entertainment

Arrest comes after police found the body of Celeste Rivas in a car registered to the musician last year.

American rapper David Anthony Burke, known by his stage name d4vd, has been arrested on suspicion of murdering a 14-year-old girl whose dismembered body was found in a car registered to him.

Los Angeles police took the 21-year-old singer into custody on Thursday “for the murder of Celeste Rivas”, the city’s police department said in a statement. He is being held without bail.

Burke’s arrest comes seven months after police uncovered Rivas’s badly decomposed body in the trunk of an impounded Tesla registered in his name.

Investigators found two black bags in the vehicle – one holding a decomposed head and torso and the other containing other body parts, according to a court filing. An autopsy revealed that Rivas “appeared to have been deceased inside the vehicle for an extended period of time before being found”. The discovery occurred one day before Rivas would have turned 15.

The LA County District Attorney’s office will review the case against Burke on Monday for formal charges, according to police.

Burke’s lawyers issued a statement saying they would “vigorously defend” his “innocence”.

“Let us be clear – the actual evidence in this case will show that David Burke did not murder Celeste Rivas Hernandez and he was not the cause of her death,” lawyers Blair Berk, Marilyn Bednarski and Regina Peter said in a statement quoted by NBC News.

Burke, from Queens, New York, shot to internet fame in 2022 when his Romantic Homicide became a breakout hit on TikTok.

Last year, the musician cancelled the last part of his US and European tours amid growing fallout from the investigation into Rivas’s death.

The company’s stock plunged about 8 percent on the news of Hastings’s departure.

Netflix Chairman Reed Hastings is leaving the streaming service he cofounded 29 years ago as the company regains its footing after it lost its $72bn deal for Warner Bros Discovery to Paramount Skydance.

In a letter to investors released on Thursday, Netflix said Hastings will not stand for re-election at its annual meeting in June and plans to focus on philanthropy and other pursuits.

The company’s stock plunged about 8 percent on the news of Hastings’s departure. The cofounder is credited with helping to revolutionise how movies and television shows are delivered in homes, upending Hollywood’s business model.

“Netflix is growing revenues double-digits, expanding margins in 2026 and gushing free cash flow,” said LightShed Partners media analyst Richard Greenfield. “While the Q1 was uneventful financially, the departure of Reed Hastings has spooked investors.”

Netflix reaffirmed in a 14-page shareholder letter that its mission remains “ambitious and unchanged” – to entertain the world, providing movies and series for many tastes, cultures and languages. The company’s full-year outlook remained unchanged.

The company did not say how it plans to spend the $2.8bn termination fee it received after losing the Warner Bros movie studio and HBO, and lifted its earnings per share to $1.23 in the first quarter compared with 66 cents per share in the same quarter last year.

Revenue rose to $12.25bn, an increase of 16 percent from the year-ago period, modestly exceeding analyst forecasts of $12.18bn.

Netflix, which long told investors that a Warner Bros acquisition was a “nice to have, not need to have” proposition, highlighted areas of future growth.

The company said its investment in expanding its entertainment offerings, with video podcasts and live entertainment – such as the World Baseball Classic in Japan – is driving engagement.

It plans to use technology to improve the user experience and improve monetisation, as advertising revenue remains on track to reach $3bn in 2026 – a twofold increase from a year ago.

The Walt Disney Co. has begun a broad round of layoffs, which will result in 1,000 jobs being cut across multiple divisions within the Burbank entertainment giant.

The layoffs, which began Tuesday, will ripple across Disney’s television and movie studios, sports giant ESPN, its product and technology unit, corporate functions and marketing, according to a person familiar with the retrenchment but not authorized to comment.

Chief Executive Josh D’Amaro notified Disney staff members about the looming cuts on Tuesday morning. In the message, viewed by The Times, D’Amaro acknowledged the elimination of roles would be difficult.

The move follows Disney’s announcement in January that it would consolidate Disney’s sprawling marketing division.

“Over the past several months, we have looked at ways in which we can streamline our operations in various parts of the company to ensure we deliver the world-class creativity and innovation our fans value and expect from Disney,” D’Amaro said in the note.

“Given the fast-moving pace of our industries, this requires us to constantly assess how to foster a more agile and technologically-enabled workforce to meet tomorrow’s needs,” D’Amaro wrote. “As a result, we will be eliminating roles in some parts of the company and have begun notifying impacted employees.”

The cost-cutting is one of the first major moves since D’Amaro became chief executive last month.

After officially taking the reins, D’Amaro told employees he wants the company — which includes film and TV studios, a tourism division, streaming services and live sports programming — to operate as “one Disney,” saying the global businesses all play a role in deepening consumers’ relationship with the brand and its characters.

Traditional entertainment companies have been reeling from the steady erosion of what was once an economic pillar — programming fees from ESPN, Disney Channel and other popular outlets.

Last week, Sony Pictures Entertainment said it planned to cut hundreds of its employees worldwide as it looked to restructure its business. Paramount Skydance, since its takeover by David Ellison, has eliminated more than 2,000 jobs. Even Netflix has jettisoned jobs.

Disney erased at least 8,000 jobs after D’Amaro’s predecessor, Bob Iger, returned for his second stint as CEO in November 2022. Iger determined that Disney was cranking out too many TV shows and made-for-streaming movies, many of which didn’t live up to the company’s high standards of quality and diluted its blockbuster franchises.

This year, the company has been centralizing its operations, including folding its marketing for entertainment, sports and experiences into a single division that reports to Asad Ayaz, its chief marketing officer.

The streamlining is a way to reduce expenses and better organize a sometimes confusing reporting structure.

“Despite these difficult decisions, I remain optimistic about where we’re headed as a company,” D’Amaro said in Tuesday’s note.

“Compassion and respect remain at the heart of our company,” D’Amaro wrote. “As we move forward through this transition, our priority is to support those impacted and help each person navigate what comes next with resources, guidance, and direct support.”

“I’m deeply grateful for all of your contributions and for the dedication, professionalism, and care you bring to your work each day,” D’Amaro said. “Even in challenging moments, you continue to demonstrate what makes Disney so special.”

Sony Pictures Entertainment plans to lay off a few hundred employees globally in a move to restructure its business.

The cuts, announced Tuesday afternoon, are set to affect employees who work across Sony’s film, TV and corporate divisions the company said, declining to specify how many would lose their jobs.

Sony said the cuts reflect a shift in business strategy under its new chief executive, Ravi Ahuja.

“As we lean into those priorities, we need to operate with greater focus, speed, and alignment to strengthen our differentiated capabilities,” said Ahuja in a statement. “To support our growth, we are aligning our organization with where the business is going — not where it has been. That requires changes to how we are structured and where we invest.”

Ahuja, who was promoted just over a year ago, added that the company is ”reducing roles in certain areas while increasing focus and investment in others that are most critical to our future.”

Sony plans to focus on franchise strategy and brand extension with game shows, as well as develop more anime, experiences and invest in content that will connect with a younger audience. This includes more game adaptations and growing its YouTube capabilities.

One of the studio’s biggest franchises is the “Spider-Man” universe, which includes both live-action films starring actors like Tom Holland and the Oscar-winning animated “Spider-Verse” movies. The studio is set to release the latest live-action installment, “Spider-Man: Brand New Day,” this summer. The previous movie “Spider-Man: No Way Home” was a major win for Sony as it generated $1.9B globally.

Sony Pictures operates under its Japanese parent company Sony Group Corp, alongside other subsidiaries like Sony Music Group and Sony Electronics. The film studio was established in 1987 and maintains a strong presence in Culver City.

Recently, the studio acquired the “Peanuts” comic in a $457-million deal, reupped the “Reading Rainbow” for a YouTube audience and is working on PlayStation adaptations for video games like “Helldivers” and “God of War.”

The company has also combined its game-show group with its nonfiction TV department and is slowing down areas of its business that have low growth, like the VFX and virtual production studio, Pixomondo.

The layoffs are the latest to hit Hollywood, which has been hard hit by the exodus of film and TV jobs to other states and countries, a cutback in the number of films being released and media consolidation. Last year, Paramount cut 10% of its workforce after it was acquired by David Ellison’s Skydance Media.

Chuck Norris, a former martial arts champion and 1980s action-film hero, has died at the age of 86, according to his family.

In a statement posted to Instagram on Friday, his family described Norris’s death as sudden.

“It is with heavy hearts that our family shares the sudden passing of our beloved Chuck Norris yesterday morning,” the Norris family wrote.

“While we would like to keep the circumstances private, please know that he was surrounded by his family and was at peace.”

According to the publication Variety, Norris had been hospitalised in Hawaii since Thursday, though details were not disclosed.

Norris was the six-time undefeated World Professional Middleweight Karate Champion from 1968 to 1974. But he rose to wider fame in a series of action films, including 1985’s Code of Silence, 1984’s Missing in Action and 1986’s The Delta Force.

He further cemented his status as a household name when he starred from 1993 to 2001 in the popular TV series Walker, Texas Ranger, playing a principled lawman.

Norris’s tough-guy image made him an internet meme in his later years, though he received pushback for his far-right political views and embrace of conspiracy theories.

His family expressed gratitude to fans for their prayers during his hospitalisation.

“He lived his life with faith, purpose, and an unwavering commitment to the people he loved,” the post read. “Through his work, discipline, and kindness, he inspired millions around the world and left a lasting impact on so many lives.”

‘The ultimate tough guy’

Norris starred in more than two dozen films, often portraying stoic loners, soldiers, lawmen and all-American heroes who captured criminals and rescued hostages.

He made his film debut in 1973’s The Way of the Dragon, where he famously faced martial arts icon Bruce Lee in Rome’s Colosseum.

In 1985, Time magazine dubbed him “the ultimate tough guy” and “the undisputed superstar” of the B-movie action genre.

On screen, Norris was known for his signature roundhouse kicks, shrugging off gunfire and dispatching opponents with ease. His tough-guy persona made him a box-office draw and a television staple.

Decades later, he joined fellow action stars Sylvester Stallone, Arnold Schwarzenegger and Bruce Willis in 2012’s The Expendables 2, helping defeat a villain played by Belgian fighter Jean-Claude Van Damme.

He also became an unlikely internet phenomenon. In 2005, “Chuck Norris Facts”, a series of satirical jokes about his strength and masculinity, went viral and inspired several books.

The “Facts” included jokes like “Chuck Norris has a mug of nails instead of coffee in the morning” and “Chuck Norris doesn’t do push-ups; he pushes the Earth down.”

‘Texas has lost a legend’

Carlos Ray Norris was born on March 10, 1940, in Ryan, Oklahoma, the oldest of three brothers. The family moved to California after his parents divorced.

He described himself as extremely quiet and introverted as a young man, which he attributed to his father’s alcoholism and the family’s poverty.

“In school I was shy and inhibited,” Norris wrote in his 2004 memoir, Against All Odds: My Story. “If the teacher asked me to recite something aloud in front ‌of the ⁠class, I would just shake my head no.”

According to Norris, he was also not a natural athlete growing up, and he credited his martial arts career to intense training.

After graduating from school, he enlisted in the US Air Force in 1958. While stationed in South Korea, he learned Tang Soo Do, a form of karate, and other martial arts.

The future film star started teaching martial arts in California after his discharge. Actor Steve McQueen, who was one of Norris’s students, eventually encouraged him to try acting.

Tributes poured in following news of his death, including from political figures who shared Norris’s far-right leanings.

“Texas ‌has lost a legend,” Texas Governor Greg Abbott wrote on X, referencing Norris’s work on Walker, Texas Ranger.

“He electrified generations of conservatives. Giving them a passion and voice to fight for the principles that make America the greatest nation on earth.”

Israel’s Prime Minister Benjamin Netanyahu also paid tribute, calling Norris “a great friend of Israel and a close personal friend”.

High-profile stars and artists also mourned Norris’s passing, including several of Norris’s colleagues.

Stallone, for instance, wrote in a statement, “I had a great time working with Chuck. He was All American in every way. Great man and my condolences to his wonderful family.”

Author Stephen King, meanwhile, shared a memory of being thrilled — and scared — by Norris’s performance in the action-horror film Silent Rage.

“I thought he was great,” King said.

Walt Disney Co.’s incoming president and chief creative officer, Dana Walden, has unveiled her leadership team, which includes several familiar faces from the company’s film, television and marketing units.

Walden will become Disney’s first woman president on Wednesday. She will report to Josh D’Amaro, who will succeed Bob Iger as Disney’s chief executive, following the company’s annual meeting with shareholders and its high-profile leadership handoff.

Walden’s senior team includes her longtime creative partner, Alan Bergman. As chairman of Disney Entertainment and Studios, Bergman will continue to oversee Disney’s film studios, including production, marketing and distribution.

Bergman also will retain oversight of Disney’s streaming programming in concert with Walden.

Disney executives Joe Earley and Adam Smith were named co-presidents of Disney’s entertainment direct to consumer offerings — Disney+ and Hulu. Both executives will be responsible for strategy and financial performance and report to Walden and Bergman.

Earley and Walden worked together when they were Fox executives; Earley will also serve as head of content strategy.

Smith continues in his role as Disney Entertainment chief product and technology officer. He also will continue to collaborate with ESPN Chairman Jimmy Pitaro on matters related to ESPN and ESPN+.

Debra OConnell will step into a newly-formed role as chairman of Disney Entertainment Television.

She will have a broad TV portfolio that includes ABC Entertainment, Disney-branded cable channels, Hulu Originals as well as programming from National Geographic, 20th Television and 20th Television Animation.

OConnell will continue to oversee ABC News and the ABC-owned television stations, including KABC-TV Channel 7 in Los Angeles.

Disney’s incoming president Dana Walden has established her senior leadership team.

(Richard Shotwell/Richard Shotwell/Invision/AP)

Sean Shoptaw, who serves as executive vice president for games and digital entertainment, and his organization, will shift from Disney Experiences and into Walden’s division.

Shoptaw oversees Disney’s games business and its collaboration with Epic Games to develop a Disney universe connected to Fortnite.

John Landgraf remains chairman of FX and will continue to report directly to Walden.

Asad Ayaz, who is chief marketing and brand officer, has an influential remit across Disney’s various business segments. He will report to D’Amaro and Walden.

“The strength of Disney has always been the emotional connection between our stories and the people who love them,” Walden said in a statement. “As fans engage with Disney across more formats and platforms than ever before, we are bringing together the full power of our creative businesses to build an even more connected experience for audiences.”

One Battle After Another was the big winner of the 98th Academy Awards, taking home six Oscars.

Paul Thomas Anderson’s black comedy about a has-been revolutionary won Best Picture, Best Director, Best Adapted Screenplay, Best Supporting Actor, Best Film Editing, and Best Casting.

Sinners, which entered the ceremony with a record 16 nominations, was the second-biggest winner of the night, with four awards.

Michael B Jordan earned Best Actor for his leading role, while director Ryan Coogler picked up his first Oscar for Original Screenplay.

In the acting categories, Jessie Buckley won Best Actress for Hamnet, marking her first Academy Award, while Amy Madigan was recognised as Best Supporting Actress for Weapons.

Elsewhere, the South Korean musical fantasy KPop Demon Hunters won two Oscars, while Frankenstein also secured two awards.

Here is the full list of winners:

Best Picture
One Battle After Another 

Best Actress
Jessie Buckley, Hamnet

Best Actor
Michael B Jordan, Sinners

Best Supporting Actress
Amy Madigan, Weapons

Best Supporting Actor
Sean Penn, One Battle After Another

Best director
Paul Thomas Anderson, One Battle After Another

Best Original Score
Ludwig Göransson, Sinners 

Best Animated Film
KPop Demon Hunters

Best International Feature
Sentimental Value

Best Documentary Feature
Mr Nobody Against Putin

Best Casting
Cassandra Kulukundis, One Battle After Another

Best Sound
Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A Rizzo and Juan Peralta, F1

Best Original Screenplay
Ryan Coogler, Sinners

Best Adapted Screenplay
Paul Thomas Anderson, One Battle After Another

Best Documentary Short
All the Empty Rooms  

Best Live Action Short Film
The Singers and Two People Exchanging Saliva (tie)

Best animated short film
The Girl Who Cried Pearls

Best Music (Original Song):
EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Teddy Park for Golden, KPop Demon Hunters

Best Film Editing:
Andy Jurgensen, One Battle After Another

Best Cinematography:
Autumn Durald Arkapaw, Sinners

Best Production Design:
Tamara Deverell and Shane Vieau, Frankenstein

Best Costume Design
Kate Hawley, Frankenstein

Best Makeup and Hairstyling
Mike Hill, Jordan Samuel and Cliona Furey, Frankenstein

Best Visual Effects
Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett, Avatar: Fire and Ash

As anticipated, it ended up being One Battle After Another’s night at the 98th annual Academy Awards, with the political thriller carting away six Oscars out of a total of 13 nominations.

But while Paul Thomas Anderson’s magnum opus continued its march towards award-season domination, there were moments of genuine surprise and subversion in Sunday’s ceremony.

Some of those moments had to do with the current political climate in the United States.

Host Conan O’Brien and his fellow presenters deftly avoided mentioning President Donald Trump by name, but their barbs took direct aim at his policies since returning to office.

Other surprises came from within the filmmaking community itself. For only the seventh time in Oscar history, a tie was announced: Two films had gotten an equal number of votes for Best Live Action Short.

As a result, both the surrealist thriller Two People Exchanging Saliva and the moody bar-room drama The Singers shared the Academy Award.

Here are six key takeaways from the night.

A two-horse race between Sinners and One Battle

The vampire film Sinners came into Sunday night’s ceremony with a record 16 Oscar nominations. But the big question of the night was: How many nods could it actually convert into wins?

Its biggest competition was, of course, Anderson’s One Battle After Another, which had the second highest tally of nominations.

Sinners director Ryan Coogler and Anderson were in direct competition in several top categories, including Best Picture and Best Director.

In both cases, Anderson came out ahead, though he acknowledged how fickle such awards can be.

“ I just want to say that, in 1975, the Oscar nominees for Best Picture were Dog Day Afternoon, One Flew Over the Cuckoo’s Nest, Jaws, Nashville and Barry Lyndon,” the four-time Best Director nominee said, listing films now considered to be Hollywood classics.

“There is no best among them. There is just what the mood might be that day.”

In the categories for Best Supporting Actor and Best Film Editing, One Battle After Another also triumphed, as well as for the inaugural award for Best Casting.

But in a sign of how well matched their two films were, both Coogler and Anderson emerged from the night with writing Oscars.

Anderson picked up Best Adapted Screenplay award for his use of the Thomas Pynchon novel Vineland, while Coogler made off with the Best Original Screenplay Oscar for Sinners, a work inspired by his uncle’s love of the blues.

Jordan dunks on Chalamet in Best Actor race

Sinners, which won four Academy Awards overall, earned some of the most emotional, nail-biting victories of the night.

In the Best Cinematography category, for instance, Autumn Durald Arkapaw became the first woman to top the field.

It was her first nomination and first win, with Arkapaw besting veteran cinematographers like Marty Supreme’s Darius Khondji and Frankenstein’s Dan Laustsen, both multiple nominees.

Another big win for Sinners came in the form of Michael B Jordan, the actor whom Coogler has cast in every film since his directorial breakout in 2013’s Fruitvale Station.

Jordan, 39, was in a tight race for Best Actor with another young performer, 30-year-old Timothee Chalamet of the 1950s ping-pong drama Marty Supreme.

But Chalamet’s aggressive campaigning may have ultimately sabotaged his prospects. Multiple cracks were taken throughout the night at Chalamet’s recent comments disparaging opera and ballet.

“Nobody cares anymore” about either art form, Chalamet said in an interview last month.

“We can change society through art, through creativity, through theatre and ballet and also cinema,” director Alexandre Singh said pointedly during his acceptance speech for Best Live Action Short.

O’Brien, meanwhile, acknowledged the backlash with a joke about heightened security at the night’s Oscar ceremony.

“I’m told there are concerns about attacks from both the opera and ballet communities,” O’Brien said, before turning to Chalamet. “They’re just mad you left out jazz.”

A conga line of snubs

Given the dominant performances from Sinners and One Battle After Another, plenty of critically acclaimed films left empty-handed, or nearly so.

Guillermo del Toro’s Frankenstein, as expected, earned three wins in technical categories, including Best Production Design, Best Costumes and Best Hairstyling and Makeup.

Netflix’s smash hit KPop Demon Hunters, meanwhile, also fulfilled expectations that it would dominate in its categories, Best Animated Feature and Best Original Song.

But then there were former frontrunners like Hamnet that failed to generate much traction, including for director Chloe Zhao, a past Oscar winner. Out of eight nominations total, it only came away with one win: a Best Actress trophy for Irish performer Jessie Buckley.

Marty Supreme and the Brazilian film The Secret Agent fared worse, however. Despite having nine nominations and being considered an early shoo-in for Best Actor, Marty Supreme scored no wins.

The Secret Agent, which swept the Best Actor and Best Director categories at the 2025 Cannes Film Festival, also earned nothing at this year’s Oscars.

Same was true for the quirky kidnapping drama Bugonia, from Oscar darling Yorgos Lanthimos.

Fears about artificial intelligence

The ceremony, however, did occasionally veer away from the competition between the films to discuss issues facing the film industry and the country as a whole.

Among those was the creeping growth of artificial intelligence (AI) in the creative sector.

In the weeks leading up to the 98th Oscars, an AI-generated video clip had gone viral, appearing to show Hollywood icons Brad Pitt and Tom Cruise in a rooftop brawl worthy of a James Bond movie.

The clip had been generated through AI software developed by the Chinese firm ByteDance, and Hollywood leaders quickly denounced it as a threat to their livelihood, not to mention a copyright infringement.

Those concerns reverberated on the Oscar stage on Sunday, with O’Brien and others addressing the growing use of AI.

“Tonight we are celebrating people, not AI, because animation – it’s more than a prompt,” actor Will Arnett said emphatically as he introduced the animation awards.

O’Brien, meanwhile, joked that, by next year, his hosting gig would be taken by “a Waymo in a tux”.

Trump skewered for threatening free speech

Another concern looming over the night’s Oscar ceremony came in the form of President Donald Trump, who has courted controversy by launching deadly military attacks in Venezuela and Iran, as well as leading a violent immigration crackdown in the US.

At no point was Trump mentioned by name. But his leadership was alluded to throughout the night.

O’Brien, the host, set the tone early on with his oblique jabs at the Republican president in his opening monologue.

“When I hosted last year, Los Angeles was on fire,” the two-time Oscar emcee said in remarks dripping with sarcasm. “But this year, everything’s going great.”

Fellow comedian Jimmy Kimmel was even more direct. Last September, his show was briefly suspended after Trump criticised the comedian.

The head of the Federal Communications Commission, a Trump appointee, subsequently threatened the broadcasting license of the TV channel Kimmel performs on.

“There are some countries whose leaders don’t support free speech. I’m not at liberty to say which. Let’s just leave it at North Korea and CBS,” Kimmel quipped, referring to another channel that cancelled a fellow late-night comedy show.

Several filmmakers honoured at the Oscars likewise waded into the controversies surrounding Trump.

Best Documentary Feature winner David Borenstein, for instance, implied a parallel between his film — an exploration of authoritarianism in Russia — and what is currently happening in the US.

“Mr Nobody against Putin is about how you lose your country,” Borenstein explained.

“What we saw when working with this footage is that you lose it through countless small little acts of complicity: when we act complicit, when a government murders people on the streets of our major cities, when we don’t say anything, when oligarchs take over the media.”

Political speeches avoid mention of Iran war

The Oscars come roughly seven months ahead of the pivotal midterm elections in the US, which could see Trump’s Republican Party lose its majorities in Congress.

But while several filmmakers did hint at their anti-Trump stances, few explicitly denounced his policies.

For example, Norway’s Joaquim Trier, the winner of the Best International Feature category, veiled his criticism in a James Baldwin quote about the duty to protect children.

“Let’s not vote for politicians who don’t take this seriously into account,” Trier said.

No artist during the night referenced the US and Israeli war against Iran either, though its effects were felt among the participants of this year’s Oscar crop.

Writer-director Jafar Panahi, whose work was up for two Oscars on Sunday, has already said he plans to return to his native Iran after the awards season concludes.

Meanwhile, Iranian politician Sara Shahverdi — the subject of a nominee in the Best Documentary Short category — was prevented from attending the Oscars at all due to Trump’s ban on visas for 39 countries.

Palestinian actor Motaz Malhees, star of the Oscar nominee The Voice of Hind Rajab, likewise told media outlets he could not be present at the ceremony due to the travel ban.

The most pointed acknowledgements of the US-led and US-backed conflicts in the world were brief. When Spanish actor Javier Barden took the Oscar stage to present an award, he offered up six words, “No to war, and free Palestine!”

Russian filmmaker Pavel Talankin, meanwhile, made a similar appeal to the audience. “In the name of our future, in the name of all of our children, stop all of these wars now,” he said.

But by and large, the Oscar winners and presenters kept their remarks vague, emphasising global unity over political criticism.

“If I can be serious for just a moment, everyone watching right now around the world is all too aware that these are very chaotic, frightening times,” O’Brien told the audience at the outset of the night.

“It is at moments like these that I believe that the Oscars are particularly resonant. Check it out. Thirty-one countries across six continents are represented this evening, and every film we salute is the product of thousands of people speaking different languages.”

Cinema, he and others argued, transcended borders. The talent on stage was not the US’s alone.

The 98th Academy Awards, known as the Oscars, will celebrate some of the top films released in 2025 on Sunday.

The ceremony will take place in Los Angeles with actors, directors and filmmakers from around the world competing for Hollywood’s most prestigious prizes.

But this year’s ceremony comes at a time of global tension, with the ongoing war in Iran serving as a sombre backdrop to Hollywood’s annual celebration.

“My job is always to try to walk a very thin line between entertaining people and also acknowledging some of the realities,” host Conan O’Brien said during a Wednesday news conference with the Oscars creative team.

Here is what we know about the upcoming ceremony:

Where will the Oscars be held?

The 98th Academy Awards will take place at the Dolby Theatre at Ovation Hollywood in Los Angeles on March 15.

The ceremony will start at 4pm West Coast time in the United States (23:00 GMT), with official red carpet coverage beginning at 3:30pm (22:30 GMT).

Where can I watch the ceremony?

The 2026 Oscars will be broadcast in the US on the TV channel ABC. Viewers with a cable subscription can also watch online by signing in through the ABC app or ABC.com.

The ceremony will also be streamed live on the video platform Hulu.

Those without traditional cable can access the broadcast through live TV streaming services that carry ABC, including Hulu + Live TV, YouTube TV, AT&T TV and FuboTV.

But the Oscars’ ties with ABC may soon be at an end. Last year, the Academy announced that, beginning in 2029, the Oscars will sever its decades-long relationship with ABC and stream exclusively on YouTube.

The shift to an online-only platform is a big shake-up for the Academy Awards, ending a tradition more than half a century old.

ABC began broadcasting the Oscars in 1976, and before that, it aired on a rival channel, NBC, starting in 1953.

Who is hosting the Academy Awards?

O’Brien is hosting the 98th Academy Awards, marking his second consecutive year emceeing the ceremony.

“This year, I know where the doughnuts are. I know my way around a little bit, and so, I think that’s going to be fun,” Conan said.

In remarks this week, the comedian explained he believes the key to success on the Oscar stage is having a good time and staying in the moment.

He added that he and his writing team are still refining the material ahead of the show, to keep it as current as possible.

“What’s happening in the world will be reflected in the show,” he said.

How can I watch the red carpet?

The Oscars red carpet is broadcast several hours before the ceremony, as filmmakers and other celebrities arrive for the ceremony.

The red carpet has long served as a stage for Hollywood’s best fashions, and actors often pause for interviews with social media and television hosts to discuss the awards and what they’re wearing.

Several shows will broadcast from the red carpet:

• The official Oscars red carpet (“On the Red Carpet at the Oscars”): 20:30 GMT, hosted by Tamron Hall and Jesse Palmer
  • Streaming services: Viewers without cable can watch through platforms that carry ABC, including Hulu + Live TV, YouTube TV, fuboTV and Sling TV.
• E! Live from the Red Carpet: 21:00 GMT
  • Streaming services: The E! network will carry the live coverage, as will the streaming platform Peacock and live TV service providers like Roku, Hulu + Live TV, YouTube TV and more.

British comedian Amelia Dimoldenberg also returns for the third year as the official Oscars social media correspondent.

Who is presenting?

As is tradition, last year’s acting winners will return to present awards at the ceremony. They include Adrien Brody (The Brutalist), Kieran Culkin (A Real Pain), Mikey Madison (Anora) and Zoe Saldana (Emilia Perez).

They will be joined by a wide range of actors and filmmakers presenting throughout the night, including Javier Bardem, Chris Evans, Chase Infiniti, Demi Moore, Kumail Nanjiani, Maya Rudolph, Will Arnett, Priyanka Chopra Jonas, Robert Downey Jr, Anne Hathaway, Paul Mescal, Gwyneth Paltrow, Rose Byrne, Nicole Kidman, Jimmy Kimmel, Delroy Lindo, Ewan McGregor, Wagner Moura, Pedro Pascal, Bill Pullman, Lewis Pullman, Channing Tatum and Sigourney Weaver.

Who is performing at the Oscars?

This year’s show will feature two musical performances tied to the Best Original Song nominees.

Rei Ami, EJAE and Audrey Nuna are set to perform the hit single Golden from the animated film KPop Demon Hunters, and actor Miles Caton will reprise the song he sang in the movie Sinners, called I Lied to You, alongside songwriter Raphael Saadiq.

Like the film itself, the Sinners musical performance at the Oscars will serve as a tribute to Black artistry across generations and genres.

As such, it will include an array of artists, from ballerina Misty Copeland to rocker Brittany Howard to blues and jazz musicians like Eric Gales, Bobby Rush and Alice Smith, among others.

What movies have the most nominations?

Sinners is the most-nominated film in Academy Award history with 16 nominations.

That tally broke the previous record of 14 nominations, which was held by three films: All About Eve (1950), Titanic (1997) and La La Land (2016).

Ryan Coogler’s feature mixes supernatural horror, romance and blues culture. Set in 1932 Clarksdale, Mississippi, the story centres on a community opening a juke joint that soon finds itself under siege by vampires.

“I wrote this script for my uncle who passed away 11 years ago,” Ryan Coogler said in an interview with The Associated Press. “I got to imagine that he’s listening to some blues music right now to celebrate.”

One Battle After Another follows with 13 nods at this year’s Oscars, while Frankenstein, Marty Supreme and Sentimental Value each secured nine nominations.

The Academy also continued its tilt towards international films with this year’s lineup of nominees. Every major acting category, for instance, included at least one international nominee.

Is there any Arab representation at this year’s Oscars?

Arab cinema had a strong presence during the awards season. Several films from the region were shortlisted for Best International Feature Film, including:

• The Voice of Hind Rajab (Tunisia)
• Palestine 36 (Palestine)
• All That’s Left of You (Jordan)
• The President’s Cake (Iraq)

One of them, The Voice of Hind Rajab, ultimately secured an Oscar nomination, marking a significant moment for Arab cinema.

What is the Voice of Hind Rajab?

The Voice of Hind Rajab is a 2025 docudrama directed by Kaouther Ben Hania.

It dramatises the final hours in the life of five-year-old Palestinian girl Hind Rajab, who was killed by Israeli forces in Gaza in 2024. But the film weaves in real-life recordings of Rajab’s desperate phone calls to emergency personnel from the Red Crescent group.

“The arrival of Hind Rajab’s voice to these platforms — and its ability to break through the indifference that exists there — is in itself something extremely valuable,” Gaza-based filmmaker Mohammed al-Sawwaf told Al Jazeera’s journalist Maram Humaid.

To al-Sawwaf, the film’s Oscar nomination means that Rajab’s death is no longer a passing news item or a single tally in a growing death toll. It is a cultural event, a memorial that forces viewers to confront the horrors facing Gaza’s young children.

“A story of a human being from Gaza has been presented as the story of a person with a life and meaning, rather than the image of a Palestinian appearing as a number on news screens,” he said.

“Palestinians have tried for many years to tell their stories and to be visible, but they were often met with rejection, doubt, or barriers placed in front of them.”

Al-Sawwaf believes Hind Rajab’s story can help illuminate the humanitarian crisis facing thousands of other Palestinians suffering in Gaza.

“A story like Hind Rajab’s represents a symbol of thousands of other stories,” he said. “There are thousands of women and men who had full lives, details, and dreams that are no less human than hers.”

Why was an Iranian film submitted by France?

It Was Just an Accident, directed by Iranian filmmaker Jafar Panahi, is also among the nominees on Sunday night, competing in two categories: Best International Film and Best Original Screenplay.

Though It Was Just an Accident was a co-production from several countries, France ultimately submitted the film as its entry in the Best International Feature competition.

Panahi’s work is often critical of the Iranian government, and in the past, he faced prison time and a ban on his filmmaking as a result. It was not considered as Iran’s entry.

France instead has championed the film as evidence that the country is a safe haven for “singular and courageous cinema”.

But Panahi said his thoughts remain focused on those back home in Iran.

“I am constantly thinking about them,” he told Bloomberg from New York, four days after the US and Israel launched their offensive against Iran.

Panahi shot the film clandestinely in Iran without government approval.

What are the best picture nominees?

Ten films are in competition in the Best Picture category:

• • Bugonia: A science-fiction story about two men who kidnap a powerful executive, believing she is an alien threatening Earth.
  • F1: A sports drama starring Brad Pitt as a veteran Formula One driver who returns to racing to mentor a promising young teammate.
  • Frankenstein: Guillermo del Toro’s adaptation of Mary Shelley’s novel, following scientist Victor Frankenstein and the tragic creature he brings to life.
  • Hamnet: A historical drama focusing on the grief of Agnes and William Shakespeare following the death of their 11-year-old son, Hamnet.
  • Marty Supreme: A sports drama starring Timothee Chalamet as an ambitious table tennis player determined to prove he is the greatest at his sport.
  • One Battle After Another: A dark action-comedy directed by Paul Thomas Anderson, following a father and daughter on the run from a racist military leader intent on tracking them down.
  • The Secret Agent: A political thriller about a widowed college professor on the run from a vengeful government minister during Brazil’s dictatorship in the 1970s.
  • Sentimental Value: A drama exploring grief, memory and complicated relationships in a family of artists in modern-day Oslo.
  • Sinners: A supernatural thriller about twin brothers who return to their hometown to found a juke joint, only to be confronted by past relationships, racism and a gang of vampires.

Who are the nominees for the Best Director category?

• Chloe Zhao for Hamnet
• Josh Safdie for Marty Supreme
• Paul Thomas Anderson for One Battle After Another
• Joachim Trier for Sentimental Value
• Ryan Coogler for Sinners

Who are the nominees for best actor?

• Timothee Chalamet for Marty Supreme
• Leonardo DiCaprio for One Battle After Another
• Ethan Hawke for Blue Moon
• Michael B Jordan for Sinners
• Wagner Moura for The Secret Agent

Who are the nominees for Best Actress?

• Jessie Buckley for Hamnet
• Rose Byrne for If I Had Legs I’d Kick You
• Kate Hudson for Song Sung Blue
• Renate Reinsve for Sentimental Value
• Emma Stone for Bugonia

What are the biggest surprises and snubs?

This year’s nominations included several unexpected picks and notable omissions.

Among the biggest surprises was Delroy Lindo’s first-ever Oscar nomination for his supporting role in Sinners, a recognition many felt was long overdue.

“The best part of this process has been that people are so genuinely happy for me,” Lindo, 73, told The New York Times.

“It’s not an ego thing. It’s nothing to do with that. It has everything to do with affirmation.”

Another unexpected nod came in the Best Picture category for the racing drama F1, an action-packed summer blockbuster.

In an interview with the racing tournament Formula 1, director Joseph Kosinski explained that the team created an entirely new filming system to capture the kind of visuals he had imagined.

“We had to develop a new camera system, taking everything we learned on Top Gun: Maverick and pushing it much further,” Kosinski said.

Actress Kate Hudson was also a surprise in the highly competitive Best Actress category, earning her first Oscar nod in 25 years for the musical drama Song Sung Blue.

She said the film offered a rare opportunity to portray a mature female character with depth and ambition. Her role is based on the real-life story of Claire Sardina, who performed as part of a Neil Diamond cover band.

“I got to play the comedy, some sense of humour. I got to play the love story, the desire. I got to play being a mother, and then I got to go into a place of where my life force is taken out of me,” Hudson said in an interview with NPR’s Fresh Air with Terry Gross.

Among the most notable snubs was the sequel Wicked: For Good, which received no nominations amid mixed reviews. The first Wicked film earned a whopping 10 nominations last year, winning two Oscars, for Best Costumes and Best Production Design.

Actor Paul Mescal also missed out on a nomination for his performance as William Shakespeare in Hamnet, while director Guillermo del Toro was overlooked in the Best Director category for Frankenstein.

Other notable omissions included Chase Infiniti (One Battle After Another) and Jesse Plemons (Bugonia).

What are the predictions for the winners?

For months, One Battle After Another was considered the clear favourite for Best Picture and Best Director. But in the final stretch of the awards season, the competition has tightened, with Sinners gaining momentum.

Jessie Buckley is widely expected to win Best Actress for Hamnet. Michael B Jordan, meanwhile, is predicted to win Best Actor for Sinners, overtaking stiff competition from Timothee Chalamet, star of the film Marty Supreme.

In the supporting actor categories, Teyana Taylor (One Battle After Another) is considered a strong contender for Best Supporting Actress, and Sean Penn (One Battle After Another) is favoured for Best Supporting Actor.

Irish rapper Liam O’Hanna welcomes ruling in case he says was ‘never about any threat to the public, never about terrorism’.

British prosecutors have lost an appeal seeking to reinstate a “terrorism” charge against a member of Irish rap group Kneecap accused of waving a Hezbollah flag during a gig in London.

London’s High Court on Wednesday rejected prosecutors’ attempts to challenge a lower court’s decision to throw out the case against Liam O’Hanna in September due to a technical error.

The decision means the case will not proceed. In a statement, the Crown Prosecution Service said the High Court had “clarified how the law applies” to such cases and that it accepted “the judgement and will update our processes accordingly”.

O’Hanna – also known as Liam Og O hAnnaid (his name in Gaeilge, the Irish language) and by the stage name Mo Chara (“My Friend”) – was charged in May of last year with displaying a Hezbollah flag during a November 2024 concert in London, in violation of the United Kingdom’s 2000 Terrorism Act.

Kneecap’s members –  who rap in Gaeilge and English and have been outspoken in their condemnation of Israel’s genocide against Palestinians in the Gaza Strip – have called the attempted prosecution a “British state witch-hunt”.

O’Hanna welcomed the ruling on Wednesday, saying during a news conference in Belfast that the case was “never about me, never about any threat to the public and never about terrorism”.

“It was always about Palestine, about what happens if you dare to speak up, about what happens if you can reach large groups of people and expose their hypocrisy, about the lengths Britain will go to cover up Israeli and US war crimes,” he said.

Cheered by supporters at the event, O’Hanna was joined by Kneecap bandmates JJ O Dochartaigh and Naoise O Caireallain – better known by their respective stage names, DJ Provai and Moglai Bap.

“Your own High Court ruled against you,” O’Hanna added, addressing the UK government.

“The pathetic thing about this whole process is that you falsely tried to label me a terrorist when it is the British government ministers that are arming and assisting a genocide in Gaza, the destruction of Lebanon, and the senseless slaughter of schoolkids in Iran.”