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Mao founded the People’s Republic of China in 1949 and ruled through tumultuous decades in the 1960s and 1970s.

His attempt at rapid industrialisation, which he called the Great Leap Forward, led to a famine that killed tens of millions. Then came the Cultural Revolution: a violent purge of anyone seen as a threat to Communism, which included Chinese intellectuals, landowners, artists and often rivals within the Party.

His death in 1976 brought a new era for China, which began to open its doors to the global economy. Even as the country moved away from Mao’s rule, he continued to be hailed by the party as a national icon whose legacy was beyond reproach.

So jokes or memes about Mao are seen not just as an insult to the party but also its closely-guarded narrative about the country’s past.

It’s unclear when the Mbappé meme involving Mao began but the nickname – “the dictator” – has made the striker the subject of many memes and jokes online.

In 2024, he sued a French influencer and kebab shop owner for using his name in the description of one of the shop’s sandwiches, leading to more jokes about the nickname.

France team-mate Ousmane Dembele jumped on the trend during the 2026 World Cup, calling Mbappé Mobut – a reference to Mobutu Sese Seko, the dictator who ruled the Democratic Republic of Congo, formerly Zaire, for three decades.

In an interview with France Football in September, Mbappé acknowledged the light-heartedness behind many of these memes, but said they “sometimes reveal a lack of political and human awareness among people”.

“There’s a side that’s a bit less funny, because we know the damage people like that have caused throughout history,” he said.

“Being compared to people who murder others, or who have made millions upon millions of people miserable… I don’t think I’ve done that in my life.”

Additional reporting by Fan Wang and Osmond Chia

Michael Carrick is never short of advice around how he should do his job as head coach of Manchester United.

Few of his players divide opinion quite so much as skipper Bruno Fernandes.

So, it stands to reason there are a variety of views around whether Fernandes should be dropped for Sunday’s vital Premier League game against Bournemouth at Old Trafford.

Former Everton and Rangers striker Duncan Ferguson has no doubts.

“It is a big problem for Michael,” he told The Overlap podcast. “Put people in the team you trust. Your captain has thrown you under the bus. If you don’t think he is playing for you, get him out. I wouldn’t pick him even though he is their best player.”

Joe Smith, respected host of Manchester United fan channel Stretford Paddock, is of the same opinion.

“I don’t think Fernandes should play on the weekend,” he said. “I don’t think (Lisandro) Martínez should’ve played against Leeds, because otherwise they’re running the ship here.”

United fans heading back on flights from Como to Manchester had a view, although much of it was wrapped up in their general thoughts about the club, most of which were negative.

But only one man’s opinion really counts. Carrick is the man who picks the team.

His friend and former team-mate Wayne Rooney has a view on that.

“When Martinez came out, I said this is an absolute nightmare because it will rip the dressing room apart,” he said on the United Stand podcast.

“That was the start. We’ve seen it now with Bruno and you’re going to see it with more players because they don’t want to take responsibility.

“I was in that situation [as manager at Plymouth and Birmingham City] and if I was in Carrick’s position now, I’d come out fighting. There’s no more Mr Nice Guy.”

Los Angeles is still struggling to bring filming back to the region, though projects that receive a state tax credit are making up a growing share of local shoot days, according to a new report.

For the three-month period that ended Sept. 30, there were 4,171 shoot days in the greater L.A. area, down 4.8% compared with the same period last year, according to FilmLA Research, a program of FilmLA which tracks on-location production. That’s also down about 11.5% from the second quarter, and nearly 29% below the five-year average.

“Where the tax credit applies, it’s working to bring productions back to Los Angeles and put local crews to work,” FilmLA Chief Executive Denise Gutches said in a statement. “Still, overall production remains far below where Los Angeles needs it to be, and crews and businesses across the region are feeling it.”

The report counts only on-location filming. Productions shot on certified soundstages aren’t included.

Television shoot days totaled 1,400, a 2.8% slide from the third quarter of 2025 and a drop of nearly 53% compared with the five-year average. About 23% of the TV shoot days were for incentivized projects, up from about 9% a year earlier. Among them was the CBS drama “Tracker,” which relocated to L.A. from Vancouver for the show’s fourth season after receiving a state tax credit.

“California’s incentive is what made it possible to bring ‘Tracker’ here,” Elwood Reid, showrunner and executive producer of “Tracker,” said in a statement. “Los Angeles is the big leagues, and after more than a decade away, I’d forgotten what I was missing.”

Within television, comedy made the biggest gains, with 192 days of filming, up 143% from the 79 days in the third quarter of 2025. More than 60% of the comedy shoot days were for projects that received a production incentive, FilmLA said. The organization said this figure could be even higher, as many comedies shoot on soundstages, which are not included in this report. Promisingly, the third-quarter comedy numbers were a 16% improvement on the five-year average.

Other TV genres lost ground, including drama (494 days, down 9.4%), reality programming (630 days, down 2.9%) and pilots (9 days, down 52.6%).

Feature film production was a bright spot, with 533 shoot days, up 2.1% from a year earlier and about 20% from the second quarter. About 24% of that filming came from incentivized projects, up from about 22% a year earlier, including Netflix’s “13 Going on 30” reboot and Jonah Hill’s comedy “Cut Off” from Warner Bros., according to FilmLA. However, the third-quarter numbers are still a 19.3% decline when compared to the five-year average.

Production for commercials, which are not eligible for a state tax credit, continued to struggle, with 562 shoot days, down nearly 16% from the same time period in 2025, though it improved 3.5% from the second quarter.

FilmLA’s “other” category, which includes student productions, still photo shoots, documentaries and online content, totaled 1,676 shoot days, a 4.2% drop from the same period in 2025. Within that category, however, online content accounted for 556 days of filming, up 16.3% from last year.

Actor Tom Arnold unleashed on Chuck Lorre on X in response to the former “Roseanne” writer-producer’s claims in his new memoir, “Sitcom.”

“He thinks he’s brilliant & beloved like Norman Lear but Chuck ‘Chuckles’ Lorre’s a terrible human, an angry dry drunk who lies every time he opens his mouth,” Arnold wrote Tuesday.

Arnold and the ’90s sitcom’s co-creator and titular star, Roseanne Barr, were married Jan. 20, 1990, four months after he first appeared on the show as a poker pal of Barr’s TV husband and four days after Barr’s real-life divorce from her husband of 14 years, William Pentland, was finalized.

Barr and Arnold were hostile to their writing and producing colleagues on the show and the network, Lorre told the Los Angeles Times’ culture critic Mary McNamara in an interview published Tuesday, the day of the book’s release.

“We were punished, the writers,” Lorre told The Times. “The word ‘cruelty’ comes to mind. And I still don’t know why, why so much cruelty. It wasn’t like we didn’t want to make a great show. We were proud to be on that show.”

Hired in 1990 after Barr fired all of the show’s writers, Lorre recalls in the book that he had a rude awakening when he took the job.

“I was now the co–executive producer on the number one show on television. I swaggered into the office assigned to me and met Danny Jacobson (a world-class comedy writer who would go on to cocreate ‘Mad About You’ with, sorry, Paul — ‘My Two Dads’ — Reiser),” Lorre writes in “Sitcom.”

Chuck Lorre, pictured in 2024, related several anecdotes in his book “Sitcom” that didn’t sit well with Tom Arnold.

(Willy Sanjuan / Invision / Associated Press)

“Danny, having been fired by Roseanne for being talented, was packing up his stuff when I walked in. He showed me a sloppy, hand-scribbled couple of pages and explained this was a ‘script’ by the show’s new executive producer, Tom Arnold. It had been part of Danny’s job to write real scripts and put Tom’s name on the front page — as if Tom had written them,” Lorre continues. “Bob, myself, and several other staff writers would be ordered to do this on many occasions…. Was it a portent of bad things to come? You tell me.”

For her part, Barr admitted after the 1990 firings, “Yeah, I probably was difficult to work with, now looking back.”

“I don’t think I was as especially clear as I could have been,” Barr told former Times television writer Rick Du Brow in a November 1990 article. “It’s like being a woman and an administrator — I never had any background like that. I didn’t know how, like I do now, to go in and say, ‘This is what I want you to do.’ I think that’s common with women in business. I would go in there and try to get them to agree with me rather than tell them what I want to do.”

Arnold’s social media screed doesn’t directly address any of Lorre’s claims in the book but resorts to name-calling and his own claims against the producer, who went on to create or co-create sitcom hits including “Cybill,” “Dharma & Greg,” the Charlie Sheen-starring “Two and a Half Men” and “The Big Bang Theory” and its offshoots.

“He trashes Trump but he is Trump & he’s a bitter hack who actually believes his lame vanity cards at the end of his lame shows are Paddy Chayefsky worthy,” Arnold wrote, invoking the three-time Oscar-winning writer of “Network.” “Chuckle’s made $800,000,000 off the backs of very talented women & a naive cracked up Charlie Sheen (clean & sober since he’s not under Lorre’s strange, abusive tutelage) then trashes them all to make him feel cool but don’t worry, Chuck hates himself more than we ever could.”

Lorre’s accounts of Arnold in “Sitcom” included several other anecdotes, including one seemingly questioning the “True Lies” and “The Stupids” star’s trustworthiness.

“Executive Producer Tom was angrily explaining to Bob [Myer] and me that some bastard had stolen Roseanne’s love letters to him and sold them to the National Enquirer. His plan was to hire a private detective and get to the bottom of this treachery. And he did. It took one day. The detective found a cashed check for twenty-five grand from the National Enquirer made out to Tom Arnold. Mystery solved.”

Lorre was famously fired after two years on the show, which Arnold recalled in concluding his X post: “I wish everyone could’ve seen his arrogant, sad clown face the day Roseanne made me fire him.”

Barr later fired Arnold from “Roseanne” in 1994 amid their divorce. In 2018, after posting a racist tweet, Barr was fired from the “Roseanne” reboot, which was resurrected as spinoff “The Conners.”

PUSSYCAT Dolls have kicked rap star Lil’ Kim off their UK tour after a string of controversies.

The Lady Marmalade star, 52, won’t appear for the final night of the run at London’s O2 Arena later today, with the headline act fed-up of her unpredictable behaviour.

A source said: “Kim didn’t show up to their gig in Manchester on Saturday night, and it was all very last minute. It threw everything into chaos and a sign just went up at the last minute to say she wouldn’t be performing.

“As a result, she hasn’t been asked back for the closing night in London tonight, which was seen as the grand finale.

“Her not showing up in Manchester was really the final straw for team PCD, there had been a string of issues where she was challenging to work with.”

The Sun has contacted representatives for the Pussycat Dolls and Lil’ Kim.

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No official reason for Kim’s absence in Manchester was given, though some fans claimed she was ill.

However, others noticed she had shared social media videos of herself on her tour bus in the build-up to the gig where it looked she was playing video games.

One fan wrote on TikTok: “She was on the tour bus prepping for GTA 6.”

Another posted: “Omg we were there last night how bad is that, not even a comment on sorry she’s no show or anything, playing GTA in the trailer apparently, previous videos of her trying glad she didn’t show.”

Kim came under fire from baffled fans at a previous gig in Paris when a music video playing on the big screens behind her during her set appeared to be synced from her phone and private messages kept popping up before the feed was quickly pulled.

Kim, whose real name is Kimberly Denise Jones, shot to fame in 1994 after being discovered by late rap legend The Notorious B.I.G.

The larger than life star then invited Kim to join the Brooklyn-based rap group Junior M.A.F.I.A, before she launched her solo career with her double-platinum album Hard Core, which debuted at number 11 on the Billboard 200.

Grammy-winner Kim’s biggest hits in the UK are all collabs, including the 2001 number one ‘Lady Marmalade’, a cover commissioned for the Moulin Rouge soundtrack, and 2003 track ‘Can’t Hold Us Down’ with Christina Aguilera, which reached number six.

Coventry backed up their victory at Nottingham Forest before the international break, scoring four goals in the top flight for the first time since a 4-1 win over Sheffield Wednesday in May 2000.

Those around the Sky Blues’ training ground at Ryton feel that, if they are competitive over the next seven games, they will have a platform for survival.

A trip to Tottenham and the visit of Fulham – both winless – come next, with games against Sunderland, Everton, Crystal Palace, Leeds and Ipswich to take them into December.

“It’s big and we have to tap into that in a good way, in a humble way,” said Lampard, whose side are now 14th.

“We have to be excited and I’m seeing players in my eyes that are developing quite quickly.

“A lot of players had low Premier League minutes, or zero Premier League minutes – Jack Rudoni, [Brandon] Thomas Asante, [Ephron] Mason-Clark, a lot of them.

“So is it human nature in the first few games we’ve had two top teams in the league (Arsenal and Manchester City) and we’ve had Brighton and we’ve gone: ‘hmm, it’s not easy here’.

“This [win] gives good confidence, so it’s the balance of confidence against overconfidence. But it’s great when you have a template of feeling when you get a result of that level.”

It can be a defining six weeks for Lampard’s men after a resounding, if not perfect, win against Newcastle.

Coventry’s previous home games had seen them fall to a 1-0 defeat by fellow promoted side Hull before a 5-0 thumping by Brighton.

Sandwiched in the middle was a 3-1 loss to Aston Villa in the Carabao Cup, meaning it was imperative they found form at the CBS Arena.

“We’re going to be a relative underdog in pretty much every game,” added Lampard. “So we have to maximise everything and be on the limit and I thought we were on the limit in loads of ways.

“They need to keep their feet on the ground because the next one’s tough and the one after that will be tough.

“But we look like a team that [will make it] hard for teams to come here. That’s the feeling we haven’t quite had in our first CBS games this season.”

MILWAUKEE — The Dodgers added left-handed reliever Justin Wrobleski to the National League Championship Series roster on Sunday, bolstering their bullpen with a pitcher who can cover multiple innings, as they take on the Milwaukee Brewers, the best team in the regular season.

In the Dodgers’ first best-of-seven series of the postseason, they will carry 13 pitchers and 13 position players — one more pitcher and one fewer position player than the previous round.

To even the balance, they left pinch-runner/defensive replacement Hyeseong Kim off the NLCS roster. Kim appeared in just one game in the NLDS, on defense in the ninth inning of Game 4.

Wrobleski was an All-Star for his first-half performance (2.69 ERA). But an up and down second half included a short stint in the injured list, as the team kept an eye on his workload, and a move to the bullpen. He finished the season strong, allowing just one run in his last eight appearances (8 ⅔ innings).

“Length, having a guy that can go two or three, is something where you essentially protect downside on the pitching,” manager Dave Roberts said Saturday when asked what traits the Dodgers would prioritize when considering which pitcher to add. “As far as handedness, they’re pretty balanced, so that really doesn’t come into play. For us, it’s more of who can take down a couple innings.”

Here’s the Dodgers’ full NLCS roster:

Infielders (6)

1B Freddie Freeman

3B Max Muncy

SS Mookie Betts

IF Miguel Rojas

UTL Kiké Hernández

UTL Tommy Edman

Outfielders (3)

LF Teoscar Hernández

CF Andy Pages

RF Kyle Tucker

Designated hitters (2)

DH Shohei Ohtani

PH Josue De Paula

Catchers (2)

C Will Smith

C Hunter Feduccia

Starting pitchers (4)

LHP Tarik Skubal

LHP Blake Snell

RHP Yoshinobu Yamamoto

RHP Tyler Glasnow

Relief pitchers (9)

RHP Roki Sasaki

RHP Edwin Díaz

RHP Edgardo Henriquez

RHP Evan Phillips

RHP Brock Stewart

LHP Tanner Scott

LHP Alex Vesia

LHP Kris Bubic

LHP Justin Wrobleski