Earth

Russell also pointed out that this was the first significant mistake Antonelli had made in a competitive session all year.

Asked if he believed Antonelli’s mistake was a result of “title jitters”, Russell said: “When you look at every championship campaign, even for the winners, there are mistakes along the way.

“So, I still keep on believing and keep on fighting until it isn’t possible any more. But I don’t feel any pressure.

“I feel excitement every time I jump in the car now, purely because I feel more confident in myself.

“When that confidence starts to build, it’s just like this upward cycle.

“On the flip side, when you’re on the back foot, you start losing that confidence and then you start pushing the limits more, and that’s when mistakes happen.

“But he’s been flawless this season. It’s the first mistake he’s made in a qualifying or race this whole year.”

Russell’s pole margin was a massive 0.837secs, with Ferrari’s Charles Leclerc second and Piastri third.

The Baku street circuit has a long straight that affords good overtaking possibilities and has a reputation for producing incident-packed races.

Dolly Parton — the “queen of country,” benevolent ruler of Dollywood and America’s true sweetheart — died at age 80 last month. But she lives on forever at home in our living rooms, in the warm echo of a Tennessee twang from the speaker and, perhaps surprisingly (although that shouldn’t be so), in the flickering glow of our television screens.

Parton got her start on the small screen, appearing on the “Cas Walker Farm and Home Hour” when she was 10. Eleven years later, she had a down-home breakthrough on the widely syndicated “Porter Wagoner Show.” There were multiple interviews with Barbara Walters, “Tonight Show” appearances with Johnny Carson, two successive variety shows and many a guest spot, including on “Hannah Montana,” “Designing Women” and “Reba.”

At the Emmys on Monday, Reba McEntire sang a soulful tribute to Parton with a cover of her 1983 song “Appalachian Mountains,” one of McEntire’s all-time favorites. Before that, though, came a heartfelt speech by Sally Field, Parton’s co-star in “Steel Magnolias.”

“If there are truly angels on Earth, then we just lost one: Dolly Parton,” Field said. “It was my great good fortune to have worked with Dolly in a film called ‘Steel Magnolias.’ And over the years, I never stopped loving her, though we lived very far apart. I adored her from Day One; how could you not? She was genuine and humble, supportive and blisteringly funny, with a bawdy sense of humor that would send any rude guy looking for a place to hide.

“I couldn’t see then what a real giant Dolly was — not just as an artist, but as a human,” she added. “She was a humanitarian whose contributions have made a profound difference in the lives of so many in her home state of Tennessee, and across our country. God bless you, Dolly Parton, my friend. I am not the only one on Earth that will love you forever and ever.”

Then came an archival clip of Parton introducing “Appalachian Mountains” the year it came out. “I’m very, very proud of the fact that I had the kind of parents that I did, and grew up in the Smoky Mountains, the Appalachian Mountains,” she said. “And I have written a song that touches me very deep, and I’m sure that, in your own way, that you certainly will relate to this. This song, like I say, is very important to me, and I hope you like it. And if you don’t like it, well, if you don’t mind, I would rather not hear about it later, OK? It’s a song that I call ‘Appalachian Mountains.’ ”

A distinguished psychiatrist from Martinique who took part in the Algerian Nationalist Movement, Frantz Fanon was one of the most important theorists of revolutionary struggle, colonialism, and racial difference in history.

Fanon’s masterwork is a classic alongside Edward Said’s “Orientalism” or “The Autobiography of Malcolm X,” and it is now available in a new translation that updates its language for a new generation of readers.

“The Wretched of the Earth” is a brilliant analysis of the psychology of the colonized and their path to liberation.