draw

2026 World Snooker Championship draw: Ronnie O’Sullivan to play China’s He Guoqiang in Crucible round one

Seven-time winner Ronnie O’Sullivan will begin his bid for a record-breaking eighth World Snooker Championship title with a match against China’s debutant He Guoqiang at the Crucible.

O’Sullivan, 50, will start his first-round tie at the Sheffield theatre on Tuesday and conclude the match on Wednesday.

Sixteen players came through qualifying this week at the English Institute of Sport and will join the world’s top 16 ranked players at the tournament.

He, ranked 47th in the world, qualified for the Crucible for the first time with a win over England’s Jack Lisowski on Wednesday.

Zhao Xintong became the first Chinese player to clinch the world title when he won the 2025 event and will be involved in the first session of the tournament on Saturday (10:00 BST).

He will face England’s Liam Highfield, who advanced through four qualifying rounds.

The draw was made on BBC Radio 5 Live Breakfast on Thursday.

Elsewhere, world number one Judd Trump will take on Gary Wilson and Masters champion Kyren Wilson will be up against 19-year-old debutant Stan Moody.

Four-time champion John Higgins will take on two-time runner-up Ali Carter, while Mark Selby, also with four Crucible titles, faces 2024 runner-up Jak Jones.

O’Sullivan and Stephen Hendry both have the most world titles in the modern era with seven apiece, with O’Sullivan winning his first one 25 years ago, in 2001.

The 17-day competition begins on Saturday, with the final starting on Sunday, 3 May and concluding the next day – with full coverage of the tournament live on the BBC.

The Crucible has staged the World Championship yearly since 1977 and last month it was announced it would remain there until 2045, with the venue set to be redeveloped to add up to 500 additional seats.

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Saudi Arabia-hosted Asian Cup draw rescheduled due to US-Israel war on Iran | Football News

Draw for the 24-team 2027 AFC Asian Cup, originally set for Saturday, moved to May 9.

The draw for the 2027 ⁠Asian Cup ⁠in Saudi Arabia has been rescheduled for May 9 in Riyadh as the ⁠United States-Israel war on Iran disrupts regional sporting events.

The draw, originally scheduled for last Saturday, will be held at the historic At-Turaif District in Diriyah. The Asian Football Confederation (AFC) said ⁠on Wednesday that the postponement was ‌made to ensure the full participation of all key stakeholders and member associations.

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A number of sporting events across the region have been postponed or cancelled due to the war, which began on February 28.

Saudi Arabia is set to ⁠host the 24-team, quadrennial continental championship for the first time from January 7 to February 5. With 23 of the ⁠24 teams already confirmed, the draw will divide the qualified ⁠nations into six groups of ⁠four.

The final qualification place will be decided on June 4 when Lebanon face Yemen in a playoff.

Defending champions ‌Qatar have already secured their place at the finals along with four-time winners Japan and fellow ‌World ‌Cup qualifiers South Korea, Iran, Jordan, Australia and Uzbekistan.

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‘The Christophers’ review: Ian McKellen as a reclusive art star is the draw

No actor in a movie this month is enjoying themselves more than Ian McKellen as an egomaniac painter in Steven Soderbergh’s slender pleasure “The Christophers.” Once, his Julian Sklar was the bisexual provocateur of the London art scene commanding millions for a single piece. Now he’s better known as the villain of “Art Fight,” a reality competition show where he took cruel pleasure destroying amateurs’ hopes.

Equally dismissive of his own output, Julian hasn’t wielded a paintbrush in decades. And so his adult children Barnaby and Sallie (James Corden and Jessica Gunning of “Baby Reindeer”) — two money-grubbing, untalented brats — hire a broke art restorer, Lori (Michaela Coel), to finish a stack of half-sketched portraits Julian made of his male ex-lover that were left abandoned in the attic. Don’t think of it as forgery, Barnaby assures Lori, “more like forging through them until they are completed.”

That’s a great line, and “The Christophers” has a dozen more almost as good. Nearly all get delivered by McKellen’s Julian, waving a champagne coupe while monologuing about humidifiers, cancel culture and a doctor who smells like radishes. He seems to imagine acolytes — or at least, television audiences — eagerly soaking up his bon mots. Meanwhile, Lori, a young Black woman hired under false pretenses as an assistant, stares mutely. If their first meeting as boss and employee were freeze-framed into a painting, it would be called “A Study in Contrasts.”

The script is by Ed Solomon, who also collaborated with Soderbergh on the more action-packed 2021 gangster movie “No Sudden Move.” This plot doodles along, rarely going where we expect. Mostly, Julian and Lori take turns thwarting his obnoxious kids and threatening to quit. I chuckled every time Corden and Gunning showed up for more abuse, including from Soderbergh, who shoots them like a wall of stupidity, blocking doorways as they stand side-by-side like Tweedledee and Tweedledum.

The inequalities of the art world are gestured to as fact. Lori, who might be every bit as technically gifted as Julian, ekes out a living serving egg rolls in a food truck while sharing a walk-up loft with three other struggling painters. Julian lords over not one but two swanky adjoining townhouses stuffed with antiques. Once, to flip off the establishment, he sold a work worth 2 million British pounds for the price of a used car. His version of disdain is her idea of a fortune.

One stick figure by Julian would be worth more than anything Lori’s ever done, which makes it extra maddening that he chooses instead to earn a little extra pocket money recording video messages for fans who only care about him as that mean guy on TV. In the glow of a ring light, he tosses off glib advice that might itself be worthless. Quit art school, he tells one, and “happy birthday, blah, blah, blah.” (Even imagining a popular TV show about art is, in itself, culturally aspirational for those of us who enjoy reruns of Bob Ross.)

Why is there such disparity between the value of Julian and Lori’s work? The reasons are so obvious that, to the film, they’re barely worth mentioning: age, gender, era, fame and skill. Julian would dismiss the first two, claiming that wokeness gives an old, white male like him the handicap. But it’s frustrating that the film doesn’t dig very deep into the rest, either. I especially wanted a scene where Julian must reckon with a no-name interloper’s ability to copy his genius, but comparing whether Lori is Julian’s equal would call the film’s bluff and force it to actually show us their art. The handheld camera prefers to lurk on the wooden side of the easel.

Really, I’m not sure Soderbergh even has an opinion on their clash. He just wants to be an eavesdropper in the room, standing back against the dusty brick-a-brack. Of course, if you squint, you can see what interests Soderbergh in this set-up. Like Julian, he’s been threatening to retire for years. He knows how irritated people are when an artist claims they don’t want to bother anymore. And like the neglected paintings in the attic — the Christophers of the title — every filmmaker has their own unfinished projects taking up mental space overhead, treasured ideas that will never emerge to their satisfaction.

Still, I suspect that even if Soderbergh personally identifies with the premise (even though he continues to release more movies in one year than his peers do in five), he still finds Julian’s paralysis a bit pathetic. Julian just needs paint, a brush and the will to create. Filmmakers, now those poor bastards need rich patrons.

Even so, Soderbergh likes to make movies as resourcefully as he can, doing his own editing and cinematography and, above all, prioritizing the act of invention. He can’t be copied because his own work is so eclectic. Have you ever heard of any director being called the next Soderbergh? You sense that, to him, forgery is as creatively dull as a factory-issued franchise sequel. (Except, of course, his “Magic Mike” and “Ocean’s” series, which are, at their best, closer to wacky Warhols.)

Tasked to play the foil to McKellen’s clown, Coel comes off stiff. She has the spine to hold her own against him, but it’s hard to play withholding, particularly when the film needs her character to be both the voice of reason and a politically correct scold. Only her carved cheekbones give off an impression of Lori’s hungry ambition. Still, when she does deign to speak, there’s a dynamite scene where she dresses down Julian critically and psychologically. Whether or not she’s the second coming of him as an artist, she’s more insightful than he ever was insulting watercolors of kittens on TV.

Really, we’re just watching McKellen give a bravura, scene-gobbling performance that doesn’t hold back one iota. My favorite detail he pulls off comes when he greets Lori at the front door undressed and, when she insists he wear clothes, ties on a trench coat that somehow makes him look even more pervy and naked in how McKellen wears it, leaving one bare shoulder roguishly exposed.

The film has plenty of funny little asides like that which make it worth your while. Angelenos will chuckle at a scene in which two characters verbally commit to a meet-up both know won’t happen — or, as we say here, let’s do lunch. Out of magnanimity, I’ll liken this trifle to a Rothko. The more I think about “The Christophers,” the more I imagine it has interesting layers. But I won’t fault anyone who just sees a simple square.

‘The Christophers’

Rated: R, for language

Running time: 1 hour, 40 minutes

Playing: Opening Friday, April 10 in limited release

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FA Cup semi-final draw: Leeds to play Chelsea and Manchester City face Southampton at Wembley

Leeds United will play Chelsea at Wembley after reaching the FA Cup semi-finals for the first time in 39 years.

Daniel Farke’s side beat Premier League relegation rivals West Ham 4-2 on penalties to progress after a thrilling 2-2 draw on Sunday.

Last year’s beaten finalists Manchester City will take on Championship side Southampton in the other semi-final.

The Saints, whose only FA Cup triumph was back in 1976, stunned Premier League leaders Arsenal on Saturday to set up the encounter with seven-time winners City.

Leeds last reached the FA Cup last four in 1987, when they were beaten 3-2 by eventual winners Coventry City at Hillsborough, and lifted the trophy for the only time in 1972.

Their meeting with eight-time winners Chelsea will also stir up memories of the 1970 showpiece between the sides, in which the Blues triumphed after a replay at Old Trafford – the first FA Cup final at that time to require one since 1912.

This year’s ties will be played at Wembley on the weekend of 25-26 April.

FA Cup semi-final ties:

Manchester City v Southampton

Chelsea v Leeds United

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Champions Cup quarter-final fixtures 2025-26: Draw for last eight

The quarter-final line-up for this season’s Champions Cup is complete.

A record seven English clubs made it through to the knockout phase but they have whittled down to three, with Saracens, Bristol Bears, Harlequins and Leicester Tigers all exiting the tournament in the last 16.

Northampton Saints, Bath and Sale Sharks – who were the only side to win away from home in the first knockout round – remain.

France also have three teams in the last eight, while Glasgow Warriors and Leinster are the sole representatives from Scotland and Ireland respectively.

The four quarter-finals will be played across 10-12 April.

Prem rivals Bath and Northampton meet in the first tie on Friday, while defending champions Bordeaux Begles will host six-time winners Toulouse in an all-French contest two days later.

The semi-finals are scheduled for the first weekend in May, with the final in Bilbao taking place on Saturday, 23 May.

Only three sides – Glasgow, Leinster and Bordeaux – have won all five of their matches so far in this season’s competition.

French clubs have won each of the past five editions of the competition, with Exeter Chiefs’ win in 2020 the most recent success by a team not from France.

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Messi scores as Inter Miami open new stadium with a draw in the MLS | Football News

Miami captain scored his team’s first goal after David Beckham said the Nu Stadium was a ‘dream come true’ for Miami.

Lionel Messi marked the opening of Inter Miami’s gleaming new stadium with a goal as the Major League Soccer (MLS) champions battled to a 2-2 draw against Austin FC.

Inter Miami’s co-owner, David Beckham, was among the star-studded crowd as the club’s 26,000-capacity Nu Stadium made its debut on Saturday, marking the end of a more-than-a-decade-long journey to find a permanent home.

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“To see this stadium come to life, after years and years of trying to get this stadium up and running in Miami, is something that’s very special,” Beckham said shortly before kickoff.

“I came to America in the MLS 20 years ago, and I made a lot of promises. And 13 years ago, I made a lot of promises again, announcing I was coming to Miami.

“Today it’s just a dream come true for us.”

Inter Miami fans wave flags in Nu Stadium ahead of the team's first MLS soccer match in their new home stadium, against Austin FC, Saturday, April 4, 2026, in Miami. (AP Photo/Rebecca Blackwell)
Inter Miami fans wave flags in Nu Stadium before the team’s first MLS match at their new home stadium [Rebecca Blackwell/AP]

While the match kicked off in celebratory fashion, with Beckham joining billionaire Inter Miami managing owner Jorge Mas in a pre-game ribbon-cutting ceremony, Austin refused to follow the script.

The Texas club, who went into the game with only one win from five matches, stunned the home crowd after only six minutes, with Guilherme Biro nodding in a corner from Facundo Torres to make it 1-0 to the visitors.

Messi, though, did not take long to open his account in his new surroundings.

Right-back Ian Fray burst down the flank and crossed for Messi, who equalised with a rare headed goal to make it 1-1 four minutes later.

Inter Miami dominated possession thereafter and carved out a string of chances, with Mateo Silvetti twice going close with a shot in the 34th minute before heading wide four minutes later.

But Austin’s dogged defence and speed on the counter continued to pose problems for the hosts, and they once again took the lead after 53 minutes.

Messi was dispossessed deep in the Austin half by Joseph Rosales, who released Myrto Uzuni, who in turn sent substitute Jayden Nelson clean through on goal to score.

With Miami increasingly desperate, coach Javier Mascherano sent on veteran striker Luis Suarez in the 73rd minute.

The Uruguayan duly delivered eight minutes later, prodding home from close range after a Messi corner was flicked on by German Berterame in the Austin defence.

Suarez thought he had scored a dramatic winner when he finished from close range after Messi’s free-kick came back off the woodwork, but it was ruled out for offside.

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Wales 1-1 Northern Ireland: We showed great ‘character’ in draw – Michael O’Neill

Northern Ireland manager Michael O’Neill praised the “character” of his side in Tuesday’s 1-1 draw in Wales.

Both Wales and Northern Ireland lost their respective World Cup play-offs to set up the friendly that nobody wanted.

Jamie Donley scored a deserved opener but Wales hit back less than 60 seconds after the restart as Sorba Thomas tucked home.

Eoin Toal and Callum Marshall had chances to snatch victory, but it was the response to the equaliser which impressed O’Neill as his young side bounced back from the World Cup defeat by Italy with a solid performance in Cardiff.

“The team has good resilience because at the end of the day, as much as we sat deep and it was difficult for us to get out in the last 20 minutes, we still had an opportunity to win the game,” O’Neill, who also hit back at concerns over a conflict of interest with his dual role with Blackburn Rovers.

“To come away, with the age profile of the team and where the team is at this minute at time, and not be beaten here was a real positive.”

O’Neill added it was “a good night’s work for us” as he “asked a huge amount” of young players in a second half that was littered with substitutions, but Northern Ireland deserved their draw in Cardiff.

He handed a debut to 19-year-old defender Tom Atcheson, who plays under him at Blackburn Rovers, but Liverpool’s Kieran Morrison did not make his senior bow as O’Neill made eight substitutions.

“He’s a very young player. I think he’s shown up well in the camp all week,” O’Neill said on Atcheson.

“We would have liked to have got Kieran Morrison on the pitch as well at some point, but you wouldn’t have been able to do it without having to take a sub that you put on, off again, without asking someone to play in a position which was totally alien to them.

“Given the number of substitutions we made, we’re pleased with the response we got from the players.”

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‘No Kings’ rallies draw millions protesting Trump globally

A rolling wave of “No Kings” protests swelled through America’s small towns and big cities Saturday, with crowds gathering to blast President Trump, Immigration and Customs Enforcement crackdowns, the war in Iran and high gas and food prices.

Saturday’s demonstrations were expected to draw millions of people nationwide, including thousands for a downtown Los Angeles rally. More than 40 protests were planned for L.A., Orange and Ventura counties, part of the national “No Kings Day of Nonviolent Action.”

No Kings Coalition organizers were hoping that turnout for the rallies in all 50 states could combine to form the largest single-day protest in U.S. history. They pointed to growing anger over the country’s direction, including fatal ICE shootings and troops dispatched to the Middle East, since the first “No Kings” demonstration was held last June.

On Saturday morning, hundreds gathered around the reflecting pool at Pasadena City College. A band rolled through with a fascism-themed parody of Johnny Cash’s “Folsom Prison Blues.” Sign-toting protesters lined Colorado Boulevard, drawing a constant stream of honking from the cars driving by. For many, the Iran war was top of mind.

“Every time we protest, there’s something completely new, which speaks to the chaos of the Trump administration,” Cindy Campbell told The Times. “ICE raids last year, Epstein files a few months ago. Now, war.”

“This administration doesn’t serve us. It serves billionaires,” said Kent Miller, of Monrovia, who participated in the Pasadena protest. “War with Iran is only making life harder for working people.”

Miller pointed to a Chevron gas station advertising gas for $6.45 per gallon.

“See?” he said.

National coordinators said there has been increased interest in smaller communities, including Republican bastions, with higher-than-expected attendance during Saturday’s protests.

“I’m out here because I’m disgusted with what I’m seeing,” said Kersty Kinsey, a mother who was protesting near the Beaufort, S.C., City Hall. “People are suffering, and he’s playing golf. People are suffering, and he’s going other places and blowing things up.”

In Beaufort, an antebellum city founded in 1711, an estimated 3,000 people turned out — a marked increase over earlier “No Kings” rallies, said Barb Nash, one of the coordinators. Amid the moss-draped live oaks and blooming pink and white azaleas, a person in a purple Barney dinosaur costume held a sign reading: “Dino’s for Democracy.” A young girl handed out homemade “Resistance Cookies.”

Los Angeles coordinators said they expect more than 100,000 people at the local events, which were being planned for Beverly Hills, Burbank, West Covina, West Hollywood and Thousand Oaks. One group planned a “Road Outrage” car caravan to motor through Mid City with flapping flags calling for “No War,” and “ICE Out of LA.” At a Torrance gathering, cars honked, protesters waved flags, and a person in an inflatable green cow costume hoisted a large American flag.

The White House, in a Saturday statement, dismissed the protests as a “Trump Derangement Therapy Session.”

Organizers said they have been particularly encouraged by the surge of interest from groups in rural communities that wanted to join the loose-knit No Kings Coalition and hold protests.

Jaynie Parrish, founder of the Arizona Native Vote project, started planning a protest for her tiny town of Kayenta, on the Navajo Nation in northern Arizona, only earlier this week.

“My dad, who’s a [military] veteran and an elder, said: ‘We should go,’ and I said, ‘OK,’” Parrish told The Times.

“Our folks don’t always protest for things, but this was very important,” Parrish said. “A lot of our families are feeling the impacts right now of higher prices and things being cut. A lot of our healthcare benefits are being cut … and our tribal sovereignty is being threatened.”

Upbeat Midwestern activists withstood whipping winds to form a line of protesters stretching nearly three blocks of Burlington Avenue in Hastings, Neb. Under the crisp blue skies, one of the protesters, Drew Fausett, told The Times in a phone interview that he is a registered Republican in the decidedly red state.

“My politics haven’t really changed — but the party around me has,” Fausett said. “It used to be the two parties were two sides of the same coin, and they would work together — but not anymore.”

He and his wife, Becky, have attended “No Kings” and other protests because “it’s the only way to show that people have different opinions,” he said. “People are out here speaking for their families and their neighbors. That’s what this is all about.”

Trump’s policies are hurting many in Nebraska — including farmers, said Debby Thompson, one of the Hastings organizers.

“We want to urge our representatives in Congress to not just rubber stamp whatever Trump wants because it’s really hurting rural folks and farmers,” Thompson said. “The tariffs and huge increase in prices on fertilizer are hitting farmers really hard.”

The “No Kings” campaign sprouted in June as an act of defiance on Trump’s 79th birthday. He wanted a military parade in Washington to mark his milestone, and anti-Trump protesters came out in force — an estimated 5 million people around the country — with their own display. At the time, Trump’s second-term policies were coming into focus, including ramping up immigration raids, deploying the National Guard to L.A. in response to protests, and mass firings within the federal government.

A subsequent event in mid-October drew even larger crowds, with an estimated 7 million people protesting around the country.

Saturday’s event coincided with a dip in Trump’s approval ratings. A Reuters/Ipsos poll last week found 36% approve of Trump’s job performance, marking the lowest level since his return to office last year. In a separate Fox News Poll released last week, 59% disapproved of his job performance.

“Since the last ‘No Kings,’ we’re seeing higher gas prices and groceries, all while there’s an illegal war in Iran,” national organizer Sarah Parker of the organization 50501 said during a Thursday press briefing. “We’ve also seen our neighbors executed — American citizens executed.”

Widespread protests and candlelight vigils followed January’s fatal shootings by ICE agents in Minneapolis of Renee Good, a 37-year-old mother of three, and Alex Pretti, a 37-year-old intensive care unit nurse.

“The defining story of this Saturday’s mobilization is not just how many people are protesting — but where they are protesting,” Leah Greenberg, co-founder of Indivisible, said during the press briefing. She said two-thirds of the RSVPs to national organizers came from outside of major urban centers.

The Los Angeles event was organized by the local chapter of 50501 (short for “50 protests, 50 states, 1 movement”) and other progressive groups, including the ACLU, Human Rights Campaign, Indivisible and Public Citizen, as well as labor unions such as Unite Here Local 11 and the Service Workers International Union.

“There’s an affordability crisis in this country — people can’t afford groceries or healthcare,” Joseph Bryant, SEIU executive vice president, said in a statement. “But this administration is focused on expanding its power, starting unnecessary wars that benefit billionaires, and targeting immigrants and citizens who dare to stand up for them.”

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Galaxy can’t capitalize on early Portland red card in draw

Portland’s Kristoffer Velde scored in the 13th minute and Timbers defender Kamal Miller picked up a red card seven minutes later, but James Pantemis surrendered only a João Klauss goal to help them hold on for a 1-1 draw with the Galaxy on Sunday.

Velde scored for the second time this season to give Portland (1-3-1) a 1-0 lead early. But things became difficult from the 20th minute on when Miller received his card for a foul on Klauss.

Antony Alves Santos notched his first assist this season on the score and Joao Ortiz picked up his second.

Klauss came up with the equalizer in the 30th minute with assists from Marco Reus and Gabriel Pec. It was the fifth goal for Klauss, who has certainly helped ease the loss of superstar Riqui Puig for a second straight season because of injuries. Klauss spent his first three seasons with St. Louis City, where he scored 25 goals in 79 appearances.

Reus earned his first assist this season after posting a career-best nine last year. Pec’s helper was his third to begin the season.

Pantemis totaled six saves for the Timbers, including four in the first half.

JT Marcinkowski stopped two shots in his first start of the season for the Galaxy (1-2-2).

The Galaxy lead the series 14-12-11, but are 5-10-11 in Portland. The two clubs played to a 1-1 draw in Portland last season before the Timbers posted a 4-2 victory on the road.

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Hugo Lloris posts record fifth straight shutout in LAFC draw

Hugo Lloris finished with two saves for LAFC in a record fifth straight shutout to begin a season, and Brad Stuver stopped the only shot he faced for Austin FC in a scoreless draw on Saturday night.

Lloris and LAFC (4-0-1) began the season with four shutout victories, just one of four teams in league history to accomplish the feat. His scoreless stretch of 450 minutes is the longest in league history to begin a season.

Lloris nearly surrendered his first goal of the season in the 63rd minute, but a Myrto Uzuni netter off a corner kick by Facundo Torres was disallowed after Ilie Sánchez was charged with a foul following a video review — and that led to a yellow card on Uzuni.

Neither keeper faced a shot on goal in a scoreless first half.

Austin (1-2-2) swept LAFC last year during the regular season but couldn’t get past the Western Conference stalwarts in the playoffs. Both of the club’s losses this season have come on the road.

LAFC eliminated Alajuelense on Tuesday to advance to the quarterfinals of the CONCACAF Champions Cup. The club is 7-0-2 so far through all competitions.

LAFC began the day tied with the Vancouver Whitecaps for first place in the hotly contested West.

Up next for LAFC: vs. Orlando City at BMO Stadium on April 4.

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