Dodger

When Los Angeles County Museum of Art director Michael Govan first stepped up to the podium at the museum’s star-packed 14th annual Art + Film Gala, the Dodgers were down one point to the Toronto Blue Jays in the eighth inning of the final game of the World Series.

There was no giant screen in the massive tent where a decadent dinner was being served Saturday night in celebration of honorees artist Mary Corse and director Ryan Coogler. Instead guests in elaborate gowns and tuxedos discreetly glanced at their phones propped on tables and at the base of flower vases across the star-packed venue. This became apparent when Miguel Rojas hit a game-tying home run at the top of the ninth inning and the whole room erupted in cheers.

Michael Govan, CEO of LACMA, wearing Gucci, speaks onstage during the 2025 LACMA Art+Film Gala.

(Amy Sussman / Getty Images for LACMA)

When Govan returned to the stageto begin the well-deserved tributes to the artist and filmmaker of the hour, the game had been won, the effusive cheering had died down, and the phones had been respectfully put away.

“Go Dodgers!” Govan said, before joking that LACMA had engineered the win for this special evening. The room was juiced.

It made Los Angeles feel like the center of the universe for a few hours and was fitting for an event that famously brings together the city’s twin cultural bedrocks of art and cinema, creating a rarefied space where the two worlds mix and mingle in support of a shared vision of recognizing L.A.’s immeasurable contributions to the global cultural conversation.

“This is a celebration that can only happen in L.A. — where art, film and creativity are deeply intertwined,” Govan said. “I always say this is the most creative place on Earth.”

The event raised a record $6.5 million in support of the museum and its programs. Co-chairs Leonardo DiCaprio and LACMA trustee Eva Chow hosted a cocktail party and dinner that drew celebrities including Dustin Hoffman, Cynthia Erivo, Cindy Crawford, Queen Latifah, Angela Bassett, Lorde, Demi Moore, Hannah Einbinder, Charlie Hunnam and Elle Fanning alongside local elected officials and appointees including U.S. Rep. Sydney Kamlager-Dove (D-Los Angeles); L.A. County Supervisors Holly Mitchell and Lindsey Horvath; L.A. Councilmember Katy Yaroslavsky; West Hollywood Councilmember John M. Erickson, and Kristin Sakoda, director of the Los Angeles County Department of Arts and Culture.

Sakoda said she thoroughly enjoyed the festivities “as representative of the incredibly diverse culture of Los Angeles and how that speaks to our entire nation.”

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1. George Lucas arrives at the LACMA Art + Film Gala on Saturday. (Jordan Strauss / Invision via Associated Press) 2. Elle Fanning arrives at the LACMA Art + Film Gala on Saturday. (Jordan Strauss / Invision via Associated Press) 3. Angela Bassett arrives at the LACMA Art + Film Gala on Saturday. (Jordan Strauss / Invision via Associated Press)

A special nod of gratitude went to previous gala honorees in attendance including artists Mark Bradford, James Turrell, Catherine Opie, Betye Saar, Judy Baca, George Lucas and Park Chan-Wook. Leaders from many other local arts institutions also showed up including the Hammer Museum’s director, Zoe Ryan; California African American Museum Director Cameron Shaw; and MOCA’s interim Director Ann Goldstein.

Rising in the background was LACMA’s new David Geffen Galleries, the 110,000-square-foot Peter Zumthor-designed building scheduled to open in April as the new home for the museum’s 150,000-object permanent collection.

“Every day I’m in that little building behind installing thousands of artworks,” Govan said to cheers. “I can’t wait for people to rediscover our permanent collection, from old favorites to new acquisitions. It’s a monumental gift to L.A., and in addition to L.A. County and the public, I would like to thank the person whose generosity brought us to this landmark moment, Mr. David Geffen.”

Geffen sat in a sea of black ties and glittering gowns, near Disney CEO Bob Iger and DiCaprio — who had been filmed earlier in the week in attendance at Game 5 of the World Series at Dodger Stadium.

Govan also gave a special acknowledgment to former LACMA board co-chair, Elaine Wynn, who died earlier this year and was one of the museum’s most steadfast champions. Wynn contributed $50 million to the new building — one of the first major gifts in support of the effort. Govan noted that the northern half of the building will be named the Elaine Wynn wing.

Honoree Ryan Coogler, wearing Gucci, speaks onstage during the 2025 LACMA Art+Film Gala.

(Amy Sussman / Getty Images for LACMA)

Left unmentioned was the fact that earlier in the week LACMA’s employees announced they are forming a union, LACMA United, representing more than 300 workers from across all departments, including curators, educators, guest relations associates and others. One worker told The Times there were no plans to demonstrate at the gala, which raises much-needed funds for the museum.

The crowd sat rapt as the night’s guests of honor, Corse and Coogler, humbly spoke of their journeys in their respective art forms, with Govan introducing them as “artists whose brilliant groundbreaking work challenges us to see the world differently.”

The night concluded with an enthusiastic performance by Doja Cat on an outdoor stage in the shadow of the David Geffen Galleries, the lights girding its massive concrete underbelly like stars in the sky.

“It was a beautiful evening of community coming together around something that reminds us of our shared humanity at a time when we need it,” said Yaroslavsky with a smile as the evening wound down.

The Dodgers, it turns out, chose the perfect costume in which to parade on this scariest of Halloween nights.

They were dressed as the Dodgers.

The Yoshinobu-Yamamoto-firing Dodgers. The Mookie-Betts-blasting Dodgers. The energetic-and-inspired Dodgers.

The listless team of the previous two games was gone. The inspired team of the previous month was back.

Earlier this week fans were asking, who are those guys? On Friday they emphatically answered that question by finally, forcefully, being themselves.

Faced with elimination in Game 6 of the World Series, the Dodgers rose from the presumed dead to haunt the Toronto Blue Jays at the Rogers Centre with a 3-1 victory to knot the duel at three games apiece.

And they did with the most unlikely of saves, a game-ending double play on a lineout that Kiké Hernández caught in left field and threw to Miguel Rojas at second base.

How do the Blue Jays come back from that? How can the Dodgers not gain all the momentum from that?

The quest to become the first team in 25 years to win consecutive World Series championships lives.

Game 7, Saturday night in Toronto, awaits.

And Shohei Ohtani Pitching Somewhere is up.

The stage is set for all sorts of dramatics after a night when the Dodgers took an early three-run lead on the back of slump-busting Betts and then cruised to victory on the back of another brilliant pitching performance by Yamamoto and a surprising three-inning shutdown from the Dodger bullpen.

It didn’t end smoothly, but it ended splendidly, after reliever Roki Sasaki began the ninth by hitting Alejandro Kirk in the hand with a two-strike pitch, then Addison Barger hit a ball to center field that lodged under the outfield tarp for a ground-rule double.

With runners on second and third and no out, Tyler Glasnow made an emergency appearance and recorded that memorable save, retiring Ernie Clement on a first pitch popout and ending the game by inducing Andrés Giménez into a lineout that Hernandez perfectly threw to Rojas.

The Dodgers have been here before. It was just last year, in fact, when they needed consecutive wins against the San Diego Padres in the division series to save their season.

They calmly won both and rolled to a championship. A similar path could end in a similar destination this weekend after the Dodgers rebounded from two lifeless losses at Dodger Stadium to weather the loud Game 6 storm with calm and cohesion.

“Yeah, I mean, we all know that everything has to go perfect for us to be able to pull this off,” said Teoscar Hernández before the game.

So far, so good, beginning Friday with the much-maligned Betts, who smacked a two-out, two-run single in the third inning to give the Dodgers a lead they never lost. Next up, Yamamoto, who followed consecutive complete games by giving up one run on five hits in six innings.

Enter the bullpen, which had given up nine runs in the Dodgers three losses in this series. But the sense of dread lightened when Justin Wrobleski worked around a two-out double by Clement to end the seventh with a strikeout of Giménez.

On came Sasaki, who immediately found trouble in the eighth inning by yielding a single to George Springer and walking Vladimir Guerrero Jr. But the rookie remained calm, and retired Bo Bichette on a foul popout and Daulton Varsho on a grounder.

This set up the breathtaking ninth, the inspired Dodger tone actually set by manager Dave Roberts a day earlier. Roberts did his best Tommy Lasorda imitation by literally leaving it all on the field during Thursday’s day off when he challenged speedster Hyeseong Kim to a race around the bases. Roberts gave himself a generous head start, but as Kim was passing him up around second base, Roberts tripped and fell flat on his face.

The moment was caught on a video that quickly spread over social media and actually led the FOX broadcast before Friday’s game.

Roberts looked silly. But Roberts also looked brilliant, as his pratfall injected some necessary lightness into the darkening team mood.

“I clearly wasn’t thinking,” said Roberts. “I was trying to add a little levity, that’s for sure. I wasn’t trying to do a face-plant at shortstop, and yeah, the legs just gave way. That will be the last full sprint I ever do in my life.”

He lost, but he won.

“Of course it makes you smile and it makes you have a good time,” said Rojas. “When the head of the group is…loose like that, and he’s willing to do anything, that’s what it tells everybody, that he will do anything for the team.”

The spark was lit in the third inning Friday after Blue Jay starter Kevin Gausman had struck out six of the first seven batters.

Tommy Edman, one of last fall’s postseason heroes, ripped a one-out double down the right-field line. One out later, after Ohtani had been intentionally walked, Will Smith ripped an RBI double off the left-field wall.

It was the Dodgers first hit with runners in scoring position since the fifth inning of Game 3, but the surprise was just beginning.

After Freddie Freeman walked, the bases were loaded for Betts, who was the biggest villain of the Dodgers hitting drought with a .130 World Series average while stranding 25 consecutive baserunners. He had been dropped to third in the batting order in Game 5, and then dropped again to fourth for Game 6, and it finally worked, as he knocked a two-strike fastball into left field to drive in two runs and give the Dodgers a 3-0 lead.

The Blue Jays came back with an heroic run in the bottom of the third when, after Addison Barger doubled down the left-field line, wincing George Springer fought off a painful side injury to drive a ball into right-center field to score Barger.

Now it’s down to one game.

The Dodgers are back. Advantage, Dodgers.

TORONTO — As soon as Blake Treinen entered for the ninth inning of Game 5 of the World Series on Wednesday night, Clayton Kershaw dropped his guard and began to look around.

For the previous three hours, the future Hall of Fame pitcher had been locked in on the game, mentally preparing for a potential relief appearance from out in the bullpen.

But when that didn’t come, the 37-year-old Kershaw then let himself relax, took in the scene of an October night at Chavez Ravine, and soaked up the final moments of what was his final game ever at Dodger Stadium.

“It’s a weird thought, of like, ‘This is your last game ever there,’” said Kershaw, who announced last month he will retire at the end of this season. “And not a sad thought. Honestly, just a grateful thought. Just like, ‘Man, we spent a lot of great times here.’”

Win or lose in Games 6 and 7 of this World Series, Kershaw’s overall career will end this weekend at Rogers Centre in Toronto. But on Wednesday night, he closed the book on the ballpark he has called home for all 18 seasons of his illustrious MLB career.

Dodger Stadium is where Kershaw first made his big-league debut back in May 2008, as a highly anticipated left-handed prospect with a big curveball and quiet demeanor. It was the stage for his rise to stardom over the nearly two decades that followed, as he went on to capture three Cy Young Awards, 2014 National League MVP honors and a career 2.53 ERA that ranks as the best among pitchers with 1,000 innings in the live ball era.

It is where he experienced some of the most defining moments of his career, including a no-hitter in 2014 and his 3,000th strikeout earlier this year. It’s also where he suffered repeated October disappointments, none bigger than the back-to-back home runs he gave up in Game 5 of the 2019 National League Division Series.

In other words, it was always home for Kershaw, the place he would return to day after day, year after year, season after season — no matter the highs or lows, aches and pains, successes or failures.

“I just started thinking about it when the game ended,” said Kershaw, who elected to traverse the field to get back to the clubhouse after Wednesday’s game instead of the connected bullpen tunnel. “I was like, ‘Man, I might as well walk across this thing one more time.’”

About an hour later, Kershaw would linger on the field a little longer, joined for an impromptu gathering by his wife, Ellen; their four children; and other family and friends in attendance for his last home game.

“Ellen just texted after and was like, ‘Hey, we got a big crew,’” Kershaw said. “So I was, ‘Well, just go to the field. I’ll try to shower fast so we can hang out.’”

Television cameras caught Kershaw laughing as his kids ran the bases, tried to throw baseballs at a hovering drone and enjoyed a diamond that had become their own personal childhood playground over the years.

At one point, Kershaw posed with the Dodger Stadium grounds crew for a picture — standing on a mound they had manicured for all of his 228 career starts in the stadium.

“Honestly, it was awesome,” Kershaw said. “It was the perfect way to do it. Just have everybody out there, running around … It was unplanned, unprompted, but a great memory.”

Kershaw, of course, is hoping to add one more Dodger Stadium memory next week. If the team can reverse its three-games-to-two deficit in the World Series this weekend in Toronto, it would return to Chavez Ravine for a championship celebration.

If not, though, he’ll have a couple parting moments to cherish, from Wednesday’s postgame scene down on the field, to his final career Dodger Stadium outing back in Game 4 in which he stranded the bases loaded in the 12th for one of the biggest outs in his entire career.

“I’m super grateful with how that went, as opposed to the last time before that,” he quipped, having given up five runs in his only other Dodger Stadium appearance this postseason. “You can’t plan any of that stuff. Who knows if it ever works out. But yeah, to get that one last out was pretty cool.”

So, too, was his one last night Wednesday.

Dodgers catcher Ben Rortvedt connects for a double against the Cincinnati Reds during Game 2 of the National League Wildcard Series at Dodger Stadium on Oct. 1.

(Gina Ferazzi/Los Angeles Times)

Neither Alex Call nor Ben Rortvedt had appeared in a playoff game until this season. And though neither Dodger reserve got off the bench in the first two games of the World Series, they’re a lot closer to the action then they expected to be before the July trades that brought them to Los Angeles.

“It’s really cool. I’m just soaking it all in,” said Call, who came over from the Washington Nationals at the deadline.

“It’s been a whirlwind,” added Rortvedt, who was acquired from the Tampa Bay Rays, then spent most of the summer in triple A before being called up when Will Smith got hurt in early September. “I’ve been taking it more day by day, so it hasn’t kind of struck me as much as people think it would. Definitely when this is done I’m really going to reflect and kind of realize how crazy it has been to kind of be on this team and be where we are now.”

Call, 31, who also played with the Cleveland Guardians in a five-year big-league career, appeared in one game in each of the Dodgers’ first three playoff series, going three for four with two walks, getting hit by a pitch and scoring a run.

“It’s kind of crazy because it feels like it should have been harder,” Call said of reaching the World Series. “With the Nats, it’s like we were going to have to grind our way all the way to the top. And then you get to come over the Dodgers and you’re the favorites, World Series champs. You’ve got probably the best roster ever assembled, with amazing stars up and down the lineup, and then they’re like, ‘Oh yeah, we want Alex Call on our team.’

“That’s kind of an amazing compliment.”

Rortvedt, 28, who also played with the Yankees and Minnesota Twins in four seasons, started the first four games of the postseason and hit .429.

“If I pinch myself, it’s kind of like I’m not sure [I’m here,]” he said. “I just try to be as prepared as I can, understand the magnitude of things, and just try to be prepared and try to slow everything down and do my best.”

So far this postseason, whenever Dodgers fans heard “Báilalo Rocky” ring through the loudspeakers, that meant two things were coming — pitcher Roki Sasaki was about to throw some vicious splitters in relief, and a Dodgers win was likely just a few outs away.

Sasaki’s walkout music has taken on a life of its own, in part because of the only-in-L.A. culture clash that has a sensational Japanese pitcher embracing a Latin club hit as he dominates the postseason. It’s helped cement Sasaki’s appeal among the Latino Dodgers faithful, and given the song a huge global boost as the Dodgers prepare for the start of World Series today.

Here’s a primer on how Sasaki found his hype track, and how it’s become the breakout hit of L.A. this fall.

So who wrote “Báilalo Rocky?”

The version of the song Sasaki walks out to is by Dj Roderick and Dj Jose Gonzalez and vocalist Ariadne Arana (there’s another popular version by Arana, the Dominican MC Yoan Retro and GMBeats Degranalo).

The song is a super-infectious and chantable dembow-house track, and its Spanish hook — “¡Báilalo, Rocky! / Ta, ta, ta, ta / Suéltale, suéltale” — is an invitation for a guy to dance and cut loose. But here, it’s directed at the young phenom Sasaki to bedevil hitters when he comes out in relief. The way Arana pronounces the hook makes it sound like she’s singing right at the Dodgers’ Roki.

That’s a left-field choice for a 23-year-old pitcher from Japan in his first year in L.A.. How did Sasaki discover it?

Dodgers veteran second baseman Miguel Rojas turned him onto the song during spring training this year, where it became a dugout favorite. (The whole dugout is known to pound on the railing when the track comes on.) Sasaki started using it in April, before a four-month recovery from a right shoulder impingement.

The theme song “was actually MiggyRo’s idea,” Sasaki said to press in Japanese last week. “I’m really happy the fans are enjoying it.”

There’s a delightful incongruity to the modest, laser-focused young Japanese pitcher walking out to a lascivious Latin club banger. But as Sasaki has rebounded from an injury-plagued midseason to become the Dodgers’ lights-out reliever in the postseason, ”It’s been special,” Rojas told press last week. “I feel like it just fits him really well.”

For her part, Arana loves the song’s new life as a hit Dodger theme. “The Dodgers are my team,” she’s said.

Has Sasaki’s blessing boosted the track?

Definitely. The song was already popular in Latin music circles, and it’s become a go-to cover and source material for Latin artists like corridos tumbados singer Tito Doble P and Lomiiel. Even other athletes, like Spanish soccer superstar Lamine Yamal, have gotten in on the track as a meme. It’s racked up tens of millions in Spotify and YouTube plays, where nearly every comment is now Sasaki-related.

But naturally, the only place to really hear it is under a cotton candy sky in Elysian Park.

Has it helped Sasaki’s pitching?

In September, Sasaki was pitching for triple-A Oklahoma City and seemed unlikely to win a roster spot back in L.A. anytime soon. Two months later, however, after clutch saves and eye-popping velocity against the Reds, Phillies and Brewers en route to the World Series, he’s having “One of the great all-time appearances out of the ‘pen that I can remember,” as Dodgers manager Dave Roberts called it.

Sasaki’s not the only Dodger with an unexpected Latin walkout track — last year’s World Series hero Freddie Freeman takes the plate to Dayvi and Victor Cardenas’ “Baila Conmigo (ft. Kelly Ruiz).”

But if the Dodgers take home the title thanks to clutch Sasaki saves, Rojas hopes for a full “Báilalo Roki” edit. “I think he deserves a video and the lights go down and all that stuff,” Rojas told MLB.com. “I think that’s the next step for him.”

It’s Dodgers mania. Los Doyers clinched their spot in the World Series for the second year in a row.

Game 1 kicks off Friday. The first two games facing the Toronto Blue Jays will be away, with the Dodgers returning home for Games 3 and 4. Local restaurants and bars are preparing for back-to-back World Series wins by hauling in extra TVs and adding food and drink specials.

Whether you’re heading to Dodger Stadium and looking for a pre- or post-game destination or just want to be in the thick of Dodger madness, keep reading for 11 places near the stadium that are screening all of the games:

If you crossed “see the Dodgers in the World Series” off your bucket list last year, here’s a bucket list update for you: See the Dodgers in the World Series, from the comfort of a hotel room with a full view of the field.

Not at Dodger Stadium, of course. In Toronto, however, where a hotel is built into the ballpark and 55 rooms allow you to open the curtains and catch the game without a ticket.

During the World Series, the nightly rate for these rooms starts at $3,999 (in Canadian dollars, or about $2,850 in U.S. dollars).

A view of the field from one of the rooms at the Toronto Marriott City Centre.

(Toronto Marriott City Centre.)

That is a lot of money. Then again, the rooms sleep up to five people, and good luck getting five World Series game tickets for that price.

You have to get to Toronto, and that costs a lot of money too. But you don’t need to pay separately for game tickets and a hotel, and you can get room service instead of standing in line at concession stands.

The rooms include chairs that face the field, so you don’t have to stand on your bed to catch the action. And you never know: a player could toss you a ball during batting practice, right through your window. Take a look:

Information and reservations: Toronto Marriott City Centre Hotel.

Wow, what a week in sports. USC defeats Michigan, a Dodger pitches a complete game for the first time in the postseason since 2004 and they sweep the Brewers to go to the World Series for the second consecutive year after being 0-6 against Milwaukee during the regular season. Perhaps Michael Conforto will be added to the roster and win MVP in the World Series.

Jeff Hershow
Woodland Hills

While basically sleepwalking through the first three games of the NLCS, Shohei Ohtani saves his best for last. He goes “Hollywood” and produces the single greatest performance in MLB history as the final curtain comes down on the Milwaukee Brewers and extends the Dodgers’ magical journey to repeat as World Series champions.

Stay tuned for the sequel!

Rick Solomon
Lake Balboa

It’s a bird, it’s a plane … no, it’s superhuman Shohei! He pitches a shutout, strikes out 10, and hits three tape-measure home runs. Wow!

Marty Zweben
Palos Verdes Estates

In the history of Major League Baseball, has there ever been a player like Shohei Ohtani? I don’t think so. Shohei is the best ever. Enough said.

Chris Sorce
Fountain Valley

Now that the Dodgers have effortlessly powered their way back into the World Series, it’s quite obvious that $400 million actually does buy what it used to!

Jack Wolf
Westwood

At last, the second coming of the Dodgers has happened. We’ve been waiting for it and hoping for it, and now it’s here. Great offense, great defense and superb pitching. Our new chant should be “all the way L.A., all the way.”

Cheryl Creek
Anaheim

Statistically speaking, there is a case to be made in comparing the postseason accomplishments of Sandy Koufax and Blake Snell. From a historical perspective, there is no comparison.

Koufax is a legendary lifetime Dodger who pitched until he physically was no longer able to do so. Snell famously refused to take the ball in his last Giants start to save himself for a free agency money windfall.

Bill Waxman
Simi Valley

Stop the presses! The world is still spinning on its axis! Holy Toledo, Dave Roberts finally figured out a starting pitcher’s arm doesn’t fall off after 100 pitches. Too bad he didn’t come to that revelation during Blake Snell’s Game 1 performance, but better late than never as the saying goes.

Ken Blake
Brea

Two days ago, Shohei Ohtani rolled into Dodger Stadium as a man on a mission.

After struggling for the previous couple weeks — mired in a postseason slump that had raised questions about everything from his out-of-sync swing mechanics to the physical toll of his two-way duties — the soon-to-be four-time MVP decided it was time to change something up.

Over the previous seven games, going back to the start of the National League Division Series, the $700-million man had looked nothing like himself. Ohtani had two hits in 25 at-bats. He’d recorded 12 strikeouts and plenty more puzzling swing decisions. And he seemed, in the estimation of some around the team, unusually perturbed as public criticisms of his play started to mount.

So, during the team’s off-day workout Wednesday at Dodger Stadium, ahead of Game 3 of the NL Championship Series, Ohtani informed the club’s hitting coaches he wanted to take batting practice on the field.

It was a change from his normal routine — and signaled his growing urgency to get back on track.

“If this was a regular-season situation and you’re looking at an expanse of small sample — eight, nine games, whatever it might be — he probably wouldn’t be out on the field,” manager Dave Roberts said later.

But “with the urgency [of] the postseason,” the manager continued, Ohtani “wanted to make an adjustment on his own.”

Whatever Ohtani found that day, evidently (and resoundingly) clicked. He led off Game 3 with a triple. He entered Game 4 looking more comfortable with his swing. And then, in one of the incredible individual displays ever witnessed in playoff history, he lifted the Dodgers straight into the World Series.

In a 5-1 defeat of the Milwaukee Brewers that completed an NLCS sweep and gave the Dodgers their 26th pennant in franchise history, Ohtani hit three home runs as a hitter, and struck out 10 batters over six-plus scoreless innings as a pitcher.

Shohei Ohtani pitches during Game 4 of the NLCS against the Brewers. Ohtani struck out 10 over six scoreless innings for the Dodgers.

(Gina Ferazzi / Los Angeles Times)

He made his previously disappointing playoffs a suddenly forgotten memory, earning NLCS MVP honors and to the astonished amazement of all 52,883 in attendance.

And he delivered the kind of game the baseball world dreamed about when the two-way phenom first arrived from Japan, fulfilling the prophecy that accompanied him as a near-mythical prospect eight years earlier.

Back then, Ohtani’s 100-mph fastball and wicked off-speed repertoire had tantalized evaluators. His majestic left-handed swing had tortured pitchers in his home country.

Not since Babe Ruth had the sport seen anything like him.

There were some early growing pains (and injuries) during his transition to the majors. But over the last five years, he blossomed in the game’s definitive face.

A look at the three home runs Shohei Ohtani hit in Game 4 of the NLCS on Friday.

All that had been missing, in a resume chock full of MVPs and All-Star selections and unthinkable records even “The Great Bambino” never produced, was a signature performance in October. A game in which he dominated on the mound, thrilled at the plate, and single-handedly transformed a game on the sport’s biggest stage.

During that Wednesday workout this week, Ohtani got himself ready for one, stepping into the cage during his on-field batting practice — as his walk-up song played through the stadium speakers and teammates gathered near the dugout in curious anticipation — and swatting one home run after another, including one that soared to the roof of the right-field pavilion.

On Friday, in an almost unimaginable showcase of his unprecedented talents, he managed to do exactly the same thing.

After stranding a leadoff walk in the top of the first with three-straight strikeouts, Ohtani switched from pitcher to hitter and unleashed a hellacious swing. Brewers starter José Quintana left him an inside slurve. Ohtani turned it into the first leadoff home run ever by a pitcher (in the regular season or playoffs). The ball traveled 446 feet. It landed high up the right-field stands.

Three more scoreless innings of pitching work later, Ohtani came back to the plate and hit his second home run of the night even farther. In a swing almost identical to his titanic BP drive two days prior, he launched a ball that darn near clipped the pavilion roof again, a 469-foot moonshot that landed in the concourse above the seats in right.

Somehow, there was still plenty more to come.

With the Dodgers up 4-0 at that point, Ohtani then did his best work as a pitcher, following up two strikeouts that stranded a leadoff double in the fourth — and had him excitedly fist-pumping off the mound — with two more in both the fifth and the sixth.

His fastball was humming up to triple-digits. His sweeper and cutter were keeping the Brewers off balance. His splitter wasn’t touched once any of the five times they tried to swing at it.

Shohei Ohtani runs the bases after hitting his third home run of the game against the Brewers in Game 4 of the NLCS at Dodger Stadium on Friday night.

(Gina Ferazzi/Los Angeles Times)

Anything he did immediately became magic.

Ohtani’s loudest roar came in the bottom of the seventh, after his pitching start had ended on a walk and a single led off the top half of the inning.

For the third time, he flung his bat at a pitch over the plate. He sent a fly ball sailing deep in a mild autumn night. He rounded the bases as landed beyond the center field fence.

Three home runs. Six immaculate innings. A tour de force that sent the Dodgers to the World Series.

All of it, just two days removed from Ohtani being seemingly at his lowest.

All of it, when the baseball world was most closely watching.

Dodgers players and coaches celebrate after sweeping the Milwaukee Brewers in the NLCS at Dodger Stadium on Friday night.

(Robert Gauthier / Los Angeles Times)

The debate over whether Mookie Betts can play shortstop was settled long ago.

The debate now is whether Mookie Betts can play shortstop better than anyone in baseball. That discussion may soon be drawing to a close, too.

Because a day after being named a finalist for a Gold Glove, Betts put a huge exclamation point on Thursday’s 3-1 playoff win over the Milwaukee Brewers with a spectacular play to start the ninth inning.

The victory leaves the Dodgers a win away from advancing to their second straight World Series, a journey they could complete Friday in Game 4 of the National League Championship Series. And a big reason they’re there is the steady defense of Betts, a six-time Gold Glove winner in the outfield who has made the difficult move to the middle of the infield seem easy.

“I think the only person on this planet that believed that Mookie Betts would be in this conversation was Mookie Betts,” Dodger manager Dave Roberts said. “It’s just something that has never been done. I can’t even — it’s incredible. Obviously I’m at a loss for words.”

Betts tried the position last year but Roberts said the confidence wasn’t there, so he moved Betts back to the outfield. There was no chance that would happen this fall.

Few understand the difficulty of what Betts has done more than those who have played the position. Yet Miguel Rojas, the man Betts replaced at shortstop — and a Gold Glove finalist himself this season as a utility player — said he’s not surprised because he has seen how hard Betts works.

“He doesn’t take days off,” Rojas said of Betts, who is frequently among the first players on the field for pregame drills and among the last to leave. “Even when we have an off day, he’ll still go out there and is asking ways to get better. I think it’s a product of being a relentless worker every single day. He’s never satisfied. He’s always trying to get better.

“For me to be there every single day to watch him perform and watch his work ethic, it’s been impressive.”

Part of that work, Betts said, involves watching video of every fielding play he makes. That includes the brilliant ones, like the ninth-inning play Thursday in which he ranged in the hole to backhand Andrew Vaughn’s grounder, then rose up and delivered a strong one-hop jump throw across his body to first baseman Freddie Freeman to get Vaughn easily.

“I go back and watch all my plays, even the routine ones, just to learn what I can do better,” he said.

Asked if he’s ever surprised by what he sees, Betts, who has yet to make an error in the playoffs, shrugged.

Dodgers shortstop Mookie Betts makes a leaping, cross-body throw to retire Andrew Vaughn at first base during the ninth inning of Game 3 of the NLCS on Thursday at Dodger Stadium.

(Robert Gauthier / Los Angeles Times)

“I’m just doing my job. I’m just doing my job going out there and playing short, that’s all.

“Once I get to the ball, I believe and trust in my athletic ability to make a play.”

Rojas, who has played six positions in the majors, said shortstop is such a hard place to play because of the mental focus it demands. An outfielder might be able to think about his hitting for a few pitches, but the shortstop, who quarterbacks the infield, doesn’t have that luxury.

“In the middle of the year he was in a slump offensively. But he never let the defense down. And that’s really impressive,” Rojas said. “He always said it to me, ‘Even though I’m sucking right now at hitting, I’m never going to be bad at defense. And I’m going to catch every single ball.’

“That’s the mentality that you have to have to be a really good shortstop.”

In the postseason, he’s become a really good offensive shortstop as well. After slumping to a career-low .258 average in the regular season, Betts is slashing .297/.381/.459 and shares the team lead with 11 hits and five extra-base hits in the postseason.

However, the numbers and the awards mean little to him, he said; Betts cares far more about winning. And as for proving himself at shortstop? Others, including his manager, may be surprised, but he isn’t.

“I know I could do it. I believed in myself. I always have belief in myself,” he said. “It was a goal to be the best I could be. If it came with a Gold Glove, cool. If it didn’t come with a Gold Glove, cool.

“I can go to bed at night knowing that I did everything I could. That’s all I care about.”

Just a season ago there were mornings when he’d get out of that bed wishing he could go back to right field. That doesn’t happen anymore.

“I would say the best athletes are the guys in the dirt,” he said. “It was fun while it lasted. I enjoy being in the dirt now.”