drama

The period drama has now been split into four parts for the free streaming service.

A “masterpiece” period drama split into four parts is free to watch on BBC iPlayer.

The Count of Monte Cristo is a 2024 film based on the 1844 novel by Alexandre Dumas.

Starring Pierre Niney as Edmond Dantes, the tale follows the young sailor falsely imprisoned for treason on his wedding day.

Escaping more than a decade later from the fortress he is imprisoned in, he transforms into a wealthy Count and builds a new life under the fake identity.

Behind the mask, he sets out to get his revenge on those who betrayed him.

The synopsis reads: “Falsely accused, imprisoned for 15 years – now he’s out for revenge on those who wronged him. An epic drama of betrayal, love and vengeance starring Pierre Niney.”

The 2024 film has been split into four parts for BBC iPlayer after becoming a huge hit when it first premiered.

One fan hailed it an “excellent adaptation from the beautiful novel, with another calling it “absolutely terrific”.

One viewer branded it a “masterpiece”, while someone else said: “I truly loved this movie and I am not an avid movie watcher, easily one of the best movies I’ve ever seen.”

“A dream come true for Monte Cristo fans,” one said, as another review was titled “Absolutely stunning”.

“Go out of your way to see this one,” one viewer advised, while someone else called it “unmissible”. They continued: “I was absolutely captivated by the film from start to finish. Every moment kept me on the edge of my seat, and I wasn’t bored for a single second.”

“A gorgeous modern production of timeless epic,” another person said, while one fan called it “spectacular”.

Despite the widespread praise, French actor Pierre Niney previously admitted he was “pessimistic” about the project at the start.

He told Forbes: “I remember thinking ‘It’s not going to be made, they’re not going to find the money’. It would take people crazy enough to embark on a 1200 pages book to make one movie.

“So I was pessimistic at the start, thinking it was too good to be true. And actually it’s even better than what I had imagined, so it will stay engraved in my memory forever.”

The Count of Monte Cristo is available to watch on BBC iPlayer.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

This newsletter is about going to the movies, of course, but it’s about writing and reading about movies, too. And so it was exciting news this week that Film Comment, the venerable but shuttered publication that helped foster cinephilia in America, would return as a quarterly online publication.

A complete archive is now available online, going all the way back to the earliest issues in 1962. Looking for landmark writings by Manny Farber, Paul Schrader, Richard Corliss, Amy Taubin, Jonathan Rosenbaum, Kent Jones or countless others? It’s all there and well worth digging into. I began my career as an intern at Film Comment, publishing some of my own earliest pieces, and still consider it a North Star for writing about movies. Its return is most welcome.

Agnès Varda’s bruising brilliance

Sandrine Bonnaire in the 1985 movie “Vagabond.”

(Criterion Collection)

Though she became better known for her free-spirited, pixie-ish persona later in life, French filmmaker Agnès Varda was also capable of the bruising emotions of 1985’s “Vagabond,” arguably her greatest fiction feature and winner of the Golden Lion at Venice and the César for best actress for star Sandrine Bonnaire. Opening with the lead character found dead in a ditch, the film flashes backward to piece together her life from the memories of others, creating a fragmented portrait of an enigmatic young woman’s life.

Mezzanine will screen the film on Saturday at 2220 Arts + Archives, followed by a conversation between art critic Megan O’Grady and former Times staffer Carolina Miranda. Writing about the film in 1986, Sheila Benson said, “Just how Agnes Varda has kept ‘Vagabond’ from being a monumental downer is interesting, but she has. It is haunting. It is melancholy … but ultimately, beyond its central tragedy, it is an exhilarating film, the sort you leave burning to talk about with friends.”

A cartoon comes to life

Robin Williams and Shelley Duvall in the 1980 movie “Popeye.”

(Paramount Pictures / Getty Images)

It is one of the most deranged credit blocks imaginable: an adaptation of “Popeye” directed by Robert Altman, produced by Robert Evans, with a screenplay by Jules Feiffer, music by Harry Nilsson and starring Robin Williams and Shelley Duvall. When it was first released in December 1980, it was seen as too weird for kids and too naive for adults, but it has since been reconsidered as a unique snapshot of intersecting talents — a strange, wonderful, one-of-a-kind movie.

Vidiots will screen the film on Saturday afternoon with actors Paul Dooley and Donovan Scott, who played J. Wellington Wimpy and Castor Oyl. In our original 1980 review that is more positive than one might expect, Charles Champlin wrote, “Its difficulties arise not from a lack of ambition and innovation but from excesses of them.”

Neil Young + Devo = gloriously weird

Neil Young in the 1982 movie “Human Highway.”

(Shakey Pictures)

Neil Young’s place as a singer-songwriter and musician is unassailable — he’s an irascible, restless troubadour. But his sidebar work as a filmmaker, typically under the name Bernard Shakey, has had more sporadic and unpredictable output.

Young’s 1982 film “Human Highway” is probably the pinnacle of his work as a director, starring Young himself in an offbeat story of a small community in the shadow of a nuclear power plant. Dennis Hopper, Dean Stockwell, Devo and even former Times music critic Robert Hilburn all appear. Now Instant Image Hall will be screening the film on Saturday and Sunday along with a selection of Devo music videos in celebration of an exhibition at the MutMuz gallery.

After Young premiered a new cut of “Human Highway” a decade or so ago, I somehow found myself sitting across from him at a diner on a rainy midnight in downtown Toronto. (This job does have its moments.)

“My films are not super commercial, but they mean something to me,” Young said.

An Oscar-winning debut

Shirley MacLaine, Debra Winger and Jack Nicholson in the 1983 movie “Terms of Endearment.”

(Paramount Pictures)

Part tearjerker, part family drama and part comedy, 1983’s “Terms of Endearment” trademarks a certain bittersweet tone that is still just pure magic. The story of a mother (Shirley MacLaine) and daughter (Debra Winger) across many years of ups and downs in their relationship, the film was the feature debut for James L. Brooks as writer-director and won five Oscars, including three for Brooks. The Academy Museum will play the film in a new 35mm print on Sunday afternoon.

When the movie came out on 4K disc in 2023, I spoke to Brooks about it. He talked about how even though it does have moments of great emotional weight, it was intended to play with a lighter tone overall.

“The whole thing was to make it as a comedy,” Brooks said. “The whole thing was to clock laughs. You had to, in order to do it right. And of course, once the audience leaves and it has its afterlife, it’s a drama because people are watching it alone. But I swear to you, in the theaters it was a comedy.”

A ’90s noir ripe for rediscovery

Jason Patric, left, Bruce Dern and Rachel Ward in the 1990 movie “After Dark, My Sweet.”

(Kino Lorber)

Set in the Coachella Valley with the woozy feel of a day drunk and a sense of uneasy menace, 1990’s “After Dark, My Sweet” is an adaptation of the novel by pulp icon Jim Thompson, directed by James Foley.

Jason Patric, then only 23, stars as Kevin Collins, known as Collie, a former boxer who escapes from a mental institution and is now just drifting. He falls in with Fay (Rachel Ward), an enigmatic, lonely alcoholic widow, who in turn introduces Collie to a shady man known as Uncle Bud (a delightfully sleazy Bruce Dern). Soon Collie is ensnared in a plot to kidnap a sickly rich boy that immediately goes off the rails.

On Tuesday at Vidiots, there will be a screening of Patric’s personal 35mm print of the film — a gift he received some 20 years ago and has never watched before. (It is said to be in pristine shape.) Along with a video introduction from actor and filmmaker Alex Winter, there will be a Q&A afterward with Patric moderated by critic and scholar Travis Woods, who contributed a commentary track to a recent Australian Blu-ray release of the film.

Patric organized the screening as a tribute to director Foley, who died in May 2025 at age 71. “After Dark” landed in between Foley making “Who’s That Girl” with Madonna and the David Mamet adaptation “Glengarry Glen Ross.” Among his other credits are “At Close Range,” “Fear” and the last two “Fifty Shades” movies.

“He was a good friend of mine at the time,” says Patric on a recent phone call from Santa Monica. “I know this was his favorite movie and it was closest to him. It’s the only movie that he had actually written that he directed. And I thought the best way to do that is just to show the movie.”

Patric, who says Collie is his favorite character in a career that also includes “The Lost Boys,” “Rush” and “Your Friends & Neighbors,” was first given the script and in turn gave it to Foley; developed it further together, trying to retain the language of Thompson’s novel. (The screenplay is credited to Foley and Robert Redlin.)

“It’s really a subjective piece of filmmaking,” says Patric. “So as Collie’s figuring things out, the audience is figuring things out.”

In her original review of the film, Sheila Benson wrote that “Collie is one of those roles actors lust after, the damaged dreamer, maybe dumb, maybe dangerous, and Patric demolishes the conventions of the role with breathtaking skill.”

“After Dark, My Sweet” landed just ahead of the Tarantino-inspired crime movie boom of the mid-’90s, alongside such noir-influenced precursors as Dennis Hopper’s “The Hot Spot,” John Dahl’s “Kill Me Again” and Stephen Frears’ Thompson adaptation “The Grifters.”

“This is just such an exciting film to want to reintroduce to audiences,” said Woods in a call. “And to get the opportunity to see this film on the big screen, which most people haven’t had that opportunity for 36 years, it’s just one of those really cool, really only in Los Angeles cinematic moments.”

New this week

Argentinian director Lucrecia Martel, photographed at the Sunset Marquis in April.

(Jason Armond / Los Angeles Times)

• The unlikely duo of James Cameron and Billie Eilish co-directed a 3D concert film drawn from Eilish’s 2025 tour, “Billie Eilish — Hit Me Hard and Soft: The Tour (Live in 3D).” Film critic Amy Nicholson and pop music critic Mikael Wood traded their thoughts on the movie.
• Argentinian director Lucrecia Martel is among the world’s most accomplished filmmakers and the true crime tale “Our Land (Nuestra Tierra)” is her first documentary. Carlos Aguilar spoke to Martel about it.
• “Mad Bills to Pay” expands to multiple Laemmle venues after a weekend run in the Vidiots microcinema. Carlos Aguilar spoke to director Joel Alfonso Vargas about portraying the Dominican American community in the Bronx.

British crime drama fans won’t want to miss this gripping murder mystery series set in Scotland

Crime drama fans will be hooked on this “addictive” series packed with twists and turns.

Shetland is a cherished British programme adapted from Ann Cleeves’ novels by David Kane. The show centres on police detectives investigating murders across the remote, tight-knit Shetland islands.

Douglas Henshall portrayed DI Jimmy Perez throughout the first seven series, before Ashley Jensen assumed the lead role as DI Ruth Calder from series eight onwards.

The murder mysteries unfold primarily on the eponymous archipelago, though certain scenes are filmed on mainland Scotland. Last month, the BBC announced that production has commenced on Shetland’s 11th series, with Ashley reprising her role as DI Calder alongside Alison O’Donnell as DI Alison ‘Tosh’ McIntosh.

The upcoming instalment will shoot at various Scottish locations and across the Shetland Isles throughout the coming months, with fresh episodes scheduled to debut on BBC One and iPlayer later this year. This comes just months after series 10 wrapped up, reports the Express.

The new six-part series welcomes Christine Bottomley, Kevin Harvey, Stella Gonet, Gregor Fisher, Gavin Mitchell, John Wark, Jude Bain, Robin Weaver, Beth Marshall, Daniel Boyd, Charlene Boyd, and Helen Mackay to the cast.

Returning favourites include Steven Robertson, Lewis Howden, Samuel Anderson, Steven Miller, Anne Kidd, Angus Miller, Connor McCarry, and Eubha Akilade.

The forthcoming series will focus on a historical killing destined to “forever change the lives of all those connected in the present day”.

The official synopsis reveals: “When a car is pulled from the water, a grim discovery is made – crammed in the boot are the decomposed, skeletal remains of an unknown male. The team’s search to uncover the victim’s identity begins with a hunt for the vehicle’s owner – a respected, local GP who left the Isles under a cloud of troubled rumours nine years ago.

“As Calder and Tosh dig deeper into the enigmatic GP’s state-of-mind and the lives of the loved ones he left behind, the investigation takes them to dark and dangerous places in their quest for the truth.”

Before the fresh episodes arrive, viewers can delve into numerous Scottish murder cases as the first ten series of Shetland are currently available on BBC iPlayer.

Shetland has won over millions of devoted followers, ranking amongst the top five most-watched BBC drama programmes of 2025. Furthermore, it held its position as Scotland’s leading BBC drama, with numerous fans drawing comparisons to other BBC favourites including Line of Duty and Blue Lights.

When a Reddit user sought recommendations similar to Line of Duty, one fan responded: “Shetland is a fantastic show. Was a bit slow at first but really gets going quickly and is addictive.”

An IMDb reviewer commented: “Stunning, gripping, dynamic noir series. Beautiful scenery, laid back pace but still a gripping series with great characters.” Another viewer chimed in: “We just started this series and absolutely love it. It gets better as you go, we’re just now on Season 3 and can’t wait to see what’s next. Incredible actors, strong storyline. Worth the watch, just be patient as you start!”

A third enthusiast declared: “This is a superb series that never disappoints. The writing is great and well thought-out, something that is missing in most shows today. The pace is excellent. This series could go on for dozens of seasons and would still hold my interest. Add this to your must-have watch list,” while another echoed the sentiment: “Outstanding mystery series. Absolutely perfect. The characters are likeable, the stories are compelling, the cinematography is stunning.”

Shetland is available to stream on BBC iPlayer

The new ITV quiz show is fronted by Danny Dyer and Emily Atack

ITV has unveiled the first look at its new reality quiz show with a surprising twist.

Fronted by Danny Dyer and Emily Atack, Nobody’s Fool has been billed as a “unique reality event packed full of drama and deception.”

In this ruthless contest, participants’ survival depends not on their actual intelligence, but on how clever their rivals perceive them to be.

Throughout the series, ten competitors from across the UK will share a purpose-built “Smart House,” taking part in a game where perception, tactics and trickery matter just as much as brainpower.

With challenges completed behind closed doors, assumptions, biases and initial impressions will prove crucial, as hasty conclusions and deliberate misdirection keep both contestants and audiences second-guessing.

The show will feature daily individual quizzes testing various forms of intelligence, with correct answers contributing to a collective prize fund.

However, in a clever twist, only the participants themselves will know their actual performance – leaving them free to share as much or as little truth as they wish with their housemates.

As the series progresses, players must identify the weakest link among them and vote them out.

Discussing the programme, Danny Dyer enthused: “this is a blinder of a game show and unlike anything I’ve seen before. Emily and I had a brilliant time making it and much like the audience at home will be, we kept guessing right until the very end.”

Emily Atack added: “It’s so exciting to be part of something this new and fresh. The chance to work with Danny again was a no brainer for me. We had such a laugh. Can’t wait for everyone to watch, it’s an absolute must see.”

Sue Murphy, Director of Factual Entertainment at ITV, and Kate Teckman, Head of Development and Commissioning Editor at ITV, said: “Nobody’s Fool is an innovative reality/quiz crossover show that puts preconceptions, stereotypes and judgements to the test.”

They continued: “Danny and Emily are the perfect pairing to host this game of surprise and prejudice, that will no doubt have audiences on the edge of their seats.”

Meanwhile, Richard Cowles, MD, and Tom Gould, Director of Entertainment and Formats at Lifted Entertainment, added: “Nobody’s Fool takes a simple premise – How do you really determine how smart someone is?

He added: “Trust your preconceptions and judgement or what they tell you? – and turns that into a high stakes reality game show with up to £100k up for grabs.

“There is drama at every turn but with Danny and Emily on hosting duties, the fun and laughter is also never far away.”

Nobody’s Fool is coming to ITV soon

A new hit Netflix series is returning for its second season just over a year after its stunning debut last year

The hit show has been called “cowboy Virgin River” by fans.

Netflix’s Ransom Canyon has officially announced a release date for its eagerly awaited second season, and fans won’t have to wait much longer.

The popular Western drama launched last April and brought viewers an epic family saga unfolding on a Texas ranch, with the powerful romance between Staten Kirkland (portrayed by Josh Duhamel) and Quinn O’Grady (Minka Kelly) taking centre stage.

The first season exposed the shocking truth surrounding the death of Staten’s son while the stoic rancher slowly grows closer to Quinn, his long-time family friend and proprietor of the local dancehall.

At the same time, charming and mysterious drifter Yancy (Jack Schumacher) arrives in town to reconnect with his long-lost grandfather and embarks on a romance of his own, only to unveil a startling secret in the jaw-dropping finale.

The programme has drawn favourable comparisons to Netflix’s other hit small-town romance, Virgin River, with some Redditors even declaring the new series is “so much better”, reports the Express.

Netflix Tudum has this week announced that the gripping drama will return on Thursday, 23rd July, with all eight episodes dropping.

Creator April Blair has disclosed that the much-anticipated follow-up will resume six months after Quinn’s decision to leave home to chase a dream job in New York.

“In that time, she didn’t speak to Staten at all,” actress Kelly disclosed. And Duhamel confirms: “He missed her. Staten has been masking that with his behaviour.

“So when he finds out Quinn is back, Staten realises that he’s made some mistakes, and he wants to make it right.”

Season two will also follow the blossoming teenage romance between high schoolers Lauren (Lizzy Greene) and Lucas (Garrett Wareing), while Yancy is likely in hot water with bartender Ellie (Marianly Tejada) following the arrival of a woman claiming to be his wife in the season finale.

“We’ve also built out the world even more this season,” showrunner Blair reveals. “Quinn’s mother, Claire – played by Patricia Clarkson, who’s an icon – comes to town, and she’s a little Postcards from the Edge meets The Notebook.

“What did she do to mess up? We find out there’s some secrets from the past.”

Alongside Clarkson, several fresh faces join the cast, including High Potential’s Steve Howey as Staten’s half-brother Levi, a rugged outdoorsman who lives off the land.

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows.

This includes the brand new UK drama Unchosen, starring Asa Butterfield and Christopher Eccleston.

Ben Robson (Vikings) and Heidi Engerman (Chicago Fire) have also signed on, with familiar faces returning including Casey W. Johnson, Tatanka Means, Justin Johnson Cortez, Kenny Miller, Philip Winchester, Jennifer Ens, Brett Cullen, Lauren Glazier, and Niko Guardado.

Netflix’s synopsis for season two states: “Season two begins six months after the events of the first season, with rancher Staten fighting to reclaim his legacy after being unseated as trustee of his family’s Double K Ranch.

“Meanwhile, musician Quinn must decide if her heart truly belongs in the small town she once tried to outrun or in the fast-paced world of New York City. Are the pair star-crossed lovers, or fated to be together? In Ransom Canyon, true love stories are messy, complicated, and always worth the wait.”

Ransom Canyon season 2 premieres Thursday, 23rd July on Netflix.

BBC fans are urging everyone to watch Half Man with Richard Gadd’s next drama hailed as “phenomenal”.

“Gruesomely compelling” Half Man has arrived and it’s already been labelled “incredible” by Baby Reindeer fans.

Richard Gadd ’s new six-part drama Half Man may have made its BBC iPlayer debut last week but many viewers have only just watched the first episode which aired on BBC One last night, Tuesday, April 28.

The gritty series follows the lives of mild-mannered Niall (played by Jamie Bell) and fierce Ruben (Richard Gadd), exploring their complicated 30-year friendship.

Described as an “explosion of violence”, Half Man kicks off with an intense moment between the men at Niall’s wedding before taking fans back to when they were teenagers.

Baby Reindeer creator Gadd not only stars in the drama but is the mastermind behind Half Man with fans loving his latest dysfunctional hit.

“If Baby Reindeer” left us in shock, I think #HalfMan even more so…the first episode was incredible!”, a fan posted on X.

A second echoed: “I’m shocked. If this is just the first episode, I don’t dare to think about what will happen in the others.”

“Gave me a heady mix of revulsion and discomfort… but in a good way?”, a third remarked.

Someone else labelled it “phenomenal”, before writing: “Can’t fault this. The writing, acting and filming are all excellent.

“I’ve only seen one episode so far but I’m totally hooked.”

A user said they were “obsessed” with Half Man and Euphoria season three, another commented, “Can’t wait to go mentally insane over this”, while a fan simply ordered: “Everyone go watch Half Man.”

Scoring 76% on Rotten Tomatoes, the six-part drama will continue to air episodes first on BBC iPlayer every Friday, followed by a BBC One release every Tuesday night.

The official synopsis for episode two reads: “1989. Niall is struggling at university when he invites Ruben to join him and his flatmates for freshers’ week

“ What begins with excitement ends in devastating consequences.”

Half Man is available to watch on BBC One and BBC iPlayer

One judge claims his colleagues have adopted a “gangster mentality” in order to shut him up.

Another compared the state board accusing him of serious misconduct to “the Russian mafia.”

Judicial elections are usually sleepy affairs, subject to little political fanfare or interest. But two battles on the June ballot in Los Angeles have raised the temperature this campaign season and invited questions about the lengths members of the insular local bench will go to protect their own.

Lawyers who aspire to become judge often run for open seats. The challengers in these races, however, say they specifically targeted incumbents they believe are unfit for the office, which carries an annual salary of more than $244,000.

One of the contests could unseat 84-year-old Judge Robert Draper, who is seeking reelection despite having spent the last three years relegated to a room at the Santa Monica courthouse without a computer or caseload, which two other judges described to The Times as a “closet.”

In 2023, then-Presiding Justice Samantha Jessner said Draper was “unable to carry out the duties and responsibilities of a judge” due to deteriorating mental and physical health, according to a letter she sent to the state’s Commission on Judicial Performance.

Draper denied all wrongdoing in an interview with The Times, and said that although he has been diagnosed with Parkinson’s disease, he remains fit for the bench. He has also been accused of sexual harassment and making improper and biased comments by the judicial commission. He is contesting those claims. A hearing that could result in his removal began Monday and is expected to last into early May.

Deputy Dist. Atty. Paul Thompson at Clara Shortridge Foltz Criminal Justice Center in Los Angeles.

(Myung J. Chun / Los Angeles Times)

The other incumbent fighting to save his seat is Judge Pat Connolly, 61, a former prosecutor who has drawn support from several other sitting L.A. County judges. But his opponent, Deputy Dist. Atty. Paul Thompson, has called Connolly a “rogue judge” who needs to be replaced.

Connolly has been disciplined multiple times in his 18-year judicial tenure for improper comments toward litigants and, in one case, exhibiting bias against a defense attorney against whom he was weighing contempt charges, according to state judicial commission records.

Thompson, who gained notoriety for his role winning a rape conviction against Harvey Weinstein, purchased the rights to the domain name “patconnolly4judge.com,” which now redirects to one of the commission’s admonishments of Connolly.

“What I see is a man who repeatedly prioritizes his own goodwill over that of the community and the public he is serving … a man who has been repeatedly disciplined for prioritizing his own interests,” said Thompson, who has been endorsed by the L.A. County Democratic Party.

In a bizarre turn, the race was linked to the recent shooting at the White House Correspondents’ Assn. dinner after conservative influencers posted a picture of a Thompson campaign sign on the Torrance lawn of the suspected gunman, Cole Tomas Allen.

Thompson lives next door to the Allen family and described the suspect’s parents as great neighbors. He said he didn’t know their son and dismissed “internet trolls” for trying to tie his campaign to political violence.

This year’s election has sparked conversations about the unwavering support incumbent judges seem to enjoy among their colleagues.

Despite the concerns about Draper’s health, a political action committee run by fellow judges gave $72,500 to his campaign, state election finance records show. The PAC gave the same amount to Connolly.

Judge Maria Lucy Armendariz, who oversees the PAC, did not return a call seeking comment.

“The PAC has some explaining to do here. Why is there this show of support for someone who is facing so many challenges?” asked Laurie Levenson, a former federal prosecutor who now teaches at Loyola Law School. “It doesn’t reflect well on the bench.”

Deputy Dist. Atty. Tal Khan Valbuena at Grand Park in downtown Los Angeles.

(Christina House / Los Angeles Times)

Draper’s opponent is Deputy Dist. Atty. Tal Khan Valbuena, a refugee from Pakistan who works in the Hollywood mental health court. Khan Valbuena believes his lived experience as a gay Muslim who has faced bigotry will bring a compassionate perspective to a bench some complain is overrun with old-school tough-on-crime prosecutors.

But he also expressed concern about Draper’s mental decline after meeting him for lunch earlier this year.

“His honor had exemplified disorganized thought behavior, tangential thought … things I see on a day-to-day basis [in mental health court],” Khan Valbuena said, while acknowledging that he is not a doctor.

The Los Angeles County Bar Assn. issued its ratings for every judicial candidate last week. Connolly graded best among the judges in the contentious races, described as “well qualified.” Thompson and Khan Valubena were rated as “qualified.” Draper was one of only three candidates labeled “unqualified.”

In 2022, Judge Eric Taylor said he noticed a sharp change in Draper’s behavior that included sending “abusive” and “incoherent” e-mails to colleagues that contained racist and profane language, according to a letter Taylor sent to the state judicial commission.

“He has demonstrated a flagging handle on reality,” Taylor wrote.

Draper was accused of sexual harassment, making racist remarks and callous behavior all over the course of one hearing. According to the state judicial complaint and testimony at Draper’s removal hearing on Monday, the judge allegedly stroked a female lawyer’s hair after going on a tangent to a Black attorney about “Black history, Black football players, the Civil Rights Act, and the Black Lives Matter movement,” even though the case had nothing to do with those issues.

Judge Robert Draper outside the Ronald Reagan Federal Building in Los Angeles.

(Robert Gauthier / Los Angeles Times)

Later in chambers that same day, he made crude remarks to a group of female attorneys while reflecting on his time as a civil attorney, recalling how male lawyers would deride female secretaries, insisting they learn to “f— better than they could type,” according to testimony given by attorney Janice Brown at Draper’s hearing.

Brown told the review panel that Draper’s behavior left her “aghast” and “perplexed.”

Draper denied much of what was in the complaint. He says that he never touched a lawyer’s hair, and that the comments about Black culture were meant to express his pride at racial progress in America. He criticized the Commission on Judicial Performance.

“This is like the Russian mafia, it’s like Germany,” he said. “There’s no due process for any judge.”

Draper’s attorney, Ashley Posner, said his client would routinely walk up seven flights of stairs when he was assigned to the downtown Stanley Mosk courthouse and remains sharp.

“Things were set up to portray him in the worst light possible … he’s been portrayed as a bigot. He’s been portrayed as doddering and demented, which couldn’t be further from the truth,” Posner said.

In court on Monday, Posner suggested the complaint was part of a broader campaign to force Draper to retire and accused the L.A. County Superior Court’s leadership of ageism. A court spokesperson said they could not comment on personnel matters.

The race between Connolly and Thompson has also focused heavily on alleged misconduct.

Connolly’s past admonishments by the state commission include complaints that he yelled at attorneys for appearing remotely during the COVID-19 pandemic. The judge also told a recently acquitted defendant that he knew the man was guilty, records show.

“I don’t think it’s as much what I’ve said as how I have said it. I think that they have taken issue with the terms that I’ve used,” Connolly said, noting he has never been accused of ethical violations or moral impropriety.

L.A. County Superior Court Judge Pat Connolly at the Compton Courthouse.

(Robert Gauthier / Los Angeles Times)

A legal expert raised questions in 2023 about the propriety of Connolly seeking to disqualify a fellow judge from ruling on a petition to resentence a convicted cop killer that Connolly had prosecuted in the late 2000s. The state commission is also currently reviewing two additional complaints against Connolly, according to e-mails seen by The Times. Connolly said he couldn’t comment on either situation.

In an interview with The Times, Connolly said he was surprised by the “venom” Thompson had injected into the race.

He said he sees himself as a fair jurist with a knack for finding creative solutions to cases that balance public safety and alternatives to incarceration. In 2022, court records show, he negotiated a plea deal for an NFL player facing prison time for weapons charges, ordering him to organize sports camps for underprivileged youth.

“I’m one of those who listens to both sides, who gives both sides the opportunity to voice their positions,” he said.

Connolly enjoys the support of many sitting judges and law enforcement leaders, including former Dist. Atty. Steve Cooley and the head of the court’s criminal division, Ricardo Ocampo.

Thompson says some of Connolly’s allies on the bench have come after his supporters.

When Thompson launched his campaign, he published an endorsement from L.A. County Superior Court Judge Scott Yang on his campaign website. Within weeks, Thompson said, Yang asked him to take the endorsement down, claiming he was being pressured by other judges.

Yang, who presides over a court in the Antelope Valley, said his colleagues on the bench exhibited a “gangster mentality” when they told him to withdraw his endorsement in a judicial election, according to a text message reviewed by The Times.

“They were going to target him. They were going to run at him. They were potentially going to make false disciplinary reports around him,” Thompson said.

Connolly was not accused of being involved in the alleged harassment and declined to discuss the matter. Yang did not respond to multiple requests for comment. A court spokesperson said they had not received any reports of threats made against Yang, but a law enforcement source said Yang told them he was harassed by fellow judges over his endorsement of Thompson. The source spoke on condition of anonymity for fear of reprisals from the bench.

The conflict has generated whispers among L.A. County judges, one of whom requested anonymity due to concerns of backlash for speaking publicly. Word of the threats against Yang, the judge said, left some fearing they too could face retribution for breaking ranks.

“It’s totally concerning,” the judge said. “How different is that than the deputy gangs?”

BBC’s new crime drama starring Sheridan Smith has been a hit with viewers

BBC viewers are already hooked on the new crime drama starring Sheridan Smith.

The Cage recently made its debut onto our TV screens and a number of fans have already binge-watched all five episodes with many calling for another season.

It comes as no surprise that viewers are gripped on the show. Not only is the cast lead by BAFTA-winner Sheridan but its creator is the BAFTA-winning Tony Schumacher, who created the acclaimed police drama The Responder.

Alongside Sheridan, her co-star Michael Socha also leads the cast of the popular series, which follows two financially struggling Liverpool casino employees who end up confronting dangerous local criminals and the authorities after siphoning money from the casino safe.

Shot in and around Liverpool and Merseyside, the narrative centres on Leanne (Sheridan), a single mother and casino cashier who begins siphoning cash from the safe to rescue her family home.

However, when she discovers that her boss Matty (Muchael), a gambling addict, is engaged in the same activity, both of their lives begin to unravel.

The duo forge an unexpected alliance to conceal their theft, but quickly become entangled with local gangsters and the police.

The synopsis states: “Leanne is the charismatic cashier at an inner-city casino who finds herself threatened with losing the family home and starts skimming cash from the casino safe to secure her family’s future.

“When Leanne discovers her boss Matty is doing the same thing, their lives are set on a collision course; with each other, the local gangster they’re stealing from, and the police.

“As Leanne’s loyalties are pulled in different directions, Matty battles with his inner demons meaning the pair will have to play every hand perfectly.”

Viewers have wasted no time sharing their reaction as one viewer said: “I just finished watching it, so good. I hope they have a season 2.”

Another wrote: “#thecage Just finished binge watching this series and loved it. Great cast especially the performance of Michael Socha.Some great music in there as well.”

A third commented: “Binged The Cage in one sitting, fantastic show! Well done all involved.” Another said: “Binged the whole series tonight. I really enjoyed it, proper good British drama and great cast/performances,”

Meanwhile another added: “Loved it!! It was so good had me on the edge of my seat.” While another called for a second season, writing: “Michael and Sheridan were absolutely phenomenal, can’t wait for series 2?”

You can stream The Cage on BBC iPlayer

This captivating period drama has had viewers binge-watching all ten episodes after just one week

A brand new period drama adaptation has arrived on BBC iPlayer, and viewers are already captivated.

The Lady Grace Mysteries is a collection of children’s detective fiction novels, originally penned by English author Patricia Finney, before Sara Volger and Jan Burchett later came aboard as co-authors.

Written in diary format, the story centres on Lady Grace Cavendish, a maid of honour to Queen Elizabeth I, who sets out to unravel a series of mysteries within the royal court.

The series comprises 12 books in total, with the earliest releases regarded as the most beloved titles. These include Assassin, Betrayal, and Conspiracy – published in 2004 and 2005. The final instalment, Loot, hit shelves in 2010.

Now, audiences can immerse themselves in the 16th-century royal court as the beloved books have been brought to life in a new BBC adaptation. The “vibrant” new drama breathes excitement, humour and intrigue into Queen Elizabeth I’s court, appealing to younger viewers, as well as older fans who grew up devouring the books, reports the Liverpool Echo.

“The series introduces 14-year-old Grace Cavendish, a spirited lady-in-waiting with a sharp mind, a strong sense of justice and one enormous secret: she is the Queen’s top secret teenage spy,” reads the official synopsis for the series.

“Moving through the glittering but treacherous world of the Tudor court, Grace must juggle her official duties with undercover missions as she tackles everything from stolen crowns and mysterious hauntings to political plots and deadly traitors hiding in plain sight (Claudia Winkleman not included).

“With picture perfect palaces, sweeping gardens, secret passageways and lavish royal celebrations, The Lady Grace Mysteries brings the Elizabethan Golden Age to the screen in a way that feels both authentic and fresh. Alongside her best friends, Ellie, a fearless scullery maid, and Masou, an ambitious young actor, Grace’s world is packed with daring escapades, heartfelt friendships and relatable teenage drama, just with more ruffs, royal balls and assassination attempts.”

Sarah Muller, Head of Commissioning 7+ at the BBC, commented: “The Lady Grace Mysteries is everything we love in co-viewing a series: it’s warm, funny and full of adventure, with a brilliant young heroine at its heart.

“It blends mystery, history and big emotional stories in a way that feels fresh and exciting for today’s audience, while giving parents and grandparents something richly nostalgic and visually spectacular to enjoy too. We’re so proud of this show and can’t wait for families to discover Grace’s world together.”

Evie Coles takes on the role of Grace, with Rebecca Scott portraying Queen Elizabeth I. The cast further features Carys John, Twinkle Jaiswal, Rafael Alessandro, Georgia Farrow, and Fintan Buckard. All ten episodes of The Lady Grace Mysteries dropped on BBC iPlayer earlier this month (April 20), with viewers already devouring the entire series in one sitting.

Numerous fans have taken to social media to express their enthusiasm, with one user posting on X (formerly Twitter): “The Lady Grace Mysteries are heaps of fun.”

Another chimed in: “It’s actually a kids show but I’m liking the teenage spy at the Elizabethan court. Great fun with FAB costumes. Each character has their own colour scheme, Lady Grace in greens, the Queen in orange/gold, another in purple, one in blue. NICE!”

The official CBBC Instagram account also enthused: “If you like and miss Malory Towers… we’ve got you! Brand new series, with familiar faces… #TheLadyGraceMysteries is available right now.”

The Lady Grace Mysteries is available to stream on BBC iPlayer

The actress has a brand new ‘collab’ – playing a solicitor in Jeff Pope’s hard-hitting factual drama about the horrific sex attacks of John Worboys

She’s best known for her role as smiley Anne in Amandaland – but Philippa Dunne is taking an altogether more serious role in ITV’s new true crime drama about black cab rapist John Worboys.

Believe Me tells the story of how the victims of one of the most prolific sex attackers in British history fought back after being failed by the system. And Philippa, 44, plays the solicitor who represents three of the women, who decide to sue the Metropolitan Police under the Human Rights Act for their failure to properly conduct investigations into their allegations of sexual assault.

Worboys, played by Daniel Mays, preyed on women under the cover of being a “respectable” licensed taxi-cab driver. He would target solo women to pick up, claim he’d had a win at a casino or on the lottery, then offer them a drug-laced glass of champagne to help him celebrate – which would knock them out. The women often had little or no memory of what had happened to them.

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The drama, to air on ITV next month, focuses on Sarah (Aimée-Ffion Edwards) and Laila (Aasiya Shah), who reported sexual assaults by Worboys but felt they had not been believed by the police.

Phillipa plays Harriet Wistrich who joins forces with the women and with barrister Phillippa Kaufmann QC to sue the police over the handling of their complaints, claiming it led to them being subjected to degrading treatment and contributing to their distress. Not only did they win, they won twice after the Met appealed that judgment all the way to the Supreme Court.

Irish comedy star Philippa she had not previously worked with writer Jeff Pope, whose credits include Little Boy Blue, Philomena and See No Evil. “I just did a couple of auditions over Zoom – auditioning is still a big part of any actor’s life,” she explained. “And it was the most dialogue I’ve ever had to learn in my life so I was glad it was on Zoom because I had post-it notes everywhere.”

Once she’d landed the role, she continued to write down some of her more complicated lines. “Because of how jargon-heavy all the legal stuff is, I had a lot of it written on the paper in front of me,” she laughed. “So if you see me doing this at any stage, I am literally reading my script in front of the camera.”

Worboys, 68, was first convicted on 19 offences in 2009 and has since been found guilty of further sexual assaults. His next parole hearing is due to be held in public in June.

Speaking about writing the drama Pope – who will next tackle Sarah Everard’s story for the BBC – said he chooses his subjects carefully. “The first thing is – does something get you angry?” he explained. “Or really affect you? With this one I spent six months of my life being angry as I was pulling it together. Then there’s a long process of meeting the people involved, particularly the three main survivors – not to use the word victims. We spent a lot of time with them – as a man I had to understand a lot of personal, difficult, unpleasant stuff that they were telling me. And just listening and listening.”

He said that what had surprised him the most was hearing from the many women in his life about what they’d had to put up with from men over the years. “I realised early in the process that there’s a whole world, and one half of the population really don’t know much about it and the other half live with it. Stuff like what women put up with just on a night out. Talking to my wife, my daughters-in-law, my sister and understanding what women go through in a normal day, it was such an education for me. I hope one half of the audience are going to go ‘yes, that’s what happens’ and the other half are going to go ‘what?’”

The drama will also feature Miriam Petche playing Carrie Symonds, now the wife of former Prime Minister Boris Johnson, who was targeted by Worboys in her youth but had a narrow escape. When he was first being considered for parole, she was working in the Conservative Party press team and put her career on the line to spearhead a campaign pushing for a judicial review of the Parole Board’s decision.

Philippa will also return as much-loved Anne in the second series of BBC1’s Amandaland from May 6. Speaking about the new run, the actress said: “Anne is still in SoHa, juggling her high-powered job while raising her kids, attending all of Darius’s soccer matches, volunteering for activities at school while also being at the beck and call of her best pal Amanda.”

Both she and Lucy Punch, who plays Amanda, have been nominated for Best Comedy Actress at the Bafta TV Awards alonside Jennifer Saunders, who appeared in the Christmas special. Amandaland – which this time has a guest role for Call the Midwife actress Pam Ferris – has also been nominated for the Best Scripted Comedy category.

Prey has finally landed on Netflix with the hit two-season ITV drama now ready to stream.

Prey season two is filled with recognisable faces from the worlds of The Witcher, Unforgotten and Emmerdale.

Eleven years have gone by since British crime thriller Prey was last airing on ITV and now fans can re-live both epic seasons which sees DS Susan Reinhart (played by Rosie Cavaliero) investigate criminal cases around Manchester.

While the first outing revolved around a police officer trying to clear his name after the murder of his family, series two sees a prison officer forced to help an inmate escape after his pregnant daughter is kidnapped.

As fans start binge-watching Prey, here’s everything there is to know about the cast of Prey season two.

Inside Prey season 2 cast

DS Susan Reinhardt – Rosie Cavaliero

DS Susan Reinhardt connects both seasons of Prey as she struggles to deal with her inner demons while investigating officers at the heart of each series.

She is brought to life by actress Rosie Cavaliero who was Marion Kelsey in ITV’s Unforgotten season two, Elizabeth Cordingley in Gentleman Jack and Edwina, Countess of Dunvale in Channel 5’s A Woman of Substance.

David Murdoch – Philip Glenister

David is a widowed prison officer whose life is turned upside down when his pregnant daughter is kidnapped and he is blackmailed into helping an inmate escape.

He is brought to life by actor Philip Glenister who is famed for starring in Life on Mars, its spin-off Ashes to Ashes, Belgravia, After the Flood and, most recently, ITV’s The Lady.

Jules Hope – MyAnna Buring

Actress MyAnna Buring will be best remembered for playing Tissaia in Netflix ’s The Witcher, but also starred in The Twilight Saga as Tanya and Unforgotten season six as Melinda Ricci.

She is behind Jules Hope, the prisoner that David is forced to help escape.

DC Richard Iddon – Nathan Stewart-Jarrett

Quick-witted rookie police officer DC Richard Iddon is partnered up with DS Reinhardt to try and track down David Murdoch.

He is played by actor Nathan Stewart-Jarrett who was Curtis Donovan in E4’s Misfits and Ian in the Channel 4 series Utopia.

Lucy Murdoch – Sammy Winward

Taking on the role of David’s kidnapped pregnant daughter Lucy Murdoch is actress Sammy Winward.

She is by far best known for starring as Katie Sugden, a role she took on as a teenager, in ITV’s iconic soap Emmerdale.

She has also had smaller roles in shows such as Fearless, The Long Shadow and Brassic.

DCI Mike Ward – Ralph Ineson

Rounding off the main cast of Prey season two is actor Ralph Ineson who plays Amycus Carrow in the Harry Potter franchise, Professor Krempe in Netflix’s Frankenstein and General Tarakanov in Chernobyl.

Ineson portrays DCI Mike Ward who is DS Susan Reindhardt’s superior officer.

Prey is available to watch on Netflix.

Like the milieu in which they’re set, prison movies can be terribly constricting. Often focusing on well-worn themes of masculinity, regret and redemption, they feature (and sometimes indulge) rough-hewn portrayals of tortured characters suffering through physical and emotional tumult. Inherently compelling but also a shade predictable, the genre promises a tantalizing glimpse at a terrifyingly macho world — one that most of us are fortunate not to know firsthand.

Cal McMau’s feature directorial debut hardly reinvents the formula, but it does remind audiences what remains so sturdy about the premise of an ordinary man trying to stay alive behind bars. And thanks to the latest impressive turn from rising star David Jonsson, “Wasteman” even finds a few new notes to play within a familiar stark melody.

Jonsson is Taylor, who has been serving 13 years in a U.K. prison for a drug deal that went tragically wrong, leading to an accidental death. Soft-spoken and overly accommodating, the young man mostly wants to avoid trouble, allowing himself to be bullied by cell-block thugs Paul (Alex Hassell) and Gaz (Corin Silva) while offering to cut their hair in exchange for the pills that fuel his addiction. Taylor has learned to go along to get along, existing in a zombie-like state from the perpetual high he chases.

But Taylor’s stasis is interrupted by the news that he may be granted early parole. (The overstuffed U.K. penal system needs to shed nonviolent prisoners to make room for dangerous offenders.) Longing to reconnect with his estranged teenage son Adam (Cole Martin), Taylor can see the light at the end of the tunnel — until the arrival of Dee, his new cellmate.

Played by a snarling, coiled Tom Blyth, Dee swaggers whereas Taylor shrinks. Seeing his new home as his kingdom, Dee quickly becomes the prison’s chief supplier of whatever you need — sneakers, candy, drugs — while ferociously asserting his dominance. (Early on, Dee slashes a fellow inmate’s face, recognizing him as someone who once ran with a rival crew.) Taylor adapts to the volatile situation as he always has, serving as the unthreatening beta, eventually earning Dee’s trust and friendship. Soon, Dee takes an interest in Taylor, ordering his lackeys on the outside to give Adam gifts that they claim are from his dad.

“Wasteman” introduces this odd-couple scenario and then waits for their fragile coexistence to rupture. Accustomed to being the prison’s top dogs, Paul and Gaz don’t take kindly to Dee invading their turf, resulting in an escalation of tension that puts Taylor’s parole at risk. But if much of “Wasteman” follows an expected trajectory, the film’s conception of Taylor proves thornier than anticipated.

Although probably best known for the HBO series “Industry,” Jonsson has demonstrated a dazzling range over a short period of time, including acing romantic dramas (“Rye Lane”) and dystopian thrillers (“The Long Walk”). But what unites his diverse roles is the sense of a sensitive, intelligent actor who constantly makes us wonder what he’s thinking.

Jonsson’s silences always seem to say so much and in “Wasteman” he capitalizes on his reserved demeanor and smaller frame to create a character who is much less frightening than those around him. Unlike Dee, he’s no hardened criminal, merely a guy who made one stupid mistake to financially support his child, and “Wasteman” initially encourages viewers to sympathize with this delicate soul who’s been thrown to the wolves.

Gradually, though, Jonsson complicates our feelings about Taylor. Equally desperate to be freed and to keep getting high — essentially escaping one prison while remaining in another — he slowly reveals himself to have little in the way of principles or ethics. When Paul and Gaz confront Dee, Taylor’s response is so cowardly that it’s pathetic, suggesting a spinelessness that bedeviled him long before he wound up in jail. The film presents Taylor as a kindly spirit, which turns out to be little more than calculated self-preservation.

Within the confines of a fairly conventional prison drama, McMau dissects an anonymous nobody who discovers that, both in prison and in life, there are consequences for not taking sides. Despite Dee’s savagery, Blyth portrays Taylor’s cellmate as loyal and honest — someone who believes in a personal code of conduct. The movie’s bitterest irony is that, of the two men, it’s ultimately Dee who may be more honorable.

McMau’s attempts to amplify the story’s grim authenticity occasionally fall flat. (Inspired by footage shot by actual inmates with contraband cellphones, the first-time director incorporates stagey inserts meant to re-create these intimate, graphic images.) He’s on firmer footing exploring his two leads as they square off inside this smoldering crucible. Like Jonsson, Blyth hints at a whole universe inside his character simply by the way he quietly listens and observes. As Taylor’s parole looms, the stakes grow. By the time “Wasteman” reaches its ambiguous finale, our loyalties are far from clear-cut.

Fans of The Other Bennet Sister looking for their next period drama fix should watch the BBC’s gripping sequel to Pride and Prejudice available on iPlayer

The Other Bennet Sister has made a significant impression on period drama fans but as they complete the first and only season, they’re desperately searching for another Jane Austen tale.

Within the same universe Austen crafted, they can opt to watch Death Comes to Pemberley, a narrative that begins exactly where Pride and Prejudice concluded.

Much like the 2026 series, The Other Bennet Sister, this 2013 standalone series is also a follow-on from Jane Austen’s Pride and Prejudice, penned by a different author.

It’s adapted from P.D. James’s 2011 novel, which employs the same characters and style of the original 1813 work.

Over three episodes, it pursues a murder mystery angle, featuring the characters that Austen devotees recognise and adore but in a somewhat different setting.

The Guardian said its production was “respectful” of Austen’s iconic work while managing to “stand out” and be its own “very different” entity.

Though it also shares similarities with the Pride and Prejudice adaptation, as Chatsworth House in Derbyshire served as the exterior location for Pemberley. This was the identical setting used for the estate in the 2005 film.

A viewer headed to IMDB to post their assessment of Death Comes to Pemberley, stating: “If you are like me and enjoy your Pride and Prejudice and a good murder plot, then you would love this series!”

They continued: “Elisabeth in particular is just like I would have imagined; she is the same spirited, outspoken person we know and love, while Darcy is more brooding, quiet and responsible (while I may have chosen other actors in terms of appearance, I think they portray the characters very well as reactions).”

A PopMatters critic also weighed in, writing: “Death Comes to Pemberley, a sequel to Jane Austen’s Pride and Prejudice by P.D. James, is a worthy addition to Austen’s original, and the BBC adaptation makes that case wonderfully.”

Set in 1803, the drama kicks off six years after the wedding of Mr Darcy and Elizabeth Bennet, when a mysterious disappearance unsettles the entire community. Wickham and Denny quarrel before departing in a horse and carriage, and shortly afterwards, two gunshots ring out.

Upon being informed of the incident and the two men’s disappearance, Darcy dispatches a search party. They find Wickham frantically clutching Denny’s lifeless body, setting in motion the tale of how this devastating death came about.

Naturally, venturing into Austen’s world carries considerable weight, as the cherished author’s work is regarded as sacred by legions of devoted fans.

As a result, the series has faced its fair share of criticism over its depiction of certain Austen characters which have since been reimagined by other writers.

One critical IMDB reviewer wrote: “When you use well-known and loved characters from something as famous as Pride and Prejudice, they should at least stay faithful to their original characters. Which it does, mostly, but the portrayal of Elizabeth Bennett was just really off.”

Anna Maxwell Martin takes on the role of Elizabeth, alongside Matthew Rhys as Fitzwilliam Darcy, Jenna Coleman as Lydia Wickham and Matthew Goode as George Wickham.

For those seeking their next Austen-inspired drama, this compact three-episode series makes for an ideal binge-watch; Death Comes to Pemberley is currently available to stream on BBC iPlayer.

The movie is beloved by viewers and critics with a 97% score on Rotten Tomatoes

A historical post-war film has been hailed as “one of the most beautiful movies ever made.” This film follows a young Irish woman who is torn between two worlds in the 1950s. Critics and audiences alike have praised its emotional precision and timeless appeal.

Boasting an impressive 97% on Rotten Tomatoes, Brooklyn (2015) is the perfect weekend watch. It is now available to stream for free on BBC iPlayer. However, viewers only have 19 days left to catch the film.

In the 1950s, young Irishwoman Eilis Lace (played by Saoirse Ronan) leaves her small hometown for a new life in Brooklyn, drawn by the promise of opportunity in America.

Though she initially struggles with homesickness, she gradually adapts. Eilis eventually falls in love in Brooklyn, and embraces her independence.

However, a sudden family emergency calls her back to Ireland, where she becomes entangled once again in the life she left behind.

Caught between her past and her future, Eilis must choose between two countries and the very different lives each offers.

Reviews

“In short, Brooklyn is one of the very best films of the past decade and worth looking back on,” wrote Dave Giannini for InSession Film.

Giving the film a five out of five, Don Shanahan from Film Obsessive shared: “Brooklyn is a forthright, approachable, and esteemed historical drama where the dignity and honesty soar to heavenly heights to shine on the plights of love and independence.”

Audience members also raved about this film. One said: “Beautiful story. One of the best movies. Moving.” Another added: “Beautiful classic in every sense of the word. Outstanding performances. Atmospheric joy. Don’t miss it.”

A third wrote: “It’s a masterpiece, and profoundly moving, especially if you’re an immigrant yourself. The closing is one of the most beautiful romantic scenes ever. In my opinion.”

Lastly, someone said: ” One of the most beautiful movies ever made. Colours, music, and reticence punctuate throughout. I have watched the scene in the dining room of the church 7,351,212 times.

“The man sings, the actress recognises brilliance amidst shuffles and anonymity, and then the director cuts to her chaperone listening to a radio. So god**** brilliant.”

You can now watch Brooklyn on BBC iPlayer by clicking here.

The acclaimed crime drama starring David Tennant and Olivia Colman won three BAFTAs and has a 94% approval rating on Rotten Tomatoes, with viewers comparing it to ‘Shakespeare writes a detective story’

One of Britain’s most beloved drama series of all time has just landed on Netflix. This gripping crime show scooped three Baftas and has been celebrated as one of the finest productions ever to grace our television screens. The iconic 2013 series Broadchurch has finally made its way to the streaming giant.

The show is a police drama which opens with the murder of 11 year old Danny Latimer, whose body is discovered at the foot of the cliffs.

The tragedy tears apart the tight-knit Dorset community, forcing DS Ellie Miller ( Olivia Colman ) to join forces with newcomer Alec Hardy ( David Tennant ) – despite him having stolen the DI role that was rightfully hers – as they attempt to crack the heartbreaking case.

What follows is a twisting tale of betrayal, suspicion and the dark underbelly of a small coastal town. Unlike conventional cop dramas, this isn’t about high-speed car chases and gun-wielding heroes sprinting through tower blocks.

Rather, it delves into the profound flaws we all harbour, the quiet moments of anguish that accompany unimaginable grief, and the perils of public opinion.

It features one of the most stunning plot twists I’ve ever encountered – and I watch an enormous amount of television. The series is truly an extraordinary experience, with performances that are nothing short of outstanding, reports the Express.

There isn’t a single weak link in the entire cast, and despite being over a decade old, it remains as compelling as ever.

And I’m far from alone in my admiration. Broadchurch boasts a remarkable 94% Rotten Tomatoes approval rating alongside an 8.3 out of 10 on IMDB.

One viewer posted on IMDB: “This is ‘Shakespeare writes a detective story’. It was beautifully done. In no way has he [writer Chris Chibnall] broken the cardinal rule of show, don’t tell.

“Nor has he made the horrible mistake of creating any perfect character. All of them, from youngest to oldest, are wonderfully imperfect human beings.”

A second remarked: “The locations are gorgeous and so atmospheric, and the series is beautifully photographed, fluid and brooding. The music is both haunting and tragic.”

A third added: “Standing out also is the writing. It’s rare to find on television recently to have a series so intelligently written and be so layered and meaty.

“While the pacing is deliberate in places, a lot happens to keep one gripped and ensure that the tension and mystery never slips.”

ITV will tell the true story of Mavis Eccleston in a new four-part drama that starts shooting in June

ITV has announced a new drama based on the true story of a woman who survived a joint suicide pact she made with her husband.

Starring Penelope Wilton and Jonathan Pryce, the broadcaster‘s upcoming four-part series is titled Mavis Eccleston and will tell the story of a woman who was arrested and charged with murder after the death of Dennis, her husband of nearly 60 years.

Mavis and Dennis Eccleston decided to end their lives together when 81-year-old Dennis received a terminal cancer diagnosis and declined treatment to avoid prolonging his suffering. He’d had cancer twice before and knew the toll the invasive treatment would take on him and his family life.

Their family tried to dissuade them from taking a lethal cocktail of medication, but they were determined to leave the world together. After taking the overdose they were both rushed to the hospital, where Dennis died, but Mavis survived.

She and her family then had to process the grief of having lost their husband and father, whle also facing the prospect of Mavis spending the rest of her life in prison.

Downton Abbey star Penelope said it was a “true honour” to be playing Mavis in the drama.

“Mavis was devoted to her husband, Dennis, their enduring love for each other clear to see to all,” she said.

“They lived life on their own terms and when the time came, she wanted to respect his wishes. The fact she then faced the very real prospect of spending the rest of her life in prison for acting out of love is simply unimaginable. To be asked to bring her experience to life is a huge responsibility and true honour.”

Jonathan, who is playing Dennis, added: “This is a powerful and timely story of an extraordinary, devoted couple as they face the painful dilemma of assisted dying. We will hopefully honour their deep love for each other and their bravery.”

Grantchester actor Tom Brittney is also involved in the project, as he took it to producer Corestar Media after gaining the trust of the Eccleston family, who have given the ITV drama their blessing.

“When I first read about Mavis and Dennis in 2018, I was struck by the extraordinary love at its heart and the profound injustice their family endured,” said Tom.

“I felt their story, told with care and humanity, could be a powerful drama and a worthy contribution to a debate that remains urgent and deeply complex. Having worked with ITV, I knew they’d be the perfect home as an institution that champions powerful, social justice stories.”

Director Bruce Goodison added: “What excites me about this series is the towering humanity and dignity of this lively Cannock-based working-class family. There is joy in the pain this family suffered during this horrendous ordeal.

“They are the perfect lightning rod for the assisted dying debate.”

Mavis Eccleston will begin filming in Bristol in June this year.

For emotional support, you can call the Samaritans 24-hour helpline on 116 123, email jo@samaritans.org, visit a Samaritans branch in person or go to the Samaritans website.

Anyone who has spent any time in the digital agora will know the chilling feeling of seeing some supposedly secret thing about yourself suddenly reflected in a targeted advertisement. In a new Silicon Valley soap, “The Audacity,” Duncan (Billy Magnussen) founds a company called PINATA, for Privacy Is Not a Thing Anymore, which will allow subscribers to snoop at a deep level on just about anyone in the world; the war against the date eaters, the name suggests, is long since lost, and is none of your business, anyway.

Created by Jonathan Glatzer who has written for “Succession” and “Better Call Saul,” the series premieres Sunday on AMC, the network of “Breaking Bad,” “Mad Men” and an earlier tech-related series, “Halt and Catch Fire,” about the rise of the personal computer — shows that focus on difficult, sometimes amoral characters whose shenanigans might change the world, not necessarily for the better. “The Audacity,” though well made enough, is not in their league.

Duncan made his fortune as a co-founder of a community app something along the lines of Facebook (which, along with Mark Zuckerberg, doesn’t exist in this silicon reality — “If only,” do I hear you sigh? Or was that me?) Now he’s trying to sell his information-gathering startup to “Cupertino” (as in the home of Apple), “the most important tech company to ever exist,” and leaking rumors he imagines will be to his advantage. Duncan is not himself a creator, or particularly smart — he thinks it’s “Schroeder’s Cat,” for example — but does have a gift for selling; his “genius” late partner, Hamish — a suicide — did the real work. Now a new Hamish enters his life in the form of Harper (Jess McLeod, whose blonde bob may remind viewers of the brilliant coder played by Mackenzie Davis on “Halt and Catch Fire”) the creator of the “algo” mentioned above.

Despite his riches, Duncan is unhappy enough to be a patient of the series’ other main character, therapist JoAnne (Sarah Goldberg). (He also has an “ayahuasca guy.”) Most prominent among her other clients is Carl (Zach Galifianakis), a semi-retired industry legend who made his money from a spam platform and whom Duncan will spend much of this eight-episode season attempting to impress. “People act like we took something as if we didn’t build everything they touch,” Carl will complain to JoAnne. “Where’s our parade? All I see are pitchforks and ingratitude.”

Sarah Goldberg plays Joanne, therapist to Duncan and Carl (Zach Galifianakis) in “The Audacity.”

(Ed Araquel/AMC)

JoAnne conducts her business from her rented home, as does her child psychiatrist (second) husband, Gary (Paul Adelstein), one of the few figures in this roundelay you will be given no reason to dislike. (It’s an old house, to contrast it with the modernist leviathans inhabited by the overly moneyed class.) Sharing the place is her weedy, newly arrived 15-year-old son, Orson (Everett Blunck), sent reluctantly from Baltimore, where his father is being treated for cancer. Orson has embarrassing gastric issues and watches alpha-male videos in the basement, where he also practices the bassoon. (That he’s working on “The Sorcerer’s Apprentice,” in its way a story of runaway tech, might have some thematic meaning, though it does also have a killer bassoon part.)

Something Duncan says in a session with JoAnne leads her to unload some stock, like Martha Stewart in 2004, and Duncan, working this out, blackmails her into passing on inside information from her clients to him. “You think you know everything because you have information, but information is not insight,” says JoAnne, who has insight to spare, making herself even more valuable to Duncan, whose pronouncements are more in the line of “Cheaters never lose, and losers, they never cheat” and “Empathetic is just pathetic with a prefix — I am an apex predator.”

Anushka (Meaghan Rath), a power player who works for Duncan, is also a toothless director of ethical innovation on the board at Cupertino. She’s married to Martin (Simon Helberg), who is working on something he calls Alexander, or Xander — he would say “someone,” probably — “an intelligent entity, more of an autonomous companion, for alienated teens based on personal data ecosystems.”

He has less time for his own alienated teen, Tess (Thailey Roberge) — “Dad, eyes on me,” she says, as the family sits at a comically long dinner table, the parents looking at their phones — who has been expressing herself through low-level vandalism and thievery. “I hear you’re klepto now,” says Jamison (Ava Marie Telek), the daughter of Duncan and Lili (Judy Punch), whose body mass is under constant review by her mother. Seemingly, all the children of the Valley are being shuttled by their parents toward Stanford, where they will matriculate by hook or by crook.

Though Lili has been configured as shallow and spoiled, Punch (a great comic actor) injects her with some warmth and keeps her from being the joke she might have been. Galifianakis has a native oddball energy, though some of Carl’s assigned interests feel tacked on and out of joint — he’s involved with a fight club, where “control alt delete” serves for saying “uncle,” and, even weirder, has been made a World War Ire-enactor and military fetishist; it’s a point that exists only to make him receptive to Tom (Rob Corddry), the deputy undersecretary of Veterans Affairs who has come to Palo Alto looking for a partner to digitize truckloads of files that will in some way help to better their plight. (“Straightforwardly, what’s the quant ben for us?” he’s asked. Translation: “What’s in it for us?”) The series’ designated tragic figure, he’s granted a karaoke performance, with original lyrics, of Peggy Lee’s “Is That All There Is?”

Much of the action has to do with characters buying and selling various enterprises, or failing to, and creating and breaking and creating alliances, and it ceases to matter after not too long awhile what person or which company does what. Much less of it has to do with people being people. The cast is very good and the dialogue good enough, but because few of these characters are developed beyond a handful of identifying characteristics, it’s a generally cold, dispassionate watch. As to Duncan, the nominal star of the show, it doesn’t matter whether he’ll win or lose — there’s not enough to hang on to. Past being unlikable, he’s unsympathetic, and worse, for all his noisy behavior, uninteresting. JoAnne, though her journey is more twisted, doesn’t fare all that much better.

To signal that he has considered these things, Glatzer gives Anushka, who has had a revelation, a speechy little speech to voice the thoughts already on your mind. “When was the last time we saw tech help? … Truth be told, what have we actually made better? Did we spread knowledge? No. People used to occasionally agree on truth. Are we more tolerant of those different from ourselves? Please. Absolutely blew it on climate. Data centers emit more greenhouse gas than all of air travel. And have we made made the lives of our children better? Probably, no. But we can have Q-tips at our door in an hour. Huzzah.” So true.

We also get a reminder, from Harper, to check the box that keeps a website from selling your information. It’s good advice.

Saint-Pierre is finally coming to UK screens on U&Alibi this April, a year after its Canadian debut, and fans are already ‘obsessed’

Death in Paradise actress Joséphine Jobert’s crime thriller Saint-Pierre is set to finally arrive on British screens a full year after its debut on Canadian broadcaster CBC.

The show, which also features Allan Hawco, known for his role in the Amazon Prime series Jack Ryan, will launch on U&Alibi on Thursday, 23 April at 8pm.

While Saint-Pierre has already completed two seasons in Canada, UK audiences will be starting from scratch, with the opening episode introducing viewers to the lead characters, Donny ‘Fitz’ Fitzpatrick, portrayed by Hawco, and Deputy Chief Geneviève ‘Arch’ Archambault, portrayed by Jobert.

The crime series has already been hailed by audiences on IMDb as a “must-watch” show, with the episode entitled ‘Kill Lil’ receiving particular acclaim as one that “hits all the right notes”.

One devoted fan confirmed they are “Obsessed” with the series, while another enthused: “We love this show so much!”, reports the Express.

The official synopsis for Saint-Pierre reveals: “After the Royal Newfoundland Constabulary Inspector, Donny Fitzpatrick (Fitz), digs too deeply into a local politician’s nefarious activity, he is exiled to work in Saint-Pierre et Miquelon – the French Territory nestled in the Atlantic Ocean.

“Fitz’s arrival disrupts the life of Deputy Chief Genevieve Archambault (Arch), a Parisian transplant who is in Saint-Pierre for her own intriguing reasons.”

It goes on: “As if by fate, these two seasoned officers – with very different policing skills and approaches – are forced together to solve unique and exciting crimes.

“Although the islands seem like a quaint tourist destination, the idyllic facade conceals the worst kind of criminal activity, which tends to wash up on beautiful shores. At first, at odds and suspicious of each other, Arch and Fitz soon discover that they are better together.”

The Saint-Pierre ensemble also features Benz Antoine, Erika Prevost, Jean-Michel Le Gal, Tamara Podemski, James Purefoy, Maxim Roy, and Tim Rozon.

While lead star Joséphine Jobert originally appeared in Death in Paradise as Detective Sergeant Florence Cassell from 2015 to 2019, before making a comeback to the BBC program for series 10 and 11, spanning 2021 to 2022.

The performer returned in 2024 for series 13, with her character Florence last glimpsed departing into the sunset alongside Neville, portrayed by Ralf Little, who similarly left the show.

Saint-Pierre airs on U&Alibi from 9pm on Thursday, 23 April 2026

The series first aired a decade ago and gained a loyal fan following.

A “gritty” crime drama that fans have hailed as “underrated” is free to binge on ITVX.

StartUp is an American TV series that first aired back in 2016, with an A-list cast including Adam Brody, Martin Freeman, Edi Gathegi, Otmara Marrero, Ron Perlman and Mira Sorvino.

The series ran for three seasons before coming to an end in 2018, but all three are available to watch on the free streaming service.

The crime drama follows the emergence of a new tech idea that sparks controversy, GenCoin, a digital currency.

When three unlikely people come together for the new business, but find themselves plunged into the dark underworld of organised crime, they must avoid a crooked FBI agent working to take them down.

The synopsis on ITVX teases: “Martin Freeman and Adam Brody shine in this gritty drama. A banker, hacker and gang lord unite in a plan to launder millions, as a crooked agent goes to extremes to take them down.”

Fans have been left begging for a fourth season for a decade, as one wrote: “This series is just something unlike any other other show… I’ve never felt so immersed into a show before. Went through all 3 seasons in about 2 days, it was that good.”

Someone else said: “Couldn’t turn it off, Binge watched the series in a few days,” while another called it an “excellent hidden gem”.

Yet another fan wrote that they were “yearning for more”, adding: “This is a cracker of a series. So full of twists and turns. Great characters, script, direction and cinematography. I can’t believe that it ended. OMG. This was one of the more bingeworthy series I have seen. Relentless drama. I loved the characters and their interrelationships. Powerful stuff.”

One devoted viewer said it was “a crazy underrated show that’s totally binge-worthy,” while someone else said: “This got me hooked from the first episode.”

Another called it “a true diamond in the rough,” while someone else wrote: “This is probably the most underrated TV show I’ve ever seen in my life.”

One fan echoed: “This masterpiece deserves at least a 9. It is so well done and leaves you held in aesthetic arrest. The build up to the various climaxes induces full on catharsis.”

Fans were left gutted when the show came to an end, with no plans for season four, as Spanish film director Luis Prieto, who worked on four episodes of the original season, told Express.co.uk : “This, I really don’t know. It was a Crackle show and from the story, it was working very well.

“I think people were aware it was connecting with the audience but I’m not sure what happened.

“Sometimes things just stop and sometimes it’s for the best. I’m sure Ben Ketai would be extremely excited to continue the adventure.”

Meanwhile, Olly Blackburn, another director who worked on the programme, said he “never guessed” the show would be as big as it was, saying: “If you make something big that connects with people, the audience will find it eventually, and all around the world too.”

StartUp is available to watch on ITVX

Early in “The Drama,” things are still good between Emma (Zendaya) and Charlie (Robert Pattinson). The young happy couple, about a week away from getting married, have enjoyed a whirlwind romance. As this dark comedy’s opening credits roll, they’re blissfully practicing their first dance, laughing and stumbling as they try to get their twirls and steps right.

But the scene’s highlight is the song that plays in the background, airy, gentle and simple. Spare guitar chords give way to a female voice that sounds unpolished but beautiful: “I want to lay with you/ In an open field/ Where yellow flowers are suns of Earth.”

For many viewers, this will be the first time they’ve ever heard “I Want to Lay With You,” one of the most gorgeous love songs of the 1970s. It’s also likely they’ll have no idea who the singer is. Her name is Shira Small, and in 1974, she recorded an incredible album, “The Line of Time and the Plane of Now,” when she was 17. She never recorded another — at least, not yet. Now nearly 70, Small may finally be getting her moment in the spotlight.

“I’m cracking up,” says Small over Zoom from her Cooperstown, N.Y., home, “because I had no idea whatsoever that that movie was coming out until my dear sister informed me via you.” Flashing a relaxed smile and sporting long gray hair, Small knows little about the controversial “The Drama,” an A24 film with a heavily guarded twist.

Robert Pattinson and Zendaya in the movie “The Drama.”

(A24)

But it’s becoming a delightfully frequent occurrence that Small learns after the fact that her music is featured prominently in a movie or television show. “The record company does what they do and then they send me royalties and I get it in a statement,” she explains. “I had a song that HBO bought for ‘Pause With Sam Jay.’ They sent me an email that was not even to me — it was this interdepartmental thing. At the bottom, it said, ‘Oh, by the way, it airs tonight.’”

Jemma Burns, music supervisor for “The Drama,” had been a fan of Small’s album, thinking “I Want to Lay With You” would be perfect for this idyllic scene, right before Emma and Charlie’s relationship implodes over a disturbing revelation that turns their dream wedding into a nightmare.

“He was trying to set up the rom-com tone,” says Burns of the movie’s writer-director Kristoffer Borgli, “one that would contrast with the modernity of the setting and where the film goes. He wanted something that was from a bygone era, but also something that felt disarmingly charming. The two lead characters are very switched-on, fashionable, arty. So it felt like something they would’ve had in their record collection.”

The youngest of five siblings, Small always loved singing. But even as an adolescent growing up in Harlem, she felt like an old soul, her thoughts running deeper than the average kid’s.

“My focus was on not understanding war and hatred and bigotry,” she says. “I was seriously into trying to make love happen everywhere.”

Against the backdrop of the war in Vietnam and the Black Power movement, Small was well on her way to becoming a hippie, a transformation amplified by her enrollment in a private Quaker boarding academy, George School, in Newtown, Penn., on a full scholarship. When she arrived at George School, Small recalls, laughing, it was “very rich and very white. But I’ve always been a flotation device. I can walk around like I don’t have a clue about things.”

Shira Small, photographed in 1971 at George School in Newtown, Penn.

(Courtesy of Shira Small)

At George School, Small sported an Afro and smoked weed. She was drawn to theater and music, impressing music teacher and classical pianist Lars Clutterham, who saw she had talent. They worked on songs together, with Small coming up with the lyrics and vocal melodies. Every student had to complete a senior project, so Small proposed that hers be an album. Not long after, she and Clutterham drove to a Philadelphia studio for a one-day session.

The 10 songs on “The Line of Time and the Plane of Now” — each recorded in only one take — mix folk, soul and jazz, radiating innocence. The arrangements, awash in old-school analog warmth, are straightforward: guitar or piano supplemented with drums, leaving plenty of space for Small’s lilting voice, which contains both idealism and, even as a teen, traces of real-life sorrow.

Her mother died while she was at George School, inspiring “My Life’s All Right,” a ballad about surviving tough times, which later appeared on the Sam Jay show. “Eternal Life” sprang out of her in one burst, celebrating the power of love to transcend life’s harsh realities. As for the movie’s “I Want to Lay With You,” it was about a boy Small liked. She just can’t remember who anymore.

“It was somebody who was just as much a friend as a person that I had a crush on,” she recalls. “I honestly felt that we could have a life together.”

Small laughs at her adolescent self. “Like I knew what it would be like to have a freaking life together! To be able to wake up with somebody and have a beautiful day and always make them smile.”

According to Small, George School’s parents and students raised money to pay for the album and 300 copies were produced. “It was a joyous time,” she recalls. “I was on my way — to somewhere!” After graduation, though, she struggled to find her footing, eventually graduating summa cum laude from the City University of New York with a theater degree. But then she chose pre-med, becoming a physician assistant.

“When I became pre-med, it was so hard for me that I was just tunnel-visioned,” explains Small about why she said goodbye to music. “I had to devote my whole self to it. It was so all-encompassing that I could think of nothing else.”

But there was another reason she walked away from music. From an early age, Small suffered debilitating stage fright. “It was so bad that it would twist my stomach into a knot,” she recalls. She gutted it out to do plays at George School and, later, record her album. After a while, though, “It just got to be too much.”

Still, didn’t she miss singing? “Constantly,” replies Small, who retired about five years ago from the medical profession. “I sang unconsciously a lot. My patients always picked up on it — they’d be like, ‘Every time you come in, you’re singing.’”

But although Small abandoned music, “The Line of Time and the Plane of Now” never went away. In 2006, the Numero Group, an archival record label, put together a compilation, “Wayfaring Strangers: Ladies From the Canyon,” devoted to under-the-radar female singers from the 1970s. Numero Group co-founder Ken Shipley made sure “Eternal Life” was included.

“I was the first person to ever reach out to Shira,” he says proudly in a separate phone interview. Shipley heard “Eternal Life” on a burned CD of femme-folk artists that was making the industry rounds at the turn of the millennium while he was putting together his “Wayfaring Strangers” lineup. “Shira was a top want for me.”

The Numero Group put “Eternal Life” on Spotify in 2013. But when the label released the full album digitally in 2022, “I don’t know that anybody really cared,” Shipley says. Undeterred, he reissued it on vinyl the following year. Maybe listeners just needed time.

“Music finds a way,” Shipley says. “Music’s like water. It’s going to get down the creek into the river into the ocean. It’s going to find its audience.”

Sure enough, strange serendipitous moments started happening for Small. A future bandmate’s ex had one of her songs on a playlist, having no idea it was Small. She recently started working part-time at a local opera house and one of the opera singers adored “Eternal Life,” unaware that Small was an employee.

And now, royalty checks arrive for the usage of her songs in films like “The Drama.” It still feels unreal to Small that her album generates revenue. “It was never for commercial purposes,” she says. “I can’t believe that I am collecting any royalties on that music and that it just keeps going and going.”

Small’s husband died in 2019 after 34 years of marriage. It sent her spiraling, but then something remarkable happened. “The day I came out of it, the music was gushing out of me so fast that I couldn’t keep up with it,” she says. “I had to walk around with a voice memo. I hadn’t spoken to Lars in more than a decade. I sent him all of these voice memos and he sent me a note: ‘Shira, you still got it.’”

In 2024, she released her first song in 50 years, “Why,” which lays out her fears for the world. Her voice is different, deeper, possessing a lifetime of experience that her teenage self couldn’t have possibly imagined. Small is now plotting out an album and has some shows lined up. Even better, she’s worked through her stage fright.

Eventually, she’ll perform her old songs, but she’s figuring out how to hit that higher register from her youth. “I’ve gone through decades of hormones and cigarettes and all the other things that I did that I’m happy I lived through,” she says, wryly.

“I still have a thing about yellow flowers in open fields,” she admits. “We have these huge sunflower fields here. The whole idea of being in such a beautiful place with yellow flowers that light up a great day is what popped into my head when I wrote that lyric.”

I ask her what she makes of that young woman she hears on “The Line of Time and the Plane of Now” today.

“I know her so well,” replies Small. “You know why? Because she’s still here. I am, at this point, everybody I’ve ever been ever, leading up to this moment.

“I still feel the same way about many things,” she continues. “I’m probably angrier now than I was when I was a child, but I still have this underlying thing about looking at a bigger picture to help me keep my lid on. When I think back on ‘Eternal Life’ and ‘My Life’s All Right,’ that music was born from my core. And my core does not have an age.”

Dakota Mortensen’s storyline will be edited out of the upcoming season of “Vanderpump Villa.”

Mortensen, who regularly appears in “The Secret Lives of Mormon Wives,” was set to be included in the third season of “Vanderpump Villa” — slated to premiere April 16 — as part of a getaway with members of DadTok, the group that consists of past and current partners linked to the MomTok influencers of “Mormon Wives.” Variety was first to report the decision.

Hulu declined to comment.

It’s the latest reality TV series caught in the relationship dust-up involving Mortensen and his ex, Taylor Frankie Paul.

Last month, a domestic violence investigation between the on-again, off-again pair prompted Season 5 of Hulu’s “Mormon Wives” to pause filming. Subsequently, the release of a video of a separate dispute in 2023 led to the shelving of Season 22 of ABC’s “The Bachelorette,” which featured Paul as its heroine. It has not yet been announced whether or not it will air at a later date.

Much of Paul’s story on “Mormon Wives” has revolved around her rocky relationship with Mortensen. Paul was previously arrested and charged in 2023, eventually pleading guilty to one count of aggravated assault; other charges were dropped. Part of that incident was documented on the series premiere of the show in 2024.

How does “Vanderpump Villa” figure into all of this? The third season of “Mormon Wives” featured the fallout from an explosive crossover with Hulu’s other reality series, which follows former Bravo star Lisa Vanderpump and her staff at various luxury European estates. “Mormon Wives” stars Demi Engemann and Jessi Ngatikaura were guests on that show’s second season and got embroiled in drama with staff member Marciano Brunette, who alleges he had intimate connections with both women. The recent fourth season of “Mormon Wives” revisits the crossover, with some of the women’s spouses partaking in their own “Villa” getaway that fuels more drama, including between Mortensen and Paul.

Mortensen isn’t totally out of the reality TV circuit, though. He is set to appear in “Unwell Winter Games,” a YouTube reality competition series produced by Alex Cooper, that premieres April 6.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

This is another strong week for new releases. By now you have likely heard something about “The Drama,” which has become inescapable thanks to the tireless promotion of its two stars, Zendaya and Robert Pattinson.

In a movie written and directed by Norwegian provocateur Kristoffer Borgli (“Dream Scenario”), the pair play Emma and Charlie, an engaged couple who find their wedding week thrown into disarray by the revelation of a deep secret from the bride-to-be.

Robert Pattinson and Zendaya in the movie “The Drama.”

(A24)

As Amy Nicholson put it in her review, “To another screenwriter, ‘The Drama’ would be an intimate study and a more emotionally wrenching film. But Borgli forces us to parse the mushy stuff from the mess and analyze the pending nuptials as an impersonal problem: What comes after a public shaming for the guilty and the inquisitors? That’s one of the most important (and unresolved) questions of the modern era, so I’ll forgive the filmmaker for being no more interested in writing Emma and Charlie as complex human beings than if they were character names in a math quiz about two people on two trains speeding toward a crash.”

Meanwhile, Tim Grierson spoke to Shira Small, the folk artist whose sole 1974 album features a song heard in an early scene of “The Drama.” Small, a delightful interview, goes into the music career she left behind a long time ago — one which may be reigniting now thanks to the movie.

Also opening in Los Angeles this week is Israeli filmmaker Nadav Lapid’s “Yes,” a guaranteed conversation-starter. Ariel Bronz stars as a musician who, in the aftermath of the Oct. 7 attacks, decides to say yes to composing a vicious new political anthem..

Reviewing the film, Joshua Rothkopf said, “It’s a movie about a citizenry at war with itself, hoping to keep the plates spinning for one more night. You watch it and think how easy it would be to envision an American remake — and wonder, too, if a filmmaker like Lapid even exists here.”

One of my favorite films from SXSW 2025, “Fantasy Life,” is finally coming to theaters. Written and directed Matthew Shear, the movie is an affectionate nod to the chatty dramedies of Noah Baumbach (some of which Shear has acted in). Here he plays Sam, a troubled law school dropout who takes a job looking after the children of a Brooklyn couple (Amanda Peet and Alessandro Nivola) and finds himself in an emotional affair with the wife.

“Fantasy Life” actor-writer-director Matthew Shear and star Amanda Peet bond in New York.

(Justin Jun Lee / For The Times)

I recently spoke to Shear and Peet about their collaboration on the film. Peet’s character in the film is also an actor and, though much of the film’s anxieties felt familiar to her, one scene in particular is drawn from Peet’s own experience: She is often mistaken in public for Lake Bell, including once on a red carpet.

“It’s a weird thing because you’re like, what do I do here?” said Peet with a laugh. “What’s the least douchey way to get out of this?”

The Black Pack’s resistance humor

Robert Townsend in the 1987 movie “Hollywood Shuffle.”

(Samuel Goldwyn Company / Photofest)

Curated around a new book by Artel Great, the UCLA Film and Television Archive is launching the series “The Black Pack: Rewriting American Comedy,” to spotlight a moment in the 1980s and ’90s when a small group of Black creators reached the very heights of Hollywood.

Eddie Murphy, Paul Mooney, Robert Townsend, Keenan Ivory Wayans and Arsenio Hall were friends and collaborators who, from 1987 to 1994, created the work showcased in the series. The Black Pack is a name they gave to themselves, partly in response to the John Hughes-affiliated Brat Pack.

Things begin tonight with a 35mm screening of Townsend’s essential 1987 satire “Hollywood Shuffle.” Great will be there for an introduction and a Q&A with cast member Anne-Marie Johnson and Spring Mooney, daughter of late actor Paul Mooney, who also appeared in the movie.

The cast of “In Living Color,” to be celebrated as part of the UCLA screening series “The Black Pack.”

(Fox / Photofest)

Other events include an evening of episodes of Wayans’ sketch comedy series “In Living Color,” 1988’s “Coming to America,” starring Murphy and Hall, a 35mm screening of Townsend’s 1991 “The Five Heartbeats” and a 35mm screening of 1989’s “Harlem Nights,” the only movie starring, directed, written and produced by Murphy, then at the height of his cultural capital.

This series is a terrific example of why smart programming matters. Here is a group of films (and a TV show) that might seem only related in a vague way, but when put together under a specific theme or idea, they are suddenly transformed into something revelatory.

Each evening of the series is designed to make the case for a different aspect of the Black Pack’s work and influence. The series as a whole puts forward a larger concept Great has coined a term for.

“I’m arguing through the series that the Black Pack’s cultural material is connected to a longstanding tradition that I call Black resistance humor,” says Great, now an associate professor at San Francisco State University, in an interview this week. “This idea of Black resistance humor is really a cultural practice where Black cultural workers are using political wit, irony, satire, parody, absurdity to challenge corrupt authority, to give voice to racial trauma and also attach themselves to re-imagining what freedom can really look like.”

From left, Arsenio Hall, Eddie Murphy, James Earl Jones and Madge Sinclair in the movie “Coming to America.”

(Paramount / Photofest)

There are plans for Black Pack programs in other cities, including Atlanta, San Francisco and Chicago, bringing this fresh look at their specific moment to venues around the country.

“I’m hopeful that the series will allow communities and audiences to see the Black Pack as cultural strategists who are using this idea of Black resistance humor to address very serious issues of power, identity and race,” says Great. “But also as a way of thinking, as a way of seeing and as a way of building alternative systems. Because that’s what they were able to do.”

Points of interest

‘The Birthday Party’ in 35mm

Actor Robert Shaw, left, with director William Friedkin on the set of “The Birthday Party” in 1968.

(Larry Ellis / Getty Images)

As part of its series celebrating the legacy of actor Robert Shaw, the Academy Museum will screen 1968’s “The Birthday Party” in 35mm on Sunday. One of the earliest features directed by William Friedkin (who would go on to such classics as “The Exorcist” and “To Live and Die in L.A.”), the film’s screenplay was written by Harold Pinter, adapting his own play. Shaw, Friedkin and Pinter make for a combustible intensity.

Shaw plays Stanley, the lone boarder at a seaside inn. When two mysterious men (Dandy Nichols and Sydney Tafler) arrive, they engineer a party for Stanley that becomes increasingly ominous.

In his original review, Charles Champlin lauded Shaw, saying he gives “one of the total and totally engrossing movie performances,” adding that Friedkin “as a director is everything a dramatist, and an audience, could want. The sense of loving care and artistic sureness which characterizes every aspect of the movie is extremely tonic. Pinter may be an acquired taste, but it is easy to acquire.”

‘He Got Game’ in 35mm

Denzel Washington in 1998’s “He Got Game.”

(David Lee / Touchstone Pictures)

Spike Lee’s prolific career is now studded with movies that maybe didn’t quite get their due in their day but deserve renewed attention. Screening in 35mm on Sunday at Brain Dead Studios is Lee’s 1998 “He Got Game,” which is just that kind of movie: stuffed with ideas and ambitions even if it doesn’t totally all come together for everyone. I particularly like his use of composer Aaron Copland’s music, which gives many of the images an epic quality they might not otherwise fully achieve, challenging preconceived notions of what can be thought of as Americana.

The movie stars a particularly electric Denzel Washington as Jake Shuttlesworth, a once-promising basketball player whose life took a turn. Now he’s in prison. His son, Jesus (played by NBA star Ray Allen), is a promising prospect and Jake is given an offer of a reduced sentence if he can convince his son to attend a certain college. The mixture of two of Lee’s own personal preoccupations, basketball and family, makes for a potent combination.

Reviewing the movie when it was released, Kenneth Turan wrote, “Given that writer-director Lee is one of the most visible of the New York Knicks’ celebrity fans, what’s surprising is not that he made a film about the sport he cares so much about but that he waited so long. … Though ‘He Got Game’ is periodically awkward and unruly, it benefits, as many of Lee’s films do, from the director’s determination to connect with the troublesome issues of the real world. Too few American directors work with Lee’s kind of social immediacy, and that makes his films, flawed and didactic though they sometimes are, essential viewing.”

Harmony Korine’s ‘Gummo’

Jacob Reynold, left, and Nick Sutton in Harmony Korine’s ‘Gummo’

(Criterion Collection)

Harmony Korine’s first feature as director, 1997’s “Gummo,” will screen at Vidiots on Monday. The event is co-presented by the Cinegogue, a group perhaps best known for their limited-edition movie-themed clothing drops, but who describe their mission thusly: “Our goal: make movies cool again through concert-like experiences and fanfare. … Because even though a movie might end, cinema is forever.” (And that’s a sentiment we here can get behind.)

The film finds Korine attempting to bring elements of experimental film and video to a nominally more mainstream context. It’s both confrontational and playful. Using a collage-like structure, the film follows a few kids as they make their way around their small town in Ohio after a tornado. Mostly featuring non-actors, the cast also includes Linda Manz and Chloë Sevigny, who is also credited as the film’s costume designer.

Writing about “Gummo” and Korine’s subsequent “julien donkey-boy,” Kevin Thomas made special note of “the intensity of Korine’s compassion for individuals who have so little going for them and so much going against them, yet at times are capable of experiencing an exhilarating freedom of spirit.”