what you’re doing is called midrash, an ancient tradition in Judaism to look at these stories and read between the lines,’” says Echevarria.

That interpretive freedom can be seen in the show’s first installment, which explores Genesis 16 where Sarah, barren for years despite God having told Abraham that she would bear a child in her older age, enlists former Egyptian slave Hagar (Natacha Karam) to sleep with her husband in the hopes she’ll give them a child. Driver says Sarah’s story is one that many women can connect with, but as far as who the real woman was, there’s a lack of true definition. “Who knows what Sarah was like? We don’t know. She doubted and, to some people, she thwarted God, but actually to me, she was just a woman who wanted to have a baby, loved her husband very much and was very strong,” she says.

A woman with long braided dark hair, wearing a blue beaded necklace and white dress.

Natacha Karam plays Egyptian slave Hagar, who bears Abraham’s child.

(Stefano Cristiano Montesi / Fox)

Donovan notes that Sarah suggesting Abraham lie with Hagar in Genesis 16 initially comes across as a straightforward and simple sentence. “But there’s so much to unpack in that one line from the Bible,” he says. “The complex struggles that these three people must have had that people today are still having 4,000 years later? We’re still going, ‘I can’t have a baby. Let’s have her have our baby. But do you like her? Is she better than me?’”

But as much as Sarah’s plight with infertility is relatable, other moments in the story took more work to get there, like the moment where Abraham talks with God. “I can only imagine what it would feel like to speak to God,” Donovan says.

To grapple with that notion before shooting this particular scene, the actor, dressed in his character’s tunic and waiting on the crew to set up, found a spot to sit on under a tree and thought about Abraham’s daily life and how impactful a message from God would be. “He’s a shepherd that got up with the sun and watched his flock and tried to survive,” Donovan says. “‘How do I not die today? How do I feed my family?’ For me to give the respect to the character, that deserves a couple of hours of solace and solitude.” He calls it the most difficult scene in the series for him.

And while the show explores Sarah and Abraham’s marriage, it also dives into the relationship between Sarah and Hagar, which begins when a captive Sarah is freed and she takes slave Hagar with her to give her a better life.

“Hagar finds herself pulled into this story that’s far larger than anything that she could ever have imagined for herself,” says Karam, adding that the two women grow close but conflicts also arise. “Originally, the relationship is defined by hierarchy and necessity and then there’s this complicated dependence that bounds them together for life.”

The actor expressed her satisfaction that the story of Sarah and Hagar is given a positive portrayal since that’s not always been the case. “There are versions of that story that are read through a lens of reprimanding both of these women, which I want to say is shocking but it was actually quite predictable to spin it so that it ends up being, ‘Oh, look what these two women did when they tried to take control,’” she says.

Two women look at a man holding a clay pot in both hands.

“Hagar finds herself pulled into this story that’s far larger than anything that she could ever have imagined for herself,” says Natacha Karam, left, with Minnie Driver and Jeffrey Donovan.

(Moris Puccio / Fox)

The spin from the cast and crew on the production itself was that with all “The Faithful” episodes filming in the ancient city of Rome, the series benefited from what the city had to offer in terms of scenic authenticity. Also, the unforgiving heat while shooting outdoor scenes wasn’t fun but also wasn’t a total negative, says Driver. “I’ve never been outside in 100-plus degree heat for 10 or 11 hours a day. It was brutal, but it definitely lent to the veracity of the story like where you were so beyond hot and exhausted,” she says. “There’s a generosity of its history that you’re invited in. It was this fever dream, the whole experience of being there.”

And while the Sarah-Abraham-Hagar story fills out the first episode, the March 29 installment continues the drama with the introduction of Rebekah (Alexa Davalos), who marries Sarah and Abraham’s son, Isaac (Tom Mison). Also barren for many years, she eventually receives a message directly from God that she will have twin sons and that her youngest son will one day rule. With the arrival of Esau (Ben Robson), who is born first, and Jacob (Tom Payne), she’s faced with a burden to ensure God’s message stays on course at any cost. “The story becomes about how she almost destroys her family because she’s been told that this is the way, this is the destiny,” says Weitz.

The April 5 finale, airing on Easter Sunday, moves forward as a now-exiled Jacob returns to his hometown and meets two sisters, Leah (Millie Brady) and Rachel (Blu Hunt), and sparks fly. Teases Echevarria, “tonally the episode is a little bit different and it’s a little more scandalous but certainly contemporary.” Adds Weitz, “Jacob falls in love with both of the sisters for different reasons and at different times so it becomes a story about sister rivalry for the love of the same man.”

Love is something audiences have been feeling in recent years for faith-inspired programs, which keeps this three-week event from feeling like a television anomaly. For example, Prime Video’s “The Chosen” has been exploring the life of Jesus Christ (Jonathan Roumie) for five seasons with a sixth season centered on Jesus’ crucifixion coming later this year. Also, on March 27, Prime Video launches the second season of “House of David,” which follows the journey of young shepherd David (Michael Iskander) from slaying a certain giant named Goliath to becoming the king of Israel. And earlier this month, faith-centric streamer the Wonder Project wrapped the first season of its contemporary drama series, “It’s Not Like That,” starring Scott Foley as a widowed minister raising his kids and finding love again. Plus, no Easter holiday would feel right without ABC’s annual broadcast of the 1956 classic film “The Ten Commandments,” airing April 4.

Why is faith TV having a moment now? The appetite for this kind of programming by audiences could reflect the often-bleak world of the 21st century we live in, offers Karam. “These are stories about people who are in the middle of impossible circumstances, who can’t see what the lesson is yet, or whether there’s light on the other side,” she says. “But historically, there always was and there always is [light on the other side] so I think that’s what people are hungry for right now is a framework to make sense of things.”

As long as this hunger continues and audiences show up for “The Faithful,” the producers have a wealth of stories to tell beyond the great matriarchs.

“The difference from a regular TV show is that we do have this extraordinary IP and this different perspective,” says Echevarria. “Our hope is that ours will always be a little different and we’d come at it from a different angle.” Sounds like the faith is definitely being kept.

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Clinton Tells of Marijuana Use in ’60s : Democrats: He says he tried the drug one or two times while a student in England. He had not been directly asked about it before and does not believe episode will hurt his candidacy, he adds.

Arkansas Gov. Bill Clinton acknowledged Sunday that he had experimented with marijuana while a 22-year-old student in England in the late 1960s, an admission that could raise doubts about his past candor in answering questions about his personal conduct.

For five years, the 45-year-old Clinton has answered questions about whether he had ever used drugs by saying he had never broken a U.S. law. During a televised debate here with Democratic presidential rival Edmund G. (Jerry) Brown Jr., a questioner for the first time asked Clinton explicitly whether he had ever broken either a state, federal or a foreign drug law.

“When I was in England I experimented with marijuana a time or two,” he answered on the WCBS-TV broadcast, “and I didn’t like it. I didn’t inhale and never tried it again.”

Asked the same series of questions, Brown answered bluntly: “No.”

Clinton’s disclosure, which overshadowed one of the most substantive exchanges of the political season between the two rivals, is hardly unusual for a person of Clinton’s generation. Two of the Democratic presidential candidates in 1988 acknowledged similar behavior. And nothing Clinton said about his use of marijuana contradicted what he had said before.

But his decision until now to fend off drug-use queries with a narrow response, which could mislead voters into thinking he had never used drugs of any kind, was likely to add to concerns of those who regard him as less than straightforward.

Clinton said he did not believe the episode would hurt his candidacy, noting that other politicians had admitted to using marijuana and had suffered no apparent electoral consequences. He defended his previous denials by saying he had seen no need to volunteer a reply to something he had not been directly asked.

“Nobody’s ever asked me that question point blank,” he said, adding: “I said I’ve never broken the drug laws of my country, and that’s the absolute truth.”

It was the second time in a week that Clinton found it necessary to clarify previous statements on drugs.

On Thursday, a Clinton campaign aide, Betsey Wright, volunteered to the Los Angeles Times that the governor had never used cocaine or knowingly been around it.

The Times had contacted Wright to ask about a state police drug investigation in the mid-1980s of Clinton’s half-brother and a political contributor. After answering the questions, Wright said: “I assume from the questions that you were implying guilt by association in a state where everybody is associated. For that reason, when I verified with Gov. Clinton the answers to some of the questions, I asked him the following questions:

“ ‘Bill, have you ever used cocaine?’

“He replied, ‘No.’

“I said, ‘Bill, have you ever been in a room where you were aware there was cocaine?’

“He replied, ‘No.’ ”

When asked Friday why she had posed questions never asked by The Times, Wright said she had heard “rumors” that reporters were trying to place Clinton at parties where cocaine had been used. “I decided it was best to go ahead and put the issue on the table,” she said. (Interviews by The Times with some people said to have been in attendance at those parties have produced no evidence linking Clinton to the drug.)

Later Friday, Clinton called The Times to say that the campaign had not intended to provoke a story quoting him as denying cocaine use. Senior Clinton campaign officials said they feared such a story might be seen by the public as raising yet another question about his personal life.

Clinton’s Sunday acknowledgement of marijuana use while a Rhodes Scholar at Oxford came only three days after Clinton was asked by a member of the editorial board of the New York Daily News whether he had been asked previously about his drug use.

Clinton said that he had been asked such questions, and that his answer had always been that he had never violated a U.S. law.

Clinton campaign officials later described the new admission as an “elaboration” of Clinton’s previous comments and suggested that it and the earlier, narrow denials were merely two ways of looking at the same issue.

“Bill Clinton told the truth at every step of the way,” his chief strategist, James Carville, said. “It’s like the old saying about the guy who’s being sworn into office and he’s asked, ‘Do you swear to tell the truth, the whole truth, and nothing but the truth?’ and he answers, ‘Which one do you want?’ ”

Carville and other senior Clinton aides nevertheless expressed concern that the issue would be given undue prominence and further tar their candidate at a time when polls show that a large number of Democratic voters still harbor questions about Clinton’s personal record.

For his part, however, Brown chose not to make an immediate issue either of Clinton’s marijuana use or his handling of questions about it.

After denying that he had violated any drug laws, Brown demanded of a questioner: “Why don’t you lay off this stuff? What you did 10 or 20 years ago is not really relevant.”

But Brown himself was forced during the debate to respond to a new suggestion of impropriety in a Washington Post story detailing his ties to a company that paid a $400,000 settlement to the federal government after being accused of making exaggerated claims about a product said to help treat AIDS.

Brown, who served on the board of directors of a subsidiary to the company, Costa Mesa-based ICN Pharmaceuticals Inc., until he began his presidential campaign, said he had had “nothing to do” with the episode. He said his position gave him “no responsibility and no contact” with the parent firm.

Clinton did not press the issue during the debate, saying his own experience made him wary of “piling on.” But he suggested later in the day that justice was being done as he told a Bronx audience that “the press is finally starting to look at” a rival he believes has been treated too gently.

Clinton framed his response to the drug question during an era when the issue rose to political prominence.

In 1987, Supreme Court nominee Douglas H. Ginsburg was forced to withdraw his name from nomination after it was learned that he had used marijuana when he was a law-school professor.

But other politicians, including Sen. Albert Gore Jr. of Tennessee and Gov. Bruce Babbitt of Arizona, both 1988 Democratic presidential candidates, acknowledged using marijuana while in college and suffered no apparent political consequences.

Supreme Court Justice Clarence Thomas has also admitted to having used marijuana, but the issue was given only passing attention during his confirmation hearings.

Clinton, by contrast, has steadfastly refused to answer “have you ever” questions about drug use, adultery or other matters of personal conduct on grounds that they are not legitimate subjects of inquiry.

He has said it is legitimate, however, for an officeholder or a candidate to be questioned about violations of law, and has always responded to questions about his drug use by stating that he had adhered to U.S. drug laws.

Earlier in the morning, Clinton delivered what amounted to an impassioned political sermon to the enthusiastic congregation of an African Methodist church in a mostly black neighborhood in Queens.

But faced with continued criticism of his periodic use of an all-white country club to play golf–conduct that Clinton has said was a mistake–his message Sunday was in part a plea for redemption from a black community from which he has so far drawn deep support.

“I have seen myself turned into a cartoon character of an old Southern deal-maker by the tabloids and television in a total denial of my life’s work,” he said.

He told the congregation he had made “a foolish mistake.” And as he cited Scripture later, the congregation joined him in a sympathetic chorus to murmur “those who are without sin should cast the first stone.”

The hourlong debate here between Clinton and Brown, who participated via satellite from Wisconsin, was one of the better illuminations of the differences between the Arkansas moderate and the California populist-liberal.

Again and again, the two candidates clashed on issues ranging from economic policy to capital punishment to labor issues to Middle East strategy.

On economic issues, Brown advanced his proposal to overhaul the current tax systems and replace them with a 13% flat-tax as a “progressive tax” whose simplicity would “jump-start the economy.”

But Clinton, who favors a more conventional middle-class tax cut and an increase on taxes for the wealthy, again derided Brown’s idea as a plan that would benefit only the wealthy and would “triple taxes on the poor and raise taxes on the middle class.”

In answer to a question, Clinton said he favored capital punishment as well as a proposal to accelerate what is now the time-consuming process under which a death-row inmate may appeal his sentence.

But Brown described Clinton’s decision earlier this year to order the execution of a man whose lawyer claimed he was retarded as a “moral abomination.” He contended that the proposal to limit death-penalty appeals was part of a “systematic erosion of civil liberties” and said: “I would oppose it with every ounce that I have.”

Brown said he would favor a five-year moratorium on the manufacture of handguns. But Clinton, while describing himself as an advocate of gun control, said he was unsure whether he could embrace such an approach.

On Israel, Clinton defended what he described as a longstanding U.S. willingness to “wink” at Israeli settlements on the occupied West Bank and criticized the Bush Administration’s recent get-tough policy. But Brown bluntly said he regarded the settlements as “a problem.”

Asked about an issue important to labor unions, the two candidates made clear that their allegiance pulled them in different directions.

Clinton said he would favor placing young people in jobs of all kinds as part of a civilian corps to give them training for the future.

But Brown warned that the low wages paid to such employees would undermine working people and suggested that any such corps be limited to outdoor conservation efforts.

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‘Disturbing’ BBC documentary returns with brutal episode tonight

The documentary series has been branded a must watch for fans of true crime

A harrowing BBC Two documentary will return to screens with another chilling episode that true crime fans are being urged not to miss.

Forensics: The Real CSI has returned for a brand new series plunging viewers into real life drama as it follows West Midlands Police Force, investigating serious crimes in real time.

In a race against the clock, viewers witness plenty of chaos as officers uncover horrific truths and a sense of urgency in their search for justice. The series also gives a deeper insight into the forensics work that puts together vital evidence during an investigation, with specialised officers often working with little to no evidence.

Branded the perfect watch for fans of 24 Hours in Police Custody, the BBC documentary series returned with a harrowing episode earlier this month, which viewers said left them “shocked”.

Another brutal episode is set to air tonight (March 22) at 9pm on BBC Two. A BBC synopsis reads: “In Cumbria, a 999 call comes in at 1.00: a supermarket cash machine is being broken into by a gang of thieves. They’re working at speed, using high-powered cutting equipment.

“They make their getaway before the police arrive, taking thousands of pounds. It’s the second cash machine in the county targeted in 24 hours.”

It continues: “Seventy miles away, reports of the Cumbrian raids are shared with a specialist West Midlands Police task force who have been chasing a prolific gang of organised criminals suspected of attacking cash machines around the country.

“Their method of breaking into the machines using specialist machinery known as the ‘jaws of life’ has led to them being named the JOL Gang.

“While the task force gathers intelligence in the West Midlands, Cumbria Police takes the lead on forensics. The investigation becomes more urgent when there’s a third attack in Cumbria.”

Taking to social media, one viewer described it as a “brilliant series”. Commenting on last week’s instalment, one viewer said: “Have you watched the latest The Real CSI episode 2 it’s brutal.”

A third added: “Forensics is absolutely fascinating.” One person said the new instalments had their “blood boiling”.

Previously, West Midlands Police promoted the harrowing series as one viewer commented: “I watched it last night. It was very eye opening. The forensics and camera and phone tracking and hacking were brilliant.”

Another said: “Just watched, truly disturbing.” A third added: “Best programme on the t.v, it’s scary the number of teenagers carry knives need to get them off the streets”

A fourth penned: “Easily the best programme on the tv at the moment. The work that the forensic experts do to bring a criminal to justice is unreal.”

Forensics: The Real CSI returns tonight at 9pm on BBC Two.

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True crime doc making viewers ‘sick’ to air ‘frantic’ episode tonight

The brutal episode will plunge viewers into another chilling investigation

A chilling new episode of a harrowing true crime documentary will be released tonight.

Viewers are once again plunged into a race against time as Forensics: The Real CSI’s brand new series continues, giving fans an unprecedented insight into a local police force. Focusing on the forensic evidence gathered in the search for justice, the documentary, now in its sixth series, has been branded the perfect watch for fans of true crime.

Plunging viewers into complex investigations and searches within the West Midlands Police Force, another brand new episode is set to air tonight (March 15) at 9pm on BBC2 with yet another chilling case.

Tonight’s instalment will investigate a harrowing phone call where one teenage girl calls 999 to say her friend has been attacked as his life hangs in the balance.

A BBC synopsis reads: “It’s the early hours of the morning when a frantic teenage girl calls 999 to say that her friend has been attacked and stabbed in a car park. Police rush to the scene, where they find a 16-year-old boy with a life-threatening stab wound to his stomach.

“While his life hangs in the balance, the case is escalated to West Midlands Police’s homicide team, and forensic investigators get to work. They discover two discarded weapons at the scene – a kitchen knife and a machete.”

The episode will also be available to stream on BBC iPlayer shortly after broadcast, with other instalments also available to stream online.

Titled Ambush in the Car Park, the upcoming episode marks the third instalment within the new series, with viewers having to wait every week for new episodes to be released.

Previously, viewers have witnessed a brutal attack in a public phone box with investigators searching for evidence, as well as a young boy who was fatally stabbed on his way home from school with police suspecting a 14 year old, but needing forensic proof.

Viewers claimed the new series has broadcast the “worst” episodes yet, with one saying last week’s instalment was “absolutely shocking”.

Another described the latest series as “unbelievable” as a third said they were “speechless”. A fourth added: “Made me feel sick.”

Spanning across six seasons, the BBC documentary has been branded as the “best ever”, becoming a firm favourite amongst true crime fans.

Taking to TikTok, one true crime fan said the upcoming series was a must watch, adding: “I love this show… they’re really interesting. Some of them are quite brutal what you see.”

One person commented: “Real CSI is my most favourite programme I’ve watched every single series.” Another wrote: “Been waiting so long for a new series.” A third added: “Forensics is one of the best documentaries.”

Forensics: The Real CSI airs tonight at 9pm on BBC Two. For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

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