dreams

Angel Reese has broken another WNBA record with her 29th double-double of the season.

The Atlanta Dream forward had 15 points and 11 rebounds in the team’s 89-81 victory against the Minnesota Lynx on Sunday, surpassing the previous mark for most double-doubles in a single season set by Alyssa Thomas in 2023. (Thomas had set that record while playing for the Connecticut Sun during a 40-game regular season.)

The three-time All Star has already broken multiple rebounding records this season. During the Dream’s 78-71 victory over the Sparks on Aug. 24, Reese grabbed 26 boards, setting a new record for total rebounds in a single game. Chamique Holdsclaw previously held the record with 24 rebounds, which she had set on May 23, 2003, while playing for the Washington Mystics.

Reese also set the records for most rebounds in a single season during that match-up. She now has 485 rebounds on the season, with four regular-season games remaining. Reigning WNBA MVP A’ja Wilson held the previous record of 451 total rebounds, which she had set during the 38-game regular season in 2024. Reese surpassed Wilson’s mark in 37 games.

“I’m just in awe watching her rebound,” teammate Allisha Gray said after Reese’s record-setting performance in L.A. “That’s a talent.”

The third-year player — also known to fans as ATL Barbie — heads into the FIBA World Cup break averaging 16.1 points and 12.4 rebounds this season. Reese has led the league in rebounds in each of her first two seasons and is on track to do so again.

Reese and Dream teammate Rhyne Howard will be among the players representing the U.S. at the 2026 FIBA Women’s Basketball World Cup in Berlin, Germany. The tournament kicks off Sept. 4 and is scheduled to conclude Sept. 13.

On Monday, USA Basketball announced that Wilson and Kelsey Plum, who had previously been announced as members of the team, will miss the World Cup for heath reasons. The pair will be replaced by All Star Washington Mystics duo Sonia Citron and Kiki Iriafen.

The announcement did not include further details about why Wilson and Plum will be missing the World Cup, but Plum has been dealing with a lower leg injury for most of the WNBA season.

“I did everything I could to be back on the court, but just ran out of time,” the Phoenix Mercury guard said in a statement posted to her Instagram story on Monday. “After careful consideration and conversations with my family, team doctors, coaching staff, and front office, the decision has been made to shut it down through [the] remainder of the season and focus on getting my body back to 100% … This is not an easy decision as I love to compete, but I know it’s the right one for the long term.”

Plum was a key piece to Team USA’s victory over France in the gold medal game at the Paris Olympics in 2024.

Four-time MVP Wilson, meanwhile, has been having another MVP-calibur season with the Las Vegas Aces. She was recently listed as questionable due to a back injury ahead of a game against the Toronto Tempo, but started both games against the expansion team last week. Wilson was named most outstanding player of the 2024 Paris Games and the 2022 World Cup.

The WNBA will resume play on Sept. 17.

In the heat of rural Leicestershire, the Samba Stars are chasing their dream.

Head coach Freddie Okyere has just finished a shooting exercise and allows the squad to catch their breath.

The teenagers from the Ghanaian academy, which is backed by former West Ham and Nottingham Forest forward Michail Antonio, have spent two and a half months in England with one goal – impressing clubs and earning a contract.

While scouts do visit west Africa, it is rare for academies to travel to the UK to put their players directly in front of professional clubs.

“The talent the lads have is incredible,” said Antonio.

“We created Samba Stars Academy to give young players in Ghana access to elite coaching, shape them as players and create real avenues into the pro game and show how much talent Ghana has.”

Based in Kumasi while building a new facility in Bompata, just over 100 miles north of Ghana’s capital Accra, the Samba Stars’ tactic has paid off.

Bournemouth, Everton, Manchester City, Charlton, Preston, Barnsley and Peterborough have all taken players on trial this summer.

“The first two or three weeks it hadn’t sunk in, but then they saw the facilities we’d be [using] and the teams we were playing,” said Okyere.

“They want to go and show what they can do. They are hungry, they really want it. I’m hoping there will be so much interest because we have so much talent here.

“With the facilities we will have in Ghana we feel we will be top two, top three [academies]. We hope we can bring the best of Ghana to Europe.”

There are other success stories, with midfielder Listowell Lord Hinneh joining Middlesbrough in February after a trial., external

The 18-year-old has trained with the first team after swapping west Africa for England’s north east.

“When I came in January, it was so cold. Experiencing something like that for the first time was tough,” he told BBC Sport.

“Moving was a big milestone. It just makes me feel the dreams I’ve been having, thinking of trying to find myself in Europe to become a professional footballer.

“I feel the kind of dreams that I want, I’m on the verge. I’m on the way [to] becoming who I wanted to become.”

Hinneh – whose sister Groovy lives in Leeds – met with the Samba Stars squad on their trip, offering advice.

“[I told them] what you’ve been dreaming about the future, it starts from here,” he said.

“Don’t just try, be so passionate. You need to play and enjoy it because you can have the success in whatever you’re doing. You have to just put your heart in it.”

A special type of indie film teaches you how to see it as you watch it — not as an instructor might a student, but as an ally would a new acquaintance. Shatara Michelle Ford’s sophomore feature, “Dreams in Nightmares,” about a road trip, a friendship and a Black queer landscape anchored by care, has that quietly confident appeal, like being invited into something intimate, then let free when your curiosity is at its zenith.

Ford made their name with the micro-indie, micro-focused “Test Pattern,” an act of upending as it dissected an interracial relationship’s fault lines in a moment of crisis. (It’s on the Criterion Channel now.) This time, with the drive of a born iconoclast, Ford sheds plot even further — save the loose construct of three besties in search of their absent fourth. What emerges, as the plot spans a North America whose inviting (or alienating) textures are attentively captured by cinematographer Ludovica Isidori, is an ode to the centering of chosen family when the realities of life, especially for people of color, always seem to demand soul-crushing acquiescence.

For creative writing professor Z (Denée Benton), recently let go from her Los Angeles-based university and uncertain about her future, a recurring dream featuring black-and-white imagery, a door and an enticing expanse of nature puts her in a journeying state of mind. Hopping to Brooklyn to connect with Tasha (Sasha Compère), a nervy consultant also recently shorn from her job, and Lauren (Dezi Bing), an emerging poet, this close-knit trio first decides to go dancing, then to seek out their celebrated artist pal Kel (Mars Storm Rucker), last heard from in the Midwest and who’s cut off all communication.

That framework, though, isn’t treated like some act-structured gauntlet in Ford’s telling. This is a road trip, after all, in that having a direction — to Pittsburgh, then Iowa City, Kansas City, Santa Fe and across the border — allows for some directionlessness, for different speeds, artful touches (conversations that become camera-facing interludes) and delicate epiphanies of feeling. The trio stops for a lively trans poetry reading. There’s a comically weird dinner with Kel’s ex, Sabrina (a scintillatingly eccentric Jasmin Savoy Brown). A stopover to see Kel’s parents (Regina Taylor and Robert Wisdom) illuminates, for better or worse, where some of these friends have come from and why moving forward matters.

In not adhering to the expected rules of conflict-based drama, “Dreams in Nightmares” can confound. But when you realize that this is exactly the point of Ford’s open-ended exploration, you begin to understand why Ford would rather create a roving, sensorial continuum that feeds intrigue (kudos to composer Ohyung) instead of cornering you. The performances bear that out, from Benton and Bing’s steady inner light to Compère’s coiled, watchful Tosha, a compelling portrait of skepticism inside this cocoon of warmth.

Yet of course, just when Tasha appears to be a fulcrum for narrative revelation, Ford re-balances everything, in waves of grace and gentleness, to remind us that sometimes the less we label, the more we’ll observe about the abiding importance of love and belonging. Ford has internalized the humanity of filmmakers like Mike Leigh, Hou Hsiao-Hsien and Jim Jarmusch. Even the most awkward parts of the film feel uniquely alive. But as “Dreams in Nightmares” wends its way to a close, it’s also easy to believe you’re witnessing a percolating virtuosity that’s all Ford’s own.

Abuja, Nigeria – Khamila Sani Ibrahim remembers growing up in Kano State in northern Nigeria, where opportunities for girls to play organised sport were limited and seeing girls on the basketball court was uncommon.

When visiting her grandparents during school holidays, she had to find ways to fit basketball around family expectations.

“It is very hard for me to train in basketball,” Ibrahim said. “I only go out to play when they are not around, or I tell them that I’m going to visit my friends, and from there I go to the court.”

Across northern Nigerian communities, sports such as basketball and football have historically been viewed as male-dominated spaces. For girls who want to play, the obstacles can include limited access to courts and equipment, a shortage of coaching and funding, and fewer chances to compete.

Finding a place on the court

Now, through Grassroots To Greatness (G2G), an initiative dedicated to female empowerment in sports, girls are finding opportunities to train, compete and develop their skills.

Jawahir Bello, a youth sports advocate, founded the initiative after seeing how few opportunities were available to girls in the region.

At tournaments, players wear custom hijabs, long sports vests and athletic tights.

“Our core value is about participating in sports without doing anything that goes against our cultural values or our identity as Muslims,” Bello told Al Jazeera. “Whether you put on a hijab or innerwear under your jersey, modesty is key. You come out modest, decent and fully covered.”

Although she anticipated resistance from some communities when launching female-only tournaments and community training sessions, Bello said she has been encouraged by community stakeholders who have welcomed the initiative.

To mobilise participants, G2G partners directly with local grassroots coaches who already run community teams on the ground.

A tournament of their own

When Ibrahim represented Kano State in a multi-state G2G tournament featuring female players from up to nine different states, she found herself in an environment unlike the male-dominated local teams she had previously played with, where girls were often underestimated.

“What G2G did for us was incredible,” Ibrahim said. “They provided jerseys, custom hijabs, basketballs, cover for our transport and even financial stipends for all the teams, regardless of who won or lost. It made us feel seen and valued.”

Fatima Diouf, another young player based in Abuja, started playing basketball at her school when she was 11. She joined the G2G programme to test her skills against tougher competition. Though her team fell short of the finals, she left with lessons she says will stay with her.

“I have learned a lot beyond just basketball. I learned teamwork, confidence, discipline and how to keep improving,” Fatima told Al Jazeera.

The struggle beyond the court

For Ibrahim, getting time on the court is still not always easy. She has had to push past self-doubt and the dismissive attitude of male peers who assumed girls could not compete at the same level. She also struggles to balance intense training with domestic chores and schoolwork.

Mansur Abdullahi, assistant coach of Nigeria’s U-20 women’s national football team, the Falconets, says grassroots coaches and organisations can help create opportunities for young athletes that larger sports structures may not reach.

“Official sports bodies have big structures, but local groups provide the actual trust and cultural understanding,” he said. “So it’s only through community-led initiatives that more professional teams will understand what’s acceptable for girls and boys and how to frame sports so it fits the existing values instead of clashing with them.”

Dreaming of the next level

For many participants, the tournaments are a chance to test themselves against new opponents and think about what could come next.

Before joining G2G, Ibrahim’s father had reservations about whether competitive sports would compromise family standards. But once he attended her games and saw the athletic wear and the structured environment of the initiative, he became one of her biggest supporters.

“I want to secure a college sports scholarship in the United States and eventually turn professional. More than that, I want other Muslim girls across northern Nigeria to see that sports build your health, strength, and confidence, and that nothing should hold you back from chasing your dreams,” Ibrahim told Al Jazeera.

Seeing the network of coaches, stakeholders and organisers at the tournament also broadened Diouf’s perspective and allowed her to imagine playing across Africa.

For G2G, the ambition goes beyond organising female-only tournaments. Bello wants the programme to show girls there is a place for them in sport and that they can compete without feeling that they have to give up who they are.

“You can keep your identity, stay covered and still achieve something in life,” Bello said.

Angel Reese broke the WNBA single-game rebounding record with 26 while also breaking the league’s season record for rebounds as the Atlanta Dream beat the Sparks 78-71 on Monday night.

Reese surpassed Chamique Holdsclaw’s record of 24 rebounds, set on May 23, 2003 for Washington.

The Dream star has 458 rebounds this season, seven more than A’ja Wilson’s mark set in 2024. Atlanta still has six games remaining in the regular season.

“I’m just in awe watching her rebound,” teammate Allisha Gray said. “That’s a talent.”

Reese finished with 11 points. She secured her WNBA-leading 27th double-double of the season on a basket with 13.9 seconds left in the game.

The Dream have won four straight games — all on the road — and have beaten the Sparks nine straight times.

Gray led Atlanta (25-13) with 20 points. Rhyne Howard added 18 points to eclipse 3,000 for her career. Gray set an Atlanta record for field goals in a season with 247.

Nneka Ogwumike had 27 points and 16 rebounds for the Sparks (13-25). Dearica Hamby and Cameron Brink each scored 15 points.

Atlanta trailed 37-36 at halftime before starting the third quarter on a 9-2 run. The Dream also began the fourth on a 9-2 run to make it 71-57 with 6:57 left.

Up next for the Sparks: host Washington on Friday.

The latest episode of Olivia Atwood’s The Price of Perfection took an unexpected turn

The ITV presenter caught a mystery man’s eye.

Olivia Attwood briefly paused her ITV2 show, The Price of Perfection, to address a flirty encounter. The former Love Island star, 35, returned with the latest episode of her hit show on Tuesday (August 18) night.

This instalment focused on all things face lifts, and followed Olivia as she journeyed around London trying to uncover what treatments are available for young women looking to transform their faces.

But the presenter was interrupted when she visited a clinic where one surgeon was performing a full face and neck lift.

As she explained the procedure to the camera, a man with his face blurred walked by and seemingly shot a flirtatious look at Olivia.

Spotting his lingering look, the ITV host turned back to the camera and joked: “In your dreams, do you know what I mean?”.

She went on to add: “That’s honestly what it’s been like since I took my wedding ring off. It’s actually, it’s just like let me [live].”

The former TOWIE cast member was married to footballer Bradley Dack for just over two years, before they called it quits in January.

She has since found romance with fellow reality star Pete Wicks, with the pair publicly launching their relationship back in July.

Season 3 of The Price of Perfection is now streaming on ITVX, and the just-aired third episode features a cameo from TOWIE star Dani Imbert.

A synopsis for the instalment teases: “With so many techniques and brands offering to slice and sculpt our face, Olivia looks at the options the under fifties are looking at.

“At just 28, TOWIE’s Dani Imbert has a brow lift but is left unhappy with the results. Newly single Sophie tries a thread lift for a ‘snatched’ look. Amy, exhausted by the cost of facial maintenance having spent £150,000 on fillers, opts for a short scar mini facelift, a procedure with mixed online reviews.

“Olivia also joins a surgeon performing a full face and neck lift on business owner Brit, learning the real differences between SMAS and deep plane approaches, and what may have delivered Kris Jenner’s headline grabbing result.”

Olivia Attwood: The Price of Perfection is available to stream on ITVX