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For decades, Iranian novelist and memoirist Shahrnush Parsipur wrote under the threat of her country’s oppressive laws. Parsipur was imprisoned for her work four separate times: once under the shah, who ruled Iran before the Islamic Revolution of 1979, and three times under the regime that took power that year.

Despite this Damoclean sword hanging over her, she managed in 1989 to publish “Touba and the Meaning of Night,” a sweeping historical novel that lays bare Iran’s crushing patriarchal culture. In 1990, she wrote “Women Without Men,” a book of connected stories that trace the lives of five women, including a sex worker and schoolteacher, in search of liberation and self-actualization.

Shortly after the book’s publication, the Iranian government threw Parsipur in prison for a fourth time, where she remained for over four years.

Flash forward 36 years, and an English translation of “Women Without Men” has published in the U.K. for the first time. (The first U.S. English translation was published by Feminist Press in 2011.)

Now, the U.K. book has been nominated for this year’s International Booker Prize. In an email exchange, Parsipur, who presently lives in exile in Northern California, expounded on her career, Iran and the recent developments there.

✍️ Author Chat

(The L.A. Times may earn a commission from bookshop.org links.)

Women Without Men was longlisted for the 2026 International Booker Prize

(The Feminist Press)

What is your feeling about the U.S. air attack against Iran?

I am very sorry for my country. People suffer and the country becomes ruined. I will never forgive Israel and the U.S. I am an American also and as an American I want to stop the war. I do not think that Americans and Israelis can bring liberty to Iran. The people of Iran must try for themselves.

The government threw you in prison shortly after you published “Women Without Men.”

I was never a political activist and they did not torture me. But one time they put me in a grave for two months in Ghezel Hesar Prison. There, we always had to sit without speaking and our eyes were closed by a cover and we listened to Islamic slogans.

So it was solitary confinement?

We were sitting in a space the size of a grave and there was a wooden wall between every grave, so you could not see anything except your grave.

Did you write in prison?

Yes, I began to write my novel “Touba and the Meaning of Night.” I wrote half of it and suddenly they took it and after one year the men of Ayatollah Montazeri came to prison and they gave me the novel. They had destroyed two pages that were about the killing of a girl. I thought the virginity of my book was ruined. So I burned it. I wrote my memoirs when I came to the U.S.

So you burned the book and then rewrote it?

When my prison term finished I wrote “Touba” again.

Do you still have family in Iran?

Yes, I have some family in Iran and I cannot contact them. The internet does not work and mobiles are silent.

Do you think change in Iran will come soon? Will the U.S. help to liberalize the country?

The Islamic laws must change and a country like Israel cannot do that. So, the Iranian must change the situation. All my books are banned in Iran, except ones that they change themselves. But “Women Without Men” is published in more than 30 countries. The Booker International Prize is an English prize and if they give it to me there is no relation with banning the book in Iran. I am not surprised about the situation.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

“‘Second Skin’ is more sociological than sexy; more anthropological than animalistic,” writes Meredith Maran.

(Los Angeles Times illustration; book jacket from Catapult)

Julia M. Klein is fascinated by Loubna Mrie’s memoir “Defiance,” which, she writes, “offers a prism on Syria’s authoritarian society before the 2011 uprising and subsequent civil war, and vivid snapshots of the devastation that the war unleashed.”

Mark Athitakis considers two books that tackle the old “New Hollywood” of the late ’60s and early ’70s: Paul Fischer’s “The Last Kings of Hollywood,” which spotlights the Coppola, Lucas and Spielberg pantheon, and Kirk Ellis’ “They Kill People,” about the making of “Bonnie and Clyde.” Athitakis calls Ellis’ history “a meaty yet accessible book that captures the lightning-in-a-bottle nature of the generation’s ur-text,” while Fischer’s book “has a gift for highlighting the ways that moments that we now accept as inevitable were often the product of dumb luck.”

Diane Garrett has a chat with Elizabeth Arnott about her novel “The Secret Lives of Murderers’ Wives,” which she calls “an empathetic and at times bracing mystery tale about unlikely crime solvers circa 1966.”

Finally, Costa Beavin Pappas considers Brian Raftery’s curiously titled “Hannibal Lecter: A Life,” which is really a biography of Lecter’s creator, author Thomas Harris. “For fans of true crime, Raftery has written a fascinating biography and origin story about one of pop culture’s most emblematic serial killers, and his lasting bite on society,” writes Pappas.

📖 Bookstore Faves

Taschen Beverly Hills sells eye-catching artistic works

(TASCHEN)

Taschen Beverly Hills may well be the most gorgeous bookstore in Los Angeles, all gleaming, polished wood and ambient light illuminating the store’s lavishly illustrated art and design books. The shop opened over two decades ago as a showcase for the German publisher’s catalog, and it remains a popular destination for tourists and Taschen cultists who collect the company’s highly collectible titles. I spoke with Taschen Executive Director Creed Poulson about what’s selling right now.

What is the store’s clientele?

At the risk of sounding like a marketing manager, we have something for everyone, because our price points range from $10 up to thousands of dollars. Which allows us to have a mixed clientele in the store.

I know there is a kind of Taschen cult, folks who will buy your books because of your reputation.

That comes from our owner Benedikt Taschen, who is a collector and understands the mindset of a collector. Our books become collectible, regardless of the cost.

What is selling right now?

“Ferrari” by Pino Allievi, who is one of Formula One’s best known correspondents. “The James Bond Archives,” which is edited by Paul Duncan, and “Ultimate Collector Watches” by Charlotte and Peter Fiell.

Lately, there has been a turn among Gen Z into all things analog. Have you seen younger customers come into the store?

Yes, absolutely. I’m seeing a lot of the younger generation coming, especially during our annual sales — fans that are migrating away from just looking at images online, into book collecting. They want a tactile object they can hold and feel, and they want something they can enjoy as an object.

Our present podcast era has bred a new generation of interlocutors from the public sphere, veteran interviewees turned journalists. Harper Simon is among the many pro musicians who have taken on the role of insatiably curious interrogator. The singer-songwriter, who is the son of Paul Simon, has made four solo albums and toured the country both as a solo artist and sideman, but it wasn’t until he was tapped by music manager Michael Lustig in 2016 to host an internet series called “Talk Show” that Simon found his new avocation.

The cream of Simon’s interviews have now been collected in “Thinking Out Loud,” which is published by L..A. imprint Hat & Beard Press. I chatted with Simon about the art of the interview, Pink Floyd and Ed Snowden.

✍️ Author Chat

I have found that people who have been interviewed a lot are good at interviewing others. They know how to avoid the banal and obvious questions.

I’m not a trained journalist, so the conversations were closer to what Andy Warhol’s “Interview” magazine used to be. More of a casual back-and-forth, rather than me trying to ask questions or having someone promote their product. So the book is really a combination of folks that I’ve known my whole life and others that I just asked to interview.

Interviewing public figures can be a very stilted experience. And then you wind up not getting much of anything.

Interviews with journalists are a funny thing. There is always this weird, uncomfortable hierarchical relationship, where the journalist might feel superior, or the subject feels that way. It creates this strange imbalance. The journalist might feel the need to wrest some hot information from the subject, or find some aha moment and then the subject gets their guard up. I feel like the interviews in my book are very relaxed. You’re going to get some truth, even if it’s a modest truth. There were some interviews I left out of the book because the subjects seemed too media trained or too guarded.

Some of your interviewees, like Eric Idle and Buck Henry, are people you’ve known your entire life, having grown up with your dad in that kind of very stimulating artistic milieu. Does that help or hurt?

I think I might get better material from folks like that. There’s a warmth there, but I’m also a huge fan of their work, so I want to hear about Eric Idle’s work with Monty Python, or Buck Henry hosting “Saturday Night Live.” There are still plenty of stories that I’ve never heard.

Harper Simon, the artist and son of Paul Simon, has released three solo albums and toured the country. His latest project is a collection of interviews.

(Demme)

Someone like Pink Floyd’s David Gilmour has been interviewed hundreds of times in his career. What is there left to ask?

It’s kind of like my father, where the legacy is so familiar and well-known, what is there left to be said? What is there left to say about “Dark Side of The Moon”? But it turned out to be a really good interview. He had some great things to say about [Pink Floyd founder] Syd Barrett, how Gilmour felt like the other members had behaved callously towards him at times. He also speaks with great warmth about his own family.

Harry Dean Stanton is in the book, and I have to empathize. He was by far the most difficult interview subject I’ve ever had to deal with. A man of few words.

It’s funny, because I wound up doing some projects with Harry Dean, like this big tribute event to help raise money for Vidiots in Eagle Rock, but even after all of that, we didn’t get any closer. He was a very hard person to know.

You interviewed James Woolsey, and you guys were definitely not on the same page, but the tone remains civil. Don’t you think it’s important to have a reasoned discourse with someone you don’t agree with politically?

Absolutely, but that was one that definitely became contentious at times. James Woolsey had been the former head of the CIA under Clinton. So I came into the interview feeling very outgunned. I’m not a trained political journalist. But somehow I had gotten it in my head that I was Abbie Hoffman and he was J. Edgar Hoover or something. This was 10 years ago, and Edward Snowden was the big story in the news. So I led with that, and Jim Woolsey, being a good CIA man with very strong convictions, felt that Snowden was a traitor. But then he said he would like to see him hung by his neck, which felt aggressive. Then things really went off the rails when we somehow got locked into a discussion about Israel and Palestine. I remember him saying to me, “You’re just parroting the talking points of the Muslim Brotherhood.” Now I found those words echoing in my thoughts when I listen to some people discuss the current situation. I respected him and enjoyed the conversation but it was intense. I thought I held my own reasonably well but he was a tough guy to get in the ring with.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

“‘Second Skin’ is more sociological than sexy; more anthropological than animalistic,” writes Meredith Maran.

(Los Angeles Times illustration; book jacket from Catapult)

Meredith Maran thinks Anastasiia Fedorova’s book “Second Skin” does a great job of busting open the taboo of what is commonly regarded as deviant sexual desire. The book “advocates for a person’s right to like what they like and to get it consensually,” writes Maran.

Victoria Lancaster has a chat with Emily Nemens about her new novel “Clutch” and the challenges of writing about midlife among a clutch of close female friends. “I was cognizant of balance and understanding the lazy-Susan of it,” says Nemens. “Making sure I was spinning all the way around the table and touching each piece in each storyline.”

Two new novels about game-changing women in history — Janet Rich Edwards’ “Canticle” and Paula McLain’s “Skylark” — find favor with Bethanne Patrick. What these books “get right about their very different heroines and time periods is that change doesn’t happen overnight. … [But] change can and does happen, one determined woman at a time.”

Finally, on the occasion of the new screen adaptation of “Wuthering Heights,” six authors weigh in on their love of Emily Brontë’s enduring romance novel.

📖 Bookstore Faves

Skylight Books on Vermont is a staple of the Los Feliz literati.

(Joel Barhamand/For the Times)

Let us praise Skylight Books, which for over 30 years has remained a pillar of its Los Feliz community, with the main shop and the arts annex just a few doors away from each other on Vermont Boulevard. Store manager Mary Wiliams tells us what her customers are sweeping off the shelves right now.

What is selling right now?

“Vigil” by George Saunders is our biggest seller right now. Aside from that, it seems like great recent fiction in paperback is dominating the bestseller list — “Rejection” by Tony Tulathimutte, “The City and Its Uncertain Walls” by Haruki Murakami, “Martyr!” by Kaveh Akbar, and “All Fours” by Miranda July all are books that keep on selling really well for us, month after month.

Do you sell more fiction than nonfiction, or is it a tie?

We sell a good amount of both, but fiction is the bigger seller. Especially literary fiction, which is our bread and butter. On the nonfiction front, “Everything Now” by Rosecrans Baldwin is a perennial bestseller out of our Regional section — it’s a great collection of essays about Los Angeles. And everything Patti Smith touches turns to gold, so her book “Bread of Angels” is also a hit here.

Your arts annex is unlike anything else in L.A. I suppose there is still a market for cool periodicals and expensive art books that the internet hasn’t knocked out?

Our goal with the annex is for it to be a place of discoverability — where you can find the weird cool art book, comic or magazine you didn’t know you needed. We hope even our customers who are well-versed in art books find something new every visit. A fair amount of what we carry isn’t widely available online in the U.S., so when we put it on our website in our Annex Picks section and advertise it in our newsletter, we get orders from around the country.

Skylight Books in Los Angeles is located at 1818 North Vermont Ave.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

With his six-volume magnum opus “My Struggle,” Karl Ove Knausgaard became one of Europe’s most acclaimed contemporary novelists.

At once epic and intimate in scope, the books used the raw material of Knausgaard’s life to answer questions about male identity, the obligations of fatherhood and marriage, and what it takes to become a serious artist. In his new novel, “The School of Night,” Knausgaard further explores the mysteries of artistic greatness, using as his template Christopher Marlowe’s 16th century play “Doctor Faustus.” Knausgaard sets his story in mid-1980s London, where two aspiring photographers named Kristian and Hans try to find their footing in the art world.

I spoke to the Norwegian writer about the devil, photography and Radiohead.

✍️ Author Chat

Your novel’s plot and characters are based on Christopher Marlowe’s 16th century play “Doctor Faustus,” which is about a scholar who sells his soul to the devil. Was this something you’ve been thinking about for a while?

I read Thomas Mann’s novel “Doctor Faustus” when I was 19 and it made a big impression on me. It’s been with me ever since then. The devil theme has hovered over some novels I’ve written, so it remained, and then I wanted to set this novel in London, where I now live, and where Marlowe was murdered. I wanted all of this in the background, but I didn’t know how to use it. That came during the writing.

The two young artists in “The School of Night” are photographers, an art form that has long been associated with the occult and summoning the unseen world. One thinks of the spirit photography trend of the 19th century in England.

I wrote about the first photograph in the novel, shot by Daguerre in 1848. I have it on my wall in my office. It’s a Paris street, which I find very unsettling and spooky, because even though it’s daytime there are no people on the street because the exposure was too slow to capture them. There’s just this lone figure, in the center of the frame who looks like the devil. I find it intriguing that the devil might have been present when the first photograph was taken.

Karl Ove Knausgaard, one of Europe’s most acclaimed contemporary novelists, sets his newest novel, “The School of Night,” in mid-1980s London.

(Solve Sundsbo for D2)

I think one of the reasons for the enduring appeal of the Faust legend is, if given the chance, most people would sell their souls for success, especially artists.

I think you’re right. And it is also a way of explaining something that is really mysterious, how a kind of normal, maybe even mediocre person could achieve something great overnight. When I was 19, I could have cut off my left arm to just have a book published. And when I wrote “My Struggle,” I was so frustrated in my writing, I was willing to go to extremes, to just make something happen. And then I didn’t think much about that when I wrote “The School of Night.” But it’s all kind of obvious to me afterwards that I use that feeling of doing something I really shouldn’t, and I could have stopped, but I still did it.

To your point: Kristian, your protagonist, has an artistic breakthrough when he photographs a dead cat that he has boiled. I guess my question is: A boiled cat?

Oh, that’s just due to the way I write. I never know what’s going to happen in a book. He’s starting to think about inner structures that keep up life somehow. And then, he thinks, how could he take photos of that? Well, maybe a cat. And then you have to practically get a cat. And then it’s like 25 pages of me describing how to boil a cat. I never planned it, you know.

Do you not outline your novels beforehand?

No, never, I’ve never done that. I do really try to be present and see what happens there. And then there will always be consequences of the choices you make, and that will eventually be the novel. And in this case, the character is different from me, so his choices will be different, and that creates a different trajectory, really.

Your characters are music obsessives in ways that only men in their 20s can be: curating their record collections, and so on.

When I was young, music really meant almost everything to me. When I was 15, I went to a local newspaper and asked to review records for them. And I had my own radio show. I’m not obsessed anymore, but I did see Radiohead at the O2 Arena recently. They are the last band I really wanted to see, and it was absolutely fantastic. I had tears running down my cheeks.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

George Saunders’ new novel might be the dark humor read you need right now, writes Robert Allen Papinchak.

(Los Angeles Times photo illustration; cover from Riverhead Books)

George Saunders has published a new novel called “Vigil,” and Robert Allen Papinchak is besotted by it, calling it a “virtuoso achievement, an immersive experience for the reader.”

Nathan Smith had a Zoom chat with author Martha Ackmann about her new Dolly Parton biography, “Ain’t Nobody’s Fool,” and got the lowdown on how Parton’s fixation with over-the-top wigs began. “Her promotions man happened to be dating an actress who had a big part in the television series ‘Mr. Ed,’ ” Ackmann tells Smith. “This actress took her around, showed her L.A. and they went to the Max Factor store and tried on wigs.”

In an excerpt from this new book, “Football,” Chuck Klosterman makes a case for America’s favorite sport as best viewed in the privacy of our living rooms. “It’s not just that you can see a game better when you watch it on television,” he writes. “Television is the only way you can see it at all.”

Finally, Bethanne Patrick gives us the lowdown on the must-read books of February.

📖 Bookstore Faves

Fear not, grown-ups: Our kids are not digital zombies just yet. In fact, children’s bookstores are thriving in Los Angeles. Children’s Book World is the largest independent bookstore of its kind in the city, with over 80,000 titles for sale. The store is a wonderland of printed matter for kids, with readings, book clubs and even musical performances. I spoke with the store’s manager Brien Lopez to get the lowdown on what our kids are reading.

What’s selling right now?

T.Z. Layton’s “The Academy” series, which is about a global soccer competition for tweens, is one of our best sellers. This series has lots of boys who were not avid readers becoming strong fiction readers because they are about a subject they love and they are really fun reads.

What kind of YA books are popular right now?

For our particular store we sell lots of sunshine romance particularly targeted to new teens like Lynn Painter’s books, as well as both mysteries and suspense thrillers like Jennifer Lynn Barnes’ “Inheritance Games” series. Dystopian sci fi is also popular, like Soyoung Park’s “Snowglobe” duology.

Who are the popular authors?

We just had a 2,000-person event with Dav Pilkey for his new “Dog Man” book and how he gets kids excited about books and reading just can’t be underestimated. We also had big events with beloved authors Katherine Applegate, Stuart Gibbs and Max Brallier. Middle grade fiction and graphic novels are very popular at our store.

Are kids still interested in books, despite all the distractions in their lives?

Kids definitely are interested in books if they are allowed to read about subjects they enjoy and books they love. The moment you tell a child there is a good book versus a bad book to read you have stopped that kid’s reading journey in its tracks. Let kids read the books they love and they will do it for a lifetime.

Children’s Book World in Los Angeles is located at 10580 1/2 W. Pico Blvd.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)