Earth

NESTLED in the Scottish Highlands is one of the quirkiest holiday homes in the country.

Eagle Brae is a Scottish hidden gem made up of beautiful log cabins that sit on a remote hillside.

It’s consistently rated as ‘the most unique luxury log cabin resort in Scotland‘ and made an appearance on Tripadvisor’s 2026 Best of the Best Awards this year.

It is part of the worldwide one of a kind category – and came in third on the list overall.

To make the cut, the hotel or holiday home has to be in the top one per cent of over eight million listings on Tripadvisor – so it’s a very impressive feat.

On Tripadvisor, Eagle Brae has 696 five-star reviews – one guest called it the “best place in Scotland” with others calling their stay “magical”, “faultless” and “heaven on Earth”.

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The unique stay was described by Tripadvisor as “Hobbit-level cottagecore” thanks to its Middle-earth look.

Eagle Brae is made up of ten wooden log cabins with open-air decks and grass on the roof.

Inside all the cabins it’s very cosy with log burners, comfy sofas, plaid patterned curtains and cushions, with deer antlers hanging on the walls.

The larger cabins can sleep up to six people to suit family stays, smaller ones sleep up to two people – and dogs are welcome too.

The log cabins are self-catered, so each is kitted out with a fully-equipped kitchen.

There’s even a concierge service for anyone who wants a fully stocked pantry before arrival.

Eagle Brae is near Glen Affric National Nature Reserve and the River Farrar so there’s plenty of opportunity to do outdoor activities.

They offer guided canoe trips, black grouse safaris, pony trekking, mountain biking, clay pigeon shooting and even pony trekking.

At Eagle Brae and while exploring the area, you’re likely to spot wildlife like red deer and squirrels, pine martens and perhaps even a golden eagle.

Back at the log cabins, on a clear night, it’s possible to see the Northern Lights.

Rates for larger cabins like Aquila that sleeps six offer short breaks from £1,064.

Rates for Parus, which sleeps two, has short breaks from £833.

Here are the top 10 ‘one of a kind’ hotels in the WORLD…

According to Tripadvisor these are the most unique stays…

1. Crane Hotel Faralda, Amsterdam
2. Valley Views Camping, New Zealand
3. Eagle Brae, Scotland
4. Taj Lake Palace, India
5. Shinta Mani Wild, Cambodia
6. Treehouse Lodge, Peru
7. La Tour D’eole, Morocco
8. Nayara Bocas Del Toro, Panama
9. Fingal Hotel, Edinburgh
10. Skylodge Adventure Suites, Peru

Lionel Richie appears to be on the mend from the unspecified health issue that prompted him to cancel a pair of concerts in June.

The 77-year-old Grammy-winning “Hello” and “All Night Long” singer on Sunday thanked fans for “every message, every kind word and for all your love” on Instagram, sharing photos from recent concerts. He also seemingly addressed his health, writing, “I’m doing well, and I’m grateful for all of you.”

In late June, Richie unexpectedly hit pause on his concert at the Grand Casino Arena in St. Paul, Minn., after taking a seat on stage multiple times while performing “Dancing on the Ceiling.” According to videos shared on social media, the singer told his audience that he felt “dizzy.” Later in the evening saxophonist Dino Soldo told concert attendees that Richie was “not feeling well” and would not continue the show.

TMZ reported at the time that the singer-songwriter was hospitalized after the health scare. Paramedics reportedly met the artist backstage and transported him to a nearby hospital out of precaution. Richie then postponed his following concerts at Chicago’s United Center and the Schottenstein Center in Columbus, Ohio. He returned to the stage June 30 for his show in Pittsburgh.

“Pittsburgh and Detroit were an absolute joy,” Richie said Sunday of his recent concerts. “The energy, the dancing, the faces in the crowd … we made real memories together.” The singer also performed in Toronto on Saturday and in Montreal on Sunday. He is next set to perform in Boston on Wednesday.

Live Nation unveiled Richie and Earth, Wind & Fire’s joint tour in January, revealing a 26-city lineup with concerts in Chicago, Orlando, Fla., San Francisco and Los Angeles. Richie and the group are scheduled to play Inglewood’s Intuit Dome on Aug. 9. The tour ends Aug. 14 with a show at the Moody Center in Austin, Texas.

The history of all living things is examined through five key species chosen for the way they move, feed and reproduce and also for their size and intelligence

Chris Packham famously hates so-called “T-shirt” animals – preferring beetles and bugs to the more box-office elephants, lions and tigers.

But for his major new BBC series examining the history of every living creature’s existence, the presenter had to block that prejudice as he looked back over 4 billion years. In Evolution, viewers will see how every plant and animal evolved – differently – from a single celled organism called LUCA.

And in order to explain this effectively, the five episodes focus on the elephant (size), ostrich (reproduction), horse (movement), bat (feeding) and dolphin (intelligence) to show what changes have happened over the millennia until they started to look a bit like the creatures we recognise today.

“TV likes an iconic species, something to put on the T-shirt,” Chris laughs, acknowledging that he doesn’t normally go for these “celebrity” animals which tend to draw in viewers, but go against the grain for Chris. “On Springwatch we’re always keen to champion the underdog, we make films about slugs and snails and flies and all those sorts of things, so we’re trying to build up that idea in people’s minds that everything counts – not just the fluffy birds in the nest, or the cute pine-marten kits. Survival of the cutest has always been an issue.”

“But had we picked, I don’t know, some innocuous little bug, it wouldn’t have looked great,” he laughed. “I’m not a great fan of T-shirt animals, but I am a fan of using them constructively.”

He even admits that filming the series, in different locations around the globe, brought him one of the best moments of his life, when he found himself right in the middle of a pod of dolphins during a break in filming. “It was absolutely extraordinary,” he says. “There were times when the cameraman was doing something and I was still in the water and I could just actually just be there with them.

“I dived down about four metres and I looked down and I had a dolphin right underneath me, under my chest. And I had couple on one side, I mean they never touch you, but they’re close, and a couple on the other side – and then I looked up and they were above me. And I was like in the middle of a pod of dolphins. You can hear them the whole time, they’re constantly clicking. So you can here that that’s that communication going on.

“It was just five minutes or something, it wasn’t a lot of time, but long enough to actually just engage, and realise that this was one of the most remarkable moments in my entire life. To be in that environment with these astonishing animals. I thought ‘blimey, I’m Flipper’.”

The five-part science show, which must be Packham’s most ambitious programme to date, has clear similarities in scope to Sir David Attenborough’s 1979 series Life on Earth, which set out to look at the earliest life forms. “I’d say it was more modern in its narrative structure,” he says thoughtfully. “Also, we’re catering for an audience that we know we need to surprise. We want to feed them short snippets, which are basically entry information into a bigger story, if you like. Those twenty-second things that get people to prick up their ears. And we want people to down the pub and say, ‘do you know what? I just watched this programme and, you won’t believe it, we couldn’t have a head before we had an arse’.

“I don’t think Life on Earth is like that. That felt very 1970s, because that’s when it was made, this just feels like a really modern, cutting-edge version.”

To film the series the BBC team were very careful about where they went in order to limit the carbon footprint. “Ten or 15 years ago, we would have gone to multiple locations to make a series like this,” Chris says. “But I’m pleased to say that each of our programmes was essentially made in one location.”

The elephants in the series opener were filmed in Kenya and the ostriches in South Africa. The horses were in the UK, with three days in France which was reached by train. Then the dolphins were in the Bahamas and the bats were in Borneo.

Chris says his role as presenter on the show, from the team who previously brought us Earth, is to keep the audience enthralled, and showing his own excitement is a big part of that, just as he experienced while watching his hero Attenborough. He particularly remembers a programme made by the veteran broadcaster about birds of paradise, filmed in Papua New Guinea.

“They were my dream birds because they’re mental, they look like space aliens,” he explains. “And I was sat there waiting for it to come on, just thinking, ‘you b****rd, I want to go to Papua, I want to see that.’ But in fact my response to the programme, and a testament to his broadcasting, was that I absolutely loved it because I felt the connection to the birds through his joy.”

Chris found himself caught up in some beautiful moments that will also tug at the audience’s heartstrings, such as when a baby ostrich hatched out of its egg right into his hands. “You’re peering into it, it’s not even in the world yet, and it’s like you’ve had a sneak preview into a life which is going to unfold,” he marvels. “It’s just this little thing moving, and that was really very emotional, that formation of new life.”

Learning new stuff is “the greatest joy” of his job. “I get to work with people who know more about a subject than I do. And their job is to tell me and the team everything they know about it in 30 seconds,” he says. “So my joy is that I attend the University of Zoology every single day that I’m working, and this is updated information, so we’ve constantly gone to the latest science.”

While they don’t skirt away from the technical stuff, like explaining how DNA works, Chris feels it is carefully woven into the narrative. “There’s no dumbing down, but we are conscious constantly of building a narrative which will keep our audience engaged.”

– Evolution, BBC2, Monday 13 July, 9pm

A three-armed spacecraft rockets into orbit to rescue a NASA telescope that’s in danger of crashing back to Earth.

NASA has launched a robotic mission to try to prevent one of its ageing telescopes from burning up in the atmosphere in a complicated operation expected to last several months.

Northrop Grumman launched the Link spacecraft – built by United States-based Katalyst Space Technologies – from the Marshall Islands in the Pacific Ocean on Friday.

A Pegasus rocket blasted off from the belly of a modified aircraft putting Link on course to reach and capture NASA’s Swift Observatory in about a month.

Initially scheduled for Tuesday, the robot’s launch was postponed due to weather, then technical issues. Blast-off happened on Friday at 0836 GMT from an atoll in the Pacific Ocean.

The unprecedented $30m effort involves sending a robot to rescue the Swift space telescope that is falling towards Earth. If successful, the mission could pave the way for giving other satellites a second life.

Launched in 2004, Swift is sinking faster than ever because of recent solar storms. The $250m telescope studies gamma-ray bursts, the most powerful explosions in the universe.

Once it reaches an orbit close to Swift’s, the robot will deploy its solar panels and perform a series of checks.

It will then have to locate the Swift telescope in the vastness of space, circle around it and dock using three robotic arms – manoeuvres expected to take several weeks.

Finally, it will attempt to propel the satellite approximately 300km (186 miles) higher above the Earth, roughly to its initial orbital position. That operation is expected to last at least a month.

“This is a lot of firsts stacked on top of each other,” Shawn Domagal-Goldman, director of NASA’s astrophysics division, told reporters on Tuesday. “I’m just deeply thankful that we’re even giving this a go.”

Lionel Richie brought the first stop on his summer tour with Earth, Wind & Fire to an abrupt stop Wednesday evening, citing his health.

The 77-year-old Grammy winner, hitmaker of “Hello” and “Say You, Say Me,” unexpectedly hit pause on the concert at the Grand Casino Arena in St. Paul, Minn., after taking a seat on stage multiple times during his performance of “Dancing on the Ceiling” and telling his audience he felt “dizzy,” according to videos shared on social media.

“What I have learned about my years of being in the business, when you are feeling dizzy, sit your a— down,” he joked, according to a TikTok posted Wednesday evening by user ynaffitmocha. “When you are feeling strange about yourself, sit your a— down.”

Moments later, saxophonist Dino Soldo informed the audience that the singer was “not feeling well” and would not continue the concert. A representative for the singer did not respond to a request for comment, but TMZ reported on Thursday the singer-songwriter was hospitalized after the health scare. Paramedics reportedly met the artist backstage and transported him to a nearby hospital out of precaution.

A spokesperson for the Saint Paul Fire Department did not immediately respond to a request for confirmation on Thursday.

Live Nation announced “American Idol” judge Richie and Earth, Wind & Fire’s joint tour in January, unveiling a 26-city circuit that includes stops in Chicago, Orlando, San Francisco and Los Angeles. Richie and the “September” group are next set to perform at the United Center in Chicago on Friday and again at Schottenstein Center in Columbus, Ohio. It is currently unclear whether Richie will resume performing for those concerts.

Richie and Earth, Wind & Fire are scheduled to play Inglewood’s Intuit Dome on Aug. 9. The tour ends Aug. 14 with a show at the Moody Center in Austin.

I’ve been intrigued by the Northern California area of Humboldt County ever since the fourth grade. That’s when my teacher told us the story of the Gold Rush town of Eureka: In the 1850s, when prospectors struck gold, they would yell “Eureka!” which is Greek for “I have found it!” What a funny word, I thought.

My curiosity about the area later grew when I learned about its logging renaissance — vast swaths of old-growth redwood forests were felled to make ships and build railroads, both of which were needed to transport this valuable commodity to the rest of the country and beyond. It wasn’t until 1918 with the formation of the Save the Redwoods League that preservation efforts began to try to halt the rapid depletion of the old-growth forests, which, by that point, had dwindled down to between 5% to 10%. From those efforts, Humboldt Redwoods State Park was established in 1921, followed by the formation of Redwoods National Park in 1968. Today the four parks that make up Redwood National and State Parks cover about 139,000 acres of land and protect nearly half of the world’s remaining old-growth redwood forests.

And it was the lure of walking beneath these giants that I, decades past that fourth-grade history lesson, finally decided to make my pilgrimage.

It took this long because, dear reader, Redwood National and State Parks are not easy to get to from L.A.

By car, without accounting for traffic and breaks, it would be at least a 12-hour journey along the 101, through San Francisco, past wine country and bypassing Mendocino before you reach Humboldt County, where the southern end of the parks begin. Realistically, it would take a few days and a couple of overnight stays along the way to get there, which is fine if you’re in it for the road trip; but if you’re like me and only have the weekend, this leaves one option: flying into California Redwood Coast-Humboldt County Airport, a.k.a. Arcata-Eureka Airport (ACV), the only airport that services the area. United has direct flights there from LAX. But Burbank Airport has Breeze Airways offering direct flights three times a week with prices as low as $80 roundtrip.

When I landed at Arcata-Eureka Airport, it felt smaller than some municipal airfields — and just as quiet. That calm set the tone for the rest of the weekend. I walked in peaceful serenity between trees so tall and ancient they recalibrated my sense of time. I discovered that life in Humboldt County, and neighboring Del Norte County near the Oregon border, moves at that same unhurried pace. The fog retreats slowly in the morning. Night arrives gently, carried in on the mist.

And I learned that Humboldt County — including the cities of Eureka, Arcata and Ferdale — is full of treasures beyond its abundance of the Earth’s tallest trees. Whether I was eating a greasy cheeseburger at a family-run diner that becomes the social center of town after 9 p.m. or slurping oysters at a bar that harvested them from its own farm just offshore, it became clear that this place is shaped by discovery, exploitation and preservation. What follows are hikes, sights and bites that should get you started for a weekend full of your own “Eureka!” moments.

Earth Wind & Fire’s “September,” with its nonsensical phrase “ba-dee-ya,” has been streamed more than 2.3 billion times on Spotify, more than the band’s next five songs combined (including “Let’s Groove,” “Boogie Wonderland” and “Shining Star”).

In his visually and sonically vibrant film “Earth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World),” drummer, DJ and director Ahmir “Questlove” Thompson (“Summer of Soul”) shows how the funky but aspirational band was much more than its biggest hit musically.

But he also explores, in depth, the complexities of the band’s central figure, Maurice White. A self-affirming visionary who wanted to bring hope to people, White mixed journaling with talk of spaceships and metaphysics. However, he was also traumatized by a childhood in which his mother moved to Chicago for more opportunities, leaving White in Memphis, where he was once brutally beaten by white policemen. Those scars created a man who was a distant father and equally remote with his band members at the peak, mistreating them with casual disdain until everything fell apart.

Questlove recently spoke by video call about the film, now streaming on HBO Max, which features interviews with family, surviving band members, childhood friend Booker T. Jones and a couple of fans named Barack and Michelle Obama. This interview has been edited for length and clarity.

What drew you to this story?

In 2020, I was DJing on the internet, live streaming and I was DJing to calm people down from thinking they’re going to die in the apocalypse. One day I did an Earth, Wind & Fire set and when I got to the fourth hour, I thought, “Yo, is this one of the most relentlessly positive groups of all time?”

I started researching the lyrics and realized this band tricked us into positivity, like getting us to eat our vegetables. I started wondering how a band like that got past the velvet rope and realized that none of it was by accident, it was all by design. Their music was so good and you start singing the lyrics and there’s an osmosis effect of positivity that gets you.

When I started this in 2023, I had a spooky feeling that the turmoil of 2020 was going to visit us again, so I thought people would want something to watch that will help them plant seeds of what to do.

Maurice White, the band’s central figure.

(Henry Diltz / HBO)

You save “September” to the end. Was it so people would see the band was more than their biggest hit or to send audiences off humming and happy?

It’s an unlikely legacy song. They have so many meaningful songs like “Shining Star,” while “September” is a leftover that was a filler song from a greatest hits album that became a career-defining song.

Initially, I was coming out the gate with “September,” just, “Let’s get this out the way.”

It took a while. Early on the Obamas weren’t part of the project. I interviewed them the morning after the 2024 elections; they were so professional and so in the moment and also helped us process the day.

We’d never gotten to see them sit next to each other and be playful and dance. And I didn’t say, “OK, let’s see how you move, dance for 12 seconds,” I was just playing something and they started dancing and the camera happened to be running.

But they put the song in context. In 2009, they said, “What’s the statement we want to make to America to show this is a new era at the White House?” And Earth, Wind & Fire was chosen to be one of the bands at the inauguration and it was that song. So my producer said, “Now we can treat ‘September’ like an encore.” We used that story to show how that song grew on its own organically.

White is a complicated guy. Was it challenging to balance everything in your narrative?

Oftentimes Black artists are seen as caricatures or one-dimensional. It’s easy to do the gotcha of “You’re so positive and metaphysical, what about this or that?” My goal is always to find a human element that you see yourself in. In Maurice’s case with his career, he did drink the Kool-Aid. But his personal life stemmed from not ever forgiving his mother for leaving him behind when he was little. When we hold anger and other emotions in, when we refuse to talk to our partners or friends — and you want people to read your minds — that’s when it becomes a problem. But I wanted to show that in a way where I don’t spell it all out. Hopefully people will make the connection of the importance of dreaming and planning and affirmations but also the importance of letting things go, like forgiving people.

DC Studios co-chief James Gunn took to social media Monday to settle a debate once and for all: Of course, Supergirl can have pierced ears.

“Supergirl,” the upcoming superhero film starring Milly Alcock as the last daughter of Krypton, Kara Zor-El, has been the target of questioning from online detractors. One overblown gripe that some have mentioned on social media after zeroing in on Supergirl’s earlobes in promotional images is how a superpowered alien refugee known for her invulnerability and unbreakable skin could have any body jewelry.

“As explained in Superman, the same way she gets drunk — she goes to a planet with a red sun,” Gunn wrote on Threads. “Not to mention she was raised on a chunk of Krypton so didn’t even experience super powers until her teens.”

As the filmmaker mentions, Alcock’s iteration of Kara made her DC Universe debut in his 2025 movie, “Superman.” After the clearly inebriated Girl of Steel crashes into her cousin’s Fortress of Solitude to pick up her dog, Krypto, Superman notes that Kara “likes to go and party on other planets … with red suns.” This is because, as Superman explains, Kryptonians have enhanced power on Earth because of its yellow sun. This is also Kryptonian lore that has been established in comic books.

A recently released “Supergirl” clip also shows Superman first meeting his cousin after her pod lands on Earth. The footage shows Kara’s superpowers kicking in for the first time.

Directed by Craig Gillespie, “Supergirl” will follow the eponymous Kryptonian as she is celebrating her 23rd birthday. According to the film’s logline, Kara’s encounter with “an unexpected and ruthless adversary” leads her to “reluctantly join forces with an unlikely companion on an epic, interstellar journey of vengeance and justice.”

The movie’s cast also includes Matthias Schoenaerts, Eve Ridley, David Krumholtz, Emily Beecham, David Corenswet and Jason Momoa. “Supergirl” will hit theaters June 26.